Expecting a taller tale

What do you do when the story you’re reading isn’t anything like the one you expected?  As I kept going through Coronets and Steel, by Sherwood Smith, it was as if I was waiting for the author to drop the other shoe somewhere in a future chapter, but it never happened.  I’m not saying that the book wasn’t good, or that I didn’t enjoy it, just that I kept expecting it to be more magical, or more fantasy, and it was neither.

Coronets and Steel coverThe coronets in the story are due to the main character’s family history.  Kim discovers that she is, unbeknownst to her, a scion of one of the ruling families of a tiny European country named Dobrenica.  A country which she doesn’t even know about until she is kidnapped in the middle of a low-budget European trip to discover the murky truth about her grandmother’s past during World War II.  If this sounds like the plot for a formula romance, well, that setup has been used, and more than once, at that.

But, and this is a pretty big but, if you throw in either a little magic or a little high-tech mumbo-jumbo, it can also be the plot of either a fantasy or a science fiction novel.  I was expecting a variation of the Charles Stross’ Merchant Princes series, which I liked a lot.  It also had some of the elements of S.M. Stirling’s Conquistador, which is more science fiction, if you consider alternate history to be science fiction.

Family Trade coverIn the first book of the Merchant Princes, which is titled The Family Trade, a reporter finds out that, unbeknownst to herself, she is a member of one of the ruling families of a kingdom on a parallel world to our own.  There is a love story involved here as well, adding to the common elements between the two books.  But the plot element where the heroine finds out that she is a member of someplace-she-doesn’t-know-about’s royal family while being in the midst of a personal crisis is one heck of a coincidental way to get both stories started.

Conquistador coverConquistador isn’t actually similar, but in memory it seemed similar, mostly for me through the link with Merchant Princes.  Once the story in Coronets went to the unknown tiny country, I was expecting a parallel universe or alternate history universe to slide in there too, the way it eventually does in Conquistador.  The other things that made me think these stories were all going to line up somehow, was that family ties and heritage were central to all three stories, and that the lead characters were all strong women.

So, when I saw the preview for Coronets, considering that Smith is known as a fantasy writer, I was expecting the fantasy version of this story.  I was expecting a familiar story, written by someone new to me.  I know I was expecting a variation on Merchant Princes.  Didn’t happen.  What I got was a variation on Brigadoon!  With a side-helping of the Keystone Kops.

Princess Bride Swordfight imageIf the prince marries a girl from one of the other ruling families on September 2 in the appropriate place, and if the ruling families are at peace with one another, and a whole host of other conditions, this lovely little country will slip back into the mists, just like Brigadoon, for as long as they can manage to not squabble with each other.  The not squabbling part alone may make it fantasy.  There are two rival princes, at least three kidnappings, a couple of mobsters (one American, one Russian), ghosts, possibly vampires (people believe in them, but no one claims to have actually seen one) and one swordfight straight out of the Princess Bride, complete with quotes from same.

And yes, there is a sequel!  Blood Spirits is due out in September.  Just because it wasn’t at all what I expected, doesn’t mean I’m not dying to know what happens next.

The only way Amazon gets me in the Kindle Store

eReaderIQ iconI just received an update from eReaderIQ.  This is a service that lets you know when there are new free books added to the Kindle store.  It will also tell you about price drops, and recent Kindlization of previously non Kindle titles, as well as an advance search feature for the Kindle store.  I don’t have a Kindle, and I don’t even like Amazon all that much, but I love this service.

Barnes and Noble logoWhen I was purchasing “dead tree” books, I got them from Barnes & Noble.  Strictly speaking, I usually got them from www.bn.com, but that’s still not Amazon.  They had a real store I could visit when I wanted truly instant gratification, and, when I only needed moderately quick gratification, B&N shipped faster without my having to pay extra for Prime Membership.

