Review: The 272: The Families Who Were Enslaved and Sold to Build the American Catholic Church by Rachel L. Swarns

Review: The 272: The Families Who Were Enslaved and Sold to Build the American Catholic Church by Rachel L. SwarnsThe 272: The Families Who Were Enslaved and Sold to Build the American Catholic Church by Rachel L. Swarns
Format: ebook
Source: publisher
Formats available: hardcover, ebook, audiobook
Genres: African American History, history, U.S. history
Pages: 326
Published by Random House on June 13, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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“An absolutely essential addition to the history of the Catholic Church, whose involvement in New World slavery sustained the Church and, thereby, helped to entrench enslavement in American society.”—Annette Gordon-Reed, Pulitzer Prize–winning author of The Hemingses of Monticello and On Juneteenth
In 1838, a group of America’s most prominent Catholic priests sold 272 enslaved people to save their largest mission project, what is now Georgetown University. In this groundbreaking account, journalist, author, and professor Rachel L. Swarns follows one family through nearly two centuries of indentured servitude and enslavement to uncover the harrowing origin story of the Catholic Church in the United States.
Through the saga of the Mahoney family, Swarns illustrates how the Church relied on slave labor and slave sales to sustain its operations and to help finance its expansion. The story begins with Ann Joice, a free Black woman and the matriarch of the Mahoney family. Joice sailed to Maryland in the late 1600s as an indentured servant, but her contract was burned and her freedom stolen. Her descendants, who were enslaved by Jesuit priests, passed down the story of that broken promise for centuries. One of those descendants, Harry Mahoney, saved lives and the church’s money in the War of 1812, but his children, including Louisa and Anna, were put up for sale in 1838. One daughter managed to escape. The other was sold and shipped to Louisiana. Their descendants would remain apart until Rachel Swarns’s reporting in The New York Times finally reunited them. They would go on to join other GU272 descendants who pressed Georgetown and the Catholic Church to make amends, prodding the institutions to break new ground in the movement for reparations and reconciliation in America.
Swarns’s journalism has already started a national conversation about universities with ties to slavery. The 272 tells a bigger story, demonstrating how slavery fueled the growth of the Catholic Church in America and bringing to light the enslaved people whose forced labor helped to build the largest religious denomination in the nation.

My Review:

The 272 is a book that asks the questions, “What does the past owe to the present?” with the inevitable follow-up, “If a debt is owed, how and to whom does it, can it, should it, get paid?” Putting it another way, it’s a book that exemplifies the famous quote from William Faulkner, “The past is never dead. It’s not even past.”

That Faulkner, at least according to his Wikipedia page, was “a towering figure in Southern literature” adds more than a bit of irony to the mind-boggling appropriateness of the quote, as the history that is detailed in The 272 and the issues that history raises, are very things that Southern literature often dealt with through stereotyping and/or sweeping narratives dealing with issues of race and racism under the biggest rug they could find.

The 272 lifts that rug, on the slaveholding and slave trading history of the Catholic Jesuit Order in the United States and the early years of the Jesuit’s first American college, now Georgetown University – and their creation of all the Jesuit colleges that followed. It does so by taking the reader into the history of one family, the Mahoneys, who were owned by the Jesuits, sold by them, broken apart by them, and tracing that family’s history through sales, relocations, forced separations and joyous reunions, from the first documented member of that family, a woman whose freedom was easily stolen because she was black, all the way down to a man who is sitting in his own office at Georgetown University as his distant cousin relays to him that his employer once owned his ancestors.

There are two “stories’ being told in The 272 that weave together in a braid that begins with one indentured black woman on a Maryland plantation in 1676 (during this period both blacks and whites came to America as indentured servants to be freed at the end of their term of indenture) and ends with her hundreds of living descendents learning that they are all part of one family that was bought, sold, twisted and torn by a single institution. An institution that still exists and was able to survive to the present day because of the money that institution received for selling the crops and goods their direct ancestors produced and finally selling their ancestors themselves in one massive slave sale that was hidden in plain sight in Georgetown University’s records.

And there’s the flip side of that story, of the priests and the church that they served, mendaciously espousing the idea that it was more important to save those same slaves’ souls than it was to care for their bodies or, most especially, to grant them the freedom that their very order had come to America for. And to never see the contradiction and the hypocrisy in their teaching and their practices. To only see the money that could be made by selling their labor or their bodies. That money kept Georgetown itself financially afloat after years of mismanagement AND provided the seed money for the network of Jesuit colleges that exists to this day.

“The past is a foreign country; they do things differently there.” Or so goes the other famous quote about the past, attributed to L.P. Hartley. Which leads to the questions raised at the very beginning of this review, the question of what does that past owe to its descendants in the present? What does Georgetown University, the institution that still exists today because of that mass slave sale back in 1838, owe to those people in that past, and re-sold and torn apart by that same institution, even though that debt can only be paid to their descendants in this present day? It’s a question that is still in the process of being answered.

Reality Rating A-: Nonfiction is always hard to rate, because there are two factors involved. There’s the story being told, and then there’s the way that story is being told. The two parts don’t have to be in sync, and they aren’t quite here.

The story that’s being told in The 272 is a compelling one. It deals with racism and history and politics and money and religion. That’s not merely lot but any of those topics are more than meaty all by themselves to have the potential for a thought-provoking or even mind-altering book. And The 272 certainly does both.

The history, although in the main the story follows a pattern that is well-known, by focusing that pattern of promises made, promises broken, families broken, freedom sought, sometimes found and always abrogated by the reality of who holds power over whom on a single family traced through history the reader is made to feel its effects in the way that the dry recitations of history often do not.

That being said, the story as written is still just a bit dry. It is history and it does relate a lot of archival details that I personally found interesting. But the author resisted the temptation to put words or feelings into the heads of people whose words and feelings were not left in the historical record. (Which has the potential to be a whole discussion of its own.) That choice makes the history feel authentic, but also puts the reader at more of a distance from the narrative.

What does, however, add to the compulsion to read The 272 in pretty much one sitting is that the words and thoughts of the Jesuit priests who conducted this, let’s call it a legal atrocity and crime against humanity were recorded in their own words, and that racism, self-serving stereotyping and self-dealing hypocrisy ring off every page. It’s a drumbeat that echoes in the reader’s head long after the last page is turned.

The sale was never hidden, because it never needed to be. Which should be a crime in and of itself. But it faded into the shadows of history and seems to have been quietly swept under that rug until the mid-2010s. That’s when buildings named for the two perpetrators of this heinousness were being remodeled and research blew the dust off the archives sheltering the reputations of those ‘founding fathers’ of the University. Which led to a series of articles in the New York Times, the renaming of the buildings, this book, a family reunion of the Mahoney family from all parts of their eventual diaspora, and an ongoing series of dialogs between the University and the descendants on that question of what does that past owe to this present.

What brought me to this book this week is Banned Books Week. Not because this book has been banned or challenged – at least not yet – if only because it was just published in June 2023. However, this is a book that absolutely has the potential to be challenged and even banned because of the very questions that it addresses. The book challenges the ‘accepted’ narratives not just around slavery but also around the Catholic Church, which is the single largest denomination in the U.S. today. (There are more Protestants, but the Protestants are split among multiple denominations.)

The common thread among the books that get banned and challenged is that they tell stories that question accepted narratives and history. There are ongoing attempts to rewrite the history of slavery in the United States, trying to reframe it in ways that make it seem anywhere from less awful to downright benevolent, that have the goal of erasing the proven concept that the history of racism and slavery in the U.S. has a continued effect in this country and especially on the People of Color within it to the present day that still needs to be addressed.

