Review: The Narrowboat Summer by Anne Youngson

Review: The Narrowboat Summer by Anne YoungsonThe Narrowboat Summer by Anne Youngson
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: relationship fiction, women's fiction
Pages: 336
Published by Flatiron Books on January 26, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

From the author of Meet Me at the Museum, a charming novel of second chances, about three women, one dog, and the narrowboat that brings them togetherEve expected Sally to come festooned with suitcases and overnight bags packed with everything she owned, but she was wrong. She arrived on foot, with a rucksack and a carrier bag. “I just walked away,” she said, climbing on to the boat. Eve knew what she meant.
Meet Eve, who has left her thirty-year career to become a Free Spirit; Sally, who has waved goodbye to her indifferent husband and two grown-up children; and Anastasia, a defiantly independent narrowboat-dweller, who is suddenly landlocked and vulnerable.
Before they quite know what they’ve done, Sally and Eve agree to drive Anastasia’s narrowboat on a journey through the canals of England, as she awaits a life-saving operation. As they glide gently – and not so gently – through the countryside, the eccentricities and challenges of narrowboat life draw them inexorably together, and a tender and unforgettable story unfolds. At summer’s end, all three women must decide whether to return to the lives they left behind, or forge a new path forward.
Candid, hilarious, and uplifting, The Narrowboat Summer is a novel of second chances, celebrating the power of friendship and new experience to change one’s life, at any age.

My Review:

Instead of two roads diverging in a wood, this story begins with three roads, three women, meeting on a towpath. All of the women are at crossroads, crossroads that lead them to each other – to the complete surprise of them all.

The blurb is not quite accurate, and it’s those inaccuracies that make the story so charming.

Eve has not left her 30-year career. Her career, at least temporarily, has left her. She’s been fired. As the only woman on an otherwise entirely male engineering team, she’s been let go because she’s the easy scapegoat. She’s not one of “the boys” and somewhere along a 30-year career she’s stopped pretending. When they need a sacrificial lamb to offer up to executive management, she’s everyone else’s obvious choice. As the story begins, it’s still the morning of Eve’s unceremonial dismissal and she’s still carrying the bits and bobs from her old office as she’s making her way home.

Sally hasn’t exactly left her husband, and he isn’t exactly indifferent, but her children are grown-up and out on their own. Rather, Sally has told Duncan she will be leaving, but she hasn’t quite left yet, mostly because she hasn’t figured out what she’s going to do. Duncan isn’t so much indifferent as oblivious to anything other than his own hastily formed opinions, and Sally has stopped trying to get him to see her way. She’s been placating him for years and she’s tired of it.

Anastasia, the owner of the narrowboat Number One, which is also her home, isn’t landlocked yet, although she certainly is vulnerable. She’s seriously ill and she knows it. The doctors want her to stay in Uxbridge for several weeks, so they can do tests and see if whatever is wrong is fixable or not. But she can’t afford to moor the Number One in Uxbridge for weeks on end.

The women meet on that towpath and their needs, surprisingly for all of them intersect. Eve needs something to do while she figures out what she’s going to do. Sally needs a place to be, away from her husband and her old life, to figure out who she really wants to be. Anastasia needs help but doesn’t want to be dependent on anyone even though she, temporarily at least, has to depend on someone.

A bargain is struck between these three strangers. Eve and Sally will take the Number One to Chester and back, because a friend of Anastasia’s who repairs and maintains boats like hers is willing to put it in drydock and do a round of necessary maintenance and repairs for free if the boat can just be delivered to him.

Meanwhile, Anastasia will live in Eve’s apartment in Uxbridge, take herself to her various doctors, and see what’s what about what’s wrong.

For one strange and glorious summer, all three of them will have to become something they’re not. Eve will have to slow down and let life take her one day at a time. Sally will have to stop living for other people and live for herself – whoever that might be. And Anastasia will have to trust two strangers with her boat and trust herself to the care of a whole bunch of doctors she’d rather never see at all let alone again.

Along the way they all discover that even if they don’t have plenty of time left to them, they do have plenty of life left to enjoy. If they are willing to take what comes at the speed that the narrowboat brings it to them.

