Review: The Library of Lost and Found by Phaedra Patrick + Giveaway

Review: The Library of Lost and Found by Phaedra Patrick + GiveawayThe Library of Lost and Found by Phaedra Patrick
Format: eARC
Source: publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: women's fiction
Pages: 352
Published by Park Row on March 26, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

A librarian’s discovery of a mysterious book sparks the journey of a lifetime in the delightful new novel from the international bestselling author of
The Curious Charms of Arthur Pepper

Librarian Martha Storm has always found it easier to connect with books than people—though not for lack of trying. She keeps careful lists of how to help others in her superhero-themed notebook. And yet, sometimes it feels like she’s invisible.

All of that changes when a book of fairy tales arrives on her doorstep. Inside, Martha finds a dedication written to her by her best friend—her grandmother Zelda—who died under mysterious circumstances years earlier. When Martha discovers a clue within the book that her grandmother may still be alive, she becomes determined to discover the truth. As she delves deeper into Zelda’s past, she unwittingly reveals a family secret that will change her life forever.

Filled with Phaedra Patrick’s signature charm and vivid characters, The Library of Lost and Found is a heartwarming and poignant tale of how one woman must take control of her destiny to write her own happy ending.

My Review:

What is lost and finally found at this library is the heart and spirit of volunteer library worker Martha Storm. The story of how she was “lost”, is told in flashbacks, but the story of what she found and how she found it is part of the present.

And it’s completely charming.

I found myself caught up in Martha’s initially self-restricted life and eventual flowering almost in spite of myself. To the point where I started and finished the book in a single day.

Not a lot happens in this story. There aren’t any great adventures or major events. Well, not exactly. Except that there are – mostly in the sense of a journey of the spirit, with signposts provided by the events of her life along the way.

Martha Storm volunteers at her local public library in tiny little Sandshift – a small town on the coast of England. She’s the person who does everything for everybody, always going above and beyond on every side, with no hope of compensation and nary a word of thanks.

She’s a woman who seems constitutionally incapable of saying “No” to anyone. And no one seems to appreciate her for it – not her boss, not her co-workers, not the villagers she helps and certainly not her sister. Not until she finally, suddenly, almost inexplicably manages to say that one word – and both her world and that world’s view of her, begins to shift.

So does she. And as Martha starts to find herself, she also finds what she lost long ago – her grandmother.

Escape Rating B+: This is a story about family secrets, their power to harm, and their power to destroy. And it’s about the freedom that comes with setting those secrets free.

In my own family, there was a secret. At my grandfather’s funeral my aunt revealed that my grandmother was not her mother – that my grandfather had been married before. It wasn’t a big secret – nor was it destructive in the way that the secrets in this story were. But it told me a vital piece of information that explained a great deal about my childhood – I was my grandmother’s only grandchild. She was already deceased, so it had no effect on my relationship with her – but it colored my memories of her differently.

The secrets that have been kept from Martha Storm all of her life, while they don’t change the past, definitely put it into a much different light. A light that illuminates so many events and relationships that defined her – and not always for her benefit.

When she was in her early teens, her parents told her that her charismatic, beloved grandmother Zelda was dead. They refused to let her go to the funeral, and she never found the grave.

When a local bookseller gives her a worn-out copy of a book, written by her grandmother, made up of stories that Martha wrote and told to her grandmother and stories that her grandmother wrote and told to her, she’s flabbergasted. When she reads the dedication at the front of the book, a dedication to her, written three years after her grandmother’s “death”, Martha’s world starts to unravel.

But what unravels are all the accretions and protections, all the shoulds and don’ts, all the negging that her uber-controlling father wrapped around Martha, her mother, and her sister. All the things that kept Martha from venturing out into the world, and letting the world venture into her.

All the things that would have challenged her father’s control of her. Like her grandmother.

In her search for her grandmother, Martha rediscovers herself and her childhood joy of the world around her.

She gets a second chance at life. At love. And with her beloved Zelda. The truth sets her free to be her best self.

And it makes an absolutely charming story.

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Review: Glory Road by Lauren K. Denton

Review: Glory Road by Lauren K. DentonGlory Road by Lauren K. Denton
Format: ebook
Source: publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: Southern fiction, women's fiction
Pages: 368
Published by Thomas Nelson on March 19, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

Written in Lauren Denton's signature Southern style, Glory Road tells the story of three generations of women navigating the uncertain pathways of their hearts during a summer that promises to bring change--whether they're ready for it or not.

At thirty-eight, garden shop owner Jessie McBride thinks her chances for romance are years behind her and, after her failed marriage, she's fine with that. She lives contentedly with her fiery mother and her quiet, headstrong daughter. But the unexpected arrival of two men on Glory Road make her question if she's really happy with the status quo. Handsome, wealthy Sumner Tate asks her to arrange flowers for his daughter's wedding, and Jessie finds herself drawn to his continued attention. And Ben Bradley, her lingering what-could-have-been from high school days who's known her better than anyone and whom she hasn't seen in years, moves back to the red dirt road. Jessie finds her heart being pulled in directions she never expected.

Meanwhile, Jessie's fourteen-year-old daughter, Evan, is approaching the start of high school and trying to navigate a new world of identity and emotions--particularly as they relate to the cute new guy who's moved in just down the road. At the same time, Jessie's mother, Gus, increasingly finds herself forgetful and faces a potentially frightening future.

As all three women navigate the uncertain paths of their hearts and futures, one summer promises to bring change--whether they're ready for it or not.

My Review:

Good things come in threes, and so it proves in this lovely story of three generations of the McBride women. Take that as a hint that, in spite of Goodreads characterizing this as a romance, it’s really women’s fiction or relationship fiction. While romances do occur within the pages of this book, the backbone of the book is the relationship between the women and not the men who find their way into – or back into – their lives.

Also, in spite of the Amazon classification of Glory Road as both “Christian” and “Historical”, it isn’t either. This is a contemporary story set in a small (very small) Alabama town. And even though the book is published by noted Christian publisher Thomas Nelson, there’s nothing particularly religious or inspirational in the story, although the romantic aspects are downright squeaky clean.

I like a good romance. It doesn’t have to get to the bedroom to qualify as romance – and I like a well-written “fade to black” better than a risible risque scene. I didn’t notice that no one did anything more than kiss, and very little of that, until I finished and thought back on the story. So it works.

