#BookReview: Murder at King’s Crossing by Andrea Penrose

#BookReview: Murder at King’s Crossing by Andrea PenroseMurder at King’s Crossing (Wrexford & Sloane, #8) by Andrea Penrose
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Wrexford & Sloane #8
Pages: 368
Published by Kensington on September 24, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

For fans of Miss Scarlet and the Duke and Bridgerton—a masterfully plotted mystery that combines engaging protagonists with rich historical detail and “an unusually rich look at Regency life,” (Publishers Weekly), plus a touch of romance that readers of Amanda Quick and Deanna Raybourn will savor.
Celebration is in the air at Wrexford and Charlotte’s country estate as they host the nuptials of their friends, Christopher Sheffield and Lady Cordelia Mansfield. But on the afternoon of the wedding, the festivities are interrupted when the local authorities arrive with news that a murdered man has been discovered at the bridge over King’s Crossing, his only identification an invitation to the wedding. Lady Cordelia is horrified when the victim is identified as Jasper Milton, her childhood friend and a brilliant engineer who is rumored to have discovered a revolutionary technological innovation in bridge design. That he had the invitation meant for her cousin Oliver, who never showed up for the wedding, stirs a number of unsettling questions.
Both men were involved in the Revolutions-Per-Minute Society, a scientific group dedicated to making radical improvements in the speed and cost of transportation throughout Britain. Is someone plotting to steal Milton’s designs? And why has her cousin disappeared?
Wrexford and Charlotte were looking forward to spending a peaceful interlude in the country, but when Lady Cordelia resolves to solve the mystery, they offer their help, along with that of the Weasels and their unconventional inner circle of friends. The investigation turns tangled and soon all of them are caught up in a treacherous web of greed, ambition, and dangerous secrets. And when the trail takes a shocking turn, Wrexford and Charlotte must decide what risks they are willing to take with their family to bring the villains to justice . . .

My Review:

The difference between “I’ve got a bridge to sell you” and “I’ve got revolutionary plans for building bridges to sell you” should be the width of a chasm – but it’s not nearly as far as one would expect in this latest entry in the Wrexford & Sloane Regency mystery series, after last year’s Murder at the Merton Library and the previous year’s Murder at the Serpentine Bridge.

There we go, bridges again! This one is pretty much bridges and bodies all the way down – with the occasional added Bonaparte. Not that Bonaparte is personally on the scene, but rather that this story takes place towards the end of his first brief exile. (Wrexford and company do not, as this story takes place, know precisely when that exile will end, but the handwriting was most definitely on the wall.)

The story begins when tragedy strikes in the midst of celebration. Wrexford and Sloane’s best friends, ‘Kit’ Sheffield and Lady Cordelia, finally tie their own marital knot at Wrex’s country estate. The celebration is intended to be small, close friends and family only, but one guest – or perhaps two guests – are missing, depending on how one counts. One is Lady Cordelia’s cousin Oliver Carrick and the other, Jasper Milton, is one of the dear friends who helped her sneak into mathematics lectures at Cambridge in male disguise.

Her happiness is dimmed when her friend’s body is found with her cousin’s wedding invitation as his only identification, putting her missing cousin in the frame for the murder.

And that’s where the bridges come in and cross the entire case. Her friend Milton had been hinting about a revolutionary new design that would allow bridges to be built in areas where it had been formerly considered impossible. If true and practical – and most likely yes to both because Milton truly was a genius – it would allow the new railroads to reach smaller and more remote towns. In turn, this would allow working class people to move to where their labor was needed instead of being stuck where they were born – and practically trapped.

There’s a lot of money to be made with Milton’s last designs – if they can be found. There’s also the potential for a lot of radical upheaval if those designs come to fruition – both at home and abroad.

Milton’s friends seem to be doing their damndest to place the frame for his murder around Cordelia’s cousin Oliver. At least until they start dropping like flies in their turn, at times and places where Oliver has an ironclad alibi. And yet, as far as Wrexford is concerned – and in spite of Cordelia’s hopes and fears – Oliver’s behavior makes him look guilty as sin.

There are too many in pursuit of those plans, muddying the waters and adding to the body count. Time is running out for Wrexford and Sloane to figure out who really ‘done’ it before the noose closes around the wrong neck. Or necks. Or their own.

Escape Rating B: It took the longest time for this particular entry in the series to grab me. Once it finally did, I was hooked again, but it took longer than usual. It was probably a combination of not being quite the right book at the right time, the domesticity of the early scenes (which I love but not quite so thoroughly front-loaded) AND the fact that the characters were flailing around to get even a glimpse of a direction for a bit longer than is usual for this generally über-competent crew.

Not that they were not trying – just that someone in the mix was deliberately obfuscating the situation and the clues were thin on the ground to begin with – in part because of the aforementioned malign, obfuscatory influence.

So this particular entry in the series had a LOT of plot threads going on, threw out a barrel of red herrings, and it took a fair bit of the book for those herrings to get re-gathered into the proper nets. Howsomever, as much as the process of getting there drove me a bit batty, the actual solution was priceless in the manner of those old MasterCard commercials.

