Stacking the Shelves (694)

This is an interesting stack – in a case where interesting isn’t even a euphemism for something else. It’s just interesting. It’s not particularly creepy, which is kind of a relief after last week’s Meat Bees. I’m still shuddering at THAT cover.

There’s also not a lot of truly ‘pretty’ in this stack, except for the very pretty Kin along with A Ghastly Catastrophe, which has a rather beautiful cover for such an ominous title.

The Bark Before the Dawn has a cute cover, an equally cute title, and looks like a delightful cozy mystery. (I’ve had two mysteries – or mystery-ish books this week with really great dogs so this one looks particularly appealing right now.)

The book I’m really, really curious about is Star Shipped, both because I enjoy the author but particularly because both the blurb and the cover are giving me vibes of very ‘old skool’ Star Trek fanfiction and I’m curious to see if the story goes where it looks like it’s going.

We’ll certainly see – about this whole lot of interesting covers – in the reading weeks ahead.

But what about your stack? What’s catching your eye or piquing your curiosity? Inquiring minds want to know!

For Review:
Accidentally Wedded to a Werewolf (Claw Haven #1) by Isabelle Taylor
Away to Me by Patricia B. McConnell
A Bad, Bad Place by Frances Crawford
The Bark Before the Dawn (Magical Menagerie Mystery #4) by Sarah Fox
The Cure by Pedro Urvi
Everyone in This Bank Is a Thief (Ernest Cunningham #4) by Benjamin Stevenson
A Ghastly Catastrophe (Veronica Speedwell #10) by Deanna Raybourn
The Halter by Darby McDevitt
Here Lie All the Boys Who Broke My Heart by Emma Simmerman
In Her Defense by Philippa Malicka
Killing Me Softly by Sandie Jones
Kin by Tayari Jones
The Midnight Carousel by Fiza Saeed McLynn
The Primrose Murder Society by Stacy Hackney
Royal Spin by Omid Scobie & Robin Benway
The Sea Child by Linda Wilgus
Star Shipped by Cat Sebastian
The Starter Ex by Mia Sosa
This is Not About Us by Allegra Goodman
The Utterly Unacceptable Atrocity of Isabelle Marsden by Nan Sanders Pokerwinski
A Whiff of Murder (Sixth Sense #1) by Angela M. Sanders


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#BookReview: Monster in the Moonlight by Annelise Ryan

#BookReview: Monster in the Moonlight by Annelise RyanMonster in the Moonlight (Monster Hunter Mystery, #4) by Annelise Ryan
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: mystery
Series: Monster Hunter Mystery #4
Pages: 336
Published by Berkley on January 27, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Do werewolves exist? That’s the question skeptical cryptozoologist Morgan Carter has to answer in the latest entry in this USA Today bestselling mystery series.
The discovery of a dead body along Bray Road in Wisconsin sparks rumors of The Beast of Bray Road, a werewolf-like creature that is said to inhabit the area.
The dead woman has been mutilated by some kind of large animal. The community is convinced that the legendary beast is not only real but responsible for this brutal killing. In an effort to prove them wrong, the police bring in cryptozoologist Morgan Carter, who soon finds that the mystery runs considerably deeper than whether or not one mythical predator is on the prowl.

My Review:

Most mysteries begin with a dead body. The Monster Hunter Mysteries series, however, may be the only one that begins with a dead body that looks like it might have been mauled by Bigfoot. Or a Chupacabra. Or, in this particular case, the werewolf who has gone down in local Wisconsin legend as “the Beast of Bray Road”.

What makes Morgan an interesting investigator, and makes her cases compelling to follow, is that she’s definitely not one of the usual suspects when it comes to amateur detectives. She’s a professional cryptozoologist. Morgan is the one the police call when there’s a suspicion that Bigfoot or one of his local relatives is on the loose.

Not that Morgan is any sort of true believer, but neither is she a die hard debunker. Her mind is open to the possibility. But, really big huge ginormous but, the circumstances that would make the existence of a land-based cryptid possible in the present day border on the impossible. (Nessie is MUCH higher on the potentially plausible scale because the depths of the sea hold plenty of secrets that we still can’t reach.)

The Beast of Bray Road (2005) movie poster

Morgan gets called into this case when the body of a local woman is found on Bray Road, the night after a reported sighting of the local cryptid, the Beast of Bray Road. (The author did NOT make this part up, which surprised the heck out of me. There really is such a legend and the book and movie about ‘The Beast’ do exist.)

The beast may not exist, but Lydia Palmer’s dead body certainly does. Someone or something killed her. The county sheriff hires Morgan, very much under the table and without permission of the town or the county, to figure out who, or what, “dunnit”. Morgan can’t resist the case, but then she never can.

But she also doesn’t expect the Beast of Bray Road to have killed the victim. It could have been an animal attack – and that’s certainly what the coroner wants to believe – even if that verdict doesn’t account for any of the questions that Morgan needs to find the answers to. Because an animal couldn’t have dragged the body away from the kill site without leaving bite marks.

And an animal certainly wouldn’t benefit from Lydia Palmer’s death. But there are more than a few humans who believe they will.

Escape Rating B: I’ve read this series from the very beginning, and have had mixed reactions over the (currently) four books in the series. I enjoyed book two, Death in the Dark Woods, the most, but after book three, Beast in the Woods, I was of equally mixed feelings about whether or not I’d be back. Howsomever, when I read Trailbreaker a couple of weeks ago I was reminded of Morgan Carter and her cases in the backwoods of Door County so I couldn’t resist coming back to check out this latest adventure. If only to see how Morgan’s best dog Newt was getting on with his human.

Newt is fine, and I am glad I came back. This Monster in the Moonlight was a considerably better read than that Beast in the Woods, even though Morgan’s romantic relationship with local Police Chief Jon “Flatfoot” Flanders was still giving her more angst than I personally wanted to read about for most of the story.

At least they are on the road to resolving their issues at the end, which left me feeling more charitable towards the whole endeavor.

