Review: Signal Moon by Kate Quinn + Giveaway

Review: Signal Moon by Kate Quinn + GiveawaySignal Moon: A Short Story by Kate Quinn
Narrator: Saskia Maarleveld, Andrew Gibson
Format: audiobook
Source: publisher
Formats available: ebook, audiobook
Genres: historical fiction, timeslip fiction, World War II
Pages: 57
Length: 1 hour and 22 minutes
Published by Amazon Original Stories, Audible Audio on August 1, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazon
Goodreads

From the New York Times bestselling author of The Diamond Eye comes a riveting short story about an impossible connection across two centuries that could make the difference between peace or war.

Yorkshire, 1943. Lily Baines, a bright young debutante increasingly ground down by an endless war, has traded in her white gloves for a set of headphones. It’s her job to intercept enemy naval communications and send them to Bletchley Park for decryption.

One night, she picks up a transmission that isn’t code at all—it’s a cry for help.

An American ship is taking heavy fire in the North Atlantic—but no one else has reported an attack, and the information relayed by the young US officer, Matt Jackson, seems all wrong. The contact that Lily has made on the other end of the radio channel says it’s…2023.

Across an eighty-year gap, Lily and Matt must find a way to help each other: Matt to convince her that the war she’s fighting can still be won, and Lily to help him stave off the war to come. As their connection grows stronger, they both know there’s no telling when time will run out on their inexplicable link.

My Review:

This story was so beautiful it just about broke me. It was gorgeous and glorious and heartbreaking all at the same time, and I was in tears at the end.

I want to say this is a timeslip story but that isn’t quite right. It’s more of a time-merging story, or a bit of technological SF sleight of hand story. It’s best to just say that it works. It all works marvelously, and let the how and why of it remain a bit nebulous.

After all, our two principals don’t completely understand the why of it themselves. They just know that it happened. And that it saved them both.

Lily Baines is a signal tech in Yorkshire in 1943, spending her days and nights with a Bakelite headset wrapped around her “bat-like” ears, listening for German signals. She’s a Petty Officer in the WRENS (Women’s Royal Naval Service), doing her bit for in a war that she’s entirely too afraid is being lost.

Late one shift, she picks up a signal from an American ship, broadcast in English, in the “clear”, detailing an attack on the ship by “Vampires”. An attack that results in the ship sinking with all hands after 42 minutes of harrowing transmission by the U.S. Naval signal tech, ST Matt Jackson, who gives the date as 2023.

While her superiors are certain that Lily has just been working too many days in a row without a break, Lily feels like she owes it to her fellow signal tech, the man she just heard narrate his own death, to try to help him. So she sends him a letter, a 1943-era radio, extra batteries, and a list of frequencies that she promises to listen on at a specific time every day.

There’s no science fiction involved in her package to the future. Her uncle is a solicitor and she contracts with his office to deliver the package to a certain room in a certain hotel in York on the day Matt said he checked in. Law offices do this all the time, just not necessarily for quite 80 years.

When Matt gets the radio, he’s sure it’s a prank, but he dials the frequency anyway. Even when Lily starts talking, he STILL thinks it’s a prank – at least until that night, when an event that she predicted comes true.

They have less than 24 hours to analyze the transmission that Matt hasn’t sent yet, in the hopes of figuring out what is about to go wrong so that he can prevent it. Or save his ship. Whatever it takes to prevent yet another war.

What they get is more than either of them ever bargained for. It’s enough – and it’s not nearly enough at all.

Escape Rating A++: Signal Moon is short and absolutely perfect in its length. It represents a very brief moment in time and needed to reflect that brevity. Also, it’s just so damn bittersweet – and appropriate in that bitter sweetness, that more would be just too much to take.

It’s that good.

But because of that short length, I was able to sit down with the audiobook and finish in one utterly absorbing and in the end completely heartbreaking listen. (If you have Amazon Prime you can get both the ebook and the audio as part of your Prime membership, and it’s so worth it to listen to the audio if you have a mere 82 minutes to occupy your hands while your mind wanders back to 1943 – and forward to OMG next year.)

The strength of this story is in the characters. The author sketches us a complete picture of Lily and her wartime service with just a bit of description and a whole lot of Lily’s internal monologue as she goes through her day pretending that everything is going to be alright even though she’s scared right down to her not-nearly-warm-enough fingertips that all is already lost.

While Matt’s more frank and frequently profane dialog, along with the desperation of his own internal monologue, gives the reader or listener a clear portrait of who he is and what drove him to become the person – and the officer – that he is on the brink of what could be – briefly – his very own war.

In the audiobook, the two characters are brilliantly voiced by their own narrators, Saskia Maarleveld for Lily and Andrew Gibson for Matt and they embody their characters beautifully. The audio would not have worked half so well with a single narrator. (Saskia Maarleveld is also the narrator for several of the author’s novels, including this year’s The Diamond Eye, which just moved up the towering TBR pile as a result.)

The ending of this story is inevitable. There’s just no other way this one works. But it’s easy to get so involved in their story that you just want it to have a different ending anyway. And that’s what broke me in the end. I knew what the end would be, but this was just one of those times where I really wanted a deus ex machina to step in and make that difference happen – even knowing how much I usually hate those kinds of endings. But it wasn’t, and it shouldn’t have been, meant to be.

Dammit.