The 272 asks questions, similar to the questions raised in The 1619 Project, which has been banned and challenged repeatedly in the years since it was published. The 272 has a tighter focus, but will still cause the same discomfort among the same people who The 1619 Project made uncomfortable. As a consequence, I will not be surprised, although I will be frustrated, disappointed and angry, to see The 272 on the list of banned and challenged books in the years to come – even if this is one of those times when I would very much prefer to be wrong.

Review: Kinauvit?: What’s Your Name? by Norma Dunning

Review: Kinauvit?: What’s Your Name? by Norma DunningKinauvit?: What's Your Name? The Eskimo Disc System and a Daughter's Search for her Grandmother by Norma Dunning
Narrator: Norma Dunning
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, ebook, audiobook
Genres: Canadian history, history, memoir
Pages: 184
Length: 6 hours and 4 minutes
on August 1, 2023
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From the winner of the 2021 Governor General's Award for literature, a revelatory look into an obscured piece of Canadian history: what was then called the Eskimo Identification Tag System
In 2001, Dr. Norma Dunning applied to the Nunavut Beneficiary program, requesting enrolment to legally solidify her existence as an Inuk woman. But in the process, she was faced with a question she could not answer, tied to a colonial institution retired decades ago: "What was your disc number?"
Still haunted by this question years later, Dunning took it upon herself to reach out to Inuit community members who experienced the Eskimo Identification Tag System first-hand, providing vital perspective and nuance to the scant records available on the subject. Written with incisive detail and passion, Dunning provides readers with a comprehensive look into a bureaucracy sustained by the Canadian government for over thirty years, neglected by history books but with lasting echoes revealed in Dunning's intimate interviews with affected community members. Not one government has taken responsibility or apologized for the E-number system to date -- a symbol of the blatant dehumanizing treatment of the smallest Indigenous population in Canada.
A necessary and timely offering, Kinauvit? provides a critical record and response to a significant piece of Canadian history, collecting years of research, interviews and personal stories from an important voice in Canadian literature.

My Review:

The title of this book is a question, because that’s how this author’s journey began. While it begins as a reclamation of identity, what that attempt leads to is a search for it – or at least, and with full irony as becomes apparent during the telling – a search for a very specific piece of government documentation that was intended, not to confirm but rather to deny the lived essence of an identity it was designed to repress if not, outright, erase.

That search for proof of her mother’s, and as a result her own, Inuit heritage led the author, not just to a multi-year search but also to a second act career in academia, exposing the origins and the abuses – whether committed out of governmental malice or idiocy – of a system that may have been claimed to be a system for identifying the Inuit population, but was truly intended to colonize them, divide them, and ultimately erase the beliefs and practices that made them who they were.

So on the one hand, this is a very personal story. The author had learned only in adulthood that she was, herself, Inuit. It’s a truth that her own mother refused to talk about as long as she lived. But when Dunning decided to apply for enrolment in the Nunavut Beneficiary program, she opened up the proverbial can of worms, discovering long-buried secrets that had overshadowed her mother’s life and the lives of all Inuit of her mother’s generation and the one before it. A history that was as poorly documented as her mother’s life and identity.

It’s a journey that began with a hope, middled with a question that turned into an obsession – even after that hope was answered – and led to the author’s search for a history that was long-denied but that needed to be brought into the light.

Reality Rating C: Kinauvit? is a combination of a personal search for identity with the intricacies of searching in records that were an afterthought for the government that recorded them, administered them and was, at least in theory, supposed to serve the people those records concerned but that the government obviously didn’t understand a whit. But the story of that personal search is mixed, but not terribly well blended, with a scholarly paper about the history of the Canadian government’s treatment and suppression of the Inuit peoples over whom the government believed it held sovereignty.

The two narratives, the author’s personal search and the scholarly paper that resulted from it (her Master’s thesis for the University of Alberta) both have important stories to tell, and either had the possibility of carrying this book. The issue is that the two purposes don’t blend together, but rather march along side-by-side uncomfortably and unharmoniously as they are entirely different in structure and tone to the point where they don’t reinforce each other’s message the way that they should – or was mostly likely intended that they should.

This book contains just the kind of hidden history that cries out to be revealed. But this attempt to wrap the personal journey around the academic paper results in a book that doesn’t quite work for either of its prospective audiences.

I listened to Kinauvit? in audio, which generally works well for me for first-person narratives, which this looked like it would be. Also, sometimes an excellent reader can carry a book over any rough patches in its text, especially for a work with a compelling story or an important topic that I have a strong desire to see revealed. Kinauvit? as an audiobook had both of the latter, a search that was compelling, combined with a deep dive into historical archives which is absolutely my jam, resulting in a true story of government neglect and outright stupidity.

But it is very, very rare that authors turn out to be good readers for their work unless they have some kind of performance experience. In all of the audiobooks I have ever listened to over the past three decades, I can only think of one exception to serve as an exception.

In this particular case, the author recites the book as though she was delivering the academic paper that forms the core of the book. But this publication of the work was not intended to BE an academic paper. The audience for this work would be better served with a narrator who is able to ‘voice’ the book, to use a narrative style imbued with the flow and the cadences of a storyteller.

The dry recitation that I listened to blunted the impact of the personal side of the story while the inclusion of the words “Footnote 1”, “Footnote 2”, etc., when one of the many, many footnotes occurred in the text was jarring to the point that it broke this reader out of the book completely. That the footnotes themselves consisted of the simple reference to the place in the source material from which the quote was drawn added nothing to the narrative but made its origin as a scholarly paper all too apparent.

In the end, this book left me torn. I wanted to love it. I was fascinated by its premise, and remain so. It’s important history and not just Canadian history. The truths that the author uncovered deserve a wider audience and more official recognition than has been achieved to date. But this vehicle for telling those truths doesn’t do them justice, even though justice is exactly what is needed.

Review: The Wager: A Tale of Shipwreck, Mutiny and Murder by David Grann

Review: The Wager: A Tale of Shipwreck, Mutiny and Murder by David GrannThe Wager: A Tale of Shipwreck, Mutiny and Murder by David Grann
Narrator: Dion Graham
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: history, nonfiction, true crime
Pages: 352
Length: 8 hours and 28 minutes
Published by Doubleday Books, Random House Audio on May 11, 2023
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From the international bestselling author of KILLERS OF THE FLOWER MOON and THE LOST CITY OF Z, a mesmerising story of shipwreck, mutiny and murder, culminating in a court martial that reveals a shocking truth.   On 28th January 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty’s ship The Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While chasing a Spanish treasure-filled galleon, The Wager was wrecked on a desolate island off the coast of Patagonia. The crew, marooned for months and facing starvation, built the flimsy craft and sailed for more than a hundred days, traversing 2,500 miles of storm-wracked seas. They were greeted as heroes.   Then, six months later, another, even more decrepit, craft landed on the coast of Chile. This boat contained just three castaways and they had a very different story to tell. The thirty sailors who landed in Brazil were not heroes – they were mutineers. The first group responded with counter-charges of their own, of a tyrannical and murderous captain and his henchmen. While stranded on the island the crew had fallen into anarchy, with warring factions fighting for dominion over the barren wilderness. As accusations of treachery and murder flew, the Admiralty convened a court martial to determine who was telling the truth. The stakes were life-and-death—for whomever the court found guilty could hang.  

My Review:

Fiction has to be plausible, while nonfiction just has to be true. The story of HMS Wager – or more properly the story of her doomed voyage, disastrous wreck and the against all odds recovery of even a fraction of her crew – is so far over the top that we might not accept it as fiction – except possibly as sheer horror. That this voyage, and all of the extremes the crew passed through and even survived in the tiniest part, really happened carries the reader forward with them even when the conditions are so harrowing that many will want to turn their eyes away.

