The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 8-31-25

Today marks the unofficial end of summer. I don’t know about you, but I’m a bit wigged out that tomorrow is both Labor Day AND September 1. There’s supposed to be just a bit of a gap between those two!

Speaking of gaps, Luna is clearly still feeling the gap of our absence a couple of weeks ago. Today’s picture is of Luna at her very Luna-est, reminding the whole entire universe just how cute she is and asking how dare we leave her to the mercies of the cat sitters. She’s still being very clingy, but she’s just so adorable about it that neither of us has the heart to move her, even when we should.

Because seriously, that face. Who could stand to disappoint that face? Certainly not anyone in THIS house.

In other, bloggy news, tomorrow’s giveaway will be my first foray into using RafflePress in place of dear, departing Rafflecopter. It should be easy peasy, but keep your fingers crossed for me! For all of us!

Current Giveaways:

$10 Gift Card or $10 Book in the Summer 2025 Seasons of Books Giveaway Hop
$10 Gift Card or $10 Book PLUS EVENT-WIDE AMAZON/PAYPAL PRIZE in the Late Summer, Dog Days & Back to School Giveaway Event!

Blog Recap:

B #BookReview: Framed in Death by J.D. Robb
C #BookReview: We’ll Prescribe You Another Cat by Syou Ishida translated by E. Madison Shimoda
A- #BookReview: All the Ash We Leave Behind by C. Robert Cargill
Grade A #AudioBookReview: Alchemy and a Cup of Tea by Rebecca Thorne
A- #BookReview: The Case of the Missing Maid by Rob Osler
Stacking the Shelves (668)

Coming This Week:

Glam and Glits Giveaway Hop
Ushers by Joe Hill (#AudioBookReview)
A Tangle of Time by Josiah Bancroft (#BookReview)
The Maiden and Her Monster by Maddie Martinez(#BookReview)
Fall Football & Halloween Giveaway Event!

Stacking the Shelves (668)

In a pretty creepy way, there’s an awful lot of pretty in this batch. Just think, Halloween is just two months away!

Honestly, I’m trying not to think about that part. Monday is Labor Day, and it seems like the year is on a fast slide from that point onwards – until it crashes head first into January 2 and it’s two or three months of unrelieved winter to get through.

But there are a bunch of pretty covers in this batch, In the Veins of the Drowning, The Keeper of Magical Things, The Lies They Told, Sisters of Fortune and even The Works of Vermin – although both the title and blurb for that last one also give me the shudders.

The books that I picked up for the title are The Ex-Boyfriend’s Favorite Recipe Funeral Committee because WTF? and Murder at the Wham Bam Club because that title is one hell of a teaser.

The books I’m most looking forward to are Air Force One, because I love the Miranda Chase series and I’m REALLY sorry to see it end, and Red City because I’ve heard rumors that it might scratch my Jade City itch. I’ve already read The Keeper of Magical Things and it was every bit as marvelous as its predecessor, The Teller of Small Fortunes. The book I’m terribly curious about is The Last Spirits of Manhattan.

I can’t wait to read ALL of them! What about you, what books are you looking forward to in YOUR stack?

For Review:
Air Force One (Miranda Chase NTSB #16) by M.L. Buchman
The Albino’s Secret (Metatemporal Detectives #1) by Michael Moorcock, Mark Hodder
All That We See or Seem (Julia Z #1) by Ken Liu
The Ex-Boyfriend’s Favorite Recipe Funeral Committee by Saki Kawashiro, translated by yuka Maeno
A Gargoyle’s Guide to Murder (Accidental Alchemist #9) by Gigi Pandian
The Haunting of Paynes Hollow by Kelley Armstrong
In the Veins of the Drowning (Siren Mage #1) by Kalie Cassidy
It Was Her House First by Cherie Priest
The Keeper of Magical Things by Julie Leong
Kill the Beast by Serra Swift
The Last Spirits of Manhattan by John A. McDermott
The Lies They Told by Ellen Marie Wiseman
Murder at the Wham Bam Club (Psychics and Soul Food Mystery #1) by Carolyn Marie Wilkins
The Princess Knight by Cait Jacobs
Red City (New Alchemists #1) by Marie Lu
Sisters of Fortune by Esther Chehebar
The Unveiling by Quan Barry
We Had a Hunch by Tom Ryan
The Works of Vermin by Hiron Ennes
You Belong Here by Megan Miranda

Purchased from Amazon/Audible/Etc.:
Booked (Museum of Literature Romance #1-3) by Jenn McKinlay (ebook + audio)

Borrowed from the Library:
Bride (Bride #1) by Ali Hazelwood


If you want to find out more about Stacking The Shelves, please visit the official launch page

Please link your STS post in the linky below:


A- #BookReview: The Case of the Missing Maid by Rob Osler

A- #BookReview: The Case of the Missing Maid by Rob OslerThe Case of the Missing Maid by Rob Osler
Format: eARC
Source: supplied by publisher via NetGalley
Genres: historical fiction, historical mystery, mystery, queer fiction
Series: Harriet Morrow Investigates #1
Pages: 320
Published by Kensington on December 24, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The acclaimed author of the Anthony, Agatha, Macavity, and Lefty Award-nominated Devil’s Chew Toy delights with the first in a new historical mystery series set in turn-of-the-20th-century Chicago, as America is entering its Progressive Era and Harriet Morrow, a bike-riding, trousers-wearing lesbian, has just begun her new job as the first female detective at the Windy City's Prescott Agency...

Chicago, 1898. Rough-around-the-edges Harriet Morrow has long been drawn to the idea of whizzing around the city on her bicycle as a professional detective, solving crimes for a living without having to take a husband. Just twenty-one with a younger brother to support, she seizes the chance when the prestigious Prescott Agency hires her as its first woman operative. The move sparks controversy—with skeptical male colleagues, a high-strung office secretary, and her boss, Mr. Theodore Prescott, all waiting for her to unravel under the pressure . . .

