A- #BookReview: Always Remember by Mary Balogh

A- #BookReview: Always Remember by Mary BaloghAlways Remember (Ravenswood #3) by Mary Balogh
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: historical fiction, historical romance, regency romance
Series: Ravenswood #3
Pages: 366
Published by Berkley on January 16, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Lady Jennifer Arden and Ben Ellis know that a match between them is out of the question. Yet their hearts yearn for the impossible. Discover a new heartwarming story from New York Times bestselling author and beloved “queen of Regency romance” Mary Balogh.Left unable to walk by a childhood illness, Lady Jennifer, sister of the Duke of Wilby, has grown up to make a happy place for herself in society. Outgoing and cheerful, she has many friends and enjoys the pleasures of high society—even if she cannot dance at balls or stroll in Hyde Park. She is blessed with a large, loving, and protective family. But she secretly dreams of marriage and children, and of walking—and dancing.When Ben Ellis comes across Lady Jennifer as she struggles to walk with the aid of primitive crutches, he instantly understands her yearning. He is a fixer. It is often said of him that he never saw a practical problem he did not have to solve. He wants to help her discover independence and motion—driving a carriage, swimming, even walking a different way. But he must be careful. He is the bastard son of the late Earl of Stratton. Though he was raised with the earl’s family, he knows he does not really belong in the world of the ton.Jennifer is shocked—and intrigued—by Ben’s ideas, and both families are alarmed by the growing friendship and perhaps more that they sense developing between the two. A duke’s sister certainly cannot marry the bastard son of an earl. Except sometimes, love can find a way.

My Review:

At the beginning of the Ravenswood series, back in Remember Love, I compared the late and more or less lamented Earl of Stratton, Caleb Ware, with the late and entirely unlamented Humphrey Westcott, Earl of Riverdale, the discovery of whose marital perfidy kicked off that series, and found both of them wanting in only slightly different ways and degrees.

As that earlier series continued through the stories of all the family members impacted by the lies that were shockingly revealed upon Westcott’s death, the man was never redeemed – not even in memory. In fact, as the impacts of his lies rippled out in the years after his death, the worse a character he became.

Therefore, one of the fascinating things about Caleb Ware, Earl of Stratton, is the way that his memory has been redeemed in the years after his death. Not that he wasn’t unfaithful to his wife from the very beginning of their marriage, and not that he didn’t constantly seek love, approval and attention wherever he went, but the reasons behind his actions become clearer with each book – even though that book is centered around another character entirely.

That is especially true of this third book in the series, after Remember Love and Remember Me, because the male protagonist of this story is Ware’s illegitimate oldest son Ben, whose mother was, as it turns out, truly, the love of Ware’s life.

A woman of his own class who he would have married if he could have, but that would have made her guilty of the same sin as Humphrey Westcott. It would have made Lady Janette Kelliston, who her son only knew as plain ‘Jane Ellis’, a bigamist.

But this is, after all, Ben’s story and not the story of his parents, although his discovery of the truth about that relationship and so much more is a central part of his story. While he does not discover those truths until well into this story, it does set the stage for the things he already does know about himself.

That in spite of his complete and thoroughgoing acceptance by Caleb Ware’s legal family for all of Ben’s life, he is, and always will be, the Earl’s bastard. And therefore, not eligible to marry any of the girls – and now women – he meets as part of his membership in the Ware family.

Which means that when widowed Ben and his three-year-old daughter Joy come to Ravenswood Hall to celebrate the revival of the annual Summer Fete, even though he has marriage on his mind he does not expect to find anyone who would consider him suitable among his family’s aristocratic guests.

Because he is NOT suitable, as the rest of the world is all too willing to remind him. The question is whether he, and the woman with whom he falls in love in spite of all the whispers against it, are willing to damn the consequences and the social opprobrium likely to follow in their wake.

Escape Rating A-: I came into Always Remember with high hopes after a bit of disappointment with Remember Me. I liked the characters of that book well enough, but Lady Philippa Ware was a bit TOO perfect and too privileged to identify with and that affected my reading of her story quite a lot.

The heroine of this entry in the series, Pippa’s now sister-in-law Lady Jennifer Arden, is far from perfect – although she fakes it well. Not the perfect beauty that Pippa absolutely does have, but rather, a perfect amiability – or at least the appearance of it – that allows her to find as much happiness and fulfillment in the life that the lifelong disability that remains after a childhood illness (most likely polio) has left her with as is possible. Which is quite a lot if one puts their mind to it, which Lady Jennifer absolutely does.

So this is a romance between an unconventional hero – at least for a Regency romance – and an equally unusual heroine – for any romance at all. That it is their differences from the others around them that brings them together – even as their differences in social position pulls them apart – that made even the possibilities of this story something I was definitely looking forward to.

Ben Ellis and Lady Jennifer Arden find a bond because they are able to see behind each other’s masks to find the real person within. Both are in positions where they ‘should’ be grateful. He because his father’s family took him in and made him their own – as much as they could and considerably more than he knew he had any right to expect. Lady Jennifer’s entire family has rearranged itself, and continues to do so, in order to make sure that she is taken care of, has as much freedom and opportunity as they believe is safe for her, and in general has a good, well-privileged life with friends and opportunities and someone always available to take care of her.

But they are both in pursuit of the missing pieces in their lives. Ben needs to know about his mother’s family, for the sake of his own identity as well as that of his daughter. Lady Jennifer is twenty-five years old, she needs to find out what her OWN limits are. From her perspective, she has one blighted leg but the rest of her, including most definitely her heart and her brain, are just fine. She is an adult and needs to forge her own path – even if that path is navigated on crutches or in a wheelchair.

Ben sees possibilities for her. She sees answers for him. Together, they forge a path that no one expected, and that some would have preferred they not even begin to try. I half expected the author to contrive a solution that would make Ben legally legitimate no matter the actual circumstances of his birth in order to clear that path, but it made for a much better story that the easy solution was not taken after all, making this a deeply earned HEA that kept me up late because I had to find out how it ended.

Speaking of endings, this could be the ending of the Ravenswood series, but I sincerely hope that it is not. The late – and now reasonably lamented – Earl of Stratton and his Countess had several more children who have yet to find their own HEAs. I’d LOVE to see their stories added to this series!

#BookReview: Remember Me by Mary Balogh

#BookReview: Remember Me by Mary BaloghRemember Me (Ravenswood, #2) by Mary Balogh
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook
Genres: historical fiction, historical romance, regency romance
Series: Ravenswood #2
Pages: 368
Published by Berkley on June 20, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Can Lady Philippa Ware forgive the man who once shattered all her youthful dreams? Discover the passionate and heartwarming new novel on the redemptive power of love from New York Times bestselling author Mary Balogh.
Philippa, elder daughter of the Earl of Stratton, grew up eagerly anticipating a glittering debut and a brilliant marriage. Then her brother caught their father out in a clandestine affair and denounced him publicly. The whole family was disgraced, and Philippa's hopes grew dim, then were fully shattered when she overheard the dashing, handsome Marquess of Roath viciously insult her upon learning of her father's identity. Only years later does Philippa find the courage to go to London at last to meet the ton. She is an instant success and enjoys a close friendship with the granddaughter of a duke. Only one man can spoil everything for her, but surely he will not be in London this year.
The Duke of Wilby is nearing death and has tasked his grandson and heir, Lucas Arden, Marquess of Roath, with marrying and producing a son before it is too late. Lucas, who usually shuns London, goes there early in the Season in the hope of finding an eligible bride before his grandparents come and find one for him. He is instantly attracted to his sister's new friend, until that young lady asks a simple question: "Remember me?" And suddenly he does remember her, as well as the reason why the daughter of the Earl of Stratton is the one woman he can never marry--even if his heart tells him she is the only woman he wants.
Unfortunately for Philippa and Lucas, the autocratic duke and his duchess have other ideas and believe them to be perfect for each other. They will simply not take no for an answer. Telling Philippa the full truth is the hardest thing Lucas has ever faced, and the discovery of it will change them both before they discover the healing power of love.