But man’s inhumanity to man – even without the type of disastrous conditions the crew of the Wager endured – is an oft told tale and not just of the sea. What carries this over the top is its denouement. Not just that some survived to be rescued, but that of those survivors, only ten men out of the original company of nearly three hundred lived to tell the tale. And they all seemed to tell entirely different tales, each attempting to justify their actions after the ship wrecked off the coast of present-day Chile.

The Wreck of the Wager, the frontispiece from John Byron’s account

The crew of the Wager mutinied after the terrible wreck. The Captain wanted to go forward with their original mission, in spite of having lost, at that point, 2/3rds of his crew, his ship, and quite possibly both his authority and a piece of his mind. One natural leader, the gunner John Bulkley, had a plan for navigating the Straits of Magellan in one of the smaller boats remaining to the castaways. Bulkley had drive, the trust of more of the men, a plan and a clear direction for safety, while Captain Cheap only had waning authority and wrecked trust.

Bulkley and his contingent sailed east. Cheap and his loyalists sailed west. Both returned home, with vastly differing accounts of the terrible events that took place on what the castaways had dubbed ‘Wager Island’. The court martial should have been epic – and it should have decided the truth – or at least a truth – for posterity.

But the jury on precisely what happened on Wager Island, whether the mutiny was justified or was even, technically, a mutiny at all isn’t even out because it never went in. The Admiralty chose not to pursue any of the possible charges against anyone who returned, outside of assigning blame for the wrecking of the Wager herself. Not because there were no charges to answer, but because those answers would have shot cannonballs through the British Navy’s reputation and its justifications for its so-called ‘civilizing’ conquests that do not hold up to the light of day now.

And clearly didn’t then, either, even if the Admiralty refused to acknowledge it.

Reality Rating A: The Wager is a terrible story told terribly, terribly well, made even better by the excellence of the voice narration by Dion Graham. His voice carried me through a story that, while compelling, was so very dark – all the more so for being a true story – that I would have turned aside without him.

There are three parts to The Wager’s epic narrative. It begins with the runup to the expedition that HMS Wager was intended to be a small part of. It reads as doomed from the beginning, an endless delay of money and bureaucracy, intending to be a salvo in a made-up war (the War of Jenkins’ Ear). The mission as a whole ended in a kind of pyrrhic victory, but by then the Wager had long since wrecked.

The heart – and heartbreak – of the story is in the conditions on Wager Island. Conditions that quickly break down into a chaos of failed discipline and desperation that recalls The Lord of the Flies. Not that conditions aboard HMS Wager weren’t desperate before the wreck, but the privation they had already experienced made the starvation, madness and despair while castaways just that much more difficult to bear.

As I listened to Dion Graham’s marvelous voice, the story kept building and building its recital of how truly awful the situation was, to the point where it reminded me of the privations described in Emma Donoghue’s Haven – without nearly as much reference to religion or G-d. By the time they left the island, there was no G-d to be found – no matter how much Bulkley searched for one.

What fascinated me was the rescue – or rescues as it turned out – and just how much the story morphed and changed when exposed to the light of ‘grub street’ journalism. There is very little ‘truth’ to be found by the time the conflicting accounts of the survivors and the even more sensational exaggerations of the press came into play. This is a story that leaves more questions than answers. Humans do not make reliable eyewitnesses – particularly in cases where each has a stake in saving their own skins – or necks.

The Wager isn’t the kind of adventure on the high seas that many of her crew read before they undertook the voyage. It’s an ultimately riveting, desperately tragic, terribly contentious account of a walk – or rather a sail – through the darkest places of men’s hearts and souls. A tale from which it is impossible to turn one’s eyes away, no matter how much one might be tempted to step aside. Which is only fitting, as the crew of HMS Wager could not either.

Review: Unraveling: What I Learned About Life While Shearing Sheep, Dyeing Wool, and Making the World’s Ugliest Sweater by Peggy Orenstein

Review: Unraveling: What I Learned About Life While Shearing Sheep, Dyeing Wool, and Making the World’s Ugliest Sweater by Peggy OrensteinUnraveling: What I Learned About Life While Shearing Sheep, Dyeing Wool, and Making the World's Ugliest Sweater by Peggy Orenstein
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: autobiography, biography, history, memoir, women's history
Pages: 224
Published by Harper on January 24, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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In this lively, funny memoir, Peggy Orenstein sets out to make a sweater from scratch--shearing, spinning, dyeing wool--and in the process discovers how we find our deepest selves through craft. Orenstein spins a yarn that will appeal to everyone.
The Covid pandemic propelled many people to change their lives in ways large and small. Some adopted puppies. Others stress-baked. Peggy Orenstein, a lifelong knitter, went just a little further. To keep herself engaged and cope with a series of seismic shifts in family life, she set out to make a garment from the ground up: learning to shear sheep, spin and dye yarn, then knitting herself a sweater.
Orenstein hoped the project would help her process not just wool but her grief over the recent death of her mother and the decline of her dad, the impending departure of her college-bound daughter, and other thorny issues of aging as a woman in a culture that by turns ignores and disdains them. What she didn't expect was a journey into some of the major issues of our time: climate anxiety, racial justice, women's rights, the impact of technology, sustainability, and, ultimately, the meaning of home.
With her wry voice, sharp intelligence, and exuberant honesty, Orenstein shares her year-long journey as daughter, wife, mother, writer, and maker--and teaches us all something about creativity and connection.

My Review:

Looking back – and oh how happy I am to be able to do that – we all unraveled a bit during COVID. At its simplest, Unraveling is one author’s story of how she dealt with that “Great Unraveling” by, well, raveling. Technically by knitting, but if the sheep baas, shear it.

So the framework of Unraveling is centered on what turned out to be the author’s pandemic project. People did all sorts of things to help them through the lockdown, or to provide structure while doing so, or perhaps a bit of both.

The author, who was an author in the Before Times whose in-progress book tour dissolved in the lockdowns, did not adopt a new pet as many people did. Although her project did involve animals – just not in any of the usual ways.

As a lifelong knitter, she decided to go deeper into a hobby she learned from her mother. SLFHM for short, as she learned that many, many fiber artists learned their craft from their mothers.

Orenstein went very deep, even though her shears often didn’t go nearly deep enough. She decided to experience the entire process of knitting from the first stage of the work to its final product by learning how to shear sheep, take the sheared wood through cleaning and carding, spin it into yarn, dye it using natural dyes and last but not least, knitting a sweater from the fruits of her labor. Which was also, naturally (pun intended) a fruit of her labor.

The steps of her project, frustrating, messy, aching and all too often colorful – whether from bruises or yarn going through the color spectrum, form the backbone of the book.

But each step and stumble along that way turned the author’s mind, and followed by the reader’s, down the myriad byways of history, science, sociology, ecology and pretty much anywhere and everywhere else that the human experience takes us.

Spinning thread leads to thoughts about the rise of civilization, the development of language and the independence generated by women’s work along with excoriations about the patriarchy that all too often suppresses it. Dyeing leads to the history of the chemical industry. The handwork – and hard work – of producing one’s own clothing gets into a discussion of the rapaciousness of the clothing industry and its effects on the environment.

One thought leads to another. Inevitably. As humans do.

Mixed in with a fascinating meander through history and sociology are personal elements, as Unraveling is kind of a journal of one woman past midlife dealing with all that life throws at us when we realize that there are more days behind us than in front of us. That our parents are going or gone. That our children – if we have them – are moving out and away. And all of that in the midst of quarantines where the rituals that usually surround those milestones are out of reach, as are the loved ones who are leaving us behind, one way or another.

