Review: Girl in Disguise by Greer Macallister + Giveaway

Review: Girl in Disguise by Greer Macallister + GiveawayGirl in Disguise by Greer Macallister
Format: eARC
Source: publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: historical fiction
Pages: 308
Published by Sourcebooks Landmark on March 21st 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBook Depository
Goodreads

For the first female Pinkerton detective, respect is hard to come by. Danger, however, is not.
In the tumultuous years of the Civil War, the streets of Chicago offer a woman mostly danger and ruin-unless that woman is Kate Warne, the first female Pinkerton detective and a desperate widow with a knack for manipulation.
Descending into undercover operations, Kate is able to infiltrate the seedy side of the city in ways her fellow detectives can't. She's a seductress, an exotic foreign medium, or a rich train passenger, all depending on the day and the robber, thief, or murderer she's been assigned to nab.
Inspired by the real story of Kate Warne, this spirited novel follows the detective's rise during one of the nation's greatest times of crisis, bringing to life a fiercely independent woman whose forgotten triumphs helped sway the fate of the country.

My Review:

The subject of this fictionalized biography would be downright offended at its title. By the time this book begins in the mid-1850s, Kate is a woman whose illusions seem to have been stripped away long ago. She’s also a widow.

“Girl” doesn’t fit her at all, and she wouldn’t want it to. What she wants, at least as she is portrayed in this book, is to be treated as an equal. The equal of any man in the Pinkerton Agency. And it’s a hard-knock fight every single step of the way.

Kate Warne was a real person. Admittedly, a real person about whom not very much at all is known. Which makes her a great character on which to hang a work of historical fiction. Particularly since what is known about Kate Warne is the stuff of fiction to begin with.

Kate was the first female Pinkerton agent. Hired in 1856, she was one of the first, if not the first, female detectives in the world. No one expected her to succeed. No one even expected her to apply. There was no such thing as female detectives or female police officers when Kate Warne answered Allan Pinkerton’s “Help Wanted” advertisement for new agents.

But as she says, “Someone has to be first.”

Her life, what little we know of it, is the stuff of legends. Most of the information about her real career was kept in the Pinkerton office in Chicago. And most of it was wiped out in the Great Chicago Fire. (Mrs. O’Leary’s cow has a LOT to answer for)

One of the things that is known, and that made her fame, was her part in spiriting then-President-Elect Abraham Lincoln through a risky Baltimore night ride on his way to his inauguration – and his subsequent date with history. Without Warne, the history of the U.S. as we know it might have been far different.

But this book is a fictionalized version of her life, stitching together what little is known about her, with considerably more that it known about the Pinkerton’s in general and their work during the Civil War in particular, and making a fascinating story out of it, without descending into rank sensationalism or outright melodrama, at least until the very end.

Kate Warne lived a brief but fascinating life. I wish history had left us more details of her adventures. But if they were even half as hair-raising as this story, her candle must have burned very bright indeed.

Escape Rating B: I left myself plenty of time to read this one, because while I was very interested in the subject, I was a bit unsure about the author. As much as so many people loved The Magician’s Lie, when I gave it a try I couldn’t get into it at all. But Girl in Disguise grabbed me from the first page.

I think that had to do with Kate’s voice. The book is written in first-person singular, so throughout the story we are always in Kate’s head. It’s a fascinating place to be. While the circumstances of Kate’s life are particular to her time and place, so many of her thoughts seem universal to working women.

She wants to be considered as a professional, on an equal basis to the men in the agency. She never trades on her feminine wiles, and has nothing but professional relationships with all of the male Pinkerton’s, particularly including Allan Pinkerton himself. As portrayed in the book, the relationship between them was strictly professional from beginning to end. He mentored her and trusted her in a way that would have raised no eyebrows if she had been a man, but because she was a woman she constantly battled rumors that they were having an affair – rumors that persist to the present day in spite of a complete lack of evidence either then or now. It was simply assumed that a woman could not possibly be hired or trusted on her own merits.

Until the end, Kate is in love with her job, and as so many of us do, sacrifices most of her life to the pursuit of her work. But Kate isn’t the only one. As one of the male agents comments, none of them have personal lives, with the exception of Pinkerton himself. They are on the road too much, and they must keep way too many secrets. No spouse, male or female, is willing to tolerate that kind of treatment for very long.

What made Kate so relatable, at least for this reader, is just how dispassionate she is about her own life. She’s not given to flights of either hyperbole or fancy, at least in the privacy of her own head. This is who she is, this is what she does, this is what it costs her. She’s a heroine, but she never sees herself that way. She’s a woman doing a job that challenges her in ways that she can’t find anyplace else, and that she absolutely loves. She’s doing what she was born to.

There is historic evidence that Kate was part of the team that kept Lincoln alive on his way to his inauguration. Many of the other cases in the book where she is involved are based on real Pinkerton cases, even if Kate’s specific involvement is not known, and a few have been combined for dramatic license.

I really enjoyed the perspective of Kate the professional woman, both her triumphs and her many and frequent qualms about whether the ends justified the means. She has a lot to live with, and sometimes, quite reasonably so, she has second, third and fourth thoughts.

As a reader, I wish that her dispassion had not failed her in the last quarter of the book. I very much enjoyed reading about Kate in love with her work, and the details of that work as the Civil War heated up. I was less enthralled when Kate fell in love with a fellow agent. At that point the melodrama swept in.

But all in all, Girl in Disguise is a fascinating portrait of an unsung heroine – Kate Warne, the first female “private eye”.

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

Greer and Sourcebooks are giving away 3 copies of both The Magician’s Lie AND Girl in Disguise to lucky participants in this tour.
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Review: Finding Our Forever by Brenda Novak + Giveaway

Review: Finding Our Forever by Brenda Novak + GiveawayFinding Our Forever (Silver Springs, #1) by Brenda Novak
Format: eARC
Source: publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: contemporary romance
Series: Silver Springs #1
Pages: 224
Published by Harlequin Special Edition on March 21st 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

New York Times bestselling author Brenda Novak welcomes readers to the town of Silver Springs, where surprises wait around every corner!
The search for her birth mother brought Cora Kelly to the New Horizons Boys Ranch. Getting a job there was easy enough, but confiding in Aiyana, the ranch's owner, that she's really her daughter? Cora's not sure she can do that, not unless she's confident the news will be welcomed. And once she gets to know Elijah Turner, Aiyana's adopted son and ranch manager, that decision becomes even more difficult.
Although Elijah can't deny his deep attraction to Cora, he's always struggled with trust. Anyone with his past would, and there's something about the ranch's newest employee that isn't exactly as it seems. But if the feelings she awakes in his guarded heart are any indication, she might be just what he's long been waiting for.

