Impossible Mission

I plan to carry out an impossible mission in this post. Not the kind where the “Secretary will disavow all knowledge of my actions,” although there will be some “Secretaries” involved. So this mission will not involve either Peter Graves or Tom Cruise. Nor will there be any spies.

By the time you read this, I will either be flying between Atlanta and Dallas, or already in “The Big D” and in the midst of the madness that comprises the American Library Association Midwinter Conference. A madness that is only exceeded by the insanity of the American Library Association Annual Conference, which will be in hot, dry Anaheim California, in June. Look out, Mickey Mouse!

ALA Midwinter originally came into being for the Association to conduct its business. And there are a LOT of committee meetings. But since everyone was there anyway, the vendors who sell to libraries also come to the conference to exhibit their latest and greatest. The publishers come to promote their new books. There are usually LOTS of Advance Reading Copies free for the taking. Stacks and stacks of them!

About that impossible mission? Attempting to make my ALA Midwinter Schedule sound interesting. Please don’t stop reading now!

I said that ALA conducts a lot of its business during the Midwinter conference. I am proud to say that I am part of that business. This year, I am the Chair of the Association for Library Collections and Technical Services Affiliate Relations Committee. Whew, that’s a mouthful. It’s abbreviated as ALCTS ARC. You can imagine why.

Being Chair of an ALCTS committee means that I go to the ALCTS Board meeting on Friday afternoon and Monday afternoon. This year, ALA is promoting the theme of “Transforming Libraries” and a big part of that theme is “Transforming Collections”. ALCTS, well, remember that word “Collections” in the name? We’re all over that “Collections” thing. So we’ll be talking about our role in ALA’s initiative.

The Affiliate Relations Committee is something different. We gather information about continuing education that happens all around the country, and distribute it to everyone. So that folks in California know what’s going on in Maryland and vice-versa. You might think that’s not all that relevant, but with webinars, location is not quite the factor it used to be. And if someone in Oregon knows of a good speaker on a hot topic, the speaker might very well be willing to travel to conduct a similar workshop. Networking is everything!

(I’ll be doing two webinars for the Maryland Library Association, one on genre selection on Jan. 31 and one on Ebook Collections on Feb. 9. The webinars are from Maryland, but I’ll be in Atlanta!)

What else will I be doing in Dallas? Seeing colleagues I only see at conference. Going to sessions on topics that interest me, like ebooks and collection development.

And oh yes, I’ll be walking the floor. Not like that. The exhibit hall floor. A chunk of the publishers I regularly cover in Ebook Review Central will be at the Conference. Kristina from NetGalley will be there. And I want to visit all the print publishers and get on their lists to get review copies, too.  There’s miles of walking in my future, but it will be so worth it.

I just have to restrain myself from bringing home too many ARCs. Those suckers are heavy.

Demons who must not be named

There’s a long-standing trope in fantasy of the evil that must not be named. Think of Voldemort in Harry Potter. Although if my name were Voldemort, I’d probably rather not be named, either. Why did he pick that? Wikipedia says it translates as “flee from death”. More like he was scared of death. I prefer the Discworld version of Death.

But I digress. Mostly because I feel like crap on toast.  Which returns me to my original reference of demons that should not be named.

Last week, I was talking with a friend about various rituals for handling who does what when either my husband or I has a cold. My friend apparently gets relegated to the spare bedroom whether he or his spouse is the sick party. This topic came up because my friend was, of course, currently under the weather. I was not.

I should never have discussed the subject. Now I’m sick. But germs can’t be transferred via email. The demon was invoked, and that’s all it took.

My household operates slightly differently. Whoever really can’t sleep moves elsewhere if necessary. But the excellent thing about iPads is that they generate their own light, so no more keeping the light on (and your partner awake) to read all night.

Having a cold is a great excuse to get lost in a good book (or two, or three). Also a good excuse to play video games. But I read endlessly. It does change my tastes. I want to be lost somewhere far away. I’ve finished the first two of Laura Anne Gilman’s Paranormal Scene Investigations books back to back and I’m ready to start Tricks of the Trade, which was on my list.