Reality (and Escape) Rating A-: I’m calling it both, as this is a nonfiction book about the author’s way of escaping from the unstructured, amorphous nature of life under lockdown. Sometimes, finding purpose is the best thing we can do for ourselves as humans, and Unraveling is one person’s story about that journey.

Unraveling turns out to be a thoughtful book combining a lightness of heart with the heaviness of a sweater produced by hands filled with a lot of love and no small measure of grief. The exploration of the process of creating the sweater and all of the sweat equity that went into each step will draw in many readers – particularly those with some interest or experience in any of the fiber arts – whether they were taught by their mothers or not.

The explorations into history, culture and science will remind readers of some of Mary Roach’s work, or even Caitlin Doughty’s work about the death industry (Smoke Gets in Your Eyes), that same idea of using a process to explore a concept and its history in depth. Whether the depth of the research in Unraveling goes as far or as deep is a question that this reader can’t answer, but I found it all utterly fascinating – even though I’m not a knitter.

I suspect there will be some mixed feelings among readers about the more personal issues the author brings to this work, especially her grief over the final loss of her mother and the everyday loss of little pieces of her father as he succumbs to Alzheimer’s. As someone in the same age cohort, her thoughts about her losses resonated with me, as did her considerations – and still considering – the inevitable changes coming to her own life as she and her husband face retirement and what lies beyond. That part of her story may not work for every reader, but it certainly did for this one.

Review: The New Guys by Meredith Bagby

Review: The New Guys by Meredith BagbyThe New Guys: The Historic Class of Astronauts That Broke Barriers and Changed the Face of Space Travel by Meredith Bagby
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: history, nonfiction, science, science history, U.S. history
Pages: 528
Published by William Morrow & Company on February 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The never-before-told story of NASA's 1978 astronaut class, which included the first American women, the first African Americans, the first Asian American, and the first gay person to fly to space. With the exclusive participation of the astronauts who were there, this is the thrilling, behind-the-scenes saga of a new generation that transformed space exploration
The story of NASA's Astronaut Class 8, or "The F*cking New Guys," as their military predecessors nicknamed them, is an unprecedented look at these extraordinary explorers who broke barriers and blasted through glass ceilings. Egos clashed, ambitions flared, and romances bloomed as the New Guys competed with one another and navigated the cutthroat internal politics at NASA for a chance to rocket to the stars.
Marking a departure from the iconic military test pilots who had dominated the space program since its inception, the New Guys arrived at the dawn of a new era of space flight. Teardrop-shaped space capsules from Mercury, Gemini, and Apollo gave way to the space shuttle, a revolutionary space plane capable of launching like a rocket, hauling cargo like a truck, and landing back on Earth like an airliner. They mastered this new machine from its dangerous first test flights to its greatest achievements: launching hundreds of satellites, building the International Space Station, and deploying the Hubble Space Telescope.
The New Guys depicts these charismatic young astronauts and the exuberant social and scientific progress of the space shuttle program against the efforts of NASA officials who struggled to meet America's military demands and commercial aspirations. When NASA was pressured to fly more often and at greater risk, lives were lost in the program's two biggest disasters: Challenger (1986) and Columbia (2003).
Caught in the crosshairs of this battle are the shuttle astronauts who gave their lives in those catastrophes, and who gave their lives' work pursuing a more equitable future in space for all humankind. Through it all they became friends, rivals, lovers, and ultimately, family.

My Review:

Just as Tom Wolfe’s The Right Stuff set its portrait of the original astronaut class, the Mercury Seven, into its time and place in the history of the space program and the 1950s space race that preceded it, The New Guys performs a similar service for the 1978 astronaut class, the 35 astronauts recruited to help design, build and crew the Space Shuttle.

The concepts behind the books may be similar, but the people they follow were very, very different, both by design and because of the events of the intervening decade, the tumultuous 1960s, when the civil rights movements took hold and gained more ground than anyone could have imagined in the 1950s.

At the same time, there’s something similar in the two groups, that both were willing to sit “on top of an enormous Roman candle…and wait for someone to light the fuse,” as Wolfe said about the group of astronauts he portrayed. That most of the fuel for that Roman candle sat next to rather than directly under the Space Shuttle at launch doesn’t change the unstated point in that quote, that sometimes that Roman candle might just explode instead of providing liftoff – and that every astronaut who sat atop or beside it knew it.

Because it had happened before – and might happen again.

But before the disasters that marked the waning days of the Space Shuttle program, Challenger and Columbia, first there were the years of endless testing, of heady excitement, of competition to be the first as well as the camaraderie of being part of the most glorious dream that humanity ever imagined. The journey to leave this “big blue marble” in order to see its beauty and its fragility from the black of space.

The astronaut class of 1978, “The New Guys”, “Thirty-Five New Guys (AKA TFNG)” or “Those F*cking New Guys” as they were dubbed by the old hands, were recruited for the express purpose of making the “final frontier” seem like a possible dream for everyone, and not just restricted to a few white men who could qualify to be military test pilots.

This is their story. The story of a dream given form. But also the story of the personal costs to those who dreamed that dream – and to their friends and families. And underlying the good and the great, the firsts and the glory of it, there’s a hidden uncurrent of an organization and a country who cared more about the costs and the potential financial benefits than they did about the lives of the people sitting on or by that Roman candle.

Escape Rating A+: I loved this. Truly, seriously, I just loved it. And even though the eARC version I read did not include the pictures, I could still picture more of it in my head than seems possible.

But I do need to confess that I have a soft spot in my heart for the space program and books about it and I always have. So I expected to love it and was NOT disappointed. Howsomever, if you plan to read the book after reading this squee of a review, do get a copy with the pictures. Also, be advised that this is a much quicker read that it would seem from the stated length. The notes are EXTENSIVE.

All of that being said, what made the book work for me was that it was a view from the inside of something that I always wanted to be inside of but would never have had the chance. At the same time, because of the time period the story covers, it sheds light on some darker parts of the history I lived through from the 1970s and into the 2000s.

And there certainly were dark places, even before the shadows left behind by the Challenger and Columbia disasters – the causes for which are not glossed over here. Instead, the deep dive into the reasons behind both made me cry – because neither needed to happen and yet were inevitable because of situations that could have been predicted and corrected long before either explosion.

But a big part of what made this book so absorbing were the stories of how many of the individuals in this particular class of astronauts came to the point where they applied for the program, and how their perspectives were affected by the situations they came to the program from. Six of the new astronauts were women, one of whom was Jewish. Three of the men were African American, one was Asian American. In other words, 10 out of those 35 new astronauts were people who would never have been permitted into the selection process before this class, and faced bigotry and resentment as well as intense scrutiny along with all of the personal and professional stress that came with becoming astronauts.

Their stories felt real in a way that previous astronaut stories may not, because there were finally people that more of us could identify with.

But this book also contains those huge hard places, as it pokes and prods its way into NASA’s overall culture, the frequently terrible economics of the times when the Shuttle Program was at its peak, and how those factors played into the Challenger and Columbia disasters. Those sections are frustrating, infuriating and heartbreaking at the same time. It’s a rough read but so very necessary to set the whole story in its proper context.

The story of The New Guys takes the TFNG from their earliest dreams of space to the ends of their careers. But there’s a wider context to the story of the space program as a whole, placing this book in the center between the machismo of Wolfe’s The Right Stuff and the end of the era as told in Leaving Orbit by Margaret Lazarus Dean.

In conclusion, if you ever dreamed of becoming an astronaut, if you ever wondered what it would be like to go through the intensity – and occasionally insanity – of that program, The New Guys will give you a taste of what it was like for someone you might have been inspired by – or aspired to be. If you are looking for a dive into the causes of the Challenger and Columbia disasters that is accessible to both the layperson and the layperson’s tear ducts, this book will make the whole mess human, comprehendible and utterly frustrating and infuriating at the same time.