My Review:

Welcome to tiny Silver Springs California, only two hours from the bright lights and big city of Los Angeles in miles, but light years away in everything that counts.

Everyone believes that Cora Kelly has come to Silver Springs to teach art at New Horizons Boys Ranch. And she certainly has. But that’s not the real reason she desperately wanted the job there, two hours from her family and friends back in LA. And two hours away from the job she could have had, teaching full-time at the school where she’d been subbing for the past six years. A job she had originally been looking forward to. Very much.

But New Horizons has one thing that LA can’t begin to match. Cora’s birth mother is the woman who has poured her own life into New Horizons. And Cora, after years of searching, wants to see who her birth mother really is, and especially find out why she gave her up all those years ago. Because it seems like the woman who has poured her heart and soul into helping, saving and sometimes even adopting boys from extremely difficult and/or troubled backgrounds and circumstances does not seem remotely like the kind of woman who would give up her own child.

Cora’s had a terrific life. Her adoptive parents love her dearly, and never loved her less than their biological son. She hasn’t lacked for anything – except the answers that most of us take for granted. And that lack of answers has driven her to Silver Springs, to take a year out of her life to teach at New Horizons, in the hopes of finally getting at least some of those answers.

But she isn’t sure, when, if, or whether she will reveal who she really is. She’s unsure whether or not she’d be welcome. But concealing that truth, living that very big lie, becomes an even dicier proposition than Kelly had planned on when she can’t resist the attractions of Elijah Turner, her boss, the ranch manager, and her mother’s eldest adopted son.

And in spite of Eli’s scarred past and taciturn present, he can’t seem to resist Cora, either. But the more deeply they become involved, not just romantically but also in each other’s lives, the more difficult it becomes for Cora to risk her heart and her happiness to reveal a truth that could shatter everything.

Or bring her everything her heart desires.

Escape Rating B+:The romance in Finding Our Forever is a relationship that often gets relegated to “taboo” erotica, but there’s no feeling of that kind of dirty secret here. If Cora and Eli had been raised together, it might feel different, but they weren’t so it doesn’t. They meet as adults, and are attracted to each other as adults. While Cora is aware that Eli is technically her adopted brother, they share no blood or genes to make any relationship actually be taboo.

But it does make things considerably more complicated, and they are plenty complicated to begin with. The angst in this story does not feel either manufactured or false. Cora has a secret, and she has very valid reasons both for keeping that secret and wanting to reveal it. She’s extremely conflicted about it, and so she should be. At the same time, Eli in particular has equally valid concerns about trust. The deeper they get into a relationship that neither of them expected, the more worried Cora becomes that Eli will feel betrayed by Cora’s hidden identity.

On top of that, when her secret comes out, she could be out of a job, as well as brokenhearted AND forced to go back to her adoptive parents to face a cloud of “I told you so’s” They were not in favor of Cora’s quest for her birth mother, feeling as if Cora’s search was an indictment of their love and their parenting, which it isn’t. But again, their conflicted feelings on this matter are also understandable.

The only person whose feelings don’t ring true in this entire mess is Cora’s ex-boyfriend, who shows up early in her school year in an attempt to either manipulate her back to him or otherwise horn in on her life. He’s a jerk rather than a threat, but his appearance and Cora’s reaction to it were the one emotional point in the story that just didn’t quite hit the mark.

But Cora’s story certainly does. She gets her answers, and they are nothing like she expected. And she doesn’t get everything that she wanted. But she gets enough for readers to feel more than satisfied that she got her happy ending. And it happens in a way that feels right for the story and the characters.

I really enjoyed my visit to Silver Springs, and I’m looking forward to more. It looks like the series is going to follow the romantic adventures of Eli’s brothers, and I can’t wait to see what happens next, in No One But You.

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

Brenda and Harlequin are giving away a $25 gift card to one lucky entrant on this tour.

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Review: Forever a Hero by Linda Lael Miller + Giveaway

Review: Forever a Hero by Linda Lael Miller + GiveawayForever a Hero: A Western Romance Novel by Linda Lael Miller
Format: eARC
Source: publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: contemporary romance, western romance
Series: Carsons of Mustang Creek #3
Pages: 384
Published by Harlequin Books on March 21st 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

For the youngest Carson brother, findingand fixingtrouble seems to be all in a day's work
Mace Carson doesn't consider himself a hero. Back in college, he came upon a woman in trouble and intervenedbut he was just one irate Wyoming cowboy with his boots planted firmly on the side of right. Now a successful vintner, Mace is shocked to be reunited with the woman he saved. But it turns out she's in Wyoming on businessa corporate executive representing the company that wants to buy his winery. Only, he's not selling.
Kelly Wright has never forgotten that horrible night ten years ago when Mace came to her rescue, has never forgotten him. The surprising success of a winery in the middle of ranch country has brought her to Mustang Creek, and she's secretly thrilled to discover Mace at the helm. Reluctant to mix business with pleasure, Kelly vows to keep things professional, until her attacker is released from prison and comes for vengeanceagainst both of them.
"

My Review:

Forever a Hero is the third, but it looks like not quite final, book in the Carsons of Mustang Creek series. The series has followed the lives and romantic adventures of the Carson brothers, beginning with Slater, who was Once a Rancher but is now a documentary filmmaker. Second up was Drake, who is Always a Cowboy, and had a difficult time finding a wife until his mother secretly fixed him up.

This is youngest brother Mace’s story. So far, the love of Mace’s life has been the Mountain View Winery. It’s his brainchild and his contribution both to the ranch and to the community. It’s his personal vision, and he has a genius for blending new wines.

But there’s a conglomerate out there who wants to change all that, and they’ve sent their best agent, Kelly Wright, to negotiate a distribution and management deal for GGI with Mountain View Winery. Her promotion to vice-president, with all the stock options and other fabulous perks, is riding on her successful completion of the deal.

