Grade A #BookReview: Blindside by Michael Mammay

Grade A #BookReview: Blindside by Michael MammayBlindside (Planetside Series, #5) by Michael Mammay
Format: eARC
Formats available: paperback, ebook, audiobook
Genres: military science fiction, science fiction, science fiction mystery, space opera
Series: Planetside #5
Pages: 384
Published by Harper Voyager on March 24, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Colonel Carl Butler charges back into the world of military crisis, corporate malfeasance, and intergalactic mystery in the action-packed fifth Planetside novel from science fiction master Michael Mammay.
Carl Butler has returned to his home planet from the moon Taug and is looking forward to some rest and relaxation. But following two mysterious deaths connected with the Taug mission, he realizes that the intruders that recently set off his home’s security system might be looking to add him to the death toll.
Having been Butler’s muscle on numerous missions, Mac is no stranger to getting involved with mysteries that should be none of his business. So when the daughter of one of his gym members goes missing, he offers to help. Mac assumes she’s a simple runaway, but the case turns out not to be so clear-cut. Wondering if these strange occurrences are somehow related, Butler—along with Mac, Ganos, and the rest of his small crew—once again finds himself neck deep in intrigue.
As the clues for the various cases begin to intertwine, Butler sees the hand of an old enemy at work, and…well…he’s never been one to sit back and wait for something to happen. Gathering the team, he heads off across the galaxy to confront his suspects head-on.
But this time, they’re waiting for him.

My Review:

After five books, my feelings about Carl Butler have not changed a bit. I STILL want to buy the man a drink. The only thing that has changed is that now I’d try to include Mac in the drinking, in the hopes that one of them would spill something about their escapades. Just what gets put on the page is one hell of a story. I can only imagine just how hair-raising the shenanigans they leave out must be.

That may not be possible, but I still have THIS story – and it’s a doozy. Then again, it’s a Carl Butler operation. Those are ALWAYS doozies because Butler is a chaos magnet of the first order and can’t seem to resist getting in over his head if only so he can have the excitement of getting himself and his team out.

His team thinks he has a death wish. He thinks that it’s just that he’d rather go out getting the job done than sitting on his ass in retirement. He’s clearly not much good at just not doing much, so when he gets bored with that, stuff happens.

Which is exactly what happens in Blindside. In fact, it’s exactly what one of Carl’s entirely too numerous enemies is counting on happening. Because even though Carl thought he had wrapped up the SNAFU on Taug with a nice neat bow just a few months ago (that story is in Darkside), that doesn’t mean that Taug, or the SNAFU, or the people he caught in said SNAFU, are through with him.

Carl really should have known better. Whenever you mess with and mess up an intergalactic corporation run by a psychopathic megalomanic, someone is bound to carry a grudge – right to your doorstep.

But Carl’s not the one who gets sucked in this time. Instead, it’s his Security Chief, Mac, who gets caught up in a sob story that’s rather similar to the one that kicked off Darkside – at least looking at things in hindsight. Mac REALLY should have known better. After all, it’s his JOB to know better.

But there’s plenty of chagrin to go around on Carl’s, and everyone else’s, blindside as the whole team ends up on a wild goose chase where the goose turns out to be them. Carl may be the one in the mysterious crosshairs, but since the team’s job is to protect him they’re all along for the ride. And in the line of fire.

A firing line that sends them straight back to Taug, where this particular misadventure really began, doing what they do best. Doing their damndest to keep Carl Butler alive so that he can figure out what’s been hidden in this particular crowd of shadows so that he can pull all of their nuts out of the fire he’s gotten them into.

Hopefully, as usual hopefully but not certainly, in the same number of pieces that they each came with. If they’re a bit dinged up, well, that’s the cost of cleaning up someone else’s mess. Again.

Escape Rating A: I love this series. I think that’s pretty clear at this point. I’ve read the whole thing and enjoyed every single book, and Blindside was absolutely no exception. The whole Planetside series is pretty much SF mystery in a military SF or at least quasi-military SF setting and I’m just so there for the whole thing. I actually think it’s better now that things have shifted a bit out of being strictly military SF because instead of Carl having orders to obey or get around, he’s a more-or-less free agent but has all his military experience to fall back on. Or get tripped up by. Or both.

This fifth entry in the series is a direct follow-up to Darkside, and does have some important callbacks to the events in the first book, Planetside. I would say that means that this is not a good place to start. Howsomever, if this is where you start, or especially if it’s been a while since you’ve read the series (Planetside came out in 2019) there’s a terrific summary of the events of the previous books at the front of this one. For which this reader is very grateful.

What makes Carl such a fascinating character is that he’s really smart about getting himself out of the soup once he’s boiling in the pot, but kind of dumb about how he gets dumped there in the first place. He misses the action, he’s easily bored and therefore easily convinced to do something dangerous to stop being bored, but at the same time recognizes that he’s not as young as he used to be.

This particular story sits right at the intersection between “Fool me once, shame on you. Fool me twice, shame on ME” and “Once is happenstance, twice is coincidence, three times is enemy action”. Carl is the fool in this story, but the set up is SO thorough, elaborate and expensive that it takes way more than three happenstances for the situation to add up to enemy action – and by that point he’s in the thick of it.

It’s been a wild goose chase from the very start, with Carl as the goose. But because Carl wants it to be real a bit more than he should he doesn’t put the pieces together until it’s too late. Once he’s in, he can’t get out and doesn’t even want to, because he can’t bear to leave a job undone and this whole mess is about a job that he thought was done but no longer is.

And it’s just damn fun to watch him shove aside the smoke and break all the mirrors to figure out what’s really going on, what’s been hidden, who is doing the hiding, and why those forces have expended so much time, energy and money in obfuscating so damn much. Because the coverup, as usual and in real life as well, is considerably more interesting, and more damaging all around, than the original bad act ever was.

Meaning that I had an absolute blast with this book, even as I watched Carl and Company nearly get blasted to smithereens. And still manage to not merely survive, but to save as much of the day as is possible.

A good time was had by all. Except the villains. And even they will live to set a new trap for Carl Butler another day, just a whole lot lighter in the wallet. It’s too bad that they don’t suffer a bit more punishment, but it’s righteous enough to satisfy both Butler and the reader.

About that drink I want to offer both Butler and Mac. If I could include John Perry from Old Man’s War in that, so I could just sit and listen to these old soldiers swap stories, I’d be one very happy camper. I’d also do my damndest to have a recording device so that I wouldn’t miss a single word. It would be awesome.

In the meantime, I’m happy to have more of Carl and Mac’s adventures, at least a couple more years. However (and dammit) the author has announced that this series will wrap up with the seventh – still untitled – book. The sixth book, tentatively titled Otherside, is planned for this time in 2027, with the wrap in 2028. I’m already at the stage of not being sure whether to cry because it’s over or smile because it happened. I don’t want this series to end but recognize that it has to. After all, Carl has already been through more lives than a cat. His luck has to run out sometime. But damn, I’m going to miss him. Thankfully, though, not yet.

