Review: Chaos Terminal by Mur Lafferty

Review: Chaos Terminal by Mur LaffertyChaos Terminal (The Midsolar Murders, #2) by Mur Lafferty
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: mystery, science fiction, science fiction mystery
Series: Midsolar Murders #2
Pages: 369
Published by Ace on November 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Mallory Viridian would rather not be an amateur detective, and fled to outer space to avoid it…but when one of the new human arrivals on a space shuttle is murdered, she’s back in the game.
Mallory Viridian would rather not be an amateur detective, thank you very much. But no matter what she does, people persist in dying around her—and only she seems to be able to solve the crime. After fleeing to an alien space station in hopes that the lack of humans would stop the murders, a serial killer had the nerve to follow her to Station Eternity. (Mallory deduced who the true culprit was that time, too.)
Now the law enforcement agent who hounded Mallory on Earth has come to Station Eternity, along with her teenage crush and his sister, Mallory’s best friend from high school. Mallory doesn’t believe in coincidences, and so she’s not at all surprised when someone in the latest shuttle from Earth is murdered. It’s the story of her life, after all.
Only this time she has more than a killer to deal with. Between her fugitive friends, a new threat arising from the Sundry hivemind, and the alarmingly peculiar behavior of the sentient space station they all call home, even Mallory’s deductive abilities are strained. If she can’t find out what’s going on (and fast), a disaster of intergalactic proportions may occur.…

My Review:

The title for this one works both ways. There’s plenty of chaos at this terminal, and much of it is terminal. But that’s not exactly a surprise with Mallory Viridian on the case. Even if part of the chaos at Station Eternity happens BECAUSE Mallory Viridian is on the case.

And entirely too much of the rest of it happens because not ALL of Mallory Viridian is on the case. To the point where Mallory isn’t even aware that there’s a case at all until someone literally drags her to the scene of the crime, and Mallory finally figures out that whatever has gone wrong on Station Eternity has gone wrong with her as well.

It’s not actually a surprise that something has gone wrong AROUND Mallory, or even that something has gone wrong WITH Mallory. Mallory is a chaos magnet of the first order, and both of those things are always happening whenever Mallory is around.

Because people always end up dead in Mallory’s vicinity. Not because she’s some kind of serial killer, but because the kind of chaos that Mallory attracts – and is then both blamed for and stuck with solving, not necessarily in that order – is the chaos that surrounds murder. She doesn’t perpetrate it, she doesn’t cause it, but wherever Mallory is, murder happens.

What Mallory is still adjusting to, and the reason that Mallory isn’t initially aware of the problems that the station is having, are directly related to Mallory’s discovery about herself and all those murders in the first book in the Midsolar Murders series, Station Eternity.

Mallory was bitten by a wasp as a child. But it wasn’t a wasp. Mallory was bitten by an advance scout for the Sundry, an alien insect species that either infiltrated Earth or arose there long before First Contact. The Sundry, as a hivemind and as a species, like gathering data and are attracted to chaos because there’s plenty of data to parse in chaotic conditions.

It’s unfortunate for Mallory that the scout that bit her was from a hivemind that was particularly attracted to the chaos around murder investigations, leading to pretty much everything that happens in Mallory’s life afterwards.

Leading Mallory to the isolation of Station Eternity – as a mere four humans aren’t enough to generate the coincidences that lead to Mallory’s brand of murder chaos.

There are, however, plenty of other species living and working aboard the station, including the chameleon-like Phantasmagore and the rocky Gneiss. And the Sundry, who in their love of chaos and data make a specialty of handling the semi-autonomous functions of spaceships and space stations.

But something is wrong with the Sundry aboard Station Eternity – and it’s wrong with Mallory as well. It’s so wrong that when a whole shipload of humans arrives on the Station, Mallory isn’t panicking about the near-certainty of murder in her vicinity. Not even as the coincidences start piling up. Suddenly there are entirely too many humans aboard Eternity, and too many of them know Mallory entirely too well.

It’s only when the bodies start dropping that Mallory finally figures out that the murders aren’t the only thing going wrong on the station, and that she’ll have to solve those murders without her murder-solving mojo – or get it back.

If she can.

Escape Rating B: One of the things that made the first book in this series, Station Eternity, so damn much fun was its relentless pace. From the moment we meet Mallory, the chaos starts swirling, Mallory starts panicking, and the whole thing is off to the races.

But when we get back to Mallory in Chaos Terminal, Mallory is not feeling herself. At all. She thinks it’s some kind of space flu. Whatever it is, she’s so far from firing on all thrusters she isn’t even aware that a huge chunk of what makes Mallory BE Mallory is totally offline.

The story isn’t told from Mallory’s first person perspective, but she is very much the reader’s perspective on events, which means that Mallory being in a complete fog for the first third of the book means that we are as well.

So it’s a third of the way into the story before Mallory’s fog lifts and the real action kicks into gear. At that point, it’s suddenly, thankfully and blissfully gangbusters, but it’s a LONG slog to get there and I very nearly didn’t.

The story, and the mystery, in Chaos Terminal is wrapped around cleaning up the many, many fascinating loose ends that were left laying on the deck of Eternity after the chaotic, nearly cataclysmic events of that first book – especially Mallory’s own, personal loose ends.

Which means that Chaos Terminal is probably not the best place to start the Midsolar Murders because a LOT of this story was set up in that first book. Howsomever, if you got caught up in Mallory’s bloody, madcap situation then, there’s a lot of fun in seeing most of those loose ends get tied up, quite possibly in a series of Gordian Knots, here in this second outing.

In spite of the science fictional setting – which is utterly fascinating – this SF mystery is pretty much character driven. Meaning that if you like Mallory as a character and enjoy her multi-species Scooby Gang, it will probably work for you. I did like Mallory a LOT in Station Eternity, so I came into Chaos Terminal expecting to love it as well. I think it works a bit less well than that first book because Mallory REALLY isn’t herself for that long beginning, and the less polished and/or less likable characters’ rough edges are very much on display while Mallory is getting her act together.

But I do like Mallory Viridian as a character, and as a human perspective on humanity’s first toehold in this near-future, post-First Contact, wider galactic universe. A universe that is not only not centered on humans, but doesn’t even seem to be centered on humanoids, making it every bit as fascinating a character as Mallory herself.

Which means that I absolutely will be back to see who, or what, ends up dead when Mallory’s next investigation/adventure/crisis appears!