My Review:

The elderly Duke of Wilby may be the most aptly titled character to ever grace the pages of a Regency romance. Because his will has been done, generally to his satisfaction, for most of his long life, and he fully intends that his will be done one last time before the end that his doctor has predicted comes to pass.

On the whole, Wilby is a rather benevolent dictator when it comes to his family, but he seems to have never been faced with an opposition implacable enough to stand against him that couldn’t be overcome. With the possible exceptions of time, old age and death. Although even there he’s negotiating for better terms – or at least terms of his own choosing.

He has only one surviving heir, his grandson Lucas. Lucas’ father died of recklessness years before, there was no spare, the old Duke had no brothers and the next heir is a cousin that frankly neither he nor Lucas believe is worthy of the title. Someone they know will have no care for the many female members of the family who will be left to his dubious mercy if Lucas dies before he has his own ‘heir and a spare’.

The elderly Duke – and his redoubtable Duchess – are determined that Lucas, now twenty six, will spend the coming Season in London, scouring the Marriage Mart for a bride they all find suitable – whether he wills it or not. For that matter, whether SHE wills it or not as well.

The seemingly immovable object standing in the way of Wilby’s plan is Lady Philippa Stratton, daughter of the late Earl of Stratton. Her brother now holds the title. Pippa is twenty two, wealthy in her own right, and her brother is no longer her guardian. She can do as she pleases when it comes to the Season and the Marriage Mart.

She does not please to marry Lucas Arden. Because once upon a time, just a few years previously when they were both a bit younger and a whole lot less cognizant of the effect a few careless words might have on the people around them, Pippa heard Lucas refer to her as ‘spoiled goods’. Not for any action of hers, but for her father’s indiscreet, utterly scandalous, behavior.

A scandal that touched Lucas every bit as closely as it did Pippa. But eavesdroppers seldom hear anything to their credit, and that was the case here. He owes her an explanation AND an abject apology. But it is water very much under the bridge at this point. That she let his words blight the next four years of her life isn’t ALL on him. Although she still doesn’t owe him the time of day.

But the Duke of Wilby is certain that Pippa and Lucas are perfect for each other. And he’ll move heaven, earth and everything in between in order to get them to see it too. Before his negotiations with his Maker come due.

Escape Rating C+: I had intended to read the third book in the Ravenswood series, Always Remember, this week but when I realized that I’d skipped this second book, Remember Me, I switched things up. I’ll get to Always Remember sometimes in February because it’s still the right month for a LOT of romance.

Howsomever, I ended up with a lot more mixed feelings about Remember Me than I expected after the first book in this series, Remember Love – which I liked rather a lot.

There were a couple of things that kept me from falling quite as hard for this second book in the series, one of which was the sheer proximity to yesterday’s book. Part of the reason I enjoyed A Body at the Séance so much was that I found Mabel Canning’s whole, entire life easy to identify with. She’s not rich, she’s not privileged, she’s a woman making it on her own and her life and times are just close enough that it’s easy to step into her shoes. Possibly except for the murder investigations she keeps falling into but still, she’s someone I’d love to have tea with.

Lady Philippa Ware is certainly a good character, as well as a decent human being, but in comparison with Mabel she’s too rich, too privileged, too beautiful and just too damn perfect to be anything other than a fairy tale princess character – including the title. I liked her, I could see why all the other characters warm to her, but she’s got it so easy in so many ways, in a time and place where so many people did not, that I didn’t love her nearly as much as I did Mabel – or as Lucas and his whole, entire family came to do.

I also need to confess that the conflict in this story, the engine moving the plot forward, the way that the Duke of Wilby in his role as benevolent tyrant pushed so hard to have his will be done, to make all the characters move on his chessboard without ever listening to a word they said about their own lives, is triggering for me in ways I can’t explain. And I fully recognize this is a ‘me’ thing and likely not a ‘you’ thing.

But still, I found myself utterly conflicted between the fact that ‘dammit he was right’ and just how much I wanted someone to push back against him and make it stick that it spoiled the story for me. There are so many ways his pushing and shoving could have and should have gone wrong that I wanted to scream at someone the whole way through.

Your reading mileage may definitely vary. In fact, I hope it does because I think a LOT of people are going to love this book. I’m just not one of them although I certainly expected to be.

Which leads me back around to the NEXT book in this series, the one I thought I’d be reading this week, Always Remember. I’m looking forward to that story because Lucas’ sister, Lady Jennifer Arden, has faced hardships and tragedies in spite of her wealth and status, and it looks like she’ll be finding a life-partner in spite of all the predictions that a woman with a fortune who can’t walk and can only get around in a push chair has no chance to marry anyone who will not be more invested in her fortune than herself. I have high hopes that Pippa’s older half brother Ben, the child of one of her father’s many, many scandals, will prove everyone wrong. Because Jenny deserves her own happy ever after and I’m looking forward to seeing her get it!

Review: A Duke’s Lesson in Charm by Sophie Barnes

Review: A Duke’s Lesson in Charm by Sophie BarnesA Duke's Lesson in Charm (The Gentlemen Authors) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, regency romance
Series: Gentlemen Authors #3
Pages: 274
Published by Sophie Barnes on October 24, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

She was the last person he ever expected to marry…
Callum Davis, Duke of Stratton, never expected to get along with Emily Brooke, but thanks to his ward, he starts to realize she’s pretty good company. The more time he spends with her, the better he likes her. But rather than let their relationship grow at a gradual pace, a pretend courtship leads to a whirlwind romance that quickly collapses when Emily finds out what Callum has written about her. Now he must make every effort to prove his love for her is real, or risk losing her forever.
There is only one person Lady Emily Brooke must avoid at all cost, and that’s the Duke of Stratton. Since her debut, the man has threatened her safety by stepping upon her toes, spilling drinks on her gown, and sending her head first into a fountain. But when he invites her for a walk so the boy in his care can spend time with her dog, she cannot resist. What surprises her most is how charming the duke can be. Until a mistake on his part makes her question his feelings and his intentions.

My Review:

What has made this series so much fun is that it has followed the creation of a romance novel designed to capture the then-recently-late Jane Austen’s fans, not merely through the process of writing the thing but more specifically through the trials and travails of getting it published and into the hands of as many readers as possible.

The first book, A Duke’s Guide to Romance, planted the idea in the heads of three financially embarrassed dukes by a young gentlewoman who binds books in the back of her uncle’s popular bookshop. Along its merry way it introduces Anthony Gibbs, Duke of Westcliffe to Ada Quinn, the love of his life, AND gives both the dukes and the readers a peek into the way that books were printed and published in Jane Austen’s day.