#BookReview: The Girl Who Made a Mouse From Her Grandfather’s Whiskers by Kenneth Hunter Gordon

#BookReview: The Girl Who Made a Mouse From Her Grandfather’s Whiskers by Kenneth Hunter GordonThe Girl Who Made a Mouse From Her Grandfather’s Whiskers by Kenneth Hunter Gordon
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: fairy tales, science fantasy, science fiction
Pages: 160
Published by Lanternfish Press on March 17, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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In a distant future, a little girl named Anny makes toy mice out of scraps and dust. Anny has never seen a real mouse, just as she’s never seen the planet her family came from many generations ago. All she knows is her home, Tsedt: an isolated village of human colonists’ descendants and their friendly helper robots.
But then one day the Amau arrive in Tsedt: plastic people with luminous eyes, intent on taking young humans to the distant city of Harbor to be educated. It’s not long before Anny is flown away to a place unlike any she’s seen before.

My Review:

What would fairy tales look like on a world that, once upon a time, was settled by human colony ships? Somehow, the idea of Aesop or B’rer Fox and B’rer Rabbit, or even the Brothers Grimm and Hans Christian Andersen, still being the stories that children get told to help them cope with the world or get life and morality lessons, doesn’t quite work. (Disney might make it, but imagining what that would look like would be a different book entirely!)

That Anny’s remote village is a farming village that reads like somewhere in fantasy land makes the story itself feel like fantasy. That little Anny’s best friends are the veritable army of mice made out of scraps and fluff that she keeps under her bed AND, more importantly, writes stories about in her head, just adds to that impression of fae and fantasy.

At least until her grandfather – and his helper robot, Oskar – move in. Not because of Oskar, as there are plenty of “billies” (short for habilibots) around the little village. They just don’t personally impinge on Anny’s childhood all that much.

But because of her grandfather. Grandfather who remembers the early days of the colony, and, more important for the story, the early days of the city that grew up around the colony ships and their landing site. His memories, as interpreted through Oskar, disturb the peace of the household even though they seem like, well, fairy tales. Or the product of the disordered mind of an old man who is losing it. Or both.

And that’s the point where the story takes a turn into the Twilight Zone. Literally if you squint a bit. Because the people from the city, now called Harbor, suddenly find the little village. And start making the kind of offers that people – at least young people in a small village dreaming of more – mostly don’t want to refuse.

A trip to the ‘big city’. A chance to see the world outside their tiny village. The hope of a new, bigger, better, brighter, life. Grandfather knows it’s all a lie, but no one wants to listen.

Except little Anny. When the people from Harbor come for her, she knows she’s in danger – even if she isn’t quite able to understand why or how. She can tell that their truth is not THE truth, and that she needs to find a way to escape. If she can.

And that’s when the mice, not just her mice, and not just the mouse she made with her grandfather’s whiskers, come to her rescue so that she has a chance to rescue her family. Even if Anny, with the help of the mice, has to destroy much of Harbor in the process.

Escape Rating B: At first, I had a bit of a time getting into this one. I think you kind of have to just go with it for a bit and let it grab you. Or you have to settle into Anny’s perspective and stop worrying about whether what she’s telling you is happening is REAL, just in her imagination, or actually a child’s interpretation of events that are above her head but all around her.

In that sense, it reminded me of One Level Down, as we’re also seeing that SFnal world from a child’s perspective, at least at first. That world is every bit as cruel in its way as Anny’s world is in hers, and Anny has to break herself out by reaching a perspective of a less child-like version of herself.

Anny’s world is just that bit less cruel because the terrible things that happen to her are caused by outside agencies, where the child in One Level Down is betrayed by her own family. So there’s a bit of a remove that helps the reader ease into things here.

The reader, on the outside looking in, knows that the situation in Harbor is not a damn thing like the people from Harbor present it to be. Anyone who has read even a bit of SF can easily determine the exact ways in which that situation is very, very wrong. And it does have a bit of a Twilight Zone feel in the way it’s currently going wrong.

But part of the SFnal element – and all of the fairy tale elements – are carried in the paws of the mice. Not just Anny’s mice, but the mice she finds at Harbor, hidden in the walls, powering the infrastructure and perfectly capable of setting that infrastructure on fire. Which they do, because Anny, in her own way, is one of them.

How Anny becomes one of them, whether her own mice or real or imaginary constructs or imaginary wrapping for something else real is never fully explained and doesn’t have to be. Because we’re Team Anny every step of the way, and if Anny needs to pretend to be Anny Mouse or become Anny Mouse or just be ANNYMOUSE (anonymous), that’s just fine with us as long as some version of Anny brings down Harbor and gets to take herself and her people HOME.

A- #BookReview: The Somewhat Wicked Witch of Brigandale by C.M. Waggoner

A- #BookReview: The Somewhat Wicked Witch of Brigandale by C.M. WaggonerThe Somewhat Wicked Witch of Brigandale by C.M. Waggoner
Format: eARC
Formats available: hardcover, ebook, audiobook
Genres: cozy fantasy, fantasy, witches
Pages: 224
Published by Ace on March 17, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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A practical witch must sabotage her beloved son's ascension to the throne in order to keep the kingdom from ruin, in this delightful cozy fantasy from the author of The Ruthless Lady’s Guide to Wizardry.

Once upon a time, a somewhat wicked witch named Gretsella lived in a cozy little cottage in the Dark Forest of Brigandale. She dispensed herbs and tinctures at reasonable prices, met with her slightly oddball coven on a regular basis, and had absolutely no need of any further company whatsoever, thank you very much. But then one afternoon, Gretsella came home to find a screaming infant on her doorstep.

Against all her better judgement, she took the baby in. She named him Bradley.

Eighteen years later, Bradley has grown into a bafflingly likable young man under Gretsella’s extremely tolerant—one might even say doting—eye. But the witch’s hopes for an unremarkable yet fulfilling life for her son are shattered when small woodland animals start prophesying that he is the lost prince and should ascend to the throne. Bradley ignores Gretsella’s advice that prophecies and talking chipmunks are to be avoided at all costs, and sets off for the capital. But soon confusion and chaos are reigning, and scheming courtiers are using Bradley for their own ends. Sometimes a witch has to roll up her sleeves and take matters into her own cauldron. So Gretsella sets off to bring about the downfall of her darling son…

My Review:

The witch Gretsella isn’t nearly as black as she would like to be painted. She’s not really wicked, she’s just really, really practical, completely blunt about it, and the field in which she grows her fucks has been barren for decades.

At least until someone deposits a baby on her doorstep right next to the milk. There is a tradition about that, and Gretsella is all about tradition when she wants to be. The rest of the time, she tells tradition to take a hike.

On this particular occasion, she does both. Even though she’s never had any inclination whatsoever for either a baby, an assistant or an apprentice, she takes the little boy into her remote cottage – and into the heart she claims not to have. The knights from the capital, searching for the missing baby princeling…THEM she tells to take a hike. (Actually, she tells their horses to take a hike, and since the knights are all still mounted that takes care of them, too.)