The New Guys is a book to touch both the heart and the stars.

Review: The Patriots by Winston Groom

Review: The Patriots by Winston GroomThe Patriots: Alexander Hamilton, Thomas Jefferson, John Adams, and the Making of America by Winston Groom
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: biography, history, U.S. history
Pages: 464
Published by National Geographic on September 8, 2020
Publisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In this masterful narrative, Winston Groom brings his signature storytelling panache to the intricately crafted tale of three of our nation's most fascinating founding fathers--Alexander Hamilton, Thomas Jefferson, and John Adams--and paints a vivid picture of the improbable events, bold ideas, and extraordinary characters who created the United States of America.
When the Revolutionary War ended in victory, there remained the stupendous problem of how to establish a workable democratic government in the vast, newly independent country. Three key founding fathers played significant roles: John Adams, the brilliant, dour, thin-skinned New Englander; Thomas Jefferson, the aristocratic Southern renaissance man; and Alexander Hamilton, an immigrant from the Caribbean island of Nevis. In this complex and riveting narrative, best-selling author Winston Groom tells the story of these men--all of whom served in George Washington's first cabinet--as the patriots fundamentally responsible for the ideas that shaped the foundation of the United States. Their lives and policies could not have been more different; their relationships with each other were complex, and often rife with animosity. And yet these three men led the charge--two of them creating and signing the Declaration of Independence, and the third establishing a national treasury and the earliest delineation of a Republican party. The time in which they lived was fraught with danger; the smell of liberty was in the air, though their excitement was strained by vast antagonisms that recall the intense political polarization of today. But through it all, they managed to shoulder the heavy mantle of creating the United States of America, putting aside their differences to make a great country, once and always. Drawing on extensive correspondence, epic tales of war, and rich histories of their day-to-day interactions, best-selling author Winston Groom shares the remarkable story of the beginnings of our great nation.

My Review:

One thing the play Hamilton got right – these three men really didn’t like each other much, although Adams and Jefferson did reconcile in old age. Which doesn’t mean that they didn’t manage to work together for the good of the country they helped to create.

There’s definitely a lesson in there. Maybe we’ll start acting upon that lesson again.

It’s clear from this book – unlike the U.S. History classes most of us took in school – that there was nothing inevitable about the American Experiment in general or the American Revolution in particular.

Every other country on the planet thought that the ragtag army of the fledgling country was going to lose. And by rights it should have. The British Army was the premier fighting force in the entire world in the late 18th century. They had us outgunned, outmanned, and out pretty much everything else.

But they also had a very long supply line in a war that was expensive to prosecute. A war over territory that their own people didn’t think much about or care much about. And we had George Washington, who knew that he just had to keep himself and some kind of army out of the hands of the British for the tide to turn.

Not the tide of war, but the tide of British willingness to prosecute that war.

But the country that the Revolution gave birth to was every bit as fractured as the country we live in today – if not more so. And along some of the same lines. Lines that were baked into the compromises made by the three men profiled in this book, Alexander Hamilton, Thomas Jefferson and John Adams.

They kicked the can down the road, in the sure and certain knowledge – from their perspective – that the most important thing was having that can to kick. They compromised to keep the American Experiment alive.

It’s time for us to do our parts.

Escape Rating A-: I read this on Election Day and Ballot Counting Day (11/3 and 11/4) and it is impossible to separate my reading from real life events, going on in real time, that are the direct result of the actions and compromises that fill this book and our history.

So this is a book that made me think and feel a lot about this country and where it currently stands. About the work the Founders left for us to do, and about the difficulties involved in doing it.

But I need to talk about the book. First, it is imminently readable. It was so easy to just get sucked in and stay sucked, making it a perfect read for the occasion in multiple ways.

It probably helps that the story begins with Hamilton, and does so in such a way that it puts flesh on the bones of a story that we are now so familiar with. At this moment in time, Hamilton feels like the most accessible of the “founding fathers” so starting with him doesn’t just make sense but draws the reader right into the narrative.

So even though this book is heavily researched and has lots of footnotes and an extensive bibliography, it NEVER gets bogged down by that research. Instead it illuminates it in a way that brings these men, with all their flaws as well as their virtues, to life.

Although, speaking of illustrations, the print edition of this book is undoubtedly heavily illustrated. However, the eARC does not include the pictures. This is one of those times when I really, really wish I’d gotten a print copy to review, because the illustrations I have seen in various promotional materials for the book are both illustrative and gorgeous.

As I said, I’m writing this review on November 4, which is Ballot Counting Day or Obsessive Doomscrolling Day or a nauseating combination of the two. That we have a country to vote in and vote for is the legacy of these three men among many others both sung and unsung. The compromises that they enshrined in the U.S. Constitution in order to get both abolitionists and slaveholders, industrial states and farming states, those who feared the government would be overwhelmed by masses of urban voters and those who feared that lower-population rural voters would hold back progress brought us the U.S. Senate as it is currently configured and the Electoral College.

They respected each other – whether they could stand each other or not – and they compromised so that we’d have a country to improve upon. Their work is done. Our work continues. After all, they didn’t leave us “a more perfect union” – only the tools with which to achieve it.

TLC
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Review: Putting the Science in Fiction by Dan Koboldt vs. The Science of Science Fiction by Mark Brake

Putting the Science in Fiction: Expert Advice for Writing with Authenticity in Science Fiction, Fantasy, & Other Genres by by Dan Koboldt, Chuck Wendig , Gareth D. Jones, Bianca Nogrady, Kathleen S. Allen, Mike Hays, William Huggins, Abby Goldsmith, Benjamin Kinney, Danna Staaf, Sylvia Spruck Wrigley, Judy L. Mohr, Anne M. Lipton, Jamie Krakover, Rebecca Enzor, Stephanie Sauvinet, Philip Kramer, Gwen C. Katz
Format read: eARC
Source: publisher via NetGalley
Formats available: paperback
Genre: science, science fiction
Pages: 266
Published by Writer’s Digest Books on October 16th 2018
Purchasing Info: Author’s Website, Publisher’s Website, Amazon, Barnes & NobleBook Depository
Goodreads

Science and technology have starring roles in a wide range of genres–science fiction, fantasy, thriller, mystery, and more. Unfortunately, many depictions of technical subjects in literature, film, and television are pure fiction. A basic understanding of biology, physics, engineering, and medicine will help you create more realistic stories that satisfy discerning readers.

This book brings together scientists, physicians, engineers, and other experts to help you:
Understand the basic principles of science, technology, and medicine that are frequently featured in fiction.
Avoid common pitfalls and misconceptions to ensure technical accuracy.
Write realistic and compelling scientific elements that will captivate readers.
Brainstorm and develop new science- and technology-based story ideas.
Whether writing about mutant monsters, rogue viruses, giant spaceships, or even murders and espionage, Putting the Science in Fiction will have something to help every writer craft better fiction.

Putting the Science in Fiction collects articles from “Science in Sci-fi, Fact in Fantasy,” Dan Koboldt’s popular blog series for authors and fans of speculative fiction (dankoboldt.com/science-in-scifi). Each article discusses an element of sci-fi or fantasy with an expert in that field. Scientists, engineers, medical professionals, and others share their insights in order to debunk the myths, correct the misconceptions, and offer advice on getting the details right.

 

The Science of Science Fiction: The Influence of Film and Fiction on the Science and Culture of Our Times by Mark Brake
Format read: eARC
Source: publisher via Edelweiss
Formats available: paperback, ebook
Genre: science fiction, history
Pages: 272
Published by Skyhorse Publishing on October 9th 2018
Purchasing Info: Author’s Website, Publisher’s Website, Amazon, Barnes & Noble, Book Depository
Goodreads

We are the first generation to live in a science fiction world.