Review: An Inheritance of Magic by Benedict Jacka

Review: An Inheritance of Magic by Benedict JackaAn Inheritance of Magic (Stephen Oakwood, #1) by Benedict Jacka
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: urban fantasy
Series: Stephen Oakwood #1
Pages: 384
Published by Ace on October 5, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The super-rich control everything—including magic—in this thrilling and brilliant, contemporary fantasy from the author of the Alex Verus novels.
The wealthy seem to exist in a different, glittering world from the rest of us. Almost as if by... magic.
Stephen Oakwood is a young man on the edge of this hidden world. He has talent and potential, but turning that potential into magical power takes money, opportunity, and training. All Stephen has is a minimum wage job and a cat. 
But when a chance encounter with a member of House Ashford gets him noticed by the wrong people, Stephen is thrown in the deep end. For centuries, the vast corporations and aristocratic Houses of the magical world have grown impossibly rich and influential by hoarding their knowledge. To survive, Stephen will have to take his talent and build it up into something greater—for only then can he beat them at their own game.

My Review:

In a famous exchange between F. Scott Fitzgerald and Ernest Hemingway, Fitzgerald claimed that “the rich are different from you and me” to which Hemingway rejoined “Yes, they have money.”

That principle is at the heart of An Inheritance of Magic, as the story begins with Stephen Oakwood discovering that he’s related to a rich and powerful family – who have only looked him up in order to stomp him like a bug.

Because they are powerful because they are rich, and rich because they are powerful, and as far as they are concerned his only use to any of them is as a pawn in their games – both mundane and, more importantly, magical.

The magic is called drucraft, a talent in which Stephen has had only one teacher and little to no training. Which means that over his relatively short life, he’s learned to do things that organized training would have told him were impossible. And maybe they mostly are, but for him, some of them are not.

So Stephen’s story is about having the lesson literally beaten into him that the playing field is not level – because it isn’t. And it’s about Stephen deciding that even if that is true – and it is – there is nothing stopping him from doing his level best to level it – one way or another.

If he doesn’t have the training to play by their rules, he can develop the power and more importantly the will to make them play by his. Because they’ve already made him see what the worst case scenario might cost him and he’s not willing to go there again.

No matter how many rules – or people – he has to break along the way.

Escape Rating B+: An Inheritance of Magic is a combination of a coming-of-age story and a coming-into-power story set in an urban fantasy version of our world where magic hides in plain sight even as it magnifies the ambitions and the sheer reach of the rich and powerful.

Stephen Oakwood is the perspective through which we learn about this hidden world as he is rather forcibly jerked into it – initially very much to his detriment. He’s always known about drucraft, and has been doing his best to practice the first principles of the discipline that his father taught him, but Stephen is at multiple disadvantages when the story begins.

His mother disappeared when Stephen was barely a year old and he knows nothing about her. His father disappeared three years ago, just as Stephen turned 18, and no trace of him has ever been discovered. Stephen is supposed to be starting his adult life, but at 21 he’s barely scraping together enough to get by and can’t decide what he wants to do when he grows up.

He wants to find his dad. He wants to practice drucraft. But he needs to pay rent and keep himself and his cat Hobbes fed and watered. He’s drifting when he literally gets kidnapped by his mother’s obscenely rich and powerful family so that the members of his generation of that family can use him as a pawn in each of their games to become the sole heir to the seat of power.

The story of An Inheritance of Magic is the story of how Stephen stops being a pawn. But it’s only the barest beginnings of that story, because first he has to learn a whole lot more about what drucraft can do for him in his struggle, and the reader has to learn what kind of magic it exactly is and how it works. Meaning that a LOT of the story is taken up with our introduction to drucraft through his learning and training process.

It means that, while the beginning of this story is very scarily WOW, and the ending is slam-bang awesome, the middle is a whole lot of lonely exploration of both his craft and the world in which it happens. For some readers that’s catnip and for others it will be a bit of a slog and your reading mileage may vary.

And there’s more than a bit of a trigger warning for that scary WOW at the beginning. Because Stephen’s one true hostage to fortune is his cat, Hobbes, so, when his powerful but psychotic family wants to teach the upstart a lesson they take it out on poor Hobbes. While the cat does eventually get better, because Stephen’s combination of guilt and angst leads to a breakthrough in his craft and power, I almost DNF’ed at that point because the cat’s pain and Stephen’s anguish over it were almost too much for this cat lover to bear. Hobbes comes back stronger than ever and so does Stephen, but OMFG it was awful going through that with them. So consider yourself warned.

Hobbes’ situation aside, this type of story, of a young man discovering that his rich family are lying assholes who want to use him and him learning how to hoist them and the society they think they own on their own petards is not exactly new except for the drucraft. In fact, it’s the setup of a fair amount of Harry Potter fanfiction of certain stripes.

Which doesn’t mean it’s not an interesting setup for a series, because it most definitely is. Particularly if you’re the kind of reader who likes seeing a whole bunch of assholes get righteously taken down – because I think we’re going to get there in the end.

I most definitely AM that kind of reader, so I’m looking forward to seeing where Stephen Oakwood’s adventures in drucraft lead him, and us, to next!

Review: The Way Home by Peter S. Beagle

Review: The Way Home by Peter S. BeagleThe Way Home: Two Novellas from the World of The Last Unicorn (The Last Unicorn) by Peter S. Beagle
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy
Series: Last Unicorn #2
Pages: 208
Published by Ace on April 4, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBetter World Books
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One brand-new, long-awaited novella, and one Hugo and Nebula award winning novella, both featuring characters from the beloved classic The Last Unicorn, from renowned fantasy writer Peter S. Beagle.
Peter S. Beagle's The Last Unicorn is one of fantasy's most beloved classics, with millions of copies in print worldwide.
Beagle's long-awaited return to the world of that novel came with "Two Hearts," which garnered Hugo and Nebula awards in 2006, and continued the stories of the unicorn, Molly Grue, and Schmendrick the Magician from the point of view of a young girl named Sooz.
In this volume, Peter S. Beagle also presents for the first time "Sooz," a novella that sees the narrator of "Two Hearts," all grown up and with a perilous journey ahead of her, in a tender meditation on love, loss, and finding your true self.

My Review:

I picked up The Way Home because I absolutely adored The Last Unicorn when I finally read it for the very first time back in January. So I had high hopes for The Way Home. Very, very high.

Those hopes were, unfortunately, only partially met, and I’m more than a bit sad about that.

The Way Home is not a single story as The Last Unicorn was, although it is set in the same world. Rather, this is two stories, the previously published Hugo Award winning novelette, “Two Hearts”, and the new and more recently written novella “Sooz”.

Sooz is the protagonist of both stories. In “Two Hearts”, she’s a nine-year-old girl, but by the time of her own story, she’s seventeen and on her first solo adventure as part of her passage into adulthood.

