Review: Finding Our Forever by Brenda Novak + Giveaway

Review: Finding Our Forever by Brenda Novak + GiveawayFinding Our Forever (Silver Springs, #1) by Brenda Novak
Format: eARC
Source: publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: contemporary romance
Series: Silver Springs #1
Pages: 224
Published by Harlequin Special Edition on March 21st 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

New York Times bestselling author Brenda Novak welcomes readers to the town of Silver Springs, where surprises wait around every corner!
The search for her birth mother brought Cora Kelly to the New Horizons Boys Ranch. Getting a job there was easy enough, but confiding in Aiyana, the ranch's owner, that she's really her daughter? Cora's not sure she can do that, not unless she's confident the news will be welcomed. And once she gets to know Elijah Turner, Aiyana's adopted son and ranch manager, that decision becomes even more difficult.
Although Elijah can't deny his deep attraction to Cora, he's always struggled with trust. Anyone with his past would, and there's something about the ranch's newest employee that isn't exactly as it seems. But if the feelings she awakes in his guarded heart are any indication, she might be just what he's long been waiting for.

My Review:

Welcome to tiny Silver Springs California, only two hours from the bright lights and big city of Los Angeles in miles, but light years away in everything that counts.

Everyone believes that Cora Kelly has come to Silver Springs to teach art at New Horizons Boys Ranch. And she certainly has. But that’s not the real reason she desperately wanted the job there, two hours from her family and friends back in LA. And two hours away from the job she could have had, teaching full-time at the school where she’d been subbing for the past six years. A job she had originally been looking forward to. Very much.

But New Horizons has one thing that LA can’t begin to match. Cora’s birth mother is the woman who has poured her own life into New Horizons. And Cora, after years of searching, wants to see who her birth mother really is, and especially find out why she gave her up all those years ago. Because it seems like the woman who has poured her heart and soul into helping, saving and sometimes even adopting boys from extremely difficult and/or troubled backgrounds and circumstances does not seem remotely like the kind of woman who would give up her own child.

Cora’s had a terrific life. Her adoptive parents love her dearly, and never loved her less than their biological son. She hasn’t lacked for anything – except the answers that most of us take for granted. And that lack of answers has driven her to Silver Springs, to take a year out of her life to teach at New Horizons, in the hopes of finally getting at least some of those answers.

But she isn’t sure, when, if, or whether she will reveal who she really is. She’s unsure whether or not she’d be welcome. But concealing that truth, living that very big lie, becomes an even dicier proposition than Kelly had planned on when she can’t resist the attractions of Elijah Turner, her boss, the ranch manager, and her mother’s eldest adopted son.

And in spite of Eli’s scarred past and taciturn present, he can’t seem to resist Cora, either. But the more deeply they become involved, not just romantically but also in each other’s lives, the more difficult it becomes for Cora to risk her heart and her happiness to reveal a truth that could shatter everything.

Or bring her everything her heart desires.

Escape Rating B+:The romance in Finding Our Forever is a relationship that often gets relegated to “taboo” erotica, but there’s no feeling of that kind of dirty secret here. If Cora and Eli had been raised together, it might feel different, but they weren’t so it doesn’t. They meet as adults, and are attracted to each other as adults. While Cora is aware that Eli is technically her adopted brother, they share no blood or genes to make any relationship actually be taboo.

But it does make things considerably more complicated, and they are plenty complicated to begin with. The angst in this story does not feel either manufactured or false. Cora has a secret, and she has very valid reasons both for keeping that secret and wanting to reveal it. She’s extremely conflicted about it, and so she should be. At the same time, Eli in particular has equally valid concerns about trust. The deeper they get into a relationship that neither of them expected, the more worried Cora becomes that Eli will feel betrayed by Cora’s hidden identity.

On top of that, when her secret comes out, she could be out of a job, as well as brokenhearted AND forced to go back to her adoptive parents to face a cloud of “I told you so’s” They were not in favor of Cora’s quest for her birth mother, feeling as if Cora’s search was an indictment of their love and their parenting, which it isn’t. But again, their conflicted feelings on this matter are also understandable.

The only person whose feelings don’t ring true in this entire mess is Cora’s ex-boyfriend, who shows up early in her school year in an attempt to either manipulate her back to him or otherwise horn in on her life. He’s a jerk rather than a threat, but his appearance and Cora’s reaction to it were the one emotional point in the story that just didn’t quite hit the mark.

But Cora’s story certainly does. She gets her answers, and they are nothing like she expected. And she doesn’t get everything that she wanted. But she gets enough for readers to feel more than satisfied that she got her happy ending. And it happens in a way that feels right for the story and the characters.

I really enjoyed my visit to Silver Springs, and I’m looking forward to more. It looks like the series is going to follow the romantic adventures of Eli’s brothers, and I can’t wait to see what happens next, in No One But You.

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

Brenda and Harlequin are giving away a $25 gift card to one lucky entrant on this tour.

a Rafflecopter giveaway

Review: In This Grave Hour by Jacqueline Winspear

Review: In This Grave Hour by Jacqueline WinspearIn This Grave Hour (Maisie Dobbs, #13) by Jacqueline Winspear
Format: eARC
Source: publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: historical mystery
Series: Maisie Dobbs #13
Pages: 352
Published by Harper on March 14th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

As Britain becomes engulfed in a second World War, the indomitable Maisie Dobbs is plunged into a treacherous battle of her own when she stumbles on the deaths of refugees who may have been more than ordinary people seeking sanctuary on English soil, in this enthralling chapter in Jacqueline Winspear’s enormously popular New York Times bestselling series
Critics have long sung the praises of Jacqueline Winspear and her bestselling Maisie Dobbs series. In the thirteenth installment, Maisie—“one of the great fictional heroines, equal parts haunted and haunting.” (Parade)—is back with more mystery, adventure, and psychological insight.
When readers last saw Maisie Dobbs, it was 1938 and the world was on the brink of war. Maisie herself was on a dangerous mission inside Nazi Germany, where she encountered an old enemy and the Führer himself. In This Grave Hour, a year has passed and Maisie is back home in England—yet neither she nor her nation is safe. Britain has just declared war on Germany and is mobilizing for the devastating battle ahead. But when she stumbles on the deaths of a group of refugees, Maisie suspects the enemy may be closer than anyone knows.
Old fans will be delighted at Maisie’s return and new readers will be hooked by this thrilling installment in Jacqueline Winspear’s “thoughtful, probing series” (Oprah.com).

My Review:

Welcome to the Sitzkrieg, or as it was better known in Britain, the Phoney War.