Now that she has acquired a baby and has decided to keep him, tradition dictates that she invite the members of her coven to her hut to give the baby – she’s named him Bradley – the traditional gifts that witches give royal children when they’re not deliberately intending to curse someone.

Unintended consequences may vary, and that’s certainly true of the gifts that her coven gives little Bradley. One wishes him beauty, one wishes him courtesy, while the last and definitely the least traditional wishes for Bradley to have a “powerful right hook.”

From the very beginning, Gretsella wonders which will cause Bradley – and by extension herself – the most difficulties when Bradley grows up, that strong and decisive punch – or the fact that none of the members of her coven wished for Bradley the one thing they all have an abundance – some might say an overabundance of.

No one saw fit to wish Bradley the gift of brains, which turns out to be a HUGE problem when prophecy and the power of story tropes catches up with Bradley the Lost Prince of Evermore.

Bradley is meant to be king. But there’s nothing in Bradley that has been mentored to be a king. When Bradley’s strong desire to please people and make them happy runs headlong into a battalion of knights who have come to take Bradley away to overthrow the evil usurper who has taken his family’s place, Gretsella knows it’s going to be nothing but trouble.

Especially for her, when Bradley finally does the thing he’s best at. When he gets in over his head – and he is very, very far over it as King of Evermore – he calls his mother to come and rescue him.

Just not in the way that anyone in Evermore ever imagined.

Escape Rating A-: The Somewhat Wicked Witch of Brigandale is an even cozier fantasy than the author’s The Village Library Demon Hunting Society, which was the reason I picked this up in the first place.

After all, Gretsella and her coven are only ‘somewhat’ wicked, whereas the demon under tiny Winesap is not only wicked, they’re bored out of everyone in the entire town’s minds, and that’s a dangerous combination for pretty much everybody around – especially all the miscellaneous murder victims.

Gretsella’s ‘wickedness’, somewhat or completely, is very much in the eye of the beholder – rather like the villainy of the Queens of Villainy in Wooing the Witch Queen. Gretsella’s wickedness is mostly about getting her own way and making sure that she continues to do so.

(Gretsella and her coven remind me a LOT of the rather eclectic traveling party in T. Kingfisher’s Nettle and Bone. If you loved that or any of her other cozy-ish fantasies, Gretsella’s voice is very similar. Including the snark.)

Gretsella’s so-called wickedness is a pretense that she’s hanging onto with both hands, because she’s not in the least bit wicked where her son Bradley is concerned. Even if she can’t admit either how much she loves him or how much she misses him when he heads to the capital.

She’s eager to go help him out, she’s just been waiting for the invitation. Because Bradley isn’t stupid, he’s just overwhelmed. It’s not really about intelligence, it’s about training and aptitude. He doesn’t know how to be king because he’s never had to work his way through the hard stuff and doesn’t know where to begin.

The charm of the story is all in what happens once she gets there. Because she knows her son as much as she loves him, and she knows he doesn’t really want to be king. He wants the people to be taken care of, but it’s not the job or the life he wants. So his mother has to figure out a way to get him out of the pickle that his courtesy has gotten him into.

That the solution turns out to be a combination of politics and witchcraft and some very witchy shenanigans with political aspirations was utterly delightful, wryly sarcastic and surprisingly effective while inspiring both rueful chuckles and the occasional belly laugh.

It’s brilliant, it’s clever, and the cursing at the end is absolutely inspired.

The way this story works doesn’t quite follow the cozy fantasy mold (this isn’t itself a romance but one or two romances do occur), but it follows it enough – and with enough delightful asides and twists, to remind the reader not only of Kingfisher but with just the right touch of those Queens of Villainy and Violet Thistlewaite Is Not a Villain Anymore. So if you enjoyed any of those and don’t mind a cozy fantasy where the romance is a tertiary plot point rather than even a secondary one, The Somewhat Wicked Witch of Brigandale is rather wickedly charming.

A- #BookReview: Nobody’s Baby by Olivia Waite

A- #BookReview: Nobody’s Baby by Olivia WaiteNobody's Baby (Dorothy Gentleman, #2) by Olivia Waite
Format: eARC
Formats available: hardcover, ebook, audiobook
Genres: mystery, science fiction, science fiction mystery
Series: Dorothy Gentleman #2
Pages: 144
Published by Tordotcom on March 10, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Becky Chambers meets Miss Marple in the second entry of this cozy sci-fi mystery series, helmed by a formidable no-nonsense auntie of a detective
Welcome to the HMS Fairweather, Her Majesty's most luxurious interstellar passenger liner! Room and board are included, new bodies are graciously provided upon request, and should you desire a rest between lifetimes, your mind shall be most carefully preserved in glass in the Library, shielded from every danger.
A wild baby appears! Dorothy Gentleman, ship detective, is put to the test once again when an infant is mysteriously left on her nephew's doorstep. Fertility is supposed to be on pause during the Fairweather’s journey across the stars—but humans have a way of breaking any rule you set them. Who produced this child, and why did they then abandon him? And as her nephew and his partner get more and more attached, how can Dorothy prevent her colleague and rival detective, Leloup, a stickler for law and order, from classifying the baby as a stowaway or a piece of luggage?
Told through Dorothy’s delightfully shrewd POV, this novella series is an ode to the cozy mystery taken to the stars with a fresh new sci-fi take. Perfect for fans of the plot-twisty narratives of Dorothy Sayers and Ann Leckie, this well-paced story will leave readers captivated and hungry for the next installment.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

My Review:

This follow-up to last year’s delightful Murder by Memory is, well, a bit more grounded than that series opener. That grounding being more than a bit ironic, as ship’s detective Dorothy Gentleman, along with the HMS Fairweather, the ship that she is one of the detectives both for and on, is three centuries out from Earth, headed for an unknown planet that still seems to be nowhere in sight.

They’ll get there – eventually. Which is part of both the plot and the puzzle in this second entry in the series.

Ferry, as Dorothy calls the ship, is on a several (or perhaps many) centuries long voyage to seed a human colony far, far away from an Earth that was in crisis when they all left. But it is not traveling at faster-than-light speed, it’s not a sleeper ship and it’s explicitly not a generation ship.

Or at least it’s not supposed to be a generation ship – and thereby hangs this particular tale.

Because someone has left an infant on the doorstep of Dorothy’s nephew Rutherford’s apartment. On a ship that is a completely enclosed environment, that never lands and has no possibility of visitors. A ship where every single passenger boarded as an adult, and whose reproductive systems were put in a kind of medical stasis intended to last through the entire voyage no matter how many times the passenger is re-embodied from their memory book.

The child should not exist. It should not be possible for it to exist. But there it sits. And screams. And very, very definitely poops.

There’s a literal tiny mystery here, as Dorothy is forced to question whether someone has found a way around the fertility block or whether it just broke down naturally. If the former, who? If the latter, is the block in danger of breaking down all over the place? It’s an important question, because there simply isn’t housing for the population explosion that would inevitably follow.

But solving the medical questions is easy. OTOH, solving the political questions are hard. Because that baby, less than six months old, doesn’t legally exist aboard ship. There are no provisions for a new citizen to be born until after the Ferry reaches their new home planet.

