A- #BookReview: Field Guide for the Formerly Villainous by Autumn K. England

A- #BookReview: Field Guide for the Formerly Villainous by Autumn K. EnglandField Guide for the Formerly Villainous (Everyday Magic, #1) by Autumn K. England
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: cozy fantasy, queer fantasy
Series: Everyday Magic #1
Pages: 368
Published by Poisoned Pen Press on June 2, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

STARDEW VALLEY meets STUDIO GHIBLI in a charming cozy fantasy about healing, redemption, and the subtle magic of simple living. Perfect for fans of Can't Spell Treason Without Tea and The Spellshop. Welcome home, weary traveler.
When Oaklin Nettlewood accidentally joined an evil world-ending cult, mind control magic forced them to do unspeakable things. Years later, the realm's heroes have finally saved the day, defeated the villain, and shattered the last remnants of the spell...leaving destruction in their wake. And so, with a spell-damaged memory and whole bushel of trauma, Oaklin escapes to a small farm on the edge of Mossley's Rest and swears an oath: After all the things they were forced to do with their magic, they will never use it again. Ever.
The no-nonsense ghost granny who lives in Oaklin's house has other ideas. As she coaxes Oaklin out of their shell and back into the world, they find companionship (a grumpy horse and a very good dog), friendship (a local bard and magical baker who should just kiss already), and tentative romance (a paladin-librarian who makes Oaklin's heart come alive for the first time in ages.) Magic even seems possible again―though strictly for foraging magical mushrooms and protecting the farm from bugs.
Healing comes in gentle waves, and Oaklin doesn't have to do it alone. So what does it mean when an inquisitor comes to town to hunt former cultists just as Oaklin begins to think that maybe, just maybe, they deserve a happy ending after all?

My Review:

Oaklin Nettlewood has found themselves on the thorns of a dilemma. I know that phrase is normally HORNS of a dilemma, but not in Oaklin’s case. Not just because of their name, but seriously because they are caught among WAY more than just two dilemmas. They’re working their way through a whole thorny nettlebush of the things, and they’ve just barely gotten started.

Oaklin has just taken possession of their new farm, on the outskirts of the friendly, flourishing village of Mossley’s Rest. They are in dire need of a fresh start, and they’re hoping that the new job and the new location will help them get that start, well, started.

Which is where the first of many, many of those thorny dilemmas crop up.

Oaklin needs a fresh start because their original start, in a farming village in a different part of the country, was wiped out as part of the villainous Enchantrix’s War of bloody destruction. Oaklin survived, while his former village did not, because Oaklin was on the other side. The Enchantrix’s side.

Not willingly, and not even knowingly, for multiple senses of both phrases. The Enchantrix’s troops, one and all, were mind controlled by the Enchantrix’s magic. (Sort of like a powerful, wide-spectrum, widespread Imperius curse only longer lasting and with more magical oomph.)

Oaklin lost six years of their lives to that mind control spell – which was so thorough it made even the years before the spell dim, hazy and covered in shades of darkness. They remember bits and pieces, but nothing coherent or cohesive.

The spell broke along when the Enchantrix was defeated and slain. Leaving Oaklin and the other survivors a guilty, tattered remnant of who and what they used to be. While Oaklin and the remaining mind-whammied former cultists were officially pardoned for the crimes their bodies committed while their minds were controlled, that doesn’t mean that there aren’t a whole lot of people who STILL want to punish them for what happened.

Oaklin has come to Mossley’s Rest to hide – and to hide themself from their own magic which made them vulnerable to the Enchantrix’s control in the first place. Which leads right smack dab to another one of Oaklin’s dilemmas. The farm they’ve just sunk their meager savings into was originally the property of the village’s land witch, and it was protected so that it could only be purchased by someone capable of taking the witch’s magical place.

Something that Oaklin has vowed not to do, ever again, because of just how much and how terrible the evil they committed with their magic was – even if it wasn’t under their control.