The second book, A Duke’s Introduction to Courtship, moves the story about how books get made into the hands of the potential printers and publishers for the Gentlemen Authors’ completed novel. As Brody Evans, Duke of Corwin, learns the editing and publishing business from the ground up, he falls in love with the printing press’ crackerjack print compositor, Harriet Michaels. Who has done an entirely too convincing job convincing everyone, including Brody, that the print compositor is a young man named Harry.

Their book, A Seductive Scandal, is ready to be put into the hands of its readers. Which is where this third book and my envy come in. Book discovery has probably been an issue for authors, publishers and readers since the first text was chiseled into a stone tablet. It was a problem in Jane Austen’s day, it’s still a problem today and will probably still be a problem for as long as there are so many books and so little time. Meaning forever.

To convince people to buy their book, potential readers need to know it exists and believe that it will be worth their time to read. Which is where the Lady Librarian comes in. The Lady Librarian has the most popular book review column of the day, published in an equally popular and widely distributed newspaper. She has the Gentlemen Authors’ new novel at the top of her TBR (To Be Read) pile, and plans for her review to be published in the Mayfair Chronicle on the morning that A Seductive Scandal arrives in bookshops all over London.

Which it will be. Whether that review will be a paean or a pan is the saga told in A Duke’s Lesson in Charm. Because Lady Emily Brooke has come to believe, after years of clumsy contacts between herself and Callum Davis, Duke of Stratton, that this particular duke has no charm whatsoever.

Callum has no idea that the Lady Librarian is Lady Emily’s alter ego, while Emily is not aware that Callum and his two friends are the true authors of the book she’s been asked to review. The resulting misunderstandings, misidentifications and missteps threaten to scupper any possibility of A Seductive Scandal paddling the Gentlemen Authors’ respective fortunes away from the River Tick. And may just cost Callum and Emily the love of their lives.

Escape Rating A-: This final book in the Gentlemen Authors series is one that I have been anticipating with more than a bit of envy. The romance was lovely, but then ALL the romances in this series have been lovely.

What I was REALLY looking forward to was the story of a heroine who produces something extremely similar to what you are reading right this very minute. Lady Emily Brooke is a book reviewer. It’s the perfect ending to this series about getting a book to its readers, and I was just plain curious to see a bit of how this particular part of the process worked back then.

I do envy Lady Emily the reach of her publication and the size of her audience. She can literally make or break a book, which becomes the final bit of dramatic tension in this story.

But it’s hard to make an entire story about the solitary acts of reading and writing. We’d just be inside Emily’s head the whole way and probably not as entertained by that as she ultimately is by the book.

What we do have is a charming and sometimes fraught romance that manages to be both as filled with non-traditional female agency as the first two books in the series while still telling a story that is a bit closer to what is thought of as a traditional Regency romance.

Unlike the heroines of the first two books, Emily is a member of the ton in good standing. It’s Callum’s reputation that has taken a bit of a hit, both as a result of the behavior that wrecked his finances AND his quiet attempts to keep the bill collectors at bay by selling off some items that he won’t miss and letting go of some staff he can no longer afford to keep.

His title and his person seem to be the only assets Callum has on the ‘Marriage Mart’, and Emily’s father has some serious questions about Callum’s suitability to marry the well-dowered Emily. Her father’s objections are very nicely handled. Too often in historical romances, the father of the bride is a bit of a villain, but the Earl of Rosemont’s reaction to Callum’s suit for Emily’s hand hits all the right notes.

On the way to that suit, one of the best parts of the story is the way that Callum and Emily finally manage to get over their years of disastrous encounters through Callum’s adoption of his young cousin, and said cousin’s insta-love for Emily’s dog Heidi.

Once Heidi helps them leap over their initial apprehensions, their original animosity turns to real friendship, and then more, in the best enemies-to-lovers fashion – at least until a series of self-inflicted misapprehensions nearly breaks them apart.

All in all – and I realize there’s been a LOT of all in this review – A Duke’s Lesson in Charm was a marvelous and utterly fitting ending to what has been a lovely Regency romance series. As always, I can’t wait to see what the author comes up with next!

Review: A Duke’s Introduction to Courtship by Sophie Barnes

Review: A Duke’s Introduction to Courtship by Sophie BarnesA Duke's Introduction to Courtship (The Gentlemen Authors #2) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, regency romance
Series: Gentlemen Authors #2
Pages: 320
Published by Sophie Barnes on September 26, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

Love caught him completely off guard and forced him to question everything…

When Brody Evans, Duke of Corwin, goes incognito at a printing press, he doesn’t anticipate meeting Mr. Michaels, a charming young man with whom he shares an instant connection. Soon he’s questioning everything he believed to be true of himself, while losing his heart in the process. Accepting the way he feels is not only hard, it’s also illegal and downright dangerous. Until he learns the truth and is forced to wonder whether or not the person he fell for is real, or just an illusion.

Dressed as a boy, Harriet Michaels acquires a job at a printing press so she can support herself and her younger sister. It seems like a good idea until she meets Mr. Evans, the new assistant editor. Her attraction toward him cannot be denied, but it must be concealed if she’s to avoid detection and the risk of losing her job. The more time she spends with him, however, the closer she comes to heartache and ruin. For as it turns out, Mr. Evans is not who he claims to be either.

My Review:

This second book in the Gentlemen Authors series has made the theme of the overarching story of the series more apparent while still giving readers a lovely historical romance. Although the romance isn’t nearly as frothy as readers often expect from a Regency romance – and is all the better for it.

There are two stories being told in parallel. The individual story in each book in the series, beginning with A Duke’s Guide to Romance, is the story of a romance between a duke in dire financial straits of his own making and a woman who has been forced to make her way in the world through her own hard work and and has chosen a rather unconventional way of going about it.

At the same time, the overarching story of the series as a whole is a fictionalized version of how a book made its way from being a glimmer in the author’s – or in this case authors’ – eye to being put in the hands of readers.

As this series began, the three dukes have finally gotten their feet back under them after their fathers’ sudden death in a cow pen explosion. Unfortunately along the way of their grief, they seem to have egged each other on in wasting much too much money, even as they held each other up emotionally.

The bills have come due. Ruinously so. Which is where their romance novel, A Seductive Scandal, comes in. They need a plan to make money even though most careers are closed to them, socially speaking. It’s just not done.

In the wake of Jane Austen’s recent death, there’s a vacancy in the publishing landscape that readers are crying out for someone to fill. The three dukes undertake to write a romance novel, à la the late Austen, and succeed beyond their wildest dreams as far as the readability of the book is concerned.

Their next step is to get the damned thing published, which is where this story begins. The Duke of Corwin, Brody Evans, walks by a printing press’ office and spies a ‘Help Wanted’ ad for an assistant editor, beginning immediately. He takes the job, planning to slip their manuscript into the slush pile after several days of doing the work and ingratiating himself with the owner.

He comes to enjoy the job far more than he ever imagined. He’s being paid a pittance from his perspective, but he’s being paid to READ ALL DAY. What’s not to love?

His enjoyment of the job is both increased and confounded by his surprising attraction to the company’s print compositor, Harry Michaels. Harry is the best the printing press’ owner has ever seen at the job, fast, efficient and accurate. He comes early, stays late and makes the whole place hum with productivity.

