A+ #BookReview: The Silver Hand by Shawn Carpenter

A+ #BookReview: The Silver Hand by Shawn CarpenterThe Silver Hand (Tides of Magic #2) by Shawn Carpenter
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: action adventure, fantasy, historical fantasy, military fantasy
Series: Tides of Magic #2
Pages: 432
Published by S&S/Saga Press on August 11, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The swashbuckling sequel to The Price of Redemption filled to the brim with hauntings, naval battles, and sorcery—perfect for fans of Patrick O’Brian and Naomi Novik’s Temeraire series.

Captain Rue Nath is sailing towards what he hopes isn’t his certain doom. As he guides the Redemption into port, the people cheer him and his crew as a hero. But a court martial awaits that could leave him ashore for years, or worse, strip him of his naval rank for good.

But Magister Enid d’Tancreville will do anything in her power to keep that from happening. After escaping the Theocratic Revolution and discarding her dream of fighting against the ‘Rats in the army, she’s not too keen to give up her new position as Captain Nath’s right hand and sorcerer. As Enid tries to drum up support for her beloved captain, Rue must decide whether to take the hand his enemies have dealt him or prove them wrong once again. Even if that means commanding a ship whose captains have only ever met perilous ends.

My Review:

The Silver Hand is the follow-up to the absolutely marvelous first book in the Tides of Magic series, The Price of Redemption. And it was well worth the damnable two year wait to get it.

When Captain Rue Nath brings Redemption back into port, he knows whatever is waiting for him is going to be terrible. And he’s right. Nath is a thorn in the side of the Admiralty – not because he’s not a winning captain and not because his crew doesn’t perform well (not that Admiralty gives a fig about ANY crew). The Admiralty needs to grind Nath under their heel because he isn’t able to hide his contempt for them all. He achieved his captaincy on merit and doesn’t kowtow to the lords and fools who think that privilege buys competency. Or, for that matter, nobility.

They plan to make him pay for his cheek. By keeping him from the one thing he loves most – the bridge of a ship. But Rue and his friends manage to get around that through the court of public opinion, so they’ll make him pay for that too.

By assigning him to a bad luck ship that has killed four captains so far, and by forcing him to take the hardest of a hard lot of mutineers as part of his crew. As if that shouldn’t be enough to break him or bury him, they’ve given him a suicide assignment. There’s no way that even Rue Nath’s infamously good luck and better seamanship and leadership is going to get him out of the pot they plan to boil him in.

Little does the Admiralty know that it’s actually worse than they believed – at least when it comes to the bad luck ship and the use that ship can make of the mutinous crew. But Nath has always been gifted when it comes to the loyalty of his friends – among the living AND the dead.

With the sorcerous assistance of his best friend and ship’s mage, the former Ardain (read as France) noblewoman Enid d’Tancreville (the tale of their meeting and first adventure is The Price of Redemption), Nath will emerge, yet again, bloody but unbowed, and prepare himself to face yet another battle with the Admiralty for his utter inability to let them grind him down.

Very much like one of the terrific series that the Tides of Magic was inspired by, the Aubrey and Maturin series by Patrick O’Brian, this second book in the series ends, not in the same place it began precisely, but with Captain Rue Nath and his crew in an entirely too similar – and similarly terrible – kettle of fish.

His mission his been mostly successful, but his crew has been decimated, his ship needs repair, and he’s not dead or disgraced the way that he was supposed to be – at least not in the opinion of the self-serving, self-dealing, self-aggrandizing autocrats in charge of the Admiralty. Rue knows that he – and his people – are going to pay for their success, one way or another. Or more likely several.

But the winds are carrying him, his friends, his crew, and his battered ship towards home. Whatever doom is waiting for them, he will, and we will, find out in the next book. I sincerely hope we don’t have to wait another two years (or heaven forbid, MORE) for it. But if needs must, we’ll wait as long as necessary, however impatiently.

Escape Rating A+: I started this series with The Price of Redemption two years ago because it looked like exactly what it turned out to be – just better. And just a bit different.

