Grade A #BookReview: The Monk by Tim Sullivan

Grade A #BookReview: The Monk by Tim SullivanThe Monk (The DS Cross Mysteries #5) by Tim Sullivan
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: crime thriller, mystery
Series: DS George Cross #5
Pages: 384
Published by Atlantic Crime on April 7, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

For at finde en drabsmand skal man have et motiv ...
Kriminalassistent George Cross bliver tilkaldt, da liget af en munk bliver fundet brutalt myrdet i et skovområde nær Bristol.
Man ved intet om broder Dominics fortid. Hvordan kan Cross opklare forbrydelsen, når han ikke ved noget om offeret? Og hvorfor skulle nogen ønske at gøre en munk fortræd?
De finder ud af, at broder Dominic ikke havde nogen fjender – eller i hvert fald ikke nogen, der er åbenlyse. Men hans fortid afslører, at han engang var en velhavende mand, og at han ofrede det hele for sin tro.
For en mand, der intet har, virker det mærkeligt, at grådighed kan være motivet for hans drab. Men grådighed er trods alt en synd ...
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"Et intelligent mysterium fuld af spænding, men også af humor og medfølelse. George Cross er ved at blive en af mine yndlingsdetektiver." - Elly Griffiths
"Jeg er smaskforelsket i George Cross." - Stephen Fry
"Det ultimative et spændende plot med en engageret kriminalassistent, som jeg ville følge til verdens ende. Bare genialt!" - Marion Todd
"En genial kriminalassistent af den gamle skole med et moderne tvist ... fra de komplekse følelser i hans privatliv til de knivskarpe detaljer i politiets efterforskning. Spot on!" - Russ Thomas
"Tim Sullivans detektiv, kriminalassistent George Cross, er autist. Hans tilgang til efterforskningen er uortodoks ... han fungerer overraskende godt som en fiktiv karakter, der behandler spor på en måde, der minder om Poirots 'små grå celler'." - Sunday Times
"Endnu en tour de force ... Hvis du er på udkig efter en god krimiserie, kan du ikke få meget bedre end denne. George Cross er en absolut fornøjelse." - Biskop Stortford Independent

My Review:

The question on the minds of everyone involved with this case is “who would want to murder a monk?” Because the sight of a monk, in full habit, dumped in a ditch, duct-taped to a chair and literally and obviously beaten to death, causes pretty much every mind involved to rabbit around the wrong question. Not that it’s not both important and heinous that Brother Dominic is dead – particularly in such a brutal and gruesome fashion. Even DS Cross gets caught up in it and sent off track as rarely happens to him.

But it’s not about a monk. Or any monk. It’s about this person, whether as Brother Dominic or as the man he used to be. Whoever that might have been. Because no one commits this much brutality against a random stranger – or even a random strange monk. He was someone very specific to somebody who specifically wanted him dead.

The question is why? Which begs the question of who the man was before he joined the monastery and retreated from the world. Who did he let in? Or who discovered where he had shut himself in?

The case, as is usual with Cross, went places that no one really wanted him to go. Because that’s what he does. He is compelled to discover the truth. Not an approximation of the truth, not something adjacent to the truth, not something ‘close enough for government work’ to the truth.

The actual truth. No matter how much it drives his DCI out of his tiny mind (and it IS rather small) AND the way it makes his colleagues groan because he usually has one last (important) tangent to uncover after a case is theoretically closed.

That in this case EVERYTHING is complicated – not just by the usual secrets and lies – but by the mystery that surrounds the victim’s identity. The way that identity casts confusion into Cross’s own life makes this entry in the series even more of a puzzle than usual. And pushes Cross into multiple discomfort zones even as it brings him an unexpected bit of community in a place he never expected.

Escape Rating A: This story has been calling my name since I finished the previous book in the series, The Politician, just a few weeks ago. (Time flies when you’re either having fun OR reading. Especially reading.)

The story also teased me because it reminded me just a bit of one of the Inspector Gamache books, which turns out to have been The Beautiful Mystery. Because that story is also set in a monastery and also involves a murder that occurs because the monks let the outside world IN a bit more than was wise. Or perhaps even godly. Not that Cross is a religious believer of any stripe. Faith just isn’t logical to his rigidly ordered mind.

The case is a bit of a mess this time around. Or, to be strictly accurate, DS George Cross is a mess this time around. A different mess than he usually is in a way that knocks him a bit off his game in ways he is having difficulty dealing with.