Escape Rating A-: I picked this book up because I adored the author’s debut novel, Meet Me at the Museum, and I was hoping for more of the same – but different. The same kind of charm, the same kind of slow-building but lovely and transporting story. The same idea that just because someone is past a certain age it doesn’t mean that they can’t change, or grow, or discover their best self, a new self, or both.

And I definitely got it, including the slow building of the story. This one does take a bit of time to undock and set off up the canals from Uxbridge to Chester. That’s how it should be, as the whole point of traveling by narrowboat along the canals of England is that nothing moves terribly fast until you get off.

Eve, Sally and Anastasia are all complete strangers when the story opens. They meet completely by chance, as Eve and Sally are about to pass each other on the towpath beside Anastasia’s boat, drawn there by Anastasia’s dog Noah who is inside howling like a banshee. As, it turns out, he does on a regular basis whenever he’s left alone because he’s basically a teenage drama king in a dog-suit.

There’s a part of me that wants to make puns about this chance meeting and the title, Three Women and a Boat (the UK publication title) To Say Nothing of the Dog (Connie Willis’ classic time travel story, inspired by the even more classic Jerome K. Jerome story, Three Men in a Boat which has three men floating up the Thames).

There’s certainly a bit of both classic stories in this one absolutely including the dog – although without the time travel.

But this is really about the beauty of friendship, the rediscovery of self in a story that features women who are so frequently overlooked or discarded, both in society and in fiction. Eve and Sally are both somewhere in their 50s. Anastasia is indeterminately older, considerably frailer, and determined to stave off her inevitable loss of independence as long and as fiercely as she can.

They come together out of necessity, but they bond because they come to care about each other. It takes them a while to recognize that each supplies what the others lack. Not just that Eve and Sally have the physical and economic capacity to take care of Anastasia and the narrowboat, but that they also need the narrowboat and most importantly each other to live their best life. And that’s what makes the story so beautiful.

The Narrowboat Summer is a story about second chances, a story about friendship, and definitely a story about how the second helps and supports you while you handle the first. And it is thoughtful, and lovely, and charming every step and nautical mile of its way.

Review: Meet Me at the Museum by Anne Youngson

Review: Meet Me at the Museum by Anne YoungsonMeet Me at the Museum by Anne Youngson
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: literary fiction, women's fiction
Pages: 272
Published by Flatiron Books on August 7, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

“Warm-hearted, clear-minded, and unexpectedly spellbinding. A novel to savor.” —Annie Barrows, co-author of The Guernsey Literary and Potato Peel Pie Society

In Denmark, Professor Anders Larsen, an urbane man of facts, has lost his wife and his hopes for the future. On an isolated English farm, Tina Hopgood is trapped in a life she doesn’t remember choosing. Both believe their love stories are over.

Brought together by a shared fascination with the Tollund Man, subject of Seamus Heaney’s famous poem, they begin writing letters to one another. And from their vastly different worlds, they find they have more in common than they could have imagined. As they open up to one another about their lives, an unexpected friendship blooms. But then Tina’s letters stop coming, and Anders is thrown into despair. How far are they willing to go to write a new story for themselves?

My Review:

Meet Me at the Museum is a quietly marvelous little gem of a book. That it is also the author’s debut novel just makes it that much more special.

This is an epistolary novel, which is a fancy way of saying that the entire story is written as a series of letters. In this particular case, the letters are between two semi-accidental correspondents, both in their early 60s, who find themselves asking each other some of the big questions.

Questions like, “Does my life have meaning?” and, “Have I been my best self?”, as well as, “Where do I go from here?” and the big one, “Is this all there is?”

They are both at crossroads in their lives, and neither of them seems to have anyone with whom they can discuss what is really important to them – or to even to reveal what is really important to them.

The well-preserved head of Tollund Man

Tina has just lost her best friend. The friend who has been with her since childhood. And the one with whom she made a vow to go to Denmark and see the Tollund Man. When they were girls, the expert on this archaeological artifact, this Iron Age man who was dug up (or perhaps decanted) from a peat bog in Denmark, wrote a book about the Tollund Man and dedicated to his daughter and to all the children in their class in East Anglia. (This book, with its dedication, really does exist although the rest of this story is fiction.)