But the last one of Oaklin’s dilemmas is also the first part of their healing. The farmhouse is haunted. The ghost of the prior owner, the village’s beloved land witch, is determined to coax, cajole or outright pester Oaklin into becoming the farmer, land witch and protector that the village needs to survive.

Whether Oaklin or any random Inquisitors, want them to or not.

Escape Rating A-: There’s a LOT to love about this Field Guide, but the reason that this is a A- rating instead of higher is that Oaklin Nettlewood begins – and middles – the story not loving themselves AT ALL. While there are plenty of reasons they believe they shouldn’t love or even like themself, they’re wallowing in guilt and self-loathing. It’s not a question of whether they deserve the abuse they are heaping upon themself, because that’s not the point. They don’t deserve any of it but they’re not ready to hear that yet. AND they’re suffering from flashbacks and PTSD and PTSD about the flashbacks, all of which make sense but are hard to read and go on a bit too long or in too much detail from a reader’s perspective.

Oaklin is bogged down in guilt, and the story gets a bit bogged down along with them, even though they deserve none of it (and neither does the reader). It’s also very dark – again, with good reason – but it does make this reader wonder about the actual level of coziness in this supposedly cozy fantasy. The setting itself is plenty cozy, but Oaklin’s journey through it isn’t nearly so cozy along most of its way, although they do achieve a happy ending with a mere, but appropriate, touch of bittersweet.

The setting is a cozy fantasy like Adenashire, but the story is as much sad fluff as it is cozy. The story as a whole is very much Violet Thistlewaite Is Not a Villain Anymore, but set in Adenashire with Violet’s levels of angst, regret and reaching for a new start after a villainous first act. Also, like Violet Thistlewaite’s story, there is a romance in this one but the romance is not the center of the story.

So, while this is a story about getting away from yourself, it’s also a story about coming into yourself. Oaklin starts out in a very dark place for some terribly excellent reasons. Along their way, they reach outside themselves – or reach back into themselves for who they might have been if they hadn’t thoroughly disrupted their life.

But as much as this is Oaklin’s story, and it very much is their personal journey, it is also a story about the power of community to support, the way that connection fosters growth and happiness, the joy of being both wanted and needed and the contentment of finding a place of one’s own writ both large and small.

But the heart of the story, the thing that gives it just that perfect note of bittersweetness to make Oaklin’s happiness earned in the fullest measure, is the healing power of forgiveness. Because above all else, Oaklin needs to forgive themselves and they need to feel forgiven by those they have wronged. The story can’t end until they do.

An.ending that gives Oaklin the strength and the closure that they need to move on with the life they finally feel they’ve earned. And if that ending also manages to leave the reader with just a bit of a tear in their eye, well, even thorns need a bit of watering every now and again.

#BookReview: Cash and Gravity by Perrin Pring

#BookReview: Cash and Gravity by Perrin PringCash and Gravity: A Novel (The Chevy Cole Series) by Perrin Pring
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: action adventure, dystopian, space western
Series: Chevy Cole #1
Pages: 320
Published by Diversion Books on May 26, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

"This may not be the future we want, but it feels right, which is sort of terrifying, sort of exciting, and, in Perrin Pring's hands, nothing short of spectacular." – Stephen Graham Jones, NYT Bestselling author of The Only Good Indians
A thrilling sci-fi western and the first in a genre- and mind-bending series bearing shades of Old Man’s War, Murderbot Diaries, and The Monkey Wrench Gang.
A high-stakes chase across the American West. A device that could change the world. Three unlikely allies thrown together by fate. 
In the not so distant future, six mega corporations and their privatized armies have supplanted the American government. They compete for resources, market position, and the ultimate long game prize of colonizing the stars. 
Chevy Cole left her conservative family behind for life as a Launch Tech marine and never looked back, proud of her role as a first-into-the-fire grunt, even if she were well below the revered female super soldiers known as Aces. When rumors spread that one of the Big Six has created a fusion device that would put the stars within reach, all-out war looms. 
After the catastrophic failed siege of a Nevada mine leaves most of her comrades dead, Chevy encounters a dying Ace in possession of a mysterious package and a this Ace is a man. Joined by Dolon, an aging mercenary "phantom" sent by Launch Tech to transport the package to an Idaho safehouse, the three form an uneasy alliance. 
As they try to outrun a rival corporation’s ruthless agents across the desert in a deadly game of cat-and-mouse, Chevy realizes that their survival may also determine who controls the future. But when greed is the only rule of law, who can she trust? 