One of the things that makes this series fun in general is that Morgan does not believe in the cryptids she’s hired to hunt. Her mind isn’t closed, but rather that her scientific training makes more of the usual suspects unlikely at best if not completely implausible.

At the same time, she still can get caught up in the human reactions, not that she believes in werewolves, but she can believe that under certain circumstances a human might believe they were such a beast. Or, that in the middle of the night, prowling around somewhere that someone is not supposed to be, it’s all too easy for any human’s flight or fight response to conjure up a monster or two in the dark even if they’re stone cold sober.

Especially if there’s a literal mangy bear crashing through the woods in the middle of the night.

Morgan never goes into her investigations believing that she’s going to find a cryptid, and neither do we. She does, however, expect to find plenty of people who want to believe, and even more who hope to take advantage of the potential in one way or another. Which is exactly what she uncovers in this case.

The sometimes circuitous route that she takes to reach that uncovering is what makes this series fun and just a bit different from those ‘usual suspects’. And not just because starting with Bigfoot is NEVER one of the usual suspects. Morgan’s job is to both rule things out AND to rule things in, while always keeping her eye on the victims and away from the sensationalism. It’s an interesting tightrope to walk, and I’m glad that reading Trailbreaker prompted me to take another look at the series.

(Although I keep imagining Bernie Dubicki from Trailbreaker and Morgan Carter crossing paths and I’d love to see THAT scene which is honestly way more plausible than Bigfoot – or the Beast of Bray Road.)

This fourth entry in the series does end on a hopeful note for Morgan’s personal journey. I hope that her romantic trials and tribulations are on the road to resolution because I find her cases more interesting than her personal angst, although your reading mileage may vary.

Still, I’m now looking forward to seeing who or what Morgan, with Flanders’ assistance, will be chasing down in her next adventure. With best boi Newt at their sides, exactly where he should be.

A- #BookReview: At Star’s End by Anna Hackett

A- #BookReview: At Star’s End by Anna HackettAt Star's End (Phoenix Adventures #1) by Anna Hackett
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: action adventure romance, science fiction romance
Series: Phoenix Adventures #1
Pages: 211
Published by Anna Hackett on February 25, 2026
Purchasing Info: Author's WebsiteAmazon
Goodreads

A dedicated astro-archeologist and a notorious treasure hunter team up to find the galaxy’s most famous treasure.

Previously published - At Star's End has been lightly edited and had a new chapter added.

Dr. Eos Rai has spent a lifetime dedicated to her mother's dream of finding the long-lost Mona Lisa. When Eos uncovers tantalizing evidence of Star's End—the last known location of the masterpiece—she's shocked when her employer, the Galactic Institute of Historic Preservation, refuses to back her expedition.

Left with no choice, she does the unthinkable—joins forces with the most notorious treasure hunter in the galaxy. A man she finds infuriating, annoying, and far too tempting.

Dathan Phoenix can sniff out relics at a stellar mile. With his brothers by his side, he lives for adventure. When the gorgeous Eos Rai comes looking to hire him, he knows she's trouble, but he can’t say no.

Working side-by-side, the hunt pushes both Eos and Dathan to their limits and ignites a scorching desire. She follows the rules, he loves to break them, but they’re going to have to trust each other to not just succeed, but to survive.

My Review:

I originally reviewed At Star’s End OMG TWELVE years ago for the much-lamented Sci-Fi Romance Quarterly. That was a long time ago, especially in internet years, and represents an entire space flotilla of books under the reading bridge.

But it’s a story that has stuck in my memory over all these years. Not necessarily the specific details, but definitely the gist. And for multiple reasons. Which is why I’m celebrating now that the author was able to get her rights to this story back and is finally able to make it available again and to the audience that has grown up with her over the course of this series and the ones that have followed.

At Star’s End represents the first of the author’s novels that I read after being ‘introduced’ to her through her short story “Winter Fusion” in a long-ago holiday-themed SFR collection, A Galactic Holiday. Those stories marked the beginning of what appears to be a lifelong addiction. So I certainly consider it the start of a beautiful reading relationship!

It’s also an exemplar of precisely what I read SFR (that’s science fiction romance) FOR, that it’s a terrific romance with a whole lot of chemistry and usually a fair bit of action and adventure, set in a fully fleshed out science fictional future. Which is something I appreciate even more now that “Romantasy” has become such a huge thing. Because the point of SFR was that the two sides (and often the romantic relationship itself) are EQUAL. That the story is wrapped around a well-earned HEA or HFN AND that the science fictional world-building is fully fleshed out. IMNSHO, romantasy tends to shortchange one side or the other while the best of SFR, which At Star’s End definitely is, does not.

Long may that particular star flag continue to wave, but I digress.

Getting back to At Star’s End, I still reference this story, and the Phoenix Adventures series of which it was the opening salvo, because the setup for this story continues to pop up. Both in the sense that the family at the heart of the author’s later Treasure Hunter Security series of action adventure romances are the literal progenitors of the Phoenix Brothers, and because the setup of an Earth on the brink of disaster shipping its artistic treasures out into the wider galaxy for safekeeping is a story idea gift that still keeps on giving. Molly Tanzer’s upcoming And Side by Side They Wander, which I’ve already reviewed for Library Journal’s April Issue, begins with the same premise while taking it in an entirely different direction.

At Star’s End original cover

I’ve used At Star’s End and the Phoenix Adventures as a readalike reference many times over the past dozen years, always with a bit of a caveat that the book might not be readily available. Which means that I was thrilled to have this new edition arrive in my inbox, both so that I could catch up with some old and dear friends AND so that I’d feel less guilty about telling other readers just how thrilled they would be to read it IF they could find it – because now they can.

Escape Rating A-: I gave At Star’s End an A- twelve years ago, and I’d give it the same rating today. (If you want to check out my original review it’s available HERE.)