When I bought an ebook reader, I bought a Nook.  One of the big selling points was that it had some built-in flexibility.  I could use it for ebooks from the library, if I was willing to jump through some hoops (that process was fairly teeth-grinding the first time).  I could also get free books from Baen and Project Gutenberg, while still having the advantage of being able to shop for books in bed at midnight if I really didn’t feel like reading anything I had on hand.  (The local Barnes and Noble currently hands out a cheat-sheet with every Nook they sell that gives new Nook owners the handy-dandy instructions on how to borrow ebooks from the library and read them on their new Nook.  This is a win-win that Amazon just can’t match.)

But now I have an iPad, and it changes things.  An iPad is essentially vendor agnostic.  As long as “there’s an app for that”, it can be anything I want it to be.  Or, everything I want it to be.  It’s a Nook and an Overdrive Media Console and a Bluefire Reader and, occasionally, a Kindle.

eReaderIQ tells me when there is a new ebook available for free in the Kindle store.  Even if I absolutely hate the title, I absolutely love getting the information.  And, unfortunately for the state of my various TBR lists and piles, sometimes I find the title interesting enough to download.  I know this is a loss-leader for Amazon.  They hope that people will get the freebie and then buy other books by the same author.  If I want something that’s not free, I’ll either check the library, or, purchase from B&N, so it’s not working on me, but the concept is excellent.  And, it absolutely proves the point made by librarians that letting people read the actual work is what turns people on to getting more books, including buying more books!  The freebie is a teaser, and I’d be willing to bet that both Amazon and the authors who put their books up think it works for them in the long run.

Baen Books LogoBaen Books has a terrific explanation of this from their perspective, written by Eric Flint, who has also put his money where his mouth is as an author.  The Baen Free Library makes the first couple/three books in many of their most popular authors’ series (including Flint’s) available for free download.  They know that if a reader likes the first two or three books, they will feel compelled to read the rest of the series.  Think of it as a gateway drug.

Project Gutenberg logoBut it’s the service aspect of this that I keep thinking about.  As a service, this is absolutely fantastic.  Barnes and Noble does not seem to have anything to match it, or if they do, they are hiding it quite thoroughly.  Project Gutenberg even manages to do this, and they won’t make a profit on it, but Barnes & Noble can’t seem to manage it (neither can Google).  What’s up with that?

Can libraries do the same thing?  Just think about it for a second.  Send out an email to patrons of what the library added, today.  Just today.  Every single day.  And/or what the library placed on order today.  And/or all the ebooks added to the library’s ebook site.  There really isn’t any need to get fancy about this, eReaderIQ certainly doesn’t.  It’s the books, and it’s all the books. There’s no added text, there’s no filtering, just the publisher blurb and the cover picture.  If I don’t like the books, I can delete the email or ignore the twitterfeed.  This could be automated, and it would provide a daily reminder of what the library does that’s good for readers.  And it would be an automatic update to the library’s twitterfeed and Facebook page every day.  Think of the possibilities!

What should a platform fee buy, anyway?

There are so many things swirling about how libraries purchase ebooks, it’s hard to know where to begin. 

 The Kansas State Library and OverDrive are butting heads during the renegotiation of the Kansas contract for OverDrive access for public libraries in the state.  This is primarily about the platform, or access fee, not about the individual content purchases, which are separate and priced as purchased.  But without the platform, no library can access the content.

Steven Jobs introducing the iPadThere are a few issues up front.  This particular original contract was negotiated in 2006.  The Sony e-reader with e-ink had just been introduced.  The Kindle was one year away.  Steven Jobs probably hadn’t even dreamed his iPad dream yet.  Ebooks for iPhones were still two years away.  No one could have predicted the explosion in ebook adoption by the consumer public, let alone by libraries. 

But there is a reason that “may you live in interesting times” is a curse and not a blessing.  OverDrive has become the major supplier of ebooks and downloadable audio to public libraries.  Unfortunately for OverDrive, it is human nature for people to take shots at whoever is out in front, and in the public library digital market, they are it.  To add fuel to the proverbial fire, public libraries are facing the perfect storm of record-breaking usage, heart-rending budget cuts, and an ear-splitting clamor for the digital services that OverDrive represents, with no human, technical or monetary support in sight.  For many libraries, ebooks represent another “do more with less” scenario, just with a higher profile.