But what is it?

The McBride women all live on Glory Road just outside tiny Perry Alabama. They are all at crossroads in their lives. How those crossroads intersect, and how they walk along after, both together and separately, is what makes the story.

Gus McBride is nearly 70. She’s happy to have her daughter Jessie and granddaughter Evan back on Glory Road, but at the same time has become aware that proximity means that the secret she is trying to hide even from herself will be exposed sooner rather than later. Gus isn’t ready to deal with the Alzheimer’s disease that took both her mother and grandmother, and is now overtaking her.

Evan is about to enter 9th grade – she’s starting high school. It’s a new school and a whole lot of new opportunities. She’s growing up and starting to push boundaries. And she’s making new friends, including the older boy who has just moved into Perry with his dad. Evan has her first crush on Nick Bradley, not knowing just how history is both repeating – and not.

Jessie is the sandwich between her mother Gus and her daughter Evan. She has put behind her past with Evan’s wayward father, and has figured out why her marriage didn’t work. She spent her high school years pretending to be someone she wasn’t, and her ex fell in love with that pretense and not the person she really is.

The person Jessie really is isn’t that perky, blonde, highlighted cheerleader. She’s the quietly introspective woman who owns Twig, the local gardening shop. And she’s the person her best friend all those years ago, Ben Bradley, fell in love with.

Ben has returned to Glory Road, and has brought his son Nick. A boy who would have been theirs if things had gone differently. There’s a chance they might this time. Or it might be too late. Or Jessie might make the same mistake all over again.

Escape Rating B+: This was, just like my reading of The Hideaway a couple of years ago, lovely. Not quite as unexpected this time around.

Three is a powerful number, and the three McBrides are powerful women, albeit in different ways. While their stories are individually interesting, the relationship between them powers the story as it switches perspectives from one to another but always making clear the depth of the bond between them.

Evan’s story is the easiest. She’s only 14, her entire life is still before her. This is the summer of her first real crush, her first serious testing of her mother’s boundaries, the deepening of her quest to discover the person she’s meant to be … and the escalating fear over her grandmother’s badly hidden illness.

Gus’ story is both tragic and uplifting, as she faces both the fear that has dogged her for her entire adult life – and the man who is willing to stand beside her in the dark days ahead. She both comes to terms with what the future will bring her, and reaches out to wring all the happiness possible from the days yet to come.

But the lion’s share of the story is Jessie’s. She is caught at multiple decision points, and the crises they bring to her life make her examine who she’s been, who she is, and who she wants to be. They also make her both appreciate her comfort zone and make her willing to step out of it.

She’s worried about her mother’s increasing forgetfulness. She’s also worried about her business, as a nearby “big box” store has opened and is stealing more than a few of her formerly faithful customers.

And her ancient laptop computer gives up its ghost in the middle of it all. Thanks to the aforementioned big box store, money for a replacement is absolutely nowhere in the budget. Then Ben comes back to town and offers to fix it.

Jessie’s relationship with Ben Bradley recalls the famous quote by John Greenleaf Whittier, the one that goes, “For all sad words of tongue and pen, the saddest are these, “It might have been.” Back in high school, Jessie and Ben were best friends. He was the only one besides her family who knew the real Jessie McBride. But their comfortable friendship ended when Ben confessed that he loved Jessie – and she didn’t respond. Instead, she let her popular friends pull her away from the man who loved her and the life that might have been.

A life that would probably have worked out better than her marriage to a man who wanted the perky, popular Jessie she pretended to be. A road not taken that Jessie has never stopped thinking about.

Now Ben is back in Perry, and they might have another chance to see what they might be. But Jessie is also involved with another flashy charmer like her ex – admittedly one who’s a bit more down to earth and sees the person Jessie is now a bit better. But someone who represents a life bigger and brighter than Perry, and a life she left behind.

With everything else going on in her life, the world outside of Perry seems mighty tempting for a brief while.

It’s pretty obvious to the reader who represents Jessie’s best future and happiest self. Watching her figure that out for herself is the charm of the story. And this reader was definitely charmed.

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Review: Lady Derring Takes a Lover by Julie Anne Long

Review: Lady Derring Takes a Lover by Julie Anne LongLady Derring Takes a Lover (The Palace of Rogues #1) by Julie Anne Long
Format: eARC
Source: publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: historical romance
Series: Palace of Rogues #1
Pages: 373
Published by Avon on February 26, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

A mistress. A mountain of debt. A mysterious wreck of a building.

Delilah Swanpool, Countess of Derring, learns the hard way that her husband, "Dear Dull Derring," is a lot more interesting—and perfidious—dead than alive. It's a devil of an inheritance, but in the grand ruins of the one building Derring left her, are the seeds of her liberation. And she vows never again to place herself at the mercy of a man.

But battle-hardened Captain Tristan Hardy is nothing if not merciless. When the charismatic naval hero tracks a notorious smuggler to a London boarding house known as the Rogue's Palace, seducing the beautiful, blue-blooded proprietress to get his man seems like a small sacrifice.

They both believe love is a myth. But a desire beyond reason threatens to destroy the armor around their hearts. Now a shattering decision looms: Will Tristan betray his own code of honor…or choose a love that might be the truest thing he's ever known?

My Review:

Lady Derring Takes a Lover is absolutely delightful. And it was exactly what I was in the mood for, which made it even better.

In a way, this story reminds me of Someone to Love by Mary Balogh – which is high praise considering just how many “best of the year” lists that book turned up on!

There’s a similarity between the two books because they both effectively begin with Dickens’ Christmas Carol opening, “Marley was dead: to begin with.” Because both stories have their effective beginning with the death of someone else.

To make them resemble each other even more, there’s nothing “dear” about the lately departed in either Someone to Love or Lady Derring Takes a Lover. In both cases, the late and unlamented was a bastard. Not the literal kind, but the kind that leaves disaster in his wake.

In the case of “Dull Derring”, he’s left behind a mountain of unpaid bills, a destitute Countess and an equally destitute mistress. I do not mean destitute in the relative sense of having to scale back their extravagant lifestyles. I mean completely skint. Stony broke. Not having two pence to rub together.

But they do manage to rub along together, surprisingly enough. They shouldn’t have anything to do with one another, the lady and the courtesan. They should hate, or at least resent, each other on sight.