I have a lot, and a lot of good things, to say about “Two Hearts”, but less and not so much about “Sooz”. So I’m going to start at the end, with “Sooz”.

As a story – as opposed to the character – “Sooz” did not work for me. While I was not expecting a happy ending, as this world tends toward bittersweet on the happiness scale, I was expecting this story to feel like it was part of the continuum from The Last Unicorn through “Two Hearts”, which features Sooz as a child, to Sooz’ own story.

But it didn’t.

It’s very much a coming of age and finding your identity story, and a story about learning that your parents – and yourself – are not exactly who you thought either you or they were, and dealing with that knowledge. It’s also a quest story, as Sooz takes herself off to the Fae Lands to find the lost sister that she never knew she had.

As a story, it felt like the themes had been dealt with before – and dealt with better. Beginning Sooz’ journey with a gratuitous – but at least not overly graphic – rape scene did not endear me to the rest of the story. Sooz was already experiencing plenty of angst, her rape read like piling on for no good reason except that she was a lone female and had to experience all the dangers of that state possible.

I’m up on a soapbox, I know. Because it just felt like sloppy storytelling. There is the potential for plenty of angst in the female experience, even in fantasy, without raping the audience surrogate. (I’ll climb down now before the soapbox gets any taller.)

I dragged myself through “Sooz” in the hopes that it would get better. I’m not sure whether I didn’t feel like it did or just couldn’t get the awful taste out of my mouth (so to speak)

But I want to end this review on a higher note than I started, so let’s switch to the book’s opening story, the award-winning “Two Hearts”.

Where “Sooz” read as if it was barely connected to the world of The Last Unicorn, “Two Hearts” read like a combination of coda and swan song to the beloved classic. It’s the ending that the reader knows was out there, somewhere, at the end of The Last Unicorn, both dreaded and inevitable and so, so right.

Young Sooz’ village is being ravaged by a griffin who has graduated from taking sheep and goats to snatching children. The king has sent increasing numbers of men at arms to slay the griffin, but to no avail. Sooz runs away to fetch the king himself to take care of her people, who are, of course, his people. Along the way she runs into Schmendrick the Magician and his partner, Molly Grue. It’s been a LONG time since Schmendrick and Molly have been to the castle to see their friend, King Lir, so they decide to escort Sooz on her way.

The years that have passed lightly over the magician and his partner have not been kind to the purely human King Lir, and neither has Lir’s lifelong devotion to the unicorn Amalthea. But he rouses himself for one last quest, one last job that he knows is his and his alone. He goes with his friends, and Sooz, to slay the griffin.

“Two Hearts” is a beautiful story because it fits right into the world of The Last Unicorn with all of its lyrical language and utter heartbreak, and sits right on top of the pillar of “don’t cry because it’s over, smile because it happened”.

I got a little weepy anyway. The ending is the right ending, the necessary ending. It’s the perfect swan song for an immortal hero in a mortal’s body.

In short, “Two Hearts” is a marvelous, if heartbreaking ending for the beloved classic, The Last Unicorn. “Sooz” read like more of an afterthought, or an attempt to get the lightning back in the bottle one last time.

So the Escape Ratings on this book are very much split. “Sooz” was a dragging D of a read, while “Two Hearts” was a tear-spattered A+.

Review: Dead Man’s Hand by James J. Butcher

Review: Dead Man’s Hand by James J. ButcherDead Man's Hand (The Unorthodox Chronicles, #1) by James J. Butcher
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: urban fantasy
Series: Unorthodox Chronicles #1
Pages: 384
Published by Ace on October 11, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In the tradition of his renowned father, James J. Butcher's debut novel is a brilliant urban fantasy about a young man who must throw out the magical rule book to solve the murder of his former mentor.
On the streets of Boston, the world is divided into the ordinary Usuals, and the paranormal Unorthodox. And in the Department of Unorthodox Affairs, the Auditors are the magical elite, government-sanctioned witches with spells at their command and all the power and prestige that comes with it. Grimshaw Griswald Grimsby is...not one of those witches.
After flunking out of the Auditor training program and being dismissed as "not Department material," Grimsby tried to resign himself to life as a mediocre witch. But he can't help hoping he'll somehow, someway, get another chance to prove his skill. That opportunity comes with a price when his former mentor, aka the most dangerous witch alive, is murdered down the street from where he works, and Grimsby is the Auditors' number one suspect.
Proving his innocence will require more than a little legwork, and after forming a strange alliance with the retired legend known as the Huntsman and a mysterious being from Elsewhere, Grimsby is abruptly thrown into a life of adventure, whether he wants it or not. Now all he has to do is find the real killer, avoid the Auditors on his trail, and most importantly, stay alive.

My Review:

Leslie Mayflower’s partner is dead. Well, his ex-partner, as Mayflower has retired from the Department of Unorthodox Affairs. But Mayflower, better known – and righteously feared – in that community as the Huntsman feels like he owes his former partner one last debt, so he lets himself be convinced to view the scene of her murder.

What he finds is a puzzle he can’t resist. His partner, Samantha Mansgraf, one of the baddest baddasses to ever work for the Department, left a message in her own blood to “Kill Grimsby” after obliterating everyone and everything at the scene except her own mangled corpse.

Mayflower is having a difficult enough time believing that anyone could have taken Mansgraf out, but he’s absolutely positive it couldn’t have been Grimsby. Because Grimsby is an utter failure at pretty much everything – including being a witch and applying to work for the Department – while Mansgraf was, well, Mansgraf. A name which literally translates to ‘man’s grave’ because she was just that powerful, paranoid, and deadly.

Mayflower wants to avenge his former partner. He knows he can’t trust the Department, that’s part of why he retired in the first place. He’s not sure that Grimsby is either trustworthy or even remotely capable of assisting him. After all, the man is currently working as a clown for children’s birthday parties at the worst and most inedible food franchise in the city if not the entire planet. And he’s failing at that.

But both men are broken and both need someone to help them stand up – or at least someone to stand up for. They may not be much, separately or even together – but they’re all they’ve got.

Which gives them each the one thing they need more than anything else. The chance to finally be enough.

Escape Rating B: Once upon a time, at the turn of the most recent century, there was a wizard listed in the Chicago phone book. The temptation to compare Boston’s Grimshaw Griswald Grimsby to Harry Dresden is not surprisingly a strong one, considering that Dresden’s creator and Grimsby’s are father and son, both playing in the same urban fantasy storybox.

But the 21st century world of Dead Man’s Hand isn’t Chicago in 2000, although it does take some of its inspiration from a different bit of intellectual property of the same era.