Where this story was lovely was in the way that the relationships among the members of this extended found family continued to grow and deepen. Not just that Kit and Cordelia finally tied the knot, but also that the Weasels are both growing in number and growing up, which should provide plenty of family drama for future entries in the series.

Which I’m very pleased to say will be at least three more as the author has announced on her blog that she’s recently been contracted to continue the series with three more adventures. So I have hope that this time next year Wrexford & Sloane will be back!

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 9-29-24

“Nobody expects the Spanish Inquisition!” No one expects a power failure, either. But with the weather here at the end of the week, let’s just say that it seemed prudent to expect that latter possibility. (I’m still not expecting the Spanish Inquisition!)

Luna, however, DID seem to be expecting the Spanish Inquisition – or at least something equally as bad. She hid – a LOT. When she wasn’t hiding, she expected Galen and I to be her ‘security humans’ – clinging to whichever of us was handy at the time. So today’s picture is Luna, participating in one of Galen’s work meetings. She’s clearly observing the proceedings VERY closely.

On the bookish side of things, that potential power outage had me rearranging the end of the week rather a bit. I already had the review of Fear the Flames written, while I’m still in the middle of reading Murder at King’s Crossing, so Wednesday afternoon I finished up the week with what I had ready and started on Stacking the Shelves and this Sunday Post, just in case either the power or the internet went out. Which they didn’t. The only thing out is the refrigerator, which is ‘out’ of pretty much everything!

One final note on this week’s Sunday Post. I changed my mind about one of the ratings of this week’s books. Or rather, audiobooks. Rating Graveyard Shift as an A- wasn’t sitting right with me over the week. It should have been an ‘A’ Grade, and so now it is!

Current Giveaways:

Falling Into Leaves Giveaway Hop (ENDS TOMORROW!!!)
$10 Gift Card or $10 Book PLUS EVENT-WIDE AMAZON/PAYPAL PRIZE in the Early Fall Giveaway Event
$10 Gift Card or $10 Book in the Fall 2024 Seasons of Books Giveaway Hop

Blog Recap:

Fall 2024 Seasons of Books Giveaway Hop
Grade A #AudioBookReview: Graveyard Shift by M.L. Rio
A- #BookReview: Queen Macbeth by Val McDermid
B #BookReview: The Lantern of Lost Memories by Sanaka Hiiragi, translated by Jesse Kirkwood
A- #BookReview: Fear the Flames by Olivia Rose Darling
Stacking the Shelves (620)

Coming This Week:

Murder at King’s Crossing by Andrea Penrose (#BookReview)
Scaredy Cat Giveaway Hop
The Restaurant of Lost Recipes by Hisashi Kashiwai, translated by Jesse Kirkwood (#BookReview)
One Big Happy Family by Susan Mallery (#BookReview #BlogTour)
Shoestring Theory by Mariana Costa (#BookReview)

Stacking the Shelves (620)

I’m doing this a couple of days early this week because Hurricane Helene – not that she’ll still be an actual hurricane by the time she reaches Atlanta. But we will get LOTS of wind and rain, which has the potential for falling trees and downed power lines, so I’m running ahead a bit just in case. I’m hoping it works as a countermeasure, that by planning for it we won’t actually lose power.

Luna is clearly wigged out by the storm – even just the heavy rain Wednesday night. She spent the evening huddled under the sink in the downstairs bathroom, as it’s the one room in the house that has no windows.

I do have a few – just a few (LOL) – books to read if we get stuck indoors for the weekend. The pretty covers this time around are Austen at Sea, The River has Roots and Still Life with Remorse. Although I think an ‘honorable mention’ could be awarded for Eat the Ones You Love. That cover is beautifully done – but seriously creepy!

The books I’m most curious about are the Yard Birds series that begins with Crazy as a Loon. I read a review of the final book in the series, Free as a Bird, at Caffeinated Reviewer, and I was intrigued. Also hoping the series will be a bit reminiscent of Never Too Old to Save the World and A Key, an Egg, an Unfortunate Remark as they all feature female protagonists that are not so much ‘of a certain age’ but looking at that ‘certain age’ through the rearview mirror but still kicking ass and taking names even if they have to use a cane to do it.

The one I’m most looking forward to, for the next time I really need a comfort read, to absolutely no one’s surprise, is The Blanket Cats.