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

Kate Quinn and Amazon Publishing are giving away a $50 Amazon Gift Card to one very lucky entrant on this tour!
a Rafflecopter giveaway

Review: Ribbons of Scarlet by Kate Quinn

Review: Ribbons of Scarlet by Kate QuinnRibbons of Scarlet: A Novel of the French Revolution's Women by Kate Quinn, Stephanie Dray, Laura Kamoie, E. Knight, Sophie Perinot, Heather Webb, Allison Pataki
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical fiction, women's history
Pages: 560
Published by William Morrow Paperbacks on October 1, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

Six bestselling and award-winning authors bring to life a breathtaking epic novel illuminating the hopes, desires, and destinies of princesses and peasants, harlots and wives, fanatics and philosophers—six unforgettable women whose paths cross during one of the most tumultuous and transformative events in history: the French Revolution.

Ribbons of Scarlet is a timely story of the power of women to start a revolution—and change the world.

In late eighteenth-century France, women do not have a place in politics. But as the tide of revolution rises, women from gilded salons to the streets of Paris decide otherwise—upending a world order that has long oppressed them.

Blue-blooded Sophie de Grouchy believes in democracy, education, and equal rights for women, and marries the only man in Paris who agrees. Emboldened to fight the injustices of King Louis XVI, Sophie aims to prove that an educated populace can govern itself--but one of her students, fruit-seller Louise Audu, is hungrier for bread and vengeance than learning. When the Bastille falls and Louise leads a women’s march to Versailles, the monarchy is forced to bend, but not without a fight. The king’s pious sister Princess Elisabeth takes a stand to defend her brother, spirit her family to safety, and restore the old order, even at the risk of her head.

But when fanatics use the newspapers to twist the revolution’s ideals into a new tyranny, even the women who toppled the monarchy are threatened by the guillotine. Putting her faith in the pen, brilliant political wife Manon Roland tries to write a way out of France’s blood-soaked Reign of Terror while pike-bearing Pauline Leon and steely Charlotte Corday embrace violence as the only way to save the nation. With justice corrupted by revenge, all the women must make impossible choices to survive--unless unlikely heroine and courtesan’s daughter Emilie de Sainte-Amaranthe can sway the man who controls France’s fate: the fearsome Robespierre.

My Review:

Women have always fought. We have always lived in the castle. We have always defended the castle, and stormed the castle as well. We have always been there, on the front lines as well as behind the scenes, no matter how much we are written out of the supposedly official histories of “great men and great deeds” that try to pretend that we weren’t in the room where it happened – or on the ramparts defending that room.

The enduring images of the parts that women played in the French Revolution can (unfortunately) be reduced to three, not that there weren’t plenty of women involved, but history as written goes back to those “great men and great deeds” so that women’s contributions can be swept under the carpet – as sweeping was considered an appropriate activity for women.

When we think of women in relation to the French Revolution, the images that have stuck are poor, waifish Cosette from Les Misérables, the over-pampered and over-privileged Queen, Marie Antoinette crying, “Let them eat cake!” and the villainous Madame Defarge from A Tale of Two Cities, knitting and cackling as the guillotine falls.

I’m just realizing that those three women conveniently fall into the “maiden, mother, crone” triptych and wondering if that’s what has made those particular three so memorable. I digress.

Ribbons of Scarlet, fictional though it is, tries to go deeper into the roles that women played during the Revolution. I almost said “both sides” but that implies that the sides were MUCH more clearly defined than they actually were. The Revolution, as the saying went, ate its young.

Instead of straightforwardly proceeding through the story of the French Revolution, or even telling it as a braided novel like The Glass Ocean by “Team W”, Ribbons of Scarlet proceeds from the very beginnings of the Revolution to its exhausted ending at the ascension of Napoleon Bonaparte through narratives that focus on the part that each woman played in her point in history – then she hands the story off to the next woman until it comes full circle back to the original narrator.

Each woman’s story is written by a different author, telling the story of the French Revolution almost as a relay race rather than a single story. Grouchette passes the baton to Louise who in her turn passes it to Elisabeth to Manon to Charlotte to Emilie and, at last, back to Grouchette.

All of these women, including, surprisingly, the revolutionary Louise Audu, were historical figures. Manon and Sophie were prolific authors, and the words and views ascribed to them in the story are documentably their own.

We have always fought. Sometimes with words – and sometimes with pikes.

Escape(ish) Rating: B+: To say that the French Revolution, for all its noble aims, turned out to be a clusterfuck implies a level of organization that doesn’t seem to have actually been present. After reading Ribbons of Scarlet, it feels more like the French Revolution was a goat rope. (Now there’s a term I never thought I’d have a use for, but my word the whole thing was completely fucked.) Reading this book makes me wonder how France managed to get itself organized back into a country – ever. So many histories focus on “great men” and “progress” that the level of sheer savagery gets reduced to something bearable. It probably has to, or history classes would need trigger warnings for this section – not that that’s necessarily a bad thing.

However, just because all of the women were real doesn’t make them all equally interesting, or at least written equally sympathetically. In some ways, Ribbons of Scarlet feels like a short story collection on a single theme, and like all collections some stories work better than others. That being said, Grouchette’s section coming at the beginning was a great way to get into the story. I liked her and I found her perspectives surprisingly easy to identify with.

At the same time, Elizabeth’s extreme piety and unassailable belief in the divine right of kings, as well as Louise’ and Manon’s internal dialog about their own sexuality, while they feel right for their time,  make hard reading in ours.

But they ALL advance the story, it’s just that some heads are more interesting to be inside of than others – whether or not those heads eventually got cut off or not. Most of their fates were tragic in one way or another. That their voices have been lost to history – that’s the real tragedy.

TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.