Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: historical fiction
Published by Atria Books on August 7, 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
New York, 1924. Twenty‑four‑year‑old Jenny Bell is one of a dozen burgeoning artists invited to Louis Comfort Tiffany’s prestigious artists’ colony. Gifted and determined, Jenny vows to avoid distractions and romantic entanglements and take full advantage of the many wonders to be found at Laurelton Hall.
But Jenny’s past has followed her to Long Island. Images of her beloved mother, her hard-hearted stepfather, waterfalls, and murder, and the dank hallways of Canada’s notorious Andrew Mercer Reformatory for Women overwhelm Jenny’s thoughts, even as she is inextricably drawn to Oliver, Tiffany’s charismatic grandson.
As the summer shimmers on, and the competition between the artists grows fierce as they vie for a spot at Tiffany’s New York gallery, a series of suspicious and disturbing occurrences suggest someone knows enough about Jenny’s childhood trauma to expose her.
Supported by her closest friend Minx Deering, a seemingly carefree socialite yet dedicated sculptor, and Oliver, Jenny pushes her demons aside. Between stolen kisses and stolen jewels, the champagne flows and the jazz plays on until one moonless night when Jenny’s past and present are thrown together in a desperate moment, that will threaten her promising future, her love, her friendships, and her very life.
This is a story about finding beauty in what is broken. It is also a story about creeping menace among the beauty. And it’s a love story. Not just about romantic love, but also the love of family, the love of making beauty – and love gone very, very wrong.
As the story begins, Jenny Bell is standing in the charred ruins of Laurelton Hall, looking back at her past. Or at least one particular summer of her past, the summer of 1924, how she got there, why she left, and finally, what brought her to come back, and look back, on the events that transformed her life – both the dark side and the light.
Laurelton Hall was the real-life home of a school for artists run by the famous artist and designer Louis Comfort Tiffany. Yes, that Tiffany, of the gorgeous stained glass windows and the little signature blue boxes. (At least, the only Tiffany boxes I’ve ever received have been very, very small.)
Tiffany’s Foundation sponsored summer artists’ retreat for several years. (This is real, not fictional.) Jenny Bell and most of the events of the summer of 1924, however, are mostly fictional – with the possible exception of the visit by Thomas A. Edison.
Jenny is an artist, a painter, who is exploring the creation and perception of light through her paintings. But she has washed all the colors out of her work after a terrible tragedy, accompanied by an equally terrible miscarriage of justice. And even though Jenny was not to blame for the events that have cast a shadow over her life – she is the only one left who knows the truth of the day that her stepfather died. Not just why and how his death occurred, but why the events that came afterwards seemed necessary at the time.
But Jenny put that horrible day, and the years that followed it, behind her. Or so she thinks. At least until her past follows her to Laurelton, and takes away her brightest future.
Unless it is not too late to pick up the threads she left behind.
Escape Rating A-: There are so many marvelous things to unpack about this story. All of them fascinating and all of them guaranteed to both keep the reader on the edge of their seat and draw them deeply into the world of Laurelton and the Jazz Age.
Jenny is a great character to follow. She is both very, very strong and completely broken all at the same time. As are the people who become closest to her, her best friend Minx Deering and her lover Oliver Tiffany. But then, all of the artists who come to Laurelton are broken in one way or another. World War I feels just barely over, and even those who did not serve lived in its terrible shadow.
And the frenetic gaiety that followed has caused its own damage.
Jenny tries to be an enigma to those around her, but inside her own head she is all too aware of what happened and what she did. But also what she didn’t. And she’s paid a very high price for protecting her mother and her unborn brother – a price that in its aftermath may not have been worth it after all.
Even though she has tried to bury her past, there is someone at Laurelton who seems to know at least the public version of events, and either wants to reveal her secrets, punish her more directly, or just break her all over again – for reasons that Jenny does not know.
All she knows is that something is very, very wrong, and both she and her friend Minx are in terrible, but terribly different, kinds of danger. The portrait of a woman who knows that there is something wrong, who fears that she knows at least part of what that is, but is too afraid to ask for help and for a long time too willing to disbelieve her own fears is both compelling and all too familiar.
The air of creeping menace is palpable, and permeates the whole story. It casts a shadow over the beauty of the place, much in the way that the contrast between shadow and light creates both beauty and perspective in art.
In the end, the resolution is both cathartic and bitter. Jenny pays a great price, yet again, for a crime that she did not commit. But then there is the sweet, and the ending shows that there is beauty in the breakdown, and even in the shards of our lives.
~~~~~~ GIVEAWAY ~~~~~~
I’m giving away a copy of Tiffany Blues to one very lucky US or Canadian commenter!