As this 13th book in the Maisie Dobbs series opens in the fall of 1939, Britain declares war on Nazi Germany after its invasion of Poland. Then nothing happens. And nothing continues to happen for eight months, until Germany invades France and the Low Countries (Belgium, Luxembourg, the Netherlands) in May of 1940.

But during the period of this book, nothing much happens on the war front. Everyone knows it will come, and many people, including Maisie herself, have known that war was coming for quite some time, but for the moment, there is a pause. Not a peace by any stretch of the imagination. More like a vast inhaling of breath before the six year sigh of loss after loss.

And a murder. A whole series of murders. Deaths that owe their origin, not to the stresses of the upcoming war, but to the unresolved issues of what people are suddenly forced to call “the previous war” – the Great War, the War that unfortunately did not End All Wars, what history came to call World War I.

Murder, unfortunately for the world but fortunately for Maisie, never takes a vacation.

As the story opens, Maisie is dragged away from the war announcement to meet an old colleague. Dr. Francesca Thomas, in her guise as a member of the Secret Service, prepared Maisie for her undercover task in Journey to Munich. Now Dr. Thomas wants to hire Maisie to investigate the murder of a Belgian refugee from the previous war who has been murdered on the eve of this one.

Dr. Thomas is herself a Belgian national, and is now attached to that embassy. The murder of her fellow countryman is a crime that she wants to redress, before it happens again. She is aware of just how good Maisie is at her job, but she still keeps secrets. It is her nature. And almost her undoing.

While Maisie tracks down the patterns of life and causes of death of the late Frederick Addens, more former Belgian refugees turn up dead. By the same method, and most likely by the same hand. But whose? And more important to Maisie, why?

As Maisie begins to close the net around a suspect she also finds herself deep into a problem much closer to home.

Many children were evacuated from London to the countryside at the opening of the war. One such young girl is now boarded with Maisie’s family. But this little girl is a bit different. Not just because her coloring is noticeably darker than English peaches and cream, but because the little girl refuses to speak, and seems to have no documentation whatsoever.

And Maisie can no more resist solving that little puzzle than she can let a murderer go free. No matter the cost to herself.

Escape Rating B+: As World War II begins, this series reminds me more and more of Foyle’s War. (That there are no books for Foyle’s War continues to be a great source of disappointment!) Like Christopher Foyle, Maisie solves her cases with her brains rather than her fists. Also like Foyle, she is solving murders on the homefront, a task that many people think of as less important than the war. But as it so often turns out, those murders are often not divorced from the war, and in some cases are hidden by it until the investigator steps in.

As much as I love this series, this particular entry didn’t grab me by the throat and hang on quite the way that some of the other books have. I still enjoyed it, but it has the feeling of a pause before the storm, much as Britain itself was in during the Phoney War. Pauses, by their nature, just aren’t as dramatic as crises. And so it proves with this book.

There are, as there often are, two mysteries in front of Maisie. They don’t dovetail as well as they sometimes do. The murder of Frederick Addens, and the ones that follow, are one case, and while important, it feels like merely a case. The little girl’s missing identity is the part of the story that strikes Maisie’s heart, and it is the one that felt most important, even if the string of murders was obviously deadlier and had larger implications, or should have.

And that’s part of what fell just a bit flat for me. The serial murders of Belgian refugees and the people who assisted them felt like it was building up to something bigger. The resolution actually turned out to be small and rather close to home. Also frustrating as regards that particular case, both for Maisie and the reader, is just how much and how obvious it was that Dr. Thomas was, if not telling actual lies, certainly lying by omission every time she spoke. And yet she never seriously emerges as a possible candidate to be the murderer.

On that other hand, the case of the little girl was heartbreaking, particularly for Maisie. She sees herself in the child, as well as the child she lost when her husband was killed. Her heart is engaged with someone who will eventually have to go home. Perhaps. That piece of the story has yet to be resolved.

And I’m very much looking forward to Maisie’s further adventures, to discover just how she resolves it. Or doesn’t. I expect to find out next year during the 2018 Month of Maisie Readalong!

TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.

Review: The Orphan’s Tale by Pam Jenoff

Review: The Orphan’s Tale by Pam JenoffThe Orphan's Tale by Pam Jenoff
Format: eARC
Source: publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, World War II
Pages: 368
Published by Mira on February 21st 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

A powerful novel of friendship set in a traveling circus during World War II, The Orphan's Tale introduces two extraordinary women and their harrowing stories of sacrifice and survival .
Sixteen-year-old Noa has been cast out in disgrace after becoming pregnant by a Nazi soldier and being forced to give up her baby. She lives above a small rail station, which she cleans in order to earn her keep… When Noa discovers a boxcar containing dozens of Jewish infants bound for a concentration camp, she is reminded of the child that was taken from her. And in a moment that will change the course of her life, she snatches one of the babies and flees into the snowy night.
Noa finds refuge with a German circus, but she must learn the flying trapeze act so she can blend in undetected, spurning the resentment of the lead aerialist, Astrid. At first rivals, Noa and Astrid soon forge a powerful bond. But as the facade that protects them proves increasingly tenuous, Noa and Astrid must decide whether their friendship is enough to save one another—or if the secrets that burn between them will destroy everything.

My Review:

In The Orphan’s Tale, as the season (and the book) winds down to its conclusion, one of the characters prophetically says with a sneer, “Next year? The circus is dying.” In this story of two women who find shelter and redemption in one of the few circuses allowed to limp across Europe under the Nazis, the irony is that they all think of Ringling Brothers and Barnum & Bailey as their well-funded and well-attended competition across the Atlantic. Now in 2017, their circus is dying too.

But the story in The Orphan’s Tale brings together the unsung history of the circuses across Europe under the Nazi regime with a moving tale of sacrifice, friendship and survival about two women who find themselves thrown together in death-defying circumstances. Not just their beautiful but deadly act on the “flying trapeze”, but also their hiding in plain sight from the Nazis.

Astrid is a Jew. Her family used to be the owners of one of the most successful traveling circuses in Europe. But that was before the Nazis took everything, including their lives. Astrid is the last survivor, hiding amongst the performers of a rival circus, doing the only thing that makes her feel alive – flying.

Noa is also rescued by the circus. As a young Dutchwoman who looks like the Aryan ideal, she should have been safe. But her parents threw her out when her brief fling with a Nazi soldier resulted in pregnancy. The “home” for unwed mothers took her baby. She is alone, bereft, and eking out a bare living cleaning the train station, when the Nazis leave a boxcar of infants unattended at the station. Most of the babies have died of exposure, but a despairing Noa finds one little one still alive. A boy, and all too obviously Jewish, telling her everything she needs to know about the dead babies in the boxcar. She rescues him, and runs, seeing in this child his resemblance to her own missing baby.

