Source: publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, western romance
Series: Copper Ridge #9
Published by Harlequin Books on August 29th 2017
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository
He's come back to Copper Ridge, Oregon, to keep a promise—even if it means losing his heart…
Putting down roots in Copper Ridge was never Alex Donnelly's intention. But if there's one thing the ex-military man knows, it's that life rarely unfolds as expected. If it did, his best friend and brother-in-arms would still be alive. And Alex wouldn't have inherited a ranch or responsibility for his late comrade's sister—a woman who, despite her inexperience, can bring tough-as-iron Alex to his knees.
Clara Campbell didn't ask for a hero to ride in and fix her ranch and her life. All she wants is the one thing stubborn, honorable Alex is reluctant to give: a chance to explore their intense chemistry. But Clara has a few lessons to teach him, too…about trusting his heart and his instincts, and letting love take him on the wildest adventure of all.
It’s a wild but very satisfying ride to the angst factory in the latest book in Maisey Yates’ Copper Ridge series.
And there’s no one whose very angsty heroines I like better than the women in this series. The best books in this series, at least for this reader, have been Last Chance Rebel, Down Home Cowboy, and the latest, Wild Ride Cowboy, and they all feature heroines who have more than the average amount of really awful baggage to carry.
There’s just something about the way that this author creates heroines that have really, truly suffered, but still get up and keep on going, that just works for me. What I love is that the angst and heartbreak that these women suffer is not llama drama fodder, nor has some man done them wrong. It’s that life has hit them upside the head by stuff way beyond their control, and that while they may be temporarily down, they are never out.
And that the entry of a good man, or a bad man trying to be good, into their lives does not magically solve all their problems – because their problems, like Clara’s in this particular story, are not ones that can really be solved. Only survived.
Not that Alex Donnelly’s belated re-introduction into Clara’s life doesn’t make things a bit easier for her, because it does. But the real story is the way that Alex’ insertion into Clara’s life and Clara’s ranch gives her the space she needs to get a grip on her own stuff. And that Clara’s advent into Alex’s life gives him the equal opportunity to finally deal with the heavy baggage that he’s been toting around his own life.
These are two people to whom a lot of shit has just plain happened, and neither of them have done the best job of shoveling it out of the way. In their own ways, they’ve spent more time wallowing in it than mucking it out.
Considering that Clara ends up with bison on her ranch, there’s going to be plenty of real manure to step around, without trucking in it from both of their pasts.
Clara has basically had a hard-knock life. She was 12 when her mother died, 16 when her dad went the same way. Now she’s 21, and her brother, her only remaining family, has been killed in action. Clara is all alone with her ranch and her grief, and not much else. There’s been too much death and not enough life in her life, and the accumulated mourning has finally beaten her to her knees. She may look like she’s coping on the outside, but she’s sunk in the morass and just can’t see her way out.
The ranch is all she has, but every corner of it is filled with memories of someone she lost. On her own, it’s going to take her a long time to come out of the dark, but there’s never a sense that she won’t get there one way or another. The problem is that in her grief she’s ignoring a whole lot of things that won’t let themselves be ignored for very long – like the bills she has to pay and the lawyers she needs to see. And it’s not even that she can’t pay the bills, it’s that she’s unwilling to open the envelopes and deal with the finality of her brother’s death.
Alex Donnelly has been ignoring his grief and his responsibilities for far too long. Clara’s brother was Alex’s best friend, and the man is dead because he stepped in front of a hail of bullets that was intended to kill them both. Now Alex is left to mourn, and to take care of the obligation that his friend left him with.
Alex is the executor of his friend’s estate, and the will has made him the “caretaker” of both the ranch and Clara for one year or until the ranch is self-supporting. Alex is in charge of the one thing that Clara believed was all her own. After all, she’s the only person who has been around to take care of it. And even though keeping the ranch has taken up her entire life, it is all she has.
But Alex has put off helping Clara so that he can get as settled in as he ever does at the Laughing Irish ranch that he has inherited along with his three brothers. The opening of that story is a big part of Slow Burn Cowboy. Now that Alex is as settled in as he ever gets, it’s time for him to take care of Clara.
So that he can move on again. Because that’s what he always does. He moves on before someone asks him to leave. Because they always do.
When Alex finds himself making a home with Clara, and wanting to make a real life with her, he doesn’t want to leave. But he knows it can’t last.
Or can it?
Escape Rating B+: Like the heroine in the marvelous Last Chance Rebel, Clara is a woman who has much too much real crap to deal with. She’s only 21, and everyone she’s ever loved has died. When we meet her she is still in the depths of her grief for her brother. She’s not despairing, she’s just beyond numb. It makes the earliest part of the book a hard read, because Clara is in such a dark place.
Alex becomes her light in the tunnel. But there’s an old joke about when you see a light in the tunnel, there’s a good chance that it’s an oncoming train. And that’s what Alex thinks of himself. His foundational experience is that he isn’t good enough for anyone to stay with, including, or perhaps especially, his own parents.
He’s certain that he’s not good enough for Clara, that he’s not worthy of her love or her trust. And he spends a whole lot of time being insulting about Clara’s age and agency, pretending that at 21 she’s not old enough to know her own mind and heart, and that at 31 he’s too old and too damaged for her.
Mostly, he’s just protecting himself. And Clara, rightfully, calls him on his bullshit. Because Alex is both stubborn and scared, there’s plenty of b.s. and she has to call him on it multiple times. It’s easy to wonder if he’s ever going to get the message, or whether she’s going to have to beat it into him with a clue-by-four.
The delivery of said clue-by-four in the hands of Alex’s equally dysfunctional brother Liam, makes for a satisfying ending to Wild Ride Cowboy, and sets things up nicely for Liam’s own story in Christmastime Cowboy. It looks like presents for everyone!
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