Over the years of reviewing, I’ve settled on A- as the grade that novella length stories that I love generally receive. I did love At Star’s End, and I loved it again when I reread it this week. The A- is more of a commentary on the length of the story. I love novellas for their shorter length every bit as much as I find myself wishing that the background was a bit more fleshed out than is even possible over the length of a novella. And that was true in At Star’s End.

This story turned out to be a compulsively readable combination of Indiana Jones and Firefly, and it did rely just a bit on those resemblances to carry the reader over the bits of worldbuilding that there just weren’t space for. The Phoenix Adventures series as a whole does fill those bits in as it continues, but they’re not there in this first outing. OTOH, even from this first book I knew I wanted more, and the author certainly delivered and continues to do so.

And, will be delivering new editions of the ENTIRE Phoenix Adventures series with a bit of editing tweaking and new covers over the months to come. An updated edition of the second book, In the Devil’s Nebula, is already slated for March release.

I even have my fingers crossed that there might be new adventures or at least short stories in this series at some point in the future! But in the meantime, I am looking forward to the rest of the Phoenix Adventures over the rest of this year AND the next book in her current SFR series, Hunter Squad, next month.

#BookReview: Snake-Eater by T. Kingfisher

#BookReview: Snake-Eater by T. KingfisherSnake-Eater by T. Kingfisher
Narrator: Elena Rey
Format: audiobook, ebook
Source: borrowed from Amazon Kindle Unlimited
Formats available: hardcover, paperback, ebook, audiobook
Genres: cozy fantasy, Dark Fantasy, fantasy, horror, magical realism
Pages: 267
Length: 10 hours and 56 minutes
Published by 47North, Brilliance Audio on November 11, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.orgBetter World Books
Goodreads

From New York Times bestselling and Hugo Award–winning author T. Kingfisher comes an enthralling contemporary fantasy seeped in horror about a woman trying to escape her past by moving to the remote US desert—only to find herself beholden to the wrath of a vengeful god.
With only a few dollars to her name and her beloved dog Copper by her side, Selena flees her past in the city to claim her late aunt’s house in the desert town of Quartz Creek. The scorpions and spiders are better than what she left behind.
Because in Quartz Creek, there’s a strange beauty to everything, from the landscape to new friends, and more blue sky than Selena’s ever seen. But something lurks beneath the surface. Like the desert gods and spirits lingering outside Selena’s house at night, keeping watch. Mostly benevolent, says her neighbor Grandma Billy. That doesn’t ease the prickly sense that one of them watches too closely and wants something from Selena she can’t begin to imagine. And when Selena’s search for answers leads her to journal entries that her aunt left behind, she discovers a sinister truth about her new home: It’s the haunting grounds of an ancient god known simply as “Snake-Eater,” who her late aunt made a promise to that remains unfulfilled.
Snake-Eater has taken a liking to Selena, an obsession of sorts that turns sinister. And now that Selena is the new owner of his home, he’s hell-bent on collecting everything he’s owed.

My Review:

I picked this up because, well, Kingfisher. That’s not going to surprise anyone. Howsomever, based on the blurb, I wasn’t exactly sure where this one was going to fall genre-wise – and now that I’ve finished it I’m still not sure.

Snake-Eater is wrapped around the crossroads where dark fantasy forks between magical realism and outright horror. At the same time, it’s also a bit of cozy fantasy written as a love letter to the author’s old/new home in the desert southwest. And it’s a kind of coming-of-age/coming-into-power story.

Not that Selena isn’t technically an adult – more that she’s been programmed to believe that she isn’t adulting ‘properly’ and has to reclaim that power for herself in a place where some of the old gods, myths and monsters tend her garden and creep into her bed.

Then again, she left a human monster back in the city she left behind. And she’s willing to tackle whatever the desert has to throw at her as long as her dog Copper is safe and she NEVER has to go back.

Which she doesn’t, as long as she can accept that part of what is being preserved out in that desert are old gods and older spirits who can still interact with the humans among them – for both good and ill. One of those gods snuffed out the life of the aunt that Selena came to stay with. Just as the human Walter has nearly snuffed out Selena’s life back in the city. Only a bit more literally. Or maybe not.

But Selena came to Quartz Creek to escape that fate, and she’s not about to let a different monster take the freedom she’s scraped out by her fingernails. All she has to do is beard this monster in his den, with the help of a septuagenarian with a shotgun, a priest who shapeshifts into a peccary, her faithful dog Copper – and all the little animals and spirits that she’s helped along the way.

In spite of herself, Selena has found herself in Quartz Creek, and she’s determined to stay. No matter what it takes. As long as it doesn’t take Copper.

Escape Rating B: Don’t worry, Copper is FINE at the end. I’d have been a whole lot saltier about this one if she wasn’t. But she is.

I started this in audio, but I’m not calling it an audiobook review. Why? Because I listened to less than an hour and realized that I could not continue in audio if I was going to finish at all. I was briefly concerned that I had just discovered the first T. Kingfisher book that I did not like at all and was so bummed by that prospect that I switched to text and it got better.

This is not a criticism of the narrator. Not at all. Rather, this was a case of the narrator being TOO good, in a story whose first-person perspective meant that I was stuck inside a head I didn’t want to be in.

(It didn’t help that I usually see the first-person protagonists of this author’s stories as being avatars for the author’s self. That’s either not the case here, or it’s that Selena represents the author’s past self and not her present. The avatar for Kingfisher’s usual wry, snarkastic and often profane voice in THIS book is the absolutely awesome Grandma Billy, and Selena and the reader don’t meet her until just after I switched to text. It figures.)

The point of this story is wrapped around Selena finding her own place and her own power, after an entire life of being told she was incompetent and utterly wrong and totally ‘less than’. Her mother criticized her every word and every utterance as representative of Selena’s possession by Satan. (Selena’s mother was clearly a LOT in some horrible ways and a bit too similar to the parent of a real-life friend.) But Selena’s mother basically programmed Selena to accept that kind of treatment, so when she met her current partner, Walter, she was so happy to be with someone who accepted her as she was that she didn’t realize until it was much too late that he accepted her as she was because her damage gave him plenty of places to pick at and neg her into compliance – all to make her feel ‘less than’ in an entirely different way.

