Review: An Inheritance of Magic by Benedict Jacka

Review: An Inheritance of Magic by Benedict JackaAn Inheritance of Magic (Stephen Oakwood, #1) by Benedict Jacka
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: urban fantasy
Series: Stephen Oakwood #1
Pages: 384
Published by Ace on October 5, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The super-rich control everything—including magic—in this thrilling and brilliant, contemporary fantasy from the author of the Alex Verus novels.
The wealthy seem to exist in a different, glittering world from the rest of us. Almost as if by... magic.
Stephen Oakwood is a young man on the edge of this hidden world. He has talent and potential, but turning that potential into magical power takes money, opportunity, and training. All Stephen has is a minimum wage job and a cat. 
But when a chance encounter with a member of House Ashford gets him noticed by the wrong people, Stephen is thrown in the deep end. For centuries, the vast corporations and aristocratic Houses of the magical world have grown impossibly rich and influential by hoarding their knowledge. To survive, Stephen will have to take his talent and build it up into something greater—for only then can he beat them at their own game.

My Review:

In a famous exchange between F. Scott Fitzgerald and Ernest Hemingway, Fitzgerald claimed that “the rich are different from you and me” to which Hemingway rejoined “Yes, they have money.”

That principle is at the heart of An Inheritance of Magic, as the story begins with Stephen Oakwood discovering that he’s related to a rich and powerful family – who have only looked him up in order to stomp him like a bug.

Because they are powerful because they are rich, and rich because they are powerful, and as far as they are concerned his only use to any of them is as a pawn in their games – both mundane and, more importantly, magical.

The magic is called drucraft, a talent in which Stephen has had only one teacher and little to no training. Which means that over his relatively short life, he’s learned to do things that organized training would have told him were impossible. And maybe they mostly are, but for him, some of them are not.

So Stephen’s story is about having the lesson literally beaten into him that the playing field is not level – because it isn’t. And it’s about Stephen deciding that even if that is true – and it is – there is nothing stopping him from doing his level best to level it – one way or another.

If he doesn’t have the training to play by their rules, he can develop the power and more importantly the will to make them play by his. Because they’ve already made him see what the worst case scenario might cost him and he’s not willing to go there again.

No matter how many rules – or people – he has to break along the way.

Escape Rating B+: An Inheritance of Magic is a combination of a coming-of-age story and a coming-into-power story set in an urban fantasy version of our world where magic hides in plain sight even as it magnifies the ambitions and the sheer reach of the rich and powerful.

Stephen Oakwood is the perspective through which we learn about this hidden world as he is rather forcibly jerked into it – initially very much to his detriment. He’s always known about drucraft, and has been doing his best to practice the first principles of the discipline that his father taught him, but Stephen is at multiple disadvantages when the story begins.

His mother disappeared when Stephen was barely a year old and he knows nothing about her. His father disappeared three years ago, just as Stephen turned 18, and no trace of him has ever been discovered. Stephen is supposed to be starting his adult life, but at 21 he’s barely scraping together enough to get by and can’t decide what he wants to do when he grows up.

He wants to find his dad. He wants to practice drucraft. But he needs to pay rent and keep himself and his cat Hobbes fed and watered. He’s drifting when he literally gets kidnapped by his mother’s obscenely rich and powerful family so that the members of his generation of that family can use him as a pawn in each of their games to become the sole heir to the seat of power.

The story of An Inheritance of Magic is the story of how Stephen stops being a pawn. But it’s only the barest beginnings of that story, because first he has to learn a whole lot more about what drucraft can do for him in his struggle, and the reader has to learn what kind of magic it exactly is and how it works. Meaning that a LOT of the story is taken up with our introduction to drucraft through his learning and training process.

It means that, while the beginning of this story is very scarily WOW, and the ending is slam-bang awesome, the middle is a whole lot of lonely exploration of both his craft and the world in which it happens. For some readers that’s catnip and for others it will be a bit of a slog and your reading mileage may vary.

And there’s more than a bit of a trigger warning for that scary WOW at the beginning. Because Stephen’s one true hostage to fortune is his cat, Hobbes, so, when his powerful but psychotic family wants to teach the upstart a lesson they take it out on poor Hobbes. While the cat does eventually get better, because Stephen’s combination of guilt and angst leads to a breakthrough in his craft and power, I almost DNF’ed at that point because the cat’s pain and Stephen’s anguish over it were almost too much for this cat lover to bear. Hobbes comes back stronger than ever and so does Stephen, but OMFG it was awful going through that with them. So consider yourself warned.

Hobbes’ situation aside, this type of story, of a young man discovering that his rich family are lying assholes who want to use him and him learning how to hoist them and the society they think they own on their own petards is not exactly new except for the drucraft. In fact, it’s the setup of a fair amount of Harry Potter fanfiction of certain stripes.

Which doesn’t mean it’s not an interesting setup for a series, because it most definitely is. Particularly if you’re the kind of reader who likes seeing a whole bunch of assholes get righteously taken down – because I think we’re going to get there in the end.

I most definitely AM that kind of reader, so I’m looking forward to seeing where Stephen Oakwood’s adventures in drucraft lead him, and us, to next!

Review: The Scandalous Confessions of Lydia Bennet, Witch by Melinda Taub

Review: The Scandalous Confessions of Lydia Bennet, Witch by Melinda TaubThe Scandalous Confessions of Lydia Bennet, Witch by Melinda Taub
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, retellings
Pages: 400
Published by Grand Central Publishing on October 3, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A sparkling, witchy reimagining of Pride and Prejudice, told from the perspective of the troublesome and—according to her—much-maligned youngest Bennet sister, Lydia.
In this exuberant reimagining of Jane Austen’s Pride and Prejudice, Lydia Bennet puts pen to paper to relate the real events and aftermath of the classic story from her own perspective. Some facts are well known: Mrs. Bennet suffers from her nerves; Mr. Bennet suffers from Mrs. Bennet, and all five daughters suffer from an estate that is entailed only to male heirs.
But Lydia also suffers from entirely different concerns: her best-loved sister Kitty is really a barn cat, and Wickham is every bit as wicked as the world believes him to be, but what else would you expect from a demon? And if you think Mr. Darcy was uptight about dancing etiquette, wait till you see how he reacts to witchcraft. Most of all, Lydia has yet to learn that when you’re a witch, promises have power . . .
Full of enchantment, intrigue, danger, and boundless magic, The Scandalous Confessions of Lydia Bennet, Witch, has all the irreverent wit, strength, and romance of Pride and Prejudice—while offering a highly unexpected redemption for the wildest Bennet sister.

My Review:

I have to confess something. I’m not all that fond of Pride and Prejudice. I did like it when I listened to it, but I didn’t LOVE it the way that so many readers do. Mrs. Bennet drove me as far around the twist as she clearly did Mr. Bennet, which just made the whole thing hard to take. So I’m not a huge fan.

