Review: The Butterfly Collector by Tea Cooper

Review: The Butterfly Collector by Tea CooperThe Butterfly Collector by Tea Cooper
Narrator: Emily Barrett
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: historical fiction, historical mystery, timeslip fiction
Pages: 400
Length: 10 hours and 43 minutes
Published by Harper Muse on November 3, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

What connects a botanical illustration of a butterfly with a missing baby and an enigma fifty years in the making? A twisty historical mystery from a bestselling Australian author.
1868 Morpeth Theodora Breckenridge, still in mourning after the loss of her parents and brother at sea, is more interested in working quietly on her art at the family's country estate than she is finding a husband in Sydney society, even if her elder sister Florence has other ideas. Theodora seeks to emulate prestigious nature illustrators, the Scott sisters, who lived nearby, so she cannot believe her luck when she discovers a butterfly never before sighted in Australia. With the help of Clarrie, her maid, and her beautiful illustrations, she is poised to make a natural science discovery that will put her name on the map. Then Clarrie's new-born son goes missing and everything changes.
1922 Sydney When would-be correspondent Verity Binks is sent an anonymous parcel containing a spectacular butterfly costume and an invitation to the Sydney Artists Masquerade Ball on the same day she loses her job at The Arrow, she is both baffled and determined to go. Her late grandfather Sid, an esteemed newspaperman, would expect no less of her. At the ball, she lands a juicy commission to write the history of the Treadwell Foundation - an institution that supports disgraced young women and their babies. But as she begins to dig, her investigation quickly leads her to an increasingly dark and complex mystery, a mystery fifty years in the making. Can she solve it? And will anyone believe her if she does?

My Review:

There’s a butterfly effect in chaos theory. You know the one, or at least the way it plays out in fiction, particularly in relation to time travel, that a tiny change halfway around the world creates incrementally increasing changes in circumstances the further one gets from that first new flap of the titular butterfly’s wings.

That butterfly effect turns out to be a metaphor for this entire story – complete with resultant chaos – even though there’s no time travel in the usual sense. There’s just a story that takes place at multiple points in the same time stream, with a particularly well-traveled species of butterfly at the heart of each of those multiple points.

The monarch butterfly is a familiar sight in North America. But when and where this story begins, it was not, which is tied up in the very reason why the familiar Monarch is called Wanderer in Australia – because it somehow managed to wander from North America to the Land Down Under, a journey far longer than a butterfly’s lifespan, even if a colony could manage that distance out of sight of land on their beautiful but fragile wings.

So we first meet amateur lepidopterist Theodora Breckenridge when a then unknown to her wanderer butterfly alights on her fingers in 1868 outside the village of Morpeth on the banks of the Hunter River. In New South Wales, Australia. Where no monarch butterfly has EVER been seen to that date.

Just laid-off newspaper reporter Verity Binks’ introduction to the same species occurs in 1922, in the form of a masquerade costume for the upcoming Sydney Artists’ Masquerade Ball. She receives a package from an unnamed and un-guessed at benefactor, consisting of an invitation to the Artists’ Ball she could not otherwise afford – and a caped costume in the shape and form of a wanderer butterfly’s distinctive wings.

The link between Theodora in 1868 and Verity in 1922 is in the person of a third woman, Clarrie, and an unthinkably terrible but murderously profitable criminal enterprise that still cries out for justice.

A justice that Verity is determined to provide, whoever it hurts and whatever it costs.

Escape Rating B: I have to say that I ended up with mixed feelings all over the place while listening to and reading The Butterfly Collector. In the end, the 1922 story carried me through, but it’s the 1868 story that held the most bone-chilling horrors. Real-life horror, like revenge, is compellingly served ice cold – and the horrors of this story, based on real historical events – had plenty of chills to deliver.

I had two issues with this story, and the first one led to the second in a way that made the first half a fairly hard go for reasons that are certainly a ‘me’ problem but could also be a ‘you’ problem if we have some of the same inclinations.

One of the issues I’m finding increasingly hard to get through in female-centered historical fiction of any kind is the ubiquitous and nearly obligatory opening third – if not a bit longer – that details all the restrictions that women faced in whatever period the story is set in regards to having agency and independence. As this book alternates between three historical female perspectives, each of whom are hedged about by such restrictions on all sides, it took a lot of pages to get each of them into places where they had some freedom of movement.

