Guest Review: Chef’s Kiss by TJ Alexander

Guest Review: Chef’s Kiss by TJ AlexanderChef's Kiss (Chef's Kiss, #1) by T.J. Alexander
Format: paperback
Source: publisher
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, queer romance, romantic comedy
Series: Chef's Kiss #1
Pages: 308
Published by Emily Bestler Books on May 3, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A high-strung pastry chef’s professional goals are interrupted by an unexpected career transition and the introduction of her wildly attractive nonbinary kitchen manager in this deliciously fresh and witty queer rom-com.
Simone Larkspur is a perfectionist pastry expert with a dream job at The Discerning Chef, a venerable cookbook publisher in New York City. All she wants to do is create the perfect loaf of sourdough and develop recipes, but when The Discerning Chef decides to bring their brand into the 21st century by pivoting to video, Simone is thrust into the spotlight and finds herself failing at something for the first time in her life.
To make matters worse, Simone has to deal with Ray Lyton, the new test kitchen manager, whose obnoxious cheer and outgoing personality are like oil to Simone’s water. When Ray accidentally becomes a viral YouTube sensation with a series of homebrewing videos, their eccentric editor in chief forces Simone to work alongside the chipper upstart or else risk her beloved job. But the more they work together, the more Simone realizes her heart may be softening like butter for Ray.
Things get even more complicated when Ray comes out at work as nonbinary to mixed reactions—and Simone must choose between the career she fought so hard for and the person who just might take the cake (and her heart).

Note from Amy: I realized as I was writing this that I’ve been gone from these pages since the beginning the COVID-19 pandemic; my last review was for Melanie Yaun’s PsyTek. In the early days of the pandemic, just weeks after that review was posted, we lost Melanie, so the rest of that story, sadly, is lost to us, as is her brilliant work at our shared day job, her joyous wit, and her dear, dear friendship.  In the time since then, I’ve not been as much of a reader or writer as I have been in the past. But the subject of today’s post, perhaps, marks a turning point for me, where I can get back at the keyboard.

Guest Review by Amy: Two people, who get a crush on each other and spend most of the book circling around that fact through an assortment of tribulations, until one of them apologizes and says they’ll never mention it again, and the other says, “wait, what?” and they ride off into the sunset together.  Tropey as it comes, right?  That’s the basic recipe for a rom-com, isn’t it?

When I saw a queer romance, involving a chef, I was all-in. I love to cook (ask Marlene!) and I love queer romance almost as much as I love sci-fi.  If there’s ever a queer romance set on a spaceship involving the ship’s cook, I may spontaneously combust. (Marlene’s comment: Ryka Aoki’s marvelous Light from Uncommon Stars is more cooking than cheffing, but there’s a spaceship and a queer romance and donuts and it’s marvelous. I’ll be prepared to pick up your pieces if you combust upon reading.) 

Escape Rating: A+:  One of the things that makes a whole lot of romances work is that they draw the reader – usually a female – into identifying with the – usually a female – protagonist.  It’s a formula that has driven Harlequin’s success since before Marlene or I were born.  But what happens when the reader is not drawn into the world of the protagonist from whose eyes we are seeing the story, but to their love interest?  In my case, that is what happened in Chef’s Kiss.  Our protagonist, and the lens through which we see author TJ Alexander’s New York City setting, is Simone, a trained chef, who works at a fairly staid old media company producing recipes in a test kitchen. She’s happy with her situation; it’s her dream job!  Sure, it doesn’t pay as well as it could, perhaps, but the magazine has been losing subscriptions for a while now, because 21st century, you know…

Other reviewers, and indeed, the book’s back cover, call Simone “high-strung,” but to my eyes, that is kind of a cheap shot, as no one calls her that between the covers of the book, and I’m just not seeing that. She’s a bit uptight, perhaps, something of a perfectionist, and rather resistant to change, certainly.  So when the publisher of the magazine calls her in and tells her their whole business model is changing to creating video content, and then she discovers that the long-time kitchen manager has been replaced by a much younger and more energetic person who is going to change literally everything in her orderly world, she is, to put it mildly, kind of agitated about it. I get that, and I don’t think that classifies as “high-strung.”  She’s just behaving…well, like I might, in her shoes.  And I’m not high-strung.  Am I? (Marlene’s comment: No, you’re not. Or I am too and we’re NOT going there because cheap shot is still cheap.)

It doesn’t take long, of course, until the bisexual Simone falls for the tall, good-looking and energetic new soul in the kitchen, though – Ray is super-cute, enjoys wearing a leather apron, and looks really good in it. But they’re just colleagues, you know…then, just friends, of course…

The publisher’s video guy accidentally posts a clip of Ray being hilarious and awesome on the magazine’s channel, and it goes viral, and all of a sudden, the strategy for media is changed, and Simone and Ray are co-hosting a hit show on YouTube, much to the chagrin of the company’s arrogant social media manager.  Things rock on pretty well, until…

Okay, I’m going to have to level with you here. I’m not an unbiased reader; Ray is non-binary, tending toward masculine, and I’m non-binary, tending feminine. When Ray comes out at work, they have mixed results. While Simone and the other kitchen staff are supportive, management (including that snooty social media maven) are not, continually dead-naming and misgendering them. And Ray tells their allies in the kitchen to not make a fuss, because they cannot lose this job – and when we as readers are informed of why, when Ray tells Simone, my heart just broke for them.

Yes, this story is a rom-com. And yes, it’s got all the classic elements of one – the not-quite-understanding each other’s subtexts, the “I said things when I was drunk” night, the “we’ll never mention this again.” But there is a second story here, and it’s one that Simone shows us in some pretty sharp detail – Ray’s struggle for their identity and acceptance. Simone is there for Ray, as they are Going Through It, tending to them through what – for both Ray, and for me – are some of the toughest moments of their life. Ray’s path, because it mirrors my own, resonated forcefully with me, even though the details of their path are quite a bit different from my own. It’s the same struggle, really: the struggle to be themselves.  It is a struggle I have lived with for over a decade now, and seeing Ray’s life through Simone’s eyes brought me back to some of the difficult moments of that period.

Simone is going through her own struggle, too, being a mostly-closeted bisexual woman, and when she outs herself to her manager (in the discussion over Ray’s coming-out), you see her own frustration with the struggle she sees coming. It’s not on the scale of Ray’s, but it’s there, and we get to see her respond to that in a really rewarding way when she points out to her boss that “You’re the only straight person in the room.”

Cisgender and/or straight readers might not get that resonance, and for those readers who don’t, this is still a fantastically cute, sassy, well-crafted rom-com with a little steam and some great food for thoughtful reflection. If you’re one of those readers, that’s okay, though this reviewer’s hope is that seeing Ray and Simone’s struggles educate you a bit, and give you a better feeling for those people around you who may not fit in the same mold you do. For queer folk and their allies, though, there’s so much more to see and feel here. My one gripe about this book is that the ending came too quickly, the resolution a little bit deus ex machina for my tastes – the happy-for-now ending came quite abruptly, even though it was a good end to the tale. This was TJ Alexander’s first work, and I am going to read their second work, the follow-on Chef’s Choice, right away. I’m hungry for more.

Review: The Boyfriend Candidate by Ashley Winstead

Review: The Boyfriend Candidate by Ashley WinsteadThe Boyfriend Candidate by Ashley Winstead
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, Romance, romantic comedy
Pages: 384
Published by Graydon House on May 9, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

“Charming, swoony, and utterly unputdownable. I LOVE this book!”—LYNN PAINTER, New York Times bestselling author of Better Than the Movies
A laugh-out-loud rom-com about learning to embrace living outside your comfort zone.