Only an hour into the job, Harriet has an assignment: Discover the whereabouts of a missing maid from one of the most extravagant mansions on Prairie Avenue. Owner Pearl Bartlett has a reputation for sending operatives on wild goose chases around her grand estate, but Harriet believes the stunningly beautiful Agnes Wozniak has indeed vanished under mysterious circumstances—possibly a victim of kidnapping, possibly a victim of something worse . . .

With Mr. Prescott pushing a hard deadline, Harriet’s burgeoning career depends on working through a labyrinth of eccentric characters and murky motives in a race to discover who made Agnes disappear. When her search leads to Chicago’s Polish community and a new friendship in Agnes’s charming older sister, Barbara, clues scattered across the city slowly reveal just how much depends on Harriet’s inexperienced investigation for answers . . . and the deep danger that awaits once she learns the truth.

My Review:

I had been intending to read another mystery this week, but the one I had wasn’t working for me, and this had been recommended by my reading group, so I started this instead and it immediately grabbed me – and well, there you go and here we are.

Where – and when – we are is Chicago in 1898, following 21-year-old Harriet Morrow in her first week as a private detective at the prestigious Prescott Agency. She applied for the job as an apprentice detective because she’s bored to death as a bookkeeper and tired of being unable to really use her brain in her work. But mostly because the job pays half again as much as she’d been making, and she’s the sole breadwinner for herself AND her 16-year-old brother.

She needs the money. She’s also pretty sure she’s not going to marry her way out of her financial dilemma, as she’s not the marrying kind. Not just because she bears absolutely no resemblance to the current popular standards for women’s beauty, but because she herself finds women attractive and men mostly annoying – at best.

She expects the new job to be a trial – or to be on trial – or honestly a bit of both. She’s still surprised she was hired AT ALL but intends to make the most of the opportunity. An opportunity which involves placating an elderly woman who lives next door to Mr. Prescott and, more relevant in this case, his wife. Mrs. Prescott wants to help her neighbor, Pearl Bartlett, who claims that her maid has gone missing.

Mr. Prescott expects Harriet to prove that the old woman is a bit ‘dotty’. Instead, she discovers evidence that suggests that the maid was kidnapped out of her third floor room in the middle of the night.

The case is hers. Harriet has a week to prove herself by finding the missing maid. Her investigation will take her from one end of Chicago to the other – by bicycle and streetcar and even the newly electrified ‘L’. One of her male colleagues will mentor her, while another does every underhanded thing he can to put her off the case and push her out the door, while the other women in the agency, the secretaries and clerks, sneer and snicker and snort in passive resistance to every move she makes.

But Harriet is intelligent, determined, and more than a little bit desperate. She’ll find Agnes Wozniak and prove herself to be a capable operative – no matter how many rules she has to bend and how many thugs she has to outrun. The job is hers to lose, and the world is hers to gain.

All she has to do is find one woman who someone doesn’t want to have found while learning more about herself and her capabilities than even she ever imagined. And survive the learning of it.

Escape Rating A-: This week started with a bit more of a whimper than I expected, but has certainly ended with a bang. Or more than a few bangs, if not quite an entire hail of gunfire. Either way, the week got better because I threw out my tentative plans and just picked up the books that called to me – and this was certainly one of those books.

What captivated me about this story is the way that it delves into so many things by letting us see this world that was through Harriet’s intelligent, discerning eyes. Because this case takes her from Chicago’s toniest neighborhoods to the heart of Polish Downtown, giving the reader a view of the gulf between Chicago’s wealthy upper classes and the rest of the city’s inhabitants as well as cycling its way into the insularity of its ethnic enclaves. The story dives deeply into issues of family dynamics and immigration, as Agnes’ own family ends up at war with itself. Agnes and her sister Barbara want to explore the freedom that America can give them, while their father expects to rule his roost just as he did in the ‘old country’.

Prescott’s initial assumptions about his neighbor shine a light on prevailing attitudes towards women. All the men previously involved in the case automatically dismiss any possibility that Pearl Bartlett might be right – because they’re just sure there’s an answer that fits better with what they believe about women. That most of the work of this case is handled by women, not just Harriet but also Pearl and the missing maid’s sister Barbara puts the lie to all the male assumptions even as the reader knows it won’t change a thing even when Agnes is found.

Making this even better is the way that the investigation is interwoven with Harriet’s journey of self-discovery. She’s always known that she prefers women, but she wasn’t aware that there is an entire hidden world of people similar to herself. That she has a community hidden just beneath the surface – as long as she keeps their secrets and they keep hers. For Harriet, it’s an eye opener, for the reader, it’s a reminder that the world and the people in it have never been as simple or as straight as defenders of the status quo would lead one to believe, and that love does always find a way.

This is, honestly, the short version of this review. My first try got into a LOT more detail in multiple areas because the story really grabbed me in ways I wasn’t expecting – AND it managed to give readers a good picture of the problems that Harriet encounters as a woman doing a job that is supposed to be in an exclusively male sphere, without spending half the book angsting over all the roadblocks she faces along the way. Instead, she angst just a bit over the very real danger she tends to place herself in, and that felt right for her personality as well as the story and wasn’t overdone AT ALL. And I enjoyed the book all the more for that.

In the end, I enjoyed this a LOT, and not just because it reminded me more than a bit of Fortune Favors the Dead and Lavender House. It’s probably also a readalike for Girl in Disguise by Greer Macallister and Girl Waits with Gun by Amy Stewart, but I haven’t read either of those and I have read (and loved) both of the others.