And he has a secret. Harry Michaels is really Harriet Michaels. A masquerade that she absolutely must keep, because she needs the money to support herself and her younger sister and knows that no job suitable for a woman will pay as much as any job reserved for men.

Which means that Harry must resist Harriet’s attraction for the new assistant editor, ‘Mr. Evans’, no matter how much she wants to give in, even as Mr. Evans’ attraction to Harry Michaels makes him question everything he thought he believed about himself, and wonder just how high a price he’s willing to pay for love.

Escape Rating A: A Duke’s Introduction to Courtship isn’t nearly as frothy a confection as A Duke’s Guide to Romance, and honestly it’s all the better for it. (Not that a good frothy romance can’t be utterly scrumptious as the first book is, but too much of a good thing usually results in a tummy ache – or in this case a headache – from overindulgence in too many sweets.)

We’ve already seen the situation that Brody and his friends are in. It’s not exactly life-threatening, but it is serious from their perspective. First of all, they’ve all been really stupid and they all regret it. They all miss their fathers who were taken from them MUCH too soon. What allows the reader to have sympathy for a group of men who are fantastically well off but merely not as rich as they could be comes down to the way they approach their situation. They are not thinking of themselves but rather of the people who depend on them, and that’s a position that is easier to respect.

What makes this entry in the series work, and also be more serious at the same time, is Harry/Harriet Michaels’ considerably more dire straits. Harriet and her sister are on the knife-edge of poverty. Harriet’s masquerade as Harry makes their situation survivable but just barely. All it will take is one slip and they’ll both be off to the workhouse or working on their backs. Or dead and that seems the most likely. A fact that is brought home to Harriet when Lucy gets sick and Harry is beaten and robbed on the way to fetch a doctor. A doctor that Lucy still needs but that Harry can no longer afford to pay after the robbery.

Harriet is caught between a rock and a hard place, or perhaps a better description would be between Scylla and Charybdis, with sea monsters to either side and slippery rocks underfoot the whole way.

The way that Harriet’s necessary deception leads to Brody’s soul searching added something very special to the whole story, giving his portrayal considerably more depth than might have been expected. Not that this particular scenario hasn’t happened before, and hasn’t been used well, most recently in Jane Dunn’s An Unexpected Heiress, with Cat Sebastian’s Unmasked by the Marquess and even the classic movie Victor/Victoria using the same idea to terrific effect.

Brody’s decision that he loves Harry and damn the consequences, and his subsequent confusion and even sense of betrayal when Harry turned out to be Harriet after all gave the story its final bit of tension AND made Brody’s stake in the situation come much closer to equal Harriet’s than might have been expected.

I’ve written more about this book than I expected because it turned out to be several cuts above what I expected when I started it. I expected froth and fun. What I got went a bit deeper on multiple fronts and still managed to deliver a very satisfying happy ever after at the same time.

I’m really looking forward to the final book in the Gentlemen Authors series, A Duke’s Lesson in Charm, coming next month. Especially since this book should finally reveal to readers just how well the ducally-written romance does at the booksellers!

Review: An Unsuitable Heiress by Jane Dunn

Review: An Unsuitable Heiress by Jane DunnAn Unsuitable Heiress by Jane Dunn
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical romance, regency romance
Pages: 350
Published by Boldwood Books on May 22, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

'Do you realise, Corinna, just how hard it is for a young woman of irregular birth, without family, fortune or friends in the world? Marriage is the only way to get any chance of a life.' Following the death of her mother, Corinna Ormesby has lived a quiet life in the countryside with her cantankerous Cousin Agnes. Her father's identity has been a tantalising mystery, but now at nineteen Corinna knows that finding him may be her only way to avoid marriage to the odious Mr Beech. Deciding to head to London, Corinna dons a male disguise. Travelling alone as a young woman risks scandal and danger, but when, masquerading as a youth, she is befriended by three dashing blades, handsome and capable Alick Wolfe, dandy Ferdinand Shilton and the incorrigible Lord Purfoy, Corinna now has access to the male-only world of Regency England. And when she meets Alick's turbulent brother Darius, a betrayal of trust leads to deadly combat which only one of the brothers may survive. From gambling in gentleman's clubs to meeting the courtesans of Covent Garden, Corinna's country naivety soon falls away. But when she finds her father at last, learns the truth about her parentage and discovers her fortunes transformed, she must quickly decide how to reveal her true identity, while hoping that one young man in particular can see her for the beauty and Lady she really is. Sunday Times bestselling author Jane Dunn brings the Regency period irresistibly to life in a page-turning novel packed with romance, scandal, friendship and colour. Perfect for fans of Jane Austen. Janice Hadlow, Gill Hornby, and anyone with a Bridgerton-shaped hole in their lives.

My Review:

We tend to think of the Regency period, popularized by Georgette Heyer’s glittering comedies of manners and romance, and the Napoleonic Wars, producer of so many dark and brooding romantic heroes to be separate – when they absolutely were not, as is brought home to both the reader and the Earl of Ramsbury in the opening chapter.

An Unsuitable Heiress opens with that self-same Earl feeling a bubble of utmost joy in the news that Napoleon has been defeated at Waterloo, and, considerably more important for the Earl, that his only son and heir is NOT on the battle’s long casualty lists. Only for that hope to crash to the ground a few mornings later, when he receives a dispatch that his son was killed in action in the waning hours of the war.

His title will go to a cousin who, at least as the story begins, is not worthy of it. The title and the lands that go with it are entailed, and no one has any choice in the matter. But the Earl has been fortunate in his fortunes, and has personal holdings he can bequeath wherever he wishes. He wishes to leave his personal holdings to his illegitimate daughter.

He just has to find her before his own heart gives out. Literally.

But Corinna Ormesby is not sitting around waiting to be found. Corinna has left the cousin who reluctantly took her in, out of fear that she’ll be forced into a marriage that will take away what little independence of thought and mind she possesses, and kill her dreams of a life of her own choosing.

So she runs away – by borrowing her best friend’s clothing and pretending to be a man. Because young men have the freedom to go where they want – if they can afford it – and work how they choose. Without requiring a chaperone at every turn. Without being coddled and ‘protected’ in every instance.

As a young woman, as Corinna Ormesby, her life is never, ever her own. As a young man, as mere Cory Ormesby, ‘he’ can buy a ticket on the stage and take ‘himself’ to London to teach drawing at a school to make ‘his’ way, and take the opportunity to search for the mysterious father whose name ‘he’ never knew.

She sees her chance, and she takes it. Straight into a fight with a man three times her size beating his horse, and from there, into the coach of a group of young dandies who are happy to take her under their wing, show her the town, help her find her father and give her the chance she needs to become the person she was always meant to be.

As long as her ruse holds up.

Escape Rating B: If Someone to Love by Mary Balogh (the first book in the Westcott series) and Unmasked by the Marquess by Cat Sebastian had a book baby, it would be An Unsuitable Heiress. (I’ve just realized that this works on two levels, as An Unsuitable Heiress IS a blend of the two books and that by certain measures all of the heiresses in all three books are judged to be a bit – or more than a bit – unsuitable as their respective stories unfold.)

The fun of this story is in Corinna’s eye- and mind-opening introduction to what life is like as a man, or at least a moderately well-off or well-sponsored man, in the Regency period. But that’s not where the drama of this story came in – although that’s certainly where I expected it to be.