As a shy school librarian, Alexis Stone is comfortable keeping out of the spotlight. But when she’s dumped for being too meek—in bed!—the humiliation is a wake-up call. She decides she needs to change, and what better way to kick-start her new more adventurous life than with her first one-night stand?
Enter Logan, the gorgeous, foul-mouthed stranger she meets at a hotel bar. Logan is audacious and filterless, making him Alexis’s opposite—and boy, do opposites attract! Just as she’s about to fulfill her hookup wish, the hotel catches fire in a freak lightning storm—and in their rush to escape, Logan is discovered carrying her into the street, where people are waiting with cameras. Cameras Logan promptly—and shockingly—flees.
Alexis is bewildered until breaking news hits: pictures of her and Logan escaping the fire are all over the internet. It turns out Logan is none other than Logan Arthur, the hotshot politician challenging the Texas governor’s seat. The salacious images are poised to sink his career—and jeopardize Alexis’s job—until a solution is proposed: to squash the scandal, he and Alexis could pretend to be in a relationship until election day…in two months. What could possibly go wrong?

My Review:

We’ve probably all done some really weird, out of our comfort zones things while getting over an ex. Or getting vicarious revenge on said ex. Most of us don’t get struck by lightning while we’re doing those things. Or get caught on camera, whether in deshabille or not, while doing said things. Whether or not we’ve been doing those things we might someday regret with someone currently running for governor – of our state or any other.

Not that both Alexis Stone AND Texas gubernatorial candidate Logan Arthur don’t look fairly ungoverned in the pic that has taken the internet by storm. And thrown Logan’s candidacy in a tempest of its very own – one that the opposition is guaranteed to take advantage of – unless Logan’s people get ahead of it first and very, very fast.

Both Logan and Ashley are single and unattached. This isn’t THAT kind of political scandal. It’s just that in the looks department Logan makes Justin Trudeau look like he isn’t really trying, AND he has a well-deserved reputation as a playboy. His older, settled, highly respected opponent has made a great deal of political hay over Logan’s inability to commit to a relationship with anyone and questioned whether he’s mature enough to commit to a relationship with the entire state. Of Texas.

Logan’s campaign wants Alexis to agree to a fake relationship with the candidate until after the election is over, win or lose. If Logan wins, they can break up quietly and he can go on to become the first Democratic governor of Texas in entirely too damn long. If Logan loses, it won’t matter anyway.

Or so everyone believes. Whether it’s going to matter to either Logan or Alexas after two months of fake dating in front of seemingly all the cameras in Texas is a question that no one seems to have asked.

Whether a shy, downright introverted school librarian is willing or able to put herself in front of those same ever-present cameras and put her entire life on display on the campaign trail is a huge, ginormous ask.

Whether Ashley can keep her heart to herself while she’s doing it is something that she needs to ask herself. Seriously. Before it’s much too late. For her heart. And, much to Ashley’s surprise, for his.

Escape Rating B: The Boyfriend Candidate starts out with one of the most sizzling meet-cutes ever. As Alexis and Logan are seducing each other with words over an increasing number of drinks and over-the-top stories they tell each other, the steam practically rises off the page. To the point where it’s not all that surprising that the sparks they strike from each other result in an actual lightning strike.

And that’s where the story really heats up!

The fun part of this one is the way it tackles the “fake dating” trope and then uses it to say a whole lot of really important things about how important it is to love yourself first and figure out what you really want in life before you inflict yourself on anyone else.

Both Logan and Alexis have dreams to fulfill but both of them have been too caught up in being what other people want to take the necessary hard look at what they themselves really want. They are both, in entirely different ways, people pleasers. For Alexis that means twisting herself into an emotional pretzel out of fear that if she rocks the boat even a little bit people will leave her. As her father left her mother – and then was killed in a car crash. As her sister emotionally abandoned her after those same events. Although their relationship is better now the stress of those dark days still lingers. On Alexis at least.

Logan wants to do good. Really, truly, seriously. He knows that being governor will give him the kind of reach and influence, not to mention the really tall bully pulpit, that he can use to make good things happen. But being a candidate is making him squeeze his outsize, blunt, profane and argumentative personality into a tiny, meek, mild-mannered little box. And it’s not working for either him or the campaign.

But to make his campaign work, Alexis needs to get on board. To make that work for her, she has to find a voice of her own no matter how much it scares her. And Logan needs to own his own truth to have a real chance, both with the voters and with Ashley.

There’s a lot to love in The Boyfriend Candidate. While Ashley’s journey is the toughest, and the one we’re most intimate with as she’s the one telling the story, Logan’s journey is just as important to making the whole thing work, both for them and for the reader.

There’s also a lot that gets said about the state of politics in general and in Texas in particular. Especially about the state of libraries and education and education funding, as those issues become Ashley’s platform in a huge and necessary way. The best and worst thing is that all of the issues that Ashley raises in her platform, from decreasing funding for education, year after year, to increasing book bans everywhere, are all substantially true. For this librarian, the inclusion of those issues was a huge plus. Some readers may not and your reading mileage may vary.

Howsomever, as a reader I did have one issue with this story, and it’s an issue that took me completely out of the story to the point where the grade landed on B. It’s clear throughout the book that whatever Ashley and Logan might be saying out loud, neither of them has managed to keep their hearts to themselves. There’s going to be a crash before the final HEA. The way that crash came about, when Ashley’s sister forced her between a rock and a hard place in a way that was guaranteed to explode all over Ashley, Logan, and his campaign, read like the kind of sabotage that was not part of Ashley’s current relationship with her sister. It came out of left field in a way that didn’t work for me at all.

Which doesn’t mean that I didn’t enjoy the book as a whole, because I most definitely did. (It also reminded me quite a bit of Jasmine Guillory’s Party of Two, and I adored that book and the whole Wedding Date series it’s a part of, so I was a bit pre-determined to like The Boyfriend Candidate. And I did. I just wish there’d been a way to stage that inevitable explosion that felt more organic to the story.

Review: Full Exposure by Thien-Kim Lam

Review: Full Exposure by Thien-Kim LamFull Exposure: A Novel by Thien-Kim Lam
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, romantic comedy
Pages: 320
Published by Avon US on February 21, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Happy Endings author Thien-Kim Lam is back--with a rom-com set during the divine madness of Mardi Gras as two lovers ask: Can a Big Easy fling become the real thing?
Boudoir photographer Josie Parks never ever takes a vacation. But when a client cancels a New Orleans shoot at the last minute, she decides to fly out from her Washington, D.C., studio anyway. Maybe the trip will reawaken her recently stagnant muse. After all, it's Mardi Gras season...
Spencer Pham has come home after twelve soul-sucking years in corporate hell to pursue his passion: making a docu-film on his family's history as the first Vietnamese Mardi Gras krewe. The last thing he expects is getting whacked in the head by a beautiful woman trying to snag some parade beads.
During a long night at urgent care, Spencer and Josie connect over their artistic pursuits. He offers to show her the real New Orleans, if she'll help him with the camerawork for his film. Despite Josie's type-A personality clashing with Spencer's laissez-faire attitude, they seem to make a great team, and soon, the good times are rolling both on and off camera. But Josie has a life in D.C., and they both have big dreams they're chasing. When this Big Easy fling starts feeling awfully serious, can they find a way to choose between personal and professional passion?