In the end, I found myself following Verity’s part of the story in 1922 the most easily because Verity IS in a position to act on her own for reasons that are mostly tragic. Her parents and grandparents are deceased, she has no male siblings, it’s after WW1 which cost her her job as a newspaper reporter but doesn’t stop her from finding freelance work, which she does and which kicks off the mystery of the piece.

Neither Theodora nor Clarrie have true freedom of movement, Theodora for societal expectation reasons and Clarrie because of restrictions due to her socioeconomic class. That they are able to help each other eases those constraints for both of them, but it takes a while for the situation to reach that far.

That I was frustrated by the slow pace of the early parts of all their stories led to my second frustration. I began this book in audio, but the story was going slowly for all the above reasons and the actually quite good quality of the narration made it worse. Which may seem contradictory, but as the reader was doing an excellent job with the Australian accent – or so it seemed to my American ears – her reading cadence was slower than I could stand in a story that was already proceeding at a snail’s pace.

Once I switched to text it all got better, and I was able to finally be captured by the increasingly frenetic pace of the mystery of it all. Not just a terrible crime, but decades of a profitable series of terrible crimes come to light and sticks a knife into Verity’s heart AND her perceptions of her family’s history in a way that makes the whole story both sing and sting at the same time.

I picked this book up because I fell hard for several of the author’s previous books, The Woman in the Green Dress, The Cartographer’s Secret and The Girl in the Painting. While The Butterfly Collector didn’t work nearly as well for me as those earlier books, the heart of the mystery is both awfully compelling and compellingly awful, and it did engage me fully once the story really got into it. So while I’d recommend this particular book with some caveats, I’ll still be picking up the author’s next book, The Talented Mrs Greenway, when it reaches these North American shores.

Review: The Cartographer’s Secret by Tea Cooper

Review: The Cartographer’s Secret by Tea CooperThe Cartographer's Secret by Tea Cooper
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: historical fiction, timeslip fiction
Pages: 400
Published by Harper Muse on November 16, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A map into the past. A long-lost young woman. And a thirty-year family mystery.
The Hunter Valley, 1880. Evie Ludgrove loves to chart the landscape around her home—hardly surprising since she grew up in the shadow of her father’s obsession with the great Australian explorer Dr. Ludwig Leichhardt. So when an advertisement appears in The Bulletin magazine offering a thousand-pound reward for proof of where Leichhardt met his fate, Evie is determined to use her father’s papers to unravel the secret. But when Evie sets out to prove her theory, she vanishes without a trace, leaving behind a mystery that haunts her family for thirty years.
Letitia Rawlings arrives at the family estate in her Ford Model T to inform her great-aunt Olivia of a loss in their family. But Letitia is also escaping her own problems—her brother’s sudden death, her mother’s scheming, and her dissatisfaction with the life planned out for her. So when Letitia discovers a beautifully illustrated map that might hold a clue to the fate of her missing aunt, Evie Ludgrove, she sets out to discover the truth. But all is not as it seems, and Letitia begins to realize that solving the mystery of her family’s past could offer as much peril as redemption.
A gripping historical mystery for fans of Kate Morton and Natasha Lester’s The Paris Seamstress, The Cartographer’s Secret follows a young woman’s quest to heal a family rift as she becomes entangled in one of Australia’s greatest historical puzzles.
“A galvanizing, immersive adventure . . . forcing the characters to reckon with the choice found at the crux of passion and loyalty and the power of shared blood that can either destroy or heal.” —Joy Callaway, international bestselling author of The Fifth Avenue Artists Society
Daphne du Maurier Award Winner, 2021Historical story with both romance and mysteryFull-length, stand-alone novel (c. 104,000 words)Includes discussion questions for book clubs

My Review:

I picked this up because I loved not one but two of the author’s previous books, The Woman in the Green Dress and The Girl in the Painting. At the time I finished The Girl in the Painting, The Cartographer’s Secret had already been published in the author’s native Australia, so the reviews were already out. Once I read them I couldn’t wait for this book to appear, as we seem to get her books a year later.