But to hide in the circus, Noa must have a part of the performance. And the circus needs another aerialist. Against Astrid’s wishes and recommendation, she is stuck with training the tyro to perform, and has barely six weeks to cram a lifetime of training into the very reluctant flyer.

They are not friends. At first they are reluctant teacher and equally reluctant student. At times they are rivals. But the nature of their act means that above all, they must learn to trust each other. Or they will die. Or their secrets will be revealed, and they will die. And the circus will die with them, their fellow performers imprisoned or executed as collaborators.

But as Noa becomes part of the circus, she comes to love the world in which she has found herself. And, against all odds, she has come to see Astrid as the big sister she never had. And just as Astrid has cared for both Noa and the little boy she named Theo, sometimes in spite of herself, so Noa comes to take care of Astrid as her world, and the circus it encompasses, fall apart.

In the end, all they have is each other. And it’s just barely enough.

Escape Rating A-: The Orphan’s Tale is a story within a story. At the very beginning, it is the modern day, as an old woman takes great pains to visit a museum which has put her old circus wagon on display. The story itself is her recounting of her life in that wagon, Astrid and Noa and Theo, and the world of the circus under the Nazis.

We return at the end to that same elderly lady, and discover how it all turned out. In this case, it’s a marvelous way to tell the important bits, while leaving out the more mundane aspects of her post-war survival. When we find out what happened, we understand everything about the lady, the circus, and the world she left behind.

In the author’s postscript, we learn just how much of the story is based on pieces of fact, and it is well-worth reading. As the book proceeds, so much of the background feels true that it is almost a relief to learn that a great deal of it was true. Astrid and Noa did not exist, but the circus at this time was as portrayed. And unfortunately, the boxcar of dead babies is also based on historical fact.

But the story here is the story of women’s friendships, in spite of opposition or enmity, and how those friendships can flourish under the harshest of circumstances. Astrid and Noa do not always like each other, and they begin with very little in common. At the same time, they are both hiding such similar secrets that they must begin to trust each other. The story here is the flowering of that trust.

It is also the story of the circus, both the mundane and back-breaking work of putting it all together, and the uplifting effect of bringing a small taste of not just normality, but of a bit of escape, to people who have otherwise been beaten down into the deepest rut of bare survival. Although the circumstances of time and place are very different, this part of the story has the same feel as Station Eleven by Emily St. John Mandel. The circus goes on, even in this depth of adversity, because survival is insufficient.

TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.

Review: The Enemies of Versailles by Sally Christie + Giveaway

Review: The Enemies of Versailles by Sally Christie + GiveawayThe Enemies of Versailles (The Mistresses of Versailles Trilogy #3) by Sally Christie
Format: eARC
Source: publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: historical fiction
Series: Mistresses of Versailles #3
Pages: 416
Published by Atria Books on March 21st 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

In the final installment of Sally Christie’s “tantalizing” (New York Daily News) Mistresses of Versailles trilogy, Jeanne Becu, a woman of astounding beauty but humble birth, works her way from the grimy back streets of Paris to the palace of Versailles, where the aging King Louis XV has become a jaded and bitter old philanderer. Jeanne bursts into his life and, as the Comtesse du Barry, quickly becomes his official mistress.
“That beastly bourgeois Pompadour was one thing; a common prostitute quite another kettle of fish.”
After decades suffering the King's endless stream of Royal Favorites, the princesses of the Court have reached a breaking point. Horrified that he would bring the lowborn Comtesse du Barry into the hallowed halls of Versailles, Louis XV’s daughters, led by the indomitable Madame Adelaide, vow eternal enmity and enlist the young dauphiness Marie Antoinette in their fight against the new mistress. But as tensions rise and the French Revolution draws closer, a prostitute in the palace soon becomes the least of the nobility’s concerns.
Told in Christie’s witty and engaging style, the final book in The Mistresses of Versailles trilogy will delight and entrance fans as it once again brings to life the sumptuous and cruel world of eighteenth century Versailles, and France as it approaches inevitable revolution.

My Review:

The Enemies of Versailles, and the entire series of the Mistresses of Versailles, beginning with The Sisters of Versailles and continuing with The Rivals of Versailles, is a fascinating blend of historical fiction and herstorical fiction, telling the story of the reign of Louis XV of France through the eyes of the women who shared his bed and/or his heart.

So instead of viewing this history through the lives of its movers and shakers, usually male, we see the king from the perspective of his mistresses and, in the case of this final book in the series, from the point of view of his oldest daughter, the unmarried and extremely upright (also uptight in modern terms) Adelaide.

It’s not a pretty picture, and it isn’t intended to be, particularly at this point late in the king’s life. It is to Louis XV that the famous phrase is attributed, “apres moi, le deluge”. And while he may not have known precisely what horrors the deluge of the French Revolution was destined to unleash, it is clear from this account that he was well aware that whatever followed him was going to be less rich, less glorious, less regal, and pretty much just less of everything.

It turned out he was right. From the perspective of the monarchy and the aristocracy, the Revolution indeed brought much less of everything, except blood. There was plenty of that. An outcome that Louis himself does not live to see, although the principal narrators of this story, his daughter Adelaide and his last mistress, the Duchesse du Barry, witness the revolution in all its horror.

In this book, and the trilogy as a whole, Louis appears as a self-indulgent and even indolent ruler, willing to let his advisors run the country while he dallies with his mistresses and escapes from the pomp and ceremony of court life as much as possible. And, of course, his advisors are more than happy to take the burdens of monarchy off of his hands, the better to further their own ambitions.

At the center of this book, and of the final years of Louis’ life, we see a man caught between two opposing forces. On the one side, his daughter Adelaide, ruthlessly virtuous, desiring above all else to save her father’s eternal soul by persuading him to give up his licentious ways. On his other side, the courtesan Jeanne Becu, Duchesse du Barry, encouraging the king to while away his hours in her company, giving her as many beautiful presents as possible and ignoring the world outside her boudoir.

Adelaide never stands a chance. Louis always prefers his mistress’ charms, whoever that mistress might be. But as we watch the court squabble over who should have precedence, and how best to capture the attention of the aging king, we know that we are watching the equivalent of re-arranging the deck chairs on the Titanic, or fiddling while Paris, substituting for Rome in the famous saying, burns.

Escape Rating B: This is a series about which I have had mixed feelings from the very beginning, and I leave the series with lots of them. But most of those mixed feelings are about the history portrayed, rather than the portrayal itself. In other words, this series made me think. Among other thoughts, making me glad that I am reading about this period rather than living in it.

The world portrayed in the series is fascinating, enthralling, rich, decadent and strange. There are two sayings that seem to apply equally: “The past is another country, they do things differently there” and, to paraphrase just a bit, “the rich are very, very different from you and me”.