For Review:
10/7: 100 Human Stories by Lee Yaron
Austen at Sea by Natalie Jenner
The Blanket Cats by Kiyoshi Shigematsu, translated by Jesse Kirkwood
Eat the Ones You Love by Sarah Maria Griffin
Murder by Memory (Dorothy Gentleman #1) by Olivia Waite
The Prince Without Sorrow (Obsidian Throne #1) by Maithree Wijesekara
The River has Roots by Amal El-Mohtar
Still Life with Remorse by Maira Kalman

Purchased from Amazon/Audible/Etc.:
Crazy as a Loon (Yard Birds #1) by Hailey Edwards (ebook + audio)
Dead as a Dodo (Yard Birds #2) by Hailey Edwards (ebook + audio)
Free as a Bird (Yard Birds #3) by Hailey Edwards (ebook + audio)


If you want to find out more about Stacking The Shelves, please visit the official launch page

Please link your STS post in the linky below:


A- #BookReview: Fear the Flames by Olivia Rose Darling

A- #BookReview: Fear the Flames by Olivia Rose DarlingFear the Flames (Fear the Flames, #1) by Olivia Rose Darling
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: epic fantasy, fantasy, fantasy romance, romantasy
Series: Fear the Flames #1
Pages: 384
Published by Delacorte Press on September 17, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

An exiled princess teams up with the last man she thought she could trust in the start of a dazzling and unforgettable epic fantasy romance series.As a child, Elowen Atarah was ripped away from her dragons and imprisoned by her father, King Garrick of Imirath. Years later, Elowen is now a woman determined to free her dragons. Having established a secret kingdom of her own called Aestilian, she’s ready to do what’s necessary to save her people and seek vengeance. Even if that means having to align herself with the Commander of Vareveth, Cayden Veles, the most feared and dangerous man in all the kingdoms of Ravaryn.
Cayden is ruthless, lethal, and secretive, promising to help Elowen if she will stand with him and all of Vareveth in the pending war against Imirath. Despite their contrasting motives, Elowen can’t ignore their undeniable attraction as they combine their efforts and plot to infiltrate the impenetrable castle of Imirath to steal back her dragons and seek revenge on their common enemy.
As the world tries to keep them apart, the pull between Elowen and Cayden becomes impossible to resist. Working together with their crew over clandestine schemes, the threat of war looms, making the imminent heist to free her dragons their most dangerous adventure yet. But for Elowen, her vengeance is a promise signed in blood, and she’ll stop at nothing to see that promise through.
An immersive fantasy filled with a sizzling reluctant-allies-to-lovers romance, a world to get lost in, dangerous quests, dragon bonds, and an entertaining band of characters to root for, Fear the Flames marks the stunning debut of Olivia Rose Darling.

My Review:

Historically and fictionally speaking, there seem to be two types of prophecies. Some prophecies are vague and mysterious and mysteriously vague – think of Nostradamus – and resemble 20/20 hindsight, in that they are only able to be interpreted after the fact – which one would think would be a bit beside the point by that point!

Then there’s the other kind, the prophecies that seem really specific – which they kind of are. But they’re specific because they are self-fulfilling. The classic example is Oedipus Rex. The poor man was prophesied to kill his father and marry his mother – but it only comes about because dear old dad tries to prevent it from coming about. There’s also that truly dreadful prophecy about Harry Potter and He-Who-Must-Not-Be-Named that totally and utterly derails Potter’s whole, entire life.

I’d say I’m digressing but I’m actually not, because Princess Elowen of Imirath’s life was thrown into an equal and equally painful amount of chaos and destruction by an equally terrible prophecy that was brought about by the direct actions of her very own dear old dad attempting to thwart it.

At the celebration of her first birthday, Elowen was gifted with a quintet of dragon eggs. The eggs were positively ancient and assumed to be merely curious fossils at this point in their long existence.

But we wouldn’t have a story if that were true – so of course it’s not. The eggs hatch into not one or two but FIVE baby dragons who instantly imprint on and bond with the equally tiny princess. The prophecy that goes along with the event foretells that the bond between the little princess and her dragons will either doom her country, or bring it to even greater heights of glory – and nothing in either of those fates says anything about the fate of her father, the man who currently sits on the throne of Imirath. Whether doom or glory is coming – he seems to have no part in it at all.

Out of fear and jealousy, to save his country and his throne – or so he believes – King Garrick of Imirath, little Elowen’s father – does his absolute worst to thwart the prophecy. He should have known better.

Fear the Flames is the story of more-than-once-beaten and bloodied Princess Elowen coming home to deliver a brutal lesson that she’s spent her entire life preparing. In many stories, revenge is a dish best served cold, but for Elowen, the only way to achieve both justice and vengeance is in a blast of dragon fire.

Escape Rating A-: Romantasy as a genre, like its sister from another mister Science Fiction Romance, has to straddle the line between its two genres and has to dig itself deeply into that fence line to the point where its feet touch the ground on both sides. Which, all too often, ends up with splinters in some VERY uncomfortable places – even when it’s successful at that endeavor.

Which is pretty much the case in Fear the Flames. I have a couple of tiny quibbles, but for the most part Fear the Flames works and it works well. From my own personal perspective, it seemed that although it does successfully straddle that line between fantasy and romance, the foot on the romance side of the equation is just a bit more firmly planted. Your reading mileage, of course, may vary. I certainly found it impossible to put down!