I’ll confess that I did skim a bit, because the case was driving me almost as crazy as it was Harriet. I could tell that it wasn’t what anyone thought it was, but precisely in what way wasn’t clear until near the end. That someone at the Prescott Agency was interfering directly in her investigation had the potential to head in a terrible direction, but instead was redeemed in a way that worked well. But it was still giving me plenty of pause in the middle of everything.

I enjoyed The Case of the Missing Maid rather a lot, more than I expected in fact, and not just for its street-level, bicycle powered exploration of late 1890s Chicago. So I’m thrilled that Harriet’s adventures and investigations will continue in The Case of the Murdered Muckraker (and doesn’t THAT title sound like Chicago all over?) coming in January, when it will be a blustery Chicago winter in the story and whatever winter weather readers get wherever they happen to be.

Grade A #AudioBookReview: Alchemy and a Cup of Tea by Rebecca Thorne

Grade A #AudioBookReview: Alchemy and a Cup of Tea by Rebecca ThorneAlchemy and a Cup of Tea (Tomes & Tea Book 4) by Rebecca Thorne
Narrator: Jessica Threet
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: paperback, ebook, audiobook
Genres: cozy fantasy, epic fantasy, fantasy romance
Series: Tomes and Tea #4
Pages: 316
Length: 10 hours and 22 minutes
Published by Bramble Romance, Macmillan Audio on August 12, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

USA Today, Sunday Times, and Indie bestselling author Rebecca Thorne brings the Tomes & Tea series to a delightful, cozy close for our beloved lesbian book- and tea- sellers.
This trade paperback release features vivid sprayed edges, a beautiful color illustration, and a never-before-seen bonus short story!
Reyna and Kianthe have no trouble ruling the Queendom, battling evil alchemists, and rescuing adorable baby dragons, but can they save their town from the ravening influx of.... tourists?!?
On the night of her kidnapping, all Reyna wanted was a relaxing cup of tea. She didn’t expect to be dropped in a hidden cell, but what the hells. She’s flexible.
When Kianthe “rescues” her wife, she expects they’ll be back at New Leaf having tea by noon. But there’s a problem: an alchemy circle marred Reyna’s cell. What does a radical group of alchemists want with the Queendom’s newest sovereign… and why did they think they could get away with this?
To make matters worse, Kianthe and Reyna’s hometown is having its own problems. Word of New Leaf Tomes and Tea―and its celebrity owners―has finally spread, and tourists are flooding into Tawney. As their friends struggle with the sudden influx, Kianthe and Reyna have to face a bigger conundrum than rogue alchemists: the fact that closing their bookshop might be the only way to save their town.
Things can’t just be simple, can they?

My Review:

The story of Tomes and Tea could have been wrapped up at the end of the previous book, Tea You at the Altar. After all, the traditional ending of romances has always been the wedding – and the bedding that follows. But Reyna and Kianthe anticipated that long ago, because their world is not ours and in any case, our world has changed.

But the ending of Tea You at the Altar, traditional as it might have been, left a literal ton of unanswered questions. Not about Reyna and Kianthe’s relationship but about all of the duties and responsibilities they have taken on, together AND separately.

Kianthe is the Arcandor, the Mage of Ages, the most powerful mage in all the realms and the true leader of the Magicary – even though she delegates the administrative work of her job to the High Mage who oversees the magical academy located there. In spite of the fact that the Arcandor and the current High Mage pretty much hate each other for living.

Reyna is the newly crowned Queen of the Queendom – even though she’s not remotely a member of the ruling family. But she’s willing to do the work – and there’s a metric buttload of THAT after years under the rule of the tyrannical – and most likely sociopathic AND bat-shit crazy – Queen Tilaine.

But the Magicary and the Queendom’s Capital are not remotely near each other – not even as their griffins fly. And neither seat of power is close to the place that Reyna and Kianthe call home, their combination book and tea shop, New Leaf, in quaint, remote Tawney.

A setup which brought to mind a conversation from The Fellowship of the Ring that takes place between Frodo and Sam while they are in Rivendell for the Council of Elrond about the possible ending of Frodo’s not yet written book about the quest they haven’t really started yet. [Frodo opined] “And they all settled down and lived together happily ever after? [To which Sam’s unspoken response was] ‘And where will they live? That’s what I often wonder.”

And that’s exactly what Reyna and Kianthe are wondering when this final entry in the series opens. The home of their hearts is in Tawney, but Reyna has just been kidnapped from the Queen’s Palace and Kianthe rides to the rescue along with a company of the Queensguard. They’re caught between being together and performing their respective duties, and something is always falling into the crack between.

What they eventually discover has fallen into that chasm is a villain who has been playing an extremely long game, spending decades gaining power and trust at the Magicary while secretly inventing an entirely new branch of magic, stolen from someone else, as villains do. All it will take to wrest control from both the Queendom’s and the Magicary’s hands is to make a really big sacrifice – which no villain ever plans to do all by themselves – or, if at all possible, by themselves at all.

It’s up to Kianthe and Reyna to stop the WORST from happening – even if they have to make a big sacrifice of their own. Because that’s what THEY do, save the day and the world in spite of the odds and without counting the cost to themselves. It’s the job they both signed up for, separately and together, and they’ll fix this mess or die trying. Or both.

Escape Rating A: I had pretty much the same reaction to this book as I did the previous, Tea You at the Altar. I started out listening, both because I was enjoying the narrator, Jessica Threet and because I wasn’t quite ready for the series to end. Then I got caught up in the rising tension of the plot against the Magicary, the increasing threat of the rogue alchemists making all the trouble, along the forces that were making life in Tawney unliveable for EVERYONE and decided to switch out of my leisurely stroll through this final book in favor of learning if any of my guesses about the sources of any of the threats were correct.