Instead they band together, both broke but not in the least heartbroken, and both completely disillusioned with men and the world that believes their only existence should be in relationship to some man who will expect them to suppress their wants and needs and personalities to flatter his ego while leaving them to clean up his messes.

Delilah Swanpool, the “Lady Derring” of the title, has one and only one asset – along with the jewels that her late husband’s mistress, Angelique Breedlove, advises her to sew into the hems of her dresses on her way out the door. Derring owned one building outright, in his own name, not entailed to his estate and not mortgaged beyond its value. Free and clear.

And located on the Thames docks. Not the most salubrious neighborhood, not even for Mrs. Breedlove, let alone Lady Derring. But it’s what they have. It’s all they have except grit and determination and a strong desire to never be dependent on any man ever again.

Their dream of opening a wholesome boarding house in an area that is much more likely to host a brothel – in fact their building used to BE a brothel – seems naive, and is almost doomed from the outset.

Their determination not to depend on any unreliable man – and in their opinion ALL men are inherently unreliable just by being men – is undermined, at least for Lady Derring, with the advent of Captain Tristan Hardy of the King’s Blockade into their attempt to create a bit of domestic bliss for the assortment of people who find their little out of the way genteel boardinghouse.

Because Derring owned that old building in that odd location for a reason. A reason that put the late unlamented squarely in the sights of the Blockade. Hardy knows that Derring was up to his mortgaged neck in smuggling, and he’ll do anything to roll up the last big smuggling gang in England.

No matter how many heads, or hearts, he has to break in the process. Including his own.

Escape Rating A: This is one of those books that just plain is a great time for the reader. I had a blast. Until 2:30 in the morning, because I was having too much fun to stop before the end.

At the beginning, I said this reminded me of the utterly awesome Someone to Love in the way that it starts. But Delilah also reminded me a bit of one of my favorite heroines, Amelia Peabody Emerson, from Elizabeth Peters’ historical mystery series that begins with Crocodile on the Sandbank. Not in time or place, because the stories are more than half a century apart, but in attitude.

Although it is never stated outright, it’s clear from context that Lady Derring Takes a Lover takes place during the reign of George IV, the former Prince Regent who gave his title to an era. Both Delilah Swanpool and Amelia Peabody know how women are supposed to think and act, the way that they are supposed to behave. And both reject those “supposes” and “oughts” and “shoulds”, albeit under different circumstances. And both find themselves liberated by that rejection. Also both want to be seen for who they are and as they are, and not as society, particularly men, believe they should be.

Also they both discover that they really like sex, even though neither expects to and both have a difficult time discussing the act – but definitely not a difficult time doing it and thoroughly enjoying it. Whether they should or not.

There are three stories going on in Lady Derring Takes a Lover, and they play off each other and intertwine with each other in ways that really worked for me.

There’s the obvious, Lady Derring does indeed take a lover. But the romance between Delilah and Tristan, while filled with sexual tension and coming to a well-deserved happy ending, doesn’t feel like the heart of the book.

The two parts that do feel like that heart are the creation of Delilah and Angelique’s desperate business partnership, along with their surprising creation of their boarding house, and Tristan’s quest to find the smugglers – a quest which reminded me a bit of last week’s The Woman in the Lake, because we again see smugglers not as romantic antiheroes, but as members of organized crime.

I loved the way that Delilah and Angelique end up in business together. They’re desperate and cynical and scared and determined to make a home not just for themselves but for others. They build a strong friendship from a very unlikely beginning and it just works. The way they take in such a disparate bunch of people and weave them into an unlikely family of choice was fun to read, in spite of them also being taken in by two of their boarders.

They have a dream that they make come true – without the help of man to make it all come together.

And while Tristan’s hunt for the smugglers was certainly the stuff of derring-do (pun intended, because the late Lord Derring mostly didn’t) it’s a story that wove itself around everything else – as well as providing the crisis necessary to push for the HEA. And I’m equally glad that the crisis did not involve the heroines in jeopardy, as such crises do entirely too often.

There’s a niggling voice in the back of my head saying that this delightful froth of a book played much too fast and loose with historical accuracy – but I can’t prove that. And I enjoyed it so much that I don’t care nearly as much as I should.

A good time was definitely had by this reader. I can’t wait for the next book in the series, Angel in a Devil’s Arms – which looks to bring about Angelique’s much deserved HEA.

 

Review: California Girls by Susan Mallery

Review: California Girls by Susan MalleryCalifornia Girls by Susan Mallery
Format: eARC
Source: publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, women's fiction
Pages: 432
Published by Mira on February 26, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

The California sunshine’s not quite so bright for three sisters who get dumped in the same week…

Finola, a popular LA morning show host, is famously upbeat until she’s blindsided on live TV by news that her husband is sleeping with a young pop sensation who has set their affair to music. While avoiding the tabloids and pretending she’s just fine, she’s crumbling inside, desperate for him to come to his senses and for life to go back to normal.

Zennie’s breakup is no big loss. Although the world insists she pair up, she’d rather be surfing. So agreeing to be the surrogate for her best friend is a no-brainer—after all, she has an available womb and no other attachments to worry about. Except…when everyone else, including her big sister, thinks she’s making a huge mistake, being pregnant is a lot lonelier—and more complicated—than she imagined.

Never the tallest, thinnest or prettiest sister, Ali is used to being overlooked, but when her fiancé sends his disapproving brother to call off the wedding, it’s a new low. And yet Daniel continues to turn up “for support,” making Ali wonder if maybe—for once—someone sees her in a way no one ever has.

But side by side by side, these sisters will start over and rebuild their lives with all the affection, charm and laugh-out-loud humor that is classic Susan Mallery.

My Review:

Last week when I posted the Excerpt and Spotlight for this book, I said that I’d be reviewing it shortly. This is shortly. Probably also a bit longly, as I seldom write short reviews – and this isn’t going to be one.

I can’t do short for this because there are three separate stories packed into this lovely bit of Women’s Fiction. (A term that is attempting to morph into “Relationship Fiction” but I digress.)

Like both of her previous standalone titles, When We Found Home and Daughters of the Bride, this is a story about family. Also like both of those awesome stories, this is a book about three siblings and their sometimes fraught relationship with their remaining parental unit.

This particular story kicks off when all three of the Corrado sisters get dumped on the same day. All the dumps are different, and not all of them are either tragic or even dramatic. But the ones that are really, really are.