My Review:

Mardi Gras was just this past Tuesday, making this the perfect week for a visit to New Orleans – at least between the pages of this sparkling romance. There’s always magic in New Orleans, whether at Mardi Gras or not – even if it’s just the magic of the beignets at Café du Monde.

Although the description of the messy, yeasty, sugary goodness of the beignets on Josie and Spencer’s first date will certainly make every reader’s mouth water nearly as much as Josie’s when she first checks Spencer out.

Just after she hits him in the head with the parade beads she’s just caught. It’s either a painfully cute meet cute – or just downright painful. Because either Spencer is seeing stars and little birdies after Josie clocks him – or there are some serious sparks between them from the very beginning.

Jodie’s mortified – but not concussed – and she’s feeling them too. Definitely sparks.

Over a couple of plates of those iconically delicious beignets, Spencer and Josie discover that they have more than sparks and less than a whole lot of time to see where those sparks might lead.

Josie’s in town for a mere seven days before she needs to return to her successful but stressful boudoir photography business in Washington DC. Spencer is back home in New Orleans for an unspecified while, after a dozen years in a high powered, high stress and highly detested job in – of course – Washington DC.

Spencer is more than willing to go with the flow and see where it takes them. Josie has always been constitutionally incapable of taking a step without not just A plan, but Plans B through at least F or G as well. But just this once she’ll try.

For as long as she can stand it. Or until fate intervenes. Or love walks in. Or out. Or all of the above.

Escape Rating B+: The meet-painfully-cute kicks this one off with a bang – or at least with a clonk to the noggin. The banging comes later. But this isn’t just a romantic comedy, although it certainly has plenty of the elements to make it qualify as one.

(Which is honestly kind of a relief. I read several books last year that were promoted as romcoms that turned out to be anything but. So the truth in advertising is a welcome change.)

Howsomever, Full Exposure isn’t just a romcom and it’s the not-so-funny bits that tug at the heartstrings after the final page is turned.

A big part of what both Spencer and Josie are dealing with outside of all the sparkly banter between them are real cases of burnout. Both are/were under pressure in stressful jobs and both have issues with saying enough is enough. In Spencer’s case that’s a result of family pressure and a lack of open communication, while in Josie’s case it’s because she selflessly sacrificed both her savings and her dreams when her younger sister was in a severe accident and needed long-term, expensive, hospital care and physical therapy.

While the reasons for it may be different, both of them feel intensely responsible for supporting their birth families and neither of them are able to open a space in those feelings for their own artistic dreams – because art doesn’t make money they both believe their families still need.

As much as Josie and Spencer have their artistic dreams in common, their romance is definitely a case of opposites attracting. Josie is Type-A down to her toes, while Spencer has a bit more of the New Orleans attitude of “laissez les bons temps rouler” – or at least a bone deep ability to be spontaneous that Josie planned out of her own life in the wake of her sister’s accident.

But Spencer needs a bit of Josie’s organizational magic as much as she needs a touch of his spontaneity. (Not to mention as much of his touch pretty much everywhere as she can get!)

So this is a romance of letting go, letting things out, letting things unfold, and not giving up on the best thing that’s ever happened to either of them without one hell of a fight.

One of the other terrific things about this story is that, in spite of some bumps in the road, both Josie and Spencer are functional people who have terrific support networks behind them that they both truly appreciate.

In Spencer’s case it’s his sometimes intrusive but always loving family and the New Orleans Vietnamese community of which they are an integral part. In Josie’s case it’s her best friends, the Boss Babes, who are with her through thick and thin and crisis and resolution and everything in between.

Josie’s Boss Babes are terrific, but it seemed terrifically obvious that we weren’t getting the whole picture of who they were and how they all fit together in this story. The Boss Babes, including Josie, first appeared in the author’s debut novel, Happy Endings. (In other words, while Full Exposure isn’t exactly the second book in a series it isn’t exactly not, either) So if you enjoy Josie and Spencer’s story, and I definitely did, and if you’re wishing for a gang like the Boss Babes of your very own, check out Happy Endings the next time you’re looking for a fun, sexy read with a whole lot of heart. I certainly plan to!

Review: Pets of Park Avenue by Stefanie London

Review: Pets of Park Avenue by Stefanie LondonPets of Park Avenue (Paws in the City, #2) by Stefanie London
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, relationship fiction, romantic comedy, women's fiction
Series: Paws in the City #2
Pages: 336
Published by HQN Books on December 6, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

"One of the year's most delightful rom-coms."—New York Times bestselling author Julia London on The Dachshund Wears Prada
The perfect romcom for dog lovers! Pets of Park Avenue is the story of a self-confessed hot mess who learns that life is more fun when things don't go according to plan.

What do you do when The One is also the one who broke your heart?

Self-proclaimed hot mess Scout Myers is determined to prove she’s finally got her act together. Raised by grandparents who saw her as her wayward mother’s wayward daughter, Scout’s used to being written off. So when the opportunity for a promotion arises at Paws in the City, the talent agency where she works, Scout is desperate to rise to the occasion. With shared custody of her little sister also on the line, Scout can’t afford a single mistake…like suddenly needing a canine stand-in for an important photoshoot. Luckily (or not) she knows the owner of the perfect pup replacement: the estranged husband she walked out on years ago.
On the surface, it appears Lane Halliday’s life has been blissfully drama free without Scout, but she suspects her handsome-as-ever not-quite-ex-husband doth protest too much. Working together even feels like old times—except for all that lingering, unresolved tension. But Scout’s not sure she’s ready to confront the reasons she left Lane, and when their plans to finalize the divorce become very real, Scout starts to wonder whether second chances might be worth a little hot mess.
Paws in the CityBook 1 - The Dachshund Wears Prada

My Review:

Pets of Park Avenue combines a second chance at love romance with a bit of a comedy of errors wrapped around the paws of an adorably fluffy little Bichon Frisé who seems to be experiencing nearly as much sad fluff as her people.

Both the one she still has and the one that only thinks she got away.

This followup to The Dachshund Wears Prada follows the second member of the Paws in the City media team, that self-proclaimed hot mess – and Isla’s best friend – Scout Myers. When the small agency’s star Bichon Frisé, Sasha, is accidentally dyed hot pink in the middle of a big opportunity for both the dog and the agency, Scout is the one sorta/kinda in charge of their canine charge.

At least, she’s the one who feels responsible for the accidental dye-job. Because being held responsible for every accident that happens in her vicinity and taking the blame for all the fallout is just what her cold, rule-bound, hidebound grandparents have conditioned her to do.

Theirs was not a house in which the phrase “shit happens” was ever even uttered, let alone believed. If Scout was nearby, it must have been her fault – whether it was or not. Because Scout was just like her mother, their wayward daughter, and had to be straight-jacketed into proper behavior no matter how much it broke her spirit.

Reining Scout in was the only way her grandparents could hope to save Scout’s little sister Lizzie from her terrible influence. So they did. At every opportunity. Until they kicked her to the curb at age 21. For not being properly obedient and respectful and for not following every last one of their stifling and arbitrary rules.

So Scout feels responsible for the temporarily pink Bichon, and needs a well-behaved substitute until the dye and the resulting buzz-cut grow out. Which is where her not-exactly-ex-husband, and his suddenly not-exactly-perfectly-behaved Bichon come in.