The Napoleonic Wars, the real historical ones, were the backside of the glittering Regency. And I do mean backside in all the scatological ways you might be thinking. All that glitter that Georgette Heyer immortalized rests uneasily on the back of a bloody revolution, a brutal (and bloody) decades long war, an economic collapse, grinding poverty, and a country at the whims of a madman and whoever could catch his ear. That his profligate son was at least somewhat of an improvement says entirely too much about pretty much everything.

But in fiction, the Napoleonic Wars are a gift that just keeps on giving. This series is one of those gifts – as are all of the previous series – in all genres – that went into the making of it.

If you’ve ever read the Horatio Hornblower series, or the marvelous Aubrey and Maturin series, or Honor Harrington or Temeraire (that’s two historical fiction, one science fiction and one fantasy with dragons instead of ships) all of those series are based, not merely on the Napoleonic Wars, but on one particularly colorful, larger-than-life but still real life historical figure, Thomas Cochrane. So there are plenty of resemblances between all the protagonists and all of their adventures, you just have to look.

So the differences between – and the way that they each make use of their fantastic (in multiple senses of the word) settings and characters, are what makes each of those series, including this one, fascinating and different and individually compelling – even if some of the beats of the story seem just a touch familiar.

Part of what the above means, and it was true for the other series as well, is that the Tides of Magic draws the reader in by absorbing them in the life and details of the ship, its officers, its crew, and the world in which they operate. So the reader ends up feeling like they’re part of the ship – albeit a landlubberly part – as they get acclimated to the world. It should be boring. In fact, you’d think all the naval terminology and details would be boring. But they’re not at all. It’s very much as if the reader gets their sea legs right along with Enid.

Which is the other thing about this particular series. Nath is the protagonist, but he’s not the one whose perspective we follow. The story is told from Enid d’Tancreville’s perspective, because she’s the character we’re learning alongside of. Nath is who he is when we first met him – even if neither the reader nor Enid know his depths or his secrets. Enid, OTOH, is the character in the midst of change. From Ardain to Albion, from aristocrat to officer, from researching magic to ship’s practitioner, from being protected to doing the protecting.

While Rue may be moving the story forward, Enid is the one pushing it from behind. They’re a team – but absolutely NOT a romantic one. Not that both don’t fall in love in this second book, but absolutely NOT with each other. And it’s better that way. The friendship is purer and truer because it’s platonic, and it’s considerably easier for Rue to assert his necessary and absolute authority when it comes to the ship’s business. A romance between them would have muddied the waters considerably and not in a good way.

A big part of what sets this particular series apart is the magic system AND the magic of the world. It’s also a big chunk of this particular story as it’s wrapped around the ‘bad luck’ infesting the ship, the mutiny that it feeds and is fed by it, AND Enid’s ongoing transformation from who she thought she was to who she’s meant to be.

Something that I expect we’ll get more of in the next book. Which is possibly the final book, but I kind of doubt that and don’t know what to hope for. The Tides of Magic series was originally billed as a trilogy, BUT as this second book ends it doesn’t feel like a middle book. More importantly, it feels as if there’s a lot more story left to come than could – or possibly should – fit in a single volume.

I don’t know what to hope for in that regard, I just know I’d rather not wait two years for the next book and another two years after that for the finale – if then. But if I must, I must. Because this series is awesome in itself and it does ALL its inspirations and predecessors and precedents proud into the bargain!

A+ #BookReview: The Price of Redemption by Shawn Carpenter

A+ #BookReview: The Price of Redemption by Shawn CarpenterThe Price of Redemption (Tides of Magic, #1) by Shawn Carpenter
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: adventure, fantasy, historical fantasy
Series: Tides of Magic #1
Pages: 368
Published by Saga Press on July 9, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A debut female-led swashbuckling fantasy following powerful sorceress and sea captain Marquese Enid d’Tancreville as she is forced on the run where she meets a vast cast of characters perfect for fans of Patrick O’Brian’s beloved Master and Commander series.

Despite her powerful magic, Marquese Enid d’Tancreville must flee her homeland to escape death at the hands of the Theocratic Revolution. When a Theocratic warship overtakes the ship bringing her to safety, Enid is spared capture by the timely intervention of the Albion frigate Alarum , under the command of Lt. Rue Nath.

The strange circumstances make for an odd alliance, and Enid finds herself replacing Alarum ’s recently slain sea mage. Now an officer under Nath’s command, Enid is thrust into a strange maritime world full of confusing customs, duties, and language. Worse she soon discovers the threat of the revolution is not confined to shore.

