Propaganda Girls: The Secret War of the Women in the OSS by Lisa Rogak Narrator: Samara Naeymi
Format: audiobook, ebook
Source: purchased from Amazon, purchased from Audible
Formats available: hardcover, ebook, audiobook
Genres: American History, U.S. history, women's history, World War II
Pages: 225
Length: 6 hours and 1 minute
Published by Macmillan Audio, St. Martin's Press on March 4, 2025
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads
The incredible untold story of four women who helped win WWII by generating a wave of black propaganda.
Betty MacDonald was a 28-year-old reporter from Hawaii. Zuzka Lauwers grew up in a tiny Czechoslovakian village and knew five languages by the time she was 21. Jane Smith-Hutton was the wife of a naval attaché living in Tokyo. Marlene Dietrich, the German-American actress and singer, was of course one of the biggest stars of the 20th century. These four women, each fascinating in her own right, together contributed to one of the most covert and successful military campaigns in WWII.
As members of the OSS, their task was to create a secret brand of propaganda produced with the sole aim to break the morale of Axis soldiers. Working in the European theater, across enemy lines in occupied China, and in Washington, D.C., Betty, Zuzka, Jane, and Marlene forged letters and “official” military orders, wrote and produced entire newspapers, scripted radio broadcasts and songs, and even developed rumors for undercover spies and double agents to spread to the enemy. And outside of a small group of spies, no one knew they existed. Until now.
In Propaganda Girls, bestselling author Lisa Rogak brings to vivid life the incredible true story of four unsung heroes, whose spellbinding achievements would change the course of history.
My Review:
The “propaganda girls” of this book’s title didn’t just want to “See what the boys in the back room will have,” as Marlene Dietrich, the most famous of those “girls” frequently sang in her pre- and post-war nightclub acts AND to “Her Boys” during her USO tours, they wanted a chance to BE those boys. Not for the drinking and carousing – not that they didn’t – but for the work and the freedom to use their gifts to their full potential without being shoved into corners labelled “women’s work”.

Then the war happened to the world, and suddenly there was a need for people like them, including women like them, to think WAY outside of any box to end the war faster – no matter how underhanded their work might seem in peacetime or how many corners they’d have to cut or rules they’d have to break to get the job done.
Their job, specifically, as members of the Morale Office of the Office of Strategic Services (OSS), was to create and distribute – however possible – “black” propaganda. In other words, these women and their colleagues were the ‘spin doctors’ of the war. But they didn’t just slant the news and the leaflets and the radio broadcasts to make the situation for the Allies look a bit better than it was and the situation for the Axis to look just that much worse than it was.

Oh, no, that would have been too easy. Perhaps also a bit too honest. And also, “white” propaganda was somebody else’s job. The “propaganda girls” and the rest of the Morale Office didn’t just slant the news and everything else – their job was to make it up out of a whole cloth of plausibility and authentic, if stolen, material, wrap it around a slanted truth, and drop the whole thing out of a plane in the form of leaflets, or send volunteer POWs over the line to put it in soldiers’ latrines, or broadcast it as altered, morale-sapping songs sung by Germany’s own voice of nostalgia and regret, Marlene Dietrich.
In spite of the conditions under which they all worked, everything from shortages of food to eat and supplies to create their handiwork, nightly bombings and frequent blockades, or the all too common quashing of their efforts by military men who either couldn’t tolerate the way that OSS bent all their precious rules of warfare, couldn’t abide that women were the ones doing that bending, or both, they still got the job done, over and over again, no matter how little they were thanked or how seldom they were able to quantify their results.
And they had the time of their lives. Each and every one of them. Not because they were out having a party – they weren’t because the work was hard and grueling and frequently thankless. But because they had a purpose they could absolutely believe in, and had the most scope and independence they had ever had – or would ever have – in their entire lives to bring everything they had to a job that needed, and in fact cried out for, everything they were.
Reality Rating A+: I picked this up because I was looking for a book to fulfill the requirements for the Goodreads “Her Story” Challenge. (I love to read and I love to play games and the gamification of reading is catnip. Seriously.)

This is the book that called to me, and I am ever so glad that I picked it. And equally glad that I chose to listen to it, because the audio, read by Samara Naeymi, was terrific. She brought a verve and a wry smirk and a bit of a smile to the stories of each of these women, and just about made me cry as the story got darker AND as each woman faced their conflicted emotions at the end of the war. Every single one of them wanted the war to end and the killing to stop, while recognizing that whatever the rest of their lives held, it wouldn’t be as fascinating, fantastic or challenging as what they’d just lived through.
None of them had been a great fit for the traditional woman’s role BEFORE the war – and their collective experience of what they could do outside of those expectations cut each of them to the quick. No time after may ever have been as dark – although for some it came close in a personal sense – but nothing would ever be as bright, either, and they all knew it.
As history, or to give it a more fitting name, ‘narrative nonfiction”, the story of the “propaganda girls” is eminently readable. It flows like a novel, and carries the reader along from one woman to another, from one theater of war to another, from one OSS station to another, with the kind of compulsion that keeps readers turning pages. The reader desperately wants to know what happened next and next to each of them, even though the broad brushstrokes of the war are already well known.
Part of that compulsion is that the story told here is one that we’re not all that familiar with. We all know it happened, or something like it, but not the details and not the personalities. In that sense, it reminds me a lot of the many stories about the female codebreakers of Bletchley Park. A history that was well-hidden for decades due to Britain’s stringent Official Secrets Act. Propaganda Girls also reads a lot like The Woman Who Smashed Codes, in the way that it shines a light on the contribution of a woman who worked in military intelligence during the war but whose contributions were often – at the time – attributed to her husband.
Also, I think readers who enjoy the World War II fiction of Kate Quinn and Sara Ackerman will be every bit as captivated by this nonfiction account as they have been by the fictional and fictionalized versions by those authors.
In short (which admittedly I seldom am) I had a terrific time with these Propaganda Girls. If you have the time and inclination, I highly recommend the audio experience so that you can really feel the story with the characters. The audio got me in the feels a lot more than I expected, and that made it just that bit more terrific. Because their experience of their war may have been a product of its time and place, but their experience of being a woman who wants more than the traditional roles available in a man’s world is more universal, and more relevant to the present, than any of us, here and now, ever wanted to see again in our own lifetimes. But we are all the same.
As absorbing and riveting as all of their stories were, that’s the part that lingers for this reader.
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