At first I saw Corinna as a bit of a sister to Charlotte Sloane in the Wrexford and Sloane series, which also takes place in this same period. They initially seemed like kin not just because Charlotte Sloane frequently dons young male attire in order to have the freedom to go where she wants and do what she needs, but also because she makes her living under a male pseudonym. (At the point I currently am reading in the series, she is kicking and screaming, at least internally, as her increasingly rising profile and finances curtail her freedom to do as she wills and as she must.)

I expected a bit more drama, or at least a bit more of that same kicking if not the screaming, over the reveal of Corinna’s true identity, but as plucky as she is, she’s just not that sort. I also thought that there would be more drama and pathos when Corinna and her father finally did meet, but that was also more of a whimper than a bang – as his heart gave out soon after.

The drama in this story, as the blurb very much alludes to, comes in the long-simmering sibling rivalry between the cousin who inherited her father’s earldom and his younger brother, who just so happens to be one of the group of friends that took ‘Cory’ under their collective wing.

A rivalry which traps Corinna at its center, as cousin Darius wants Corinna in order to get possession of the other half of what he sees as HIS inheritance – no matter how many people he has to ruin along the way – while his younger brother Alick just wants Corinna. Although in the best romantic tradition, he hasn’t figured that out yet.

That Darius has already found a very unsuitable heiress – or at least countess – of his own makes his plans to ‘ruin’ Corinna just that much more dastardly. That this story manages to drive itself into a happy ending in spite of its characters’ actions just adds to the fun, and makes for a delightfully frothy conclusion to the story.

Review: A Duke’s Guide to Romance by Sophie Barnes

Review: A Duke’s Guide to Romance by Sophie BarnesA Duke's Guide to Romance (The Gentlemen Authors #1) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, regency romance
Series: Gentlemen Authors #1
Pages: 276
Published by Sophie Barnes on August 29th, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

He only wanted to purchase a novel, now he’s falling madly in love…

Anthony Gibbs, Duke of Westcliffe, needs an income. Bills must be paid, appearances kept, and arrangements made for his sisters' debuts. In short, he must either marry or seek employment, neither of which sounds remotely compelling. But then he meets Ada and she suggests a third option. Now he's penning a novel while losing his heart to the bookish miss, a woman he cannot afford to marry unless he’s prepared to make some difficult choices.

Ada Quinn has no connections, no dowry, and consequently no prospects. Her plan for the future is limited to her skill as a bookbinder. Until Mr. Gibbs walks into her uncle’s bookshop and starts to romance her. Handsome, thoughtful, and utterly charming, Mr. Gibbs is precisely the sort of man Ada always dreamed of falling in love with. Until she discovers he’s not who he claims to be and that he intends to marry another.

My Review:

Three years before our story begins, Anthony Gibbs, Duke of Westcliffe and his friends Brody Evans, the Duke of Corwin and Callum Davis, the Duke of Stratton survived a life-changing catastrophe by working through their collective shock and grief together when their aristocratic fathers were killed during a rare instance of random bovine combustion.

Meaning all of their fathers were caught in the literal crossfire while purchasing livestock when a cow pen exploded. (Fertilizer really is highly explosive, and the primary ingredient in fertilizer is manure. Which is what naturally falls out of a cow’s backside to rest on the floor of their pens.)

Ahem. Apologies. I couldn’t resist.

While sticking together solving one set of problems by sharing their grief, it created another, as they spent the past three years frittering away their time and wasting their money in pursuit of one distraction after another while neglecting their responsibilities, their estates and the increasingly empty state of their coffers.

The bills have all come due, they are all swimming up the River Tick. They are individually and collectively skint – or at least heading there fast. And keeping up appearances is damn expensive all by itself, without the added costs of deferred maintenance on their estates AND making sure their dependents are taken care of.

In Westcliffe’s case, those dependents include his two younger sisters, who have just reached the age for their first Seasons in the ‘Marriage Mart’. Seasons that are critical for their futures, but are guaranteed to put an equally critical drain on the family’s remaining cash.

All three of the 20-something Dukes entertain the possibility of marrying for money. It would not be an uneven trade, but a marriage of convenience would make for a shatteringly awful life. Particularly as the woman who has set her cap at Westcliffe is a conniving, manipulative harpy.

Which is when Ada Quinn walks into Westcliffe’s life. Or rather, he drops a book into hers. Literally. Onto her head. And both of their wits are addled ever after – but in the best way possible.

Westcliffe’s conversation with Ada in her uncle’s bookshop sets all of their lives into glorious motion. First, and most important for the series as a whole, their conversation puts the idea into his head that he and his friends can save their finances by writing the kind of novels that made the late Jane Austen famous. Readers are crying out for more books like hers, but the author has recently passed away and no one has taken up her pen.

Second, and most important for the protagonists of this first entry in the series, Westcliffe and Ada bring each other to sparkling life in a way that neither expected or planned on. In a way that seems guaranteed to break Ada’s heart, as she is all too aware of the disparity in their stations.

But, in a romance worthy of Ada’s favorite Austen novels, Westcliffe is convinced that society can go hang and love will find a way. As long as they trust in each other, communicate honestly with each other, and brush all of the harpies away.

Escape Rating A-: A Duke’s Guide to Romance is a deliciously frothy confection, light and fluffy and full of wit and sparkle with just the barest hint of a misunderstandammit to keep the characters on their toes until the very end.

As a Regency, it’s an excellent antidote to follow my recent reads in both the Sebastian St. Cyr and Wrexford & Sloane series, as they both explore and expose the seamy underbelly of the Regency. A Duke’s Guide to Romance, and I expect the rest of its series of Gentlemen Authors will as well, floats lightly on top of the glittering effervescence that we tend to expect in a Regency romance.

At the same time, it doesn’t shy away from the difference in social station between Westcliffe and Ada – at least from Ada’s perspective. As much as she’s fallen in love with the man, it’s clear from their differing perspectives on the potential issues that they face that she is the more realistic of the pair. The silver spoon he was born with, as well as the privilege of having been born male, leads him to believe that all their problems can be swept away easily, where she knows it just isn’t so.

Which leads to the big misunderstandammit that almost derails their happiness, as he keeps forging ahead without informing her of his decisions and change of heart because the world has always bent to his will in a way that it never has to hers.

At the same time, I very much liked the way that their romance didn’t merely invoke Jane Austen’s work but also served as an homage to it as the progress of their romance would have fit right into hers. Something that is highlighted in the way that the romance Westcliffe and company are writing plays into the romance that Westcliffe is experiencing and vice versa.

All in all, A Duke’s Guide to Romance was a very pleasant way to while away a stormy afternoon. I’m looking forward to seeing this delicious series continue with A Duke’s Introduction to Courtship and A Duke’s Lesson in Charm in the months ahead.