The Elowen we meet at the beginning of her story is the product of long years of torture and darkness at the hands of her father and his henchmen – as well as a daring and desperate escape. She’s reached adulthood as queen, not of her birthright Imirath, but of the tiny hidden kingdom of Aestilian. But her little kingdom is a refuge for many fleeing from her father’s increasing tyranny, and with each new immigrant comes greater danger of either discovery or simple starvation. Or both.

To protect her people, Elowen leaves her kingdom to forge an alliance with neighboring Vareveth, seemingly in a case of the enemy of my enemy is my friend as the hand of Imirath’s tyranny stretches further each year.

All of the above is political, and very. Just the kind of epic political warfare that epic fantasy is known for. Elowen’s rise from prisoner to power has the shadows of grimdarkness looming over it in the grandest of style.

And then there’s the romance, a fantastic – in more ways than one – story of enemies to lovers, with all the steamy intensity of forbidden passion and ringed round with the spikes and thorns of an epic betrayal.

That all of this – and it’s compelling pretty much every step of the way – is just the beginning of a truly sweeping story of love and revenge will leave readers panting for more. Which they’ll get in Wrath of the Dragons, coming not nearly soon enough in 2025.

#BookReview: The Lantern of Lost Memories by Sanaka Hiiragi, translated by Jesse Kirkwood

#BookReview: The Lantern of Lost Memories by Sanaka Hiiragi, translated by Jesse KirkwoodThe Lantern of Lost Memories by Sanaka Hiiragi, Jesse Kirkwood
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: literary fiction, magical realism, world literature
Pages: 208
Published by Grand Central Publishing on September 17, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

From acclaimed Japanese author Sanaka Hiigari comes a heartwarming, life-affirming novel about a magical photo studio, where people go after they die to view key moments from their life—and relive one precious memory before they pass into the afterlife.
The hands and pendulum of the old wooden clock on the wall were motionless. Hirasaka cocked his head to listen, but the silence inside the photo studio was almost deafening. His leather shoes sank softly into the aging red carpet as he strode over to the arrangement of flowers on the counter and carefully adjusted the angle of the petals...
This is the story of the peculiar and magical photo studio owned by Mr. Hirasaki, a collector of antique cameras. In the dimly lit interior, a paper background is pulled down in front of a wall, and in front of it stands a single, luxurious chair with an armrest on one side. On a stand is a large bellows camera. On the left is the main studio; photos can also be taken in the courtyard.
Beyond its straightforward interior, however, is a secret. The studio is, in fact, the door to the afterlife, the place between life and death where those who have departed have a chance—one last time—to see their entire life flash before their eyes via Mr. Hirasaki's "spinning lantern of memories."
We meet Hatsue, a ninety-two year old woman who worked as a nursery teacher, the rowdy Waniguchi, a yakuza overseer in his life who is also capable of great compassion, and finally Mitsuru, a young girl who has died tragically young at the hands of abusive parents. 
Sorting through the many photos of their lives, Mr. Hirasaki also offers guests one guests a second a chance to travel back in time to take a photo of one particular moment in their lives that they wish to cherish in a special way.
Full of charm and whimsy, The Lantern of Lost Memories will sweep you away to a world of nostalgia, laughter, and love.

My Review:

If it’s true that your life passes before your eyes when you die, then The Lantern of Lost Memories is the story of how that precious reel of memories gets made – and more importantly, what that reel is made OF.

Mr. Hirasaki is the proprietor of a very special photo studio, a waystation on the journey between life and whatever comes after. Unlike the people who visit him, Mr. Hirasaki doesn’t remember who he was before he died. He also doesn’t know what comes after, because he’s stuck at his shop. It’s possible that he’ll move on someday, but he’s not eager to move on – at least not yet.

He’s still hoping that someone will come along who knew him in life, and can fill in the blank pages of his own memory. While he’s waiting, he helps others fill in theirs.

The story here is made up of three stories that interconnect – even if the individuals who have arrived at Mr. Hirasaki’s shop are not aware of it as they pass through. And neither is he.

From 92-year-old nursery teacher Hatsue, to the 47-year-old yakuza supervisor Waniguchi, to young Mitsuru, the process is the same. Just before each of his clients arrives, Mr. Hirasaki receives a shipment of photographs from the client’s life, one bundle for each year.

Needless to say, Hatsue’s box is considerably heavier than the others – but that’s as it should be.

For each person, the job is for the client to go through the photos and choose one picture from each year of their lives to represent that year. From those photos, the proprietor creates a lantern, perhaps a bit like an old fashioned zoetrope, and certainly a work of art.

The key part of each story isn’t the lantern – it’s the process of creation and the memory that goes into it. Each of the adults has one picture, an often referred to and much-loved picture – that is faded and worn because it’s been handled so often, even if just in memory. To refresh that one, precious photo, Mr. Hirasaki takes them back to the day it was taken, and spends 24 hours there with them where they can observe but not interact, refresh the photo, and tell him all about the specific memory, the day it happened, and the life that was wrapped around it.