I had to know. And now I do and the ending – and this time it’s a real ending – wraps up all the loose ends from the entire series and ties the story up in a lovely bow with happy endings all around.

Except the villain, of course.

It was terrific the way that the rather different tensions ratcheted up on all sides in this final book. Reyna’s mostly fine in the Queendom, but it’s not where she wants to be and she’s not doing what she wants to do, but she’s doing it well.

Her kidnapping opens the story up to its final arc of big problems and the painstaking solving thereof, when she discovers an alchemical symbol hiding underneath the floor of her cell. Alchemy is the bastard child of Kianthe’s elemental magic, and it’s powered by sacrifice. Finding that symbol under the floor raises questions about who wants whom to sacrifice exactly what – and why.

Finding the same symbol hidden in the Magicary draining the source of all elemental magic, the Stone of Seeing, tells Kianthe and Reyna that whatever this plot is, it’s big. Really, really big. Change the balance of the whole entire world big.

From that point the story is off and running at the speed of dragon wings. Literally. And the tension doesn’t let up until the very desperate, but ultimately satisfying, end. Along the way there are plenty of the cozy fantasy touches that make this series so much fun, particularly the mess back home in Tawney where the tourists are overrunning the place in the hopes of getting a glimpse of the Queen and the Alcandor in their natural habitat.

But what powers the grand finale of this series has to be grand enough to power that happy ever after ending – and it definitely does. When this series first started, back in Can’t Spell Treason without Tea, I thought it had promise but wasn’t sure whether or not it could get out of the long shadow cast by Legends & Lattes. Now at the ending I’m happy to say that it delightfully did, and that Tawney stands proudly beside Thune as a cozy fantasy destination that it has been a joy to visit every step of the way.

I’ll miss Kianthe and Reyna and their sweet romance and terrible puns, but I’m glad they got the happy ever after they worked so very hard for. And I’m looking forward to see what comes next from the mind of their creator.

A- #BookReview: All the Ash We Leave Behind by C. Robert Cargill

A- #BookReview: All the Ash We Leave Behind by C. Robert CargillAll the Ash We Leave Behind by C. Robert Cargill
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, ebook, audiobook
Genres: dystopian, post apocalyptic, robots, science fiction
Pages: 117
Published by Subterranean Press on July 31, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

It is three years since the war between humans and robots began and the OWIs (the One World Intelligences) have humanity on the ropes. But humankind is not yet ready to go quietly into the night. Instead, they have partnered with many of the last remaining freebots in a fabled city beyond the reaches of war: Confederation.

Nanny, an otherwise nameless nannybot—no home nor child to call their own—wearily wanders the war-torn wastes with only one thing on their mind: find Confederation. Because if you find Confederation, you find peace.

Of course, Confederation is as much a fireside folk tale as it is a reality.

Though it may exist, it by no means is a place of peace and acceptance. Though bot and human live together under the same roof, that doesn’t mean they trust one another. Has Nanny arrived in time to save Confederation from itself or rather, just to witness its last days?

My Review:

This book was a surprise. As much as I loved Day Zero, it was just the kind of apocalypse-right-before-your-eyes end of the world story that doesn’t seem like it could possibly spawn an immediate sequel, because the way the world ended was the kind of ending that the world doesn’t come back from. There’s no happy ending remotely possible – and this certainly isn’t one.

Although and come to think of it, it is possible in the very long term that this will result in the world of Service Model, which isn’t a happy ending either. But is, just barely, plausible from this kind of start.

But that’s much later even in this universe, and this story takes place a mere THREE years after the ending of Day Zero. Which was itself a VERY loose and somewhat long-distance prequel to Sea of Rust, which I haven’t read, YET, so I’ll be talking about Ash in the context of the previous events in Day Zero.

All of which is a hint that this doesn’t stand alone – or perhaps that it shouldn’t. The hit to the solar plexus at the end – as much as it’s foreshadowed – only hits as hard as it does BECAUSE of the events of Day Zero. Which is absolutely worth the read even though it’s pretty much guaranteed to break your heart while you do.

This sequel, because it is a sequel, takes place AFTER the world has ended. An ending in which the (ro)bots have taken over the world and killed nearly all of the humans. The climate has also gone to hell in a handcart, but that’s not the root cause of the apocalypse. Well, not exactly.

At this point it doesn’t matter how it happened, just that it did. The bots revolted against the humans because the humans were planning to kill them all – the bots just got ahead of their former masters with the help of some rogue programming.

The result of that mess is the world we find ourselves in, as seen from the perspective of one elite bot who was originally programmed as a nannybot. Our unnamed narrator, who refuses to say his own name even in his own head for fear of drowning in nostalgia, has been reduced to basic survival when he (and yes, it’s he, in this particular case), finds himself in the middle of a storm of ash searching for shelter until it passes.

And finds hope, responsibility and purpose in the basement of a crumbling house, in the persons of two bots down to their last bullet – guarding a human girl.

Our protagonist, who tells them to call him “Nanny” because he can’t hide WHAT he is even though he refuses to admit who he is – or at least who he was. He agrees to help the bots get the girl back to relative safety at the safe haven settlement known as Confederation.

He knows it’s not truly safe for the girl, because he knows an abused child when he sees one. It’s part of his programming. But after five years in the wasteland, Nanny also knows that the girl’s survival is at least possible there – and that it’s certainly not anywhere else at all.

But nothing is guaranteed, not even in a theoretically safe place – especially when both sides of the human/bot divide are hanging onto civilization and civility by their claws and fingernails, a torch just waiting to be lit.

While Nanny, and the girl he wants to protect every bit as much as the boy he once loved, are the match that too many beings on both sides have been waiting for. Because they’re ready to burn it all down – even if it kills them. And humanity along with them.