One of the things that strikes me is the appalling waste. Not just the wretched excesses of the court, but also the waste of the brains and talent of the women in this series, and this era. As much as I would not want to have spent five minutes in her company, I found Adelaide and to a lesser extent her sisters, to be utterly pitiable. They all had brains, and probably talents of one sort or another. And absolutely no outlets for any of that except through moral rectitude to the point of priggishness, extreme protection of their privileges and status, and endless backbiting and jostling for position in a court and an era that simply saw them as less than nothing.

Then of course, there’s the wretched excess of the court itself. That so much time and effort was expended, and so much wealth wasted, on ceremony that was extended and elaborated somewhere past the nth degree fascinates and disgusts at the same time.

The Revolution was a bloodbath of epic proportions, and yet it is all too easy to see it looming on the horizon, at least from our viewpoint, and wonder why no one at the time seriously saw it coming. But the same is true, to a much less bloody extent, in the run up to the American Revolution. Hindsight, as always, is 20/20.

About the books and the series. Looking back, there is one thing about each of the books that made the first parts a bit difficult to get over. In each book, the story of the mistress or mistresses begins with their childhood. And while the child certainly makes the woman, that period of each of their lives just wasn’t as compelling, or even as interesting, as what happens to each of them as they find themselves, or are thrust in the case of duBarry, into the king’s orbit. One reason I found Adelaide sympathetic in this particular book was that by the time this story begins, she is an adult, even if her understanding is somewhat lacking in particulars because of her very peculiar sheltered life.