Someone is responsible for the baby’s creation – and more importantly, for hiding the baby’s existence for nearly six months. The baby can’t be blamed for being, effectively, a stowaway, but someone can.

Secondly, someone needs to be responsible for the baby himself, now that he exists. And someone has to protect his rights to BE a citizen of their community, with all the rights, privileges and responsibilities that entails – even if Dorothy Gentleman has to bring a whole class of case law forward in order to make that happen.

Which she will. Because her nephew and his husband have already taken little Peregrine into their hearts, and they’re not letting go. So neither is she.

Escape Rating A-: Nobody’s Baby is every bit as much twisty mystery fun as Murder by Memory. And that’s true even though there’s no actual murder involved in either book – which is part of the science fictional setting of this series.

People don’t exactly die on Ferry. They get ‘mostly dead’ but they really do get better, because death is built into the entire equation of life aboard the Fairweather. Their bodies die. Well, the bodies they are currently inhabiting die. But their consciousness, including all their memories, is regularly uploaded to their ‘memory books’, which are then downloaded into their new bodies each time they choose to be re-embodied.

That process is part of both stories in the series, as in each case someone’s body is murdered but their memory books have not been recently updated, leaving a gap in their memories that results in heartbreak all around. In this particular case, the mother of little Peregrine was kept isolated so that her memory book did not include her pregnancy or the birth of her child, while someone nefarious was doing their damndest to wipe out her memory of a life that her ‘killer’ wanted erased for reasons of their own.

So there both is and isn’t a murder case, and it does have important consequences but not terrible consequences. AND it asks some really interesting questions about do-overs in life along the way.

But the real consequences of the story all lie in the bassinet of little Peregrine. He exists, but he shouldn’t. One of Dorothy’s colleagues wants to apply the current law to the baby, making Peregrine either a stowaway or property. Both, of course, have negative consequences, but we’ve all worked with people for whom the rules and regulations are more important than the real world consequences as they pertain to other people. Or other potentially ‘not people’ as might be little Peregrine’s fate if the ‘rules lawyer’ gets their ‘letter of the law’ way.

So it’s that case, Dorothy’s fight for Peregrine’s rights to be, not just a person but a citizen just like everyone else, that make up the heart and soul of the story. That opening her heart to little Peregrine allows Dorothy to open her own as well, gave this story a lovely ending, and very apropos – if you squint just a bit – for the holiday season in which I read it.

I like Dorothy’s wryly intelligent first person perspective on life aboard the Ferry, and it’s fascinating to see the whole scene fleshed out a bit more in this second book. But I still want more, so I’m hoping that Dorothy will be back this time next year!

A- #BookReview: Cabaret in Flames by Hache Pueyo

A- #BookReview: Cabaret in Flames by Hache PueyoCabaret in Flames by Hache Pueyo
Format: eARC
Formats available: hardcover, ebook
Genres: Dark Fantasy, Gothic, horror, horrormantasy
Pages: 149
Published by Tordotcom on March 10, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Hache Pueyo returns after But Not Too Bold with her new novella Cabaret in Flames, where Interview with the Vampire meets Certain Dark Things in an alternate-Brazil where brutal flesh-hungering Guls stalk the night streets and manipulate the government from their glittering cabaret
Guls can be brutal. Few know this better than Ariadne, who lost half her body to their appetites, but their brutality is a predictable constant amid Brazil’s political chaos. Now, she treats them in the specialized clinic she inherited from Erik Yurkov—the mentor who rescued her as a child, trained her in medicine, built her prostheses, and disappeared without a trace.
Ariadne’s routine is disturbed when Quaint knocks on her door: a charming, tattooed gul claiming to be Erik’s oldest friend. Quaint suspects foul play in Erik’s disappearance, and they soon discover Erik sought asylum at Cabaré, an infamous club in Rio de Janeiro frequented by the gul elite.
Together, Ariadne and Quaint will unravel the conspiracy behind their friend’s disappearance, navigate the labyrinthine world of Ariadne’s memories, and discover what Erik means to them—and what they are starting to mean to each other.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

My Review:

The story begins with Ariadne, in the middle of the night in an unnamed city in Brazil, living in the midst of a district controlled by literal monsters – who is not afraid. At least, not afraid of the monsters on the outside.

Because she knows those monsters intimately. From the inside. Because she’s the only doctor capable of treating their ailments and injuries when their own natural advanced healing isn’t enough.

Although she might not be the ONLY doctor. Her mentor, Dr. Erik Yurkov, is missing, and has been for well over a year at this point. She thinks he left under his own steam, but he’s not answering her letters and something just isn’t right.

She’s right about that, in more ways than she can even remember. It’s only when someone claiming to be one of Erik’s oldest friends knocks on her door that she learns/realizes/remembers that the situation is considerably worse than she fears.

Even as she discovers that not all the monsters are as monstrous as the ones who made her what she is. A brittle, broken survivor of the worst that both human and monster behavior has to offer.

She’s willing to do whatever it takes to save Erik, because once upon a time he saved her from experiences that no one would want to survive. There were plenty of times where she wished he hadn’t, but he did and she owes him. She owes him enough to go back into the belly of the beast that she’s been trying to forget for her entire life.

But this time, she has one of the monsters at her side. Quaint might be one of the monsters, but he’s HER monster.

Escape Rating A-: I picked this up because I liked the author’s debut novella, But Not Too Bold a LOT more than I thought I would. I was surprised because that story – and this one as well – are both VERY dark fantasy that lines its half-eaten toes right up to the line between dark fantasy and outright horror as the whole story leans precariously over that border and stares into the horror abyss with considerably more longing than dread.

The, let’s call them ‘born monsters’, are not quite human – although they certainly act like the worst of us in all the worst ways. They’re also not quite vampires, although that’s the closest equivalent. The monsters in this version of our world, these ‘Guls’ do survive by drinking human blood. But they also eat human flesh. Some of them are quite, quite fond of it, in fact. And the ones who aren’t generally look the other way.

(Guls are not cannibals because they are explicitly not human. Guls are born, not made. Also, while I’m adding asides, if the term gul sounds familiar and automatically means evil in your head, the two most likely reasons for that are Gul Dukat from Star Trek Deep Space 9 and Batman‘s nemesis Ra’s al Ghul.)

The story starts a bit in the middle, as well as in the middle of the night. Ariadne is trying so hard not to remember so much of her own past, as well as trying to keep what mental health she has by not thinking too hard about the frankly much more terrible monsters running the Brazilian government (this alternate Brazil seems to be suffering from the worst excesses of the Brazil’s military dictatorship period, only even more so because the real monsters seem to be in cahoots with the human monsters.)

In other words, the backdrop of the fictional horrors are, well, real horrors. Which is part of what makes the story so compelling. Even though Ariadne’s need to suppress her own memories, while we understand once we do get them, also make for a labyrinth that the reader has to navigate while the story is progressing at a dangerously rapid pace – at least for Ariadne.