Now that I’ve got that out of my system, let’s get into this new P&P reinterpretation, The Scandalous Confessions of Lydia Bennet, Witch. Which, in spite of not being nearly as scandalous as Lydia Bennet claims they are, turned out to be a surprising amount of fun.

At the heart of this reimagining of the classic is that bit that comes after the comma in the title. Lydia Bennet was ALWAYS scandalous, at least as far as society’s definitions were concerned. That’s not exactly news, although even the reasons she courted all that scandal and exactly how she fell into it are considerably different here than they seemed to be in the original.

And it’s all due to that one little word, ‘Witch’. In this look at the Bennet family, it’s not a metaphor, and it’s absolutely not a way of saying ‘bitch’ without actually saying it. Lydia Bennet, the disgraced and disgraceful youngest Bennet daughter, is an actual, practicing (although sometimes not nearly enough) witch.

As is her aunt – and a surprising number of the women around Longbourn. Her aunt is her first teacher, the local coven are her first sisters in the Craft, and young Lydia doesn’t learn nearly enough from either of them.

Which leads to all the trouble she eventually finds herself in. Because nothing and no one she meets is exactly what they seem – and Lydia is much too young and naive to figure that out before it’s much too late.

Escape Rating B: This wants to be Lydia Bennet’s redemption story. Or rather, the way it’s written, as Lydia’s confessional to an initially unnamed party, Lydia thinks it’s her redemption story when it’s actually not. It IS a confession, of sorts, but it’s a self-justification story. It’s her long-winded explanation of everything that happened and why it happened the way it did. It’s her attempt to win forgiveness. A forgiveness she only proves herself deserving of when she DOESN’T send the damn thing.

Lydia’s long-winded confession – it’s not that the book itself is long-winded but Lydia IS rather fascinated with the words coming out of her pen – occasionally interspersed with Lydia’s perspective on the events that are happening around her while she’s writing about the things she’s already done that brought her to this point, does an excellent job of pulling the reader into Lydia’s thoughts and her world.

Whether she actually manages to justify any of her behavior is an entirely different story, but it’s fascinating to watch her try.

In the end, Lydia comes off as naive, pragmatic and expedient in equal measure. She does the things she does because she feels her acts are the only possible choice she has at the time, and it’s only afterwards that she sees that she’s made terrible mistakes. Not because she’s a terrible person, but because at the time she simply doesn’t know any better. It reminds the reader rather forcibly that Lydia is ONLY 15 in a world that sheltered young women to what now seems an impossible and unconscionable degree.

The thing that made this work for me wasn’t the strong link to Pride and Prejudice, but rather the strength of its story of female friendship and sisterhood, and its reminder that in the end, the villains are merely human and that humans are the true monsters after all. (The witchy politics reminded me rather a lot of Her Majesty’s Royal Coven in spite of the two centuries that lie between their settings.)

So if you’re a big fan of P&P, this reimagining of the classic – with witches and talking cats! – takes the story in a magical direction but doesn’t go over the top to the place that Pride and Prejudice and Zombies camped out to. It doesn’t hew quite as closely to the more realistic interpretation in The Other Bennet Sister by Janice Hadlow but still puts a new spin on a very familiar character.

I still don’t really like Lydia, and her mother is a straight-up nightmare, but this story did give me a much more sympathetic understanding of Lydia’s character although her parents and their relationship still drive me batty. Howsomever, while I still may not like Lydia, this paranormal perspective of her story does put her in a whole new light – and it’s a whole lot of fun into the bargain!

Review: A Duke’s Introduction to Courtship by Sophie Barnes

Review: A Duke’s Introduction to Courtship by Sophie BarnesA Duke's Introduction to Courtship (The Gentlemen Authors #2) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, regency romance
Series: Gentlemen Authors #2
Pages: 320
Published by Sophie Barnes on September 26, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

Love caught him completely off guard and forced him to question everything…

When Brody Evans, Duke of Corwin, goes incognito at a printing press, he doesn’t anticipate meeting Mr. Michaels, a charming young man with whom he shares an instant connection. Soon he’s questioning everything he believed to be true of himself, while losing his heart in the process. Accepting the way he feels is not only hard, it’s also illegal and downright dangerous. Until he learns the truth and is forced to wonder whether or not the person he fell for is real, or just an illusion.

Dressed as a boy, Harriet Michaels acquires a job at a printing press so she can support herself and her younger sister. It seems like a good idea until she meets Mr. Evans, the new assistant editor. Her attraction toward him cannot be denied, but it must be concealed if she’s to avoid detection and the risk of losing her job. The more time she spends with him, however, the closer she comes to heartache and ruin. For as it turns out, Mr. Evans is not who he claims to be either.

My Review:

This second book in the Gentlemen Authors series has made the theme of the overarching story of the series more apparent while still giving readers a lovely historical romance. Although the romance isn’t nearly as frothy as readers often expect from a Regency romance – and is all the better for it.

There are two stories being told in parallel. The individual story in each book in the series, beginning with A Duke’s Guide to Romance, is the story of a romance between a duke in dire financial straits of his own making and a woman who has been forced to make her way in the world through her own hard work and and has chosen a rather unconventional way of going about it.

At the same time, the overarching story of the series as a whole is a fictionalized version of how a book made its way from being a glimmer in the author’s – or in this case authors’ – eye to being put in the hands of readers.

As this series began, the three dukes have finally gotten their feet back under them after their fathers’ sudden death in a cow pen explosion. Unfortunately along the way of their grief, they seem to have egged each other on in wasting much too much money, even as they held each other up emotionally.

The bills have come due. Ruinously so. Which is where their romance novel, A Seductive Scandal, comes in. They need a plan to make money even though most careers are closed to them, socially speaking. It’s just not done.

In the wake of Jane Austen’s recent death, there’s a vacancy in the publishing landscape that readers are crying out for someone to fill. The three dukes undertake to write a romance novel, à la the late Austen, and succeed beyond their wildest dreams as far as the readability of the book is concerned.

Their next step is to get the damned thing published, which is where this story begins. The Duke of Corwin, Brody Evans, walks by a printing press’ office and spies a ‘Help Wanted’ ad for an assistant editor, beginning immediately. He takes the job, planning to slip their manuscript into the slush pile after several days of doing the work and ingratiating himself with the owner.

He comes to enjoy the job far more than he ever imagined. He’s being paid a pittance from his perspective, but he’s being paid to READ ALL DAY. What’s not to love?

His enjoyment of the job is both increased and confounded by his surprising attraction to the company’s print compositor, Harry Michaels. Harry is the best the printing press’ owner has ever seen at the job, fast, efficient and accurate. He comes early, stays late and makes the whole place hum with productivity.

And he has a secret. Harry Michaels is really Harriet Michaels. A masquerade that she absolutely must keep, because she needs the money to support herself and her younger sister and knows that no job suitable for a woman will pay as much as any job reserved for men.