At the beginning of the story, we’re inside her head as she’s trying to work her way mentally around an act of utter defiance that she feels completely incompetent to carry out. While I certainly sympathized with her plight, her constant negative self-talk while continually NOT talking about the actual problem made for a slow and difficult listen from inside her head.

At least in part because it was obvious what she was dealing with but it was a ‘Chekhov’s Ex’ situation where Walter was the villain who was obviously going to show up before the end and I needed the story to ‘get on with it’. Some of which, I recognize, is a ‘me’ thing and your reading mileage may vary.

Once Selena starts to accept the situation she’s actually in – as utterly batshit insane as some of it definitely is – the story just gets better and better. Also crazier, but in a really, really good way. (Quartz Creek is surprisingly cozy even if it’s also just down the road from Midnight, Texas.) It just takes the story – and Selena herself – a bit of time and mental fortitude, along with more than a little help from her newfound friends, to figure out that she’s finally found the place where she belongs.

And that not just the place is worth defending, but that she herself is as well. That’s a story I was definitely there for, I just needed to read a bit past my usual level of patience for it to get there.

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A+ #AudioBookReview: Inside Man by John McMahon

A+ #AudioBookReview: Inside Man by John McMahonInside Man (Head Cases, #2) by John McMahon
Narrator: Will Damron
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, ebook, audiobook
Genres: mystery, suspense, thriller
Series: PAR Unit #2
Pages: 390
Published by Macmillan Audio, Minotaur Books on January 13, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In this sequel to McMahon's electrifying series debut, Head Cases, Gardner Camden and the PAR team return to investigate potentially connected cases.
FBI Agent Gardner Camden is an analytical genius with an affinity for puzzles. He and his squad of brilliant yet quirky agents make up the Patterns and Recognition (PAR) unit, the FBI’s hidden edge, brought in for cases that no one else can solve.
PAR’s latest case involves a militia group stockpiling weapons. When their confidential informant in the case is killed, it quickly becomes clear that the militia did not kill him.
As the squad looks into the evidence surrounding his murder, an unidentified man is caught on camera with their informant. This mystery man’s picture is connected to another case at the FBI, an unsolved series of murdered women, buried in the ground in north Florida. Could they have uncovered a serial killer? And if so, what is his connection to their C.I.?
As PAR juggles an investigation into both the dead women and the militia, they enroll a new informant, only to find the case escalating in dangerous ways. How will PAR handle a case that increasingly looks like a terrorist plot? And in the serial case, with no puzzles or witnesses, and few leads, how will a group set up to decode riddles be successful?

My Review:

The first book in this series, Head Cases, set up the characters and the structure of the FBI unit they work in, the Patterns and Recognition Unit, or PAR. They’re the ‘head cases’, the freaks, the ones who solve cold cases that defy ordinary investigative methods because something about the case isn’t ordinary – and neither are they.

PAR is also a collection of agents who have pissed off the brass in ways that are not firing offenses. Like shooting into a pattern that read F-U-C-K C-O-N-G-R-E-S-S on the wall of targets at a federal gun range, while a senator was visiting said gun range. That sort of thing isn’t a crime, it isn’t illegal, but it is guaranteed to get someone sent to the equivalent of career Siberia. Or, in the case of this series, PAR.

In Head Cases, the unit was led by a senior FBI agent named Frank Roberts. But Frank kept too many secrets from his own team in the hopes of getting a supervisory assignment back out in the wider – and more respected – parts of the FBI before the PAR Unit got closed down. He made his own escape path and kind of left the rest of ‘his’ team hung out to dry.

Except the rest of that team, spearheaded by Agent Gardner Camden, solved the serial killings, saved the day, the PAR Unit and literally saved Frank’s ass. Frank got his reward back home in Texas, and Gardner got the supervisory position, always aware that the unit was one step away from being disbanded if they didn’t deliver.

Camden, often referred to by his fellow FBI agents as THE head case among the head cases, knows that his strengths lie in figuring out the pattern and not in supervision. Or management, or office politics. He’s doing his best, working with the skills he does have, to make it work. And it mostly does.

At least until their current case threatens to blow itself sky high. They’ve spent three months following a fraud, guns and racketeering case. A big one involving fraudulent unemployment accounts – and the money paid into those accounts, illegal arms sales, and domestic terrorism – facilitated by those illegal arms sales bought with those illegally gotten funds. It’s a criminal enterprise that crosses at least one state line (Florida to Georgia and back) and has left behind a trail of bodies – and will leave more if their leader’s plans and ambitions continue on the track he’s already laid out.

The FBI’s confidential information or CI (read that as either ‘inside man’ or snitch) has heard rumors about this domestic terrorism militia purchasing several thousand kits to make ‘ghost guns’ that would have no true manufacturer or serial number. (It’s a loophole in the law and it’s being exploited, potentially to devastating effect.) It’s the FBI’s mission to find those kits and stop them from being turned into guns before they start firing.

Which is when the case goes pear-shaped. (I can’t say it goes south as they are already nearly as far south in Florida as they can get.) They find their snitch shot dead in his trailer, along with plenty of evidence, including CASH, related to the financial parts of the case.

He wasn’t shot by the people he’s snitching on, or they’d have removed the evidence. They also wouldn’t be on the way to check in with the guy and figure out why HE hasn’t been checking in. So who killed the snitch? And how can they keep the case from blowing up and taking their careers and who knows how many innocent lives, along with them?

Camden and the PAR Unit know there must be a pattern, They just have to find it. Whether or not anyone in the FBI thinks it has anything at all to do with the case they started with. Because it must.

Escape Rating A+: This is a story that I began in audio, and was certainly enjoying in audio. The narration by Will Damron was very well done and he did an excellent job of sounding like I expected Camden to sound while still giving the rest of the characters their own distinct voices. But I got caught between the dilemma that the audio was good but my reading is considerably faster, and I couldn’t stand the idea of waiting over a weekend to continue the story. So I switched to text and couldn’t put the thing down.

