Review: The Piper by Charles Todd

Review: The Piper by Charles ToddThe Piper: An Inspector Ian Rutledge Story by Charles Todd
Formats available: ebook
Series: Inspector Ian Rutledge #19.5
Pages: 63
Published by Witness Impulse on January 10th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

Scotland Yard inspector Ian Rutledge returns shell shocked from the trenches of World War I, tormented by the spirit of Hamish MacLeod, the young soldier he executed on the battlefield. Now, Charles Todd features Hamish himself in this compelling, stand-alone short story.
Before the Great War, Hamish is farmer in the Scottish Highlands, living in a small house on the hillside and caring for a flock of sheep he inherited from his grandmother. When one spring evening he hears a faint cry ringing across the glen, Hamish sets out in the dark to find the source. Near the edge of the loch he spots a young boy laying wounded, a piper’s bag beside him. Hamish brings the piper to his home to stay the night and tends to his head wound, but by the time Hamish wakes the boy has fled. He tracks the footsteps in pursuit of the injured lad and finds him again collapsed in the grasses—now dead.
Who was the mysterious piper, and who was seeking his death? As Hamish scours the countryside for answers, he finds that few of his neighbors are as honest as he, and that until he uncovers a motive, everyone, including Hamish, is a suspect. 

My Review:

I’m not quite sure whether to call this a prequel or a sidelight to the Ian Rutledge series, but it was certainly a lovely little story. And it doesn’t need to fit anywhere in the series timeline for the story to work. It just is. And does.

In the Ian Rutledge series, Hamish MacLeod is the voice that haunts the police Inspector. In some ways, Hamish is the voice of Rutledge’s shell shock (read as PTSD) from World War I. In other ways, Hamish is the voice of Rutledge’s conscience, or perhaps his guilt, over the deaths of so many young men that occurred under his command during the war. Certainly Hamish’ death is the one that haunts him the most.

But this gem of a story takes place before the Great War, when Hamish is still a young crofter in Scotland, Ian Rutledge is probably at the beginning of his police career at the Met, and the Great War is a looming cloud over the not-too-distant horizon.

And long before Hamish and Ian met, and before Hamish became the voice of Ian’s instincts and perseverance, Hamish solved a murder on his own. No wonder he is so good at helping Ian, even if it is from the back of Ian’s mind. Or it’s all in his head.

The case at first seems open and shut. A young man traveling the Highlands during a raging storm is set upon and wounded, discovered by Hamish, and eventually killed after he leaves Hamish’ croft. It is meant to look like he died in the storm. But he didn’t.

At first, the police try to pin the crime on Hamish. After all, he was the last person to see the boy alive. But there’s no evidence there, and someone else had plenty of reasons to kill the young lad.

He was a piper, and he regularly traveled the Highlands by himself, on his way between gigs. And on one of those lonely trips, he witnessed a murder. Unfortunately for the piper, the murderer witnessed him.

Unfortunately for the murderer, Hamish is more than willing to place himself as bait for a trap to prove that he has already figured out who the guilty party is. Justice will be done.

Escape Rating B+: This is a very short novella. Even shorter than it appears in the Goodreads listing, as the book includes an excerpt from the next Ian Rutledge book. But even though it is short, it is a complete story in itself. It also doesn’t require any knowledge of the series that follows it. Any reader who is looking for an introduction to the works of Charles Todd will find The Piper an excellent starting point.

Hamish, like most detectives, amateur and professional, finds that everyone has something to hide. Including himself. As he goes around to his neighbors, setting up a trap for the killer, he discovers that most of them have some secret, small or large, that they would rather not reveal. Likewise, Hamish doesn’t reveal that the purpose of all of his sudden socializing is to lay a trap for the killer.

His secrecy results in a comedy of errors at the final crisis, as everyone, the killer, Hamish, and his waiting helpers, all stumble around in the dark. But in the end, his dogged persistence pays off, and the killer is unmasked for all to see.

hunting shadows by charles toddHamish is an interesting character, whether readers are familiar with the series or not. I’ve read the first book (A Test of Wills), an actual prequel story (Cold Comfort) and only one of the later books (Hunting Shadows), and found this story enjoyable purely as a mystery. The link to the series is merely tangential. I also found Hamish MacLeod to be a more active and less exasperating Highland detective than Hamish Macbeth in the recent books of that series.

So anyone looking for a little mystery, a little introduction to Rutledge series, or a little taste of the Scottish Highlands will find The Piper to be a little treat.