None of which exactly works for the very young, abused to the point of absolute fear and almost complete silence, Mitsuru. It shouldn’t be her time to pass through his shop. But no one should have to go back to the situation she has only temporarily escaped from.

Which brings the story back around, full-circle, to the place it began, with Mr. Hirasaki, his shop of memories, and the reason he has none himself.

Escape Rating B: I’ve been making my way through a whole series of books very much like this one. They follow a similar pattern in which the location is magical or magic-adjacent, the function of that place allows for a semi-detached proprietor to serve a variety of people whose stories function as a series of vignettes within an overarching theme. Some of those stories have happy endings, but the overall tone is often bittersweet, as those vignettes are little slices of life – and not all lives are happy ones.

On a kind of magical realism spectrum, The Lantern of Lost Memories is closest to The Dallergut Dream Department Store and Water Moon, where the location is fully magical and adjacent to the real world but not part of it. A place that can only be found if all the circumstances are met, and if it needs you as much as you need it.

Before the Coffee Gets Cold and The Full Moon Coffee Shop take place  in locations where there is a bit of magic but are fully a part of the ‘real world’, while What You are Looking For Is In the Library and The Kamogawa Food Detectives are fully ‘real’ and easy enough to find and yet, something magical happens out of their very normalcy.

As I said, I’ve been reading books like this a lot this year, and I have more coming. They are all very much hot cocoa, warm fuzzy blankets and warm purring cat kind of books. Not too long, not too short and just right all the way around.

This one tripped me up just a bit, as I was looking for that interconnectedness and wasn’t in the least sure that I found it – not until the very end. It helps to make this story make more sense if, as part of one’s willing suspension of disbelief, the reader also sets aside the idea that time is linear – because that may be our reality but isn’t what’s happening here.

In these interconnected stories, time is a möbius strip that turns back on itself until the end is the beginning and the beginning is the end. Then it makes a whole lot more sense AND gets that much more magical, all at the same time.

A- #BookReview: Queen Macbeth by Val McDermid

A- #BookReview: Queen Macbeth by Val McDermidQueen Macbeth by Val McDermid
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: historical fiction, retellings, Scottish history
Series: Darkland Tales #5
Pages: 144
Published by Atlantic Monthly Press on September 24, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Shakespeare fed us the myth of the Macbeths as murderous conspirators. But now Val McDermid drags the truth out of the shadows, exposing the patriarchal prejudices of history. Expect the unexpected . . .
A thousand years ago in an ancient Scottish landscape, a woman is on the run with her three companions – a healer, a weaver and a seer. The men hunting her will kill her – because she is the only one who stands between them and their violent ambition. She is no lady: she is the first queen of Scotland, married to a king called Macbeth.
As the net closes in, we discover a tale of passion, forced marriage, bloody massacre and the harsh realities of medieval Scotland. At the heart of it is one strong, charismatic woman, who survived loss and jeopardy to outwit the endless plotting of a string of ruthless and power-hungry men. Her struggle won her a country. But now it could cost her life.

My Review:

Shakespeare, for the most part, did an excellent job of writing stories that made an indelible imprint on the public consciousness – and still do. It’s pretty much impossible to hear the name “Macbeth” and not think of the version of both the title character AND his lady as ambitious traitors and multiple murderers driven by supernatural forces and haunted by ghosts.

Just as it’s nearly impossible to think of Richard III without having Shakespeare’s portrayal of an evil mastermind who killed his nephews and lost his crown – in spite of the evidence that has come to light refuting nearly all of it.

Shakespeare’s stories are just better, and considerably more memorable than the actual tales that history tells. Whoever he was, he was damn good at his job. Part of which was to please the powers-that-be of his day, so that his plays could continue to be produced and performed – and so that he could keep himself out of prison and his head attached to his shoulders.

Which is where the genesis of many of Shakespeare’s historical plays, including both of the above, comes in. Just as Richard III was a real, historical figure in English history, so too was Macbeth a real, historical figure of Scottish history.

A figure about whom little is known, because the historical Macbeth lived in the early to mid-11th century and there isn’t much in the historic record. Probably something to do with that being the historical period known as “The Dark Ages”.

Shakespeare lived, and wrote, in the late 16th and early 17th centuries, nearly 600 years later. He based many of his historical plays on Holinshed’s Chronicles, a famous – but later considered infamously inaccurate – ‘comprehensive’ history that was published in Shakespeare’s time.

In other words, Shakespeare made a lot of things up, and a lot of the things he didn’t make up were based on the things that Holinshed made up.

Which is precisely where this retelling of the Macbeth story comes in, told not from Macbeth’s perspective or even featuring Macbeth as the central character, but instead told from the perspective of Gruoch, Macbeth’s, ‘lady’, or more historically correct, his ‘queen’.

Although, as seen from this point of view, it seems that Gruoch may have been the prime mover of events after all, with the help of her own coven of ‘witches’. Which may explain precisely why Shakespeare reduced her to a secondary character – and a villainous one at that.