The Cartographer’s Secret was most definitely worth the wait!

This is kind of a “lost and found” story, slipped in time between 1880 and 1911, set in Australia’s Hunter Valley. But it really starts earlier, in 1848. That’s really, really starts, with the very real disappearance of the German explorer and naturalist, Ludwig Leichhardt.  Leichhardt disappeared in 1848 while exploring the Swan River. Or at least while intending to explore the Swan River. He disappeared somewhere along the way, and was never seen again – or at least not that anyone was able to verify, in spite of an awful lot of people spending an awful lot of time AND money looking very, very hard.

The search for Leichhardt is the real historical hook that kicks off this story. Where the fiction comes in is in the involvement of William Ludgrove, a fictional explorer who ran across Leichhardt on one of his much earlier explorations of the Hunter Valley – and helped the explorer safely reach his destination – at least that time.

Ludgrove, severely injured in a later expedition, maintained his fascination with his old colleague long after the man he referred to as the “Prince of Explorers” disappeared without a trace. Ludgrove’s obsession over the fate of the explorer was such that he invested entirely too much of his own capital in funding later searches. It’s an obsession he also passed on to his younger daughter Evie, much to his family’s despair.

Evie herself disappeared at the age of 18, and the devastation wrought by this second disappearance sent Ludgrove into a tailspin from which he never recovered. It also left the family broken in two, with his sister Olivia barely hanging on to the family horse stud in the Hunter Valley while his remaining daughter was living the high life in Sydney.

When tragedy strikes again in 1911, William’s granddaughter Lettie runs away from home. To home. Her brother has just been killed in a tragic accident, Lettie can no longer cope with her socially ambitious steamroller of a mother. So she flees. To the Hunter Valley, to her Great-Aunt Olivia and the land that her family once called home. And all the secrets that land and its surroundings conceal.

At Olivia’s behest, Lettie takes up the search for the lost and the missing by following the trail of the missing Evie as she followed the trail of documentation for the lost Leichhardt. Lettie has no idea just how much her Great-Aunt has put her own life on hold out of grief and guilt, all she knows is that the search gives her purpose and the lands at Yellow Rock have given her a place where she can belong.

If only she can manage to stand up to her mother.

Escape Rating A-: This is a “truth sets people free” story, even if the original mystery never does get solved – and hasn’t yet. Maybe someday. It only took five centuries to find the remains of Richard III, so there’s still PLENTY of time.

But this story really isn’t about Leichhardt’s disappearance. It’s about the shared family obsession over Leichhardt’s disappearance and the tragic consequences for that family. Not that everything that happened to the Ludgrove/Maynard family is directly related to William’s unwillingness to just “let it go”. By the time Lettie comes to Yellow Rock, a good bit of what’s still wrong is wrapped around Olivia’s inability to let go of William’s – and Evie’s – inability to let go. It’s a vicious cycle that just keeps on turning.

What I loved about this story was Lettie’s journey of discovery and exploration. I always like a well done research story, and this definitely was that, even if it wasn’t research in a traditional way. Lettie has a riddle to solve. Actually she has many riddles to solve, including some that she’s not aware of or not willing to admit need solving.

She thinks she’s sorting through her grandfather’s papers to find out what Evie was working on when she disappeared. She’s trying to follow Evie’s trail in the hopes of either finding evidence of Leichhardt’s long-ago journey or more possibly, finding evidence of Evie’s slightly less long-ago journey..

What she’s unconsciously looking for is closure, even if she doesn’t know just how many losses her great-aunt needs closure for. It may be about Evie but it isn’t all about Evie.

One of the recurring threads of this story is the way that so many people protect themselves or believe they are protecting someone else by concealing truths that should be revealed. So many of the reasons for Olivia’s losses in particular are wrapped in the secrets she hid from others – particularly Evie – because she didn’t want to deal with them herself.

In sorting through her family’s past, Lettie is also forced to face the truths that she’s been hiding from herself about who she is, who she wants to be, and how much she needs to find her own path. Lettie is afraid that if she lets herself know her own truths, she’ll lose even more of her family. So she’s been hiding from herself. Following Evie’s journey lets her finally be who she is meant to be instead of who and what her mother has tried to force her to be.