Which means that Harry must resist Harriet’s attraction for the new assistant editor, ‘Mr. Evans’, no matter how much she wants to give in, even as Mr. Evans’ attraction to Harry Michaels makes him question everything he thought he believed about himself, and wonder just how high a price he’s willing to pay for love.

Escape Rating A: A Duke’s Introduction to Courtship isn’t nearly as frothy a confection as A Duke’s Guide to Romance, and honestly it’s all the better for it. (Not that a good frothy romance can’t be utterly scrumptious as the first book is, but too much of a good thing usually results in a tummy ache – or in this case a headache – from overindulgence in too many sweets.)

We’ve already seen the situation that Brody and his friends are in. It’s not exactly life-threatening, but it is serious from their perspective. First of all, they’ve all been really stupid and they all regret it. They all miss their fathers who were taken from them MUCH too soon. What allows the reader to have sympathy for a group of men who are fantastically well off but merely not as rich as they could be comes down to the way they approach their situation. They are not thinking of themselves but rather of the people who depend on them, and that’s a position that is easier to respect.

What makes this entry in the series work, and also be more serious at the same time, is Harry/Harriet Michaels’ considerably more dire straits. Harriet and her sister are on the knife-edge of poverty. Harriet’s masquerade as Harry makes their situation survivable but just barely. All it will take is one slip and they’ll both be off to the workhouse or working on their backs. Or dead and that seems the most likely. A fact that is brought home to Harriet when Lucy gets sick and Harry is beaten and robbed on the way to fetch a doctor. A doctor that Lucy still needs but that Harry can no longer afford to pay after the robbery.

Harriet is caught between a rock and a hard place, or perhaps a better description would be between Scylla and Charybdis, with sea monsters to either side and slippery rocks underfoot the whole way.

The way that Harriet’s necessary deception leads to Brody’s soul searching added something very special to the whole story, giving his portrayal considerably more depth than might have been expected. Not that this particular scenario hasn’t happened before, and hasn’t been used well, most recently in Jane Dunn’s An Unexpected Heiress, with Cat Sebastian’s Unmasked by the Marquess and even the classic movie Victor/Victoria using the same idea to terrific effect.

Brody’s decision that he loves Harry and damn the consequences, and his subsequent confusion and even sense of betrayal when Harry turned out to be Harriet after all gave the story its final bit of tension AND made Brody’s stake in the situation come much closer to equal Harriet’s than might have been expected.

I’ve written more about this book than I expected because it turned out to be several cuts above what I expected when I started it. I expected froth and fun. What I got went a bit deeper on multiple fronts and still managed to deliver a very satisfying happy ever after at the same time.

I’m really looking forward to the final book in the Gentlemen Authors series, A Duke’s Lesson in Charm, coming next month. Especially since this book should finally reveal to readers just how well the ducally-written romance does at the booksellers!

Review: The Book Club Hotel by Sarah Morgan

Review: The Book Club Hotel by Sarah MorganThe Book Club Hotel by Sarah Morgan
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, holiday fiction, relationship fiction, women's fiction
Pages: 368
Published by Canary Street Press on September 19, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

This Christmas, USA Today bestselling author Sarah Morgan returns with another heartfelt exploration of change, the power of books to heal, and the enduring strength of female friendship. Perfect for fans of Emily Henry and Jennifer Weiner.
With its historic charm and picture-perfect library, the Maple Sugar Inn is considered the winter destination. As the holidays approach, the inn is fully booked with guests looking for their dream vacation. But widowed far too young, and exhausted from juggling the hotel with being a dedicated single mom, Hattie Coleman dreams only of making it through the festive season.
But when Erica, Claudia and Anna—lifelong friends who seem to have it all—check in for a girlfriends’ book club holiday, it changes everything. Their close friendship and shared love of books have carried them through life's ups and downs. But Hattie can see they're also packing some major emotional baggage, and nothing prepares her for how deeply her own story is about to become entwined in theirs. In the span of a week over the most enchanting time of the year, can these four women come together to improve each other’s lives and make this the start of a whole new chapter?

My Review:

This is the story of how the Hotel Book Club transformed the Maple Sugar Inn into The Book Club Hotel – with a little bit of help from the spirit of Christmas. It’s also the story of four women living the old saying that goes, “When you come to a fork in the road, take it.”

The members of the Hotel Book Club, former college roommates Ericka, Anna and Claudia, have met up every year since those college days at some hotel or another to catch up with each other, sightsee a bit, drink wine and talk about books. Not necessarily in that order.

As the story begins they are all just one side or the other of 40. Which is turning out to be one hell of a milestone birthday for each of them – even if they are having a difficult time admitting that to themselves – let alone each other.

There’s that saying about the grass being greener on the other side of the fence? They’re all feeling a bit of that because they went very different directions after college, which was not exactly a surprise as they were not exactly peas in a pod when they met.

Anna and Claudia both envy Ericka for her high-powered and highly-successful career and the lifestyle it affords her. Ericka and Claudia both see Anna’s happy marriage and picture-perfect family as a touchstone, proof that some relationships do work and some marriages are successful and some families are perfect – even if that hasn’t been the experience for either of them in their birth families or their own history. While Ericka and Anna both have a touch of that same envy over Claudia’s passion for and expertise in being a chef.

And all of those things are true, but, under the surface each situation is nowhere near as perfect as it seems from the outside. Anna is beset by empty-nest syndrome as her ‘job’ as the ever-supportive mother to twins Meg and Daniel is moving to a new and dreaded phase as those twins get ready to leave for college.

Claudia’s 10-year relationship with John has just ended, and she’s just lost a job that burned her out so badly she’s thinking seriously about re-inventing herself as something, anything, to get out of soulless kitchens run by abusive dictators that do not respect her skills AND leave her no time for a personal life.

While Ericka is waffling on the first steps of the road not taken. Or rather, the road her father took minutes after she was born, leaving her and her mother behind to fend for themselves while he ran about as far away as he could get. An event that sent her life into an utter inability to depend on anyone else for anything ever – with Anna and Claudia seeming to be the only exceptions.

When the friends gather at the Maple Sugar Inn that early December, they enter what seems like a picture perfect place to spend a week putting each other back together – even if none of them can admit that’s a big portion of what they are there for.

Just as they arrive, that picture-perfect picture melts down. The innkeeper Hattie is having a crisis of her own. Multiple crises, in fact, as both her head housekeeper and her five-star chef have quit in the midst of tantrums worthy of a two-year old while the inn is full to the rafters and there seems to be no help in sight.

But there is. And in the course of helping Hattie set the inn on the course she finally has the spoons to create for herself, Anna, Claudia and Ericka each find the fork in their own roads – and reach out to take it.

Escape Rating B+: I picked this up for two reasons, and I’m not sure which is first or second. The whole concept of a vacation just to read and spend time with lifelong friends and read, (did I mention read?) and relax and oh, yes, read – sounds a bit like heaven. And the setting of The Book Club Hotel seemed particularly idyllic, including a brief trip to a ‘Winter Wonderland’ without having to stick around for the next several months of freezing temperatures, gray snow and mud. (Been there, done that, the t-shirts are all long-sleeved and insulated.)