Scout ran out on both the man and the dog five years ago because, well, reasons. Reasons that they never told each other. They were together for one glorious month and have been separated for five years of limbo but Scout needs a dog just like Sasha, and Twinkle Stardust (yes, really) is her best chance to fix what’s broken.

With the agency and possibly with herself.

What she really needs is to either put her past behind her or, perhaps, put it back in front of her again. She’s a bit older, possibly wiser, and trying to be more responsible. Because she wants custody of her teenage sister. Because she needs to start adulting.

And because she’s never found anyone to remotely match the one that she left behind.

Escape Rating B: The thing about Pets of Park Avenue that made this one so interesting was that it’s Scout’s discovery that she doesn’t need to get it together because she’s had it together all along. It’s also about the difference between what is said and what is meant, and that’s a sad and often hard lesson to learn.

In other words, Pets of Park Avenue isn’t as light and fluffy as one of the Bichon Frisés. I missed The Dachshund Wears Prada, at least the social media account that both establishes Isla as a media influencer AND gets her in so much trouble. Because the voice of the Dachshund that Isla puts out there is wry, funny and so very sharply observant that it gives the book a lighter tone than this one in spite of just how much Isla also needs to overcome.

Scout IS a hot mess in this book, but not for any of the reasons she thinks she is. She’s a hot mess because that’s all she’s ever been told she can be, and she’s taken that lesson so very much to heart. Throughout the story, it seems as if her grandparents are the villains of the piece. And they kind of are.

But they also kind of aren’t. Or at least, they didn’t intend to be. But what they meant versus what they said and how they said it, how much they saw AND treated Scout as if she was a carbon copy of her mother, sent their relationship and Scout herself off in some terrible directions that she spends the whole story dealing with.

The second-chance-at-love romance was, at first, heartbreaking. But as the story continues, they are both forced to acknowledge that they were just too young and too impulsive. The bitter turns to sweet as they look back at themselves and look now at each other in order to figure out what direction they need to go, together or apart. Either way would have made a satisfying ending, but I preferred the direction they chose – if only to give Twinkle Stardust her own happy ever after.

So The Dachshund Wears Prada had a whole lot more lightness in it. Pets of Park Avenue was leavened with a bit more bittersweet. I’m looking forward to seeing what just what kind of canine and human drama we’ll get in Confessions of a Canine Drama Queen next summer!

Review: Ship Wrecked by Olivia Dade

Review: Ship Wrecked by Olivia DadeShip Wrecked (Spoiler Alert, #3) by Olivia Dade
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, romantic comedy
Series: Spoiler Alert #3
Pages: 416
Published by Avon Books on November 15, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

After All the Feels and Spoiler Alert, Olivia Dade once again delivers a warm and wonderful romantic comedy about two co-stars who once had an incredible one-night stand--and after years of filming on the same remote island, are finally ready to yield to temptation again...
Maria's one-night-stand--the thick-thighed, sexy Viking of a man she left without a word or a note--just reappeared. Apparently, Peter's her surly Gods of the Gates co-star, and they're about to spend the next six years filming on a desolate Irish island together. She still wants him...but he now wants nothing to do with her.
Peter knows this role could finally transform him from a forgettable character actor into a leading man. He also knows a failed relationship with Maria could poison the set, and he won't sabotage his career for a woman who's already walked away from him once. Given time, maybe they can be cooperative colleagues or friends--possibly even best friends--but not lovers again. No matter how much he aches for her.
For years, they don't touch off-camera. But on their last night of filming, their mutual restraint finally shatters, and all their pent-up desire explodes into renewed passion. Too bad they still don't have a future together, since Peter's going back to Hollywood, while Maria's returning to her native Sweden. She thinks she needs more than he can give her, but he's determined to change her mind, and he's spent the last six years waiting. Watching. Wanting.
His shipwrecked Swede doesn't stand a chance.

My Review:

This third book in the Spoiler Alert series may seem a bit detached from the previous books, Spoiler Alert and All the Feels. Which makes total sense as all of Peter and Maria’s scenes in the infamous (and fictional) God of the Gates TV series (all resemblances to the final seasons of Game of Thrones indubitably intended) were filmed on a tiny, remote island off the coast of Ireland.

The Aran Islands substitute for the remote island where the characters they play in the series, Cyprian and Cassia, were literally shipwrecked early in the book series that was adapted – sometimes very badly indeed – for the hit TV series. An island where their characters spend six long and frustrating years pining for each other, transforming from enemies into lovers.

Into dead. Because it’s that kind of series. As we know even if we never watched the thing.

Life has imitated art more than a bit, as Peter and Maria also spent their six years filming the series pining for each other every bit as much as their characters did. Only to give in to temptation after the cameras film their final scene – just before they are scheduled to leave the island and go their separate ways.

While they don’t immediately end up dead in real life – because they haven’t really been guarding a hellmouth for six years that has finally opened to bring their doom – their much longed-for relationship keeps tolling its own death knell even as they find ways to spend yet more glorious days and nights together.

Both Peter and Maria came to that deserted island with some serious abandonment issues, and not just in romantic relationships. They may love each other, they certainly want each other, but they can’t seem to get past the trauma in their pasts to realize that they both want the same things – but are no good at expressing what they need and want to the most important person either of them will ever find.

Their characters were shipwrecked, and the real-life (relation)ship that fans have been shipping throughout the entire run of the series looks like it’s wrecked as well. Unless they can find a way to turn it into an HEA with a little bit of luck and a whole lot of the one thing that Peter is bad at – communication.

Escape Rating A-: The beginning of this was just a bit jarring – not their one-night stand, not at ALL – but that the story went all the way back to the early days of the series, back when the showrunners were still adapting the author’s work. When the scripts were still more than halfway decent even if the two showrunners were already scum.

The earlier books in the series, Spoiler Alert and All the Feels, started during the final seasons of the series, at the point where the showrunners had gone past the author’s work and were, well, winging it. Badly. Destroying all the character arcs and most of the characters along with them. Both of those earlier stories center around stars of the series behaving badly because they so desperately want to reveal that the final season is AWFUL with a capital AWE and they fall in love either while behaving very badly (All the Feels) or while violating their NDA (non-disclosure agreement) in new and creative – literally and literarily – ways (Spoiler Alert and All the Feels).

Peter and Maria and their film crew, while not exactly shipwrecked themselves, are isolated from the rest of the cast and crew except via group chats and off-season convention appearances. Their story arc was completely separated from everyone else’s and so are they.

Which doesn’t mean that they don’t deal with the shittiness of the showrunners every bit as much as the rest of the cast – or maybe even a bit more because the showrunners think their physical isolation gives them some sort of psychological advantage. Or simply because they are asshats. Which they most definitely are.

And that’s where one of the more interesting threads of the (book) series in general and this entry in it in particular comes in. Peter and Maria are playing shipwrecked Vikings. They are both big people – which is appropriate for the characters they play. So, while the books don’t specify that they are bigger than the usual Hollywood actors, it seems like good casting.

But the showrunners, being slimeballs, have a plan to make Maria – and by extension Peter, but honestly it’s aimed at Maria – go on a crash diet before her second season because they’re supposed to be starving on the island. And she refuses and makes it stick – even in the face of being fired and re-cast. Maria is righteously all about body positivity, and not wrecking her body for life for anyone or anything, and she’s very aware that her body positivity campaign has played extremely well in the media. AND that the slimy showrunners are already in trouble on every side and need her way more than she needs them.