Escape Rating A-: I picked up Queen Macbeth because this is the second retelling of the Macbeth story from Gruoch’s perspective, set in something much closer to the historical context, to be published this year. The other being Lady Macbeth by Ava Reid.

While the two books come out of very similar premises, they surprisingly don’t resemble each other at all. Lady Macbeth leans quite a bit on the supernatural/paranormal potential that derives from Shakespeare’s version, with family curses and chained witches and imprisoned seers – with a dragon lover as Gruoch’s reward for dealing with Macbeth. Her version makes Macbeth the villain and Gruoch a victim who finally takes matters into her own hands.

This version, Queen Macbeth (which I personally liked a bit better), hews closer to what is known about the historical figures and the original time period. Gruoch and her ladies are always in danger of being called out as witches, but their witchcraft is of the herbal, medicinal and occasionally poisonous variety. One seems to have visions of the future that often, but not always, come true – but that’s as far as the supernatural element seems to go.

Mostly, it’s that Gruoch and her women are intelligent, educated and independent, and as is known from the witch trials of centuries later, that’s was often all it took for women to be condemned as ‘unnatural’ and in league with the forces of evil.

The story of this Gruoch and her Macbeth tells a story of political machinations, true partnership and enduring romance – even as it includes a happy ever after, of a sort, that is plausible based on what is known but unlikely – and makes for a satisfying, if somewhat open ended, conclusion for the reader.

Howsomever, as little as this version of the Macbeth story owes to Shakespeare, in the reading of it it seems to owe considerably more to a different chronicler. Specifically, this reader at least saw a lot of resemblance to Guinevere’s story in Thomas Malory’s Le Morte d’Arthur (The Death of Arthur). Although, again, with a considerably happier ending, if only because there’s neither a Lancelot or a Mordred to mess things up.

I’m aware that I keep talking ‘around’ this story instead of ‘about’ this story because a) it’s not exactly new, it’s part of the literary trend of telling classic stories from a female perspective that was popularized by Madeline Miller’s Circe a few years back, and 2) the circumstances that surround this particular participant in that trend grabbed me more than the story itself. A fascination that only grew when I learned that this book is the latest in a series of Darkland Tales, which reexamine and even re-imagine some of the darkest chapters of Scottish history by 21st century writers. The other stories in this series so far, Rizzio by Denise Mina, Hex by Jenni Fagan, Nothing Left to Fear from Hell by Alan Warner, and Columba’s Bones by David Greig, all intrigue me, but particularly Rizzio with its connections to the court of Mary, Queen of Scots.

They all look like stories to turn to on a dark and stormy night, and I plan to do exactly that when the mood strikes.

Grade A #AudioBookReview: Graveyard Shift by M.L. Rio

Grade A #AudioBookReview: Graveyard Shift by M.L. RioGraveyard Shift by M.L. Rio
Narrator: Jess Nahikian, Max Meyers, Si Chen, Susan Dalian, Tim Campbell
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Gothic, horror, mystery, thriller
Pages: 144
Length: 3 hours and 9 minutes
Published by Flatiron Books, Macmillan Audio on September 24, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Author of sales sensation If We Were Villains returns with a story about a ragtag group of night shift workers who meet in the local cemetery to unearth the secrets lurking in an open grave.
Every night, in the college’s ancient cemetery, five people cross paths as they work the late shift: a bartender, a rideshare driver, a hotel receptionist, the steward of the derelict church that looms over them, and the editor-in-chief of the college paper, always in search of a story.
One dark October evening in the defunct churchyard, they find a hole that wasn’t there before. A fresh, open grave where no grave should be. But who dug it, and for whom?
Before they go their separate ways, the gravedigger returns. As they trail him through the night, they realize he may be the key to a string of strange happenings around town that have made headlines for the last few weeks—and that they may be closer to the mystery than they thought.
Atmospheric and eerie, with the ensemble cast her fans love and a delightfully familiar academic backdrop, Graveyard Shift is a modern Gothic tale in If We Were Villains author M. L. Rio’s inimitable style.

My Review:

I almost saved this one for Halloween, because it’s just the kind of horror-adjacent book that I love to pick for spooky season. But it’s out this week – and I simply didn’t want to wait that long!

Even though this particular “graveyard shift” takes place in an actual graveyard, the story doesn’t start out all that creepy. Unhealthy, maybe, but not creepy.

The ‘Anchorites’ are a group of insomniacs who meet up at midnight in a graveyard for a quick smoke. The ancient but historically significant cemetery and the church it’s attached to just happen to be the only location in the middle of a busy college campus that is the requisite distance from ALL of the various campus entrances. It’s the only place where it’s OK to smoke that anyone attached to the campus can reach during the length of a typical work break.

Two of the ‘Anchorites’ hang around because they work an actual night shift. Theo, the manager at a nearby bar, and Tamar, working her second job as a hotel night desk manager. Edie, the editor-in-chief of the college newspaper, is too stressed out hunting for the paper’s next story to sleep. Tuck, a washed-out grad student with no place to go, is squatting in that derelict church and can’t resist the temporary camaraderie. Hannah, a rideshare driver, has had chronic insomnia for so long that she doesn’t seem to sleep at all.