I have zero interest in romance books at the moment. But then, I have not very much interest in the real thing at the moment, either. A cold will do that to a person. On the other hand, one time I had a migraine and read the entire collected works of Amanda Quick in about three days. It gave a whole new meaning to that old Victorian instruction to newly married ladies to “lie back and think of England…”

Tomorrow will be better. At least, I sure hope so.

Unacceptable Risks and Collateral Damages

On December 18, I will be hosting the blog tour for Jeanette Grey’s new book, Unacceptable Risk. This is the first time I’ve ever hosted a blog tour, and I’m really excited.

And two weeks from today. Today! OMG! We’re moving again.

For anyone who knows us, that again comes with a serious groan. We moved less than six months ago, from Gainesville Florida to the Atlanta suburbs, and here we go again.

But this is different. We are not moving because we planned this. We are, as so many people are right now, collateral damage in someone else’s story.

We rent. We do move a lot. And buying and selling property would be difficult even without the real estate meltdown. So we rent. You could say we beat the trend. Renting is difficult enough for us, because we have four cats. Two wouldn’t be a problem for most landlords, but four does give some people pause, no pun intended.

There was enough drama in finding this house. We didn’t know there was more to come. If you ever rent a place where they offer you a lease where either party can get out of the lease with 60 days notice, it just might be the proverbial ‘red flag’. We saw it as an advantage to us. Silly us.

The owners of our current house invoked the option because the current economic crisis has caught them in serious difficulties. They will be moving into this house, and the house they have been living in (it is closer to a McMansion) is a casualty of the economic downturn.

Unlike many people who have been renting houses or apartments and paying the rent faithfully each month, only to face eviction because the owners have not made mortgage payments, we did get those 60 days notice.

Since we received that notice at Halloween (do the math, it put the expiration at New Years’), we’re moving in mid-December. Weather in Atlanta in December isn’t a big deal, but the Holidays are the Holidays pretty much anywhere.

We did have the usual drama finding a place, but that isn’t the point. We just went through this. We’re doing it again. The expense of the move, while less than the cost of moving to a different state (we’ll even be in the same town) is not trivial.

We haven’t completely unpacked yet. We still have about 2,300 books. We’ll be going through them again, seeing if there are a few more (maybe a couple of hundred more) we can sell or give away. What Powell’s doesn’t want to buy, I may do some giveaways right here on this blog, so stay tuned!

Anything we haven’t unpacked since June, I wonder if we still need it?

South Carolina Librarians Rock!

The South Carolina Collection Development Mini-Conference was an absolute blast! What an amazing event. Three days devoted to collection development, sponsored by the South Carolina State Library. There were 80 attendees every day, and folks were going home at night and letting their colleagues come in, so it wasn’t the same 80 people each day. One day was devoted to ebooks, one to adult collections, and one to kids and teens.

I was very fortunate to present for the adult collections and the teens on genre fiction. And, I was able to attend the day on kids and teens. Wow!

My presentation for the crowd on adult collection development was about genre fiction selection. “The Brave New World of Genre Fiction Selection, the Rap Sheet on the Fiction Vixen, or what the Locus are all these book blogs about?” It was a big title for a pretty big subject. I want to encourage collection development librarians to use book blogs as selection tools.

Why? The bloggers, including yours truly, cover more than just the traditional publishers. We cover a lot of ebook-only titles. Blogs may be the only review source for most ebook-only titles.

Blogs are as much, probably more, labors of love as they are anything else. Many are niche publications. If they cover a subgenre such as steampunk or biopunk or paranormal romance, they cover it more thoroughly than a general review magazine that has to cover the waterfront. And for a patron who wants stuff in their love and only their love, a specialized resource is where it’s at.

The slides for the presentation included pictures representing some of the different subgenres, along with breakdowns of the components that make up those niches. A lot of us who read in a genre throw around our own jargon, like steampunk or  cyberpunk or dystopia, and assume that everyone knows what we mean. (Us librarians do that too!) Hunting for images to show not just what cyberpunk looks like, but displaying a formula of what pieces of what genres make it up (Science fiction+ hackers+ artificial intelligence+ post-industrial dystopias+ very hard-boiled detectives) seemed to go over well.