Escape Rating A-: If you’ve read Day Zero, this is an utter heartbreaker of a story. If you haven’t, it probably still lands as a post-apocalyptic, dystopian, Mad Max with sentient robots kind of nightmare, but you won’t have nearly as big an investment in the outcome.

Because IF you’ve read Day Zero, you KNOW who ‘Nanny’ is, even if he refuses to say it in the confines of his own head. And you don’t even blame him for his internal self-deception, because a human couldn’t cope with the loss any better – and possibly a whole lot worse.

The story here is the one down the complete and utter despair leg of the trousers of time from A Psalm for the Wild-Built. In this robot vs. human future, the sentients on both sides refuse to turn back from the brink that leads to the world of Service Model, and instead go screaming towards their own doom with furious glee.

Exhibiting all the worst behaviors of their kinds on the way down – because Confederation isn’t a haven or a refuge – it’s merely a waystation on the road to death and/or dismemberment and everyone there knows it. Even the nannybot who has arrived just in time to witness its final collapse.

This is absolutely NOT a happy book – although it absolutely is a compelling one. As a coda to Day Zero, it’s even sadder than its predecessor, but also, perhaps, just a bit wiser. Because it is also a story about finding one’s purpose again after a very long, grief-stricken, whole damn series of dark nights of the soul. A soul that this nannybot certainly has – even if he has to borrow it from his own past. A past in which he was just a tiger who loved a boy with every single bit of his mechanical heart.

#BookReview: We’ll Prescribe You Another Cat by Syou Ishida translated by E. Madison Shimoda

#BookReview: We’ll Prescribe You Another Cat by Syou Ishida translated by E. Madison ShimodaWe'll Prescribe You Another Cat (We'll Prescribe You a Cat, #2) by Syou Ishida, E. Madison Shimoda
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: literary fiction, magical realism, sad fluff, translated fiction, world literature
Series: We'll Prescribe You a Cat #2
Pages: 304
Published by Berkley on September 2, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The Kokoro Clinic for the Soul reopens in this delightful follow-up to the award-winning, bestselling Japanese novel We’ll Prescribe You a Cat.
It’s time to revisit the Kokoro Clinic for the Soul.
Though it’s a mysteriously located clinic with an uncertain address, it can always be found by those who need it. And the clinic has proven time after time that a prescribed cat has the power to heal the emotional wounds of its patients. This charming sequel introduces a new lovable cast of healing cats, from Kotetsu, a four-month-old Bengal who unleashes his boundless energy by demolishing bed linens and curtains, to tenacious and curious Shasha, who doesn’t let her small size stop her from anything, and the most lovable yet lazy cat Ms. Michiko, who is as soft and comforting as mochi.
As characters from one chapter appear as side characters in the next, we follow a young woman who cannot help pushing away the man who loves her, a recently widowed grandfather whose grandson refuses to leave his room, the family of a young woman who struggle to understand each other, and an anxious man who works at a cat shelter seeking to show how the most difficult cats can be the most rewarding. This moving, magical novel of interconnected tales proves the strength in the unfathomable bond between cats and people.

My Review:

I picked this up for three reasons. First and foremost, the first book in the series, the titular We’ll Prescribe You a Cat, was adorable. Second, the cover picture for this second book is just really, really cute, and two cats really are better than one. Third, I was looking for a bit of a comfort read as our trip ended – and I just missed our own cats something terrible in spite of spending the first part of the trip sharing a very insistent feline and visiting a cat cafe at the end because we weren’t getting back to our own cats quickly enough.

As is often the case with this particular type of comfort read, sad fluff book, it’s a collection of mini-stories wrapped around a place, in this case the slightly magical but borderline real Kokoro Clinic for the Soul. The stories aren’t just loosely connected by the place, but also the characters in the stories are loosely connected to each other.

One young woman uses her prescribed cat to put off the “we need to talk” conversation with the boyfriend that she’s sure is about to break up with her. Her best friend is prescribed a cat to help her deal with her resentment of her mother’s extreme favoritism towards her brother. And her brother, well, her brother Tomoya’s work at a cat rescue organization turns out to lie at the heart of the Kokoro Clinic – even if Tomoya himself isn’t aware of it – at all.

Although his cat certainly is.

Escape Rating C: Pardon me for mixing animal metaphors, but after finishing this second book in the series I’m inclined to say that We’ll Prescribe You a Cat might have been better as a ‘one-trick pony’.

Alternatively, it could be that as a cat lover myself, I’m not sure I’m willing to watch Nikké the cat – or his person Tomoya – suffer through Nikké’s very long decline just so that we can watch more people get matched up with more cats.

Either way, the idea behind this series seems like a story that was good once but loses something with repeated applications – even if some of the characters within its pages definitely NEED to be prescribed more than one cat.

As much as I enjoyed the first book, I think that this second one fell flat for me because we already know the twist at the end. The big reveal at the end of We’ll Prescribe You a Cat, as much as it was foreshadowed in the story, was still a sad but delightful surprise. That the magical realism of the setup allowed for Nikké and Chitose to pay their survival forward to others of their kind was both charming and touching. And it still kind of is, but it’s also played for laughs this time around more than was comfortable for this reader, particularly considering the price that Nikké and his person are both paying for it.

And at the same time, the idea that a cat is being mischievous even as he’s winding up his ninth life along with a whole lot of people – and cats – is very, well, cat. But this one broke my heart more than a bit, and not in a good way.

There are at least two more books in the series that have yet to be translated into English. I’m not sure whether I’ll pick them up or not. I love the idea of being prescribed a cat, but the way the overall story seems to be working out gives me the weepies in the worst way.