On top of all of this, platform fees are very strange beasts.  When a library subscribes to a database for a year, the database license fee includes both access and content.  When the subscription stops, the access stops.  It may be expensive, but the concept is relatively simple.  In the case of OverDrive, the content is paid for separately from the platform, or access, fee.  So what does the platform fee buy?

The platform fee buys access to the content for library patrons, it buys access to the purchasing site so libraries can license additional content, it buys reports so the libraries can figure out what to buy and what not to buy, and it buys customer support for both patrons and libraries,.  And that’s where the questions come in.  Is the library getting value for money?  It’s not about the content.  Each ebook and each downloadable audiobook is paid as it is purchased.

At my LPOW, I handled all the digital stuff.  All the selection, all the purchasing, all the contracts, all the reports.  I’m also a user, but I read way more ebooks on my iPad than I listen to audio on my iPod, mostly because my car is 6 years old but the sound system is too good to rip out and the add-on AUX port just isn’t all that, even though I did add one.  Enough said. 

Overdrive Media Console PicFor patrons, using the library’s OverDrive site is easier than using NetLibrary–way easier.  Not to mention, there’s an app for most devices.  But comparative ease of use is a really low bar to get over.  And in two years of working with it, I didn’t see much change to the website.  There was a tremendous proliferation in the number of compatible devices–but that can easily be said to be a business necessity for OverDrive.  If it didn’t natively support the Android and the iPad by this point, how many libraries would have “just said no” in the past 6 months?  And how many libraries have had to explain to patrons how to email PDF documents to themeselves to use Bluefire?  Also, making changes to the patron interface is very high-touch on the part of OverDrive, and libraries pay for that, whether it is a good thing or a bad thing.  On the one hand, the library does not have to do the set up or maintenance, which is good.  On the other hand, the library can’t do simple changes for itself, either, like changing the loan period, or creating special topic promotional selections for the holidays, which is not so good, and adds to the cost.  On the third hand, (and yes, I know I’ve created a extra-terrestrial here), usage is up, up, up.  Usage equals access equals bandwidth.  At my LPOW, we had more than tripled bandwidth for all of our internet usage in less than three years, and that cost money.  At the same institution, OverDrive is now used twice as much in one month as is was in three whole months when the service first started.  The additional bandwidth usage on their end has to get factored in somewhere.

New York Times Best Seller List PicAnother part of what the platform fee pays for is the platform that librarians use to send more money to OverDrive.  In other words, libraries pay for the right to spend more money.  The best thing that OverDrive could do would be to make it as easy as possible to spend more money.  But it isn’t all that easy, especially compared to the tools that we are used to using with print and AV vendors.  In fact, the purchasing process has gotten worse in the wake of the Harper Collins mess, because now Harper Collins titles must be searched and purchased separately.  But the purchasing side of the equation needs to be updated.  There are a lot of simple tools that could help this process, such as standing order plans for ebooks, and standing order plans for the 25 or 50 or 100 most popular authors, pre-publication availability, etc.  Or just an automatic plan to get anything that reaches the New York Times Bestseller List.  The tools we have available to get stuff available or upcoming on the print side needs to be replicated, because explaining to patrons is painful, as I wrote here not long ago.

Barnes and Noble NookThe other piece that libraries get is customer support.  Whether customer support is adequate or not is always in the eye of the beholder.  Ebook readers and iPads were the gift of this past holiday season.  The email I received from a colleague who had given her 95 year old mother a Nook and was requesting the loan period on ebooks be increased to 28 days because her mom couldn’t finish a book in less than that (and 28 days is the standard loan period for a print book at that library) told me that ereaders were in the hands of a population that no one expected.  Most libraries have limits to their ability to support the tech behind this revolution.  Between all of us at my LPOW, we could figure out a lot of things, but if a patron had a problem downloading to a Palm Treo, we were collectively out of experts, and we called OverDrive.  A smaller library would have a smaller pool of in-house users, experts and converts to draw on, but might need just as much customer support, and might have just as many, or more, patrons going directly to OverDrive. 