Media headlines declare this the age of automation. The TV talks about the coming revolution of the robot, tweets tell tales of jets that will ferry travelers to the edge of space, and social media reports that the first human to live for a thousand years has already been born. The science we do, the movies we watch, and the culture we consume is the stuff of fiction that became fact, the future imagined in our past–the future we now inhabit.

The Science of Science Fiction is the story of how science fiction shaped our world. No longer a subculture, science fiction has moved into the mainstream with the advent of the information age it helped realize. Explore how science fiction has driven science, with topics that include:

Guardians of the Galaxy Is Space Full of Extraterrestrials? Jacking In: Will the Future Be Like Ready Player One?
Mad Max Is Society Running down into Chaos? The Internet: Will Humans Tire of Mere Reality?
Blade Runner 2049 When Will We Engineer Human Lookalikes? And many more!
This book will open your eyes to the way science fiction helped us dream of things to come, forced us to explore the nature and limits of our own reality, and aided us in building the future we now inhabit.

My Review:

I have served on various book judging committees over the years. Recently I was part of a group picking the best science fiction for the year. I’m not going to say where or when, but it’s a list where the jury is still out.

But it made me think about what makes good science fiction – and conversely what doesn’t. Which led me to not one but two books in the virtually towering TBR pile, Putting the Science in Fiction and The Science of Science Fiction, both of which have been released this month.

It seemed like a golden opportunity to do a compare and contrast instead of a more traditional review.

I thought that these books would work together well. Putting the Science in Fiction was all about the inputs. It is exactly what I expected it to be. Much fiction, both written and filmed, includes some science in some form. Police dramas and mysteries deal with forensic science. Medical dramas – and not a few mysteries – deal with medical science. Science fiction, of course, is all about taking science out to the nth degree and then playing with it.

But lay people often get things wrong. There are lots of things about science that get shortchanged or simplified in order to make better drama. Anyone who is an expert in whatever has just gotten completely screwed up will cringe and just how far off-base the writer or director has just taken the science in their story.

We all do it for our own fields. And when it happens it throws the knowledgeable reader out of the story – no matter how good the rest of it might be.

Putting the Science in Fiction turns out to be a surprisingly readable collection of essays by science and engineering experts explaining the very, very basics of their fields to those of us whose expertise is somewhere else. It serves as a terrific guide for any writer who wants to follow the dictum of “write what you know” by learning more so they know more so they have more to write about.

On my other hand, The Science of Science Fiction is not what I expected it to be. I was kind of expecting it to be about SF that did well – not necessarily in the science aspect at the time so much as in the way that it captured the imagination – even to the point where the SF created the science it postulated.

There is a famous story about Star Trek: The Original Series and the invention of the cell phone that comes to mind.

But that’s not where this book went. Although that would be a great book and I hope someone writes it.

Instead, The Science of Science Fiction reads more like a history of SF written thematically rather than chronologically. It takes some of the basic tenets and tropes of SF and lays out where they began – sometimes surprisingly long ago – to where they are now.

It’s an interesting approach but it didn’t quite gel for this reader.

By way of comparison, both books talk about the science and the influences of Michael Crichton’s classic work of SF, Jurassic Park.

Putting the Science in Fiction does two things, and it does them really well. First, it conveys that “sensawunder” that SF does when it is at its best. The author of the essay is a microbiologist, who puts the science of the book in context – both the context of what was known at the time it was written (OMG 1990!) and what has been discovered since, and comes to the conclusion that he didn’t do too badly based on what was known at the time. Discoveries since have made his science fictional extrapolation less likely than it originally seemed. It’s hard to fault the author for that.

But what the author of the essay also does is to show how the book not only grabbed his interest and attention but continues to hold it to the present day, even though he knows the science isn’t remotely feasible. The book does a great job of taking just enough of the science in a direction that we want to believe is possible.

After all, who wouldn’t want to see a real live dinosaur? Under very controlled conditions. Much more controlled conditions than occur in the book, of course.

The Science of Science Fiction also discusses Jurassic Park. (A classic is a classic, after all) But instead of talking about the science of cloning the author goes into a couple of other directions. First he sets Jurassic Park within the context of other “lost world” works of science fiction. That’s a tradition that goes back to Jules Verne and even further. But it feels like the fit of Jurassic Park as part of that lost world tradition doesn’t quite fit.

The other part of this Jurassic Park discussion has to do with the way that scientists are portrayed in SF. Science makes the story possible. Scientists in fiction tend to work toward proving they can do something – in this particular case proving they can clone dinosaurs from preserved DNA. It takes a different kind of scientist, someone dealing in chaos theory, to posit that just because it CAN be done doesn’t mean it SHOULD be done. That’s a discussion I would love to see expanded. And I’d have liked this book more if it had been expanded here.

Reality Ratings: These two books struck me completely differently. Putting the Science in Fiction is both readable and does what it sets out to do – excellent points for a work designed to help writers do a more informed job of including science in their fiction. I therefore give Putting the Science in Fiction a B+.

Howsomever, The Science of Science Fiction doesn’t work nearly as well. It reads much more like a history of SF than it treats with the science of SF. That it breaks that history up into themes rather than treat it chronologically makes it jump around a bit. As SF history, it’s not nearly as readable as Astounding or An Informal History of the Hugos or What Makes This Book So Great?. While I will be tempted to dip back into Putting the Science in Fiction again when I need some explanatory material on a particular science in SF, I won’t be inclined to go back to The Science of Science Fiction. I give The Science of Science Fiction a C+

One final recommendation. Do not read the chapter in Putting the Science in Fiction about plausible methods for kicking off the Zombie Apocalypse at breakfast. Or any other meal!

Review: Astounding by Alec Nevala-Lee

Review: Astounding by Alec Nevala-LeeAstounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction by Alec Nevala-Lee
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: biography, history, science fiction
Pages: 544
Published by Dey Street Books on October 23, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

“[Astounding] is a major work of popular culture scholarship that science fiction fans will devour.” — Publishers Weekly

"Alec Nevala-Lee has brilliantly recreated the era. . . . A remarkable work of literary history." — Robert Silverberg

"Science fiction has been awaiting this history/biography for more than half a century. . . . Here it is. This is the most important historical and critical work my field has ever seen. Alec Nevala-Lee’s superb scholarship and insight have made the seemingly impossible a radiant and irreplaceable gift."—Barry N. Malzberg, author of Beyond Apollo

Astounding is the landmark account of the extraordinary partnership between four controversial writers—John W. Campbell, Isaac Asimov, Robert A. Heinlein, and L. Ron Hubbard—who set off a revolution in science fiction and forever changed our world. 

This remarkable cultural narrative centers on the figure of John W. Campbell, Jr., whom Asimov called “the most powerful force in science fiction ever.” Campbell, who has never been the subject of a biography until now, was both a visionary author—he wrote the story that was later filmed as The Thing—and the editor of the groundbreaking magazine best known as Astounding Science Fiction, in which he discovered countless legendary writers and published classic works ranging from the I, Robot series to Dune. Over a period of more than thirty years, from the rise of the pulps to the debut of Star Trek, he dominated the genre, and his three closest collaborators reached unimaginable heights. Asimov became the most prolific author in American history; Heinlein emerged as the leading science fiction writer of his generation with the novels Starship Troopers and Stranger in a Strange Land; and Hubbard achieved lasting fame—and infamy—as the founder of the Church of Scientology. 