In 1997, a little movie called Men in Black began a franchise that is still stuttering along. (The reviews of the most recent entry in the series were not exactly stellar.) MiB is set in a near-future world where aliens walk among us in disguise. Naturally, there are agents that monitor those aliens, ensuring that the secret of Earth’s place in the wider galaxy is kept, at the cost of losing memories and/or exile or outright termination or all of the above. Those agents are the titular men in black, and the agency that employs them is huge, powerful and entirely too subject to that old saw about power corrupting and absolute power corrupting absolutely.

In urban fantasy, which Dead Man’s Hand most definitely is, the strange, weird, wonderful and sometimes deadly and dangerous things that walk among us aren’t from ‘out there’ so much as ‘over there’ or, all too frequently, ‘below’. Or, again, all of the above. In this world, those humans who can see and work in ‘Elsewhere’ are witches (whether male or female). There are, however, plenty of other beings from ‘Elsewhere’ that are capable of messing with humans, whether ‘Usual’ (garden-variety humanity) or ‘Unorthodox’, meaning witches and a few others.

And there’s an agency set up to monitor and control anyone or anything who can see ‘Elsewhere’, whether human or not. Just like the aforementioned Men in Black, that agency is huge, powerful and entirely too subject to that very same old saw about power and corruption.

That the offbeat pairing of experienced, emotionally stunted and permanently grizzled Mayflower with wide-eyed newbie Grimsby has more than a passing resemblance to the pair of agents in the first MiB movie feels like more than coincidence. Although I keep seeing Sam Elliott as Mayflower and let’s just say that STILL not a bad look. At all.

Ahem…

The story in Dead Man’s Hand begins with Mayflower’s search for revenge but quickly morphs into a search for a magical McGuffin that he hopes will lead to that revenge. But, as is true in most of urban fantasy, magical McGuffins are never exactly who, what or where everyone thinks they are, and that’s especially true here.

What makes that work is the way that Mayflower and Grimsby discover that they are each not quite what the other thought, either.

There’s a lot of running and chasing in pursuit of that McGuffin – or in retreat from the other forces in search of that same item. One of the locations that chase led through left a bad taste in at least this reader’s mouth. It’s possible that the bit chasing down body parts in the sex dungeon run by demons was intended to be funny, but if so the joke didn’t land. And probably shouldn’t have.

On my other hand – and I have plenty to choose from in this one as there’s one extra – the dig down through the layers of misdirection and the nearly archaeological level digging required to find either Mayflower’s or Grimsby’s remaining faith in themselves took us into some emotional dark places and gave readers plenty of dirty deeds to look forward to uncovering in future entries in the series.

I certainly am.

Review: Station Eternity by Mur Lafferty

Review: Station Eternity by Mur LaffertyStation Eternity (The Midsolar Murders, #1) by Mur Lafferty
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: mystery, science fiction
Series: Midsolar Murders #1
Pages: 336
Published by Ace on October 4, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

From idyllic small towns to claustrophobic urban landscapes, Mallory Viridian is constantly embroiled in murder cases that only she has the insight to solve. But outside of a classic mystery novel, being surrounded by death doesn’t make you a charming amateur detective, it makes you a suspect and a social pariah. So when Mallory gets the opportunity to take refuge on a sentient space station, she thinks she has the solution. Surely the murders will stop if her only company is alien beings. At first her new existence is peacefully quiet…and markedly devoid of homicide.
But when the station agrees to allow additional human guests, Mallory knows the break from her peculiar reality is over. After the first Earth shuttle arrives, and aliens and humans alike begin to die, the station is thrown into peril. Stuck smack-dab in the middle of an extraterrestrial whodunit, and wondering how in the world this keeps happening to her anyway, Mallory has to solve the crime—and fast—or the list of victims could grow to include everyone on board….

My Review:

Mallory Viridian is a murder magnet. Wherever she goes, whenever she is in a group long enough, big enough, or both, somebody ends up dead. She’s never been the intended victim, and she’s never been the perpetrator, either. No matter how many times any number of different law enforcement agencies have tried to pin the murder on her. Because she nearly always solves the case. In fact, she has a downright preternatural ability to solve crimes. She’d be perfect as a cop or a private investigator, but law enforcement is so perturbed by her ability to be in the room where it happens AND figure out whodunnit when they can’t that she’s been blackballed from any possibility of using her weird talent where it will do some good.

She’s also tired of being in the midst of all the carnage as well as the suspicion that goes along with it.

Which has led her to Station Eternity, one of only three humans permitted on the alien, self-aware, sentient station. In the hopes that, with only three humans aboard her gift – or curse – won’t kick in. As long as she doesn’t let herself get too close to either of her fellow exiles.

So when she learns that an entire shuttle full of humans is already on its way to the station, she starts to panic. A panic she manages to pass along to her fellow exiles; an AWOL US Army soldier with a whole lot of military secrets, along with the human ambassador who is sure the shuttle contains his replacement. The soldier is sure that someone is coming to get him, while Mallory is dead certain that when the shuttle arrives, somebody is going to end up dead.

They’re all equally correct. And equally screwed.

When the shuttle approaches the station, chaos erupts. Mallory expected a murder – but not on the scale she is forced to confront. Or the people she’s forced to confront along with it.

The station lashes out at the shuttle, killing half the humans aboard, along with all of the non-human crew. Why? Because someone attacked the station’s very own symbiotic partner, setting off a chain of catastrophes, evolutions, and revelations that no one aboard is prepared to deal with.

Especially Mallory.

Escape Rating A-: This delightfully bonkers story combines a locked-room – or at least locked station – mystery with a fascinating premise and a species-diverse post-First Contact setting to create a puzzle that will drive its readers every single bit as panic-stricken as its protagonists.

The world of Station Eternity isn’t all that hard to fathom – from a certain point of view. The concept that someday – possibly even someday soon as in this story – beings from the galaxy at large will visit Earth. And most likely decide that we aren’t nearly as impressive as we think we are.

We don’t impress the rest of the galaxy because we’re so…singular. Isolated. Unable to form symbiotic bonds with other species, which those other species believe are required for higher development.

While humans – at least those of certain mindsets – see threats to our existence in what are most likely just threats to their own sense of self-importance and manifest destiny.

So what begins as a seemingly simple crash turns into a life-threatening crisis that places Mallory and her uncanny talent for solving murders at its center. And very nearly out its airlock.

What holds the story together is the way that everyone involved, including the non-humans, is linked to Mallory. In spite of her fear of becoming linked to much of anyone. The station has permitted her sanctuary, one species of insect-type aliens is studying human biology through her, several of the rock-type aliens are her friends, the camouflage-type aliens respect her ability to help solve problems, and the officious administrative-type (both human and alien) want her off the station.