In the midst of the danger, the fear, the horror, and Ariadne’s confrontation with a literally grisly past and the monsters who created it, there’s a surprising and surprisingly charming light – and that’s Ariadne’s unexpected and unexpectedly equal in spite of their circumstances – relationship with Quaint. In spite of being on opposite sides of the extremely sharp dividing line between humans and guls, their relationship is sweet and hot and tempting and more equal than the reader imagines is even possible at the outset. It may be, at least in part, a trauma-bond, but it’s a beautiful and marvelously nuanced one that this reader, at least, would love to see more of.

Because of the way the relationship between Ariadne and Quaint works, I enjoyed Cabaret in Flames even more than I did But Not Too Bold. If you like or are even just plain curious about horromance (yes, that’s the actual word), both books but especially Cabaret in Flames do an excellent job of making the fantasy truly dark, the horror utterly horrifying, and the romance surprisingly delicious.

This reader wouldn’t mind – AT ALL – seeing more of Ariadne and Quaint. And, now that I’m hooked, I’ll be looking for the author’s next book with GREAT anticipation.

A+ #BookReview: Sentient by Michael Nayak

A+ #BookReview: Sentient by Michael NayakSentient (Ice Plague Wars, #2) by Michael Nayak
Format: eARC
Formats available: paperback, ebook, audiobook
Genres: horror, science fiction, technothriller, thriller
Series: Ice Plague Wars #2
Pages: 336
Published by Angry Robot on February 24, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Extinction Horizon meets Contagion in this sequel to 2025's sci-fi thriller Symbiote, where the biological threat has escaped the South Pole and is now wreaking havoc upon Antarctica.

The survivors of the South Pole massacre will find that getting off the Antarctic continent may cost them their lives…

Months after the events of Symbiote, sunrise has come to the ice continent, bringing with it the beginning of the annual tourist season. where 1,500 summer visitors will soon call the coastal McMurdo Station home. With them are the architects of the classified CIA program that unleashed the deadly microbes, who are determined to uncover what happened with their experiment and harvest samples of the mutation to turn into a biological weapon.

However, when Ben Jacobs returns from an impossible journey to the Pole and is reunited with Penny - an asymptomatic carrier of the symbiotic microbes - all hell breaks loose. When the sea ice surrounding the station becomes a fertile breeding ground for a new and more dangerous infestation, Rajan Chariya and his friends will have to join forces with the CIA to fight the onslaught of infected "sea people" roving the streets. With tensions high and stakes even higher, the question becomes when will the group stop being useful, and start becoming targets who know too much?

Worse, there may be more than one asymptomatic carrier….

With a heart-stopping pace and twists that will leave readers breathless, Sentient is a thrilling sequel that brilliantly combines all the best horror tropes with real world scenarios.

My Review:

When I read Symbiote, the first book in what is now called the Ice Plague Wars series, back in late 2024, the very first scary thing in the story was that it takes place in 2028 as the U.S. and China are on the brink of World War III. Yes, that’s a THREE, in a story that was only four years out at the time.

I finished this second book, Sentient, in late 2025, when that prospect was only three years away, and as you read this review near its publication date in early 2026, it will only be two years in the future. A future that is so close – and in some frightening ways so very plausible – that it’s easy to see that future as the most frightening of the horrors outlined in the story – whether the war happens or not.

But this book, at least so far, is MOSTLY an alternative future – which doesn’t make it any less chilling and not just because of its setting at the frozen bottom of the world.

Which is thawing a bit – as much as Antarctica ever does – when this story picks up the action just a few desperate months after the fraught and bloody ending of Symbiote. Because summer, such as it is, is about to arrive at the isolated South Pole Station but also at the much more populated – and totally unprepared – McMurdo Station, along with the annual migration of the summer science and engineering crews.

Even more frightening, this year’s visitors include representatives of the architects of the ice plague that ravaged South Pole Station and is heading straight for McMurdo. From both directions.

The few survivors of the plague-induced massacre at South Pole don’t know that they are harboring the plague in their midst. The station crew at McMurdo don’t know that the CIA strike team heading their way is tasked with cleaning up the plague that the CIA scientists seeded among the international overwinter crews. A plague that has mutated so much and so fast that their only option to eradicate the plague and all the evidence about its origin may be to scorch a continent that has never seen anything like this much fire – even if they have to take themselves out along with the plague.

Everyone on the frozen continent is out for their own survival. Even the penguins. And none of them may – or perhaps should – get out of this alive. Which won’t stop all of them from trying.

Escape Rating A+: Sentient is every single bit as much of a WOW as the first book, Symbiote. It’s also a lot of the same kind of compelling but alarming, terrifying and horrifying (and I need more descriptive words because this series so far needs ALL of them) as the first. Please don’t mistake me, it’s not that this second book is the same as the first, rather that it is similarly spine-chilling only more so because the situation is just so much worse – and sinking fast.

(The first book I stopped reading at 1 am because I knew I wouldn’t sleep if I didn’t. This time I woke up at 6 am (I am NOT a morning person) because I couldn’t stop thinking about it and HAD to finish immediately.)

This second book, and the series as a whole, is definitely one of those “book in a blender” situations – starting with even more ice as the base ingredient. Then I’d throw in Michael Crichton, Robin Cook and Nicholas Sainsbury Smith for the engineered plague, extinction-level bioterrorism, utterly FUBAR’d military snafu cover up along with Tom Clancy and M.L. Buchman for the political thriller/terrorism shenanigans complete with hitting entirely too close to a possibly all-too-real terrible future.

Because, this also needs an even bigger heaping helping of that terrible classic combo, the quote from Jurassic Park that warns “Your scientists were so preoccupied with whether or not they could, they didn’t stop to think if they should,” along with the much older and even truer quote from Walt Kelly’s Pogo, “We have met the enemy and he is us.”

By this time in the story, everyone we meet is part of that “us”, in one way or another. Regardless of how innocent they might have been when the saga began or how long they managed to ignore just how terrible the situation had already become.

The story here, between the bioterrorism, the political cover-up, and the shooting war that has already begun, has a lot more thriller/horror facets than it does science fiction. Which doesn’t lower the sheer, compulsive, utterly chilling readability of the thing one big. Or degree whether measured in Fahrenheit or Celsius.

Every single character has been stripped down to their basest survival instincts, and it’s just as chilling observing their individual veneers of ‘civilization’ break down as it is watching their bosses, handlers and overlords not just watching them suffer but practically ordering their deaths.

And yet, just as “it’s not over until it’s over”, the story of the Ice Plague Wars doesn’t end at the end of Sentient. It merely opens a new, wider and even more terrifying AND horrifying front in this conflict. I expect to see the iceberg on the book’s cover turn completely red as blood when the even more chilling third book in this series looms over the horizon.