For this reader, it was the journey that I loved. The destination was cathartic, but what kept me glued to this book was the way that Lettie kept searching – even when the discoveries were painful.

And speaking of painful, the author’s next book, The Fossil Hunter, also set in the Hunter Valley, is wrapped around an Australian nurse in the aftermath of World War I who goes searching for a surcease of pain from her wartime experiences and losses and discovers a link to the past that she never expected. And I can’t wait to see what she finds.

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Review: The Girl in the Painting by Tea Cooper

Review: The Girl in the Painting by Tea CooperThe Girl in the Painting by Tea Cooper
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: historical fiction, timeslip fiction
Pages: 384
Published by Thomas Nelson on March 9, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A young prodigy in need of family.
A painting that shatters a woman’s peace.
And a decades-old mystery demanding to be solved.
Australia, 1906
Orphan Jane Piper is nine years old when philanthropist siblings Michael and Elizabeth Quinn take her into their home to further her schooling. The Quinns are no strangers to hardship. Having arrived in Australia as penniless immigrants, they now care for others as lost as they once were.
Despite Jane’s mysterious past, her remarkable aptitude for mathematics takes her far over the next seven years, and her relationship with Elizabeth and Michael flourishes as she plays an increasingly prominent part in their business.
But when Elizabeth reacts in terror to an exhibition at the local gallery, Jane realizes no one knows Elizabeth after all—not even Elizabeth herself. As the past and present converge and Elizabeth’s grasp on reality loosens, Jane sets out to unravel her story before it’s too late.
From the gritty reality of the Australian goldfields to the grand institutions of Sydney, this compelling novel presents a mystery that spans continents and decades as both women finally discover a place to call home.
“Combining characters that are wonderfully complex with a story spanning decades of their lives, The Girl in the Painting is a triumph of family, faith, and long-awaited forgiveness. I was swept away!” —Kristy Cambron, bestselling author of The Paris Dressmaker and the Hidden Masterpiece novels
Stand-alone novel with rich historical detailsBook length: 102,000 wordsIncludes discussion questions for book clubs and historical note from the authorAlso by this author: The Woman in the Green Dress

My Review:

Who are we, really? Are we who we think we are, or are we the person we were born to be? It’s an age-old question about nature vs. nurture, and it plays out in this timeslip story powered by the wing-flap of not the butterfly of chaos theory but rather by the wingbeats of a swarm of almost-forgotten doves.

And it’s the story of two lost girls who are found, in the end, one by the other. Or maybe three lost girls.

The story opens, rather than begins, in Australia in 1906, when math-whiz Jane Piper is rescued from the local orphanage by the equally gifted Elizabeth Quinn and her brother Michael. The Quinns have made a great success of their many businesses in Maitland, New South Wales. Australia has been very, very good to the Quinns, who have never forgotten their roots as desperate Irish immigrants in the 1860s. Jane is the latest in a very long line of young people that the Quinns have taken into their home and businesses from the orphanage.

But Jane’s mathematical talent makes her special. The Quinns, now well into middle age, have expanded their original business enterprises, stores and auction houses, into philanthropy on Elizabeth’s part and politics on Michael’s. Neither has ever married, and in Jane’s mathematical talents they see someone they can train to help them in their many endeavors.

And Jane is more than willing. She’s a math prodigy but not very cognizant of social cues. In today’s terms we’d probably say that she was somewhere on the part of the autism spectrum that includes Asperger’s. Her unofficial adoption into the Quinn’s household turns out to be a boon for not just Jane but also Michael and Elizabeth, as she becomes both their quasi-niece and a valued assistant to both of the Quinns.

It is in that capacity that Jane finds herself in the midst of the Quinns’ greatest secret, as the long-buried past interferes in the suddenly fraught present.

Escape Rating A-: I originally picked this up because I really enjoyed one of the author’s previous books, The Woman in the Green Dress, and was hoping for more of the same. Which I definitely got with The Girl in the Painting.

Both stories are set in Australia, and both feature dual timelines, the historical past and then the past of the main characters, and both are centered around old and nearly-forgotten mysteries, although the stories don’t relate to each other. So if you like the sound of The Girl in the Painting, you’ll love The Woman in the Green Dress and very much vice-versa.