My Review:

I came into this one kind of expecting Cash and Gravity to both be people. Literally. I was expecting those to be the names of the protagonists. Let me disabuse you of that notion right now, because they’re not.

Instead, they are the forces that power the narrative of the story. Gravity, the force of nature. The principle that Earth, or any large mass, pulls things towards it from space. Like lifeboats ejected from dying spaceships. And dropships built to drop from orbit with a cargo of space marines.

And cash, you know, money. The thing that really makes the world go ‘round. Or, in the case of this story, and increasingly in real life, the thing that allows a person to buy what they need and go where they must and manage to keep themselves off the ever-tightening grid of networked cameras and transactions.

The thing that allows a person to hide their very existence – if they’re very, very careful about it. And very, very lonely.

Those forces are what bring space marine Chevy Cole, ‘Ace’ Izan and ‘phantom’ Dolan together on a mad dash across America’s desert southwest in this megacorporate controlled future.

Their slowly crumbling world is controlled by six megacorporations, Launch Tech, Exoterra, Tsilokovsky, Jinzhan, Lua Um and Alpha Orbital. Of course, there aren’t six superpowers. There are two superpowers, L-Tech and EXO, and the rest are lesser beings orbiting the two giants. Who are, of course, locked in eternal conflict.

Or they were, when scientists based on a tiny, low earth orbit EXO space station discovered, or created, the SFnal equivalent of the mythical philosopher’s stone. But the future isn’t interested in turning base metal into gold, and they’re already working on eternal life. The device that EXO has in their hands does something better and even more dangerous. It’s a (relatively) safe fusion battery that can produce infinite energy – or ultimate destruction.

Launch Tech has massed all of its forces to steal the device while it’s still on that vulnerable space station. That, as it turns out, was the easy part. Cash and Gravity is the story of the hard part, of three people in the right/wrong place at the right/wrong time, banding together to get the fate of the universe, and themselves, to safety before the clock runs out.

Before their equally determined – and even more dangerous – pursuers catch up to take them down, and out, and the device and the world’s future from their hands.

Escape Rating B: The idea that megacorporations will take over the world is not all that far-fetched, far-flung or far into the future – at least not in SFnal terms. There are plenty of stories with that type of set up. Just take a look at Murderbot – and you might as well start looking in that direction from the beginning because there are definitely a lot of Murderbot feels in Cash and Gravity.

Not the SecUnit itself, but the world that made it possible – and has expanded that control out into that universe. From a certain point of view, the story in Cash and Gravity is a variation of how Murderbot’s megacorporation-controlled universe got to be that way.

Alternatively, and with just as much plausibility, the world of Cash and Gravity descends from the corporate-controlled Earth in Nicole Kornher-Stace’s Firebreak, or Natalie Zina Walschots’ Hench and Villain, complete with corporate-created and sponsored media-darling heroes. Because that’s here too, and the way that got to be that way isn’t nearly as pretty as those media darlings’ faces and public images make things out to be.

But in its actual journey, it has a lot of the space western vibes of Firefly. That Firefly was also set in a universe where megacorporations ruled – even if some of that rule was thinly disguised by planetary governments who were equally corrupt – makes the resemblance that much stronger.

Of course, it’s not the setting that gives Cash and Gravity either its heart or its compelling pace. What makes this story sing – if occasionally off-key – are its characters and the way that desperation and danger bonds them together in spite of themselves.