The Stacking the Shelves stack that included this book garnered a whole lot of comments about just how wonderful this particular vacation sounded, so I’m clearly not alone in thinking it would be lovely.

That other reason for picking up The Book Club Hotel is that I really enjoyed this author’s The Summer Seekers a couple of years ago, and was hoping for something similar.

In spite of the wildly different settings, that particular wish was just a bit too on the nose. The characters read a bit too similarly particularly Ericka and Anna standing in for emotionally distant Kathleen and helicopter worrywart mother Liza.

The story follows a familiar outline. Four women, each at their own personal crossroads, come together accidentally and on purpose and forge or re-forge the bonds between them while figuring out which way to turn at that crossroad with a little help from their old and new friends.

It’s a familiar formula because it works – and it certainly does in The Book Club Hotel. And that’s down to the four protagonists, Ericka, Anna, Claudia and Hattie. It helps a lot that not only are they all individually charming, each in their own ways, but they also represent different but very real dilemmas. Readers may not identify with all of them, but it would be difficult not to resonate with one or two. (Personally, I was on Team Ericka and Team Claudia but your reading mileage may take you down the other fork in the road.)

What really makes it all work is that each of these women does find a happily ever after, but it’s not the SAME happy ever after – and it shouldn’t be. I particularly liked that not all of those HEAs were wrapped around relationships and children. They each needed to work on themselves, and happiness followed from that work.

I have to confess that, in spite of my deep, abiding love for the concept of an actual Book Club Hotel, the story in said hotel didn’t pull at my heartstrings quite as hard as The Summer Seekers but a good reading time was absolutely still had by this reader.

If you like women’s fiction/relationship fiction, I’m confident that you will, too.

Review: An Unsuitable Heiress by Jane Dunn

Review: An Unsuitable Heiress by Jane DunnAn Unsuitable Heiress by Jane Dunn
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical romance, regency romance
Pages: 350
Published by Boldwood Books on May 22, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

'Do you realise, Corinna, just how hard it is for a young woman of irregular birth, without family, fortune or friends in the world? Marriage is the only way to get any chance of a life.' Following the death of her mother, Corinna Ormesby has lived a quiet life in the countryside with her cantankerous Cousin Agnes. Her father's identity has been a tantalising mystery, but now at nineteen Corinna knows that finding him may be her only way to avoid marriage to the odious Mr Beech. Deciding to head to London, Corinna dons a male disguise. Travelling alone as a young woman risks scandal and danger, but when, masquerading as a youth, she is befriended by three dashing blades, handsome and capable Alick Wolfe, dandy Ferdinand Shilton and the incorrigible Lord Purfoy, Corinna now has access to the male-only world of Regency England. And when she meets Alick's turbulent brother Darius, a betrayal of trust leads to deadly combat which only one of the brothers may survive. From gambling in gentleman's clubs to meeting the courtesans of Covent Garden, Corinna's country naivety soon falls away. But when she finds her father at last, learns the truth about her parentage and discovers her fortunes transformed, she must quickly decide how to reveal her true identity, while hoping that one young man in particular can see her for the beauty and Lady she really is. Sunday Times bestselling author Jane Dunn brings the Regency period irresistibly to life in a page-turning novel packed with romance, scandal, friendship and colour. Perfect for fans of Jane Austen. Janice Hadlow, Gill Hornby, and anyone with a Bridgerton-shaped hole in their lives.

My Review:

We tend to think of the Regency period, popularized by Georgette Heyer’s glittering comedies of manners and romance, and the Napoleonic Wars, producer of so many dark and brooding romantic heroes to be separate – when they absolutely were not, as is brought home to both the reader and the Earl of Ramsbury in the opening chapter.

An Unsuitable Heiress opens with that self-same Earl feeling a bubble of utmost joy in the news that Napoleon has been defeated at Waterloo, and, considerably more important for the Earl, that his only son and heir is NOT on the battle’s long casualty lists. Only for that hope to crash to the ground a few mornings later, when he receives a dispatch that his son was killed in action in the waning hours of the war.

His title will go to a cousin who, at least as the story begins, is not worthy of it. The title and the lands that go with it are entailed, and no one has any choice in the matter. But the Earl has been fortunate in his fortunes, and has personal holdings he can bequeath wherever he wishes. He wishes to leave his personal holdings to his illegitimate daughter.

He just has to find her before his own heart gives out. Literally.

But Corinna Ormesby is not sitting around waiting to be found. Corinna has left the cousin who reluctantly took her in, out of fear that she’ll be forced into a marriage that will take away what little independence of thought and mind she possesses, and kill her dreams of a life of her own choosing.

So she runs away – by borrowing her best friend’s clothing and pretending to be a man. Because young men have the freedom to go where they want – if they can afford it – and work how they choose. Without requiring a chaperone at every turn. Without being coddled and ‘protected’ in every instance.

As a young woman, as Corinna Ormesby, her life is never, ever her own. As a young man, as mere Cory Ormesby, ‘he’ can buy a ticket on the stage and take ‘himself’ to London to teach drawing at a school to make ‘his’ way, and take the opportunity to search for the mysterious father whose name ‘he’ never knew.

She sees her chance, and she takes it. Straight into a fight with a man three times her size beating his horse, and from there, into the coach of a group of young dandies who are happy to take her under their wing, show her the town, help her find her father and give her the chance she needs to become the person she was always meant to be.

As long as her ruse holds up.

Escape Rating B: If Someone to Love by Mary Balogh (the first book in the Westcott series) and Unmasked by the Marquess by Cat Sebastian had a book baby, it would be An Unsuitable Heiress. (I’ve just realized that this works on two levels, as An Unsuitable Heiress IS a blend of the two books and that by certain measures all of the heiresses in all three books are judged to be a bit – or more than a bit – unsuitable as their respective stories unfold.)

The fun of this story is in Corinna’s eye- and mind-opening introduction to what life is like as a man, or at least a moderately well-off or well-sponsored man, in the Regency period. But that’s not where the drama of this story came in – although that’s certainly where I expected it to be.

At first I saw Corinna as a bit of a sister to Charlotte Sloane in the Wrexford and Sloane series, which also takes place in this same period. They initially seemed like kin not just because Charlotte Sloane frequently dons young male attire in order to have the freedom to go where she wants and do what she needs, but also because she makes her living under a male pseudonym. (At the point I currently am reading in the series, she is kicking and screaming, at least internally, as her increasingly rising profile and finances curtail her freedom to do as she wills and as she must.)

I expected a bit more drama, or at least a bit more of that same kicking if not the screaming, over the reveal of Corinna’s true identity, but as plucky as she is, she’s just not that sort. I also thought that there would be more drama and pathos when Corinna and her father finally did meet, but that was also more of a whimper than a bang – as his heart gave out soon after.