There has to be a better way to make this work.  Providing ebooks and other downloadable content is one the fastest growing services that public libraries provide.  As the price of ereaders continues to drop, as more and more people use smartphones instead of landlines, reading on a mobile device is going to penetrate even more of every library’s service population.  If we don’t get on this bus it will leave us behind. 

But it would be better if we drove the bus.  Or at least, had a chance at “backseat driving” this bus.  For other materials that libraries purchase, we have choices about where to spend our money.  There are two major book jobbers, not one.  And there are several in the next tier.  There are multiple vendors who provide AV material, who also must compete for the library business.  Only in the online spaces do we end up in the position where we have to negotiate for the “best one of one”.  Even if that “one” were very, very good, competition for our business would make it better for everyone–for the vendor, for the libraries, and for our patrons.

What could Abraham Lincoln and Elizabeth Tudor possibly have in common?

Pride and Prejudice and Zombies coverThere has been a trend in pop literature in the past two years to re-write great works of literature to include horror elements, usually for comic or satiric effect. Some of the results are hilarious, some are fairly dreadful. Patient Zero in this trend (to mix metaphors in the extreme) was the strange, bizarre and absolutely screamingly funny in-joke that was Pride and Prejudice and Zombies, written by the great Jane Austen and edited or amalgamized (or whatever) by Seth Grahame-Smith. This crazy thing, I personally think at least partially on the strength of a truly fantastic cover, was a surprise commercial success. Therefore, it begat sequels, spinoffs and sideways imitations.

Now they have slipped sideways into a variation of alternate history where real historic figures were supposedly vampire slayers or vampire hunters. I kid you not. On the surface, two historic figures less likely to imagine as even having the spare time to stalk vampires during the night than either Abraham Lincoln or Queen Elizabeth I could hardly be found. Why pick them? What could they have in common to make them likely, or even compelling, targets for such a treatment.

There are so many differences. Male and female, obviously. An elected leader vs a queen by right of inheritance. They are separated, not just by an ocean of salt water, but by an ocean of three centuries of time. And yet, they are both figures that fascinate in history. They both led their nations during eras when those nations were on the cusp on becoming, but had not yet become world powers. Times when their people were under grave threat. From our modern viewpoint, they are seen as leaders in times and places where personal leadership particularly mattered, and that they rose to the challenges they faced.

Elizabeth Tudor, Vampire Slayer CoverThe Secret History of Elizabeth Tudor, Vampire Slayer, is written using a time-honored literary tradition. Elizabeth’s secret diaries were supposedly unearthed during the very real fire at Windsor castle in 1992 and the first volume is now being published, after the public events mentioned in the diary have been verified. The story is told in Elizabeth’s voice, her perspective on events in the very first weeks of her reign as she discovers that she is the heir, not just to the throne, but also to the powers of vampire slayer, the first in a millenium–the first since her ancestress, Morgaine, better known to history as Morgan le Fay.  And the King of the Vampires that Elizabeth must face is none other than Mordred, the illegitimate son of King Arthur.  Tying the vampires to the end of Camelot makes for masterful storytelling, and leaves the door open for a sequel.  Because there is a question that runs throughout the story.  Mordred may not be Elizabeth’s enemy.  Historically, England in Elizabeth’s time had many enemies, particularly Spain, as the attempted invasion by the Spanish Armada showed.  Those enemies are very much present, as are the foes she has within her court.

Lucy WestonHowever, as much as I enjoyed the story itself, and the melding of the real history with the supernatural elements, trying to sell the idea that the editor of the diaries was the Lucy Weston from Bram Stoker’s Dracula was just one stage too far.  There’s a concept called the “willing suspension of disbelief” and that just tore it.

Abraham Lincoln, Vampire Hunter coverAbraham Lincoln, Vampire Hunter, also pretends to be a publication of secret diaries.  But at least the “real” author (Seth Grahame-Smith again) isn’t claiming to be someone else fictional.  The author tries to make the diary entries sound like Lincoln, and to therefore sound like someone writing in the mid-19th century.  It’s a difficult trick to manage, and whether he completely succeeds, I’m not certain.