The graveyard hasn’t been used – except by desperate smokers – in at least a century. They’re safe smoking in the middle of campus in the middle of the night. Or so they assume.

Until the night when they arrive for their not-exactly-arranged, never-truly-spoken-about, midnight rendezvous – and discover a freshly dug grave in the middle of their usual meeting place. Led by editor-in-chief Edie, they can’t resist speculating about whodunnit? Or perhaps this time it should be ‘who dug it?’

A question that gets answered when the gravedigger comes back, dumps a load of dead lab rats in the grave and covers it over – while they collectively hide all around and watch.

This game really is afoot – and so is one escaped lab rat making a literal meal out of one of the petrified Anchorites.

From there the story is off to a surprisingly twisted race, as Edie sees a story that might win her and her paper a prestigious award, Tamar sees a chance to use her library degree and her research talents for something other than merely checking in hotel guests or checking out books, Tuck sees an opportunity to use his experience with scientific laboratories and his knowledge of mycology to investigate a rogue project, while Theo sees a way to help the only friends he has. Hannah, however, seeks revenge on the people who gave her hope – and then snatched it away.

What they’re going to get is likely to be considerably more than any of them imagined, for good and definitely for ill.

Escape Rating A: Graveyard Shift wasn’t at all what I was expecting – it was better! It’s not really horror, although very Gothic in tone in spite of its contemporary setting, at least until the very, very end where the reader is left wondering – as are a couple of the characters.

But as it goes, it sucks the reader – or listener in my case – into this story, every bit as much as the ‘Anchorites’ get sucked into following Edie in pursuit of the potential newspaper story.

That story is told as snippets of the night, each slice of time from a different character’s point of view. This worked even better in the audio, as the five characters are voiced by five different narrators. (Insert here my usual rant at the lack of information about who voiced whom. As a group, Jess Nahikian, Max Meyers, Si Chen, Susan Dalian and Tim Campbell did a fantastic job but I very much wish I knew who voiced which part.)

One of the things that makes this story so riveting is the way that the tension seems to build almost minute by minute – and how we’re inside each character’s head as they experience their particular slice of that tightening noose. Particularly as the investigation continues feverishly through the single night of the story, and the identity of the person or persons who are about to get hung out to dry – figuratively if not literally – zeroes in on the real target.

Even as the group of investigators gets deeper and deeper into their own personal fog of jittery exhaustion.

I got caught up in this story in multiple ways. I always love a good story about an investigation – and this was definitely that. While Edie, the editor is at first idly speculating, she does have the threads of a big scoop in her hands – even if her moral compass has been knocked more than a bit askew after chasing stories for so long. There is something rotten going on, and it needs to be brought out into the light.

The ‘Anchorites’ as a group are fascinating, and part of that fascination is in their unacknowledged interconnectedness. They ARE friends, but they are each so used to being friendLESS that they’re pretty much incapable of acknowledging that fact. The way the telling of the story bounced from one to the other keeps the story hopping and the reader on their toes.

That the guilty parties got their comeuppance in the end was absolutely righteous, and the way that the story ended with just that shivery touch of frightening possibility made for the icing on a deliciously creepy horror-adjacent, Halloween-anticipatory reading cake. I’ll certainly be looking for the author’s next book, Hot Wax, when it comes out in January.

Fall 2024 Seasons of Books Giveaway Hop

Welcome to the Fall 2024 Seasons of Books Giveaway Hop, hosted by It Starts At Midnight and Versatileer!

Once upon a time, this was the Month of Books Giveaway Hop, now it’s the Seasons of Books Giveaway Hop, with the hops starting on the days the seasons change. Yesterday, Sunday, September 22, was the first official day of fall for 2024, and this hop did officially start then. But the hop organizers are VERY understanding, so those blogs that participate get a few days grace to post their giveaway post – a grace I am always grateful for when the first day of the season is on a weekend.

Not that it feels like fall around the ATL this particular right now, as it’s been in the 90s over the weekend and is expected to reach almost that high today. Of course next weekend is predicted to be in the mid-70s and rainy, so fall may be fell around here in a few days. We’ll see.

Whatever the weather, the question this season is the same question it’s always been for one of these particular hops. What book or books are you most looking forward to this season?

I’m never looking forward to just one thing when it comes to books. Here are a few that are at the top of my list for this fall of 2024:

Candle & Crow by Kevin Hearne
The Crescent Moon Tearoom by Stacy Sivinski
Echo by Tracy Clark
The Grey Wolf by Louise Penny
The Legacy of Arniston House by T.L. Huchu
Murder of a Suffragette by Marty Wingate
The Restaurant of Lost Recipes by Hisashi Kashiwai
Rough Pages by Lev A.C. Rosen
A Snake in the Barley by Candace Robb
The Teller of Small Fortunes by Julie Leong

What about you? What books are you most looking forward to this season? Answer in the rafflecopter for your choice of either a $10 Amazon Gift Card or $10 in books so you can get one or two of the books on your list!

a Rafflecopter giveaway

For more fabulous fall prizes, be sure to visit the other stops on this hop!