Everyone involved focuses on the habit the victim is wearing and not the man inside the habit. Brother Dominic’s vocation discombobulates everyone around the case. Because no one expects someone dedicated to a religious life to be murdered – to even have anything worth murdering FOR. It offends the sensibilities.

Cross would claim he doesn’t have those. But of course he does, they’re just triggered differently. In this case, they’re triggered first because everyone is wasting time around their disbelief and not investigating the case of who it was done to so they can figure out whodunnit.

When Brother Dominic’s earlier life is finally uncovered, Cross is sent off track in a different way. Because Brother Dominic’s brother, his biological sibling, is one of Cross’s few friends. Not that Cross likes to admit that he has those or that he’s invited nearly as many people into his internal circle as have managed to inveigle themselves there.

At the same time, the reveal of Brother Dominic’s original identity opens up multiple new cans of wormy clues to his murder. Which leads back to the destruction of a family legacy, to an inability for some of the privileged to acknowledge their own actions or the consequences thereof, and to the old motives of revenge being a dish best served both ice cold and all around.

And it’s that last that keeps Cross investigating – and the reader guessing – until the very last page.

This series has been an absorbing delight to read. Which means that I’ll be back in a month or two with the next book in the series, The Teacher, as soon as the ‘round tuit’ circles back around to DS Cross and his fascinating cases.

A+ #BookReview: The Politician by Tim Sullivan + #Giveaway

A+ #BookReview: The Politician by Tim Sullivan + #GiveawayThe Politician: A DS George Cross Mystery by Tim Sullivan
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: crime thriller, mystery
Series: DS George Cross #4
Pages: 416
Published by Atlantic Crime on March 3, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A ransacked room. A dead politician. A burglary gone wrong – or a staged murder?
THE DETECTIVE
DS George Cross loves puzzles – he's good at them – and he immediately spots one when he begins investigating the death of former mayor Peggy Frampton. It looks like a burglary that went horribly wrong to most but George can see what others can't – that this was murder.
THE PUZZLE
After her political career ended, Peggy became a controversial blogger whose forthright opinions attracted a battalion of online trolls. And then there's her an unfaithful husband and a gambling-addicted son. With yet more enemies in her past, the potential suspects are unending.
THE SUSPECTS
Cross must unpick the never-ending list of seedy connections to find her killer – but the sheer number of suspects is clouding his usually impeccable logic. He's a relentlessly methodical detective, but no case can last forever. And politics can be a dangerous game – especially for people who don't know the rules . . .
Perfect for fans of M.W. Craven, Peter James and Joy Ellis, The Politician is part of the DS George Cross thriller series, which can be read in any order.

My Review:

Just as yesterday’s book was the fourth book in ITS series, The Politician is the fourth book in Tim Sullivan’s DS Cross series – and it’s ALSO every bit as good as the three that came before it, The Dentist, The Cyclist and The Patient.

As all the books in this series – so far – are titled after the vocation or avocation of the victim, we’re not actually surprised that a politician is the victim of murder. These days, we might even be a bit surprised that it hasn’t happened sooner or more often, even within the confines of this series!

The late Peggy Frampton was a local politician in Bristol, a former mayor who was still active in local politics AND as a popular, even viral, online advice columnist – or ‘agony aunt’ as they’re sometimes called in Britain. Both jobs, as a politician AND as an advice columnist, provided plenty of opportunities to make enemies – which she certainly did.

Especially with the internet involved, where it seems like the worst of humanity takes the anonymity of social media as a license to show their asses – because on the internet, no one knows exactly who is being an ass.

Nevertheless, Peggy’s death seems to be both a surprise AND an open and shut case. It looks very much like an interrupted burglary gone wrong. A circumstance that would not require much poking around into Peggy’s friends and enemies.

Which doesn’t mean that there isn’t plenty of pressure on the Avon and Somerset police to solve the case. After all, Peggy was a prominent and popular local figure, and as a former mayor the Police Chief considers her murder to be an attack on “one of their own”.

DS George Cross, the department’s most successful investigator, never sees the case as open and shut. He sees the inconsistencies in the crime scene, even as his boss is rushing towards a quick – and incorrect – resolution. Which is what DCI Carson ALWAYS does – and why the Chief can’t leave the case in his hands even if Cross is the one doing all the real work.

George mostly ignores the office politicking and maneuvering going on around him, as his partner DS Ottey acts as his buffer and minder – in multiple directions. George remains focused on the puzzle that confronts them. Because this murder that so many wanted to declare open and shut and simply a burglary that went wrong, is complex and complicated and filled with too many coincidences that, for once in a mystery, actually are coincidences. Muddying the waters and getting in the way of solving the case.