Those showrunners pulled similar shitty stunts on the plus-sized heroines of both Spoiler Alert and All the Feels and got their heads handed to them both times, but it was terrific to see it happen again – with bells on – this time around.

Oh yeah, there’s a romance in here too. And it’s a bit of a heartbreaker – not that it doesn’t come around to an HEA in the end. As it should. Because ALL the best shipping fics do – no matter how much angst the characters have to go through along the way.

But it’s a heartbreaker both because they nearly break each other’s AND because they’ve had both of theirs broken so many times in ways that have nothing to do with romance but still rear their ugly heads when they might just manage to reach that HEA. Because they’re both afraid of getting left – again – and think they’d rather walk away than have it happen. Again.

Not that they’re both equally stubborn and clueless about it or anything like that.

Last but not least, and speaking of things coming around again, the book series as a whole is rooted both in fanfiction as a labor of love and in the complaints and gossip about the final seasons of the real TV series, Game of Thrones. Which also ran two seasons beyond the last published book in its series and also did “interesting” things with its characters and their arcs. Earlier in the book series I wondered whether Spoiler Alert  would lose the pointedness of some of its inside jokes after Game of Thrones finished.

But then House of the Dragon came along, a prequel series based on the same author’s work that is equally unfinished in book form. So we might have more of Spoiler Alert  to look forward to no matter how, if, or whether House of the Dragon ever floats your shipping boat.

And that is an EXCELLENT thing!

Review: Riverside by Glenda Young and Ian Skillicorn + Giveaway

Review: Riverside by Glenda Young and Ian Skillicorn + GiveawayRiverside: The feel-good, life-affirming story of love, friendship, family and new beginnings by Ian Skillicorn, Glenda Young
Narrator: David McClelland, Melanie Crawley, Becky Wright, Lisa Armytage, Gerard Fletcher, Toby Laurence, Glen McCready, Penelope Rawlins, Keith Drinkel, Michael Chance
Format: audiobook
Source: purchased from Audible
Formats available: ebook, audiobook
Genres: family saga, romantic comedy
Pages: 336
Length: 3 hours 51 minutes
Published by Wyndham Media Ltd. on July 21, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazon

The feel-good, life-affirming story of love, friendship, family, and new beginnings!

Changes are coming to the riverside town of Ryemouth, and while some of the community are excited by new beginnings, others are finding it hard to let go of the past.

A new 14-episode audio soap with a cast of loveable characters you'll want to laugh and cry along with.

Susan and her boyfriend Dave can't wait to open their new café and deli, The Old Engine Room. But Susan's dad, George, is not so thrilled. He's never approved of Dave, who used to hang out with the wrong crowd. Can the happy young couple win George round?

Mary and Ruby have been friends since the first day of infant school, even though their lives have turned out very differently. Mary has a contented family life with husband George and daughter Susan. Poor Ruby has never been so lucky in love. Then she meets her teenage crush in surprising circumstances. Mary has her doubts about the charming Paul. Will Ruby finally get her own happy ever after?

Dave wants to put his past behind him. His dream is to make a success of the business, and one day be a good husband and father, like his own dad, Mike. Yet, he's forced to keep a secret from everyone he loves. Who should he turn to for help out of a tricky situation?

When the community comes under threat from developers, can everyone put their differences to one side to defend the town they love?

Riverside is full of romance, heartbreak and secrets, as well as gentle wit and humor.

The Riverside audiobook drama is based on the popular weekly magazine serial written and created by Glenda Young.

My Review:

A small town, a big change and two families whose reactions to that change and fortunes as a result of that change have gone in somewhat different directions. And in the middle, a young couple, not exactly Romeo and Juliet, but still caught in the tension between their two sets of parents but wanting to make a go of their own life – together.

If only they can get their parents – or at least get her acerbic, reluctant, pessimistic dad – to see that his perpetual “glass half-empty” attitude is driving a wedge between his daughter and her happiness. The one thing he wants more than anything else.

Once upon a time, Ryemouth was a shipbuilding town. A time that is not so long ago that Mike Brennan and George Dougal didn’t both spend 30 years of their working lives at the shipyard. But Mike and George are in the 50s now, both trying to figure out what happens next in their lives.

And that’s where the story gets its tensions from. It’s not that Mike and George are enemies, more that their fortunes have taken different turns afterwards. George fights change at every turn, while Mike embraces it – with the result that the Dougals have had a more difficult economic time in the aftermath of the shipyard closure, while the Brennans are doing well.

That George’s daughter Susan and Mike’s son Dave have been dating seriously for a while is just part of the simmering undercurrent. Mike is opening a new restaurant as part of the gentrification of the land that used to be that old shipyard. His son is the manager, and George’s daughter Susan is the assistant manager – putting her in constant company of a man George already doesn’t approve of.

Then again, George doesn’t approve of change much at all. And isn’t in the least shy about saying so at pretty much every opportunity. The families will need to find a way for everyone to do more than co-exist. They need to support their kids and launch them successfully into their own futures.

The parents just have to figure out how to get out of their own way. Well, at least George does.

Escape Rating B: If the premise of this sounds comfortably familiar, it should. It’s pretty much the opening scenario for every soap opera ever. And there’s a reason for that comfort, because this format is a lovely way to introduce all sorts of sometimes cozy, occasionally uncomfortable, and frequently just close enough to real situations to tug at the heartstrings.

What makes Riverside a bit different from the usual run of soaps – in addition to its small-town English setting – is that the story is told entirely in audio. But it’s not a radio play. The story is told through just the voices of the characters. There is minimal narration and very little in the way of sound effects – mostly ringing phones and doorbells.

In order for this to work, the voices have to be distinct and the actors have to be excellent at telling their part of the story through tone and inflection – because the listener doesn’t have anything else to go on.

The story that is told in Riverside is comfortably familiar. Two families, who have known each other since the parents grew up together – if not longer – have to work their way through ties of friendship and thorny knots of contention to support the next generation. While that next generation has their own issues to deal with.

But the way the story is told makes everything fresh and new, whether it’s the way that George is finally able to weaponize his hatred of change for the good of the community, Mary Dougal’s best friend Ruby and her lifelong misadventures in romance, or young Dave Brennan forced to confront the misadventures of his not so distant youth before they consume the hope of his present – and his future with Susan.

So if you’re looking for a way to while away a few hours that will pass very swiftly, listening to the trials and triumphs of the Dougals and the Brennans in Riverside is a lovely way to make a Sunday drive go just that much faster – without breaking the speed limit!