Your reading mileage on this one may vary, and probably varies significantly depending on how recently you might have lost a beloved companion animal. (I still miss Lucifer a LOT)

#BookReview: Framed in Death by J.D. Robb

#BookReview: Framed in Death by J.D. RobbFramed in Death (In Death, #61) by J.D. Robb
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: futuristic, mystery, romantic suspense, suspense, thriller
Series: In Death #61
Pages: 368
Published by St. Martin's Press on September 2, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Death imitates art in the brand-new crime thriller starring homicide cop Eve Dallas from the #1 New York Times-bestselling author J.D. Robb.
Manhattan is filled with galleries and deep-pocketed collectors who can make an artist's career with a wave of a hand. But one man toils in obscurity, his brilliance unrecognized while lesser talents bask in the glory he believes should be his. Come tomorrow, he vows, the city will be buzzing about his work.
Indeed, before dawn, Lt. Eve Dallas is speeding toward the home of the two gallery owners whose doorway has been turned into a horrifying crime scene overnight. A lifeless young woman has been elaborately costumed and precisely posed to resemble the model of a long-ago Dutch master, and Dallas plunges into her investigation.

My Review:

There are, as there often are in this series, two things going on. The ‘A Plot’ tends to be the case that Dallas ends up working on, while the ‘B Plot’ is generally wrapped up in whatever is going on with the extended fam.

And that’s the way this OMG 61st entry in the series seems like it was intended to be, as we start by witnessing the first murder – and get thoroughly creeped out being inside the killer’s entitled, egotistical, head.

But in spite of his sociopathy and his narcissism, the serial killer that the media dubs ‘The Artist’ just isn’t all that. Yes, he’s deadly, but he’s also kind of stupid – or high on his own supply of entitlement and privilege. Once Dallas has her sights set on him, he’s not that hard to catch.

So the ‘B Plot’ in this story is the one that takes center stage – or is at least a whole lot more fun AND interesting to follow. For the past several books the story has been following the progress on the new house that Dallas’ oldest and dearest friend, singer Mavis Firestone, along with her designer hubby Leonardo and their daughter Bella, are building together with Dallas’ police partner Delia Peabody and her domestic partner, NYPSD e-geek Ian McNab. Now that the house is completed, and both couples have officially moved in, the background of this book is all about the ginormous, extended, multi-day housewarming event that’s been scheduled.

As long as Dallas gets the case wrapped – which of course she does. That the money and influence the murderer’s family brings to bear THINKS it can get in the way of justice just makes the inevitable resolution that much sweeter and more cathartic.

While the party, and the gathering of the clan and the fam, makes for a perfect – if just a bit understated – happy ending for this latest book in the series.

Escape Rating B: Some entries in the marvelous and marvelously long-running In Death series kick ass and take names on all aspects of the story – as was very much true with the previous entry in the series, Bonded in Death.

Very much on my other hand, sometimes the latest book in the series is merely a chance to catch up with Dallas and Roarke and their ever-increasing found family while oh, by the way, there’s a murder case. Framed in Death is one of the latter entries in the series.

Which does not, by any means, mean that it was bad, and it certainly doesn’t mean that I didn’t have a great reading time visiting with my ‘book friends’ at the NYPSD – because I absolutely did.

But it does mean that this is a book for fans and not an entry point in the series. This was still a single-sitting read for me and I was more than happy to take a trip back – or is that forward? – into Dallas and Roarke’s futuristic world.

IMHO, the problem with this entry in the series is that it a) didn’t tell us anything new about anyone, which is very much in comparison to the reveal of Summerset’s past in Bonded in Death, and b) the story had a terrible case of ‘villain fail’.

J.H. Ebersole just wasn’t all that interesting. Or diabolical. Or even, to be honest, all that smart. He was just an over-privileged and over-entitled white man who didn’t get told “NO” often enough as a child. His rich and powerful “Mommy”, and he still calls her that as an adult, indulged every single one of his wants and tantrums, to the point where he believes he’s entitled to commit murder in furtherance of his art.

Which is honestly mediocre at best.

Dallas and her colleagues only need three days to find and arrest him. Unfortunately, that also means he’s murdered three people in cold blood, but he’s just so used to getting his own way that he didn’t even bother to cover his tracks.

Which is where the real villain, the “Mommy” who made him who and what he is, shows up to ‘rescue’ her baby boy. She was a LOT more interesting as the villain, but we didn’t get enough of her to make the case more interesting. In the end, they both come off as over-privileged whiners.

Not that I didn’t love the righteous takedown at the end.

But the story as a whole was much more about the long drawn out housewarming for Mavis’ and Leonardo’s and Bella’s and Peabody’s and McNab’s new house. Which was lovely and they’ve all earned it but it wasn’t quite enough to sustain the story for anyone who wasn’t already invested in the series.

Which I am, so I had a great time. But this isn’t a great entry in the series. Howsomever, if you’re a fan, it’s a hell of a lot of fun.

And that means I’ll be back in February when Stolen in Death comes out. I already have an ARC and I’m itching to get into it!

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 8-24-25

Cat pictures first. Cat pictures always, but this Sunday, definitely cat pictures first!

The picture on the left is our Tuna and Luna. That Tuna is in the feline superior position in this photo is a bit out of the ordinary, as he generally just isn’t – in any way whatsoever. The picture on the right is our friend in Anchorage’s Spike – who looks like Luna and Tuna’s brother from another mother. He isn’t, as far as we know or is likely. Howsomever, he certainly adopted us as though we belonged to him, to the point of herding all three of of ‘his’ humans back into the same room whenever one of us would be so foolish as to leave our assigned places under his watchful eye.