On her way to Mustang Creek, her car goes hydroplaning and nearly off the road into a canyon. She’s rescued from certain death by Mace Carson. But Mace has always been Kelly’s hero. Once upon a time, ten years ago when they were both in college at UCLA, Mace rescued Kelly from an attacker. Mace testified at Lance Vreeman’s trial, and he was sent to jail for a long and much deserved sentence.

Ms. Wright may have come to Mustang Creek to negotiate with his winery, but Kelly is there to see Mace again, even if she hasn’t completely admitted that to herself. Back then was not the time for them to even think about a relationship, but now is much, much different.

The chemistry they had all those years ago is still very much there. And suddenly, so is Lance Vreeman.

Escape Rating B+: This series, and The Brides of Bliss County series that it spun off from (and the Parable, Montana series that IT spun off of), has been lovely all the way.

Each book features a hero who is a good man, but who is alone for reasons that seem right – not because he needs to be reformed or grow up. And they all come from a marvelously functional family – albeit one that gets bigger with each book!

The heroines in their turn are smart, independent and also alone for reasons that make sense. In Kelly’s case, it’s because she has spent her 20s having a career instead of a life. Whether a woman can do both is an open question, but Kelly hasn’t even tried. Her trip to Mustang Creek provides her with the time, and changes at her work give her the motivation and the opportunity, to take a step back and decide what she really wants out of life.

There’s also no misunderstandammit in this story, or the series. While both Mace and Kelly are initially reluctant to pursue a relationship, it’s for reasons that, again, make sense. Their shared history is a bit traumatic, and Kelly is there to attempt to negotiate a deal that Mace has no intention of taking. It is difficult not to get the personal and the professional mixed together, or worry that they are too mixed together.

And they have the same problem that Drake and Luce (in Always a Cowboy) also had. Mace’s life is tied to his Winery, the ranch, and his family. He can’t leave Mustang Creek, and he doesn’t want to. Kelly’s life is in LA, and a long-term relationship with Mace means a lot more change for her than it does for him.

The way they negotiate this issue is one of the strengths of the book. It’s about compromise, and two adults working out a way to be together, that makes allowances for what both of them want and need and doesn’t make one feel like they are giving up something truly important to them. I liked the way they figured things out. A lot.

Remember what I said yesterday about stalkers? This is another book that looks like it might go into stalker territory, but again, marvelously doesn’t. Lance Vreeman does get out of jail, and does come back, with, as the saying goes, a vengeance. And while he terrifies pretty much everyone, he’s not after Kelly so much as he is after Mace. And everyone acts like a sensible adult, as they did in Once a Rancher. Kelly does not act stupidly, and she doesn’t need to be rescued. She and Mace work together, along with Mace’s brothers and friends, to keep everyone safe.

In the end, Lance gets the best serving of just desserts that I have ever seen. And possibly the funniest, courtesy of a stubborn, ornery and very protective bull. It’s a perfect ending to the book.