The drama in this story, as the blurb very much alludes to, comes in the long-simmering sibling rivalry between the cousin who inherited her father’s earldom and his younger brother, who just so happens to be one of the group of friends that took ‘Cory’ under their collective wing.

A rivalry which traps Corinna at its center, as cousin Darius wants Corinna in order to get possession of the other half of what he sees as HIS inheritance – no matter how many people he has to ruin along the way – while his younger brother Alick just wants Corinna. Although in the best romantic tradition, he hasn’t figured that out yet.

That Darius has already found a very unsuitable heiress – or at least countess – of his own makes his plans to ‘ruin’ Corinna just that much more dastardly. That this story manages to drive itself into a happy ending in spite of its characters’ actions just adds to the fun, and makes for a delightfully frothy conclusion to the story.

Review: A Duke’s Guide to Romance by Sophie Barnes

Review: A Duke’s Guide to Romance by Sophie BarnesA Duke's Guide to Romance (The Gentlemen Authors #1) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, regency romance
Series: Gentlemen Authors #1
Pages: 276
Published by Sophie Barnes on August 29th, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

He only wanted to purchase a novel, now he’s falling madly in love…

Anthony Gibbs, Duke of Westcliffe, needs an income. Bills must be paid, appearances kept, and arrangements made for his sisters' debuts. In short, he must either marry or seek employment, neither of which sounds remotely compelling. But then he meets Ada and she suggests a third option. Now he's penning a novel while losing his heart to the bookish miss, a woman he cannot afford to marry unless he’s prepared to make some difficult choices.

Ada Quinn has no connections, no dowry, and consequently no prospects. Her plan for the future is limited to her skill as a bookbinder. Until Mr. Gibbs walks into her uncle’s bookshop and starts to romance her. Handsome, thoughtful, and utterly charming, Mr. Gibbs is precisely the sort of man Ada always dreamed of falling in love with. Until she discovers he’s not who he claims to be and that he intends to marry another.

My Review:

Three years before our story begins, Anthony Gibbs, Duke of Westcliffe and his friends Brody Evans, the Duke of Corwin and Callum Davis, the Duke of Stratton survived a life-changing catastrophe by working through their collective shock and grief together when their aristocratic fathers were killed during a rare instance of random bovine combustion.

Meaning all of their fathers were caught in the literal crossfire while purchasing livestock when a cow pen exploded. (Fertilizer really is highly explosive, and the primary ingredient in fertilizer is manure. Which is what naturally falls out of a cow’s backside to rest on the floor of their pens.)

Ahem. Apologies. I couldn’t resist.

While sticking together solving one set of problems by sharing their grief, it created another, as they spent the past three years frittering away their time and wasting their money in pursuit of one distraction after another while neglecting their responsibilities, their estates and the increasingly empty state of their coffers.

The bills have all come due, they are all swimming up the River Tick. They are individually and collectively skint – or at least heading there fast. And keeping up appearances is damn expensive all by itself, without the added costs of deferred maintenance on their estates AND making sure their dependents are taken care of.

In Westcliffe’s case, those dependents include his two younger sisters, who have just reached the age for their first Seasons in the ‘Marriage Mart’. Seasons that are critical for their futures, but are guaranteed to put an equally critical drain on the family’s remaining cash.

All three of the 20-something Dukes entertain the possibility of marrying for money. It would not be an uneven trade, but a marriage of convenience would make for a shatteringly awful life. Particularly as the woman who has set her cap at Westcliffe is a conniving, manipulative harpy.

Which is when Ada Quinn walks into Westcliffe’s life. Or rather, he drops a book into hers. Literally. Onto her head. And both of their wits are addled ever after – but in the best way possible.

Westcliffe’s conversation with Ada in her uncle’s bookshop sets all of their lives into glorious motion. First, and most important for the series as a whole, their conversation puts the idea into his head that he and his friends can save their finances by writing the kind of novels that made the late Jane Austen famous. Readers are crying out for more books like hers, but the author has recently passed away and no one has taken up her pen.

Second, and most important for the protagonists of this first entry in the series, Westcliffe and Ada bring each other to sparkling life in a way that neither expected or planned on. In a way that seems guaranteed to break Ada’s heart, as she is all too aware of the disparity in their stations.

But, in a romance worthy of Ada’s favorite Austen novels, Westcliffe is convinced that society can go hang and love will find a way. As long as they trust in each other, communicate honestly with each other, and brush all of the harpies away.

Escape Rating A-: A Duke’s Guide to Romance is a deliciously frothy confection, light and fluffy and full of wit and sparkle with just the barest hint of a misunderstandammit to keep the characters on their toes until the very end.

As a Regency, it’s an excellent antidote to follow my recent reads in both the Sebastian St. Cyr and Wrexford & Sloane series, as they both explore and expose the seamy underbelly of the Regency. A Duke’s Guide to Romance, and I expect the rest of its series of Gentlemen Authors will as well, floats lightly on top of the glittering effervescence that we tend to expect in a Regency romance.

At the same time, it doesn’t shy away from the difference in social station between Westcliffe and Ada – at least from Ada’s perspective. As much as she’s fallen in love with the man, it’s clear from their differing perspectives on the potential issues that they face that she is the more realistic of the pair. The silver spoon he was born with, as well as the privilege of having been born male, leads him to believe that all their problems can be swept away easily, where she knows it just isn’t so.

Which leads to the big misunderstandammit that almost derails their happiness, as he keeps forging ahead without informing her of his decisions and change of heart because the world has always bent to his will in a way that it never has to hers.

At the same time, I very much liked the way that their romance didn’t merely invoke Jane Austen’s work but also served as an homage to it as the progress of their romance would have fit right into hers. Something that is highlighted in the way that the romance Westcliffe and company are writing plays into the romance that Westcliffe is experiencing and vice versa.

All in all, A Duke’s Guide to Romance was a very pleasant way to while away a stormy afternoon. I’m looking forward to seeing this delicious series continue with A Duke’s Introduction to Courtship and A Duke’s Lesson in Charm in the months ahead.

Review: Big Little Spells by Hazel Beck

Review: Big Little Spells by Hazel BeckBig Little Spells (Witchlore, #2) by Hazel Beck
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: fantasy, paranormal romance, urban fantasy
Series: Witchlore #2
Pages: 384
Published by Graydon House on August 29, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Is her magic a threat to witchkind…or is she simply powerful enough to save the world?
Rebekah Wilde was eighteen when she left St. Cyprian, officially stripped of her magic and banished from her home. Ten years later, she’s forced to return to face the Joywood Coven, who preside over not just her hometown but the whole magical world. Rebekah is happy to reunite with her sister, and with her friends, but the implications of her return are darker and more dangerous than they could have imagined.
The Joywood are determined to prove Rebekah and her friends are a danger to witchkind, and her group faces an impending death sentence if they can’t prove otherwise. Rebekah must seek help from the only one who knows how to stop the Joywood—the ruthless immortal Nicholas Frost. Years ago, he was her secret tutor in magic, and her secret impossible crush. But the icy immortal is as remote and arrogant as ever, and if he feels anything for Rebekah—or witchkind—it’s impossible to tell.