But the premise is compelling, if strange.  Abraham Lincoln experienced several deaths in his early years of the people surrounding him.  Deaths that contributed to the man he became.  Both his mother and his first love (if you subscribe to that belief in the first place).  In Grahame-Smith’s version, both of those deaths were caused by vampires.  And Lincoln becomes a vampire hunter out of a desire for revenge.  Unlike Elizabeth, he has no special talent for the work, he is simply big and strong and wants to kill as many as possible.

The Civil War, the defining event of the 19th century United States, is not left out.  In this version of both the War and Lincoln’s life, vampires control the Southern States, and are slave owners.  The vampires want to expand slavery, because slaves are not merely property, they are food.  No one questions what happens to someone else’s slaves.  Humans are always food to vampires, but this objectifies the practice even more.  Human slave owners are colluding with the vampires, either out of a desire to be on the winning side, out of a hope to be spared, or merely out of the knowledge that as collaborators, they will be taken last.  Discovering what vampires do to slaves makes Lincoln a firm abolitionist in addition to a vampire hunter.

But Lincoln has no particular talent for this work, he is just strong and vicious.  At the age of 16, he is nearly killed on a hunt.  He is saved by a vampire named Henry Sturgis, who, along with many of his fellow vampires, believes that slavery is wrong, that killing humans other than criminals for food is wrong, and that the slave holders and other “evil” vampires must be stopped at all costs.  Henry also declares that he has had glimpses of Lincoln’s destiny, and that Lincoln is “just too interesting to die.”

Martin Luther King Dream speechThis book was not about changing history.  Everything that needs to happen, does happen.  The world we know, does come to pass.  But history is viewed through a different lens.  “What if?” asks the author, and then views that “if” through Lincoln’s point of view.   The North still won the war.  Lincoln was still shot and killed at Ford’s Theatre.  The difference?  The vampires found the new Union without slavery inhospitable and fled the country.  John Wilkes Booth was a vampire.  But the image that sticks with me from the book is the ending.  Lincoln and Henry standing in the shadows of the Lincoln Memorial, watching Martin Luther King, Jr. deliver his “I Have a Dream” speech.

Hanging together or hanging separately

I’ve said this before, I am a Librarian. 

I read Karen Schneider’s post at Free Range Librarian about a speech made by Jeff Trzeciak, the University Librarian at McMaster’s University in Canada.   My reaction to the post was to go “Spot on, Karen!”, and then to sit through the speech.

Wading past the opening, self-congratulatory section of the speech, as I focused on the purport of Trzeciak was really saying, I realized something really quickly.  I’ve heard this speech before.  Not the exact details–but the gist–out of the mouths of public library directors.

This is the “Tree of Libraries are Doomed” speech.  “Libraries are Doomed” unless “visionary” directors make radical changes that pointedly do not include librarians. 

An equally insidious branch of this tree has sprouted in public libraries, among directors who seem to be using the current economic crisis to devalue and de-professionalize libraries and librarians, instead of recognizing that it is our expertise that will make us relevant in the years to come.  The only differences between what Mr. Trzeciak proposed for McMasters and what is happening right now in public libraries is that public libraries are creating positions more generically for degrees other than the MLS rather than just PhDs and public libraries don’t generally have the option of creating positions specifically for post-doc appointments.  Otherwise, everything on this slide applies to public libraries as well.

Whenever I hear the variations of this speech, I hear a librarian who wants to say he is different from all the other librarians, and that the way he is going to set himself apart is providing new, edgy services.  And that the other librarians are not capable of providing those wonderful new, visionary services, that only other professions are capable, so he’ll hire staff from those professions into new positions, so he can re-write the job descriptions and get around any institutional regulations that would normally require him to hire librarians or even to retain librarians currently in place.  But traditional library services, what few are needed, like direct public service, are not really professional work according to this mantra, and should be de-valued and performed by trained paraprofessionals who will get slightly more pay (hopefully) to handle patron facing services where every library of every type needs to put its best and its brightest.  But thinking that all the library needs to provide good readers’ advisory services are the shelving staff because they know which books get used most is not the way to go.