In some ways, both Adelaide and du Barry remain infantilized by their circumstances until the Revolution robs everyone of any possible pretensions. They had to either grow up or die. That one did and one did not provides a last and final contrast in the remarkable circumstances of their lives.

~~~~~~ GIVEAWAY ~~~~~~

I’m giving away a copy of The Enemies of Versailles to one lucky US or Canadian commenter.

a Rafflecopter giveaway

TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.

Review: Pardonable Lies by Jacqueline Winspear

Review: Pardonable Lies by Jacqueline WinspearPardonable Lies (Maisie Dobbs, #3) by Jacqueline Winspear
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical mystery
Series: Maisie Dobbs #3
Pages: 342
Published by Picador on June 27th 2006
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

London 1930, psychologist investigator Maisie Dobbs must prove Sir Cedric's aviator son Ralph Lawton died when shot down in 1917. In former battlefields of France, she re-unites with Priscilla Evernden, one of whose three brothers lost in the War is somehow connected. The case tests Maisie's spiritual strength and her regard for mentor Maurice Blanche.

My Review:

As part of the lead in to March’s Month of Maisie Readalong I get to dip into the earlier tales of Maisie’s adventures in preparation for reading her newest story, In This Grave Hour, in the middle of Maisie month.

Pardonable Lies was Maisie’s third outing, and even though it is set in 1930, the clouds of World War II are already looming over the horizon. And even though the meat of her case here concerns the Great War now over a decade in the past, it is the oncoming storm that adds the element of danger to her current affairs.

This is also a story about secrets and lies. Not just the kind of military secrets that dog Maisie through this investigation, but also the secrets that we keep in the belief that they protect others, and the lies that we tell ourselves, in the hope that we can prevent more pain.

It is also a story about growing up. Because part of growing up is seeing our elders, our parents and teachers and mentors, as fallible human beings just like ourselves. We reach that point where we see them less as above us and more as our equals. And often, as in Maisie’s case in Pardonable Lies, we come to that point when we discover that our trust in them has been betrayed.

As is frequently the case with Maisie, she is actually working on more than one case during this story. Two of those cases have definite similarities, as they are both missing persons cases leftover from the late war. And Maisie makes the third case tie into one of the other two. There are no coincidences in Maisie’s worldview. When things seem coincidental, as in the two missing persons cases, she views it as the cosmos telling her that she has unresolved issues that will be illuminated in the investigations.

And so it goes. Two families want her to find the final resting place of their lost soldier boys. Actually, flyer boys, as both young men were in the fledgling RAF. A respected barrister made his wife a deathbed promise that he would determine, once and for all, whether their lost son truly died in his plane crash or whether he survived, as his mother always believed.

Maisie’s friend Phyllis Evernden wants Maisie to find out how and where her brother Patrick died. She knows that he’s dead, but now that her own sons are growing up and starting to resemble her lost brothers, she feels the need for closure. She remembers that her parents were notified of his death, but nothing about the circumstances. And now she needs to know.

The cases both lead Maisie back to France. She served as a battlefield nurse, and left too many friends and loved ones behind. She’s worked hard to put it all behind her, but mostly she has just been running as fast as she can to evade the grief and the memories. She knows that returning to the scene of her own devastation is going to bring up things she would rather stayed buried.

Much as both of these cases will resurrect things that other people would prefer she left buried. Especially her now elderly mentor, Maurice Blanche, who returns with Maisie to France with his own hidden agenda.

And someone is trying to kill her. But due to which case? What rock has she turned over that someone will kill to leave unturned?

Escape Rating A: I always look forward to March and Maisie Month. It gives me a terrific excuse to dive into the archives of this series as well as look forward at the latest book. As always, the early book is a treat, as I get to discover where some of the later events took root.

In this particular case, that root is Maisie’s reluctant involvement with the British Secret Service in Journey to Munich. In Pardonable Lies, two of her cases have delved into national secrets that would be better left buried, and the Secret Service as well as her mentor try to divert her attention and make her take the easy way out.

The problem is that the secrets aren’t really buried. They aren’t even dead yet. The spies see the war coming and are all too aware that they will have to mobilize as many of their assets from the last war as are still available (i.e. alive). Maisie’s investigation jeopardizes past, present and future secrets.

The title of this story is very apropos. Maisie normally tells the truth, the whole truth and nothing but the truth to her clients. In these cases she is caught on the horns of a terrible dilemma. Because of official secrets, she cannot tell her friend Phyllis the whole, entire truth about her brother.

In the case of her other client, the barrister, Maisie discovers the truth that he fears, and that he does not want to hear at any cost. And it is a truth that hurts much less than the lie he wants to believe.

And Maisie herself discovers that the many pardonable lies that her mentor has told her over the years of her apprenticeship may not be pardonable after all. The revelations that arise during this case make Maisie re-think both their past and their future association.

Only one case gets Maisie’s usual whole truth; the case of a young prostitute accused of murdering her pimp. The rush to justice on the part of the police, and their willingness to ignore any and all mitigating or contradictory evidence in order to punish this young woman makes readers see both how far we’ve come and how far we still have to go as a society. Only Maisie, is willing to believe that this woman might be innocent. And only Maisie is willing to delve into the truth to see that justice is actually done.

But in the process of these investigations, we finally see Maisie lay her own ghosts to their deserved rest. It’s an important part of the development of her character, and it is time for her to move on.

As do we. The latest book in the Maisie Dobbs series is In This Grave Hour. I am very much looking forward to reading and reviewing it next month.

TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.

Review: The Chilbury Ladies’ Choir by Jennifer Ryan

Review: The Chilbury Ladies’ Choir by Jennifer RyanThe Chilbury Ladies' Choir by Jennifer Ryan
Format: eARC
Source: publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, World War II
Pages: 384
Published by Crown Publishing Group on February 14th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

"Just because the men have gone to war, why do we have to close the choir? And precisely when we need it most!"
As England enters World War II's dark early days, spirited music professor Primrose Trent, recently arrived to the village of Chilbury, emboldens the women of the town to defy the Vicar's stuffy edict to shutter the church's choir in the absence of men and instead 'carry on singing'. Resurrecting themselves as "The Chilbury Ladies' Choir", the women of this small village soon use their joint song to lift up themselves, and the community, as the war tears through their lives.
Told through letters and journals, The Chilbury Ladies' Choir moves seamlessly from budding romances to village intrigues to heartbreaking matters of life and death. As we come to know the struggles of the charismatic members of this unforgettable outfit -- a timid widow worried over her son at the front; the town beauty drawn to a rakish artist; her younger sister nursing an impossible crush and dabbling in politics she doesn't understand; a young Jewish refugee hiding secrets about her family, and a conniving midwife plotting to outrun her seedy past -- we come to see how the strength each finds in the choir's collective voice reverberates in her individual life.
In turns funny, charming and heart-wrenching, this lovingly executed ensemble novel will charm and inspire, illuminating the true spirit of the women on the home front, in a village of indomitable spirit, at the dawn of a most terrible conflict.

My Review:

The Chilbury Ladies Choir is the lovely and immersive story of a small coastal village in England during the early years of World War II. The story is told entirely through the letters and diaries of the members of the choir as they navigate the changes that have arrived in their little town in the wake of war.

The first change is the one that gives the choir both its name and its purpose. Chilbury is a small town. All the young men and even middle-aged men are gone. Only the very old and the very young are left. The local vicar, on that side of very old, comes to the traditional conclusion that without any men, without any tenors, baritones and basses, the church choir will have to disband for the duration.

The new music teacher disagrees. There is no reason why the women can’t make a choir of their own, with music altered to fit their soaring soprano and alto voices. And so it begins.