Tina writes to that author, all these years later, because she is putting her own thoughts down on paper, thoughts she wishes she could ask, not the old professor, but the Tollund Man himself. If he could talk.

The man who answers her from Denmark is the current curator of the museum, Anders. And at first his answers are rather dry and factual. He’s still grieving the recent death of his wife, and dry and factual seems to be all that he has in him.

But, the writing of the letters is cathartic for Tina, even if at first Anders isn’t very responsive in an emotional sense. So she keeps writing. And he keeps responding, and as he responds they step cautiously towards friendship. A friendship that is lacking in both their lives.

Anders is alone. He has his work and his children. Those children are grown now, and are beginning to have children of their own. He loves them, and they love him, but he cannot confide in them as equals. Writing to Tina becomes a solace for him. Her friendship allows him to hope again.

Tina is married, and also has children who are now having children of their own. But she is also alone – a fact which grows on both her and the reader through this correspondence. She should be talking with her husband but the fact is that they don’t really talk. They have a life together, but it is his life as a family farmer in East Anglia, a life that Tina did not want but was persuaded into when she became pregnant at 20. The person she really is only exists on the margins of her life. Her husband is one of those people for whom the only way is his the right way which is his way in everything, and he ruthlessly suppresses any of Tina’s impulses that don’t mesh with his way of life on his farm.

In her correspondence with Anders she can share her innermost thoughts. For that matter, she can share that she HAS innermost thoughts. They share the hopes, doubts and fears that neither of them is able to express to anyone in their daily lives.

So when Tina’s life finally breaks, Anders is more than willing to catch her. The question is whether she will be able to let him.

Escape Rating A+: This is absolutely completely marvelous. You wouldn’t think that reading a bunch of letters written between two strangers would be so utterly compelling, and yet it is. The reader feels like a secret witness to their correspondence, turning to each new letter as eagerly as its intended recipient.

That the two characters are both 60 or thereabouts is an interesting choice. This is a debut novel, and the writer herself is also (more or less) at that age. As am I. With modern medical science, 60 is no longer truly old, but one is certainly aware that one is no longer young. We may have 30 or even more years of mostly healthy and active living to do, but at the same time some choices are irrevocably behind us and some patterns are now too established for us to want to change even when change is possible.

Much of what Anders and Tina explore in their letters is at that crossroads. They are both aware of the roads not taken, and are searching for the meaning both in the choices they made and the ones they passed by – and whether or not it is too late to pick up some threads they left behind along the way.

This book is also the story of an emotional affair. When the story reaches its end, they have still not met in person. There are no possibilities for actual infidelity on Tina’s part, but she has come to invest a great deal of emotional capital in this relationship – which she has kept secret from her husband. That there is something wrong in her marriage becomes increasingly clear as the story progresses, and her relationship with Anders becomes both a wellspring of solace and a source of guilt as her life reaches its crisis. She has to take time out to recognize that the depth of her correspondence with Anders is a symptom of what is wrong and not its cause – but it isn’t easy.

Then again, nothing worth having or doing ever is truly easy. But Tina and Anders are marvelous and sympathetic characters. As they get to know each other, we get to know them – and we want them to find the answers to all those important questions – and to find their own best happiness.

Both the story and the way it is presented remind me very much of 84 Charing Cross Road, of which I have extremely fond memories. It may also remind readers of The Guernsey Literary and Potato Peel Pie Society, which is unfortunately lost in the depths of my towering TBR pile.

But I like the comparison to 84 Charing Cross Road a bit better, although where Charing Cross has a definitive and slightly tragic ending, Meet Me at the Museum is both less definitive and more hopeful. I like leaving the book with the possibility that Tina and Anders may have brighter days ahead. And astonishingly, Meet Me at the Museum may be the first work of literary fiction that I have not merely liked, but actually, sincerely loved. I hope that you will, too.