Review: Remember Love by Mary Balogh

Review: Remember Love by Mary BaloghRemember Love (Ravenswood, #1) by Mary Balogh
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical romance, regency romance
Series: Ravenswood #1
Pages: 400
Published by Berkley on July 12, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The undisputed queen of Regency romance is back with a brand-new story perfect for fans of Bridgerton.
The handsome and charismatic Earl of Stratton, Caleb Ware, has been exposed to the ton for his clandestine affairs—by his own son.
As a child, Devlin Ware thought his family stood for all that was right and good in the world. They were kind, gracious, and shared the beauty of Ravenwood, their grand country estate, by hosting lavish parties for the entire countryside. But at twenty-two, he discovered his whole world was an elaborate illusion, and when Devlin publicly called his family to account for it, he was exiled as a traitor.
So be it. He enlisted in the fight against Napoleon and didn’t look back for six years. But now his father is dead, the Ware family is broken, and as the heir he is being called home. It’s only when Gwyneth Rhys—the woman he loved and then lost after his family banished him—holds out her hand to help him that he is able make the difficult journey and try to piece together his fractured family.
It is Gwyneth’s loyalty, patience, and love that he needs. But is Devlin’s war-hardened heart even capable of offering her love in return?

My Review:

Humphrey Westcott, Earl of Riverdale and Caleb Ware, Earl of Stratton must have been bosom buddies. Possibly literally. Certainly they seem to have been cut from the same despicable cloth. Both were wealthy aristocrats who lived a lie and expected everyone around them to go along with that lie rather than face up to the uncomfortable truth.

Westcott hid his perfidy until after his death, which makes the shocking opening of the Westcott series, Someone to Love, all that much more upsetting. But at least Westcott didn’t require that others go along with his false front because he kept his secret very well hidden indeed.

Caleb Ware, very much on the other hand, needed admiration, approval and even applause from all those who surrounded him. He projected the image of a loving husband and father with a perfect family because he needed people to love him at every turn. Not that there weren’t plenty of men in his position who lived lives completely separate from the wives and families and didn’t care about the winks and nods that followed in their wake.

But Ware needed to have it all. A perfect family at his country home, and a mistress or two, or three, in London. When he brought his current mistress to his country estate and flaunted his affair in front of his friends and family he expected everyone to turn the same blind eye that they always had. And when one member of his family refused to turn that blind eye, and refused to sweep the entire tawdry incident under the rug for the sake of peace and not rocking the family boat – he likewise refused to take responsibility for his actions. And the rest of the family punished the young man who could not stand idly by after learning that his oh-so-perfect father, his hero, had feet of clay up to the knees – or perhaps a bit higher.

And that’s what kicks this story into a higher gear – that the expected pattern of the lives of not just the Earl and his heir are knocked off course – but that the entire family’s future is irrevocably altered over the course of one disastrous night.

The aftermath of which makes for a much more fascinating – and occasionally dangerous – life than anyone would have expected for the heir to an earldom – and for the woman he once expected to be his bride.

Escape Rating A-: The Ravenswood series is off to a heartbreaking but eventually heartwarming and redemptive start in this opening entry in the series. It has the potential for all the elements that made the Westcott series so fascinating, with Devlin Ware’s condemnation of his father’s behavior and his family’s complicity drastically altering ALL their lives.

What makes the initial break in the story such a huge change is that it encompasses both Devlin’s sharply learned lesson that his father is not worthy of being anyone’s hero, and that the rest of his family would rather keep lying to themselves and each other than try to fix what’s broken. That Caleb Ware is the one who behaved so very badly but Devlin Ware is the one who gets punished for it puts the hypocrisy of the whole mess on disgusting display.

But Caleb eventually does get his just desserts, while Devlin immediately gets a commission in the infantry. During the worst of the fighting of the bitter Napoleonic Wars. From one perspective, it’s the making of him, while in the other it represents the shattering of his heart into pieces so tiny that Devlin is no longer certain he even possesses such an organ.

The heartbreak for Devlin’s family is that the only way he can survive the hell of his war is to compartmentalize his feelings for his family and reject all contact with any of them – except for his father’s bastard son who is serving as his batman. It’s a cold, hard, bitter road that he walks – but he does survive it.

Only to return home after Napoleon’s surrender, two years after his father’s death, to do his duty yet again and pick up the reins of the earldom that he has inherited. He has done his best to cut his family out of his heart, but Devlin Ware is a man who has always done his duty – and taking up the mantle of the Earl of Stratton is his duty.

Once Devlin is back in the place he once called home, doing his best to fit himself into the place that is his duty, he tries to convince himself that it is out of duty alone and not the emotions he swears he’s no longer capable of feeling. He eventually learns that duty does not have to mean burden, and that if he allows himself to feel all the things that he locked away during his war, his peace can be filled with not just true peace, but also real love and belonging.

In the end I enjoyed Remember Love because it is a story where the life that’s supposed to happen gets pushed aside for a life that is harder and darker but in the end much more real, and that’s the same thing that made the Westcott series so fascinating. Young Devlin, before he left, was a bit of a prig. He meant well and generally did well but could really be a self-righteous young man. He’s much more interesting when he’s much less sure of things – as well as a whole lot more approachable and loveable.

Gwyneth Rhys, the heroine of this romance, doesn’t pine. She doesn’t wallow. But what she does is know herself, her strengths, her weaknesses and those situations up with which she will not put. She is not going to change to suit a man, but she does deal pragmatically with the life she has.

The character who turned out to be a complete surprise was Devlin’s mother, the Dowager Countess. The woman who did her best not to know about her husband’s frequent infidelities until he brought them to her very door. At first, she seems weak in that she didn’t protest her husband’s affairs and actually participated in her son’s banishment. It’s only when she acknowledges to Devlin that she did the best she could with the cards she was dealt because women were forced to lie all the time to survive. She lied to herself because that is what she and women like her were trained to do practically from the cradle.

It makes Devlin think. It makes the reader think. And it makes the reader wonder – or at least this reader wonder – whether or not all that much has really changed.

Remember Love is the first book in the Ravenswood series. Now that Devlin is back home and has found his own HEA, I wonder what will happen next in the slightly altered lives of his family and friends in the coming entries in the series. Hopefully we’ll see sometime next year!

Review: The Roguish Baron by Sophie Barnes

Review: The Roguish Baron by Sophie BarnesThe Roguish Baron by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, holiday romance, regency romance
Series: Diamonds in the Rough #9
Pages: 180
Published by Sophie Barnes on May 24, 2022
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

When a rakish scoundrel decides to pursue the woman he loves in this friends to lovers Regency romance, he risks his father's disapproval...and the consequence this will have on his future.

He had to risk losing her so he would realize how much he loved her...

Jack Lancaster, Baron Hawthorne, hasn't been home in four years. He's been too busy running from his emotions. So when he finally does return and discovers his childhood friend, Sophia Fenmore, has gotten engaged, he's not only shocked, but determined to change her mind and make her his.

Sophia has always known Jack was out of her league. But she valued his friendship, until he broke her heart. Now he's back, as eager to charm her as she is to thwart him.For as much as she'd like to believe Jack has changed, she cannot risk taking a chance on a rogue. Unless of course, he proves himself worthy.

A daring forbidden love romance from a USA Today bestselling author

*Previously published as part of The Rogue Who Stole Christmas anthology*

My Review:

The way that the romances are intertwined and misdirected in this latest book in the Diamonds in the Rough series reads like the kind of convoluted plot that Shakespeare would have loved.

The Lancaster children, Jack, Felicity, and Kaitlin, and the Fenmore siblings, Edward and Sophia, grew up together as one romping tangle of friends. But the Lancasters are the offspring of the Earl of Turner, while the Fenmores are the children of the local vicar. There’s an even larger gap in station between Sophia Fenmore and the others, as Sophia is an orphan who was found wrapped in a blanket in the church that the Fenmores’ father is the vicar of. They raised her as their own, but with her origins obscure at best, she’s not quite the social equal of the others.