That being said, I picked this up in the first place because I fell headlong into the first book in this series, Head Cases, late last summer. I was absolutely riveted AND it was also a case of the ‘right book at the right time’ to the nth degree. So I grabbed the eARC of the second book up before I was even finished with the first one. I knew it was going to be THAT good. And it was.

Very much like the first book, what makes this case interesting is the way that it spirals outward in directions that no one, including the team doing the investigating, expects AT ALL. They think they’ve got one thing, and they do have to deal with that thing because the idea of a gang of domestic terrorists with ghost guns shooting up Washington DC should give anyone pause. That it particularly gives ALL the federal agencies that would either be caught in the crossfire or whose lives and careers will be toast if they fail to stop it from happening an absolute mania to catch the would-be terrorists before they strike another round of terror is exactly what one would expect. And should.

However, as big as that crime is/would be/could be, it’s not what’s driving the PAR Unit. Their search for their CI’s killer has uncovered a serial killer. Their skills at pattern recognition have unearthed several body dumping sites. They’re off on an entirely different – and not completely sanctioned – race than the one the rest of the FBI is on, yet they’re involved in both up to their necks.

It’s fascinating – and not done all that often in fiction – to see this small unit try to work two high priorities at the same time. They can’t – and in real life probably wouldn’t be – focused entirely on a single case no matter how important. Also the way that resources are allocated at the level above them shines a spotlight on how upper level priorities affect funding which affects focus on what the political powers-that-be believe is most important.

So there was a lot going on throughout this whole story, and it kept me reading long after I should have quit for the night. I had to see what happened next – and what ultimately did or did not tie the two cases together. Because they shouldn’t have been but they absolutely were.

Part of what makes the series compelling to follow are the personalities of the members of the PAR Unit itself. They each bring a whole lot of quirks, a fair bit of irreverence regarding authority, and a lot of widely different experience to the table. They do an excellent job of filling the roles of a classic “five-man band”, especially when they get their fifth member back as this story progresses.

But speaking of the characters, it’s impossible for me to read Gardner Camden’s series without thinking of George Cross’ series that begins with The Dentist. I held off on reading my next book in THAT series until I finished this book because they are a bit too similar – even though they’re not actually as much alike as one might think.

Both Camden and Cross are on the autism spectrum, and both seem to be in the same part of that spectrum. Highly intelligent, often hyper focused, with low emotional affect and engagement. In other words, what was referred to as Asperger’s syndrome not that long ago and both would have been labelled so as children as they are both in their mid-to-late 30s. Both went into police work, but Camden with the FBI in the US and Cross on a local level in Britain. It would seem like their stories should be similar, and there are similarities, but not as many as the reader might think going in as their approaches to both themselves and the world they live in are different.

Cross is aware that he is different, but he expects the world and everyone around him to bend in order to work with those differences. His world revolves around himself and he believes that everyone else should make the adjustments. Camden, very much on the other hand, while he is just as certain of who he is and how he works best, also recognizes that the world is not made for him anymore than he is made for it. He adapts as much as he can to the way things work, and is very aware of when his hyperfocus gets in the way of getting the human-facing parts of the job done. In this book he is the supervisor of the PAR Unit, and is all too cognizant of that fact that he is no good at playing politics, and that he has to find a way to be a leader for the team and a mentor for their rookie whether those things are natural for him or not, if he wants to keep the job.

So this book managed to both give me a lot to think about, as I couldn’t stop comparing Camden to Cross, at least inside the confines of my own head, and I couldn’t stop reading late into the night/morning because I had to find out not just ‘whodunnit’ but who done each of the parts of the ‘it’ the PAR Unit was following.

I had a grand reading time, so I was just a bit sorry to read at the end that the author has a lot of writing irons in the fire and while he intends to come back to PAR, he isn’t exactly sure about when. While I’ll need to look up his other series, AND look for whatever direction his work takes him, in the meantime if I want to scratch at least around this particular itch I’m glad that I have more of the Cross series to read – and most likely soon because I’ve got a book hangover that needs to be assuaged somehow.

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 2-22-26

This week’s schedule fell completely to bits, because last weekend turned out to be a lot busier than I thought it was going to be. One of the things that made it so busy was running out to get our new gaming chair. Which you wouldn’t think would be THAT big a deal, but it turned out to be. I’m thrilled with the chair as it’s a lot more supportive for my back when I play.

Luna is equally thrilled, as you can see from the picture. Not about the new chair, but about her sole possession of the old one, complete with additional pillows and lumbar seating and every other thing I stuffed into or onto it to make it incrementally better. For my back, it wasn’t enough. But all of those extra accoutrements turned the chair into Princess Luna’s perfect throne. She’s VERY happy to have it all to herself and have a cushier place from which to oversee all of her minions.

Current Giveaways:

$10 Gift Card or $10 Book in the Wish Big Giveaway Hop
$10 Gift Card or $10 in Books in the Winter 2025-2026 Seasons of Books Giveaway Hop

 

 

 

 

Blog Recap:

Wish Big Giveaway Hop
B+ #AudioBookReview: The Murder at World’s End by Ross Montgomery
Grade A #GuestReview: Waging a Good War by Thomas E. Ricks
#A- #AudioBookReview: Accidentally Yours by Christina Lauren
B+ #BookReview: Perūn’s Hammer by Ian Heller
Stacking the Shelves (693)

 

Coming This Week:

Inside Man by John McMahon (#AudioBookReview)
Spring Giveaway Event! (Begins 2/24 at Reading Reality)
A Pretender’s Murder by Christopher Huang (#BookReview)
At Star’s End by Anna Hackett (#BookReview)
Monster in the Moonlight by Annelise Ryan (#BookReview)

Stacking the Shelves (693)

There’s way more ‘pretty creepy’ than there is pretty in this stack. The one seriously pretty cover is What We Are Seeking. Although Alibi by Accident, Lost in the Summer of ’69, The Paris Match and The Pie & Mash Detective Agency certainly have cute covered. (Ahem, so to speak, pun intended and all that.)