Drawing on unexplored archives, thousands of unpublished letters, and dozens of interviews, Alec Nevala-Lee offers a riveting portrait of this circle of authors, their work, and their tumultuous private lives. With unprecedented scope, drama, and detail, Astounding describes how fan culture was born in the depths of the Great Depression; follows these four friends and rivals through World War II and the dawn of the atomic era; and honors such exceptional women as Doña Campbell and Leslyn Heinlein, whose pivotal roles in the history of the genre have gone largely unacknowledged. For the first time, it reveals the startling extent of Campbell’s influence on the ideas that evolved into Scientology, which prompted Asimov to observe: “I knew Campbell and I knew Hubbard, and no movement can have two Messiahs.” It looks unsparingly at the tragic final act that estranged the others from Campbell, bringing the golden age of science fiction to a close, and it illuminates how their complicated legacy continues to shape the imaginations of millions and our vision of the future itself.

My Review:

Vintage Astounding from 1937

They were the men who sold the moon – as well as the rest of the universe. Together they were the Golden Age of science fiction – in some ways both the quip that says that the golden age of SF is 12 and in the historical sense.

John W. Campbell, Jr. was the editor of what became the premiere outlet for science fiction writing during its and his heyday, from 1937 through 1946. Back in the days before SF became mainstream, the pulps were all there were, and Campbell’s Astounding was the top of the pulps as far as SF was concerned.

That golden age was when he found, mentored, developed or at least published two writers who became synonymous with SF, Isaac Asimov and Robert A. Heinlein, and the one who nearly broke it, L. Ron Hubbard.

While Astounding and Campbell both went on after 1946 – Astounding exists today as Analog – and all three writers’ careers flourished in their very different trajectories after that period, SF as we know it today was significantly influenced by them and/or their writing, and they, in turn, were significantly influenced by Campbell’s editorial direction. And in one significant case, vice-versa.

Together, they made the genre as we now know it. And the children who grew up reading science fiction, their particular brand of science fiction, changed the world.

Reality Rating A: First things first, this is surprisingly readable. There’s a lot of information packed in here, and it flows fairly smoothly from one page into the next. I was surprised at how completely I was drawn in and held over a very long flight. I expected to bounce in and out, and I just didn’t.

(That the book is only about ⅔ as long as it appears to be is probably a help. The final ⅓ consists of extensive notes. It is blissfully not necessary to flip back and forth between the text and the notes in order to get the story or the context. The author certainly did his homework, but it’s not required that one read it for the book to make sense.)

Campbell in 1965

While Heinlein, Asimov and Hubbard have all been written about before, and in depth, Campbell really hasn’t. And certainly should have been. For the period when Astounding was at the top of the pulps, and for some time beyond, Campbell wasn’t just the editor of a magazine – he WAS science fiction in a way that just isn’t possible now that SF has gone mainstream. His role hasn’t been recognized, possibly because there is no real equivalent today.

This multi-biography attempts to set all four men in their time as well as their relationships to each other. And while on the one hand it feels both loving and respectful, on the other it doesn’t pull any punches when it comes to the darker side of all four – even though much of what we now consider that dark side generally passed social muster at the time it happened.

The book does a good job of giving context for why much of what we would consider bad behavior occurred, without ever minimizing it or apologizing for it. I’m thinking particularly of Asimov’s well-known propensity for pinching women’s bottoms and other places without their consent or even seeming to acknowledge that he needed their consent. That all the women in his various editors’ and publishers’ offices literally cleared the building whenever he had an appointment seems to be a message he just never got – and certainly should have.

All of them except Asimov seemed to have drunk to considerable excess. Towards the end of their lives both Campbell and Heinlein crossed the line from conservative to reactionary. None of them gave the credit to any of their wives that was certainly due.

Campbell’s racism undoubtedly affected his gatekeeping of the genre throughout his tenure at Astounding, and is in at least some part responsible for the whiteness of SF through his era and beyond. When some 21st century fans cry out for a “Campbellian Revolution” this is part and parcel of what they are looking back to and wanting to recreate.

And everyone was way more involved in the beginning of Scientology than seems to be widely known. Only Asimov steered clear, and even he got stuck arguing with Campbell about it on multiple occasions.

But we certainly see the hand of Campbell in the underpinnings of Hubbard’s Scientology – and we see a number of promising careers get sidetracked by it. Hubbard’s most of all.

These men were the giants upon whose shoulders the genre now stands, whether their influence was mostly positive, or in Hubbard’s case mostly negative. The author does a deft job of giving them their rightful place in SF history while showing that they all had feet of clay up to the knees. If not higher.

In the end, this is a fascinating study of a group of men who made this most popular genre what it became. And it’s a great read from beginning to end.

Review: The Library Book by Susan Orlean

Review: The Library Book by Susan OrleanThe Library Book by Susan Orlean
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: books and reading, history, libraries, true crime
Pages: 336
Published by Simon & Schuster on October 16, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Susan Orlean, hailed as a “national treasure” by The Washington Post and the acclaimed bestselling author of Rin Tin Tin and The Orchid Thief, reopens the unsolved mystery of the most catastrophic library fire in American history, and delivers a dazzling love letter to a beloved institution—our libraries.

On the morning of April 29, 1986, a fire alarm sounded in the Los Angeles Public Library. As the moments passed, the patrons and staff who had been cleared out of the building realized this was not the usual false alarm. As one fireman recounted later, “Once that first stack got going, it was Goodbye, Charlie.” The fire was disastrous: It reached 2,000 degrees and burned for more than seven hours. By the time it was extinguished, it had consumed 400,000 books and damaged 700,000 more. Investigators descended on the scene, but over thirty years later, the mystery remains: Did someone purposefully set fire to the library—and if so, who?

Weaving her life-long love of books and reading with the fascinating history of libraries and the sometimes-eccentric characters who run them, award-winning journalist and New York Times bestselling author Susan Orlean presents a mesmerizing and uniquely compelling story as only she can. With her signature wit, insight, compassion, and talent for deep research, she investigates the legendary Los Angeles Public Library fire to showcase the larger, crucial role that libraries play in our lives. To truly understand what happens behind the stacks, Orlean visits the different departments of the LAPL, encountering an engaging cast of employees and patrons and experiencing alongside them the victories and struggles they face in today’s climate. She also delves into the evolution of libraries across the country and around the world, from a metropolitan charitable initiative to a cornerstone of national identity. She reflects on her childhood experiences in libraries; studies arson and the long history of library fires; attempts to burn a copy of a book herself; and she re-examines the case of Harry Peak, the blond-haired actor long suspected of setting fire to the library over thirty years ago. Along the way, she reveals how these buildings provide much more than just books—and that they are needed now more than ever.

Filled with heart, passion, and unforgettable characters, The Library Book is classic Susan Orlean, and an homage to a beloved institution that remains a vital part of the heart, mind, and soul of our country and culture.

My Review:

This is Banned Books Week. As part of my own personal Banned Books Week celebration I read and review at least one book about libraries, or books, or a book that has been banned. Or Fahrenheit 451 which kind of hits the trifecta.

The Library Book is not about book banning. Instead, it’s about book burning. Not the kind of book burning that occurs in Fahrenheit 451, but something less political but unfortunately just as deliberate.

It’s about a real-life case that definitely involved the perfect temperature, and conditions, for burning books. An awful lot of books.

But that’s not the only thing in The Library Book. A big part of the story revolves around that calamitous fire, the ultimately inconclusive investigation into its cause, and the massive amount of effort required in its aftermath for the Los Angeles Public Library’s Central Library to open for business once more.

In the process of investigating the fire, the author also took a deep dive into the current operations of LAPL. In the end, this book serves as a love letter to one of the great public libraries in the United States, and ultimately to all public libraries.