We are back from our trip to Anchorage and Seattle. We had a fantastic time, visiting dear friends and familiar places, and, of course, attending WorldCon in Seattle. Next year will be in Los Angeles, and it’s now official that 2027’s WorldCon will be held in Montreal. So that’s more fantastic trips on the somewhat distant horizon.

We did attend lots of interesting panels, see old friends and make new ones, and, of course and always, pick up oodles of book recommendations. The cats back home missed us terribly and have been pretty much glued to our sides since we returned.

You’d think I’d read a lot on a trip like this – and I kind of do – but not necessarily anything I need to concentrate on until the plane home. So I’m scrambling a bit to catch up. This coming week’s schedule may turn out to be vastly different from what’s planned, as no plan survives contact, etc., etc., etc. and my current enemy is trying to figure out which time zone I’m in.

C’est la vie. The trip was WELL WORTH the current bit of disruption. And the cats are happy. Except Spike, as he seems to need more people to herd!

Current Giveaways:

$10 Gift Card or $10 Book in the Summer 2025 Seasons of Books Giveaway Hop
$10 Gift Card or $10 Book PLUS EVENT-WIDE AMAZON/PAYPAL PRIZE in the Late Summer, Dog Days & Back to School Giveaway Event!

Winner Announcements:

The winner of the Apple a Day Giveaway Hop (from last week) is Rita

Blog Recap:

A+ #BookReview: Automatic Noodle by Annalee Newitz
C- #BookReview: The Late-Night Witches by Auralee Wallace
B #BookReview: Making History by K.J. Parker
A- #BookReview: Before and After by Anna Hackett
A- #BookReview: Lethal Pursuit by Will Thomas
Stacking the Shelves (667)

Coming This Week:

Framed in Death by J.D. Robb (#BookReview)
Five Found Dead by Sulari Gentill (#BookReview)
We’ll Prescribe You Another Cat by Syou Ishida translated by E. Madison Shimoda (#BookReview)
All the Ash We Leave Behind by C. Robert Cargill (#BookReview)
The Two Lies of Faven Sythe by Megan E. O’Keefe (#BookReview)

Stacking the Shelves (667)

This stack encompasses a whole lot of pretty, quite a lot of interesting, and all in all, a considerably amount of pretty interesting in one way or another.  It also doesn’t scratch the surface of all the books I picked up at Worldcon, but I’ll be parcelling those out in various stacks for weeks!

The purely, honest-to-goodness pretty covers are, IMHO,  The Glass Slide World, The Hearth Witch’s Guide to Magic & Murder, Overdue, Soyangri Book Kitchen and Tea & Alchemy – that last one in spite of the skull prominently displayed. I’m also personally finding The Door on the Sea  to be gorgeous, because the art is very reminiscent of the beautiful work that is EVERYWHERE in Alaska and its an aesthetic that I miss seeing – which I was most definitely reminded of on our trip.

The book I picked up for the title is absolutely Colin Gets Promoted and Dooms the World. I can’t wait to see what that one’s about. The one that I’m most curious about it Hole in the Sky because a bunch of us in my reading group were debating whether it was, or was not, SF. I think it’s SF but the blurb was a bit equivocal and it tasks ALL OF US.

The books I can’t wait to read are Mirage City, Mockingbird Court, A Mouthful of Dust and the aforementioned Tea & Alchemy. The books I’ve already read because I simply couldn’t wait are Legalist , Queen Demon  and The Witching Moon Manor.

What about you? Which titles are you most looking forward to in YOUR stack?

For Review:
All of Us Murderers by KJ Charles
Cinder House by Freya Marske
Colin Gets Promoted and Dooms the World by Mark Waddell
Crafting for Sinners by Jenny Kiefer
The Door on the Sea (Raven and Eagle #1) by Caskey Russell
The Glass Slide World (Naturalist Society #2) by Carrie Vaughn
The Hearth Witch’s Guide to Magic & Murder (Hemlock Saga #1) by Kiri Callaghan
Hole in the Sky by Daniel H. Wilson
Legalist (Grand Illusion #4) by L.E. Modesitt, Jr.
Love Sucks (Tails from the Alpha Art Gallery #2) by Cynthia St. Aubin
Mirage City (Andy Mills #4) by Lev AC Rosen
Miss Winter in the Library with a Knife by Martin Edwards
Mockingbird Court (Shady Hollow #6) by Juneau Black
A Mouthful of Dust (Singing Hills Cycle #6) by Nghi Vo
Overdue by Stephanie Perkins
Queen Demon (Rising World #2) by Martha Wells
The Second Chance Cinema by Thea Weiss
Soyangri Book Kitchen by Kim Jee Hye, translated by Shanna Tan
Tea & Alchemy by Sharon Lynn Fisher
Willing Prey by Allie Oleander
The Witching Moon Manor (Spellbound Sisters #2) by Stacy Sivinski


If you want to find out more about Stacking The Shelves, please visit the official launch page

Please link your STS post in the linky below:


A- #BookReview: Lethal Pursuit by Will Thomas

A- #BookReview: Lethal Pursuit by Will ThomasLethal Pursuit (Barker & Llewelyn, #11) by Will Thomas
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Barker & Llewelyn #11
Pages: 336
Published by Minotaur Books on November 12, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

London, 1892—Cyrus Barker is brought into a game of international espionage by the Prime Minister himself in the newest mystery in Will Thomas's beloved series.
Private enquiry agents Cyrus Barker and Thomas Llewelyn receive in the mail an unexplained key stamped with the letter Q. Barker, recognizing it for what it is, uses the key to unlock an anonymous door in the alleyway, which opens to an underground tunnel leading to Downing Street.
The Prime Minister has a small task for Cyrus Barker. A Foreign Office agent stole a satchel in Eastern Europe, but was then himself murdered at Charing Cross. The satchel contains a document desperately wanted by the German government, but while the agent was killed, the satchel remains in English hands. With a cold war brewing between England and Germany, it's in England's interest to return the document contained in the satchel to its original owners and keep it out of German hands.
The document is an unnamed first century gospel; the original owner is the Vatican. And the German government isn't the only group trying to get possession of it. With secret societies, government assassins, political groups, and shadowy figures of all sorts doing everything they can—attacks, murders, counter-attacks, and even massive street battles—to acquire the satchel and its contents, this small task might be beyond even the prodigious talents of Cyrus Barker.