I know the bibliography (webliography?) of recommended bloggers for book reviews I handed out disappeared like snow in July. I could have done a magic trick with that thing.

The kids and teens day on September 14 was absolutely fabulous. Pat Scales, an expert not just on children’s literature but also on intellectual freedom issues (Pat is a member of the National Coalition Against Censorship Council of Advisors) spoke eloquently about ratings systems as censorship tools. The post-lunch panel discussion tackled a broad range of questions, including the debate whether users should find the materials they want in the library or should only be able to find “quality” material. This version of the “give them what they want” conundrum is usually applied to so-called trashy fiction, but is just as applicable to SpongeBob SquarePants. The audience participation on this question was spirited. I think nearly everyone in the audience believed that every patron, no matter what their age, should find both their entertainment and their educational needs met at their local library. If we provide entertainment fiction, then we provide Spongebob.

After the Great Debate, the Talk Tables started. I had a two-table sized group on the endless proliferation of vampire books in teen fiction. “V is for Vampire, W is for Werewolf, Z is for Zombie,” was the title. But I didn’t intend to talk about just the vamps. As one member of the group commented, in every box or cart of teen books, all the books are grey or black, with just a tiny hint of red on the cover. Everything is dark and angsty, whether there are vampires involved or not. It seems as if things are always darkest just before they turn completely black. Even the non-creepy books are dark and gritty. Based on the group discussion, teens may be tired of vampires in particular, but their literature isn’t turning toward sweetness and light any time soon. Just towards a different shade of grey. Or black.

This was a great conference. I really enjoyed the energy. And I truly believe that book blogs are a terrific resource for library collection development, and I would love to have the opportunity to take the show on the road again. Hopefully to a library conference near you!

From Columbia to…Columbia!

Reading Reality is going on the road again. On September 13 and September 14 I will be at the South Carolina Collection Development Conference taking place in Columbia, South Carolina.

The entire day tomorrow is devoted to adult collection development. There will be talk tables and a keynote speech in the morning. I’m the afternoon speaker. My topic: “The Brave New World of Genre Fiction Selection, the Rap Sheet on the Fiction Vixen, or what the Locus are all these book blogs about?” I’m going to be encouraging collection development librarians to use book blogs as sources for not just reviews, but as trend spotters, to help them find what readers are looking for. I’ve got a whole list of my favorites. I’ve also got a whole lot of slides to show, not just the increasing importance of genre, but what some of those genres are. Steampunk is just so much cooler when you have a picture!

On Wednesday I’ll be leading one of the table talks. Wednesday is the children’s and teens CD day. A lot of YA literature these days is genre fiction, particularly of the creepy-crawly variety. And that’s where I come in. I’ll be leading a table talk on the “creature features” of YA fiction, titled “V is for Vampire, W is for Werewolf, Z is for Zombie: the continued trend of the dark, weird and scary in teen literature”. It should be a scream.

The official title of the conference is “Collection Development for South Carolina Libraries”, and it is presented and sponsored by the South Carolina State Library. I was incredibly excited when Kathy Sheppard from the SC State Library emailed me last month, right after I got back from Missouri State Library Summer Institute in Columbia, Missouri. The happy coincidence makes for a good omen. And I’m looking forward to thanking Kathy in person for inviting me.

Missouri State Library Summer Institute

One week ago, I was standing in front of one of the Advanced Classes at the Missouri State Library Summer Institute, all geared up to conduct three days of presentations on Collection Development and Acquisitions.

Let me say this up front, library folks in Missouri really rock! Everything was set up and ready for me, from the hotel arrangements to the PC setup to the class lists. Sharla Lair, the coordinator for the Missouri State Library, did an absolutely bang up job, and I can’t thank her enough for all of her help.

The people in my class were a terrific group. They represented libraries from all over the state, at every position from clerk to director.

Class started after an early lunch on Tuesday, and ended just before lunch on Thursday. In that time, I needed to cover not just Collection Development, but also the basics of Acquisitions.

That’s both a long and a short amount of time. There’s an old joke about the true theory of the relativity of time. How long “just a minute” is depends on which side of the bathroom door you are on.