Creepy is creeping all over this stack, between Headlights, Meat Bees and Wretch. The cover of Meat Bees is particularly shudder inducing, isn’t it?

The books I’m most curious about in this stack are the aforementioned Lost in the Summer of ’69 and The Pie & Mash Detective Agency, while the book I’m most looking forward to is obviously Fury in Death. But I also have one in the stack that I’m looking both forward and back to, and that’s At Star’s End. I read it over a decade ago, when it first came out, and loved it. It’s a science fiction romance that I’ve repeatedly referred to over the years because it simply epitomized the genre. The author just got her rights back and is republishing the entire Phoenix Adventures series (YAY!) with new covers and some added – or added back – content. I’m definitely looking forward to rereading these long-standing favorites!

For Review:
Alibi by Accident (Verona Montero #1) by Kayleigh Suggett
American Fantasy by Emma Straub
Anatomy of an Alibi by Ashley Elston
At Star’s End (Phoenix Adventures #1) by Anna Hackett
Fireflies in Winter by Eleanor Shearer
Fury in Death (In Death #63) by J.D. Robb
The Haul by Gary Phillips
Headlights by CJ Leede
How to Get Away with Murder by Rebecca Philipson
I’m Not the Only Murderer in My Retirement Home by Fergus Craig
Lost in the Summer of ’69 by Eliza Knight
The Man by Laura Sims
Meat Bees by Dane Erbach
Motor City Love Song (Dial Delights) by Lisa Peers
Nasty Little Secrets by Gabbie Hanks
The Paris Match by Kate Clayborn
The Pie & Mash Detective Agency by J.D. Brinkworth
Someone Else’s Husband by Kimberly McCreight
What We Are Seeking by Cameron Reed
Wretch: or, The Unbecoming of Porcelain Khaw by Eric LaRocca
You & Me and You & Me and You & Me by Josie Lloyd and Emlyn Rees


If you want to find out more about Stacking The Shelves, please visit the official launch page

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#BookReview: Perun’s Hammer by Ian Heller

#BookReview: Perun’s Hammer by Ian HellerPerun's Hammer: A Novel by Ian Heller
Format: ebook
Source: borrowed from Amazon Kindle Unlimited
Formats available: paperback, ebook, audiobook
Genres: political thriller, science fiction, technothriller, thriller
Pages: 324
Published by Menlo Park Press on April 6, 2025
Purchasing Info: Author's WebsiteAmazonBarnes & NobleBetter World Books
Goodreads

What if you received a video showing exactly what happened to Amelia Earhart?

And then similar videos of the Battle of the Little Bighorn and the Tulsa Race Massacre? What would you do if historians and experts verified every detail, and none of the videos showed traces of CGI?

If you’re Rich Penton, lead reporter at the investigative news show, RECON, you’d try to figure out who made the videos, who sent them to you and what you’re supposed to do about them. The only thing you’d know for sure is that the existence of the videos is absolutely impossible.

For humans.

But when the RECON team receives a video showing Chicago destroyed by an asteroid in the near future, they decide they’d better take it seriously. That’s when they feel the full force of the U.S. military and intelligence agencies, which clearly don’t want RECON involved in whatever mess this is, and the Russians send an assassin to ensure that anybody who tries to broadcast the videos winds up dead.

Perun’s Hammer blends exciting and contemporary AI, foreign intrigue, murder, historical mysteries, hazardous asteroids, undercover agents, a bizarre cult, and a mysterious intelligence that seems to be able to see through time.

My Review:

It begins with the impossible delivery of an equally impossible video – even if all that Rich Penton and his crew at RECON are certain of at that point is that the delivery shouldn’t have been possible. The video looks like REALLY good CGI of a meteor crashing into downtown Chicago. RECON is a successful, award-winning news magazine TV series (sorta/kinda like 60 Minutes was back in the day) but based in Chicago and set in the mid-2020s.

Meaning that the team at RECON is used to getting unusual pitches for stories. And that they know all about cutting-edge CGI. But it also means that their network security is state-of-the-art, a state that means that videos should not be capable of ‘magically’ appearing in anyone’s email without getting checked. And it certainly means that once such an email is deleted – it STAYS deleted.

The painted picture on this bison hide shows the battle of the Little Bighorn, where the Plain Indians fought Lieut. Col. George Custer’s troops. By Cheyenne artist – Museum of the American Indian

Except this video isn’t behaving the way it’s supposed to.

Not that they can do anything with it or about it except for the security breach. There’s nothing attached to tell them who sent it, how it was filmed, or what the purpose of it might be. They assume it’s a pitch for something – they get those all the time, but usually with a lot more information than this.

Then the second video arrives, just as mysteriously as the first. A video that seemed to have been taken at the Battle of the Little Big Horn as it was happening. In 1876. A video that checks out in every particular except one. In spite of repeated attempts to figure out how it was made, there is ZERO evidence of it being CGI. It seems to be authentic right down to facial recognition of even minor characters – even the angle of the sun and shadows is not just internally consistent but consistent with the date, time and location of the battle.

Tulsa Race Massacre aftermath, June 1, 1921

Which is when Rich and his team at RECON start to really, really dig. Because one way or another, this is one hell of a story. But as videos keep coming in, from Amelia Earhart’s ultimately fatal crash in 1937 to the horrors of the 1921 Tulsa Race Massacre to the tragic 1945 bombing of three German ships, the Deutschland, the Thielbek, and the Cap Arcona, filled to the gunwales with Jewish concentration camp inmates who were either killed by British bombs, or from being clubbed to death by Nazi soldiers and sympathizers waiting for the few survivors to wash up on shore.

As each of the later videos gets a YES in the column for historical accuracy and a NO in the column for being provably some sort of advanced CGI, it brings questions about the purpose of that first video of a meteor or asteroid striking Chicago, into terrible focus. If all the other videos are real recordings of historical events, then what was that first video? Was it a warning?