A+ #BookReview: The Patient by Tim Sullivan

A+ #BookReview: The Patient by Tim SullivanThe Patient: A DS George Cross Mystery by Tim Sullivan
Format: eARC
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, thriller
Series: DS George Cross #3
Pages: 416
Published by Atlantic Crime on February 3, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Bristol detective DS George Cross investigates the suspicious suicide of a young woman.
DS George Cross can be rude, difficult, and awkward with people. But his unfailing logic and dogged pursuit of the truth means his conviction rate is the best on the force. An outsider himself, having been diagnosed with Autism Spectrum Disorder, DS Cross is especially drawn to cases concerning the voiceless and the dispossessed.
Now, Cross is untangling the truth about a young woman who died three days ago. With no fingerprints, no weapon and no witnesses, the Bristol Crime Unit are ready to close the case. The coroner rules the woman had a long history of drug abuse. But her mother is convinced it was her daughter has been clean and sober for over two years.
DS Cross is determined to defy his bosses and re-open the case, even if it costs him his career. Soon he is mired in a labyrinth of potential suspects – but can he solve the case before his superiors shut it down for good?
 

My Review:

This is my third read in the DS George Cross series, after The Dentist and The Cyclist, and so far I am enjoying the whole thing very much. So much so that I have zero plans to stop until the current, or for that matter any future, end.

The series so far, and the stories within, are all mysteries with a bit of a thriller edge. Not that Cross and his colleagues get themselves in physical danger, as they usually don’t deal with those kinds of cases. Cross generally picks up cold cases or, as occurs in this case, recent cases that the original investigating officer decided were closed where Cross sees that something does NOT add up.

Or, as it turns out in this particular case, adds up to a LOT of dead bodies that no one else noticed.

It’s the pacing of the story that picks up that thriller edge. At first, Cross often has very little to go on, but is doggedly going at it anyway, over and over again. Where a previous inspector saw little worth bothering with, Cross sees details that are either missing or contradictory. And, as usual, he’s right.

Which doesn’t ever mean that it’s easy for him to determine precisely what is wrong no matter how certain he is that something is. The case itself unravels slowly – at least up until the desperate race at the end. The tension early on often comes from either within Cross himself as he refuses to settle for less than the truth, or from the actions of his superiors who press him to either charge a suspect he’s not certain of or drop a case altogether even as a clock dimly ticks somewhere in the background.

At the same time, there’s usually a personal element to the events surrounding the mystery. In this particular case there are two. Cross has a difficult time dealing with change, and also with clutter and untidiness. A combination that comes to a head when his father, a hoarder, takes a tumble inside his own, extremely cluttered apartment, and needs physical therapy AND a safe and uncluttered home to return to. Navigating their separate needs and responsibilities pushes Cross to reach out to his colleagues for help, a HUGE undertaking for the extremely private Cross.

That the temporary care facility in which his dad is placed causes the entire police department to reconnect with an old, respected colleague during her final days AND provides Cross with the breakthrough in his case manages a kind of trifecta as it affords Cross the rare opportunity to open himself up a bit, gives a former officer the recognition she deserved along with a beautiful, heartfelt sendoff AND presents Cross with the final puzzle piece he needed to get the full measure of justice for a victim who finally had everything to live for but made the grave mistake of placing her trust in someone who should have been worthy of it but absolutely was not.

Escape Rating A+: I was originally intending to read this a couple of weeks ago, but I put it off for a bit. Not because I wasn’t looking forward to it, but because I was listening to Inside Man by John McMahon, which is a really, really close readalike for this series. So close, in fact, that I was a bit worried about conflating the two which wouldn’t do either of them the justice they each deserve. Books absolutely do deserve separate consideration because both series are terrific. However, just because both protagonists are on the spectrum doesn’t mean that their stories or their characters are exactly alike.

Far from it. Gardner Camden seems to be a bit more aware that the world is not set up to suit him and that he needs to suit it to get ahead. That he has a young daughter who loves him, relies on him and has more than a few of the same traits helps him to fit into the world a bit more smoothly than George Cross does. (Notice I said more smoothly, not that Camden is actually smooth at fitting in. But he’s more consciously trying and a bit more successful at it – or at least a bit less abrupt about it. It’s a matter of degree.)

One of the interesting personal aspects of this entry in Cross’ series is that we get a much clearer picture of the probable cause of that difference. Camden’s mother did her best to help him understand how he did and didn’t fit into the world and gave him tools for figuring that out for himself. Cross’ mother abandoned her son and her husband when George was five because she couldn’t cope with either her husband’s gentle parenting of their son or her own inability to deal with the boy’s many differences.

It’s turned these two detectives, both with similar jobs and similar approaches to those jobs, into much different people in ways that mostly do not reflect the differences between the US and the UK.

This particular entry in the Cross series, in addition to a fascinating and convoluted case – as Cross prefers – tells the reader quite a bit more about Cross as a person, not just how he moves in the world but how he sees himself. That the backdrop of the story includes a complaint against Cross by a senior officer who bullied Cross when he was a junior and now resents every single time Cross investigates one of his cases and discovers yet again that he didn’t investigate much at all does a terrific job of showing how Cross thinks of his work as well as the various ways in which his colleagues, superiors and rivals think of him.

At the same time, the way that Cross enlists the aid of his colleagues to help him with his dad’s apartment opens the character up in many ways AND shows how his work environment is, well, working on him on a more personal level. So the investigations in his first three cases so far have had a lot of similar aspects, but the protagonist himself is definitely changing.

I’m certainly looking forward to more of both, more twisty cases and more of Cross reaching out beyond his own boundaries, in the books ahead in this series. Next up is The Politician. As the titles of this series represent something about the victim of the case, I might just be looking forward to that one even more than usual!

#AudioBookReview: Hot Chocolate on Thursday by Michiko Aoyama translated by E. Madison Shimoda

#AudioBookReview: Hot Chocolate on Thursday by Michiko Aoyama translated by E. Madison ShimodaHot Chocolate on Thursday (Marble Cafe, #1) by Michiko Aoyama
Translator: E. Madison Shimoda
Narrator: Ami Okumura Jones, Daniel Bunton, Nicky Talacko, Winson Ting
Format: audiobook, eARC
Source: purchased from Audible
Formats available: hardcover, ebook, audiobook
Genres: healing fiction, relationship fiction, translated fiction, world literature
Series: Marble Cafe #1
Pages: 208
Length: 3 hours and 36 minutes
Published by Hanover Square Press, Harlequin Audio on February 17, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Across a bridge in a quiet neighborhood in Tokyo, a seasonal cherry blossom sits on the river. Nearby is the Marble Cafe, where a woman writes in a notebook and a young waiter prepares her favorite hot drink. Both wonder about each other and about the other lives of the clientele who frequent this charming little cafe behind the trees...
Without even realizing it, we may touch and change someone else's life.
Taking a walk along the river, cooking the best tamagoyaki, ordering hot chocolate, forgetting to remove our nail polish... The small, everyday acts that we do can lead to unexpected encounters and reverberate far beyond your own circle and ultimately make a difference in the world.
Hot Chocolate on Thursday is a tapestry of slice-of-life moments that each open and close with a woman ordering her regular hot chocolate at the mysterious Marble Cafe. What happens in between will touch and swell your heart, as we connect with a community of untold unfolding lives.

My Review:

This interconnected collection of short stories begins, and ends, with a young woman arriving at the cozy little Marble Cafe in Tokyo to order a hot chocolate. On Thursday. Always on Thursday, always at 3 pm.