My Review:

In Small Town, Big Magic, the first book in the Witchlore series, there was something rotten at the heart of small, witchy, St. Cyprian Missouri. But by the end of the story it seemed more than obvious that what was going wrong was a big and nasty disturbance at the confluence of the Mississippi, Missouri and the hidden Illinois river that gives the town all of its witchy power.

It seemed obvious because defeating the nasty in the confluence was the big, climactic battle that nearly ends the book – at least until after it’s been subdued. Which is when that first book ended, on the mic drop that the powers that be had shown up to bring the hammer down because they didn’t do it the ‘right’ way with ‘approved’ witches – even as they proceeded to gaslight the newly formed coven about whether the evil that was about to literally flood the town ever existed in the first place.

And that’s where this second book picks up the action, as the ruling coven of witchkind, the oh-so-inappropriately named ‘Joywood’, brings that hammer down in a way that is so petty and such an over-the-top attempt at belittling AND gaslighting that the new coven knows that whatever this is all about, it isn’t about what they did so much as who they are – even if they don’t know why. At least not yet.

They don’t have much time to find out, either. Ten years ago, back when Emerson and Rebekah Wilde were both eighteen, the sisters failed their coming of age ceremony and were supposed to be stripped of not merely their magic but their memories of it. Emerson emerged as kind of a shadow of her true self – at least until the events of the first book when she not only broke the block on her memory but reclaimed her powers as well.

Rebekah never forgot a thing, because she ran into exile instead. She couldn’t practice her magic, she couldn’t come home, and she couldn’t bear to keep in contact with the friends she left behind because her sister wasn’t really her sister anymore.

Now she’s back, doing her level best, which sometimes fails, to not fall back into the destructive behaviors of her adolescence. Because that’s just what Joywood wants and she’s able to focus her rebellious streak on denying them that above all things.

The one thing from those years that she can’t seem to let go of is her ‘crush’ on the cold, powerful, gorgeous and immortal asshole, Nicholas Frost. Back then, he secretly trained her power but abandoned her when she needed him most. This time around he’s playing the biggest game of ‘come here no stay away’ that has ever been played.

But Rebekah isn’t a teenager any more, and she’s tired of being played – by Nicholas, by Joywood and especially by a fate that has kicked her around for the last time – no matter what it takes to bring it and her powers to her command and no one and nothing else’s.

Escape Rating B+: In that opening bit of petty bullshit, I began wondering if the reason that nasty showed up in the river was either because Joywood summoned it themselves – or if they were just so corrupt that like called to like. I’m still debating that particular question – but hunting for the answer certainly kept me turning pages.

In fact, I liked this second book a bit better than the first, because I felt for Rebekah and her snarky rebellion in a way that Emerson’s partially-manufactured goody-two-shoes perfection did not touch. What I liked best about Rebekah was that she never fell for Joywood’s act. It’s all a setup and she knows it’s a setup and she never pretends otherwise to herself or her friends.

Even better, it doesn’t take much to convince her friends that she’s right. It is not paranoia if someone really is out to get you, and Joywood really does have it in for the Wilde sisters. Even if the why of it all is still a bit TBD (to be determined).

A question that has yet to be completely resolved by the end of Big Little Spells. The question that DOES manage to get itself resolved is the romantic question, the one about what’s really going on in that hot immortal asshole’s cold, cold heart when it comes to Rebekah. For that, at least, we get the whys and the wherefores, AND we get a resolution that deals at least partially with what would otherwise be a vast power imbalance.

And it was great to see some truly epic UST get resolved, along with the processing of a whole bunch of suppressed grief as well as a bit of a stand up and cheer moment from at least half the town.

So stuff happened. In fact, this book in particular was more about the stuff happening, the things being done – or attempting to be done – TO Rebekah and company than anything else. It was, in a peculiar way, more than a bit political. And I was all there for it. Some readers did not like this as much as Small Town, Big Magic because it was more about witchy small-town politics and the mean no-longer-girls in charge of them and less about the romance. Personally, I liked this one better for the shift.

But the things that did not get resolved, that are still hanging over the series like the proverbial Sword of Damocles – or more like Chekhov’s Gun on the mantel waiting to be fired – are the questions about the true motivations and the depths of the corruption that Joywood has sunk to in their quest for power.

The answers to those questions seem to be being dribbled out slowly so as to be able to give each of the romances their chances to shine – and to put together the steps necessary to defeat the evil that Joywood represents. I liked this particular droplet of that part of the story more than the first. There are intended to be two more books in the series to finish things – and hopefully the Joywood – off.

So far, at least, I’m in for another round, because this was better than the first. We’ll just have to see how that goes as the series continues.

Review: Cursed at Dawn by Heather Graham

Review: Cursed at Dawn by Heather GrahamCursed at Dawn: A Novel (The Blackbird Trilogy, 3) by Heather Graham
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook
Genres: paranormal, suspense, thriller
Series: Blackbird Trilogy #3
Pages: 304
Published by Mira on August 22, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Dracula lives—and he’s hunting for his bride.
Vampires may not walk among us, but FBI agents Della Hamilton and Mason Carter know real monsters exist. They’ve witnessed firsthand the worst humankind has to offer. They’re still catching their breaths after the apprehension of two such monstrous killers when they’re met with horrific news. Stephan Dante, the self-proclaimed king of the vampires, has escaped from prison, followed only by a trail of blood.
All too familiar with Dante’s cruelty, Della and Mason know the clock is ticking. But as Dante claims more victims, a chilling message arrives. The vampire killer seeks his eternal bride—Della herself. Playing into Dante’s desires might be the only way to stop the carnage once and for all, assuming they can outwit him. Della is confident the agents have the upper hand, but Mason knows every gamble runs the risk of not paying off, and this time, the consequences could be deadly.

My Review:

The story of the Blackbird Trilogy, Whispers at Dusk, Secrets in the Dark and this final book in the trilogy, Cursed at Dawn, is the story of one very long, dark night for the members of Blackbird – at least in the metaphorical sense because the action in this paranormal romantic suspense series takes place over more than one night – and on more than one continent.

When the series began in Whispers at Dusk, the original members of Blackbird, Special Agents Della Hamilton and Mason Carter were tasked with tracking down a serial killer calling himself the ‘King of the Vampires’ who led them on a not-so-merry chase from the bayous of Louisiana to Castle Bran in Transylvania and all points in between until he was brought to justice.

Or so they believed. Although maybe it was more like hoped even then.

The second book in the series, Secrets in the Dark, takes place while Stephen Dante was awaiting trial in a secure U.S. facility. Blackbird, now a fully international team, traveled to London to track down one of Dante’s apprentices, a man who decided that since he couldn’t beat the so-called ‘King of the Vampires’ using the ‘King’s’ own tricks of the trade he’d be better off appropriating a much older title from a much scarier killer, and took to calling himself the ‘King of the Rippers’ as he stalked Whitechapel and decorated the same streets with a fresh coating of blood and gore.