At the top I said this was a story about nature vs. nurture, and that turns out to be what lies at the heart of the mystery as well. A mystery that neither the readers nor the characters are aware of as the story begins.

When we first peer into Michael and Elizabeth Quinn’s past, we see the brother and sister on the gangplank at Liverpool, waiting to board a ship for Australia to reconnect with their parents. It’s only as the story continues that we discover that what we assumed about that initial scene, and what Elizabeth remembers of it – after all, she was only 4 years old at the time – are not quite what actually happened.

It’s a secret that Michael has been keeping from his sister for 50 years at this point, and it’s highly likely he intended to go right on keeping it. At least until Elizabeth has a “turn” or a psychological break, or a breakthrough of suppressed memory, at an art exhibit, and all of his secrets start to unravel.

And even though I guessed what one of those secrets was fairly early on, the story, both in their past and in their present, it still made for a compelling read. Just because I’d managed to fill in one corner of the jigsaw did not mean I had much of an inkling about the rest of the puzzle. Pulling the remaining pieces out of their box and figuring out how they fit – or perhaps didn’t fit – was part of what made this story so compelling for me as a reader.

In order to reconcile the past with the present, it’s up to Jane Piper, now a full-fledged partner in the business, to poke and prod her way into those mysteries that refuse to lie dormant in the past. Not because Jane is any kind of detective, but because she loves the Quinns, is grateful to them, and simply can’t resist her own compulsion to resolve the unresolved, as that’s part of her mathematical gift and her social awkwardness. She has to know, and she can’t rest until she does.

While I found Jane herself to be a bit of an unresolved character, more of a vehicle for the story to be told than an integral part of it, the story of Michael and Elizabeth Quinn’s rise from hardworking poverty to wealth and influence was fascinating in its portrayal of two people who lived a lie that was also the utter and absolute truth.

As much as I enjoyed the Quinns’ story, I have to say that I’m finding this author’s portrayal of Australian history wrapped in fiction to be lovely and absorbing and I’m looking forward to her next book (it looks like it will be The Cartographer’s Secret) whenever it appears.

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Review: The Woman in the Green Dress by Tea Cooper

Review: The Woman in the Green Dress by Tea CooperThe Woman in the Green Dress by Tea Cooper
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: historical fiction, timeslip fiction
Pages: 352
Published by Thomas Nelson on June 16, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A cursed opal, a gnarled family tree, and a sinister woman in a green dress emerge in the aftermath of World War I.
After a whirlwind romance, London teashop waitress Fleur Richards can’t wait for her new husband, Hugh, to return from the Great War. But when word of his death arrives on Armistice Day, Fleur learns he has left her a sizable family fortune. Refusing to accept the inheritance, she heads to his beloved home country of Australia in search of the relatives who deserve it more.
In spite of her reluctance, she soon finds herself the sole owner of a remote farm and a dilapidated curio shop full of long-forgotten artifacts, remarkable preserved creatures, and a mystery that began more than sixty-five years ago. With the help of Kip, a repatriated soldier dealing with the sobering aftereffects of war, Fleur finds herself unable to resist pulling on the threads of the past. What she finds is a shocking story surrounding an opal and a woman in a green dress. . . a story that, nevertheless, offers hope and healing for the future.
This romantic mystery from award-winning Australian novelist Tea Cooper will keep readers guessing until the astonishing conclusion.
“Readers of Kate Morton and Beatriz Williams will be dazzled. The Woman in the Green Dress spins readers into an evocative world of mystery and romance in this deeply researched book by Tea Cooper. There is a Dickensian flair to Cooper’s carefully constructed world of lost inheritances and found treasures as two indomitable women stretched across centuries work to reconcile their pasts while reclaiming love, identity and belonging against two richly moving historical settings. As soon as you turn the last page you want to start again just to see how every last thread is sewn in anticipation of its thrilling conclusion. One of the most intelligent, visceral and vibrant historical reads I have had the privilege of visiting in an age.” —Rachel McMillan, author of The London Restoration 
“Refreshing and unique, The Woman in the Green Dress sweeps you across the wild lands of Australia in a thrilling whirl of mystery, romance, and danger. This magical tale weaves together two storylines with a heart-pounding finish that is drop-dead gorgeous.” —J’nell Ciesielski, author of The Socialite
Full-length historical story with both romance and mysteryStand-alone novelIncludes Discussion Questions for Book Clubs

My Review:

Particularly large and/or valuable gems often have legends attached to them. Or curses. Or both. Generally both. Based on its history, the Hope Diamond is probably safest in the Smithsonian, rather than around the neck of someone who might be the victim of its curse. Although its owner during the 1920s seems to have made a habit of letting her Great Dane wear it!