It makes a delightful little treat for her, for the cafe’s manager, and for the reader as well. Because the story in between that manager’s perspective of her and her regular visits at the beginning and her perspective at the end is every bit as round as a marble, just like the cafe’s name.

The story is passed from one character to the next, each linked to the one before and the one after. Taken as a whole, they represent a community holding hands, one to another – and occasionally stretching across – until the circle is complete – and neverending.

And it’s all due to one man’s, one Maestro’s, orchestration. Not in a negative or manipulative way, but through the links that he facilitates simply because he enjoys the thrill of discovering a new talent or just a new possibility within the circle of life.

It begins in the Maestro’s Marble Cafe, where he is hoping to find a full-time manager so that he can travel the world orchestrating meetings and connections – and just generally bringing people together and bringing both talent and joy to the attention of those who will appreciate them.

His new manager walks in off the street looking for a job, the Maestro hires him on sight and is off on his adventures – while the new manager makes the place his own and falls in love with the woman he calls ‘Miss Hot Chocolate’ for her weekly habit of coming in and brightening his day.

Between the two of them, Miss Hot Chocolate and her just as secret regard for the manager she thinks of as ‘Mr. Hot Chocolate’ for the caring way he treated a very young customer (and his father) who ordered hot chocolate the first time she visited the cafe, they connect to every other story.

From that little boy and his frantic working mother and her artist husband, to the child’s teacher and her best friend, and outward to another artist, Miss Hot Chocolate’s best friend in Sydney, and around the circle of friendship and love and life.

As one of the characters says in the story, “All that breathes on this Earth is interconnected.” A truth that is delightfully portrayed by every story that begins with one young woman’s order of hot chocolate on Thursday.

Escape Rating B: When I’m in the right mood, looking for a reading – or in this case listening – pick-me-up but not wanting to dive into something big or deep or especially dark and depressing, I pick up one of these novellas. There are a LOT of them available in translation now, all inspired in one way or another by Before the Coffee Gets Cold.

They’re always a treat, whether entirely sweet as this one is or a bit bittersweet like Coffee – whether there’s as much chocolate in the story as this one has or not. This author’s first available book, What You Are Looking For Is In the Library, is still one of my favorites of the genre.

While this one doesn’t quite rise to that level, I did enjoy it just a bit more than I did The Healing Hippo of Hinode Park by the same author. However, I’m pretty sure that’s a ‘me’ thing as that book included several stories told from a child’s point of view where the narrators’ voicing didn’t quite match up to the child-like perspectives.

Hot Chocolate on Thursday worked particularly well on audio, as there are not one but four narrators who skillfully portrayed multiple characters in the story. (Consider this comment an abridged version of my usual rant about multi-cast audiobooks NOT including the details of who narrated which characters or sections. Because credit is certainly due!)

One of the things that worked really well in this collection is the way that the stories clearly linked to each other from the beginning. The links between the individuals, the Maestro, and the cafe were often subtle, with the full extent of the Maestro’s involvement not at all obvious until near the end, but that didn’t matter as the links between the stories – or rather between the people in the stories, were explicit without hitting the reader over the head.

In other words, the handoffs were very well done and the themes that emerged came about organically in a way that was just as sweet as the chocolate in the story. I enjoyed my listening to Hot Chocolate on Thursday, and it was just the right length for the time I had this week. Now I’m looking forward to my next visit to the Marble Cafe with Matcha on Monday, coming in July.

#BookReview: Monster in the Moonlight by Annelise Ryan

#BookReview: Monster in the Moonlight by Annelise RyanMonster in the Moonlight (Monster Hunter Mystery, #4) by Annelise Ryan
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: mystery
Series: Monster Hunter Mystery #4
Pages: 336
Published by Berkley on January 27, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Do werewolves exist? That’s the question skeptical cryptozoologist Morgan Carter has to answer in the latest entry in this USA Today bestselling mystery series.
The discovery of a dead body along Bray Road in Wisconsin sparks rumors of The Beast of Bray Road, a werewolf-like creature that is said to inhabit the area.
The dead woman has been mutilated by some kind of large animal. The community is convinced that the legendary beast is not only real but responsible for this brutal killing. In an effort to prove them wrong, the police bring in cryptozoologist Morgan Carter, who soon finds that the mystery runs considerably deeper than whether or not one mythical predator is on the prowl.

My Review:

Most mysteries begin with a dead body. The Monster Hunter Mysteries series, however, may be the only one that begins with a dead body that looks like it might have been mauled by Bigfoot. Or a Chupacabra. Or, in this particular case, the werewolf who has gone down in local Wisconsin legend as “the Beast of Bray Road”.

What makes Morgan an interesting investigator, and makes her cases compelling to follow, is that she’s definitely not one of the usual suspects when it comes to amateur detectives. She’s a professional cryptozoologist. Morgan is the one the police call when there’s a suspicion that Bigfoot or one of his local relatives is on the loose.

Not that Morgan is any sort of true believer, but neither is she a die hard debunker. Her mind is open to the possibility. But, really big huge ginormous but, the circumstances that would make the existence of a land-based cryptid possible in the present day border on the impossible. (Nessie is MUCH higher on the potentially plausible scale because the depths of the sea hold plenty of secrets that we still can’t reach.)

The Beast of Bray Road (2005) movie poster

Morgan gets called into this case when the body of a local woman is found on Bray Road, the night after a reported sighting of the local cryptid, the Beast of Bray Road. (The author did NOT make this part up, which surprised the heck out of me. There really is such a legend and the book and movie about ‘The Beast’ do exist.)

The beast may not exist, but Lydia Palmer’s dead body certainly does. Someone or something killed her. The county sheriff hires Morgan, very much under the table and without permission of the town or the county, to figure out who, or what, “dunnit”. Morgan can’t resist the case, but then she never can.

But she also doesn’t expect the Beast of Bray Road to have killed the victim. It could have been an animal attack – and that’s certainly what the coroner wants to believe – even if that verdict doesn’t account for any of the questions that Morgan needs to find the answers to. Because an animal couldn’t have dragged the body away from the kill site without leaving bite marks.

And an animal certainly wouldn’t benefit from Lydia Palmer’s death. But there are more than a few humans who believe they will.

Escape Rating B: I’ve read this series from the very beginning, and have had mixed reactions over the (currently) four books in the series. I enjoyed book two, Death in the Dark Woods, the most, but after book three, Beast in the Woods, I was of equally mixed feelings about whether or not I’d be back. Howsomever, when I read Trailbreaker a couple of weeks ago I was reminded of Morgan Carter and her cases in the backwoods of Door County so I couldn’t resist coming back to check out this latest adventure. If only to see how Morgan’s best dog Newt was getting on with his human.

Newt is fine, and I am glad I came back. This Monster in the Moonlight was a considerably better read than that Beast in the Woods, even though Morgan’s romantic relationship with local Police Chief Jon “Flatfoot” Flanders was still giving her more angst than I personally wanted to read about for most of the story.