On the one hand, 16 contact hours is a lot of content to prepare for. On the other hand, 16 contact hours is not as much time as I would have liked to cover everything in two very big topics.

The agenda distilled into some big building blocks. It’s difficult to talk about something without defining it. We all know what collection development is, but that’s mostly by doing it. Looking at what it is and what it isn’t makes for a very interesting discussion. Acquisitions, after all, is what we buy. Collection Development is what we keep.

A lot of class discussion concerned determining who the community is that we are developing the collection for, and then determining what that community wants and needs. It’s not just about getting stuff, after all. It’s about figuring out what stuff to get. And what stuff not to get. And the best way to allocate staff time in selecting which stuff to get. I introduced the class to a new range of selection resources for fiction, ranging from the tried-and-true like fiction-l to Locus to Smart Bitches, Trashy Books and Fiction Vixen. This part was probably the most fun.

Policy-writing is not fun. It’s just necessary. The policy-writing discussion and the intellectual freedom/materials challenge class exercise turned out to be even more on target than I had planned when I prepared the class. The Republic Missouri school board banned two books, Twenty Boy Summer by Sarah Ockler and the Kurt Vonnegut’s Slaughterhouse-Five from the high school curriculum and the libraries in April 2011. A third book, Speak by Laurie Halse Anderson, was challenged but not banned. The challenges were filed in the summer of 2010, but it took the Republic School Board a year to decide the cases because they first had to formulate a materials challenge policy and procedure.

The Kurt Vonnegut Memorial Library is offering free copies of Slaughterhouse-Five to students from Republic High School.

It’s hard to beat both local relevance and recent news coverage for giving a class more immediacy. But I tried. Digital is a big issue for collection development. If 8% of the US population owns a tablet, and 12% of the population owns an ereader, and 20% of the people in book groups use one or the other to read their book group’s selection each month, what does that mean for demand of ebooks? Even knowing that those populations have to overlap? And how does the purchase or license of ebooks affect both collection development and a shrinking acquisitions budget?

I know I learned a lot during my three days at the Summer Institute. I’ve always said that teaching a subject is one of the best ways to learn it. I believe that everyone in the class took away some knowledge that they didn’t have before. I think they also had fun. I know they had chocolate.

I also took away some great insights about Missouri libraries and library workers. And some really good stuff about what to do to make my next presentation even better.

 

Reading Reality on the road

On August 9 through August 11 I will be in Columbia, Missouri at the Library Skills Summer Institute hosted by the State Library of Missouri. For those three days I will be presenting a workshop on Collection Development and Acquisitions.

I am so thrilled to be doing this workshop. Collection Development may be the most fun thing you can do at a library. A friend once told me that  one of the greatest gifts you can give someone is a good book recommendation. Collection Development is like giving your entire community book recommendations. And you get to be a trendspotter, following what’s hot and what’s not.

And do we ever have a lot to cover! When the folks at the State Library asked me to teach this session, the instructions were to cover the nitty-gritty of Collections Development, and just a little bit of Acquisitions, in three days. Starting from after lunch Tuesday, to just before lunch on Thursday.

The topics are intended to be practical, things that people can use when they go back to work on Friday, or Monday. But I packed a lot into those three days, because Collection Development is so “hands-on”.

A couple weeks ago, I had a middle-of-the-night revelation. We often conflate Collection Development and Acquisitions, but they aren’t quite the same. At 3 am, it came to me. Acquisitions is what you buy, Collection Development is what you keep! The auditors only care about Acquisitions. Your gifts policy is Collection Development, but not Acquisitions.

The workshop goes into the reasons why every library needs to have a Collection Development Policy, and how to write one. Materials challenges come in all shapes and sizes, but they are much, much easier to handle when your library has a process outlined, and that process is part of the CD policy.

There’s so much more to cover. I can only hit the high points in the time available. And I hope that everyone walks away believing that we had a good time together, and that we learned something together. I know I will learn a lot. The best way to learn something is to teach it.

Now if only the butterfly convention would move out of my stomach. There must be some other presenter somewhere who needs the adrenaline way more than I do.

 

 

What does it mean to miss New Orleans?