The gem at the heart of this intricate work of timeslip fiction would have been a magnet for myths, curses and thieves had it ever existed; a great, big, beautiful opal, the first of its kind to be discovered in Australia, at a time when Queen Victoria had made the wearing of opals all the rage. In spite of their previous reputation as unlucky.

Or cursed.

But the opal, cursed or otherwise, kind of acts like a brooch that pins this story together. A story that takes place in two separate time periods, 1853 and 1919. This is, after all, a timeslip story, so it’s the past that is unveiled in the 1853 timeline that needs to be resolved in the 1919 “present”.

And it’s a doozy.

Australia in 1853 is not too distant from its penal colony roots. Just distant enough that the emancipationists – the deported convicts, while still looked down upon, do have a chance of making a new life for themselves. Equally, they have a chance of getting up to their old tricks. Or perhaps a bit of both.

Australia is also a vast country much like the American West, where the white “settlers” were doing their level best – or should that be absolute worst – to push the continent’s original owners out of their ancestral lands – and even to the brink of extinction if it can be managed. But at the same time, it’s a big place and there are still, at least in 1853, places where the whites have not encroached much – at least not yet – and where the unique native flora and fauna still thrive. Although all are under threat.

And that’s where the earlier portions of this story begin. With a young woman who does her best to protect the native people she views as friends and fellow stewards of the lands around her. A woman whose job, whose art, is to preserve the native fauna at least through expert taxidermy, as her father did before her.

At least until her home and her life are invaded by a young man from Austria, on a journey to visit the sites that his mentor visited 20 years before. Together they find themselves caught up in a search for that fabulous missing opal, only to dig up way more than they bargained for in family secrets – and murder.

In 1919, Fleur Richards learns that her husband of just a few months has been killed in action in the closing days of the Great War, and that he has left his grief-stricken wife an inheritance she never knew he had. She thought that the dashing Australian soldier, Hugh Richards, was a young man with an eye to the future, but no more or greater financial prospects than her orphaned and impoverished self.

But the inheritance she does not want spurs her to travel halfway around the world to discover just who her husband really was, in the hopes of finding someone more deserving of his fortune than she believes herself to be.

She finds more than she bargained for. A cursed gem, a locked and abandoned shop of curios and wonders, the solution to a long-ago mystery. And a home.

Escape Rating A-: I have to say that The Woman in the Green Dress gets off to a bit of a slow start, hence the A- rating. Somewhere past the first third of the book the story takes off and develops all sorts of lovely twisty-turny plot threads that keep the story zipping along from there to the end.

But it takes a while to get there, approximately the amount of story it takes for Fleur to get to Australia and get fed up with the runaround she’s getting in Sydney. And on the historic side, the amount of time for Della to meet Stefan and decide to take her life back in her own hands by returning to Sydney to discover what changes her Aunt Cordelia has made in the shop that Della owns.

And I’ve just realized the juxtaposition, that Della’s story takes off when she gets to Sydney, and Fleur’s gets its wings when she leaves it. Not that Fleur doesn’t return fairly quickly, but as the two heroines start moving – so does the story.

Both the past and the present stories are wrapped around secrets. Della has to uncover the secrets that her Aunt is keeping – before those secrets get her killed. Not that they haven’t already left a trail of bodies in their wake. Fleur needs to uncover the secret of who her husband really was, and to learn the truth about the legacy he left behind for her to unravel and resolve.

In the end, it’s a story about the truth setting them both free. And about a beautiful, captivating opal that was both lost and found.

But that woman in the green dress – she’s pure poison. Her story, however, is as delicious as her tonic is deadly.

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