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 9-22-24

Today is the first day of 2024’s Banned Books Week! So celebrate your freedom to read by reading a banned book to see what the challenge really is all about. Learn what is actually IN the book in question to see for yourself why is made so many people so very uncomfortable – which is what banning is REALLY all about. I could say more, but anything I might come up with has been said better elsewhere, to take just one example, Stephen King’s essay from 1992 titled “The Book-Banners: Adventure in Censorship is Stranger Than Fiction”.

I’m going to change back to our usual run of cat and bookish news, inspired by this picture of George saying, “Make it stop, make it stop right MEOW!”

The schedule for this week is more or less solid, although the order may change as I’ve already finished Graveyard Shift – which was terrific in audio. The recap of last week includes a book (The Daughters’ War) that is certainly going to be on my “Best of the Year” list for this year as well as my Hugo nominations next year. Which I can’t believe I’m already thinking about, but now that it’s really, truly fall, even if the temperature is supposed to hit 90° today, the end of the year feels like it’s coming on fast.

Speaking of fall starting and summer ending, the Summer 2024 Seasons of Books Giveaway Hop ended at midnight. I may, or may not, be awake and functional at that point. If I’m not awake – which I was not – the winner announcement read TBD but it has now been filled in with the name of the actual winner!

Current Giveaways:

Falling Into Leaves Giveaway Hop
$10 Gift Card or $10 Book PLUS EVENT-WIDE AMAZON/PAYPAL PRIZE in the Early Fall Giveaway Event

Winner Announcements:

The winner of the Summer 2024 Seasons of Books Giveaway Hop is Michael

Blog Recap:

Falling into Leaves Giveaway Hop
A++ #AudioBookReview The Daughters’ War by Christopher Buehlman
#BookReview: The Sullivan’s Island Supper Club by Susan M. Boyer
A- #BookReview: Haunt Sweet Home by Sarah Pinsker
A- #BookReview: The Banned Books Club by Brenda Novak
Stacking the Shelves (619)

Coming This Week:

Fall 2024 Seasons of Books Giveaway Hop
Murder at King’s Crossing by Andrea Penrose (#BookReview)
Queen Macbeth by Val McDermid (#BookReview)
The Lantern of Lost Memories by Sanaka Hiiragi (#BookReview)
Graveyard Shift by M.L. Rio (#AudioBookReview)

Stacking the Shelves (619)

This is a not too ridiculously tall stack where everything turned out to be in pairs – not that it started out that way!

The two prettiest book covers, IMHO, are Hammajang Luck and The Serpent Called Mercy. Tea You at the Altar should have been a contender, but that slightly turned view that seems to be all that’s available at the moment makes the image too small to get the full effect. OTOH, it’s one of the two books I’m most looking forward to out of this week’s batch, with The Railway Conspiracy as the second in that category.

The two titles that I’m most curious about – although in entirely different ways, are the audiobook of The Atrocity Archives and the Mark Twain biography.

I’ve always meant to read Charles Stross’s Laundry Files series, of which The Atrocity Archives is the first book. But I was looking for a not-too-long audiobook to start this morning and saw that the narrator for this first book, along with most of the rest of the series, is one of my favorite videogame voice actors – and that made my decision for me.

The other book I’m really curious about is Ron Chernow’s Mark Twain biography. I don’t read a lot of biographies, and this book is an absolute doorstop at 1,200 pages, but I listened to Chernow’s Ulysses S. Grant biography at the same length and was utterly riveted – so I have high hopes for this book. (If Chernow’s name sounds familiar, that’s because he was the author of the Alexander Hamilton biography that Lin-Manuel Miranda used as the basis for the play Hamilton.

For Review:
Cold Eternity by S.A. Barnes
Cold Iron Task (Unorthodox Chronicles #3) by James J. Butcher
A Grim Reaper’s Guide to Catching a Killer (SCYTHE #1) by Maxie Dara
Hammajang Luck by Makana Yamamoto
Mark Twain by Ron Chernow
Notes from a Regicide by Isaac Fellman
Overcaptain (Saga of Recluce #24) by L.E. Modesitt, Jr.
The Railway Conspiracy (Dee & Lao #2) by SJ Rozan and John Shen Yen Nee
The Serpent Called Mercy by Roanne Lau
Tea You at the Altar (Tomes & Tea #3) by Rebecca Thorne

Purchased from Amazon/Audible/Etc.:
The Atrocity Archives (Laundry Files #1) by Charles Stross (audio)
Beginnings – The Sullivan’s Island Supper Club (Carolina Tales #1.5) by Susan M. Boyer


If you want to find out more about Stacking The Shelves, please visit the official launch page

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