Even what seems like a grab-bag of assorted humans aboard the shuttle are all connected to her – or connected to the other human-granted-sanctuary aboard, that AWOL soldier Xan. Who is also connected to Mallory – not just because of their time on the station but as a result of all the times they interacted on Earth.

It’s the connections to Mallory, those things she has avoided much of her life, that glue both the reader and Mallory into the story. Some of that holding together peeks back at how they all got there, and occasionally that peering into the past puts a bit of a hitch in the narrative – but that always manages to stutter back around.

So it’s bonkers. And weird. And fascinating. And a bit too on the nose at some points. It’s also perfect that in the end Mallory finally has the three things she’s been looking for. A purpose she can really sink her teeth into. A place where she can have friends and a real life for herself. Best of all, she finally has answers to all the puzzles of her life – and a way to move forward. With hope.

It’s not surprising that Station Eternity is the first book in a series. The premise of the uncanny detective on the alien station just seems perfect for continuing. And it will be, sometime next year.

In the meantime, if you’re looking for something to tide you over, I can recommend two recent books that are also wrapped around solving mysteries on spaceships or colonies which have put different but still fascinating spins of their own onto their SFnal mystery. So if you like the sound of Station Eternity, or are looking for more after you finish it, check out The Spare Man by Mary Robinette Kowal and the upcoming To Each This World by Julie Czerneda. They are both excellent and will make the wait for the (so far untitled) next book in The Midsolar Murders series go just a little bit faster.

Review: Crowbones by Anne Bishop

Review: Crowbones by Anne BishopCrowbones (The World of the Others #3; The Others #8) by Anne Bishop
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: paranormal, urban fantasy
Series: The World of the Others #3, The Others #8
Pages: 384
Published by Ace on March 8, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In this engrossing and gripping fantasy set in the world of the New York Times bestselling Others series, an inn owner and her friends must find a killer-before it's too late....
Crowbones will gitcha if you don't watch out!
Deep in the territory controlled by the Others-shape-shifters, vampires, and even deadlier paranormal beings-Vicki DeVine has made a new life for herself running The Jumble, a rustic resort. When she decides to host a gathering of friends and guests for Trickster Night, at first everything is going well between the humans and the Others.
But then someone arrives dressed as Crowbones, the Crowgard bogeyman. When the impostor is killed along with a shape-shifting Crow, and the deaths are clearly connected, everyone fears that the real Crowbones may have come to The Jumble-and that could mean serious trouble.
To "encourage" humans to help them find some answers, the Elders and Elementals close all the roads, locking in suspects and victims alike. Now Vicki, human police chief Grimshaw, vampire lawyer Ilya Sanguinati, and the rest of their friends have to figure out who is manipulating events designed to pit humans against Others-and who may have put Vicki DeVine in the crosshairs of a powerful hunter--

My Review:

In this third book in the World of The Others series – after Lake Silence and Wild Country, the remote, mostly human town of Bennett seems to be putting down roots. The Sanguinati – the vampires of this particular not-quite-our-history-alternate-Earth have learned to work with the human somewhat-authority and the humans who are staying for good in Bennett have generally figured out the boundaries of what they can and can’t do in a town that is surrounded by the Elders.

That whole paragraph has so many caveats and so much explanation because this series has established a version of Earth that may physically resemble this one BUT has had a totally different evolution and history.

This is a version of our world where humans are not and have never been the apex predators. A fact that is well-established and periodically reinforced. But a fact that short-lived humans with even shorter memories keep forgetting – with catastrophic results.

For the humans, that is.

In this World of the Others, which began in the Courtyards of The Others in Written in Red, humans are very much as we are now – which is one of those things that honestly makes no sense in a world where we did not evolve as the apex predators. But it does make the shenanigans of the humans in this “Otherworld” a whole lot more relatable.

What makes this particular story even more relatable is that it is set around this world’s version of Halloween, which they call Trickster Night.

Because Bennett is an experiment for the Elders, part of that experiment is seeing if humans other than those who have self-selected for life in Bennett can manage to obey the unwritten rules, provide some much-needed income for the town and give the local “Other” residents more opportunities to interact with more, different humans.

After all, the Elders don’t need us at all, for anything, but some of the “lesser” Others – the vampires and the shapeshifters in particular – have discovered that some of the things we make are useful. Being able to trade peacefully and live side by side is desirable if WE can manage to follow the rules.

But Trickster Night, just like Halloween, is a time when rules get bent if not outright broken. Strangers in masks can get up to all kinds of mischief once the sun goes down. But the myths and legends are real in the World of the Others, so when someone pretends to be the legendary “Crowbones” with the intent to stir up trouble, that same Crowbones might just see fit to come out to get them.

Escape Rating A-: Somehow, in spite of the fact that I read ebooks and not print, there’s reading crack embedded in the pages of this series and it’s still working on me in spite of the technological impossibility. I can’t resist this series AT ALL, I always start the book as soon as I get it, and can’t put it down until I’m done.

No matter how much that whole issue about humans behaving just as badly and in the same ways in the series as we do in real life, when the possibility of that happening in these circumstances is unlikely as hell. My “willing suspension of disbelief” seems to be operated remotely the minute I pick the book up, I’m all in while I’m reading it, and then the thing shuts off as soon as I’m done and I’m all WTF about the evolution of humanity thing again.

That being said, the setup of this version of our world is fascinating and complex and this is not the place to start. Start either at the very beginning with Written in Red, or pick the series up when it moves to Bennett in Lake Silence. We’re way too deep in Crowbones to start here.

But speaking of being in too deep, the story about this particular Trickster Night focuses on a bit of human rot that has burrowed deep into the fabric of this remote village. That rot is a manipulative beast that has plans to see just what it takes to make the Others who share Bennett with humans act out in ways that will get the attention of the Elders. Someone who has been entirely too successful “breaking” humans and wants to move on to bigger and more dangerous prey.

The leadership of the town, which has not yet completely gelled and isn’t fully vested in trusting each other yet, has a limited amount of time – because the Elders have an extremely limited amount of patience where humans are concerned – to figure out what’s gone wrong and FIX IT – before the Elders decide that the Bennett experiment was a failure.

A decision that will be fatal for both the humans and the lesser “Others” who want to call Bennett home.

The Elders may not have much patience, but I’ll be patiently waiting to see if there are more stories in this series. It may drive me bonkers – but I can’t resist this place or it’s people one little bit.