And if it was a warning – can they get the right people to believe in something so seemingly impossible in time to change the future before it becomes the present?

Escape Rating B+: First of all, in the interests of full disclosure, I received this book in a “friend of a friend of a friend” situation. Which I was honestly a bit salty about as I’m not all that fond of being committed to things by proxy.

Howsomever, (knowing this will completely undercut any and all arguments with the friend who got me into this), I’m not at all sorry about the whole thing. In fact, I’m pretty damn pleased with the result now that I’ve finished the book – and in spite of the quibbles I’m going to throw in near the end.

I had a damn good time reading this. Seriously. It was a thrill-a-minute ride from beginning to end in the best sorta/kinda SF movie thriller tradition. Movies like Armageddon, and Deep Impact.

What made Perūn’s Hammer just a bit different, and a whole lot more fun from this reader’s perspective, is that the story is set recognizably in Chicago. Not New York, not Washington DC, but Chicago. As someone who lived in Chicago for several years, I could picture all the scenes in the story AND just how big the devastation would be.

Which leads directly to the second fun thing. In most disaster movies, the disaster has either already happened or is past the point of no return. A big part of the plot and the point of Perūn’s Hammer is that those videos represent a future that ‘might’ be, not a fixed point in time. The worst of the crisis could be averted – if humanity can get its act together in time.

So the story isn’t the dystopia that comes after, or even the planning vs. panic scenario of an inevitable onrushing catastrophe. Instead, the ticking clock that drives the action is the investigation to figure out the nature of the message and then the mad scramble to act BEFORE it’s too late.

Neither of which could possibly be the job of a single human being – so even though parts of the story are told from Rich Penton’s first person perspective – which admittedly cuts the tension a bit because we know he survived otherwise he wouldn’t be around afterwards to do that telling – much of the story is told from a third person overview in order to follow the workings of the stellar team that make the show – and this story – possible.

Their team dynamic is absolutely top-notch. Each person is at the top of their respective game, and they each do their part to solve the mystery. It’s going to be up to Rich to convince the powers-that-be to put a multibillion dollar asset into space in the hopes of knocking the object off course. But he needs their collective very able assistance to put it all together and the investigation in all its many facets is a joy to follow.

Unfortunately, this is where my two huge quibbles with the story come in, and together they were enough to knock this from an A grade to a B+. Because I was compelled, but also extremely annoyed at this part.

In order for the reader – and the team – to truly appreciate just how high the stakes are in this story, one of the team members had to die. That’s the way thrillers like this work and it wasn’t exactly a shock for the reader when it happened. Especially considering that as far as solving the mystery goes, this particular team member had already completed their role. The problem I had with this was not the death, but the choice of character to die. The team member who was killed was the only gay person in the central cast, and the only character who was not or did not become part of a romantic couple. The “Bury Your Gays” trope is basically a cheap shot that did not need to be part of this story. Or, for that matter, any story.

It also leads directly to my other issue with the story, and that’s ‘villain fail’. There is a villain here. They’re not the ones who launched the object, but they are the ones trying to take advantage of it. In the international political climate of the past few years, the idea that the Russian Federation might be gleeful about an interstellar object flattening Chicago isn’t quite out of the bounds of plausibility. That Russia would engage in a campaign of misinformation and bribery in order to prevent the US from launching countermeasures in time is also not that far-fetched. Nor is the idea that they would have agents in the U.S. working to protect such a plan. However, the idea that all of that happened AND that the specific agent involved embodied all the worst possible racist, homophobic, sexist, psychopathic, sociopathic, violent and outright ‘bwahaha’ villain characteristics that have ever been assigned to a negative portrayal of an enemy agent in a single person put the whole thing way over the top and tripped my willing suspension of disbelief completely. To make a long harangue into a short sentence, the character of the villain of the piece slipped WAY over the line from CHARACTER into CARICATURE.

Amelia Earhart standing under nose of her Lockheed Model 10-E Electra. Gelatin silver print, 1937 by Underwood & Underwood

Very much on my other, and much more fascinated hand, I loved the deep dive into the historical incidents that were part of the vetting process for the videos. I wanted to say ‘happy’, but that’s the wrong word in this case. The historical analysis read as in-depth and extremely well done, which is something that I always love to see. However, I think it is important to note that all of the historical incidents with the exception of Amelia’s Earhart’s most likely sad end, were all true events that were horrifying in the extreme. They were also outright brutal tragedies of human inhumanity to other humans that were swept under the historical carpet because the victims were considered “other” from the perspective of the powers that be at the time.

A lot of the SFnal aspects of Perūn’s Hammer have been done before, in stories that reach as far back as Niven and Pournelle’s Lucifer’s Hammer through Kowal’s Lady Astronaut series and all the way up to last year’s When the Moon Hits Your Eye by way of at least two of the Star Trek movies (TMP and IV) as well as those disaster thrillers I started with.  Those familiar SFnal elements blend into a story that will keep readers on the edge of their seats, whether the parts that appeals are the historical mysteries, the technical breakthroughs, the political shenanigans and the spy games, or the surprisingly open-ended conclusion.

In spite of my quibbles, I had a grand time with Perūn’s Hammer. I think those quibbles hit so hard BECAUSE I was having such a grand reading time and those flaws disappointed me in a book that was otherwise really terrific.

All of which means that I’m glad that the author has already promised a sequel, tentatively titled Perūn Rises. I’m looking forward to seeing what happens next.