I didn’t hear live jazz playing in New Orleans on this trip until Tuesday morning. The playback in my mind is of jazz spilling out of every open doorway in the French Quarter, usually accompanied by a street corner barker trying to hustle the crowd into his joint for a girlie show. Times change.

That memory is indelibly etched, but it was a long time ago. Anything pre-Katrina is a long time ago now. But for me, those memories represent a different watershed.

I was 19, and the week between Christmas and New Year’s, my parents took me along on a trip to New Orleans. Another couple went along on that trip, I don’t know why. But having them along changed everything.

When we arrived at the hotel, I asked at the desk if I would be able to go into the bars to listen to the music. The desk clerk looked at me and said, “you’re old enough”. For the first time, I was treated as an adult. Suddenly, instead of being on a trip with my parents, I was one grown up on a trip with 4 others. The difference was incalculable.

I’m aware, looking back, that I never went out alone. But on the other hand, I was treated as someone whose preferences mattered as much as anyone else’s. I was, and am, a night owl. My mom is not. My dad tried to stay up 20 hours a day, I swear, but that was pretty normal for him. The other couple were both night owls like me. I spent more time out with them because my schedule matched theirs. In retrospect, my mom was the odd one out.

I went everywhere. I was never carded. And yes, I ordered drinks if I wanted them. Hurricanes of the alcoholic variety in NOLA are infamously watered down. The music was amazing. I recognized absolutely nothing, and I didn’t care. Every bar had a band, and if it sounded good from the street, we’d just wander in and sit for a while. It was the way the players would play together, then solo in the middle, and then pick up the piece as a group that astonished me again and again.

But in walking the streets of the Vieux Carré, window shopping and music sampling, the seamier side of Bourbon Street was also on display. I may have been 19, but I was well read. I could see, even then, that every sin that mankind had invented, or possibly would invent, was for sale somewhere in the alleys of the French Quarter. That darkness was part of the gumbo that made New Orleans what it was, even though the city fathers and mothers tried to pretty things up for the tourists.

That trip was the last vacation I ever took with my parents. That winter break during my sophomore year in college was also the last time I ever went home to my parents’ house.  There is a saying that there are two things you need to give your children, that one is roots, and the other is wings. That trip was one of the times when I very much felt the wings more than the roots.

When ALA went to New Orleans right after Katrina, I did not expect to see much of the NOLA I remembered. The hurricane had been devastating, and the boarded up windows bore mute testimonials to that devastation. The anti-FEMA t-shirts were less mute but just as devastating in their own unique way.

I wondered what the city would be like this time. The Creole flavor that was New Orleans took multiple cultures a few centuries to simmer just right. Five years isn’t long enough to bring it back. But there was a jazz band at Jackson Square that had a good start.

Father’s Day

We moved over Memorial Day weekend.

As we packed up our stuff, I found an entire box of old photos and other oddments that my mom gave me the last time we were in Cincinnati. Besides the usual assortment of old report cards (both hers and mine, strangely enough) there were pictures from vacations she and my dad took together after I grew up. And buried in the stack were photographs from before I was born, when my parents were young.

On Memorial Day, I found myself thinking a lot about my dad. He graduated high school in 1946. He turned 18 the spring after World War II ended. His high school yearbooks are different compared to any time later, because the teachers are universally older, because the young men were in the military and the young women were in the factories. My mom used to explain it to me that all the teachers had “one foot in the grave and the other on a banana peel”. The entire country was mobilized, and that was simply one more effect that everyone accepted.

Unlike the Vietnam War era, which I remember, his generation mostly was willing to go to fight. But his turn didn’t come. My dad also wanted to learn to fly. After he graduated high school, he enlisted in the Army Air Corps, as it was then. He lasted six months. Nothing terrible happened, but there was this one tiny, little problem. It turned out that, although he had 20/20 vision, my dad had no depth perception. He could fly the plane just fine, but he couldn’t find the ground terribly well. He tended to “bounce” the airplane, along with his flight instructor. This wasn’t very good for either plane or instructor. So, after six months of service, the Air Corps sent him home.