Finola, a daytime talk show host in the cutthroat Los Angeles TV market, gets dumped just before showtime. Her husband waltzes in to tell her that he’s leaving her just before she goes on air. Still shell-shocked, her first guest informs her that the woman Finola’s husband has just dumped her for is her. That she’s young, gorgeous and a country music sensation makes the story all that much more titillating to everyone who discovers it.

And said country music queen makes sure that EVERYONE does discover it. After all, she goes after married men on purpose because she likes the scandalous publicity – and seems to enjoy watching the dumped wife get even more dumped on by the voracious maws of both the media and public opinion.

Ali gets dumped less than two months before her wedding. By a douchebag who can’t even manage to do the dumping in person so he sends his brother instead. Leaving Ali with both the ugly job of cancelling all of the wedding arrangements AND dumping her with all of the cancellation fees that result. She’s also going to be homeless in the equally cutthroat LA housing market because she gave up her lease. After all, she was supposed to be moving in with the douchebag after the wedding.

Unlike Finola, Ali gets a knight in shining armor in the person of the douchebag’s brother. A little help with the wedding cancellation turns into a solid friendship – and more.

Zennie’s dumping is completely non-dramatic. Her relationship with Clark just isn’t working out. Or, to use the sad but true cliche, she’s just not that into him. But her non-dramatic breakup turns into something very dramatic indeed, as her newly uncommitted status lets her commit to something really, really big. She agrees to become a surrogate mother for her best friend.

The drama only increases when Zennie becomes pregnant with the first IVF treatment – and she discovers that nearly no-one in her circle of family and friends agrees with her decision AT ALL. Except for Clark, that guy she just wasn’t that into. She may not have been into him as a potential romantic partner, but a solid and supportive friendship is an entirely different thing.

But it’s not just Zennie’s decision to be a surrogate that some people disapprove of. Their mother disagrees and disapproves, loudly, frequently and with some pretty damn awful cutting remarks, that she’s unhappy with every single one of her daughters for not living their lives exactly the way she wants them to. And, ironically, for not giving her grandchildren. Yesterday.

We get to watch all of them “woman up” in the ways that work for them as they each (including mom!) discover what’s important to them, and what they want and need to have the lives they’ve each dreamed of.

A life that includes their frequently dysfunctional, sometimes crazy, but generally loving, family.

Escape Rating B+: I enjoyed California Girls, but not quite as much as Daughters of the Bride, which I absolutely, totally adored. Consider that both a recommendation and a comment that if you loved this one you’ll love that one too – and possibly more.

What makes this story is that their happy ever afters are all different, and that they all reach them in different ways. There might be an expectation that everyone ends up coupled at the end, but they don’t.

And they shouldn’t.

In many ways, Finola’s story is the most interesting as well as the most cliched and least traditional – all at the same time. She begins the story thinking she has it all – the fantastic career and the successful, adoring and understanding husband. Only to discover that what she really has is a successful career that she adores, and a whole lot of other people in her life who have played second (or third or even lower numbered) fiddles to that career.

Being dumped makes her take a long, hard look at herself, who she is and what she really wants – after she takes a realistic but not too lengthy dive into victimhood. She deserves it, she is, after all, a victim of the media circus that disrupts what’s left her life. It takes time for her to figure out that she isn’t the victim in her actual breakup. It takes two to keep a marriage strong – and it takes two to weaken it. Owning her part of her situation makes her own up to her part in what went wrong as well.

Ali’s story is the romance that readers will expect in the story – but it has its own twist. She is supposed to bounce back and find true love. She’s just not supposed to find it with her ex’s brother.

That she also finds herself as part of her journey is the icing on her particular cake.

Zennie’s story is different from her sisters’ – just not as different as I wanted it to be. At the beginning, she is happy being single as well as fairly resistant to society’s (and her mother’s) need to see her couple up with someone. Anyone. Her status as a happy single with a solid support network of friends has her mother convinced she must be a lesbian. She’s not. She’s just not interested in being half of a whole, and she hasn’t discovered sex to be “all that” in any way at all.

I was kind of hoping that Zennie would turn out to be an Ace – an asexual. I think that would have made an interesting perspective to follow through in the story as she begins with an unusual perspective and I’d like to have seen it carried through. That’s my 2 cents.

The storyline about Zennie becoming a surrogate felt well done, but also just not my cuppa. That being said, the reasons she did it worked well within the story. Her desire to help her friend and her willingness to put herself on the line for it were terrific. That pregnancy turned out to be a not exactly awesome experience was real, as were her very mixed emotional reactions all the way down the line. That her friends and family were divided and frequently disapproving also felt real.

I also have mixed feelings about their mother’s part of the story. On the one hand, it was absolutely terrific that she got her own second-chance at love with the movie star who once loved her and then dumped her. On the other hand, she was kind of a bitch to all of her daughters for much of the story. I wish her character had been more than two-dimensional.

That being said, a good time was still had by this reader with these California Girls. I look forward to the author’s next standalone story as well as my next visit to Happily Inc.!

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Review: When Love Leads to Scandal by Sophie Barnes + Giveaway

Review: When Love Leads to Scandal by Sophie Barnes + GiveawayWhen Love Leads to Scandal (Townsbridges #1) by Sophie Barnes
Format: eARC
Source: author
Formats available: ebook
Genres: historical romance
Series: Townsbridges #1
Pages: 96
Published by Sophie Barnes on February 19th 2019
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

Two people fated to be together…

Recently engaged to the Earl of Langdon, Lady Bethany is content with the knowledge that she’s made a wonderful match for herself. Until a chance encounter with a handsome stranger makes her wish she was still unattached – a sentiment that grows even stronger when circumstance causes her to spend more time in this gentleman’s company.

And the duty that threatens to come between them…

Charles Townsbridge is not prepared to learn that the mystery woman he met in the park, the very same woman he cannot get out of his head, is in fact his best friend’s fiancée. Determined to do the right thing, he tasks himself with quashing the attraction, only to discover that the heart cannot be so easily controlled.

My Review:

Think of this as a historical version of the trope about falling for your significant other’s best friend – just with a whole lot of added consequences.

After a Transatlantic crossing where they had a chance to get to know one another, Lady Bethany agreed to marry Robert, the Earl of Langdon. It seemed like an excellent match – and it possibly might have been. Except for that whole best friend problem.