Review: The Untold Story by Genevieve Cogman

Review: The Untold Story by Genevieve CogmanThe Untold Story (The Invisible Library #8) by Genevieve Cogman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: fantasy, gaslamp, historical fantasy, steampunk, urban fantasy
Series: Invisible Library #8
Pages: 352
Published by Ace on December 9, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In this thrilling historical fantasy, time-traveling Librarian spy Irene will need to delve deep into a tangled web of loyalty and power to keep her friends safe.
Irene is trying to learn the truth about Alberich-and the possibility that he's her father. But when the Library orders her to kill him, and then Alberich himself offers to sign a truce, she has to discover why he originally betrayed the Library.
With her allies endangered and her strongest loyalties under threat, she'll have to trace his past across multiple worlds and into the depths of mythology and folklore, to find the truth at the heart of the Library, and why the Library was first created.

My Review:

Heist and caper stories often open at the close, meaning that the reader – or viewer in the case of TV and movies – comes into the story as the caper either appears to be succeeding or failing. Then the story jumps back to the beginning and we get to see how the situation and characters got into the rather large pickle that they were in when we joined the action.

This final book in the Invisible Library series closes at the open. When we first met Irene Winters all the way back in the first book, also titled The Invisible Library, as far as the existence of the Library and Irene’s place in it were concerned, the story is in medias res, the middle of the matter.

As the story has progressed, many of Irene’s adventures have been heists or capers or both, as she generally finds herself and her friends and companions not just jumping from the frying pan into the fire, but in messes where it’s frying pans and fires all the way down.

But part of the reason for all the perils that Irene finds herself facing is that the situation between the worlds is deteriorating. The Library and its librarians guard the balance between the absolute order of the Dragons and the utter chaos of the fae.

Because the worlds in the center, the worlds that have enough chaos to prevent tyranny and allow for growth, but that also have enough order for laws and organizations and society in general to manage to function, are the only worlds on which humans thrive.

And all the librarians, except for Irene’s former apprentice, the Dragon Prince Kai, and her current apprentice, the fae bibliophile Catherine, have been human.

Someone is eliminating worlds at the far ends of the spectrum, both worlds of extreme order and worlds of absolute chaos. Someone wants to destabilize the Library and the fragile peace it brokers between the Dragons and the Fae.

In order to figure out who or what is leading their entire system into destruction, Irene will have to go all the way to the beginning of things. To the lost myths of the foundation of the Library itself. And to the truth of her own origins.

Escape Rating A: The madcap misadventures of librarian Irene Winters come to a rollicking conclusion in this final book in the epic Invisible Library series.

While this series has been very much one caper after another, the lighthearted tone of the series has slipped towards a more serious turn as it has continued. After Irene’s discovery at the end of the previous book, The Dark Archive, that she’s not the biological daughter of the two librarians who raised her, the foundations of Irene’s world have taken more than a bit of a beating.

It’s not just that her adoptive parents lied to her – along with the collusion of the Library itself, but that while Irene may not exactly be the Library’s equivalent of Luke Skywalker, her sperm donor is very definitely the Library’s version of Darth Vader – and he is her father, a revelation that lands with the same “THUD” that it does for Luke in The Empire Strikes Back.

Vader is, at least at that point in the series, exactly the villain that everyone thinks he is. Alberich’s status is a bit less clear. Not that he hasn’t committed a lot of terrible acts, but that the reason behind those terrible acts is not nearly so simple – or so black and white – as Vader’s turn to the Dark Side.

Just as Irene’s discovery of her parentage – and the Library’s role in covering it up – lead to questions that no one wants to answer, so too do her questions about the true origin of the Library itself. A truth that is shrouded in myths and legends that no one really wants to examine.

But that’s what Irene does, because that’s who she is. Librarians don’t know everything. What librarians know, in real life as well as in fantastic stories like this one, is how to find things out. Even things that no one wants found. Even things that will shake the foundations of the world.

The Untold Story has been untold for centuries because too many beings have a vested interest in NOT exposing the truth at the heart of their world. But Librarian Irene Winters tells that story anyway. And it’s the wildest ride she’s ever taken us on.

This is an intensely compelling ending to a fascinating saga. If you haven’t yet visited the Invisible Library, start at the beginning and settle in for a wild, woolly and wonderful ride.

Review: The Dark Archive by Genevieve Cogman

Review: The Dark Archive by Genevieve CogmanThe Dark Archive (The Invisible Library, #7) by Genevieve Cogman
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fantasy, historical fantasy, steampunk, urban fantasy
Series: Invisible Library #7
Pages: 336
Published by Ace on November 26, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A professional spy for a mysterious Library which harvests fiction from different realities, Irene faces a series of assassination attempts that threaten to destroy her and everything she has worked for.
Irene is teaching her new assistant the fundamentals of a Librarian's job, and finding that training a young Fae is more difficult than she expected. But when they both narrowly avoid getting killed in an assassination attempt, she decides that learning by doing is the only option they have left - especially when the assassins keep coming for them, and for Irene's other friends as well...
In order to protect themselves, Irene and her friends must do what they do best: search for information to defeat the overwhelming threat they face and identify their unseen enemy. To do that, Irene will have to delve deeper into her own history than she ever has before, face an ancient foe, and uncover secrets that will change her life and the course of the Library forever.

My Review:

The Invisible Library series could also be titled, “The Perils of Irene” – without any sort of a stretch at all. Irene’s adventures aren’t just “out of the frying pan into the fire” but frying pans and fires all the way down. Until the last jump lands Irene (and company) straight into a pit where it’s always darkest just before things turn completely black. Then a light shines at the end of the tunnel and it’s always an oncoming train.

Which Irene and her friends manage to board and escape – only to have both the train and the station it crashes into transform into another frying pan and another fire. Each and every one bigger and hotter than the last.

And so it goes with this seventh book in the series, as Irene and her friends are still dealing with the fallout from the previous adventure in The Secret Chapter, only to discover that the mess that they thought they’d wrapped up hasn’t really begun. It’s just moved itself to a new home. Theirs.

Irene’s adventures tend to be caper stories. Well, they at least begin as caper stories. The opening scenes are of Irene sent somewhere questionable and doing something slightly dodgy, in order to “acquire” a book that the Library needs and that Irene has been ordered to get.

Sometimes (rarely) Irene’s methods of acquisition are on the relatively up and up – either an exchange of money or an exchange of more-or-less above board favors. When this story begins, Irene is in Guernsey in her analog of Victorian London intending to buy a copy – or possibly THE copy, of Le Morte de Merlin by Thomas Malory. (If the title sounds familiar, that’s because it’s this particular world’s foundational book of the Arthurian legends – except they’re based around Merlin instead. As if Mary Stewart’s The Crystal Cave were both rare and historical canon.)

Howsomever, as so often happens in the parts of Irene’s life that we are privileged to witness, the slightly clandestine but otherwise above board goes pear-shaped. The meeting place is attacked, the sellers are assassinated and Irene and her new apprentice escape the clutches of evil by the skin of their teeth – WITH the book firmly in hand.