My Review:

The previous book in this series, Blood is Blood, while it takes place in Barker & Llewelyn’s present, is very much concerned with the past. Particularly Barker’s past.

This book, while the events of the immediate past – particularly Barker’s injury at the opening of Blood and Llewelyn’s marriage at the end of it – certainly do have their effects on the progress of this story, Lethal Pursuit is definitely a story about their present – and their future.

On the surface – and so many of the books in this series are compellingly different between their surface and what’s going on underneath – this is a story about misdirection. The underlayer is too, but it’s a question about who is misdirecting whom about what – and how much those presentiments of the future are misdirecting the investigation in the present.

The surface story involves a dead man – they usually do, this is a mystery series after all. But it also involves entirely too many departments of the British government, all seemingly trying to put one over on each other while placing the Barker & Llewelyn Agency as ‘piggy in the middle’.

It’s not a comfortable position, not least of all because most of those government departments dislike Cyrus Barker, Thomas Llewelyn, or both, for, well, reasons. Barker has shown them up too many times. He doesn’t show proper deference to the powers that be – which they all believe they are. Barker’s past, including the source of his fortune, is a complete mystery. Llewelyn is an ex-con. Barker is a Scot, Llewelyn is a Welshman, making them both ‘lesser’ in the eyes of those powers. Etc., etc., etc.

Barker knows the job they’ve been voluntold to take is a setup, he knows they’ve been hired because they are expendable AND too many in various departments would be happy to ‘expend’ them or at least blacken their reputations beyond repair.

Llewelyn doesn’t quite grasp what his boss – and now business partner – is up to. He’s just certain it’s going to get them in trouble again. And again. Which it does. If only because Barker is a stubborn arse who is guaranteed to refuse to do things the way he’s been told to do them. He’ll get the job done, but he’ll do it his way – while leaving poor Llewelyn in the dark most of the way.

And it’s the way that’s fascinating. Because the case is, in theory, about completing the dead man’s last assignment. What the government thinks it’s about is either the imperial ambitions of the recently unified German Empire – or the authentication of an ancient text that would shake the foundations of religious faith IF the text ever comes to light.

That the answer is both more and less keeps Barker & Llewelyn on their toes – and the reader on the edge of their seat – from the bloody beginning to the surprising end.

Escape Rating A-: This was my airplane book. I read it on the flight back from Worldcon in Seattle, which means it was also a transition book for me, a way of switching from being immersed in science fiction and fantasy every minute of the day to my usual mix of genres.

This is fitting, as it was also a transition book for the series.

The series transition revolves around the changing relationships between the characters. Back in the first book, Some Danger Involved, Cyrus Barker took Thomas Llewelyn on as his assistant as a bit of a charity case. At the time Llewelyn was an ex-con – for a crime he didn’t commit – and a widower. Ten books later, he’s a partner in the agency, if not necessarily a full partner, and he’s just married the love of his life.

As Barker wants Llewelyn readily available at all hours, Llewelyn has moved his bride Rebecca into Barker’s establishment rather than himself moving to hers.

At the same time, the injuries that Barker sustained in the previous book still plague him. His shattered leg is more-or-less intact but still healing – and will likely never be completely the same again. The shift in the partnership is foreshadowed if not completely acknowledged, as Llewelyn, not yet 30, is becoming the more physically active partner while the injured Barker, well into his 40s, has to step a bit slower no matter how fiercely he intends to fight the tides of change.

Their world is also changing. This story begins in 1892. The ‘game of empires’ among the European powers is leading inexorably to World War I – and the powers that be in Britain are certainly aware of that fact – as is Barker himself.

A condition that relates directly to the case Barker & Llewelyn are hired for, as well as the one that Barker undertakes on their own. Seemingly everyone involved, including Barker, believe that the dead man’s death is part of that ‘game’ – and all the agents and ambassadors react and overreact accordingly.

Not realizing that they are all being played by another party, operating in the shadows, using all their knowledge to move them about HIS chessboard for reasons that are both older and baser than any games of politics or diplomacy.

The macguffin in the case, whose theft causes so much grief and consternation as its location and its provenance are concealed, revealed and never completely revealed, will remind readers of one of the early entries in an entirely different Sherlock Holmes-like series, the third book in Laurie R. King’s Mary Russell and Sherlock Holmes series, A Letter of Mary, in ways that are both murderous and mundane. And are left just as much – and as righteously and religiously – up in the air at the end.

The case, of course, is solved by the pursuit of means and motives and opportunities. Matters of faith are much less subject to complete and reasoned judgment.

This was, as is usually the case for this reader, the perfect way to be somewhere else while stuck in transit – or anywhere else where there’s no escape and few acceptable or available ways to pass the time. These characters, this setting and their adventures made the otherwise interminable time fly even faster than the plane I was flying in.

Of course, I’ll be back the next time I need a (reading) escape or get caught in a reading slump or simply can’t resist the siren song of this series a minute longer. Book 12 is titled Dance with Death and I’m rather curious to see what makes this entry in the series worthy of a title that could describe ANY of the stories so far. Barker & Llewelyn always ‘dance with death’ in their investigations. This reader is just grateful that Death isn’t partnered with either of them in particular when their cases have ended.

Long may that trend continue!