At least they are on the road to resolving their issues at the end, which left me feeling more charitable towards the whole endeavor.

One of the things that makes this series fun in general is that Morgan does not believe in the cryptids she’s hired to hunt. Her mind isn’t closed, but rather that her scientific training makes more of the usual suspects unlikely at best if not completely implausible.

At the same time, she still can get caught up in the human reactions, not that she believes in werewolves, but she can believe that under certain circumstances a human might believe they were such a beast. Or, that in the middle of the night, prowling around somewhere that someone is not supposed to be, it’s all too easy for any human’s flight or fight response to conjure up a monster or two in the dark even if they’re stone cold sober.

Especially if there’s a literal mangy bear crashing through the woods in the middle of the night.

Morgan never goes into her investigations believing that she’s going to find a cryptid, and neither do we. She does, however, expect to find plenty of people who want to believe, and even more who hope to take advantage of the potential in one way or another. Which is exactly what she uncovers in this case.

The sometimes circuitous route that she takes to reach that uncovering is what makes this series fun and just a bit different from those ‘usual suspects’. And not just because starting with Bigfoot is NEVER one of the usual suspects. Morgan’s job is to both rule things out AND to rule things in, while always keeping her eye on the victims and away from the sensationalism. It’s an interesting tightrope to walk, and I’m glad that reading Trailbreaker prompted me to take another look at the series.

(Although I keep imagining Bernie Dubicki from Trailbreaker and Morgan Carter crossing paths and I’d love to see THAT scene which is honestly way more plausible than Bigfoot – or the Beast of Bray Road.)

This fourth entry in the series does end on a hopeful note for Morgan’s personal journey. I hope that her romantic trials and tribulations are on the road to resolution because I find her cases more interesting than her personal angst, although your reading mileage may vary.

Still, I’m now looking forward to seeing who or what Morgan, with Flanders’ assistance, will be chasing down in her next adventure. With best boi Newt at their sides, exactly where he should be.

A- #BookReview: At Star’s End by Anna Hackett

A- #BookReview: At Star’s End by Anna HackettAt Star's End (Phoenix Adventures #1) by Anna Hackett
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: action adventure romance, science fiction romance
Series: Phoenix Adventures #1
Pages: 211
Published by Anna Hackett on February 25, 2026
Purchasing Info: Author's WebsiteAmazon
Goodreads

A dedicated astro-archeologist and a notorious treasure hunter team up to find the galaxy’s most famous treasure.

Previously published - At Star's End has been lightly edited and had a new chapter added.

Dr. Eos Rai has spent a lifetime dedicated to her mother's dream of finding the long-lost Mona Lisa. When Eos uncovers tantalizing evidence of Star's End—the last known location of the masterpiece—she's shocked when her employer, the Galactic Institute of Historic Preservation, refuses to back her expedition.

Left with no choice, she does the unthinkable—joins forces with the most notorious treasure hunter in the galaxy. A man she finds infuriating, annoying, and far too tempting.

Dathan Phoenix can sniff out relics at a stellar mile. With his brothers by his side, he lives for adventure. When the gorgeous Eos Rai comes looking to hire him, he knows she's trouble, but he can’t say no.

Working side-by-side, the hunt pushes both Eos and Dathan to their limits and ignites a scorching desire. She follows the rules, he loves to break them, but they’re going to have to trust each other to not just succeed, but to survive.

My Review:

I originally reviewed At Star’s End OMG TWELVE years ago for the much-lamented Sci-Fi Romance Quarterly. That was a long time ago, especially in internet years, and represents an entire space flotilla of books under the reading bridge.

But it’s a story that has stuck in my memory over all these years. Not necessarily the specific details, but definitely the gist. And for multiple reasons. Which is why I’m celebrating now that the author was able to get her rights to this story back and is finally able to make it available again and to the audience that has grown up with her over the course of this series and the ones that have followed.

At Star’s End represents the first of the author’s novels that I read after being ‘introduced’ to her through her short story “Winter Fusion” in a long-ago holiday-themed SFR collection, A Galactic Holiday. Those stories marked the beginning of what appears to be a lifelong addiction. So I certainly consider it the start of a beautiful reading relationship!

It’s also an exemplar of precisely what I read SFR (that’s science fiction romance) FOR, that it’s a terrific romance with a whole lot of chemistry and usually a fair bit of action and adventure, set in a fully fleshed out science fictional future. Which is something I appreciate even more now that “Romantasy” has become such a huge thing. Because the point of SFR was that the two sides (and often the romantic relationship itself) are EQUAL. That the story is wrapped around a well-earned HEA or HFN AND that the science fictional world-building is fully fleshed out. IMNSHO, romantasy tends to shortchange one side or the other while the best of SFR, which At Star’s End definitely is, does not.

Long may that particular star flag continue to wave, but I digress.

Getting back to At Star’s End, I still reference this story, and the Phoenix Adventures series of which it was the opening salvo, because the setup for this story continues to pop up. Both in the sense that the family at the heart of the author’s later Treasure Hunter Security series of action adventure romances are the literal progenitors of the Phoenix Brothers, and because the setup of an Earth on the brink of disaster shipping its artistic treasures out into the wider galaxy for safekeeping is a story idea gift that still keeps on giving. Molly Tanzer’s upcoming And Side by Side They Wander, which I’ve already reviewed for Library Journal’s April Issue, begins with the same premise while taking it in an entirely different direction.

At Star’s End original cover

I’ve used At Star’s End and the Phoenix Adventures as a readalike reference many times over the past dozen years, always with a bit of a caveat that the book might not be readily available. Which means that I was thrilled to have this new edition arrive in my inbox, both so that I could catch up with some old and dear friends AND so that I’d feel less guilty about telling other readers just how thrilled they would be to read it IF they could find it – because now they can.

Escape Rating A-: I gave At Star’s End an A- twelve years ago, and I’d give it the same rating today. (If you want to check out my original review it’s available HERE.)

Over the years of reviewing, I’ve settled on A- as the grade that novella length stories that I love generally receive. I did love At Star’s End, and I loved it again when I reread it this week. The A- is more of a commentary on the length of the story. I love novellas for their shorter length every bit as much as I find myself wishing that the background was a bit more fleshed out than is even possible over the length of a novella. And that was true in At Star’s End.

This story turned out to be a compulsively readable combination of Indiana Jones and Firefly, and it did rely just a bit on those resemblances to carry the reader over the bits of worldbuilding that there just weren’t space for. The Phoenix Adventures series as a whole does fill those bits in as it continues, but they’re not there in this first outing. OTOH, even from this first book I knew I wanted more, and the author certainly delivered and continues to do so.

And, will be delivering new editions of the ENTIRE Phoenix Adventures series with a bit of editing tweaking and new covers over the months to come. An updated edition of the second book, In the Devil’s Nebula, is already slated for March release.

I even have my fingers crossed that there might be new adventures or at least short stories in this series at some point in the future! But in the meantime, I am looking forward to the rest of the Phoenix Adventures over the rest of this year AND the next book in her current SFR series, Hunter Squad, next month.