But not to the series, we have one last trip to Mustang Creek to look forward to. There’s still A Snow Country Christmas coming just in time for the holidays.

~~~~~~ GIVEAWAY ~~~~~~

I’m giving away a copy of Forever a Hero to one lucky commenter on this tour:

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Review: Hard Justice by Lori Foster + Giveaway

Review: Hard Justice by Lori Foster + GiveawayHard Justice (Body Armor, #2) by Lori Foster
Format: eARC
Source: publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: romantic suspense
Series: Body Armor #2
Pages: 384
Published by Harlequin Books on March 21st 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

Playing it safe has never felt so dangerous
Justice Wallington knows how to harness his strength and intimidating sizeskills he put to good use first in the MMA cage and now as a bodyguard at the Body Armor agency. But no opponent has ever left him feeling as off balance as his new client, heiress Fallon Wade. Far from a spoiled princess, she's sweet and intriguingly innocent. It's a risk-free assignment, until he's required to fake a relationship with her in order to blend in.
Sheltered from the world after a family tragedy, Fallon longs to experience lifegoing to bars, dancing, talking to strangers. Not easy with a huge, lethal-looking bodyguard shadowing her every move. Justice seems like her polar opposite, but pretending to be a couple stirs undeniable heat. And when danger strikes again, it's not just her safety in jeopardy, but a passion that's real, raw and absolutely against the rules"

My Review:

This one was just plain fun. I read it in a single day. I stayed up until 2 am to finish. Admittedly, not on a “school night”. But still. One day. Because I couldn’t put it down.

And it proved that all of my fears about the series, after my read of Under Pressure, were totally and completely unfounded.

Like Under Pressure, Hard Justice is also a variation on the classic theme of The Bodyguard, where the guard and his protectee fall head over heels for each other. But this is one where we really do see them both fall, not just succumb to the intensity of being on the run together, because they aren’t. On the run, that is. They definitely fall for each other.

There is a bit of a mystery in this story, but it isn’t any of the expected ones. At first, Justice Wallingham can’t figure out who or what Fallon Wade needs to be protected from. Her uptight parents, particularly her father, seem to be adamant that Fallon needs to be protected from pretty much everything and everyone in the universe.

Fallon, on the other hand, is a surprisingly down-to-earth 24-year-old who just wants a chance to finally experience the things that people her age normally do, or have done. The reason for all that overprotectiveness isn’t obvious, except for the continuing reappearances of Fallon’s douchebag ex, Marcus, a guy who can’t seem to take “no” for an answer.

And can’t seem to overlook the scars that Fallon hides under her all-covering clothes. Marcus is just sure that their shared backgrounds make them perfect for each other, and that any man would be put off by her scars. He’s sure that he’ll get used to them in time, if he makes an effort. Of course he’s wrong on all counts.

Justice, on the other hand, wants to flatten the guy from the word go. Because Fallon’s scars, and her survival of the trauma that caused them, make her even more precious, and more beautiful, in his eyes. Which he’s having an increasingly difficult time keeping on the lookout for possible threats, because he’s too busy just watching Fallon.

Until it starts looking like someone is really out to get her. Or him. Or possibly both.

Escape Rating A-: It may be a case of the right book at the right time, but I just plain loved this one. Sometimes books are like that.

Part of the charm of this series, and the Ultimate series that it spun off from, is the rowdy bunch of fighters, and their wives, who make up the close-knit group who live, work, and train in or near Cannon’s gym in small-town Ohio. It’s always great to see the gang again, and find out how everyone is doing. They are great people and always wonderfully accepting of anyone new.

But the success of this particular book rests on the characters of Justice and Fallon, and their developing relationship. And they are absolutely adorable together.

One of the things I liked best about Hard Justice is the way that it set the woman in danger trope on its head. There’s an unfortunate tendency in romantic suspense, and it applied to both Under Pressure and several of the titles in the Ultimate series, that the way to put a woman in jeopardy and in need of protection is to give her a creepy sexual predator stalker, whether the asshat is her ex or just someone who is fixated on her. I am really, really tired of that trope, because it always ends up robbing the woman of her agency.

Hard Justice was fun because it doesn’t go there. Even better, it makes you think it’s going there, and then it actually doesn’t. Marcus does turn out to be a bit of a douche, but not that big of a douche. Instead, the real villains were revealed as a bit of a surprise, and the motives for threatening Fallon were not sexual. For this reader, the story worked much better this way.

I can’t wait for the next book in this series, which looks like it’s going to be Close Contact, coming in November.

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

Lori and Harlequin are giving away a $50 Gift Card to one lucky entrant on this tour!
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Review: There’s This Guy by Rhys Ford

Review: There’s This Guy by Rhys FordThere's This Guy by Rhys Ford
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: contemporary romance, M/M romance
Pages: 220
Published by Dreamspinner Presss on March 17th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

How do you save a drowning man when that drowning man is you?
Jake Moore’s world fits too tightly around him. Every penny he makes as a welder goes to care for his dying father, an abusive, controlling man who’s the only family Jake has left. Because of a promise to his dead mother, Jake resists his desire for other men, but it leaves him consumed by darkness.
It takes all of Dallas Yates’s imagination to see the possibilities in the fatigued Art Deco building on the WeHo’s outskirts, but what seals the deal is a shy smile from the handsome metal worker across the street. Their friendship deepens while Dallas peels back the hardened layers strangling Jake’s soul. It’s easy to love the artistic, sweet man hidden behind Jake’s shattered exterior, but Dallas knows Jake needs to first learn to love himself.
When Jake’s world crumbles, he reaches for Dallas, the man he’s learned to lean on. It’s only a matter of time before he’s left to drift in a life he never wanted to lead and while he wants more, Jake’s past haunts him, making him doubt he’s worth the love Dallas is so desperate to give him.

My Review:

No one gets shot at. Or the equivalent. Which makes this a first among this author’s books, at least for this reader.

Unlike any of her other series, particularly the awesome Cole McGinnis series and the equally marvelous Sinners series, There’s This Guy is not romantic suspense. Nor does it have the paranormal element of Hellsinger or the urban fantasy element of Kai Gracen. Even Half Moon Bay has the potential for a higher body count than this story.

And it felt like I was missing something, or the book was. I kind of liked There’s This Guy, but the lack of danger and/or suspense meant that for this reader, at least, it lacked the spice that makes all of the author’s other series so compelling.

I liked these guys, and all of the characters except the obvious one you’re not supposed to like (and for excellent reasons), but I didn’t get that strapped-to-my-seat-need-to turn-the-next-page-to-see-if-or-how-they-managed-to-escape-whatever-desperate-danger-their-author-had-just-dropped-them-into-this-time feeling that I expect from the author’s work.

Because that element just isn’t there. And I missed it. A lot.

Escape Rating C: This story is a very slow-burn romance with a whole lot of hurt/comfort/angst stirred into it. The characters, particularly Jake, start the book in a very, very dark place, and it takes a long time and a lot of patience, friendship and love for him to begin to see much daylight in his world.