Do libraries, all libraries, need to change in response both to economics and technology?  Yes!  Should we examine, and possibly change, the mix of staff that libraries hire in response to those changes?  Yes, we should.  Are librarians capable of making the changes needed and providing cutting edge services and even getting out in front of change?  Hell yes!

This is a case where the quote from Benjamin Franklin comes to mind, “We must, indeed, all hang together, or, most assuredly, we shall all hang separately.”  This school of thought, that only other people can make libraries relevant in the future, is deadly for the profession, for the public, and for the institutions that we serve.  If Borges is right, and “Paradise will be a type of library”, it will be because of librarians and the service ethic that we work by.

Goodreads or Library Thing or Shelfari???

The Scream by MunchIf I’m going to weed my collection, I have to keep track of what I’ve read some other way.  Really, truly, or I’ll go mad.

Let me back up.  I have a regular book talk I do on science fiction and fantasy from a reader’s perspective.  I normally do it by updating my bibliography and using current trends as a jumping off point for themes.  I update the bibliography from, you guessed it, looking at my bookshelves.  Which won’t exist after the “grand culling of the books” that is about to be performed.

I really only want to do this once.  I know I have north of 5,000 books to enter, and probably closer to 10,000.  Not joking.  We didn’t completely unpack this time, we never quite got to the end of the alphabet, mostly because we never got the last few shelves set up.  We never quite found room for them. 

But what’s an avowed biblioholic to do?  There’s Goodreads, and there’s Library Thing and there’s Shelfari.  I could use any one of them to track the great dismantling, but I want something that will keep track of everything, what I get rid of, what I read from now on, what I like, and what I didn’t.  And, of course, all my TBRs.  Does anyone have any recommendations for which one would be best?  Not to mention why they think it’s best?

Digital era

There are a multitude of benefits to remote work for both employees and employers, but a common one that I’ve noticed is that employees feel more committed to the company because they know they have the option of leaving at any time.

The main reason for this effect is that if the organization doesn’t support it, remote workers will quit. Many people who quit for that reason believe that it’s the entire company’s fault. They would probably be wrong. Companies that support remote work know that it’s inevitable. The company that offers remote work knows that it’s inevitable that people will have to move. If you support your remote workers, they will stick around. With so many employees working remotely it can also be very tricky managing them all, but did you know that you can monitor an employee computer to check on what they are doing? This makes managing them so much easier and improves productivity a great deal so is well worth doing.

How do you support remote workers?
When you are a manager, you have a few choices. You can make this a core part of your office policy. If you don’t do this, the company can provide remote work support. Some employers do, others don’t. Either way, you will make a point to support remote workers. It’s not about forcing them into remote work. It’s about allowing them to have remote work. You may want to make a few additional exceptions in the case of emergencies, but it’s important to make it clear that this is a part of your office policy. You can also do one of three things. The third option is to offer a package. The company may support remote work from a local computer that you have for use by your employees, so long as: It may seem a bit expensive. The cost will be covered by the company as long as you provide a remote computer for use by remote workers .It can cost as little as a few dollars a day. When employees are remote, the cost can vary significantly. The option can also cost much more. If your office offers a package, you can provide an internal Web-based software program that automates the process of adding the remote workers to the corporate network. You don’t have to use the company’s remote-worker option to manage your remote employees. You can also create your own policies. For example, you may want to include people from a company in a large network of remote workers without requiring that they work with your remote office. Or you might not need the company’s remote-worker option. If you do need the company’s remote-worker option, use its Remote Desktop program to remotely access the company’s corporate network and administer the computers of your remote employees. If you want to manage the computers remotely, then you must use Windows.

Note Using remote-worker programs to manage your employees is a well-established practice in the United States. But use of such software for any business other than small- or medium-sized businesses is prohibited by the federal Electronic Signatures in Global and National Commerce Act, 15 U.S.C. 7001 et seq. If you provide such software, you may be subject to civil and criminal penalties under that act and other federal laws governing the theft or unauthorized access of a computer or other property. Because of the risk of fines and criminal penalties, companies usually avoid the use of such software for remote access. Instead, the company generally enables only employees who are physically onsite at a company facility to use the remote-worker program for work-related purposes.