A- #AudioBookReview: Accidentally Yours by Christina Lauren

A- #AudioBookReview: Accidentally Yours by Christina LaurenAccidentally Yours by Christina Lauren
Narrator: Dominique Salvacion, Andrew Gibson
Format: audiobook, ebook
Source: borrowed from Amazon Kindle Unlimited
Formats available: ebook, audiobook
Genres: contemporary romance, romantic comedy, workplace romance
Series: Improbable Meet-Cute: Second Chances #1
Pages: 93
Length: 1 hour and 44 minutes
Published by Amazon Original Stories on January 20, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazon
Goodreads

Serendipity works wonders for a woman and her seemingly unattainable crush in a funny and flirty short story by Christina Lauren, New York Times bestselling author of The Unhoneymooners and My Favorite Half-Night Stand.
When marketing consultant Veronica accidentally crashes the wrong Zoom meeting and brutally critiques their presentation, she’s shocked to receive a job offer from the company’s intriguing CEO. Their professional email exchanges quickly turn flirty, but Veronica’s mind keeps drifting to her reserved but gorgeous new neighbor. As Valentine’s Day approaches, she’ll discover that sometimes the most improbable meet-cute can lead to the perfect match.
Christina Lauren’s Accidentally Yours is part of The Improbable Meet-Cute: Second Chances, stories for star-crossed lovers and hopeless romantics. They can be read or listened to in one sitting. Let’s do it again.

My Review:

In case it’s not obvious, this week kind of fell apart for me. Or ON me. I read something really heavy over the weekend and needed something TOTALLY light and fluffy to counteract the gloom. And I sorta/kinda promised myself I’d read a romance this week – because Valentine’s Day was last weekend and it seemed like the thing to do.

Which led me straight to Improbable Meet-Cute Second Chances, the Valentine’s Day collection from Amazon Original Stories for Valentine’s Day 2026. I expected to get a short, sweet, listening treat to pick up my week, and that’s EXACTLY what I got with Accidentally Yours.

Although I’m not quite sure about the “second chances” part of this collection’s formula as it relates to this story. The “meet-cute”, absolutely. But a second chance, not exactly. The romance between Veronica Cochran and Jude Tilde wasn’t so much a second chance as two SIMULTANEOUS opportunities at their first one. Let me explain…

Veronica Cochran is a marketing genius. Really, truly. But the company who practically wined and dined her to get her onboard after her MBA program turned out to be just another gang of entitled, misogynistic, techbros who were happy to take her ideas but never give her the credit, the promotion or the BONUSES she deserved. Then they let her go with a measly six months severance which she knows she’s going to wait forever to receive.

Job hunting is brutal, and she’s pretty much down on the whole experience. Her savings are running low, her ancient refrigerator is dying, her nibling destroyed her laptop and her office chair sounds like it’s about to wheeze its last. So she isn’t exactly filled with hope when she logs into her next job interview. Which is when the situation surprisingly starts looking up.

Not because it’s her interview – but because it ISN’T. Instead, it’s a session full of techbros who sound just like the ones at her old company. The group is going through a marketing slide deck that is SO BAD, SO VERY BAD, that she takes her name off her Zoom presence and lets her inner snark monster out to play. To delightfully devastating effect.

She tells this ‘pitch’ of techbros (I had to look up the collective noun because they needed one and it’s just too apropos in this case) just how terrible the slide deck is in no uncertain – but certainly professional and absolutely on point – terms. She lets them have the full effect of her genius on their marketing lameness then drops the mic and peaces out of the chat.

Leaving Veronica feeling much better about pretty much everything. Admittedly, these weren’t the techbros that disregarded her for four years – but they were close enough for her epic vent to let off some serious steam.

She leaves the techbros slack-jawed on both Zoom and their actual Slack channel, trying to figure out who she is and whether or not she’s available to be hired as THEIR marketing genius. Because Veronica Cochran is exactly what Codify.com and its new CEO need for their company.

All it’s going to take to get her onboard is a hefty monthly consulting contract, a brand-new state of the art laptop, and the office chair of her dreams.

The chemistry between Veronica and Jude, well, that’s extra. As they eventually find out – it’s extra times two.

Escape Rating A-: This turned out to be exactly the light and fluffy and frothy reading pick-me-up I was looking for. The way that Veronica and Jude banter their way into romance meant that it worked especially well on audio, as ably batted back and forth by Dominique Salvacion as Veronica and Andrew Gibson as Jude.

The romance between Veronica and Jude happens, not in two time streams or time periods, but through two entirely different mediums at the same time. Initially, all of their communication is electronic – and mostly professional. With admittedly a bit of casual, sometimes snarky, occasionally flirty, banter. But still, they have a business relationship. I can’t say it’s a workplace romance because there’s no workPLACE. It’s potentially a bit squicky, so they take that slow because they both recognize that they need each other professionally no matter how interesting they find each other personally.

Their entire relationship is conducted through a technical intermediary. They’ve never met. They’ve never seen each other’s faces. And it’s just when they make plans to do exactly that that the situation nearly goes off the rails.

Because they have seen each other’s faces, and whole entire persons, and have very much liked what they’ve seen. They just don’t know each other’s names. They live in the same North Loop apartment building in Chicago. She’s 4C and he’s 2C. They’ve seen each other in the lobby plenty of times white seemingly their entire building gathers, waiting for their surprisingly friendly and clockwork-like mail carrier to arrive every afternoon at 2.

They don’t know each other’s names until a piece of his mail finds its way into her mailbox on their mail carrier’s day off. And it’s while she knows but he doesn’t that she hears something that makes her wonder if she’s really ever known him at all.

But she has and she does so of course in the end they figure everything out and it makes for lovely and well-earned happy ever after.

The way this story works itself out – and keeps its would-be lovers apart and unaware in a way that does actually work – reminded me a lot of stories from two of the holiday story collections, specifically All Wrapped Up in You by Rosie Danan from Home Sweet Holidays in 2025 and Only Santas In the Building by Alexis Daria from 2024’s Under the Mistletoe. So if you like this kind of story, the way that the would-be lovers manage to get to know each other without knowing each other, all three stories are sweet little treats. I’m glad I picked this one up when I needed one.

And just as glad that I have the other stories in this collection (along with last year’s Improbable Meet-Cute) to look forward to the next time I need a short and sweet romance to pick me up and tide me over a slump of any kind!