The process of looking at and into LAPL as it is today, the way that its mission has changed and adapted, and all of the many ways that it continues to serve its rich and varied community, showcases the vital work that libraries perform in the 21st century. And makes the case, yet again, that libraries are not dusty repositories of books.

That the author also rediscovered her own love of libraries, and the sweetness of the childhood memories she had wrapped around them, was the icing on the cake.

Reality Rating A: When I first picked this up I was expecting more than a bit of “insider baseball” – but I’m happy to report that is not the case. The author is looking at the library’s operation from the point of view of an interested bystander, a user of libraries, and not someone on the inside.

That being said, the operations she described will be familiar to anyone who has ever worked in a library, particularly those of us who have worked in some of the large urban libraries. While the Los Angeles community served by LAPL is different from Chicago, many of the internal workings of a large urban library seem to be the same.

The story of the fire is fascinating and heartbreaking. Like the author, I wondered why I did not remember the events when they occurred. I was a working librarian at the time. But the fire, as big as it was (and it was HUGE) could not eclipse the news of the Chernobyl disaster. Not much can compete with the potential end of the world as we know it.

Readers will find the investigation frustrating, as did investigators at the time. The story has all the elements of a true crime thriller – but with no definitive ending. Somebody set this fire, but we’ll never know who. This part of the story lacks closure but is true to life. There was a strong suspect with a weak alibi, but ultimately it’s a mystery.

What emerges from The Library Book, along with smoke that can still be sniffed between the pages of those books that survived the fire, is a portrait of libraries as community institutions, and just how vital they can be when they reach out and serve.

In the end, the story in some ways reminds me of the recent events in Brazil and the fire that consumed the National History Museum in Rio de Janeiro. Both fires were the largest of their kind. Both took place in buildings that were known to be firetraps – places where maintenance and prevention had been neglected for years. And both were conflagrations that caused incalculable losses of knowledge and history.

LAPL rose from its ashes, with a lot of blood, sweat, tears and above all, effort. Perhaps someday the National History Museum of Brazil will as well.

Review: We Were Eight Years in Power by Ta-Nehisi Coates

Review: We Were Eight Years in Power by Ta-Nehisi CoatesWe Were Eight Years in Power: An American Tragedy by Ta-Nehisi Coates
Formats available: hardcover, paperback, large print, ebook, audiobook
Pages: 367
Published by One World on October 3rd 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A sweeping collection of new and selected essays on the Obama era by the National Book Award-winning author of Between the World and Me

"We were eight years in power" was the lament of Reconstruction-era black politicians as the American experiment in multiracial democracy ended with the return of white supremacist rule in the South. Now Ta-Nehisi Coates explores the tragic echoes of that history in our own time: the unprecedented election of a black president followed by a vicious backlash that fueled the election of the man Coates argues is America's "first white president."

But the story of these present-day eight years is not just about presidential politics. This book also examines the new voices, ideas, and movements for justice that emerged over this period--and the effects of the persistent, haunting shadow of our nation's old and unreconciled history. Coates powerfully examines the events of the Obama era from his intimate and revealing perspective--the point of view of a young writer who begins the journey in an unemployment office in Harlem and ends it in the Oval Office, interviewing a president.

We Were Eight Years in Power features Coates's iconic essays first published in The Atlantic, including "Fear of a Black President," "The Case for Reparations," and "The Black Family in the Age of Mass Incarceration," along with eight fresh essays that revisit each year of the Obama administration through Coates's own experiences, observations, and intellectual development, capped by a bracingly original assessment of the election that fully illuminated the tragedy of the Obama era. We Were Eight Years in Power is a vital account of modern America, from one of the definitive voices of this historic moment.

My Review:

I came to this book via multiple odd routes. I heard the author speak a couple of years ago, because my husband really likes his writing. While it doesn’t resonate with me quite the same way, when it does, it really, really does. Coates’ comment at the beginning of Between the World and Me regarding the social construction of whiteness in America, and how that social construct can be withheld, conferred and taken away as conditions change, spoke directly to me and my own experience as a Jew growing up in America. I was not white when I was a child. I have been through most of my adulthood. But if the neo-Nazis chanting at that Unite the Right rally last year in Charlottesville have anything to say about it, I will not be again in the future.

I was also interested in the historical resonance. I recently completed the extremely well-written (and incredibly massive) biography of Ulysses S. Grant by Ron Chernow. The historical “eight years in power” that Coates refers to in the title of the book largely overlap the years of Grant’s administration. Grant attempted to guarantee civil rights for the newly freed slaves in the South, and broke the 19th century incarnation of the Ku Klux Klan. But the resulting backlash of white supremacy swept away his achievements, and those rights that were held most dear and paid for in blood.

That the backlash in the 19th century looks all too much like the backlash after Barack Obama’s election and administration in the 21st is all too poignant. And frightening in the intensity of its fear and hate, and in the depths of its depravity and its denial that there is anything wrong that still needs to be addressed.

America was founded on and prospered because of two original sins. One was the theft of the land itself from the Native Americans who already lived here, and the generations upon generations of continuing theft, pillage, murder and suppression, all sanctioned by law.

The second original sin is chattel slavery, the kidnapping of people in Africa, their shipment to the U.S., and their continued bondage, exploitation, theft, pillage, murder and suppression, all sanctioned by law. The wealth and prosperity of this country was founded on slavery, and the suppression of the descendants of that crime continue to this day. And tomorrow.

If the arc of history does bend towards justice, it seems to operate on a geologic scale of time. What feels more real is that for every swing towards what seems like progress, there is an equal and opposing backlash that feels worse than the oppression that went before, because once there was hope, and then there isn’t.

Which sums up a lot of liberal feelings about the election of Trump, after eight years of a President who was intelligent, thoughtful, statesmanlike, progressive, an always informed if not always inspiring speaker, and scandal-free – but who just so happened to be black, which is an original sin that too many people cannot forgive. Not because he was a bad president, but because he was a good one. Not perfect, but then no human is. But good.

And in the eyes and hearts of white supremacists, his Presidency is something that must be erased or delegitimized at every turn. Because it is proof that truly anyone can hold the highest office in this land.

Unfortunately, the current occupant also proves the exact same thing. Anyone can be President. But Obama appealed to the better angels in our nature, where Trump continues to build his base among the worst elements of repression, racism, anti-semitism and suppression of any and all people who are not just like him, meaning white, male, Christian, heterosexual, and rich.

Reality Rating A: Some of the above is personal. And while it isn’t directly about the book, it also is. We Were Eight Years in Power combines essays that Coates published in The Atlantic during the course of Obama’s administration, one for each year, with a framing narrative that is his own personal story of who he was at the time, what he was trying to accomplish with his writing craft, and how he felt both about what he was writing and about the issues that he raised within it. He places himself, his research and his writing within the context of the black writers who came before him, and attempts to set himself in the context of those who will come after.

Some of the early essays are a bit dated, and occasionally it is obvious that the writer was still honing his craft. The later ones are searing in their intensity, as the author marshalls both his facts and his passion in service of stories that need to be told and things that must be said, but unfortunately seldom are.

The ending is hard to read, because we know what came after. And there is a bit of an element of what should be “preaching to the choir” but isn’t. Because I agree with the author that so much of what caused the rise of Trump is racism (along with its terrible brethren, xenophobia, misogyny, homophobia, anti-Semitism, Islamophobia and all the rest of the fearful hatreds of people who the perpetrators perceive as “not like them” and equate in their minds to “less human”).

But too few writers seem to be willing to call it by its name. Because until this terrible history, and the present that derives from it, is acknowledged as exactly what it is and called to account, it can never become the past, and we can never move forward.