My Review:

When it comes to fictional settings, the Napoleonic Wars are a gift that just keeps on giving. Admittedly, that giving is in the context of the thing about adventures being terrible stuff that happened to someone either long ago, far away, or both. In the case of The Price of Redemption, very much of both.

Because the war between the Ardainne and Albion is absolutely a rehash of the Napoleonic Wars, with Ardainne serving at the post-Revolutionary French complete with their own version of a revolution, and Albion, naturally, sailing in for the Brits holding the line to protect their status quo.

Which is when this particular take on that old conflict gets fascinating, fantastic and utterly magical. Because Ardainne’s Theocratic Revolution throws a religious crusade on top of the class warfare, and marries fanatics straight out of the Spanish Inquisition to Madame Defarge cackling at the feet of Madame Guillotine.

The equivalent of the sans culottes in this world’s Revolution hate and kill mages every bit as much and often as they do aristos – made much simpler for VERY bloody meanings of the world simple – by the fact that so many of the aristos ARE mages who have been using their magical power to increase their political and socio-economic power for centuries.

Ardainne, just like France, was ripe for some kind of plucking. Our story begins with Marquese Enid d’Tancreville, running before the wind and away from the Theocrats (just call them Rats because EVERYONE does) now in charge of the Revolution, on an Albion merchant ship that is outmanned and outgunned but nevertheless rescued in the nick of time by Captain Rue Nath and his outclassed frigate, the Alarum.

Once the smoke clears, Nath is victorious but in need of a replacement Magister – meaning Ship’s Mage – as his previous ‘Spells’ died in the recent skirmish. Enid needs a better protected way to Albion, so that she can offer her services to people who are at least doing something about the filth that has taken over her beloved homeland.

Nath and Enid strike a win-win bargain – she’ll become his temporary new Magister, he’ll convey her and her worldly goods to the place where she intended to go, and in the meantime the Alarum will at least be able to fight if another Rat ship finds them on the open sea.

And thereby, as that very old saying goes, hangs an absolutely marvelous tale of wooden ships, iron men and women, deeds of derring-do and dastardly betrayals from within.

Escape Rating A+: The Napoleonic Wars absolutely are the gift that keeps on giving, at least in the fictional sense. You’ve even seen and or read plenty of stories that used it as a base – even if some of those stories hide the base pretty well.

But one of the most respected AND popular ‘spin offs’ from this particular war is the Aubrey and Maturin series by Patrick O’Brian that begins with Master and Commander, where Jack Aubrey is in the exact same position as Rue Nath – he’s the commander of a ship, called ‘Captain’ by courtesy while in command, but whose true rank is Lieutenant. The journey of the first book in both series is for the ‘Captain’ by courtesy title to make ‘Post’ – to be commissioned as a Captain by rank and clamber onto first rung of the ladder to the Admiralty.

Both the Honor Harrington series by David Weber and the Temeraire series by Naomi Novik used Aubrey and Maturin as their jumping off points, taking their inspiration from the Napoleonic wars into SF (Weber) and fantasy (Novik, but with dragons).

One of the things that the Aubrey and Maturin series did extremely well, that is absolutely a part of The Price of Redemption, is the way that the story takes the reader through the perspective of a previously (land)lubberly point of view character – Enid here and Maturin in the original series – and uses their instruction by beautifully descriptive but still fascinating details to draw the reader into the arcane mysteries of the sea.

The story, the part that keeps the reader frantically turning pages, is, on the one hand, the story of the plucky underdog – in this case Albion – fighting the mighty empire of Ardainne. On the other hand, it’s a very intimate story about one man’s fight to protect his crew, his career, and his country against all comers – particularly the forces arrayed against them all. And on the third hand, possibly the one on the rudder steering this ship, the story of a woman desperate to find a new place in the world – one from which she can strike a blow at her own enemies, find a new perspective on what she left behind that brought her and her country to this terrible pass, and a help create a future that she can live on, and with, and into.

It’s marvelous and riveting and a compulsive page-turner every single league of its way. That this story is not over yet, that there are two more books on the horizon for this cast and crew, is the absolute best news any reader could possibly receive.