And because Robert basically saw their engagement as a business transaction, one where once the contract was signed and sealed he didn’t have to put forth any future effort to win the woman who had agreed to become his wife.

He had plenty of other unspoken expectations as well. Love didn’t enter into it – and it honestly didn’t for Bethany, either. But she did hope that when they got to know one another that they would have a solid foundation on which to build a marital partnership of some kind.

He couldn’t be bothered. Which probably goes to show just how much he cared in the first place.

On that very infamous other hand, Bethany met his best friend Charles Townsbridge in the park. Chasing after her runaway bonnet. And felt the spark that had completely eluded her in all of her meetings with Langdon.

She could have considered it just a passing fancy. Or a bored impulse. Or pretty much anything except that spark of an attraction she was no longer eligible to feel.

But Charles felt it too. Leaving him determined to suppress his desires at every turn. Of which there were entirely too many – because Bethany’s fiance trusted his best friend to take care of the woman he couldn’t be bothered to even take tea with.

Nothing happened. There was no affair. Plenty of temptation, but just the barest hint of flirting – and even that only after being thrown together too many times. They were both completely honorable – and both suffering in silence. A silence they both planned to take to their graves.

Lucky for ALL of them, Athena Townsbridge was completely unwilling to let her brother suffer alone for the rest of his life – no matter how much scandal SHE had to cause, with his permission – or without.

Escape Rating B+: This book feels like the absolute ultimate read in UST. That’s “unresolved sexual tension” for those who are not familiar with the acronym from reading fanfic.

The story here is delicious. It’s also appropriately short. I say that because the tension between Bethany and Charles is palpable from their very first meeting, to the point where it quickly becomes painful for them to be together, and equally painful for the reader to watch.

What makes the story is that they are both trying to do the honorable thing. She affianced herself to Langdon quite willingly – albeit not with nearly enough information. Also, he seems to have put on an act of being truly interested in her while they were aboard ship, only for him to completely drop the act once the contract was signed.

He doesn’t come off very well, and he shouldn’t.

But Charles and Bethany both feel stuck. There will be a terrible scandal if she cancels the engagement and it will all fall on her and her family. While they can weather the storm, it could easily mean the difference between her making a good marriage and not marrying at all.

It’s just a mess, and we feel for both of them the whole way through. Robert, not so much.

All of the adults are trying to do the responsible thing, which makes it doubly delicious when Charles’ young sister decides to hell with leaving everyone to wallow in their misery. I hope she gets her own romance sometime later in this series. She’s already earned her own HEA!

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

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Spotlight + Excerpt: California Girls by Susan Mallery

Spotlight + Excerpt: California Girls by Susan MalleryCalifornia Girls by Susan Mallery
Format: eARC
Source: publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: contemporary romance, women's fiction
Pages: 432
Published by Mira on February 26, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

The California sunshine’s not quite so bright for three sisters who get dumped in the same week…

Finola, a popular LA morning show host, is famously upbeat until she’s blindsided on live TV by news that her husband is sleeping with a young pop sensation who has set their affair to music. While avoiding the tabloids and pretending she’s just fine, she’s crumbling inside, desperate for him to come to his senses and for life to go back to normal.

Zennie’s breakup is no big loss. Although the world insists she pair up, she’d rather be surfing. So agreeing to be the surrogate for her best friend is a no-brainer—after all, she has an available womb and no other attachments to worry about. Except…when everyone else, including her big sister, thinks she’s making a huge mistake, being pregnant is a lot lonelier—and more complicated—than she imagined.

Never the tallest, thinnest or prettiest sister, Ali is used to being overlooked, but when her fiancé sends his disapproving brother to call off the wedding, it’s a new low. And yet Daniel continues to turn up “for support,” making Ali wonder if maybe—for once—someone sees her in a way no one ever has.

But side by side by side, these sisters will start over and rebuild their lives with all the affection, charm and laugh-out-loud humor that is classic Susan Mallery.

It was almost a year ago that I was posting an excerpt from Susan Mallery’s previous standalone title, When We Found Home. At the time I said that I don’t normally do posts without reviews, but that I was making an exception for her latest because I knew it would be a winner – and it was – and because I was already scheduled for the review tour – as I am again. And, admittedly because I was in the midst of a trip and it made my life easier! All of those things are true again. I’m sure California Girls will be a terrific read because all of Susan’s other books have been. I’m reviewing California Girls next week as part of the tour. And I’m away on a trip. Sometimes history does repeat!

Excerpt from California Girls by Susan Mallery

“Are you happy with the look?” the saleswoman asked Ali, as if Zennie’s opinion didn’t matter. “Is this what you imagined?”

“Sadly, yes.” Ali laughed. “See, I told you both my sisters were fabulous. No one is even going to notice me.”

“Nonsense. You’ll be the bride.” The woman climbed onto the platform and started pulling pins from the pincushion strapped around her wrist. “I’ll do a little tucking to give you an idea of the look, then we’ll get our seamstress out here to do the final pinning.”

The two women discussed everything from lowering the neckline—Zennie said no to that—to the length of the dress.

“Are you sure you don’t want to wear some kind of heel?” the salesperson asked.

“Very.”

Ali sighed. “Zennie won’t budge on that. Good thing her boyfriend isn’t that much taller than her or they would look weird together.”

Zennie looked at her sister in the mirror. “Boyfriend?”

“Duh. Clark.”

Zennie stared blankly.

“Clark. You’ve been seeing him awhile now. He works with the zoo. He’s a primate specialist or whatever it’s called.”

“Primatologist, and he’s not my boyfriend. We’ve only gone out three times.” She barely knew him and had no idea if she liked him or not. Boyfriend? As if. She hadn’t even told her mother about Clark, which explained the evening text offering to set her up on yet another blind date.

“You said you were bringing him to the wedding.”

“No. I said I might bring him to the wedding.”

“Zennie! I planned on you and a plus-one. You have to bring a date.”

Why? That was the question, Zennie thought as Ali was distracted by whether or not to shorten her sleeves. Why did she have to bring a date? Was she less socially acceptable without a date? Was her conversation less sparkly, her love less welcome? She had no idea why she’d even mentioned Clark, let alone discussed him as her plus-one at the wedding. She wouldn’t want him there, regardless of the state of their nonrelationship. For one thing, people would ask too many questions. For another, her mother would go totally insane at the possibility of Zennie finally settling down with someone and giving her grandbabies. No one could survive that much pressure.