Three people who should not have ever met, a hermit, a hero and a space marine. The hero has the device. The space marine has the brawn to protect him. The hermit has the ability to keep them off the grid until they reach their ‘plan Z’ pickup point.

When they first meet, they don’t trust each other, they’re not prepared for each other, and they don’t even like each other. Chevy’s there by accident, Izan wasn’t supposed to survive the drop, and Dolan wasn’t supposed to worry about anything but the device.

But Dolan can’t abandon them, Izan is too space sick to get anywhere on his own, and Chevy needs a new squad to protect to keep her stable in the civilian world she never dealt with well even when she was one.

They find a family – or a squad in Chevy’s case – that none of them were expecting. Their teamwork carries them through even as their tentative plans fail to survive the first contact with their enemy. But it’s that same sense of team and family that lets them keep it together even as everything falls apart. And helps them start putting the pieces back together the way they should be when their bosses try to convince them of a solution that is very, very wrong.

In the end, I had some mixed feelings about this one. Obviously, it reminded me of a lot of books I’ve read, and I’d throw in the Valor/Confederation series by Tanya Huff and Old Man’s War by John Scalzi to represent the voices of Chevy and Dolan. At the same time, the villains of the piece, whose perspectives we also get to experience first hand, were more caricatures than characters (that they are nameless throughout didn’t help) and I’ve seen that phenomenon a bit too many times too close together recently to enjoy it again here.

I did love the pulse-pounding pace of the story, the road trip tour of their sorta/kinda functional but slowly crumbling America AND especially the way the team gelled into a family that stuck in spite of the absolute heel-turn betrayal at the end. Which, admittedly, I saw coming.

On balance, I liked this one because I liked the protagonists. The story absolutely does pull the reader down the road right along with them, and the ending was the kind that was right, dammit, and opens the door wide for a second book. Which I’m going to be right there for because they’ve all earned whatever their version of a happy ending is and they deserve to get it.

Grade A #AudioBookReview: The Last Mandarin by Louise Penny and Mellissa Fung

Grade A #AudioBookReview: The Last Mandarin by Louise Penny and Mellissa FungThe Last Mandarin by Louise Penny, Mellissa Fung
Narrator: Eunice Wong
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: political thriller, suspense, technothriller, thriller
Pages: 400
Length: 13 hours and 16 minutes
Published by Minotaur Books on May 12, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A standalone thriller co-written by the #1 New York Times bestselling author of the Gamache series and an award-winning journalist.
In a fast-paced, all-too-real thriller co-written by #1 New York Times bestselling author Louise Penny and award-winning journalist Mellissa Fung, global politics become personal for two unlikely heroines. Alice Li, a first-generation Chinese-American, is an erstwhile food blogger who has lived in the shadow of her mother, Vivien Li. A Chinese dissident who escaped China after Tiananmen Square, Vivien is now a globally recognized human rights activist and passionate advocate for a free and democratic China.
When security and fire alarms go off simultaneously all around the world, setting off a panic, the signal is traced back to China. As world leaders scramble to respond, Vivien and Alice are called to the White House in hopes Madame Li can decode the Chinese intentions.
While it makes some sense that the President would turn to Vivien, since she regularly advises world leaders on the actions of today’s Chinese government, what isn’t clear is why they’d want to talk to Alice.
After looking at the evidence, Vivien says that the only thing worse than the Chinese government being behind it, is if they are not. It would mean, she explains, that some clandestine element within China is calling the shots. That the President of China has lost control. And an unstable China cannot be good for anyone.
Or perhaps that’s exactly what the shrewd old politician wants everyone to think.
Caught up in the chaos, Vivien and Alice are uniquely placed to stop the next, cataclysmic attack. But there are forces deep within both the American and Chinese governments intent on stopping mother and daughter. The estranged pair, who excels at misunderstanding each other, must figure out how to work together.
The increasingly frantic search for answers takes the women from the Oval Office to an office building in Akron, Ohio, from the noodle shops of Hong Kong to the necropolis of the first emperor. Along the way they must decode an old legend, and an old language invented by women, for women.
The Last Mandarin is an electrifying study of absolute power and voracious greed, political terror and personal conviction. But it is also, as to be expected from the minds of Louise Penny, beloved author of the Gamache novels, and Mellissa Fung, an acclaimed international journalist, an intimate examination of choice, of sacrifice, of memory and myths, both cultural and personal. It is the story of a mother and daughter, as well as a compelling international thriller about the precarious balance of power across the world, and within a family. And what happens when both break down.