A difference that makes no difference when they are all children, but drives a wedge in the close friendship between Jack and Sophia when they reach the cusp of adulthood. Not that either of them cares one whit, they are the best of friends even if Sophia is just beginning to understand that she wants more.

But to Jack’s father the Earl, it matters a great deal. To the point where the Earl threatens to cut off Jack’s inheritance if he marries Sophia. Something that Jack hadn’t even thought of up to that point. (The title and the estate are entailed, Jack will inherit those whatever his father wants. But the money is his father’s own to dispose of as he pleases. Inheriting the estate without the money for the upkeep of the stately pile is a recipe for bankruptcy.)

Jack runs away to London for four years, earning enough money to no longer need anything his father doesn’t want to give. He ALSO earns a well-deserved reputation as a rake as he cuts a wide and smiling swath through the female population of London in an attempt to deny his father’s accusation – that he’s in love with Sophia. Even though he is.

Jack returns home to a mess. Sophia is more beautiful than he remembered, and even more captivating. But she’s also engaged to, of all people, her adopted brother Edward. Who is in love with Jack’s sister Felicity. But Edward and Felicity both believe that their love is doomed, that Felicity’s father would never consent to a match between them.

In other words, everyone is being self-sacrificing – except Jack’s father who is still being an ass.

And just when it seems like they’ve all gotten past all of the roadblocks they’ve put in their own way, the truth about Sophia’s origins finally comes to light. And those roadblocks just get higher.

Escape Rating B: The Diamonds in the Rough series has been charming romantic fluff from the very first book, A Most Unlikely Duke (still my favorite in the series) to this 9th book in the series. And this one feels like the last. Not that it doesn’t stand alone, because it most certainly does, but because all of those Diamonds and their equally happy spouses are guests at the wedding that ends this entry in the series. It felt like closure, although I’ll be happy if I’m proven wrong!

The best part of The Roguish Baron isn’t the Baron. It’s Sophia. What made her interesting was that, in spite of some of her over-the-top descriptions of her feelings, her thoughts and actions were very, very pragmatic. And she wasn’t shy about letting Jack know when he’d stepped in it and on them. She doesn’t cry and expect to be patted and soothed, she speaks up and uses her words very clearly and forthrightly.

Her situation in this story is very much “one down”. She’s female in a time and place where she has no rights and her only hope of a comfortable future is to marry and hope that her husband isn’t a brute or a gambler or a spendthrift. And she may not have a say in who she marries, and then she’ll basically be property in the marriage.

Under those circumstances, her acceptance of Edward’s proposal may not be the best of all possible worlds, but it is far, far, far from the worst. With her origins obscured, it may be the only offer she’ll get, and she knows it. Whatever dreams she might have of marrying Jack, she’s not wrong to think that society will look down upon them both and that his father will not be forgiving. She’s doomed before she starts.

Jack loves her and wants her but takes, not so much convincing as beating about with a clue-by-four to get that if they’re going to untangle the mess their in that there are no half-measures. And that if he can’t commit to this course he needs to leave her alone. Which he has a hard time even imagining, let alone actually doing.

The thing that made this work was the way that Jack was forced to grovel, publicly, for the mess he’d made of his life, and the mess he’d very nearly made of both their lives. Sophia may have forgiven him, but he still had to earn back the respect he’d squandered when he was punishing both himself and his father – who honestly didn’t grovel enough.

That Sophia does learn who she came from was lovely, even though it did seem like a bit of deus ex machina. And I have some mixed feelings about whether that was the right way to solve things.

But this was still a lovely, frothy bit of holiday Regency romance. If this is the end of the series, it provides a charming bit of closure to five years of romantic reads. If it turns out there are still more to come, I’d be happy to watch more of these unconventional couples find their HEAs..

Review: Ten Rules for Marrying a Duke by Michelle McLean

Review: Ten Rules for Marrying a Duke by Michelle McLeanTen Rules for Marrying a Duke by Michelle McLean
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: ebook
Genres: historical romance, regency romance
Pages: 289
Published by Entangled: Scandalous on February 14, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

Bookish Arabella Bromley never gave a fig for society’s rules—until her sister ran off with a man below her station. Now Arabella is desperate to restore her family’s ruined reputation to favor amongst the ton. She’ll have to marry quickly and well. But in order to carry off her plan, Arabella needs a duke… and she has just the rakish fellow in mind.
The Duke of Whittsley has an ungentlemanly tendency to disregard the rules. Unfortunately, a sense of mischief doesn’t excuse a high-ranking noble from family duty—especially where it concerns producing a son. And that’s where he can’t quite resist Arabella’s distinctly outrageous plan: if he saves her family, she’ll give him an heir.
Now the deal’s been struck. They have one year to achieve their goals and ten iron-clad rules to keep them on track. Like long, scorching kisses and ensuring they’re both exquisitely satisfied. And the only thing that could ruin their plan is the one thing they never planned on: love.

My Review:

If you are easily seduced by witty banter you will surely fall in love with Ten Rules for Marrying a Duke just as thoroughly as Arabella Bromley and Silas, Duke of Whittsley fall in love with each other.

Not that that’s what either of them expects when the story begins. In fact, they outright plan against such a thing. That’s what those rules are for, after all. Creating a partnership rather than a relationship so that they can help each other out of the pickles they have both landed in – and then go their separate ways.

Silas needs an heir, but he doesn’t really want a wife. A wife who will become a permanent part of his life and might very well make demands on him. He’s been turning both a deaf ear and a blind eye to his grandfather’s nearly constant harangues about taking his responsibilities seriously, ceasing his frivolous pursuits, doing his duty by his title, and especially marrying and siring an heir.

Silas does take his responsibilities to his estate seriously. Well, more like semi-seriously, which is how he treats pretty much everything. He recognizes that he will have to marry and have an heir someday but he’s only 30 and not ready to settle down in any form or fashion whatsoever.

Arabella Bromley, on the other hand, thought she was settled. Her father was content for her to settle into the happily bookish spinsterhood she intended to revel in. He’s an introvert just as she is, so he understands her as no one else in the family does. She can’t inherit his title, and neither can her sisters, he has plenty of money to ensure that she will be comfortable even if she never so her bluestocking nature is not a problem.

At least not until her older sister Alice marries their groom, bringing scandal down on all their heads. The invitations to events dry up in the hot wind of gossip blowing through the ton. It’s find for her father, it’s fine for Arabella, and Alice certainly doesn’t care. But their younger sister Anna cares very much. Her Season was cut short due to illness and she expected to have another Season to find a husband and get herself settled.

The entire family is now social poison and Anna won’t be able to make a good match. It’s up to Arabella to concoct a scheme that will allow their family to weather the storm of scandal. All she has to do is convince the Duke of Whittsley to marry her and sponsor her sister back into society.

And that’s where those pesky rules come in. The ten rules they write together in a bit of hilariously embarrassing but utterly necessary one-up-person-ship, in order to hammer out just how they will convince the ton that they are madly in love, rescue her sister AND detail how to handle their lives once they part company after all the deeds are done.

They should have put in a rule about what to do when they both broke the unstated rule of the whole affair – that neither of them was supposed to fall in love with the other.