While the beginning of this story is far from atypical for the series – and very much part of the reason that I love it so much – the farrago of death, danger and derring-do that Irene and her friends find themselves in this time turns out to be a walk through some very dark places.

Because it’s not just a book or even the future of the Library that’s at stake this time. What opens as just another one of Irene’s “little” adventures turns out to be the opening act in a fight for her very soul.

Escape Rating B: This turned out to be more of a mixed-feelings read than I was expecting. Because I absolutely adore this series and have been waiting all year for this book, so I expected to fall into instantly and love every minute of reading it.

But, but, but, it took me a while to get stuck back into Irene’s world, longer than usual. That may partly be ‘tis the season as well as ‘tis the year 2020 and everything is weird. I think it was also that the opening of this story reads like so many of the other books with tiny variations, that it felt like it started a bit in the middle – as in the opening is very dependent on events in the previous book – and that this book represents a change in direction for the series – or at least an expansion in scope as well as a contraction in focus – and it took a bit to switch from just another caper to “the end of the world as we know it” to “the end of Irene’s world as she knows it”. Which is not the same thing at all.

Also, Irene spends a lot of this story not just being reactive instead of proactive – because that’s normal – but because she’s reacting in confusion and obfuscation to the point where I as the reader felt more confused and obfuscated than I either liked or expected. Irene has a reputation for “getting shit done” but spent the beginning and middle of this book flailing around and worrying about her new apprentice instead of just dealing with shit.

At least it felt that way.

Then all of the various enemies’ schemes collapsed into (finally) one big ball of wrong instead of a whole lot of bouncing little balls of wrong and the whole story took flight even as Irene’s life crashed and burned.

The ending pushes the whole story off the original “light” rail and onto a much deeper and darker track. It’s going to be marvelous and probably heartbreaking and I can’t wait until this time next year when we’ll probably (hopefully) get book 8 in the series.

One final note, when I saw the title of this entry in the series, it sounded familiar – only because the title is oh-so-similar to another book that came out this fall, written by a real-world librarian and archivist. That similarly titled but not similar in subject book is Dark Archives: A Librarian’s Investigation into the Science and History of Books Bound in Human Skin by Megan Rosenbloom. You’d think it wouldn’t be remotely relevant. But it sorta/kinda is in a much creepier way than I could ever have expected.

Read this series, starting with The Invisible Library, and you’ll see.

Review: The Secret Chapter by Genevieve Cogman

Review: The Secret Chapter by Genevieve CogmanThe Secret Chapter (The Invisible Library #6) by Genevieve Cogman
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: alternate history, fantasy, historical fantasy, mystery, urban fantasy
Series: Invisible Library #6
Pages: 336
Published by Ace on January 7, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In the latest novel in Genevieve Cogman’s historical fantasy series, Irene and Kai have to team up with an unlikely band of misfits to pull off an amazing art heist—or risk the wrath of the dangerous villain with a secret island lair.

A Librarian’s work is never done, and once Irene has a quick rest after their latest adventure, she is summoned to the Library. The world where she grew up is in danger of veering deep into chaos, and she needs to obtain a particular book to stop this from happening. No copies of the book are available in the Library, so her only choice is to contact a mysterious Fae information broker and trader of rare objects: Mr. Nemo.

Irene and Kai make their way to Mr. Nemo’s remote Caribbean island and are invited to dinner, which includes unlikely company. Mr. Nemo has an offer for everyone there: he wants them to steal a specific painting from a specific world. He swears that he will give each of them an item from his collection if they bring him the painting within the week.

Everyone takes the deal. But to get their reward, they will have to form a team, including a dragon techie, a Fae thief, a gambler, a driver, and the muscle. Their goal? The Kunsthistorisches Museum in Vienna, in a early twenty-first century world, where their toughest challenge might be each other.

My Review:

This series is pretty much frying pans and fires all the way down, but this entry has an added fillip of archetypal James Bond movie villains to put a bit of extra zing into this increasingly wild ride of a story.

And there are dragons. There are definitely dragons. In this particular entry in the series, there are dragons on all sides. Irene is, of course, accompanied by her own personal dragon, her apprentice-turned-lover Kai.

While dragons in this universe are creatures of order, and Kai is an actual prince among his kind, the side that Kai is generally on – as well as nearly always at – is Irene’s.

But he’s not the only dragon in this one. And not all of them are exactly on the side of the angels. Or even all on the same side. In fact, it could be said that one of the dragons is more than a bit chaotic – at least insofar as anarchy generally equates to chaos – even if the dragon in question doesn’t see it that way.

The Secret Chapter is both a caper story and a followup to the previous entry in the series, The Mortal Word, without being directly dependent on its predecessor. Well, Irene’s and Kai’s actions are influenced by those previous events, but the caper they find themselves in the middle of doesn’t directly relate to the treaty between Dragons and Fae squabbled over during that story and finally signed at the end.

Instead, this one at first hearkens back to earlier books in the series – and earlier escapades in Irene’s past. Irene is sent to the lair of an archetypal fae collector and information broker – cue the James Bond music – to negotiate the acquisition of a book from Mr. Nemo’s collection that will stabilize the world where Irene went to school.

And that’s where the caper comes in. Mr. Nemo collects lots of interesting things – and people. As a powerful fae, it’s both who he is and what he does. He gets and keeps his power from embodying that archetype.

In return for the book that Irene and the Library desperately want, Mr. Nemo requires that they, along with a motley crew that he has previously assembled, steal a particular painting from a specified world and bring it back to his lair.

The caper, the theft, and the way it works – and doesn’t – may remind readers a bit of the TV series Leverage. It’s the old story of taking a thief to catch a thief, but with multiple twists – not always expected.

This is one of those stories where things are far from what they seem. The thug isn’t a thug, the prisoner isn’t a prisoner, the painting isn’t just a painting. It’s also the “secret chapter” of the book’s title. It’s a secret chapter in the history of the dragons – a secret that no dragon should ever want to let out.

But then there’s that anarchist…

Escape Rating A-: If the pattern for the previous book in this series was that of a murder mystery, the pattern for The Secret Chapter is the caper movie crossed with James Bond-type villainy. It’s the motley crew carrying off the heist for the best of all possible reasons, like Leverage. With a villain like Blofeld or Goldfinger pulling the strings behind the scenes. (I’m pretty sure I remember a Bond movie or two that included that scene with the sharks…)

But underneath that set up, there are more interesting games afoot. Or a-wing in the case of the dragon members of the barely together party.