Blackbird caught him as well, and was taking a few days of well-earned R&R when they learned that Stephen Dante had orchestrated his escape from prison and was on the loose yet again, using his tried and true methods of charming or bribing a new network of acolytes and informations, stalking a new brace of beauties he intended to kill, and yet again with Agent Della Hamilton in his sights with an eye to making her his final victim.

Only this time he’s come to Edinburgh, Scotland, a city full to the brim with history, mystery and magic, abounding in ghost stories and banshee myths, with a twisty layers of buried geography that Dante knows like the back of his hand.

But so do the ghosts of Scots long ago, haunting the city from all the way back to the time of William Wallace and Robert the Bruce, who are more than willing to help the living fight one more righteous battle against evil.

Dante believes he is all-seeing, all-knowing and all-powerful, but the ghosts level the playing field for Blackbird with powers that he can neither imagine nor counter. Even as they help to bring his reign of terror to a crashing end.

Escape Rating A-: I’ve enjoyed the entire Blackbird Trilogy, and certainly have been caught up in each entry as soon as I started it, but I liked this one just a tick better because we spent next to no time in Stephen Dante’s head, nor that of any of his proteges. His is not the point-of-view I want to experience. I want to see the case through the investigators’ eyes to watch as the solution fits and starts and eventually falls into place. I don’t need to see the bodies drop to be caught up in the drama and terror, I just need to know they’ve fallen – which we certainly do in this story.

Although it probably helped a bit that there are few actual deaths in this entry in the series. Dante and particularly his minions, keep snatching people but he’s made too many mistakes, he’s let the Blackbird team, especially Della Hamilton, get to know him a bit too well, and this time around they manage to get there in time to save people considerably more of the time.

Which makes this one more about the psychological terror that they know he’s going to strike again – and has and does – than the actual horror of quite so many of his staged tableaux of pale, cold, bloodless, ‘sleeping’ beauties.

(But speaking of what has come before, although the Blackbird Trilogy is an offshoot of the Krewe of Hunters series, you don’t have to read that to get into this. There’s just the right amount of catching up infodumping that Cursed at Dawn probably stands alone – but it would be better to start with Whispers at Dusk to see the team come together.)

The Blackbird Trilogy is a combination of paranormal romance and romantic suspense, and it’s a combo that holds a near and dear place in my reading heart. We began with watching Della and Mason find each other, set against the backdrop of the team coming together and following Dante’s trail of blood and death. As the trilogy has continued, it’s been fun to watch more members get swept into the action, as they band together to track an intelligent, organized and elusive – also illusive – killer.

The trilogy is riveting from its bloody beginning to its killer’s crushing end. Justice has been served after a harrowing investigation, and it’s righteous. I wouldn’t mind seeing more of Blackbird, and I know I’ll pick up the Krewe of Hunters again whenever I’m looking for more deliciously chilling paranormal romantic suspense.

Review: Women of the Post by Joshunda Sanders

Review: Women of the Post by Joshunda SandersWomen of the Post by Joshunda Sanders
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, World War II
Pages: 368
Published by Park Row Books on July 18, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

An emotional story, based on true events, about the all-Black battalion of the Women's Army Corps who found purpose, solidarity and lifelong friendship in their mission of sorting over one million pieces of mail for the US Army.
1944, New York City. Judy Washington is tired of working from dawn til dusk in the Bronx Slave Market, cleaning white women’s houses and barely making a dime. Her husband is fighting overseas, so it's up to Judy and her mother to make enough money for rent and food. When the chance arises for Judy to join the Women’s Army Corps (WAC) and the ability to bring home a steady paycheck, she jumps at the opportunity.
Immediately upon arrival, Judy undergoes grueling military drills and inspections led by Second Officer Charity Adams, one of the only Black officers in the WAC. Judy becomes fast friends with the other women in her unit—Stacy, Bernadette and Mary Alyce—who only discovered she was Black after joining the army. Under Charity Adams’s direction, they are transferred to Birmingham, England, as part of the 6888th Central Postal Battalion—the only unit of Black women to serve overseas in WWII. Here, they must sort a backlog of over one million pieces of mail.
The women work tirelessly, knowing that they're reuniting soldiers to their loved ones through the letters they write. However, their work becomes personal when Mary Alyce discovers a backlogged letter addressed to Judy that will upend her personal life. Told through the alternating perspectives of Judy, Charity and Mary Alyce, Women of the Post is an unforgettable story of perseverance, female friendship, romance and self-discovery.

My Review:

American women had many and various reasons for signing up for the Women’s Army Corps in World War II, from the Corps’ beginning as the Women’s Army Auxiliary Corps in 1942 through its transition to the WAC in 1943 – and all the way through its eventual disbanding in 1978.

For the three African-American women portrayed in Women of the Post, the reasons were every bit as varied, but underlying those reasons was that their options for highly paid civilian war work were practically non-existent because of the color of their skin. They all wanted to make a difference – not just for themselves but in how women of color were treated both during and after the war.

And it was the best job they thought they were ever likely to have.

The story of the 6888th Central Postal Directory Battalion is told through the experience of three characters, one based directly on a real historical figure, and two who are composites of the real women who served in the 6888th.

Through Major Charity Adams’ eyes we see the perspective of the first African-American female officer in the WACs. She knows that the future rides on the shoulders of her unit, and that they will all have to be three times as good with less than half the training and equipment in order to stay the course they’ve set for themselves. A course that few in the Army or outside it believe that women like them are capable of.

From the point of view of Judy Washington we experience the way that the world looks and especially works from someone who is closed out of every opportunity except for poorly paid domestic work conducted under the thumbs of privileged white women who can steal the meager coins from their purses and pay it back to them as ‘wages’. That the work is solicited through an institution named the Bronx Slave Market is bitter icing on a terrible cake. (But another facet of U.S. history that needs more exposure)

But Judy wants more from her life and her world. She wants a decent wage for a day’s work. She wants to see a broader horizon than her mother does or expects her to settle for. And she wants to see if she can catch word of her husband, himself in uniform, who she hasn’t heard from in months.

Mary Alyce Dixon is the character who gives readers the clearest picture of what life is like for an African-American woman in the WAC’s, because it’s not the life she ever expected to have. Her long-deceased father was ‘colored’, but her mother never told her. When the Army receives her birth certificate, her world shifts under her feet. She doesn’t know how to be the person she has just learned that she is, and her education in living on the other side of the color line is sometimes harsh but always an eye-opener for readers who have not lived her experience.

That this unit comprised entirely of women of color, from its officers on down, forms into a band of sisters is not a surprise, but is a delight. That they exceed every goal set for them in clearing the seemingly years’ worth of backlogged mail to and from U.S. troops stationed in Europe is a boost to morale on both the front lines AND the homefront.