My Review:

The Last Mandarin is a bit of a “six impossible things before breakfast” kind of story. Then again, our perspective on the frequently insane events of this tale is named Alice – and she often doesn’t believe what’s happening either, even while she’s in the midst of experiencing it.

Especially while she’s experiencing it.

The story begins with food blogger Alice Li in the restaurant of one of Washington D.C.’s premier hotels, watching resentfully as seemingly everyone in the room sidles up to the table to pay homage to her mother Vivien. Vivien Li, a refugee from the People’s Republic of China just after the 1989 protest and massacre at Tiananmen Square, has made a name and reputation for herself in the U.S. as a renowned human rights activist, an outspoken speaker against the communist regime that continues to control and suppresses the people of her homeland and an expert on the politics and history of the country she fled.

Alice has spent her entire life in her mother’s shadow, never measuring up to whatever unspoken plans and ambitions her mother had for her. Alice is still standing in Vivien’s shadow, dragged along in her mother’s wake, when every single alarm and warning system on the entire planet – and the space surrounding it – goes off at once. Everywhere, all at once.

And Vivien – with Alice in tow – is dragged from the hotel to the White House to speak to the members of the President’s inner circle about the source of what can only be considered an attack. Because whoever did this, however they accessed every warning system everywhere, including the space station in orbit and literally all the civilian and even military ships at sea, did it from somewhere in China.

Not that the country of China was exempt from what happened. Only that someone there must know something. And that Vivien – or one of the President’s advisors – should have seen it coming. But they didn’t.

All they have is one last text from one of Alice’s old college friends. She thought Liam was just a fellow food blogger, but his message was clearly more – and so was he. Whether he was a spy, a double agent, or merely an agent of Vivien Li’s own private spy network is something yet to be determined.

But Alice Li is determined to find out what really happened. As well as with figure out who, and what, her mother really is. It might make more of a difference than either Vivien or Alice can imagine if Vivien can manage to look past her own hubris to understand who her daughter really is, and what she’s really capable of, as well.

Before it’s too late.

Escape Rating A: This story is more than a bit of a wild ride. It’s the kind of story that the late Tom Clancy used to right, filled with paranoid plots, insane situations, mutually assured destruction brinksmanship, and the potential end of the world as we know it. (That Clancy is both dead and still publishing new books fits right in, as that’s just as impossible as much of both his – and this – story.)

But the impossibilities are in the details, and in the characters who find themselves thrust into the position where they are the only ones who CAN save the world. Even as the people who believe they are the powers-that-be gibber in paranoia and delusions and paranoid delusions that might even be partially true, worrying about vast hidden conspiracies and whether or not they’ll be blamed for the destruction.

The idea that the world is much more vulnerable than we think it is, and that world leaders are simultaneously afraid of each other – with reason – and have more in common with their enemy counterparts than their own people, can be, and probably is, both counter to what we believe AND entirely true. (That concept comes straight out of old Cold War espionage stories, where the enemy agents in the same situations understood each other better than the folks back home understood them – and vice very much versa.)

Again, even if the details of this story seem over-the-top. Which they mostly are.

At the same time, it’s easy to see co-author Louise Penny’s fingerprints all over the way this story works. There’s an ongoing thread through her beloved Chief Inspector Gamache mysteries in regards to hidden, deeply rooted, long buried, patiently waiting gigantic conspiracies. And that’s exactly what’s at the heart of this story – even if their motives are different from Gamache’s usual run of antagonists.