There is more than one “secret chapter” in this story. Come to think of it, both Irene and Kai are dealing with secret chapters of their lives and histories that have all the impact of a bomb in this entry in the series.

(Take that as a hint, don’t start the series here. Begin your journey at The Invisible Library and be prepared to get lost in the stacks.)

The secrets that Irene exposes – or feels exposed by – are all personal. She and her parents have to resolve Irene’s discovery that she was adopted – and that they never told her. Her sense of herself is still reeling a bit. That the book she needs to retrieve will prevent the world where she went to school, one of the few stable places in her chaotic history, from falling into absolute chaos gives the story a personal stake for her.

At the same time, one of the many, many things in this caper that are not what they seem is the painting that they have to steal. It IS a painting – but it isn’t the painting that they think it is. Or not just that painting. Hidden underneath the masterpiece is something else altogether – a half-finished painting that is intended to undermine every so-called history that the eternal, immortal dragon rulers have ever told about themselves. Whether the revisionist history of the painting is a truth that they’ve been covering for millennia or propaganda created for the purpose of destabilizing the dragons is anyone’s guess.

From Irene’s perspective the truth doesn’t matter. Destabilizing the dragons will cause chaos throughout the multiverse that the Library protects. The needs of the many outweigh the needs of the few, of the one – or of the truth.

I can’t wait for further truths to be revealed – or concealed – in future books in this series. Book 7 is already in the works!

Review: The Mortal Word by Genevieve Cogman + Giveaway

Review: The Mortal Word by Genevieve Cogman + GiveawayThe Mortal Word (The Invisible Library, #5) by Genevieve Cogman
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: fantasy, historical fantasy, mystery
Series: Invisible Library #5
Pages: 368
Published by Ace on November 27, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In the latest novel in Genevieve Cogman's historical fantasy series, the fate of worlds lies in the balance. When a dragon is murdered at a peace conference, time-travelling Librarian spy Irene must solve the case to keep the balance between order, chaos . . . and the Library.

When Irene returns to London after a relatively straightforward book theft in Vienna, Bradamant informs her that there is a top secret dragon-Fae peace conference in progress that the Library is mediating, but that the second-in-command dragon has been stabbed to death. Tasked with solving the case, Vale and Irene immediately go to 1890s Paris.

Once they arrive, it seems that the murder victim had uncovered evidence suggesting that he may have found proof of treachery by one or more Librarians. But to ensure the peace of the conference, some Librarians are already hostages in the dragon and Fae courts. To save the captives, including her parents, Irene must get to the bottom of this murder—but was it dragon, Fae, or even a Librarian who committed the crime?

My Review:

In this version of the multiverse the Library serves to provide the balance between the fae worlds of chaos and the dragon worlds of order. Humans don’t do well at either extreme, and it’s the Library’s function to guard and preserve the middle ground where human beings thrive.

Just because the Library serves as a point of balance does not mean that the lives of any of the Librarians that serve it are remotely balanced in any way. It could be said that the Librarians are like that metaphorical duck, “calm on the surface but always paddling like the dickens underneath.”

Librarian Irene Winters’ life feels more like the old adage about jumping out of the frying pan and into the fire – except that for Irene, it’s frying pans and fires all the way down.

When I first started this series, all the way back with The Invisible Library, it felt a lot like the Thursday Next series by Jasper Fforde, because both stories are all about the power of words, especially the power of words in books.

But now that we’re five books in, that resemblance has faded. As much as I loved The Eyre Affair,  the first Thursday Next book, the series as a whole felt like a one-trick-pony, or a story that was only “funny once” and not “funny always”. It seemed as if the story was more interested in being incessantly clever than in telling a story – or that there wasn’t nearly enough worldbuilding underneath the gimmick to sustain a series.

What makes The Invisible Library different – and better as a series – is that there is plenty of worldbuilding below the madcap adventure. And you really, really need to start with the first book for the world to make sense – because the scaffolding of that worldbuilding becomes more solid with each story.

And they are absolutely oodles of fun – every single one. That there will be at least THREE MORE after this one is excellent news.

Because while this book does have a story that wraps up within the volume, as does every entry in the series so far, it is equally clear that the author is not done with either the world of the Library or the life and adventures of this particular Librarian.

And neither are the readers.

Escape Rating A: This is a complex story in a complicated world. I can’t imagine it making much sense without having read the previous volumes first. And possibly recently. Certainly this is a series that rewards readers who have knowledge of how our heroine got into the fix she’s currently in, and how much her previous fixes – and the fixes for those fixes – have contributed (or conspired) to put her in the awkward, uncomfortable and dangerous place she now finds herself.

I also have the distinct impression that one of these days Irene is going to stop being expendable to the Library and become a power within it, but that day is not yet. And first she has to survive her expendability. That’s never an easy task, as Irene has a tendency to be the fool that rushes in where the angels quaver to tread.

One of the things that I have found fascinating about this series is its treatment of good vs. evil, because there really isn’t one. Individuals commit terrible acts in the service of their particular perspective on the eternal argument, but the eternal argument in this world is between order and chaos, and explicitly not between good and evil.

The plot in The Mortal Word is essentially that of a murder mystery with political overtones. The dragons and the fae are meeting on a neutral world in order to forge a peace treaty. Or at least a non-aggression pact. The Library will take whatever it can get, and it is the Library that is brokering this attempt at detente.

In the middle of the negotiations, someone is murdered. As much high tension as is in the air, it’s not actually surprising that someone ends up dead. However, the victim was the most trusted lieutenant of the dragon monarch who represents that side of this equation. While said monarch wants to blame his arch-enemies the fae for the murder, he also claims that the victim implicated the Library in a possible plot to sabotage the negotiations.

Events are at a standstill until the perpetrator is discovered, and that’s when Irene is brought in. Yes, because she’s expendable. She’s always aware that she will take the blame if anything goes wrong – or if the solution is not satisfactory to all the parties involved. Which is far from the same thing.

She is both shadowed and assisted by agents from both of the courts, and there is treachery at every turn, as well as an entire city full of red herrings – some of them still bloody.

But Irene’s adventures, as she doggedly – and very, very dangerously – follows the clues to their unpopular but necessary conclusion, are always worth following. Every twisty step of the way.

I can’t wait for her next adventure!

~~~~~~ PUBLISHER GIVEAWAY ~~~~~~

In celebration of the publication of the Ace Books, the publisher of The Invisible Library series is offering a giveaway of the ENTIRE series. If you like madcap adventures, traveling through the multiverse, stories about the power of words, and DRAGONS this series is a real treat.

Click HERE for the giveaway or go to https://sweeps.penguinrandomhouse.com/enter/invisible-library-sweeps