Source: publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: Chick Lit, women's fiction
Series: Lowcountry Tales #12
Published by William Morrow on May 28, 2019
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository
New York Times-bestselling author Dorothea Benton Frank returns to the American South in this latest novel about friendship and love that is full of heart, humor, and rich description.
A woman wounded by her past comes to Sullivan's Island, South Carolina to find new meaning in life and to find herself. As she takes up a new hobby of beekeeping, she begins to come into her own and rebuild her life. When a new friend comes in and she finally allows for something more than just "friendship", everyone will realize that life could use a little taste of sweetness.
In what is sure to be another classic, Dorothea Benton Frank weaves a fun tale of self-discovery, love, and friendship with her signature charming wit, indelible poignancy, and hallmark themes.
This book is a fun read and a hot mess at the same time. I would have thought those two things would be mutually exclusive, but after reading Queen Bee, they definitely are not.
Let me explain…
But first, I’d like to perform a bit of public service. The blurb for this book bears virtually no resemblance to the actual book. The book the blurb represents might be a very good book, but it certainly isn’t this book. At all.
To begin with, Holly Jensen doesn’t come to Sullivan’s Island, she already lives there. In fact, she grew up there and hasn’t left except for college. Nor does just just “take up” beekeeping. She IS a beekeeper and she has been one for several years. In fact, she’s an established beekeeper who has well-maintained hives full of happy bees who give her plenty of honey to sell – as well as giving her a sympathetic ear – or a thousand ears – when life starts closing in..
That new friend isn’t new, either. They went to school together. They just seem to have lost touch with each other over the years. As happens, even in small towns.
It happens especially easily in this case because Holly has found herself shackled to Sullivan’s Island, taking care of her cantankerous mother, the actual Queen Bee of the title. That “friend” of hers is in the nearby town, a member of the local police.
The person who does come back to town, because she’s been wounded by her present, not her past, is Holly’s sister Leslie. Leslie married Charlie, a man Holly refers to as “the wallet”, and blithely moved to Charleston. It seemed like Leslie’s marriage was perfect – at least self-absorbed Leslie made it seem that way.
Then again, everything Leslie does is perfect, at least in the eyes of the Queen Bee. Holly resents her sister’s freedom, resents being stuck on Sullivan’s Island taking care of their mother, and resents her mother’s resentment that Holly isn’t “perfect” Leslie. Because it seems to Holly that Leslie can do no wrong and she, Holly, can do no right.
When Leslie comes home, the three lives of the three women get forcibly kicked out of the ruts they’ve all been stagnating in – in more ways than one.
Leslie’s back because her husband, Charlie the wallet, wants to make a new identity for himself as a female impersonator, and is off to a contest in Atlantic City to see if he has a chance. He expects Leslie to be enthusiastically supportive of his decision, even as Charlie begins changing their entire lives to live as Charlene rather than Charlie.
(And that’s the last time I’ll refer to Charlie as either Charlie or as “him”, because from this point forward a gender-neutral pronoun is required.)
Leslie is more than a bit confused by the changes, and both she and the Queen Bee are at the “not just no but hell no” stage of, let’s call it, non-acceptance.
Then things change. A lot. Charlene wins a prize in the contest, and decides to stretch their wings by moving to Las Vegas to participate in even more contests. Charlene want to make a career out of this, and really, seriously want to become a star.
Leslie, hesitatingly, reluctantly, moves from “hell no” to being more open-minded, and ultimately more supportive. Holly, completely open-minded about Charlene, is just plain grateful that Charlene’s need for a support team and especially a costume designer gets the Queen Bee out of the depressive, self-destructive funk she’s been living in for years and temporarily moves her from Sullivan’s Island to Vegas to help Charlene take the first steps into this new world.
Meanwhile, back home, Holly is on her own and feeling relieved and miserable at the same time. On the one hand, she has the freedom to do what she wants when she wants without her mother’s constant negativity and harping.
On that other hand, what Holly wants is to finally get close to the widower next door. She’s been helping him out with his two young sons ever since his wife died, and she’s hoping there might be something more there. She fancies herself in love with him.
He fancies himself using her as an unpaid babysitting service while he marries a woman who makes the Wicked Witch of the West seem like a saint. That the original Wicked Witch is killed by a house falling on her head makes this resemblance surprisingly more relevant.
The bees fix everything for their queen. It’s up to Holly to take it from there.
Escape Rating B+: I have mixed feelings about this one. Lots of them. All of them.
First things first, this is a terrifically fast and fun read. It goes really quick, at least in part because there’s so much happening – and because so much of it is unexpectedly off the wall. And not in a bad way, either.
I will say that Holly is a doormat for way too long. She doesn’t grow a spine until 2/3rds of the way through the book, and listening to her internal dialog about Arch-next-door gets really old, really fast.
Admittedly, from the way that Holly’s mother treats her at the beginning, Holly’s spine has been pretty much surgically removed every single day of her life. It’s a bit of a miracle that she manages to grow one at all. But doormats do not compelling protagonists make – at least not for moi.
However, this is really a three-pronged story. Holly has a third, Leslie has a third and the Queen Bee has a third. And that’s where things get interesting. And also completely off the script of that blurb.
Leslie’s story moves from negativity to acceptance and resolution. It’s a reasonable progression and also a positive one. In the end, Leslie supports Char and the changes in their life while coming to the conclusion that as much as she loves the person, she is no longer sexually attracted to them as a spouse.
The resolution of Leslie and Char’s story takes as much “book time” as Holly’s, and is more interesting to follow.
Then there’s the Queen Bee’s story. The QB gets a new lease on life by going to Vegas. She also finds love with the genderqueer Suzanne Velour, an older female impersonator who has taken Char under their rather capacious wing.
That romance is sweet and surprising for all concerned, including the QB and Suz themselves. Unfortunately for the story, that romance feels a bit “shot out of a cannon” and proceeds too quickly. What we see of it is terrific, but it just happens too damn fast.
There’s a bit of “woo-woo” type magic between Holly and her bees – not enough to tip this into paranormal, but enough to make it feel like things happen on Sullivan’s Island, and in the Lowcountry, that just don’t happen anywhere else.
In the end, I liked the book, and had a good time reading it. I’ll admit to some serious questions about why two thirds of the story, featuring two genderqueer characters, were completely erased from the blurb. Anyone picking this book up based on the blurb is going to be surprised. Hopefully as pleasantly as I was, but surprised nonetheless.
Holly is the one who sums up this story, and all the relationships, best, when she says that “love comes in every color, shape, and size”, and that every life needs a little bit of sweetness. And she’s right.