The ladies of the choir, at first hesitant to do something so completely nontraditional, discover that their voices have not been stilled. If anything, their voices have been amplified and expanded by the war, as they are left to take up all the tasks that are still required by village life, jobs that used to be filled by men.

As tradition falls by the wayside, so do many of the social restrictions that governed daily life, and more important for women before the war, the rigors of strict respectability. Things that were simply “not done” are now done all the time, whether that’s work at the nearby government installations or take up with a dodgy artist who claims to be too infirm to enlist.

Their world has been turned on its head, yet they soldier (and sing) on, even as they receive black-bordered telegraphs from the front and as bombs fall on their tiny town.

We view the early years of the war and the remaining denizens of the village through their eyes. Young Kitty Winthrop’s diary, and her older sister Venetia’s letters to a friend in London speak of the mundane and the tragic. We see their still simmering sibling rivalry, we experience almost-fourteen-year-old Kitty’s stops and starts at growing up. We experience the tragedy of Venetia’s love affair through her letters, and observe her through Kitty’s eyes as she changes from a self-absorbed vamp-wannabe to a grown woman who finally matures.

Through the letters of the local midwife and the diary of the local nurse, we see a great swindle unfold. And we see crime finally turned into triumph.

We see all the woman grow and change and expand into their new roles, into this frightening new world. And in the midst of so many tragedies, we see them rise along with their voices.

Escape Rating A: I think that a lot of readers are doing to compare The Chilbury Ladies Choir to The Guernsey Literary and Potato Peel Pie Society, and from the looks of things there certainly are similarities. Enough so that I feel the need to get a copy of Guernsey, which I haven’t read. Yet.

One big difference is that Guernsey takes place after the war, so the characters are reflecting on what happened rather than experiencing it fresh. Chilbury is contemporaneous, we read the letters and diaries as they are being written. We find ourselves in the middle of these characters lives, watching them change and grow. We learn about Kitty and Venetia’s family life by what they write, not by an omniscient narrator telling us that their father the local squire is a bully and a brute who abuses them and their mother. They write about what they feel as it happens, and we watch them try to avoid and justify and self-efface and cower in an attempt to survive. We feel their confusion and triumph as he finally gets put in his place.

We see half the women in the village experience some variation of his bullying and brutality, and cheer when someone finds a way to stand up to him and make it stick.

This is kind of a gentle story, in spite of the war. Some of the women experience tragedy, but because of the epistolary nature of the story, the blood and guts are not described, not even when the village is bombed. But the emotional tsunami in the aftermath is experienced again and again.

In a way, not a lot happens. And yet so much does. The story, much like the choir, works together so well that it is a joy to experience these women’s lives with them, even though we don’t know how it ends. And we don’t need to. The war eventually ended, but these women’s lives, and the lives they touched, went on. While it would be marvelous to see each one’s happy-ever-after (or at least get some resolution if they don’t get one) it doesn’t feel necessary for the story to conclude.

One final note: there is another author named Jennifer Ryan. The other Jennifer Ryan writes contemporary romance and romantic suspense. And was the source of one of my most sarcastic, and most liked, reviews on Goodreads, The Right Bride. The two Jennifer Ryans are definitely not the same.

If you love stories about the homefront during World War II, or women’s fiction, or just want to read a lovely story, I can’t recommend The Chilbury Ladies Choir highly enough.

TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.

Review; Law and Disorder by Heather Graham + Giveaway

Review; Law and Disorder by Heather Graham + GiveawayLaw and Disorder by Heather Graham
Format: eARC
Source: publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: romantic suspense
Series: Finnegan Connection #1
Pages: 256
Published by Harlequin Intrigue on January 17th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads


Trust the enemy?
Desperate to escape her kidnappers, Kody Cameron can turn to only one man—and he's holding a gun. Outnumbered and trapped in the deadly Everglades, she has little recourse, but something in this captor's eyes makes her believe she can trust him. Does she dare to take the risk?
Undercover agent Nick Connolly has met Kody before and knows she might very well blow his cover. Though determined to maintain his facade, he can't let Kody die. He won't. And his decision to change his own rules of law and order are about to make all hell break loose.
The Finnegan Connection

My Review:

A while back, I read some of Heather Graham’s Krewe of Hunters series and really liked them. But it’s a big series and I’m going to need a large round tuit to get caught up. So when Law and Disorder came up as the first book in a new series, it seemed like a great chance to get in on the ground floor.

But I’m not sure that I did.

Law and Disorder is a quick and enjoyable read, but it doesn’t feel like the first book in a series. There are lots of references to the main characters in her other recent started series, New York Confidential. To the point where the Finnegan Connection feels like a side-series to New York Confidential. That connection being Finnegan’s Pub in New York City, which seems to be the centerpiece for the other series.

Nick and Kody, the hero and heroine in Law and Disorder are both friends of those Finnegans, and they actually bumped into each other, very briefly, one night at Finnegan’s. A chance encounter that helps to set up what would otherwise be a case of insta-love in Law and Disorder, mixed with just a bit of Stockholm Syndrome.

That earlier encounter takes the romance out of squicky territory, considering the way that the couple meets in this story. She thinks that he’s an upstanding (so to speak) member of the criminal gang that has just taken her and her entire staff hostage while they search for a mythical treasure. When she finally remembers where she’s seen him before, she also remembers that he’s no criminal, but rather an FBI agent who must be undercover in this mess.

She’s still kidnapped, and her captors still want that mythical treasure. Even weirder, they expect her to find it. And she just might.

Kody Cameron is an expert on her family’s strange heritage – the former home of mobster Jimmy Crystal and its extremely checkered history. A former resident of the Crystal Palace left tantalizing clues to a never recovered bank heist of gold and gems, and the kidnappers think that if they put enough pressure on Kody she’ll be inspired to discover a trove that may have been swallowed by the Florida Everglades.

And so might they.

Escape Rating C+: Law and Disorder is a relatively short book, somewhere in that uncomfortable length between novel and novella. And it probably should have been just a bit longer.

It’s a quick, fun read, but that skimpy length forced the author to short a bit on both character development and on background. And this is a story whose plot relies on a lot of that missing background.

It is possible that some of the missing character development is in Flawless, the first book in the New York Confidential series that introduces the Finnegans and Nick’s FBI handler on this case, Craig Frasier.

It’s also possible that we’re meant to just go with the instant connection between FBI agent Nick Connolly and Kody Cameron. After all, he does rescue her. But I am left wondering.

The big piece of background that feels missing is the history of Kody’s Crystal Palace and the mob bosses of Florida. Kody’s expertise on the topic is the reason that Kody gets swept up into this mess. The particular treasure trove in question has been missing for decades, and lots of things and people have been swallowed up by the Everglades. The way that Kody sifts through the tiny clues and puts the pieces together is a process that usually takes days and lots more research. The treasure hunt alone could have made a fascinating story as well as all the dirt on what happened long ago and how Kody figures it all out now. I would love to have read that book.

It might also have explained how and why the ringleader of this band of thugs became so obsessed with the old stash. It all feels like a bit of a missed opportunity.

All in all, this was a fun, quick read. And it whetted my reading appetite for the New York Confidential series, which is only two books in. Finnegan’s sounds like a great place!

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

Heather and Harlequin are giving away a $25 Gift Card to one lucky participant in this tour!

a Rafflecopter giveaway

TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.

Review: The Wicked City by Beatriz Williams

Review: The Wicked City by Beatriz WilliamsThe Wicked City by Beatriz Williams
Format: eARC
Source: publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction
Pages: 384
Published by William Morrow on January 17th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

New York Times bestselling author Beatriz Williams recreates the New York City of A Certain Age in this deliciously spicy adventure that mixes past and present and centers on a Jazz Age love triangle involving a rugged Prohibition agent, a saucy redheaded flapper, and a debonair Princetonian from a wealthy family.