The pinning and tucking finished, Zennie stared at the dress. She would never admit it to her sister, but to her everything looked exactly the same. Of course she had the pins poking her to prove it wasn’t.

“Can you finish up here without me?” Ali asked, glancing at her watch. “I have to stop by the florist before I need to race back to work for a meeting.”

“I’m fine. I will stand here until they release me.” Once again she thought about how Nigel looked at Finola and how Glen didn’t look at Ali. “Shouldn’t your hubby-to-be handle some of this?”

“I would never trust Glen with the flowers. He’s a red roses kind of guy and that would be all wrong.” Ali stepped up on the dais and kissed her cheek. “Thanks for doing this. Love you.”

“Love you, too.”

Ali raced to the door, then looked back. “Bring a date!”

“Bite me.”

Ali was still laughing when she ducked out of the store.

Zennie looked at her reflection and tried not to think about the wedding. It was four, maybe five hours out of her life. Yes, they would be torturous hours, but they were for a good cause. In the name of sisterhood and all that.

As for a date, well, that might be a problem. Because Clark was a nonstarter for sure.

Finola gripped the steering wheel so hard, her fingers ached, but she didn’t dare relax. Not until she was home. She drove slowly, careful to stay under the speed limit as she turned into her exclusive Encino neighborhood. As she approached the gate in front of their small community, she felt her control beginning to slip.

Almost there, she chanted silently. Almost there, almost there, almost there.

She made two rights, then a left before pulling into the driveway and pushing the button to open the garage door. As she eased forward, her hands slipped and the car veered a little to the right. She jammed on the brakes and started to back up, only to realize that she didn’t have to. Who cared if she wasn’t fully in her own section of the garage? It wasn’t as if Nigel was going to be pulling in next to her anytime soon. Of that she was sure.

She turned off the engine and collected her tote bag and purse. Once she closed the garage door, she walked into the house.

She was greeted by silence. She and Nigel had never wanted a housekeeper. There was a cleaning service that came twice a week and a meal delivery service, but both had been put on hold because of the upcoming Hawaii trip. As of two hours ago, the plan had been for her to meet Nigel at home after the show so she could finish packing. They would leave for the airport first thing in the morning. Only none of that was going to happen now. Not the packing, not the trip, not them being together and making a baby.

She dropped her handbag and tote to the floor, then kicked out of her shoes. She needed a plan, she told herself. She had to figure out what to do first, then second, then third. Only with each step she took, the blessed shock faded, leaving behind pain and disbelief and humiliation. The tears came first, then the sobs. She stumbled before sinking to her knees where she covered her face with her hands as she screamed out the agony.

Author Info:

#1 NYT bestselling author Susan Mallery writes heartwarming, humorous novels about the relationships that define our lives-family, friendship, romance. She’s known for putting nuanced characters in emotional situations that surprise readers to laughter. Beloved by millions, her books have been translated into 28 languages.Susan lives in Washington with her husband, two cats, and a small poodle with delusions of grandeur. Visit her at SusanMallery.com.

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Review: The Woman in the Lake by Nicola Cornick

Review: The Woman in the Lake by Nicola CornickThe Woman in the Lake by Nicola Cornick
Format: eARC
Source: publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: Gothic, historical fiction, horror, timeslip fiction
Pages: 320
Published by Graydon House on February 26, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

From the bestselling author of House of Shadows and The Phantom Tree comes a spellbinding tale of jealousy, greed, plotting and revenge—part history, part mystery—for fans of Kate Morton, Susanna Kearsley and Barbara Erskine


London, 1765

Lady Isabella Gerard, a respectable member of Georgian society, orders her maid to take her new golden gown and destroy it, its shimmering beauty tainted by the actions of her brutal husband the night before.

Three months later, Lord Gerard stands at the shoreline of the lake, looking down at a woman wearing the golden gown. As the body slowly rolls over to reveal her face, it’s clear this was not his intended victim…

250 Years Later…

When a gown she stole from a historic home as a child is mysteriously returned to Fenella Brightwell, it begins to possess her in exactly the same way that it did as a girl. Soon the fragile new life Fen has created for herself away from her abusive ex-husband is threatened at its foundations by the gown’s power over her until she can't tell what is real and what is imaginary.

As Fen uncovers more about the gown and Isabella’s story, she begins to see the parallels with her own life. When each piece of history is revealed, the gown—and its past—seems to possess her more and more, culminating in a dramatic revelation set to destroy her sanity.

My Review:

After reading The Phantom Tree last year, I was expecting The Woman in the Lake to be yet another marvelous piece of timeslip fiction by this author. I loved The Phantom Tree and was looking forward to more.

That’s not quite what I got.

The Woman in the Lake is what I call horror-adjacent. It’s really creepy with a constant air of menacing danger. Although it does “slip time” between the 18th century and the 21st, those slips just add to the air of Gothic horror.

You’ve heard about “Say Yes to the Dress”? This is a story where all of the people touched by it should have not merely said “No” to the dress, but really should have screamed “Hell NO” and run far and fast.

The dress is pure evil. Also laced with arsenic. And yes, you really can kill someone that way. The Borgias did, after all.

How the dress came to both embody and emanate so much evil is something that we only find out part of. We do learn how it was made – we just don’t ever find out how it got to be so powerfully malevolent in its own right.

What we see in this story about all the lives that revolve around and are ruined by this one beautiful, deadly, golden dress is that in the way that time slips and history almost repeats – there is a path to freedom.

But the only way to reach it is through fear, and pain. And even more fear.

Escape Rating B: This story was well and truly creepy. A bit creepier than I generally like to go. It did make the cross country plane trip go very fast – but I’m really glad I read it with ALL the lights on – and with plenty of company.

It’s not really about the dress. Well, it is, but it isn’t. The dress can’t make anyone do anything they weren’t already inclined towards, but it does seem to remove the inhibitions of conscience. We all have nasty thoughts from time to time, but conscience, or fear of consequences, prevent most of us from acting on the worst of those thoughts.

The story begins, and circles back around to, a group of men who did not have to let their consciences be their guides. In fact, the opposite. The Moonrakers of Swindon were smugglers. Smuggling wasn’t romantic, it was organized crime. Led by a group of men who would do anything to protect their illicit trade – including murder. In other words, these were men who terrorized an entire region and explicitly told their consciences to STFU.