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

Giveaway to Win 5 x Audio copies of Riverside (Open to UK/US)
*Terms and Conditions –UK/US entries welcome. Please enter using the Rafflecopter box below. The winner will be selected at random via Rafflecopter from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then Rachel’s Random Resources reserves the right to select an alternative winner. Open to all entrants aged 18 or over. Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organiser and used only for fulfilment of the prize, after which time Rachel’s Random Resources will delete the data. I am not responsible for despatch or delivery of the prize.
a Rafflecopter giveaway

Review: Extra Witchy by Ann Aguirre

Review: Extra Witchy by Ann AguirreExtra Witchy (Fix-It Witches, #3) by Ann Aguirre
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, paranormal romance, romantic comedy
Series: Fix-It Witches #3
Pages: 368
Published by Sourcebooks Casablanca on October 4, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

After two failed marriages, Leanne Vanderpol is here for a good time, not for a long time. She only loves the witches in her coven, and she cares more about her career than happily ever after. A difficult past makes her skittish, and she doesn't trust relationships to stick. But when she decides to run for city council instead of wasting her talents cleaning up messes for the mayor's office, she fears her past could be used against her.
Unless she can find the right husband to shore up her political career...
Trevor Montgomery might have peaked in high school. He was popular then, and in college as well, but he partied away his future, met the wrong person, and everything fell apart. Now he's jobless, dateless, and hopeless, at least according to his toxic family. Then a chance meeting with the redhead of his dreams offers an unexpected ray of light just when he needs it most.
Can a woman who doesn't believe in forever find true love with a man who's stopped believing in anything at all?
The third in an adorable witchy rom-com series by New York Times bestselling author Ann Aguirre, perfect for fans of:The bonds of sisterhoodA career-driven heroine who thinks she isn't marriage materialA pan hero who struggles with depressionAnd a shocking family secret

My Review:

I picked this up because this is the third book in the Fix-It Witches series and in spite of my very mixed reaction to the first two books, Witch Please and Boss Witch, I was determined to finish the series. Even if I had to rage read my way through this final book.

Which I pretty much did. At least right up until the halfway point – when it got better. And kept on getting better from there until the end.

But that first 50% was one hell of a slog.

First, there’s the pattern of the series as a whole, in that the second book in the Fix-It Witches series, Boss Witch, picked up the action in the middle of Witch Please and re-told the second half of THAT story from a new perspective. Which means that the action of this third book in the series begins in the middle of the second book and proceeds to tell some of that same story from yet another point of view – and in considerably more detail.

To make that part of the long story short, this is not a series where you really need to worry about not having read the previous books, because you will read at least half the previous book before you learn if anything truly new happens in the one you have in hand.

What made the first half of this one particularly hard to get through were the parts of Boss Witch that got repeated. We already know that Leanne Vanderpol seemed to have married Trevor Montgomery totally out of the blue because we see that event from an outside perspective in the earlier book.

But the deets…well the deets are a bit of a hot mess and so are both Leanne and Trevor. Trevor is Titus the Cinnaman’s best friend, so we met him back in Witch Please. From the outside, it seems like 30-something Trevor hasn’t figured out what he wants to do when he grows up. That would be the kind explanation.

The unkind description would be that he hasn’t grown up, and that his life resembles that of Shaggy (Scooby-Doo’s human) a bit too much. That’s certainly what his parents would say, when the truth is that Trevor has been sunk in a clinical depression for a long time and doesn’t see much of a way out even though he really would like to find one.

Which is where Leanne enters his life.

Leanne is a doormat with ambitions. She doesn’t mean to be a doormat, but she is the person everyone relies on to take care of things she shouldn’t have to take care of because that’s pretty much how her flighty, witchy mother raised her. Or truthfully didn’t raise her but left her to raise herself. Her boss, the city manager, is dumping on her and her irresponsible mother has just arrived in town and Leanne is having a bit of a meltdown because she can’t let herself let out all the crap she’s holding in.

Neither Leanne nor Trevor remotely have their shit together – no matter how much it seems like Leanne does on the surface. The first half of the story sinks under the weight of their collective inability to figure out what to do with their lives to a degree that might have worked well in their 20s but not when both are in their mid-30s.

When they get together anyway, the story doesn’t merely pick itself up. It actually starts to shine way more than I was expecting by that point. Separately, they are each a mess. Together, they make each other strong in their broken places.

Enough for both of them to finally start getting their own acts together. They just have to get out of their own ways to realize that not only have they caught feelings for each other – but that they deserve the happiness and fulfillment that comes with them.

Escape Rating B-: The rating is considerably higher than I thought it was going to be in the first half of the book. Their romantic comedy-esque marriage of convenience starts out as plenty convenient but not remotely comedy. They are both way too messed up for that.

But giving each other a truly secure foundation, something neither of them has ever had, is the making of both of them in a way that was rather delightful and completely unexpected – even if they did connect so quickly that I wondered if their insta-love was at least partly fueled by some kind of witchcraft.

Still, the second half of this one had a lightness and a verve and a witchy spark that was missing in the first half, and Leanne and Trevor turned out to be a couple whose whole was literally greater than the sum of their original parts. So I’m glad I made myself finish, but I don’t think I’ll be coming back to this witchy Midwestern town even if the series continues.

Review: Drunk on Love by Jasmine Guillory

Review: Drunk on Love by Jasmine GuilloryDrunk on Love by Jasmine Guillory
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: contemporary romance, romantic comedy
Pages: 400
Published by Berkley Books on September 20, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

An intoxicating and sparkling new romance by New York Times bestselling author Jasmine Guillory. Margot Noble needs some relief from the stress of running the family winery with her brother. Enter Luke: sexy, charming, and best of all in the too-small world of Napa, a stranger. The chemistry between them is undeniable, and Margot is delighted that she lucked into the perfect one-night stand she'll never have to see again. That is, until the winery's newest hire, Luke, walks in the next morning. Margot is determined to keep things purely professional, but when their every interaction reminds her of the attraction still bubbling between them, it proves to be much more challenging than she expects.
Luke Williams had it all, but when he quits his high-salary tech job in Silicon Valley in a blaze of burnout and moves back to Napa to help a friend, he realizes he doesn't want to tell the world--or his mom--why he's now working at a winery. His mom loves bragging about her successful son--how can he admit that the job she's so proud of broke him? Luke has no idea what is next for him, but one thing is certain: he wants more from the incredibly smart and sexy woman he hooked up with--even after he learns she's his new boss. But even if they can find a way to be together that wouldn't be an ethical nightmare, would such a successful woman really want a tech-world dropout?
Set against a lush backdrop of Napa Valley wine country, nothing goes to your head as fast as a taste of love--even if it means changing all your plans.

My Review: 

The meet-cute that uncorks Drunk on Love is a classic for a reason. Strangers meet in a bar, at a party, or wherever – although in this particular case it’s a neighborhood bar with excellent drinks and great food. They strike up a conversation on one pretext or another and simply hit it off in a way that neither of them can resist.

So they don’t. A great meal, a fantastic night, and a not too terribly awkward morning after and then they’ll never see each other again. Or so one or both of them believes.

Then they do meet again, later that morning after, in the most awkward way possible. And so it begins.

In the case of Margot Noble and Luke Williams, what makes that awkward morning after into an even more awkward gift that is just going to keep on giving – at least for the reader – is that the new job that Luke walks into in the tasting room of a local winery turns out to be the family winery belonging to Margot and her brother Elliot.

Elliot Noble is the winemaker, Margot Noble is the business manager, which means Elliot mostly gets to work behind the scenes, while Margot is out front, managing the finances, drumming up business, schmoozing restaurants to get them to offer and promote Noble wines – and, you guessed it, running the tasting room at the winery.

In other words, Margot is Luke’s new boss. Which is where this romantic comedy kicks into high gear – and sometimes even gets drunk on the Noble Family Wineries’ products. Because neither of them can forget the best night either of them has had in a long, long time – if ever. And they both know it can’t happen again as long as Luke is working in Margot’s tasting room

But they both want it to. So, so bad. Because they already know it’ll be so, so good. If they can just find a way to make it – or let it – happen.

Escape Rating B: I loved the way that Drunk on Love started, and even more so as Margot was a bit older than Luke which is one of my favorite tropes.