Review: The Shattered Tree by Charles Todd + Giveaway

Review: The Shattered Tree by Charles Todd + GiveawayThe Shattered Tree (Bess Crawford, #8) by Charles Todd
Formats available: hardcover, paperback, ebook, audiobook
Series: Bess Crawford #8
Pages: 304
Published by William Morrow on August 30th 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

World War I battlefield nurse Bess Crawford goes to dangerous lengths to investigate a wounded soldier’s background—and uncover his true loyalties—in this thrilling and atmospheric entry in the bestselling “vivid period mystery series” (New York Times Book Review).
At the foot of a tree shattered by shelling and gunfire, stretcher-bearers find an exhausted officer, shivering with cold and a loss of blood from several wounds. The soldier is brought to battlefield nurse Bess Crawford’s aid station, where she stabilizes him and treats his injuries before he is sent to a rear hospital. The odd thing is, the officer isn't British--he's French. But in a moment of anger and stress, he shouts at Bess in German.
When Bess reports the incident to Matron, her superior offers a ready explanation. The soldier is from Alsace-Lorraine, a province in the west where the tenuous border between France and Germany has continually shifted through history, most recently in the Franco-Prussian War of 1870, won by the Germans. But is the wounded man Alsatian? And if he is, on which side of the war do his sympathies really lie?
Of course, Matron could be right, but Bess remains uneasy—and unconvinced. If he were a French soldier, what was he doing so far from his own lines . . . and so close to where the Germans are putting up a fierce, last-ditch fight?
When the French officer disappears in Paris, it’s up to Bess—a soldier’s daughter as well as a nurse—to find out why, even at the risk of her own life.

My Review:

The red herrings are much tastier, and much more substantial, than any of the meals described in this tale of Paris nearing the end of World War I. Rationing seems to have made all the food unpalatable, even if it is still served with as much French flair as ever.

Although the meals are often described with unloving detail, they are far from the point of this story.

Bess usually finds herself investigating murder in the midst of warfare – a time and place where it can be difficult to distinguish between one and the other. But this does not start out as a murder investigation, and it takes some surprising, and frequently twisted turns to get from the one to the other.

It’s the early fall of 1918, and it is beginning to look like the end of the war is at hand. Unfortunately, one of the ways that the end is being signified is for all of the forces, Allied and Central Powers alike, is to shoot off as much of their remaining ordinance as fast as possible. This war seems to be going out in a long and protracted series of very big bangs.

As a nursing Sister, Bess and her colleagues are busier than ever. Exhaustion dogs their every step. So when Bess spots a soldier who might be out of place, everyone above her in the chain of command is frankly just too damn tired to do anything about it. Until Bess unexpectedly finds herself with several days of medical leave in Paris.

That out-of-place soldier is a wounded Lieutenant in the remains of a French uniform that seems to have had all of its identification removed. While it is not completely unknown for a lost Allied soldier to find himself behind a different ally’s lines, there is one other notable thing about the man who calls himself Lieutenant Philippe Moreau. While unconscious, he speaks fluent and unaccented German. Is Moreau a German spy, or is he merely from the contested Alsace-Lorraine region, where residents were forced to use German since the end of the Franco-Prussian War of 1870?

When Moreau disappears into seemingly thin air, Bess’ instincts are aroused. Whatever Moreau is, he seems to be taking great pains to hide himself from his commanders.

Bess, wounded in a sniper attack, is sent to Paris to recuperate. She’s not wounded enough for a ticket back home, but the wound in her side becomes infected. She needs surgery and rest for healing. She’ll get neither in a forward aid station.

Bess, as usual, finds herself in the middle of multiple unfolding dramas while she is supposed to be resting in Paris. It is lucky for Bess that the mantra of “a change is as good as a rest” proves true, because rest seems to be the one thing she doesn’t get.

Under orders from her father, the Colonel Sahib, Bess has multiple officers, whether convalescent or not, instructed to keep her safe and out of trouble. Instead, Bess co-opts one after another in her search for the truth about Philippe Moreau. Only to find that nothing she has heard is true, and that there is murder at the heart of it all.

Escape Rating B+: I always enjoy a visit with Bess and her world. World War I is an endlessly fascinating period for historical fiction and historical mysteries. Bess’ perspective on her world is different for her time and place without being anachronistic. Being a nurse gave Bess much more agency and a considerably more active role in her world than she would normally have had. At the same time, she faces just enough restrictions because of her gender and class to remind us that her world was still very different from ours.

Unlike many of her previous books, in this story Bess finds herself somewhat at sea. She is a patient in the convalescent home rather than staff, and people look in on her, and attempt to look after her, much more than is usual (or comfortable) for her. Nurses clearly don’t make any better patients than doctors do.

At the same time, she is cut off from most of her usual resources. She is in France, and although she does speak the language tolerably well, she does not speak like a native and can’t hide in plain sight the way she does in England. Likewise, the powerful forces that she is able to bring to bear in England or even in her British Army nursing station are not available to her here. Here mother’s network of social contacts, and her father’s tremendous pull within the British Army are of no help to her on French soil.

She has no one she can trust the way that she does Simon Brandon, her father’s aide-de-camp and her own friend. Bess trusts Simon both in the sense that he will not betray her confidences and also in the sense that he knows her well enough not to stand in her way, and most importantly not to treat her like a delicate flower in need of his solicitous protection. Whatever Simon is or will be to Bess (and I do wonder) he knows her, likes her and respects her just as she is. A rare commodity for a woman who often steps out of what is defined as her sphere.

Bess begins by looking for a man who may be a spy, or possibly a deserter. She uncovers, as she so often does, a hidden cesspool that leads to an old murder. But as Bess is so often completely at sea during this case, the readers are a bit as well. The less she understands, and the more difficult a time she has putting things together, so do we.

But as her war draws towards its close, I can’t help but wonder what comes next for Bess. Wherever she goes and whatever she does, I can’t wait to read what happens next!

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