Escape Rating B: The first half of this book is an absolute delight. The second half was a bit overshadowed by the giant misunderstandammit that takes over the story, but still had plenty of verve left from that first half to carry this reader through to the end.

Arabella’s scheme to marry Silas is a bit contrived. Both in the sense that she has contrived it on a wing and a prayer, and that the entire situation tries so hard to be a meet cute – although it mostly manages to get there.

What carries that day – and the entire first half of the book – is the way that they both approach the possibility of turning this half-baked scheme into a fully-baked reality. On the one hand, they are opposites. Arabella takes pretty much everything seriously, while Silas takes almost nothing seriously.

He enters into the entire scheme because he’s having fun tweaking Arabella into a reluctant smile at every opportunity. It’s the most “real” fun he’s had in a long time.

It all works because in spite of coming at the situation from opposite directions they are both witty and intelligent people and determined to give as good as they get in every encounter. Arabella wants to stick to the rules they create while Silas pushes the boundaries of all the rules all the time.

And both of them are having a great time doing it – just as the reader does watching them talk and tease each other into friendship and ultimately marriage. Which is where that misunderstandammit rears its ugly little head.

Because they do the one thing neither ever expected. They fall in love with each other. But all their rules were predicated on that NEVER happening. They want to stay together but each is quite reasonably afraid that if they change the rules and the other isn’t on the same page then they’ll lose the happiness they’ve found. It IS a conundrum.

One that they wallow in just a bit too long. It makes sense that the conversation they need to have is hard to have but…the wallowing turned both of them into just the kind of angst-ridden lovesick fools – emphasis on fool – that they so successfully and entertainingly avoided in the first half.

Howsomever, that second half also brings to light some things that I really liked but don’t see nearly often enough in Regencies in the treatment of that scandalous older sister. Because she hasn’t disappeared from her family’s lives and she isn’t treated like a dirty secret. She’s happy in her marriage, her husband is wonderful, and they’re living in a family house out in the country. Because they’re both happier there not because her family has disowned them.

And when Arabella is having the inevitable crisis, it’s her big sister she turns to for solace, for advice, and for safe harbor from her self-created storm. One gets the definite impression that if it hadn’t been for the youngest sister still wanting to find a husband the entire family would have told the ton to go fly a kite – or whatever the appropriate Regency phrase would have been. And wouldn’t that have made for a delicious story?

I very much liked that the family didn’t do any of the terrible things that happen so often to scandal-prone daughters in Regency romance.

So I adored the first half, had mixed but mostly positive feelings about the second half, and ended the book remembering their witty banter very fondly. If you like romances where the protagonists talk each other into love, watching Arabella and Silas make – and break – those ten rules is a lot of fun.

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Review: Mr. Dale and the Divorcee by Sophie Barnes

Review: Mr. Dale and the Divorcee by Sophie BarnesMr. Dale and The Divorcée (The Brazen Beauties #1) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, regency romance
Series: Brazen Beauties #1
Pages: 342
Published by Sophie Barnes on November 23rd 2021
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

He's a respectable barrister...
She's the most scandalous woman in England...

Wilhelmina Hewitt knows she's in for a rough ride when she agrees to help her husband get a divorce. Nothing, however, prepares her for the regret of meeting Mr. Dale on the eve of her downfall. No other man has ever sent her heart racing as he does. Unfortunately, while she’ll soon be free to engage in a new relationship, no respectable man will have her.

James Dale would never pursue another man’s wife. Or a woman reputed to be a deceitful adulteress. Furious with himself for letting the lovely Mrs. Hewitt charm him, he strives to keep his distance. But when her daughter elopes with his son, they're forced into a partnership where passion ignites. And James soon wonders if there might be more to the divorcée than meets the eye.

My Review:

As I’m posting this review the day after Thanksgiving, I want to start out by saying this book made me really, really thankful that I was born in the latter half of the 20th century and not any damn earlier at all. But I’m also feeling kind of sorry that I plan to read a book I would have liked better for the holiday – or at least felt less conflicted about.

The story feels historically accurate, at least as far as the amount of control and agency that women had over their own lives during the Regency period. Whether it actually is or not, the situation that the heroine is in matches the way we believed things were during that time, or the image that has taken hold in the popular imagination.

Which, quite frankly, is that she has no agency or control at all.

This is a story about a woman who only has as much control over her life as the men in her life and society in general allow her, which is not much. The only control she has is over how much of herself she is willing to sacrifice, knowing that she will always be the one to pay the price for that sacrifice no matter who might truly be to blame.

The first half of this one left me on the horns of a giant dilemma. Because the heroine’s actions and society’s reactions felt true to what we expect of the time. She’s put herself in a terrible situation for reasons that were never in her control, and society punishes her for it exactly as one expected they would.

Which means that both she – and the reader – get repeatedly slapped in the face with just how terrible conditions for women could be.

I very nearly DNF’d at that halfway point, because I was getting really tired of the smell and the taste of that wet fish of horribleness. Not that it’s written horribly, as the author writes well and I generally like her books, but that the situation the heroine is IN is horrible and at that halfway point seems as though it’s only going to get worse as it goes.

That was the point where the son of the man who raped her 20 years ago makes it clear that he has the exact same plan as his vile old man and isn’t planning to let anyone or anything stand in his way, either.

You could call that a low point in the story. It was certainly a low point in my reading of it and I stopped for a while and picked up something else.

But I picked it back up because I thought the worst had to be behind me. And the heroine. And it was.

Escape Rating C: For a story that actually does have a happy ending, this is kind of a sad story for a lot of its length. Mina’s entire life seems to have been about being stuck between a rock and a hard place and letting herself be ground between them in one way or another.

Letting herself be divorced at a time when the only way for her husband to be allowed to remarry afterwards was to accept all the blame, all the calumny, all the social opprobrium and for both of them to commit perjury that she had numerous affairs when she never had any seems harsh and is harsh and society deals with her harshly as a result.

Her ex-husband leaves the country, marries his pregnant lover, and society forgets him except as her victim. She has to suck it all up and move on, which she honestly does. At least until her widowed daughter falls in love with a man whose father will not allow the marriage because of Mina’s reputation as a scarlet woman.

(Whether any of the scenario around Mina’s divorce was legal or possible at the time this story takes place seems to be a matter of some debate.)

The young couple elopes to Gretna Green, the older couple chase after in hot pursuit, and truth gets revealed all around – after more than one misunderstandammit.

This is a story where the happy ending is earned through a whole lot of blood, sweat and tears and a very literal change of heart on the part of the hero. Who was in serious need of getting the stick out of his ass.

I ended this with mixed feelings, which was a definite improvement after my near-DNF at the midpoint.

I liked both that the main romance of this story is between two people who are on either side of 40 instead of barely over 20. It made the situation much more complex and the characters more interesting because they had more depth as well as more emotional baggage.

I also liked that the member of the nobility who featured prominently in the story was the villain. The hero is part of the upper middle class. His family has land but no title, and he is a practicing lawyer. He works for a living, something we still don’t see often enough in Regency romance but does seem to be on the uptick.

So I want to say that this story did gel for me after all. Except it jelled kind of like the two-layer Jell-O cups where the top flavor is one I hated and the bottom flavor was one I almost liked. But a lot of reviewers absolutely adored this book so reading mileage obvious varies on this one.