Very much on my other hand, this one middled in places that aren’t necessarily my cup of tea – or that I just wasn’t in the mood for at the moment, leaving me with some mixed reading feelings.

The kickoff for this was a winner. Absolutely. There’s always something delicious in a forbidden romance but there are few non-squicky ways to make that happen in the 21st century. This is one that works.

That there is a certain amount of deception in this kind of romance is a given. What drove me bananas about the story wasn’t so much the coverup of their relationship but rather the lies they are telling themselves about pretty much everything else.

Luke is back home in Napa because he burned out at his high-paying, high-powered, high-tech job but can’t manage to tell anyone about it – in some ways, not even himself. So in order to cover that up he covers up more stuff until he’s at the bottom of a pit of lies and just can’t seem to stop digging.

Margot, on the other hand, is doing very well in her position but can’t believe that her brother thinks she is or even wants her there. Their relationship is filled with nothing but tension that might or might not still have a cause. They’re in the middle of a giant misunderstandammit and can’t seem to find a way clear of it.

It’s not just that Margot and Luke are standing in their own ways, but that the way they are doing so stands in the way of any potential future happiness. It’s hard to watch these two very sympathetic and likeable characters flail around at reaching their HEA, but once they do it’s very much earned.

So if you like a bit of angst mixed with witty banter between a couple of really great people who need a few good swift kicks to move them to an HEA, try a glass – or a chapter or two – of Drunk on Love. If you prefer the witty banter in your romcom to be undiluted, grab a copy of the author’s The Wedding Date – a bubbly delight from the very first sip to the last.

Review: The Holiday Trap by Roan Parrish

Review: The Holiday Trap by Roan ParrishThe Holiday Trap by Roan Parrish
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: F/F romance, Hanukkah romance, holiday romance, M/M romance, romantic comedy
Pages: 312
Published by Sourcebooks Casablanca on September 6, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

For fans of Alexandria Bellefleur and Alexis Hall comes a charming, hilarious, and heartwarming LGBTQIA+ romcom about two separate couples finding love over the holidays from acclaimed author Roan Parrish!
Greta Russakoff loves her tight-knit family and tiny Maine hometown, even if they don't always understand what it's like to be a lesbian living in such a small world. She desperately needs space to figure out who she is.
Truman Belvedere has just had his heart crushed into a million pieces when he learned that his boyfriend of almost a year has a secret life that includes a husband and a daughter. Reeling from this discovery, all he wants is a place to lick his wounds far, far away from New Orleans.
Enter Greta and Truman's mutual friend, Ramona, who facilitates a month-long house swap. Over the winter holidays, each of them will have a chance to try on a new life...and maybe fall in love with the perfect partner of their dreams. But all holidays must come to an end, and eventually Greta and Truman will have to decide whether the love they each found so far from home is worth fighting for.

My Review:

There’s a saying about “blooming where you’re planted”, but with the best will and the most love in the world, that’s not always possible. No matter how much a person may love their hometown or their family or their job or whatever is keeping them in place, the place may not be a great fit for them

And sometimes we need to be kicked out of our not-quite-comfy little pots before they become ruts. Or plots, as in “the only difference between a rut and a grave are the dimensions” kind of plots.

Both Greta Russakoff and Truman Belvedere each need a good, swift kick out of their always slightly squirmy but suddenly seriously uncomfortable pots. Which is where their mutual friend and regular sounding board Ramona comes in.

Greta needs to get away from her close-knit-to-the-point-of-codependency family on teeny, tiny, Owl Island, Maine. Truman needs a getaway from a spectacular failure of a relationship in New Orleans. Ramona suggests a house swap. For the entire month. Of December.

What happens to Greta and Truman is that both of their worlds expand once they transplant themselves. In New Orleans, Greta finds friends and community. She’s able to spread her wings in a place where she’s not literally the only lesbian in town, and where her every single act isn’t discussed ad infinitum, ad nauseum AND reported back to her parents and sisters. She loves them all but finds the extreme insularity of the town and especially her family a strait-jacket.

In New Orleans she can breathe. She can be herself without everyone around her trying to lovingly push her to conform – at least on the outside. And there’s someone she can fall in love with in a place that warms her heart and soul.

Truman is a fish out of water, but a fish that is more than willing to try living on land once he thaws out and gets some warmer clothes. Now that he’s out of his comfort zone, he’s willing to see if he can fit into this new place. And discovers that the townspeople, as curious as they are about Greta’s temporary guest, are more than willing to let him warm himself in their friendship.

Especially Ash, a local boy who managed to leave, but got sucked back to Owl Island as an adult when his mother was diagnosed with dementia. Now Ash is juggling a failing florist shop, his mother’s declining health and the loss of her true self even as he’s with her – and a rapacious land developer who wants to buy the prime downtown real estate where his shop is located. Ash doesn’t have nearly enough spoons to start a relationship with a man who’ll be leaving in a month.

But he does it anyway – then breaks both of their hearts when he can’t cope.

Before the month’s even half over, Greta knows she wants to stay in New Orleans, not just because of her new love, but because it’s where she belongs. She’s a hothouse varietal just like the carnivorous plants she desperately tries to keep alive on Owl Island – a climate for which neither they, nor she, are suited.

Truman wants to stay in Maine, with Ash, in this quirky little town that has healed his heart and shown him that he has more to give than just his overdeveloped sense of order.

All Greta has to do is deal with her smothering family. All Truman has to do is convince Ash that he doesn’t have to let himself be smothered by his responsibilities. That help – and love – are eagerly waiting for him to just let them in. Before their lives take them in directions that all of them will regret. Forever.

Escape Rating A: Part of what makes The Holiday Trap such a fun read is that it is a holiday romance that doesn’t center on the holidays at all. That the holiday that gets more emphasis in this holiday romance is Hanukkah and not Xmas was absolutely the flame that lights all the menorah candles in this story.

But the way the holiday was treated encapsulated the whole point of the story. Because it’s not the holiday, it’s that the tribe gathers for the holiday and the traditions that surround that gathering.

The Russakoffs are the only Jewish family on Owl Island. For her family it has become important to celebrate the holidays with the whole community while at the same time cleaving unto themselves as a tight tribe of their own. Which leads straight into the issues that cause Greta to practically flee into the night.

Because no one in Greta’s family is ever supposed to say what they really want or need. They have been coerced by longstanding tradition to always seek a compromise and to suffer in silence if their needs don’t get considered. It’s all out of love, it’s all done with the best intentions, and the tradition did begin with some excellent reasons as they are a family of six – mom, dad and four daughters – and during the early years there just wasn’t quite enough to go around. Nobody went hungry, no one went without any necessities, but treats, toys and outings all had to be shared, so what got bought or eaten or done was the thing that displeased the least amount of people rather than what was actually desired by anyone.

It’s good for children to learn to compromise, it’s good for all humans and we need a little more of it in the world. But it can easily reach a point where, instead of everyone saying what they do want and meeting in the middle, everyone starts asking for what they think everyone else wants or will accept. It’s can work if everyone accepts that’s the way it works, but if the family brings in an outsider – like a son or daughter in law – or if one of the children leaves the cozy nest and is in a place where they have to stand up for themselves, or if one or more of the grown children is just too different to compromise their entire self all the time in order to get along and not rock the boat, you get the situation Greta finds herself in, where as much as her parents and sisters love her they keep trying to push her to fit into the family codependency and she just can’t. And won’t. And shouldn’t have to.