That the relationship is therefore a slow-build romance makes sense. But Jake is coming from such a dark place that his initial, early and middle angst is very, very hard to read. I wanted to reach through the book and give him a hug. Frequently. Since I couldn’t, I let Dallas, and occasionally Celeste, do it for me.

But there is just so much dark, and so much peering into that dark. The story felt like mostly exploration of that darkness for a long time, without much actually happening. It might have worked better for this reader, as a story, if we’d seen a bit more of the rehab of the club. Or at least more external events to tie all the difficult introspection together.

Along with a bit less of what felt like overly purple prose, although your reading mileage may vary on that.

In the end, this one felt a bit too long, as though the author padded a novella out to novel length with all that purple prose. While there is a happy ending, it’s a long, hard slog to get there, not dissimilar to Jake’s long, dark night of the soul to finally find daylight. I’m happy for the happy ending. While I’m sure that slogging through the angst was worth it for the characters, I’m much less sure about it being worth it for their readers.

This was a book I really, really wanted to love. But I just didn’t.

Review: For Whom the Bread Rolls by Sarah Fox

Review: For Whom the Bread Rolls by Sarah FoxFor Whom the Bread Rolls (A Pancake House Mystery #2) by Sarah Fox
Format: eARC
Source: publisher via NetGalley
Formats available: ebook
Genres: cozy mystery, mystery
Series: Pancake House #2
Pages: 248
Published by Alibi on March 14th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

From the author of The Crêpes of Wrath comes another decadent cozy mystery. This time, pancake house owner Marley McKinney is tangling with a salty troublemaker . . . and a ravenous killer.
Bonus content: includes original recipes inspired by the Flip Side Pancake House menu!
Tourist season’s in full swing in the small seaside town of Wildwood Cove, and Marley McKinney couldn’t be happier. Since taking over the Flip Side restaurant, she’s made a few close friends, adopted a cat named Flapjack, and started dating her childhood crush. The only cloud on the horizon is local nuisance Ida Winkler, who blames Marley for landing her nephew in prison. Trying to get a rise out of Marley, Ida’s been making crank calls and even vandalizing the pancake house.
The police can’t do much about the pranks, so Marley sets out to bury the hatchet once and for all. But someone’s beat her to it—in the most shocking way possible. After stumbling across Ida’s dead body, Marley’s suddenly the number-one suspect in her murder. Clearing her good name is going to be a tall order, but Marley’s not about to let Ida keep ruining her life—especially from beyond the grave.

My Review:

Just like the first book in this cozy series, The Crepes of Wrath, the title of this second book is just a bit over-the-top cute. And so is the book.

The series is definitely very cozy. In Crepes, Marley inherited her cousin Jimmy’s small-town pancake house, The Flip Side. And solved his murder. In this second book, Marley is settling into her new life in tiny, touristy Wildwood Cove – and neck deep in yet another murder.

I sense a trend.

At the end of Crepes, Marley’s meddling into the investigation of Cousin Jimmy’s death results in, among other things, nasty Ida Winkler’s son landing, quite justifiably, in prison. But Ida is both nasty and crazy, and is doing everything she can to run Marley out of business and out of town. However, Ida isn’t terribly effective, and Marley is just (and quite justifiably) annoyed.

Not that anyone in town has a single nice thing to say about Ida. She’s a piece of work. But while no one would miss her if she moved away, no one seems to hate her enough to want her dead. Which doesn’t stop Marley from just about tripping over Ida’s corpse.

And Marley has just enough of a motive, and just enough of a window of opportunity, to put herself at the top of the suspect list. So of course she decides that the best thing she can do to clear her name and protect her business is to “help” the police investigate the murder, annoying half the town (but not as badly as Ida) and putting herself squarely in the killer’s sights.

Again.

Escape Rating C+: The series is still cute. I particularly love Marley’s cat Flapjack, who is just a cat and doesn’t solve murders. But he’s a sweet boy and I wouldn’t mind having one just like him. He’s also very good, as cats often are, at knowing when his person needs an extra cuddle.

Sticking oneself into the middle of a murder investigation is enough to make any sane person need a little extra feline TLC.

But Marley’s motives for nosing around town don’t seem quite as clear-cut or as compelling as in the previous book. She loved Cousin Jimmy, and felt terribly guilty that she hadn’t been around more. And as his unexpected heir, she really was the logical murderer, if not the correct one. Following the money led straight to Marley.

However, no one seriously believes that Marley is Ida’s murderer, and that includes the cops. Not just because they know her now, but because they actually are capable of doing their jobs. Marley’s insecurity about how this latest investigation will affect her business is a bit all in her head.

And while she “investigates” one crime, she trips over two more. Someone seems to have been blackmailing local residents over mostly petty incidents, and everyone assumes that it was the late, unlamented Ida. She certainly was nasty and judgmental enough to have been the blackmailer. As if that wasn’t enough of a crime spree, someone is illegally dumping large garbage piles on the shore, and one of those dumps contains remnants of a meth lab.

While this probably isn’t a lot of crime for a small town with loads of tourists, it is a lot of coincidence for one completely amateur and occasionally inept investigator to trip over and more or less solve. The connections between the crimes feels tangential at best, and Marley just can’t resist poking her nose into all of them. It felt like more than a bit much.

Over-the-top, just like the titles. But I like Marley a lot, and I’m still enough interested in her adventures to give the series one more try. The next book, Of Spice and Men, is scheduled for the end of the summer. The perfect time for a beach read, set in a beach town, possibly with a beach murder. We’ll see.

Review: In This Grave Hour by Jacqueline Winspear

Review: In This Grave Hour by Jacqueline WinspearIn This Grave Hour (Maisie Dobbs, #13) by Jacqueline Winspear
Format: eARC
Source: publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: historical mystery
Series: Maisie Dobbs #13
Pages: 352
Published by Harper on March 14th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
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As Britain becomes engulfed in a second World War, the indomitable Maisie Dobbs is plunged into a treacherous battle of her own when she stumbles on the deaths of refugees who may have been more than ordinary people seeking sanctuary on English soil, in this enthralling chapter in Jacqueline Winspear’s enormously popular New York Times bestselling series
Critics have long sung the praises of Jacqueline Winspear and her bestselling Maisie Dobbs series. In the thirteenth installment, Maisie—“one of the great fictional heroines, equal parts haunted and haunting.” (Parade)—is back with more mystery, adventure, and psychological insight.
When readers last saw Maisie Dobbs, it was 1938 and the world was on the brink of war. Maisie herself was on a dangerous mission inside Nazi Germany, where she encountered an old enemy and the Führer himself. In This Grave Hour, a year has passed and Maisie is back home in England—yet neither she nor her nation is safe. Britain has just declared war on Germany and is mobilizing for the devastating battle ahead. But when she stumbles on the deaths of a group of refugees, Maisie suspects the enemy may be closer than anyone knows.
Old fans will be delighted at Maisie’s return and new readers will be hooked by this thrilling installment in Jacqueline Winspear’s “thoughtful, probing series” (Oprah.com).

My Review:

Welcome to the Sitzkrieg, or as it was better known in Britain, the Phoney War.

As this 13th book in the Maisie Dobbs series opens in the fall of 1939, Britain declares war on Nazi Germany after its invasion of Poland. Then nothing happens. And nothing continues to happen for eight months, until Germany invades France and the Low Countries (Belgium, Luxembourg, the Netherlands) in May of 1940.

But during the period of this book, nothing much happens on the war front. Everyone knows it will come, and many people, including Maisie herself, have known that war was coming for quite some time, but for the moment, there is a pause. Not a peace by any stretch of the imagination. More like a vast inhaling of breath before the six year sigh of loss after loss.

And a murder. A whole series of murders. Deaths that owe their origin, not to the stresses of the upcoming war, but to the unresolved issues of what people are suddenly forced to call “the previous war” – the Great War, the War that unfortunately did not End All Wars, what history came to call World War I.

Murder, unfortunately for the world but fortunately for Maisie, never takes a vacation.

As the story opens, Maisie is dragged away from the war announcement to meet an old colleague. Dr. Francesca Thomas, in her guise as a member of the Secret Service, prepared Maisie for her undercover task in Journey to Munich. Now Dr. Thomas wants to hire Maisie to investigate the murder of a Belgian refugee from the previous war who has been murdered on the eve of this one.

Dr. Thomas is herself a Belgian national, and is now attached to that embassy. The murder of her fellow countryman is a crime that she wants to redress, before it happens again. She is aware of just how good Maisie is at her job, but she still keeps secrets. It is her nature. And almost her undoing.

While Maisie tracks down the patterns of life and causes of death of the late Frederick Addens, more former Belgian refugees turn up dead. By the same method, and most likely by the same hand. But whose? And more important to Maisie, why?

As Maisie begins to close the net around a suspect she also finds herself deep into a problem much closer to home.

Many children were evacuated from London to the countryside at the opening of the war. One such young girl is now boarded with Maisie’s family. But this little girl is a bit different. Not just because her coloring is noticeably darker than English peaches and cream, but because the little girl refuses to speak, and seems to have no documentation whatsoever.

And Maisie can no more resist solving that little puzzle than she can let a murderer go free. No matter the cost to herself.

Escape Rating B+: As World War II begins, this series reminds me more and more of Foyle’s War. (That there are no books for Foyle’s War continues to be a great source of disappointment!) Like Christopher Foyle, Maisie solves her cases with her brains rather than her fists. Also like Foyle, she is solving murders on the homefront, a task that many people think of as less important than the war. But as it so often turns out, those murders are often not divorced from the war, and in some cases are hidden by it until the investigator steps in.

As much as I love this series, this particular entry didn’t grab me by the throat and hang on quite the way that some of the other books have. I still enjoyed it, but it has the feeling of a pause before the storm, much as Britain itself was in during the Phoney War. Pauses, by their nature, just aren’t as dramatic as crises. And so it proves with this book.

There are, as there often are, two mysteries in front of Maisie. They don’t dovetail as well as they sometimes do. The murder of Frederick Addens, and the ones that follow, are one case, and while important, it feels like merely a case. The little girl’s missing identity is the part of the story that strikes Maisie’s heart, and it is the one that felt most important, even if the string of murders was obviously deadlier and had larger implications, or should have.

And that’s part of what fell just a bit flat for me. The serial murders of Belgian refugees and the people who assisted them felt like it was building up to something bigger. The resolution actually turned out to be small and rather close to home. Also frustrating as regards that particular case, both for Maisie and the reader, is just how much and how obvious it was that Dr. Thomas was, if not telling actual lies, certainly lying by omission every time she spoke. And yet she never seriously emerges as a possible candidate to be the murderer.

On that other hand, the case of the little girl was heartbreaking, particularly for Maisie. She sees herself in the child, as well as the child she lost when her husband was killed. Her heart is engaged with someone who will eventually have to go home. Perhaps. That piece of the story has yet to be resolved.

And I’m very much looking forward to Maisie’s further adventures, to discover just how she resolves it. Or doesn’t. I expect to find out next year during the 2018 Month of Maisie Readalong!

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Review: The Orphan’s Tale by Pam Jenoff

Review: The Orphan’s Tale by Pam JenoffThe Orphan's Tale by Pam Jenoff
Format: eARC
Source: publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, World War II
Pages: 368
Published by Mira on February 21st 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
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A powerful novel of friendship set in a traveling circus during World War II, The Orphan's Tale introduces two extraordinary women and their harrowing stories of sacrifice and survival .
Sixteen-year-old Noa has been cast out in disgrace after becoming pregnant by a Nazi soldier and being forced to give up her baby. She lives above a small rail station, which she cleans in order to earn her keep… When Noa discovers a boxcar containing dozens of Jewish infants bound for a concentration camp, she is reminded of the child that was taken from her. And in a moment that will change the course of her life, she snatches one of the babies and flees into the snowy night.
Noa finds refuge with a German circus, but she must learn the flying trapeze act so she can blend in undetected, spurning the resentment of the lead aerialist, Astrid. At first rivals, Noa and Astrid soon forge a powerful bond. But as the facade that protects them proves increasingly tenuous, Noa and Astrid must decide whether their friendship is enough to save one another—or if the secrets that burn between them will destroy everything.

My Review:

In The Orphan’s Tale, as the season (and the book) winds down to its conclusion, one of the characters prophetically says with a sneer, “Next year? The circus is dying.” In this story of two women who find shelter and redemption in one of the few circuses allowed to limp across Europe under the Nazis, the irony is that they all think of Ringling Brothers and Barnum & Bailey as their well-funded and well-attended competition across the Atlantic. Now in 2017, their circus is dying too.

But the story in The Orphan’s Tale brings together the unsung history of the circuses across Europe under the Nazi regime with a moving tale of sacrifice, friendship and survival about two women who find themselves thrown together in death-defying circumstances. Not just their beautiful but deadly act on the “flying trapeze”, but also their hiding in plain sight from the Nazis.

Astrid is a Jew. Her family used to be the owners of one of the most successful traveling circuses in Europe. But that was before the Nazis took everything, including their lives. Astrid is the last survivor, hiding amongst the performers of a rival circus, doing the only thing that makes her feel alive – flying.

Noa is also rescued by the circus. As a young Dutchwoman who looks like the Aryan ideal, she should have been safe. But her parents threw her out when her brief fling with a Nazi soldier resulted in pregnancy. The “home” for unwed mothers took her baby. She is alone, bereft, and eking out a bare living cleaning the train station, when the Nazis leave a boxcar of infants unattended at the station. Most of the babies have died of exposure, but a despairing Noa finds one little one still alive. A boy, and all too obviously Jewish, telling her everything she needs to know about the dead babies in the boxcar. She rescues him, and runs, seeing in this child his resemblance to her own missing baby.