The plan was for the gang leader to aid and abet a local lord with the murder of his wife, only for the plot to go horribly awry. And for the dress that was intended to do the deed to go skipping through history, leaving death and destruction in its wake.

Until it fetches up in the 21st century, in the hands of a woman who has no clue that she’s part of its long lost history, and a man who intends to reenact that long ago attempted murder.

One of the things that I loved about this book was the way that the story and the history came full circle in the end – and in a surprising way. Not just that history almost but not quite repeated, although it nearly does, but that everything that went around really did come around by the end.

One of the things that drove me a bit batty was the air of creeping menace that hangs over the entire story. It sucked me in. I kept looking for an exit, much as the heroine keeps looking for a way to escape her own past. As was certainly true for the heroine, the only way was through.

In the end, I’m left with mixed feelings. This is not the kind of book that I usually enjoy, but I was enthralled and couldn’t put it down until the end. And I’m still creeped out by the whole thing.

One final note, the ending of the blurb feels very wrong. The revelation at the end does not threaten the heroine’s sanity. Quite the opposite. Instead, the revelation at the end proves that she has been sane all along. It may also kill her.

I’ll be over here in the corner. Still shuddering…

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Review: The Victory Garden by Rhys Bowen + Giveaway

Review: The Victory Garden by Rhys Bowen + GiveawayThe Victory Garden by Rhys Bowen
Format: eARC
Source: publisher via NetGalley
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical fiction
Pages: 305
Published by Lake Union Publishing on February 12, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBook Depository
Goodreads

From the bestselling author of The Tuscan Child comes a beautiful and heart-rending novel of a woman’s love and sacrifice during the First World War.

As the Great War continues to take its toll, headstrong twenty-one-year-old Emily Bryce is determined to contribute to the war effort. She is convinced by a cheeky and handsome Australian pilot that she can do more, and it is not long before she falls in love with him and accepts his proposal of marriage.

When he is sent back to the front, Emily volunteers as a “land girl,” tending to the neglected grounds of a large Devonshire estate. It’s here that Emily discovers the long-forgotten journals of a medicine woman who devoted her life to her herbal garden. The journals inspire Emily, and in the wake of devastating news, they are her saving grace. Emily’s lover has not only died a hero but has left her terrified—and with child. Since no one knows that Emily was never married, she adopts the charade of a war widow.

As Emily learns more about the volatile power of healing with herbs, the found journals will bring her to the brink of disaster, but may open a path to her destiny.

My Review:

Unlike this author’s previous standalone books, The Victory Garden is set in 1918 as World War I is drawing to its close.

However, just as In Farleigh Field, this is a book about the homefront of the war and not about the ugliness of the war itself. Not that there isn’t plenty of ugly at home.

As the story begins our heroine is immured at home in Devon. Her upper-middle-class parents are determined that the ugliness of the war will completely pass her by – whether that’s what she wants or not. And not that it has not already touched her life. Her brother Freddie was killed in action in the opening battles of the war, and her parents are determined to keep her under their eye and locked away so that nothing can possibly happen to her. Of course life is never like that – even Rapunzel found a way out of her tower, after all.

Emily is the bird in the gilded cage, but with her 21st birthday on the horizon, she will be able to unlock the door of her cage herself – if she is willing to deal with the consequences of her actions.

She falls in love with a young man that her ultra-conservative, ultra-conventional mother considers to be completely unsuitable. Ironically, there’s nothing wrong with Flight Lieutenant Robbie Kerr except for his Australian cheek. His family is probably as well off as hers. The problem with Robbie is that his Aussie upbringing has led him to think that all of the mannered conventions of the English upper crust are patently ridiculous – which of course they are.

Meeting Robbie gives Emily a taste of life on the outside of her mother’s over-protective restrictions, and her 21st birthday gives her the opportunity to fly away. She wants to become a volunteer nurse, but in 1918 the need was for somebody, anybody, to harvest the crops of England with all the men gone.  So Emily joins the Women’s Land Army. She finds herself in the midst of a surprising sisterhood – a sisterhood that becomes her salvation when Robbie is killed in action and she finds herself unwed and pregnant.

The story in The Victory Garden is the story of that sisterhood. Emily can’t go home to her disapproving parents, and many of her fellow “Land Girls” have no homes left to go to. Instead they band together, returning to a small village they worked during their Land Army tenure. A place where the men have all gone to war, and the women are left keeping life together by any means they can.

And together, they find a way to move forward – even as the worst history of the village repeats itself with nearly disastrous consequences for Emily – and for them all.

Escape Rating A-: You may not be able to go home again, but that doesn’t stop you from making a new home someplace else, with people of your own choosing. You just have to keep putting one foot in front of the other until you find that place and those people.

In the end (also in the beginning and the middle!) this is a story about sisterhood. In what amounts to a lovely bit of role reversal, the few men in this story exist to push the women’s story forward. It makes for a terrific story – and it also makes sense.

England lost an entire generation of young men in World War I. (It has been posited that this is the reason that so many of the Commonwealth countries did so much of the fighting for Britain in WW2 – either because Britain didn’t have that generation of men to lose, and/or because the powers that be were determined not to sacrifice a second generation so soon after the last one.)

Whatever the truth about WW2,by this point in WW1 there just weren’t any able-bodied young or even young-ish men left on the homefront. And it was clear by 1918 that society was going to have to change after the war was over because there was a resulting generation of young women that had no men to marry. So when some of the characters talk about the world being different after the war, and women filling many of the jobs that men used to do, it feels right.

Things were not going back to the pre-war “normal” because the conditions that allowed that situation to be “normal” no longer existed.

So what we see in this story is a whole generation of women stepping up to take care of each other, because no one is going to do it for them. Even the women whose husbands do come home face a life where they will be the primary breadwinners because their husbands are suffering from permanent, life-altering wounds, PTSD (known as ‘shell shock’) or both.

Emily is the focal point of the story because she is the one who makes the biggest changes. This story is her journey to self-sufficiency – with more than a little help from her friends. We like her because we understand her determination to stand on her own two feet – in spite of everything that life and war has thrown in her way.