Vampires and Venice?

Friends ask me to tell them something good to read.  Sometimes I do it whether they ask or not.  They’re still my friends, so they must not mind.

Fallen Blade CoverTwo books I just recommended were The Fallen Blade, by Jon Courtenay Grimwood, and Of Saints and Shadows by Christopher Golden.  At first, they seemed not much alike.  Blade is historic, set in an alternate Venice of 1407, at the height of the power of La Serenissima, as the floating city-state is frequently referred to.  At first, it seems difficult to discern who the main character might be, whether it is the head of the Assassini, the Guild of Assassins, or Lady Giulietta, the cousin of the current Duke, or perhaps the slave who is given the name Tycho when he is rescued from the hold of a ship without his memory or his identity.

But Tycho is a vampire, even if he doesn’t remember his people, his powers or his original purpose.  And Venice is not the Venice we know.  It contains not just the Assassini (historically, Venice undoubtedly did have plenty assassins, whether they had a formal guild or not) but also witches, and especially, werewolves.

The Fallen Blade is the labelled Act One of the Assassini Trilogy.  This is a dark and dangerous alternate world, grim and brutal.  For a book that is first in a trilogy, it ended on a surprisingly down beat.

Saints and Shadows coverOf Saints and Shadows shouldn’t have had too many points of comparison with Blade.  Really.  But it did.  Saints is, after all, urban fantasy, more or less.  It starts out as a private detective type-mystery, except that the PI in question is a vampire.  Peter Octavian is not his real name, either, but at least Octavian remembers who he is, and who he was.  But he is still searching for his identity, too, in a sense.  His search is that he is aware that what he has been told are limits to his powers, are not, in fact, necessarily limits.  He is forced to find the evil behind those limits.

Saints is the first book in a series.  The series was originally started in the mid-1990’s, but has been re-printed in its entirety this year and a new title has just come out.  The dark and gritty feel of Saints matched right up to Blade.  Again, for the first book in a series, it ended on a fairly grim note.  Also, although it started in New York, most of the real action, including the big finish, took place during Carnival at, you guessed it, Venice.

Next time I send him a recommendation, it needs to be a little cheerier, or he’s going to worry.

Why isn’t every book available as an ebook at the library?

I’m writing this to help librarians explain to patrons why every single ebook available in Amazon is not available at the library.

At my LPOW, I was the person who handled all the downloadable stuff.  I selected all the ebooks, all the downloadable audio, I looked for new sources, I monitored trends in the market.  I also answered patrons’ questions about why we didn’t always buy what they wanted.  I did that a lot.  Not because I didn’t want to buy what they asked for, but because what they asked for wasn’t available.

Background stuff here.  My LPOW is a medium-sized public library in Florida and reasonably well funded.  They have also developed a very nicely responsible kind of human-powered Patron Directed Acquisitions.  I received 20-60 requests per week for ebooks and downloadable audio.  Every selector received that many requests for whatever they selected, I just said “no” more than anyone else.  Not because I wanted to, not because the library couldn’t afford to purchase what was requested, but because the material wasn’t available in the library marketplace for various weird reasons that were harder and harder to explain to colleagues, let alone patrons.

The Harper Collins issue has had one good side effect.  It has raised consciousness among librarians about the fact that two of the big six publishers, Macmillan and Simon & Schuster, are not available in the library lending space at all as far as ebooks are concerned.  On the April 1 online NYT best seller list for Fiction, two of the top 15 are from St. Martin’s, a Macmillan imprint, and not available to libraries.  The non-fiction list has two titles from S&S, likewise not available to libraries.

However, as loud as the outcry has been about Harper Collins sudden change regarding libraries, at least they are still talking to us.  Macmillan and S&S are not at the table.  How many libraries would jump at the chance to make the bestsellers and backlist from those publishers available at the same deal that is condemned from Harper?