Because the story here combines human and political plausibilities and possibilities with the implausibility of its heroes and historical antecedents which careens hard into Dan Brown and the arcane, hidden historical meanings and implanted codes of, well, The Da Vinci Code.

And it’s that juxtaposition of the likely with the quirky and otherwise downright impossible that readers will either fall into in fascination or bounce off of hard and fast.

I fell hard, for the most part. I loved the conspiracy theories and the historical underpinnings. The strained relationship between Chinese dissident turned civil rights activist Vivien Li and her resentful adult daughter Alice grounded the story in the real even more than the plot wrapped around the real-world bogeyman of artificial intelligence run amok in cyberspace.

The way that the new conspiracy is steeped in the myths and legends of Chinese history will either captivate readers or push them out of the story. I love those kinds of details, but reading mileage definitely varies.

Readers who set aside their disbelief, or at least let it rest for a while, will enjoy The Last Mandarin a great deal. It’s the kind of espionage thriller that we don’t see nearly as much of as we used to. In that sense, and in its choice of foci and protagonists, it reminds me a bit of The Silver Fish as well as both Clancy and several of M.L. Buchman’s series, particularly his Miranda Chase series.

It’s also a story that is even better in audio. I listened to Eunice Wong’s narration – she’s a great reader for Alice – and got so caught up in her reading that I was up until 3 am finishing the audio instead of switching to text and wrapping up in a single hour. It was worth it.

So if you can wrap your willing suspension of disbelief around this combination of implausible heroes and not nearly as insane as we’d like them to be conspiracy plots, The Last Mandarin is a fascinating and fantastic read. In multiple senses of both words!

#AudioBookReview: Six People to Revise You by J.R. Dawson

#AudioBookReview: Six People to Revise You by J.R. Dawson“Six People to Revise You” by J.R. Dawson in Uncanny Magazine, Issue 62, January/February 2025 by J. R. Dawson
Narrator: Erika Ensign
Format: ebook, podcast
Source: supplied by publisher via Hugo Packet
Formats available: magazine, podcast
Genres: science fiction, short stories
Series: Uncanny Magazine Issue 62 January/February 2025
Pages: 19
Length: 51 minutes
Published by Uncanny Magazine on January 7, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

The January/February 2025 issue of Hugo Award-winning Uncanny Magazine.

Featuring new fiction by Scott Lynch, J.R. Dawson, Tia Tashiro, Tade Thompson, Mary Robinette Kowal, Rati Mehrotra, and AnaMaria Curtis. Essays by Nicholas Whyte, Ai Jiang, A.T. Greenblatt, and Suzanne Walker, poetry by Kaliee Pedersen, Mari Ness, Shankar Narayan, and E. N. Díaz, interviews with Scott Lynch and Rati Mehotra by Caroline M. Yoachim, a cover by Maxine Vee, and an editorial by Lynne M. Thomas and Michael Damian Thomas.

Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019, 2020, 2022, 2023 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, Betsy Aoki, and Monte Lin, each issue of Uncanny includes new stories, poetry, articles, and interviews.

My Review:

Why would you ask a whole bunch of other people, most of whom don’t know you well, or at least don’t know you well NOW, for their input into everything about yourself that you should change? Another question, why would the process to change someone start with asking people who are, mostly, at best, casual acquaintances or frenemies, how a person they may not like should change.

What does that say about the society that does this? And why would a person submit themselves to it?

Those are just some of the VERY thorny questions being asked in “Six People to Revise You”, the second in this series of Hugo nominated short works reviews.

You’ll notice that I’m not asking why the person at the center of this story – or any person in this story or anywhere else – would submit themselves to such a process AT ALL. Because the answer to that question seems both obvious and rooted in human nature in general.

No one needs an SF story to tell them that they might be better off, or more successful, or happier, or fit into their society better, or be more comfortable, or WHATEVER – if they just changed a few important AND intrinsic things about themselves.