Truman’s situation is more self-inflicted. He’s both broken-hearted and completely embarrassed and kicking himself from New Orleans to anywhere he can take himself off to because he’s spent a year in a relationship with a douchebag and ignoring all the many, many, red flags that should have told him that he was someone’s dirty secret and not remotely the love of their life. Because they already have one of those and Truman is not it.

I liked Truman’s story, and it made a very nice foil for Greta’s, but I LOVED Greta’s story. It’s not just that she’s Jewish, although that certainly helped because there aren’t nearly enough Hanukkah romances in this world. But when Greta takes herself away from home, she goes to one of the most fascinating cities in the U.S. if not the world and makes a place for herself in it. I’m a sucker for stories set in New Orleans and Greta’s discovery of the city and herself captured me from the very first page.

That Greta’s family strongly resembles one I very nearly became a part of and gave her side of this house swap a whole lot of extra resonance that I wasn’t expecting. At all. But it helped me understand so much of where she was coming from because everyone means so very well, they have so much the best intentions and can be so, so good at laying on the guilt when someone doesn’t conform.

To make a much longer story than I intended a bit short, The Holiday Trap is an excellent holiday romance that puts its emphasis on the romance and the relationships that surround a romance and make a village – big or small – without getting into the religious aspects of any holiday. This could have been set at Thanksgiving and it still would have worked – it just wouldn’t have been nearly long enough.

But speaking of things that were not quite enough, the one person we don’t get nearly enough of is Ramona the almost magical matchmaker. I’d love to see more of her talents in a future story!

Review: A Proposal They Can’t Refuse by Natalie Cana

Review: A Proposal They Can’t Refuse by Natalie CanaA Proposal They Can't Refuse by Natalie Caña
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: contemporary romance, romantic comedy
Series: Vega Family Love Stories #1
Pages: 336
Published by Mira on June 7, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Natalie Caña turns up the heat, humor and heart in this debut rom-com about a Puerto Rican chef and an Irish American whiskey distiller forced into a fake engagement by their scheming octogenarian grandfathers.
Kamilah Vega is desperate to convince her family to update their Puerto Rican restaurant and enter it into the Fall Foodie Tour. With the gentrification of their Chicago neighborhood, it's the only way to save the place. The fly in her mofongo--her blackmailing abuelo says if she wants to change anything in his restaurant, she'll have to marry the one man she can't stand: his best friend's grandson.
Liam Kane spent a decade working to turn his family's distillery into a contender. Now he and his grandfather are on the verge of winning a national competition. Then Granda hits him with a one-two punch: he has cancer and he has his heart set on seeing Liam married before it's too late. And Granda knows just the girl...Kamilah Vega.
If they refuse, their grandfathers will sell the building that houses both their businesses. With their futures on the line, Kamilah and Liam plan to outfox the devious duo, faking an engagement until they both get what they want. But soon, they find themselves tangled up in more than either of them bargained for.

My Review:

This story may have elements of a rom-com, but it absolutely does not start with anything remotely resembling a “meet cute”. The first meeting we witness between Kamilah Vega and Liam Kane is clearly not their first meeting. Their grandfathers have been best friends since before their parents were born, Kamilah and Liam have known each other since childhood – even if they can’t seem to stand each other as adults.

But the real reason that their meeting in the opening of this story isn’t a meet-cute is because the first interaction we see between Kamilah and Liam is when she punches him in the junk. Hard and fast. (I can still hear him wheezing in agony from here.)

That opening scene sets up a surprising amount of the action in this “proposal”, even if that’s not obvious to the players in that particular scene.

Both the Vega Family and the Kane Family owe their hearts, their souls and their origin to this two octogenarians, Kamilah’s beloved Abuelo, Santiago Vegas and Liam’s cantankerous grandpa Killian served together, bought a former blacksmithy in Chicago’s Humboldt Park together, and have raised their businesses and their families side-by-side.

Now the old men, the misbehaving delinquents of their senior citizens’ home, have come to their grandchildren with an offer that neither Liam nor Kamilah can afford to refuse.

Kamilah wants to modernize the Vega Family’s Puerto Rican restaurant to compete with the new, bougie eateries that are moving in on the gentrifying neighborhood. Her parents and her siblings never listen to anything she says, always brushing her off with tales of childhood misdemeanors – even though she has a degree in the culinary arts and is the person they all rely on to get shit done.

She still gets shit on to the point of abuse by pretty much everyone in the family – even though she’s right. They have to either compromise a bit to stay in business – or let the family business fade away with so many other local institutions that are being washed away in the tide of gentrification.

Liam just wants his grandpa to stick around long enough for them to realize Liam’s father’s dream. The Kanes are whiskey distillers, and the signature blend that Connor Kane put up before he died in a boating accident is about to mature. Killian has cancer that he’s not planning to even think about treating. Liam wants him to at least try to stick around – because he can’t bear the thought of losing anyone else.

The old men still own those family businesses and the building that houses both the businesses AND the families, even if they’ve left it to the next generation to run those enterprises. So the deal is simple. Kamilah gets her shot at running the restaurant, Liam gets his grandpa to enter treatment, and in return Liam and Kamilah get engaged and move in together – even though they haven’t been able to be in the same room with each other without breaking into a fight since they were children. And in return their grandfathers don’t sell the building out from under them all..

Nobody’s motives are remotely pure in this arrangement, but everybody gets something they want. Except, of course, for Kamilah and Liam’s friends and family – who all believe that this fake relationship is real.

Unless, of course, it is.

Escape Rating B: I’m not exactly sure that this book is a romantic comedy. It is certainly a romance, but I didn’t think a bit of it was funny – at least not once we learn what the grandfathers are up to besides switching out ALL the decaf at their community with espresso. And even that’s not really all that funny, as someone nearly had a heart attack from the caffeine surprise.

These families are both hot messes, with Kamilah and Liam being the biggest messes of them all. A big part of this story is them revealing to each other exactly what’s packed inside the emotional baggage that each of them has been lugging around since they were children. The unpacking of that messy luggage is heartbreaking all by itself without factoring in Killian’s cancer diagnosis.

It’s also not funny that the Vegas’ treatment of Kamilah, as much as they love her and as much as they mean well, borders on abuse. Nothing she does is ever right, nothing she says is ever taken seriously, and she’s beaten down at every single turn with a recitation of her failures going all the way back to early childhood. Whatever they think they’re accomplishing, all they’re really doing is undermining her self esteem while expecting her to pick up everyone’s slack.

That Kamilah has turned into a martyr about it may not be a healthy reaction – but it’s not a surprising one either. She’s learned that the only way to get anything approaching what she wants is to be a big underhanded about it – in ways that eventually bite her in the ass.

Liam still blames his father for dying when Liam was 11. His grandmother died in the same accident and his grandfather drove Liam’s mother away in the aftermath. Liam expects all relationships to end in people leaving him, as his grandfather is about to do. He pushes everyone away and doesn’t know how to make himself stop.

Kamilah’s manipulations run smack into Liam’s need to push people away before they leave him – giving him the perfect excuse to expose everyone’s machinations in this mess into the bargain. It’s not funny at all. It’s downright tragic.

What makes this story work is that they get the help they both need. It’s not so much a complete happy ever after as it is a happy work in progress with a sincere hope of ever after. Love doesn’t conquer or cure all – nor should it. There’s too much that needs fixing in this case. But it does provide a firm foundation to stand on to get the work done.

That’s a lesson we don’t see often enough in romance, but I’m definitely here for it.