My dad’s six months of service was not enough to keep him from being drafted when Korea rolled around. But the circumstances had changed. As the book, movie and TV series M*A*S*H all depict, fewer service personnel really wanted to be in Korea. My parents were also married by the time my dad was drafted. So, my dad informed his draft board something about his medical history that he had neglected to mention when he volunteered for the Air Corps. He had chronic bronchitis (also flat feet). They sent him home again, for which my mom and I were, and are, both thoroughly grateful. I was not born until quite a number of years later.

But those pictures, oh those pictures! My parents were both younger than I can ever remember them being. My grandparents’ faces, that I haven’t seen in decades. Family gatherings that I recall from childhood. A manila folder of very old pictures of my dad’s grandfather from a visit he made to the US when my dad was a baby. A picture of my mom’s older sister from when she was a young woman, in the store she and my uncle owned. Glimpses of a vanished world that exists only in my memories.

I lost my dad to a heart attack in October of 1991. This is the only way I can send a Father’s Day card now. To remember.

Who am I this time?

The above is the title of a surprisingly sweet made-for-TV movie starring Christopher Walken and Susan Sarandon from before Walken was firmly entrenched as the weird crazy evil guy. It was a long time ago. The movie is a romantic comedy, and the two characters are rather shy and nerdy in different ways. They both get talked into joining a small community theatre group, and turn out to be great actors. They lose their extreme shyness only when playing their parts. As long as they have other people’s lines to say, they’re fine. Unscripted, they’re lost. They can only express their growing love for each other, by acting. They end up spending their lives together, living theatrically. If you can find a copy, it’s worth an evening’s popcorn.

I have a sign in the kitchen that I bought when we moved here, that reads, “I only have a kitchen because it came with the house.” I used to say that I cooked in my last life. Or that the microwave cooked, I didn’t. After coming home at 6, or 7, or occasionally later, cooking simply wasn’t worth bothering with.  But in the last couple of months, while we’ve been here packing up, the priorities have shifted.  My old recipes have come in handy again, and we found some new ones.  There’s nothing fancy involved, but yes, I do cook in this life, and no one has died. I may need a new sign. I wonder if there’s a source for “Dinner will be ready when the smoke alarm goes off”, since that’s already happened a couple of times.

But some parts of my previous lives are not coming back, and going through the books and boxes is making that abundantly clear. I’ve moved my needlework patterns and books and supplies from Chicago to Anchorage to Tally to Chicago to Gainesville, and I have shoved them into deeper and deeper closets each time.  It’s a hobby I enjoyed when I did it, but it’s time to acknowledge that I’m not going to pick it back up in the reasonably foreseeable future.  Or even the unreasonably foreseeable future.  I used to do cross-stitch when I watched television, and, considering that vast wasteland, I don’t do that either. Social networking, video games and the internet in general have taken over that time. But letting all that go and giving it to a friend who will use it, that’s difficult.

Even harder, I have a truly big collection of Star Trek books.  I think I have all the mass market paperbacks, trade paperbacks and hardcovers up until last year. That’s the point where I finally realized I was never going to catch up to reading all the ones I had, let alone any new ones published.  I have all the episodes of all the series on DVD, and all the movies.  I’ve seen every movie on the first night, even the bad ones.  But the books are dead weight at this point. I have a few collectibles mixed in there, including a copy of Trek or Treat, which still grabs the funny bone even decades later. The really good stuff like that will be hung on to. I still love the Trek universe, and I wish the rights-holders would do something good with it again.

Getting rid of entire swaths of stuff feels like losing parts of my identity. It’s hard to separate what we own from who we are, which sounds stupid when written, but is very different in actual practice. I’ve always believed I’d go back to cross-stitching someday, but if that day hasn’t come in 10 years, realistically, it’s not likely, and it’s time to move on. I know someone who will get more good out of what I’ve been carrying around than I have, no matter what postage to her is going to cost.

I watched the last season of the initial run of Star Trek with my dad. He passed away 20 years ago this coming October. Star Trek was the first science fiction I ever got interested in, and without that first taste, my life would have gone down a very different leg of the trousers of time, to mix in a Discworld metaphor. But I have to keep telling myself that all the mass market paperbacks are available as ebooks if I really want to read them.

Sometimes, it’s not the thing, it’s the memories attached that make all the difference.