But to hide in the circus, Noa must have a part of the performance. And the circus needs another aerialist. Against Astrid’s wishes and recommendation, she is stuck with training the tyro to perform, and has barely six weeks to cram a lifetime of training into the very reluctant flyer.

They are not friends. At first they are reluctant teacher and equally reluctant student. At times they are rivals. But the nature of their act means that above all, they must learn to trust each other. Or they will die. Or their secrets will be revealed, and they will die. And the circus will die with them, their fellow performers imprisoned or executed as collaborators.

But as Noa becomes part of the circus, she comes to love the world in which she has found herself. And, against all odds, she has come to see Astrid as the big sister she never had. And just as Astrid has cared for both Noa and the little boy she named Theo, sometimes in spite of herself, so Noa comes to take care of Astrid as her world, and the circus it encompasses, fall apart.

In the end, all they have is each other. And it’s just barely enough.

Escape Rating A-: The Orphan’s Tale is a story within a story. At the very beginning, it is the modern day, as an old woman takes great pains to visit a museum which has put her old circus wagon on display. The story itself is her recounting of her life in that wagon, Astrid and Noa and Theo, and the world of the circus under the Nazis.

We return at the end to that same elderly lady, and discover how it all turned out. In this case, it’s a marvelous way to tell the important bits, while leaving out the more mundane aspects of her post-war survival. When we find out what happened, we understand everything about the lady, the circus, and the world she left behind.

In the author’s postscript, we learn just how much of the story is based on pieces of fact, and it is well-worth reading. As the book proceeds, so much of the background feels true that it is almost a relief to learn that a great deal of it was true. Astrid and Noa did not exist, but the circus at this time was as portrayed. And unfortunately, the boxcar of dead babies is also based on historical fact.

But the story here is the story of women’s friendships, in spite of opposition or enmity, and how those friendships can flourish under the harshest of circumstances. Astrid and Noa do not always like each other, and they begin with very little in common. At the same time, they are both hiding such similar secrets that they must begin to trust each other. The story here is the flowering of that trust.

It is also the story of the circus, both the mundane and back-breaking work of putting it all together, and the uplifting effect of bringing a small taste of not just normality, but of a bit of escape, to people who have otherwise been beaten down into the deepest rut of bare survival. Although the circumstances of time and place are very different, this part of the story has the same feel as Station Eleven by Emily St. John Mandel. The circus goes on, even in this depth of adversity, because survival is insufficient.

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Review: The Whole Art of Detection by Lyndsay Faye

Review: The Whole Art of Detection by Lyndsay FayeThe Whole Art of Detection: Lost Mysteries of Sherlock Holmes by Lyndsay Faye
Format: eARC
Source: publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: historical mystery, mystery
Pages: 388
Published by Mysterious Press on March 7th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

Internationally bestselling author Lyndsay Faye was introduced to the Sherlock Holmes mysteries when she was ten years old and her dad suggested she read Sir Arthur Conan Doyle’s short story “The Adventure of the Speckled Band.” She immediately became enamored with tales of Holmes and his esteemed biographer Dr. John Watson, and later, began spinning these quintessential characters into her own works of fiction—from her acclaimed debut novel, Dust and Shadow, which pitted the famous detective against Jack the Ripper, to a series of short stories for the Strand Magazine, whose predecessor published the very first Sherlock Holmes short story in 1891.
Faye’s best Holmes tales, including two new works, are brought together in The Whole Art of Detection, a stunning collection that spans Holmes’s career, from self-taught young upstart to publicly lauded detective, both before and after his faked death over a Swiss waterfall in 1894. In “The Lowther Park Mystery,” the unsociable Holmes is forced to attend a garden party at the request of his politician brother and improvises a bit of theater to foil a conspiracy against the government. “The Adventure of the Thames Tunnel” brings Holmes’s attention to the baffling murder of a jewel thief in the middle of an underground railway passage. With Holmes and Watson encountering all manner of ungrateful relatives, phony psychologists, wronged wives, plaid-garbed villains, and even a peculiar species of deadly red leech, The Whole Art of Detection is a must-read for Sherlockians and any fan of historical crime fiction with a modern sensibility.

My Review:

I have an often-confessed penchant for Sherlock Holmes pastiches. As a consequence, I’ve read a lot of them. Some take the Holmes canon into entirely different directions, like Laurie R. King’s Holmes/Russell series, A Study in Scarlet Women by Sherry Thomas, or Stephanie Osborn’s Displaced Detective series. Others serve to either extend the existing canon or act as homages to it, attempting to recreate the style and the period of Conan Doyle’s original work, using his immortal characters and merely telling us new stories in the same spirit.

Dust and Shadow by Lyndsay FayeOne of the best of the latter type that I have read was Lyndsay Faye’s Dust and Shadow. In that story, she relates the investigation of the Jack the Ripper case as conducted by Sherlock Holmes and documented by his faithful friend, Dr. John Watson. If you have any interest either in Sherlock Holmes, Jack the Ripper, or late Victorian-set historical fiction, this book is a winner on all fronts.

I’ve been hoping for years that the author would return to Holmes, and she finally has in The Whole Art of Detection. Unlike the recent collaborative collections of Holmes pastiches edited by Laurie R. King and Leslie S. Klinger, which do contain some marvelous stories each time, The Whole Art of Detection is the output of a single mind, just as the original Holmes canon was. And also like the canon, all of the stories in The Whole Art of Detection are set in Holmes’ native Victorian age, and for the most part purport to be written by Dr. John Watson in his inimitable style.

And it feels as if we are back there again. These stories feel like the familiar Holmes. They read as though they are part of the whole, merely a part that has been hidden until now. It is marvelous to immerse oneself back in that time and place, and with these two singular characters.

As much as I enjoyed the whole book, the stories that I loved the most were the two that were not told as stories, but as diary entries. It is clear within the stories that Watson is writing for his audience in The Strand Magazine, but in An Empty House we get to read a bit of Watson’s personal diary during March and April of 1894. At that time, Watson was recovering from the recent death of his wife Mary, and still dealing with the death of his friend Sherlock Holmes at Reichenbach Falls three years earlier. Watson’s method of dealing with Holmes’ death was to continue writing up their previous cases, as he is still doing within the pages of his diary. As a method for handling the stages of grief, neither the reader nor Watson himself is certain of its efficacy. And it is completely insufficient for helping him to handle his feelings about Mary’s recent passing. So we read Watson in his internal travails, his and his friends’ attempts to help him, and his resolution to finally quit England and his memories altogether. And then a miracle occurs.