The issues with making ebooks available are much more complicated than a simple yes or no based on publisher, HC notwithstanding.  Some “big name” authors from publishers that do operate in the library space do not make their latest works available until after the title is off the hardcover bestseller list.  It’s an observable pattern, one that I saw over two years of purchasing.  James Patterson’s latest two books, Toys and Tick Tock, are not available to libraries.  His earlier books are available.  The same is true for other authors.

The explanation to patrons that even though they can see on Amazon or Barnes and Noble that an ebookis available for them to buy, but the library can’t buy it to lend to them, can be a hard sell.  After all, libraries buy books and lend them to patrons all the time, why shouldn’t it be the same with ebooks?  At least from the patron’s point of view.

This all comes back to the belief that library lending costs publishers in their bottom line.  I’ve seen various statistics, all sliced and diced depending on who is trying to make which argument.  Libraries create readers.  Libraries hand-sell.  Libraries bring audiences to books and authors, especially new and mid-list authors.  Publishers want to talk about the bestsellers, and libraries want to talk about the totality.  This is an apples and oranges argument.

And no one brings up audio.  According to the statistics I’ve seen, libraries are the big market for unabridged audio.  Hasn’t anyone noticed that Harper Collins didn’t reduce the lending limit on their downloadable audio?

There are other issues surrounding the whole process of libraries making ebooks available to patrons.  The process with print books is pretty much worked out.  Libraries are able to order three months or more pre-publication, and users expect that a new book will be in the catalog three months or so before it comes out, and people who want to read it first (or second, or twenty third) place holds on it.  Three months out, it’s usually pretty certain that a print book is actually going to get published and be available.  Not 100%, but reasonably so.

Ebooks don’t work that way.  I couldn’t order three months ahead, even if I knew something was coming out, and I was reasonably certain it would be available.  A few things might be available pre-pub a week, or occasionally a little longer.  But, even though I could be almost certain that a given author’s ebook would be available on the print release date (J.D. Robb or Jonathan Kellerman), I had no way of being 100% certain, or ordering the title and making it available for holds.  There are no automatic order plans for ebooks the way there are for print books, or even for downloadable audio.  I had to wait, and so did the public.  I also had to explain.  And saying I know but I don’t know, or I’m pretty sure but not absolute sure, or I think so but our suppliers won’t tell us until the release date, makes the library look stupid by not getting a new supplier.  Except, of course, there is a paucity of suppliers for popular content in the library market space.

So, it’s not just the usability issues.  The end-user side is getting better, although it still has a way to go.  But the back-end functionality, and the issues surrounding it, and explaining them, to end users and to colleagues, is downright painful.

Read or listen?

The name of the wind is not “Mariah”, just in case anyone still remembers that very old song.  A friend quipped that to me when I said I was listening to Patrick Rothfuss’ The Name of the Wind a couple of weeks ago.  Name of the Wind Cover

Yes, I know, I should have read it when it first came out.  But that was 4 years ago!  See, I was patient and now I don’t have to wait for the sequel, since it’s finally out.  But dammit, he committed trilogy!  Who knows how long it will be until book 3?

And I’m not patient.  I’ve been listening to Name of the Wind.  It’s marvelous.  This is a great fantasy.  It’s storytelling.  Kvothe is telling his story to the Chronicler, and he emphasizes that he didn’t do things the way that he would have if he’d known it was a story, because he was living it.  It’s beau-ti-ful.

There is a symmetry in my listening to the audio and the fact that in the story, Kvothe is actually telling the story.  It’s as though he is telling me the story.  But, but, but, it is taking him forever and ever to get on with it.

Wise Mans Fear CoverListening to a book, especially a 667 page book (yes, I have a print copy too, it’s an old Advance Reading Copy, I kept it) takes a long time.  28 hours to be precise.  I’m halfway done.  I could finish the book, if I read it, tomorrow sometime, or maybe Thursday at the latest.  And I could thumb to the end, if I wanted to see how stuff turned out.  Then I could start book 2 (Wise Man’s Fear) a LOT sooner.

Decisions, decisions, decisions.