When she discovers her husband cheating, Ella Hawthorne impulsively moves out of their SoHo loft and into a small apartment in an old Greenwich Village building. Her surprisingly attractive new neighbor, Hector, warns her to stay out of the basement at night. Tenants have reported strange noises after midnight—laughter, clinking glasses, jazz piano—even though the space has been empty for decades. Back in the Roaring Twenties, the place hid a speakeasy.
In 1924, Geneva "Gin" Kelly, a smart-mouthed flapper from the hills of western Maryland, is a regular at this Village hideaway known as the Christopher Club. Caught up in a raid, Gin becomes entangled with Prohibition enforcement agent Oliver Anson, who persuades her to help him catch her stepfather Duke Kelly, one of Appalachia’s most notorious bootleggers.
Headstrong and independent, Gin is no weak-kneed fool. So how can she be falling in love with the taciturn, straight-arrow Revenue agent when she’s got Princeton boy Billy Marshall, the dashing son of society doyenne Theresa Marshall, begging to make an honest woman of her? While anything goes in the Roaring Twenties, Gin’s adventures will shake proper Manhattan society to its foundations, exposing secrets that shock even this free-spirited redhead—secrets that will echo from Park Avenue to the hollers of her Southern hometown.
As Ella discovers more about the basement speakeasy, she becomes inspired by the spirit of her exuberant predecessor, and decides to live with abandon in the wicked city too. . . .

My Review:

I picked up The Wicked City because I absolutely adored A Certain Age and wanted to read more by this author.

The Wicked City is a very different book from A Certain Age, even though the lion’s share of the story is set in the same period, the early 1920s, and among some of the same people. Possibly even the same people.

But The Wicked City is a story split between two very different eras and two very different women, with each story blending just a bit into the other.

In the late 1990s, Ella Hawthorne has just moved into a slightly crumbling apartment with a whole lot of character (and characters) in Greenwich Village. She’s also just left her philandering husband, after catching him screwing a prostitute in the hallway of their condo building while he was pretending to fetch a pizza. If the whole scene hadn’t been so tragic, at least in its consequences, it would have slipped into farce.

But Ella’s drama isn’t in her impending divorce, it’s in the building of her new sanctuary. There’s a stream of hot jazz emanating from the basement of the building next door, and that beautiful music is coming not from a live club, but from the ghost of the speakeasy that once thrived there.

While Ella’s late 20th century story is interesting, the real heart of The Wicked City lies in the events of the 1920s, events that centered around both the speakeasy and the apartment building next door, where Geneva Kelly lived in the 1920s and Ella Hawthorne finds herself in the 1990s.

Ella’s story is a tale of wandering husbands, forensic accountants and handsome jazz musicians of the past and present.

Geneva Kelly’s story, on the other hand, is a tale of cold-hearted bootleggers, hot federal agents, and deadly family secrets.

Geneva’s stepfather was an abusive two-bit criminal back home in Western Maryland, but only Gin seems to have seen his true face. Everyone else saw the charm, while she experienced the rot underneath. But after she fled her Appalachian home town for the bright lights of the big city, Duke Kelly moved from small-time crook to big-time racketeer, controlling a major piece of the illegal booze market in thirsty New York, as well as every single soul in his little town.

It was Prohibition, and the feds were looking for a way to take Duke Kelly down. Gin was too, so when a handsome federal agent offered her the chance to get the goods on the snake, she was all in.

Until she was very nearly all the way out.

Escape Rating B+: At first, the story moved a bit slowly, as did A Certain Age when I look back. Both stories take a while to get themselves set up, but once they do, the action careens quickly from boat chase to shoot out to romance, and back again, with lightning speed.

Particularly Gin’s story. Ella’s story feels less fleshed out, and I’m not convinced it was really necessary. Gin’s story is the one that sparkles like a flapper’s sequined dress.

While we don’t feel much of Ella’s dilemma, we do become all too well acquainted with Gin’s. She fled her hometown in the wake of her stepfather’s abusive, and she tries very hard not to look back. She’s also a young woman with not enough education and no family ties trying to make a living in the big city. Some of her choices arise from desperation, and some from pure pragmatism. It’s a hard-knock life.

She wants to bring her stepfather down, which makes her a plum ripe for the plucking by Prohibition agent Oliver Anson. She’s attracted to his stalwart honor even more than she is his good looks. But like everyone else in her life, Anson is keeping secrets that threaten both Gin’s life and her heart. Everything that happens between them feels screened by a haze of smoke and mist, and neither ever knows quite where the other stands until the very end.

cocoa beach by beatriz williamsIn addition to the connection between Gin and Ella, there’s also a connection between Gin and the characters in A Certain Age, and indeed the characters of many of the author’s previous books. It’s not such a tight connection that the reader needs to worry about having read the other books, and it’s also not completely revealed or resolved. But these people all inhabit the same social circles, and everyone seems to know, or at least know of, everyone else.

I’m looking forward to exploring this more, both in the author’s upcoming novel, Cocoa Beach, and by diving back into some of her earlier works. All in all, I’m glad I took this little trip to The Wicked City.

TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.

Review: On the Sickle’s Edge by Neville Frankel

Review: On the Sickle’s Edge by Neville FrankelOn the Sickle's Edge by Neville Frankel
Format: paperback
Source: publisher
Formats available: paperback, ebook
Genres: historical fiction
Pages: 474
Published by Dialogos on December 31st 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBook Depository
Goodreads

What we cannot keep. What we cannot lose.
A sweeping masterwork of love and loss, secrets and survival, On the Sickle's Edge is told through the voices of three characters who lay bare their family's saga: the endearing, scrappy South-African born Lena, transported to Latvia and later trapped in the USSR; her granddaughter Darya, a true Communist whose growing disillusionment with Soviet ideology places her family at mortal risk; and Steven, a painter from Boston who inadvertently stumbles into the tangled web of his family's past. Against the roiling backdrop of twentieth-century Russia and Eastern Europe, the novel delivers equal parts historical drama, political thriller and poignant love story.
On the Sickle's Edge takes the reader on a roller-coaster ride through some of the most tumultuous events of the 20th century. Instantly immersed in seven generations of the Shtein family, we witness their exhilarating celebrations and provocative controversies, and gain an intimate understanding of the pivotal events in South Africa, Latvia and the Soviet Union. Neville Frankel's ability to combine historical insight and human passion is spellbinding. I couldn't put it down. --Pamela Katz, The Partnership: Brecht, Weill, Three Women, and Germany on the Brink
In the hands of a masterful storyteller, On the Sickle's Edge pits the weight of an oppressive regime against individual tenacity and profound personal courage. Inspired by Frankel's own family history, this multi-generational epic holds up a mirror to a universal truth: all immigrants face the powerful tension between assimilation and cultural identity. We have--all of us--lived life on the edge of the sickle. --Rabbi Andrew Baker, Director of International Jewish Affairs, American Jewish Committee

My Review:

This book is many things, and all of them awesome.

At its heart, if feels like a fictional history of the Soviet Union, but not as is usually done in historical fiction, from the perspective of the movers and shakers. Instead, this feels like a story set among the “groundlings”, as they were called in Shakespeare’s day. Or a “lower-decks” story set on a ship, whether historical or science fictional.

In other words, this is view of life in the Soviet Union from the Revolution to Glasnost, as seen through the eyes of the people it was supposed to benefit, and so obviously in this case, didn’t. It’s not a pretty story, but it is a powerful one.

And as people say about life during the Depression, the average person didn’t really see themselves as deprived. They knew things were awful, that was kind of hard to miss. And everyone was afraid all the time, afraid of being watched, afraid of their neighbors, afraid of their thoughts, afraid of the “Organs” of state.

But it was all they knew, and it was all they were allowed to know.

The story in On the Sickle’s Edge has another side to it. In the case of Lena and her family, in addition to all of the things that everyday Russians were afraid of, they were afraid of the exposure of their big secret.