And while she begins the story as a pampered little miss, it’s a role that she rejects the moment she is able – while still attempting to not cause her parents more worry than she possibly can. And we feel for that tightrope she is walking. She wants to live her own life. She needs to do her bit. And its the making of her. And the story.

~~~~~~ GIVEAWAY ~~~~~~

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Valentine’s Day Giveaway from BookTrib

To celebrate Valentine’s Day, BookTrib is spreading the love with a huge giveaway. One winner will have the chance to win 14 different romantic reads from a variety of fantastic authors like Jill Shalvis, Eva Leigh, Jennifer Ryan, Sally Thorne and more! U.S. Entries Only.

p.s. Dare to Love a Duke by Eva Leigh is definitely a lovely read. This prize pack has oodles of romantic reads for the lucky winner!

To enter: https://booktrib.com/booktrib-giveaways/

Review: The Lost Girls of Paris by Pam Jenoff + Giveaway

Review: The Lost Girls of Paris by Pam Jenoff + GiveawayThe Lost Girls of Paris by Pam Jenoff
Format: eARC
Source: publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical fiction
Pages: 384
Published by Park Row on January 29, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

From the author of the runaway bestseller The Orphan’s Tale comes a remarkable story of friendship and courage centered around three women and a ring of female spies during World War II.

1946, Manhattan

Grace Healey is rebuilding her life after losing her husband during the war. One morning while passing through Grand Central Terminal on her way to work, she finds an abandoned suitcase tucked beneath a bench. Unable to resist her own curiosity, Grace opens the suitcase, where she discovers a dozen photographs—each of a different woman. In a moment of impulse, Grace takes the photographs and quickly leaves the station.

Grace soon learns that the suitcase belonged to a woman named Eleanor Trigg, leader of a ring of female secret agents who were deployed out of London during the war. Twelve of these women were sent to Occupied Europe as couriers and radio operators to aid the resistance, but they never returned home, their fates a mystery. Setting out to learn the truth behind the women in the photographs, Grace finds herself drawn to a young mother turned agent named Marie, whose daring mission overseas reveals a remarkable story of friendship, valor and betrayal.

Vividly rendered and inspired by true events, New York Times bestselling author Pam Jenoff shines a light on the incredible heroics of the brave women of the war, and weaves a mesmerizing tale of courage, sisterhood and the great strength of women to survive in the hardest of circumstances

My Review:

The story told in The Lost Girls of Paris is absolutely fascinating, all the more so for being rooted in history.

In some ways it’s a lot like the nonfiction stories in Hidden Figures, Code Girls, and other books that have brought the hidden contributions of women to recent events in history out of the shadows and into the light.

During World War II, women stepped up to do all the jobs that used to be reserved for men before the war, because there were few men left at the homefront. This was true in the U.S. and it was especially true in Britain and France as men were either in the armed services, conscripted into labor camps in France, or dead.

As the Allied forces prepared for what we now know as D-Day, the Allies needed the French Resistance to step up their sabotage and misinformation efforts. War is, as always, a very dirty business.

When it became nearly impossible to place any more male agents in France, the Special Operations Executive created a women’s section, run by Eleanor Trigg (based on real-life SOE Officer Vera Atkins), to place female agents in France. By that point, there were so few young, able-bodied men around that male agents were unmasked almost as soon as they hit the ground.

It was hoped that women would be able to blend into the remaining population. They were trained to do the dirty work needed to bring that hoped for invasion to fruition – even if they didn’t personally live to see it.

The story of The Lost Girls of Paris is about those female British agents, and the story is told from three perspectives. Eleanor Trigg, the creator of the women’s section, the designer of their training and the person who chose each and every woman who entered the program; Marie Roux, one of the women she recruited who went to France in those dark days, and Grace Healey, a young widow in the immediate aftermath of the war, who discovers a suitcase full of photographs under a bench in New York’s Union Station, and finds herself drawn into a quest to reveal the truth.

Not just the truth of what those women endured, but the truth about their betrayal by their own government – and that same government’s willingness to bury their history along with their bodies – whether their actual corpses can ever be found – or not.

Escape Rating B+: I have mixed feelings about this book. The story it tells is both compelling and harrowing, but some parts more than others.

I found Eleanor Trigg to be a fascinating character. (She reminds me a bit of the character of Hilda Pierce in Foyle’s War – a woman who also served in the SOE.) A Jewish refugee from Poland, Eleanor and her mother have reinvented themselves as Englishwomen – but Eleanor is never quite accepted as “one of us” by the government bureaucracy – or its bureaucrats.

She began as a secretary to the Director of the SOE, became his unofficial right hand, and then the chief of the women’s section – only to be unceremoniously discarded even before the end of the war – and set up to be a scapegoat for the dirty deeds done by her agents on behalf of the government and by the government TO her unsuspecting agents.

Eleanor seems like a one-woman representative of all the ways that women were distrusted, disrespected, successful in spite of systemic misogyny, and then betrayed and discarded when they were no longer needed.

Grace’s perspective from the post-War United States is a reflection of that misogyny and betrayal. Her husband died in an auto accident before he deployed, leaving her a widow but not exactly a war widow. She comes to New York City searching for work and purpose in a country that wants all its women to go back to home and hearth and pop out babies. But the soldier who should have returned to her after the war can’t, and she’s not ready to move on.

Putting herself into the middle of Eleanor’s search for truth gives her purpose and new life. As someone who was not a part of the original events, she is both an unimpeachable witness and empathetic searcher.

I’ll admit that I had problems with Marie. The parts of the story that covered her recruitment and training were absorbing – and the story of her capture and torture were harrowing beyond belief, but I stopped being interested in her as a character when she got captured. Not because she was captured, but because of the way it happened. She literally brought it on herself by being TSTL (too stupid to live). Her capture and subsequent torture became inevitable – when they shouldn’t have been. Many of the female agents were captured, tortured and killed through betrayal, bad luck or just circumstance. It wasn’t necessary for Marie to be a fool for love to show the terrible fate of so many of these brave women. For this reader, the spark of romance in this part of the story was unnecessary and detracted from their courage and sacrifice.

On my other hand or hands, the entire story is compelling from beginning to end. I finished it in one day and could not put it down – although I had to pause at points while Marie was being tortured. Those parts of the story are not for the faint of heart – but they are an important part of the story all the same.

~~~~~~ GIVEAWAY ~~~~~~

I am giving away a copy of The Lost Girls of Paris to one lucky US commenter on this tour!

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