Our families, our friends, society at large and the whole entire internet press upon us every single day that our lives could be “better” for some very nebulous definitions of better if we just “got with the program”, whatever that might be.

So the story isn’t about that. It also isn’t about the mechanics of how this gets done. It sounds like brainwashing or programming or deprogramming or handwavium or all of the above. The methods don’t matter in this context.

What matters is the result. The way that the process of “revision” seems to blunt the personality. Smooth down all the rough edges. Take away individuality. And possibly – and insidiously – freedom of choice through self-censorship. In the way the process of “revision” takes away individual choice through self-erasure, it reminds me a LOT of the short story “Thickly” by Dorothy de Kok in Writers of the Future 42. The results are very similar even though the process is different.

From one perspective, this is a story about someone (specifically in this case the unnamed first-person narrator) asking a whole lot of people she only sorta/kinda knows which parts of herself she should change to become a happier and more successful person. The answers are mostly self-serving on the part of the people being asked, and are frequently unkind at best. (That the system itself is set up this way is extremely weird – at best.)

But this isn’t a story about what she SHOULD do. (Personally, I think externally applied SHOULDs are the devil, and that’s absolutely true here.) The story isn’t about listening to what other people think even though it is about just how insidious those external voices are.

Instead, it’s a journey of self-discovery. Because the ultimate discovery isn’t about who she should be, it’s about the good and the joy she’s brought into the world by being the person she already is. A perspective that’s delivered by one lone voice among the six people who are supposed to be “fixing” her future course who knows her and cares about her as the person she is.

Escape Rating B: Like my previous Hugo Review of “The Girl That My Mother Is Leaving Me For”, the story, as a story, has more than a few holes and weirdnesses built in. In this case, the gigantic hole is that the reader has no idea what the process of revision really is, how it came to be, what people think it’s intended to do and what it actually does.

We can infer a lot from what we have, but it still feels like handwavium on the technical side and smoke and mirrors on the results side. Or something like that.

And it could be that’s exactly what’s intended, that the reader is supposed to put their own interpretation into the process and its results. It feels like the actual intention of “revision” is to program social outliers into behavior society finds more “acceptable” – all of which needs to be in scare quotes. Because those types of purposes lead to some terrible “greater good” scenarios.

That the narrator doesn’t do it after all, that they realize that how they are is how they’re meant to be and that they’re happy as they are as much as any human is happy as they are allows the story to lead on a hopeful and dare I say it, happy, note. But the questions the story asks are troubling – especially because we are all being programmed, every day, by the masses of information and misinformation and high decibel outrage and meaningless consumerism we’re flooded with every single day.

Berry Good Giveaway Hop

Welcome to the Berry Good Giveaway Hop, hosted by Mama the Fox and Mom Does Reviews!

It’s SUMMER, isn’t it? I mean really, even if it TECHNICALLY isn’t, it IS. Post-Memorial Day (even if that felt early this year) means SUMMER.

I decided to get more information about berries, so I went to Wikipedia. Now I’m confused. Not all the fruits we think of as berries are berries in the technical, botanical sense, even though they are in the less technical but much more delicious culinary sense. And there are a whole bunch of fruits that we don’t think of as berries that actually are, botanically, berries.

Watermelons – a summer tradition – are technically “giant berries”. So are pumpkins which just made my brain go ’tilt’. OTOH, blackberries (my favorite breakfast berry), along with strawberries and raspberries, are technically aggregate fruits and not berries at all. Except in the culinary sense.

Whether or not the technicalities make YOUR brain go tilt as well, tell us your favorite berry flavor (from that yummy culinary perspective) in the giveaway widget for your chance at Reading Reality’s usual hop prize, the winner’s choice of a $10 Amazon Gift Card or $10 in Books!

And if  you’re looking for more ‘berry good’ June prizes, be sure to visit the other stops on this hop!

MamatheFoxMom Does Reviews, and all participating blogs are not held responsible for sponsors who fail to fulfill their prize obligations.