When the family entered Moscow during the chaos of the Revolution, they entered under forged papers. Those papers stated that the family were Russian peasants, displaced from their farm by the Revolution, but that was a lie. A big one. Instead, they were displaced Jews expelled from Latvia. In an act of intelligence and courage, mixed with a bit of perhaps cowardice, but mostly pragmatism, Lena’s stepmother Esther decreed that because everything terrible that had happened to them, and it was terrible, had happened because they were Jews, they would take this equally terrible opportunity to reinvent themselves as non-Jews.

In an act of self-effacement and self-abnegation, they did. Conditions in post-Revolutionary Moscow were bad for everyone, but worse for the Jews. If things are bad in general, they are always worse for the Jews in particular. Esther’s act saved her family, especially her children and step-children, at least for a while.

So Lena keeps the secret. Along the way, she loses her husband and her half-sister to the insanity of Stalin’s purges, and late in life finds herself raising her daughter’s child, Darya. And she survives. Lena always survives.

Escape Rating A: I finished this at 3 am. It started out well, but somewhere around the 20% mark it completely grabbed me and didn’t let go until the end. Possibly after the end. I’m still thinking about this one. And probably will for a while.

Although Lena is not the only narrator, it was her story that sucked me in. And that is fitting, as the story is told at least in part as her memoir. A clue to her ultimate survival that the reader completely loses track of in the midst of events. I wanted her to make it out, but there were points where I feared it would not be so, even knowing that it was.

Her story, from a briefly happy childhood in South Africa to the family’s return to Latvia, to being trapped inside Russia as the walls closed down paints a compelling picture. We are there with her through all the long years as conditions go from bad to worse to unsustainable, and yet we also see what sustains her, and how she survives those long years.

Some of the story is her granddaughter Darya’s, as Darya learns the secret yet continues to wear the mask of the Communist Party poster girl, complete with marriage to a party official. Like so many young women who think they are in love, Darya doesn’t listen to her grandmother’s instincts that her husband is a monster. But he is.

(Something in the description of Darya’s husband reminded me of Vladimir Putin. I don’t know whether that was intentional or not, but it certainly added to the chill factor)

This was a wonderfully absorbing story, and there is so much more to it that I’m tempted to get into, but will reach much too far into spoiler territory. For me, On the Sickle’s Edge also contained an element of “there but for the grace of G-d”. My mother’s parents emigrated to the U.S. from Western Russia probably around the time that Lena was born. They got out just in time. But this story could have been theirs, with all the calamities that followed.

And the echoes to current events absolutely chill me to the bone.

TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.

Review: The Fifth Petal by Brunonia Barry + Giveaway

Review: The Fifth Petal by Brunonia Barry + GiveawayThe Fifth Petal (The Lace Reader, #2) by Brunonia Barry
Format: eARC
Source: publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery
Series: Lace Reader #2
Pages: 432
Published by Crown on January 24th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

Salem’s chief of police, John Rafferty, now married to gifted lace reader Towner Whitney, investigates a 25-year-old triple homicide dubbed “The Goddess Murders,” in which three young women, all descended from accused Salem witches, were slashed one Halloween night. Aided by Callie Cahill, the daughter of one of the victims who has returned to town, Rafferty begins to uncover a dark chapter in Salem’s past. Callie, who has always been gifted with premonitions, begins to struggle with visions she doesn’t quite understand and an attraction to a man who has unknown connections to her mother’s murder. Neither believes that the main suspect, Rose Whelan, respected local historian and sometime-aunt to Callie, is guilty of murder or witchcraft. But exonerating Rose might mean crossing paths with a dangerous force. Were the women victims of an all-too-human vengeance, or was the devil raised in Salem that night? And if they cannot discover what truly happened, will evil rise again?

My Review:

lace reader by brunonia barryIn spite of the blurb, The Fifth Petal doesn’t have much to do with Towner Whitney, the heroine of The Lace Reader. And that’s a good thing, because I never read The Lace Reader. Instead, this work of twisted mystery with just a touch of psychological horror is all about the old mystery of “The Goddess Murders” and the sudden rush of new clues (and red herrings) related to that old crime.

John Rafferty, the Salem Police Chief, finds himself in the thick of a very big mess that begins on Halloween in witchy Salem Massachusetts. Where once Salem hung accused witches, now the town embraces its creepy past as a way of bringing in much-needed tourist dollars.

Which doesn’t mean that the old feuds, the old resentments, and the old fears are not still bubbling just beneath the 21st century surface.

Twenty-five years ago, three young women were murdered at the site of the 17th century witch hangings. All three were young, beautiful and descended from the original witches. That grisly night left only two survivors, the child Callie Cahill, daughter of one of the victims, and Rose Whelan, a local expert on the historic witchcraft frenzy.

Callie was whisked away, but Rose stayed in town. Or at least she stayed after several months in an asylum. Even though she was never charged with the crime, everyone in town assumed that Rose was the murderer. Whatever the truth was, after the trauma she experienced and her incarceration she was never the same. She became the town madwoman, saying that the trees talked to her and other things even more bizarre.

No one bothered her, and she didn’t bother anyone, until that Halloween, when a bunch of young, privileged idiots decided that threatening her with a knife would be a terrific Halloween prank. When one of them dropped dead in the middle of the confrontation, everyone assumed that old Rose had managed to kill him exactly the same way she killed those young women all those years ago. And the town began a modern day witch hunt, complete with anonymous tweets and Facebook posts, baying for her blood.

All of the hoopla over the latest incident reaches the regional papers, and little Callie Cahill, now an adult, discovers that her caregivers lied to her long ago, and that Rose is very much alive. She drops everything to rush to Salem, in the hopes of saving Rose just as she believed Rose saved her all those years ago.

And all the buried secrets of the past burst wide open. While the town whips up witch hunting frenzy, John Rafferty re-opens the old case. He wasn’t in Salem back them, but he doesn’t believe Rose is guilty, either then or now. There was no evidence back then, and there isn’t any now either. But his investigation brings that long-ago crime back to everyone’s mind. If Rose wasn’t the murderer, then someone else was. Covering up those old murders is an unfortunately excellent motivation for another killing spree. This time with a whole new set of supposed wrongs to be set right, and a whole new cast of victims.

In the end, Rafferty discovers that the old wounds and the old wrongs have sunk deep and poisonous roots in much too fertile ground. Almost too late.

Escape Rating B+: Although the story itself is more a mystery than anything else, there is a creepy overtone of horror and evil that gave me the shivers. And looking back, a lot of that evil has nothing to do with witchcraft or devil worship or anything more obviously sinister. Instead, it is all related to an everyday kind of evil.

Whatever happened to their ancestors in the 1600s, in the 2010s there’s another kind of witch hunt going on in Salem. Everyone wants to believe that Rose is the killer, both in the past and in the present. And it becomes clear that she is being victimized for exactly the same reasons that the women accused of witchcraft were victimized in the 1600s. She’s an older woman, and she’s weird. And possibly mentally ill. That’s all it took in the 1600s to bring out the accusers, and that’s all it seems to take in 2014-2015.

Today’s witch hunt is just more sophisticated. It uses the internet. But it is equally persecution, and just like the victims in the 1600s, Rose is equally innocent. And it doesn’t matter. She is different, and that makes people more than willing to throw her under that metaphorical bus.

Rafferty finds himself investigating two crimes, and neither is the recent death. That young man died of an overdose, and except for his mother, no one is going to miss him. But the more Rafferty looks, the more he thinks that his predecessor completely screwed up the case. The former police chief wanted Rose to be guilty, and the truth didn’t matter. Or possibly mattered too much.

Rafferty wants Rose to be innocent, so he keeps digging. Meanwhile, all the forces in town seem to be colluding to make his job more difficult. Someone clearly has a secret that they still feel the need to keep at all costs.

In the end, the motives for all the deaths are the oldest of all, greed and jealousy. And as is so often the case, the killer is exposed by overreaching. If they’d left well enough alone, they could have remained hidden. But of course they didn’t and they don’t. The reveal is appropriately chilling and does a wonderful job of wrapping up all the loose and trailing ends, no matter how far back they began. Or how creepy they remain.

~~~~~~ GIVEAWAY ~~~~~~

I am giving away a copy of The Fifth Petal to one lucky US commenter.

a Rafflecopter giveaway

TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.