In Memoranda Upon the Gaskell Blackmailing Dilemma, on the other hand, we have a rare case narrated by Holmes himself. Like all the cases in The Whole Art of Detection, this case is firmly set not just within the original canon, but at a specific point within that canon. In this case, we see what Holmes was doing in September of 1888 when he sent Watson to Baskerville Hall ahead of him. In addition to viewing Holmes’ rather non-traditional resolution of this case, we also have the opportunity to read Holmes’ own thoughts and feelings about this case, the Baskerville mess, and his thoughts about his friendship with Watson and the fame that has resulted from Watson’s publications. It is a fascinating peek into a mind that we normally only see from the outside.

Escape Rating A: As is clear, I loved this book and had an utterly marvelous time dipping back into the adventures of Holmes and Watson. While many of these stories have been published before, this is the first time that they have all been gathered together. And there are a lot of them, so hunting them all down would be a task almost worthy of Holmes himself.

Just like Dust and Shadow, this collection gives the reader the feeling that we are back there again at 221B, sitting invisibly by their fireplace and listening to them discuss their cases. Like the original canon, these are all cracking good stories, and they run the gamut of the strange, the unusual, the criminal and the bizarre that the originals did.

As a 21st century reader, I have a sense that there is a bit more acknowledgement of the true depths of their friendship than was true in the originals. But I might be mistaken about that. I guess I’ll have to go back and read them again. Something to anticipate with great pleasure.

Review: Madly by Ruthie Knox

Review: Madly by Ruthie KnoxMadly (New York, #2) by Ruthie Knox
Format: eARC
Source: publisher via NetGalley
Formats available: ebook
Genres: contemporary romance
Series: New York #2
Pages: 274
Published by Loveswept on March 14th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
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An impulsive trip to New York City, a heartthrob from London, and a scandalous to-do list turn a small-town girl’s life upside down in this sultry romance from the New York Times bestselling author of Truly and About Last Night.
Allie Fredericks isn’t supposed to be in Manhattan, hiding in the darkest corner of a hip bar, spying on her own mother—who’s flirting with a man who’s definitely not Allie’s father. Allie’s supposed to be in Wisconsin, planning her parents’ milestone anniversary party. Then Winston Chamberlain walks through the door, with his tailored suit, British accent, and gorgeous eyes, and Allie’s strange mission goes truly sideways.
Winston doesn’t do messy. But after a pretty stranger ropes him into her ridiculous family drama with a fake kiss that gets a little too real, he finds out that messy can be fun. Maybe even a little addicting. And as the night grows longer, Allie and Winston make a list of other wild things they could do together—and what seems like a mismatch leads to a genuine connection. But can their relationship survive as their real lives implode just outside the bedroom door?

My Review:

Madly is the follow up to two of Ruthie Knox’s best contemporary romances, not that all of her books aren’t utterly marvelous.

But this second book in her New York series pairs the sister of the heroine in the first book, Truly, with the brother of the hero from her award-winning About Last Night. And this surprising couple may look oh-so-wrong on paper but they are oh-so-right in this book.

Allie Fredericks comes to New York on a whim. And not a very good whim, at that. She finds herself at Pulvermacher’s, the Green Bay Packers-themed bar in New York City, watching her mother seem to flirt with a stranger. A stranger that Allie knows is her, well, let’s call him bio-dad. He’s not the man who raised her, but he’s definitely her sperm donor.

It looks like Allie’s mom has bailed on her father just days before their 30th wedding anniversary to have a fling, or something, with her on again, off again New York lover. And somehow Allie believes that this problem is hers to fix. Now that she knows she’s the proverbial cuckoo in her family’s Wisconsin nest, she can’t stop herself from thinking that everything that appears wrong with her family is all her fault, and all her responsibility to fix.

Winston Chamberlain is in Pulvermacher’s to meet his investment client, Justin Olejniczak, better known to the art world as the mysterious performance artist Justice. (Think Chilhuly but handsomer and with cloth). The very straight-laced Winston finds himself at loose ends when he walks in to discover his client talking very seriously with a woman at the bar.

And that’s when Allie ropes Winston into helping her spy on her mother. And all the straight-laces that have been tying Winston’s life into very uncomfortable knots all start coming loose. At once.

It turns out that they both need someone with whom they can be their authentic selves. Winston used to be as devil-may-care as Allie seems to be, or as his brother Neville (see About Last Night for the glorious deets) now is. But Winston shoehorned himself into all the responsibilities he thought he was supposed to take on, and somewhere along the way built a career but lost his wife and his daughter. The marriage is long over, but the daughter is here in New York, and he still has a chance to salvage that relationship.

Allie, on the other hand, seems footloose and fancy free. She seems like a creative spirit who dresses in vintage clothes and never quite takes responsibility for much of anything. But her real self is not merely responsible, but actually an extremely savvy and successful businesswoman. A woman that no one seems to see behind the out-there outfits.

They are absolutely perfect for each other. And they are the absolutely perfect people to help each other find the way out of their respective conundrums. If only Allie doesn’t crash and burn all of her relationships with her family on the way to that happy ending.

Escape Rating A: This was the perfect book for me on a weekend where I was laid up with both a cold and a bruised leg. I was feeling out of sorts in so many possible directions, and Ruthie took me away to her New York for a whirlwind tour.

Like so many of the author’s previous stories, this is a romance between two people who simply shouldn’t work together, but absolutely do. It just takes them a while to recognize it.

Winston seriously needs a “do-over” in his life. He has become so good at being serious and responsible, that he’s lost track of the person he really is. His obligations and his career have become a straight-jacket that never fit, it’s just that nearing 40, he’s finally come to recognize that it isn’t working for him. At the same time, all those years he spent being the perfect everything are a part of who he is. He needs to find a blend if he’s to keep his relationship with his now adult daughter.

This is a case where the age difference between the hero and heroine works well. Allie is in her mid-20s, but she also isn’t typical. Her artistic and free-spirited manner and clothing make her seem as if she is young and irresponsible, but that’s only on the surface, much as Winston’s ultra-responsibility is. She is also a very savvy, responsible and successful businesswoman. She needs someone who appreciates both sides of who she really is. But because she is a conflict-avoider, people often see her as less, particularly her douchebag ex-fiancee.

About Last Night by Ruthie KnoxThe lesson that the pain is the same whether you talk about it or not is one that we all need to learn.

I also loved the resolution of Allie’s family issues. Nothing, of course, is exactly as it seems. But it seems the way it does to Allie because there are so many secrets, and no one is dealing with them. Like many children, even as adults we think that we are responsible for the problems between our parents, even when we’re not. Perhaps especially when we’re not. The way that this particular aspect of the plot resolved was a big part of the winning formula of this story.

Although Madly uses characters from both About Last Night and Truly, I don’t think it is absolutely necessary to read either or both of those antecedents to enjoy Madly. However, they are both absolutely fantastic contemporary romances, and definitely worth reading. Or re-reading.

Excuse me, I’m off to read About Last Night for the third (or maybe fifth) time.