And the story of these unsung heroines is one that absolutely cried out to be told.

Escape Rating B+: I ended up with some mixed feelings about this story, a bit of a conflict between what I thought of the true history that inspired it vs. what I felt about the fictionalized version presented between these pages.

Women of the Post is a story of ‘hidden figures’, very much like the book of that title. It’s one of those stories that isn’t widely known, but truly should be. However, that the story is not as well-known as it should be allows this fictionalization of it to rise above the overcrowded field of World War II fiction.

I loved seeing this important and inspiring story brought to such vivid life.

The Six-Triple-Eight really existed, and they performed the work outlined in the book. They were the only unit of African-American women to serve overseas during the war. The ONLY unit. Think about what that says about racism and bigotry in the U.S. during the war.

The story also feels true to life in its depiction of the pervasive racism, sexism and all the other heinous bigotries that these women, and in fact ALL women of color, faced not just during their military service, but also before and after it.

Those prejudices provide a harsh, driving drumbeat that persists throughout the narrative. As it did in real life. It can make for a hard read but a necessary one. It has to have been, and still be in too many ways, even more difficult to live.

But that drumbeat does have an effect on the story as it’s told, because it’s always there and confronts the characters around pretty much every corner.

The story being told, however, creates its dramatic tension out of the interactions of the characters, and from the war that is being waged all around their postings. From a certain perspective, not a lot happens – although plenty is happening all around them. For a story that takes place in the midst of war, the pace can seem a bit leisurely even as it pulls the reader along. It’s more of a slice of life in wartime story than a big drama.

What makes it work are the three characters we follow, Major (later Lieutenant Colonel) Charity Adams, Judy Washington, and Mary Alyce Dixon. While Major Adams is the real-life heroine of this story, it’s through Mary Alyce’s learning curve that the reader gets the sharpest picture of what life is really like for the Women of the Post, before, during and after their wartime service.

Review: The Housekeepers by Alex Hay

Review: The Housekeepers by Alex HayThe Housekeepers by Alex Hay
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, thriller
Pages: 368
Published by Graydon House on July 4, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The night of London's grandest ball, a bold group of women downstairs launch a daring revenge heist against Mayfair society in this dazzling historical novel about power, gender, and class.
Mrs. King is no ordinary housekeeper. Born into a world of con artists and thieves, she’s made herself respectable, running the grandest home in Mayfair. The place is packed with treasures, a glittering symbol of wealth and power, but dark secrets lurk in the shadows.
When Mrs. King is suddenly dismissed from her position, she recruits an eclectic group of women to join her in revenge: A black market queen out to settle her scores. An actress desperate for a magnificent part. A seamstress dreaming of a better life. And Mrs. King’s predecessor, with her own desire for vengeance.
Their plan? On the night of the house’s highly anticipated costume ball—set to be the most illustrious of the year—they will rob it of its every possession, right under the noses of the distinguished guests and their elusive heiress host. But there’s one thing Mrs. King wants even more than money: the truth. And she’ll run any risk to get it…
After all, one should never underestimate the women downstairs.

My Review:

It’s 1905, the somber colors and repressive sensibilities of the Victorian era are gone along with the 19th century, and the glittering Edwardian era is in its full if brief splendor of wretched excess in the pursuit of pleasure while so-called ‘Radicals’ agitated towards reform and the world lurched towards the Great War that upended society, killed a generation of young men and hastened the British Empire towards its sunset.

This is a heist story, and like all the best heist stories, it starts kind of in the middle. In this particular story it starts with a beginning AND an ending, although neither is either the beginning or the ending of the story.

First, there’s an invitation. The oh-so-correctly worded and printed invitation to an opulent masquerade ball at the recently inherited and ridiculously opulent Park Lane mansion of the wealthy Miss de Vries. A young woman who should still be in full mourning for her recently deceased, utterly unlamented and very obviously nouveau riche father. A man who may have been buried as Wilhelm de Vries but was born plain old Danny O’Flynn but made his fortune and his name – literally in both cases – in the diamond mines of South Africa.

Second, there’s a dismissal. Mrs. King, housekeeper to the late Mr. de Vries was caught entering the male servants’ quarters the night before. Everyone believes it was for an assignation, and she’s dismissed without a character or a reference from her respected, respectable and well-earned job. It’s just the first of many such dismissals, as Miss de Vries is determined to set her own course with her own people around her, so ALL of her father’s ‘loyal’ servants will have to go.

But Mrs. King had her own reasons for entering service in this particular household and rising through its ranks. Her dismissal, as much as it most definitely rankles, frees her up to begin step one of a fiendishly clever plan.

Her plan to strip the entire mansion down to its foundations, to take back her own from the man who, by turns, sired her, protected her, abandoned her, and hid her from the world he created for himself. Mrs. King, born Dinah O’Flynn, plans to get the biggest piece of her own she can grab.

While the biggest ball of the season is in progress under the very same roof at the very same time.

Escape Rating B: The Housekeepers is all about the heist. Which means that the characters take a back seat to the caper on this thrill ride, and the story is more about putting the operation together and taking the target apart than it is about the gang who are pulling it off.

At the beginning we don’t know much about any of the principals. We know a bit more by the end, but this isn’t the kind of story where character development takes center stage. After all, we don’t need to know a whole lot about either Danny or Debbie Ocean’s backstory or motivations to get caught up in the capers that they pull off. (And yes, The Housekeepers does ring a lot of the same bells as Ocean’s Eleven and Ocean’s 8.)

The focus of the first two-thirds of The Housekeepers is pulling together the operation to strip Stanhope House bare to the walls (Stanhope House really did exist although the O’Flynn/de Vries family did not). The final third of the story is, naturally, the edge of the seat thrill nail-biter of pulling off the meticulously planned caper.

But the two principals of the story, Mrs. King and Miss de Vries, are both women who keep their cards close to the vest and their emotions even closer. They release bits of their motivations and their backstories, but reluctantly, as if each bit of history was a diamond to be guarded zealously under all conditions. We see them but we don’t know them, and we don’t care about them nearly as much as I hoped.

But it’s a caper story, which means we don’t need to know their motivations, only whether they can make good on their ambitions. Which Mrs. King manages to do in spite of the odds against her and her gang as well as all the things that can go wrong and inevitably do.

This story, with its blend of Ocean’s 8, Comeuppance Served Cold, The Sting, Upstairs, Downstairs and Downton Abbey, keeps the reader compulsively turning pages to see if Mrs. King and her gang can manage to pull off the heist of their newly born century. The inner reticence of the story’s principals, Mrs. King and Miss de Vries does leave the story a bit cold at its heart, much like The Forty Elephants, which is based on a true story about an female-led gang operating in New York City during the same time period as The Housekeepers.

Howsomever, like so many of the stories which The Housekeepers reminds readers of, this will make a terrific movie someday, blending the pace of Ocean’s 8 with the costumes of Downton Abbey. I hope it happens!