For everyone except Cross. His process for getting to the heart of the matter may look painstaking, repetitious and even boring from the outside, but when he figures out whodunnit, conviction of all the ‘whos’ that ‘done it’ is a guarantee. Just the way that Cross needs it to be for justice to be served.

Escape Rating A+: I’ve fallen straight into every single book in this series so far, and at this point I have ZERO concerns that the rest are not going to be every single bit as good. Which is precisely why I decided months ago that whatever point in this series I happened to be at when my Blogo-Birthday Celebration came around, a book from this series would be one of the giveaways.

Because damn this series is awesome and I really want to share it. I’m ever so grateful to the US publishers, Atlantic Crime, for making the whole thing available in the US for the first time, as a run up to the Summer 2026 publication of the latest book in the series, The Tailor, on BOTH sides of the pond.

All of that being said, you might be wondering what makes this series so compelling. I’m going to try to explain, and likewise try not to be reduced to merely SQUEEING because it’s so good.

Most detectives, whether amateur or professional, tend not to believe in coincidences when it comes to solving a case. And they’re usually right to be skeptical. The thing about Cross is that he doesn’t “believe” much of anything at all, because belief generally requires a leap of faith that he’s more or less incapable of.

But he does believe in justice. More importantly for his investigations, he believes in facts and refuses to make assumptions and/or proceed on hunches. He doesn’t dismiss anything as “irrelevant” until he’s investigated them and is certain that they really are.

This is a case that is built on a series of coincidences – and its investigation is obfuscated by that same series of coincidences. Peggy Frampton is dead. That’s the one certain thing, the one central point. But every bit of evidence and/or information that surrounds her death seems to be in contradiction with every other bit. Her death appears to be the result of Peggy’s interruption of an amateur burglar. At the same time, a professional thief was down in her husband’s study, opening a sophisticated safe and stealing the literal family jewels. She’s made plenty of enemies both as a local political figure and as an agony aunt, which might explain her murder but and the amateur burglary but not the professional heist. Her husband is a serial cheater, her son is an inveterate gambler, and her daughter would like to have nothing to do with either of them. There are plenty of motives on all sides in the family, for the murder certainly and one or the other of the thefts but not both. She’s also drawn the ire of a local developer by standing in the way of his ‘legacy’ building project, and is being stalked by someone who believes he was defamed – and his life was ruined – by her advice to his would-be girlfriend

Then there’s an Albanian crime family lurking around the case on all sides, but none of those sides seem to touch Peggy herself or her murder. It all adds up to an extremely thorny thicket that most mysteries would coalesce into a single mess – but instead it stays messy and STILL gets solved.

Because this is a series, totaling 8 books in July and with seemingly – and thankfully – no end in sight, there’s also the through story that underpins the whole thing. Both the internal politicking – definitely small p in that version of the word – the way that Cross sometimes infuriates his colleagues and his bosses but still gets the job done and they still (generally) like him in spite of all that. AND the way that Cross moves through the world and how little, but how gradually, he keeps adapting to it and vice versa. We feel for his colleagues, AND we feel for him, even in situations where he doesn’t seem to feel at all. And yet he does and we do and it’s fascinating to see him continue to change, and grow, and figure out more about himself along the way.

So the investigation manages to be both painstaking and riveting – even though those two states don’t often manage to occur in the same circumstances. The politicking of Cross’ cop shop in this case was even more entertaining than usual. And Cross was forced to re-think pretty much everything about his own childhood in a way that was both organic to his character and managed to be both heartwarming and a bit heartbreaking at the same time.

I’m still utterly enthralled by DS George Cross, his work, his colleagues, and his way of dealing with a world that he is all too aware was not made for him. A world that he still manages to make work for him. If Cross’s story sounds as fascinating to you as it has been for me, one very lucky winner in this giveaway will get to pick the book of their choice from this series (including the newest if you’re willing to wait for it!) and see for themselves!

And the giveaways will continue over the weekend, as tomorrow marks Reading Reality’s official blogoversary and Sunday is my own birthday. Come back and check it out!

Grade A #BookReview: The Shadow Carver by Nadine Matheson

Grade A #BookReview: The Shadow Carver by Nadine MathesonThe Shadow Carver: A Novel (An Inspector Anjelica Henley Thriller, 4) by Nadine Matheson
Format: eARC
Formats available: hardcover, ebook, audiobook
Genres: crime fiction, crime thriller, mystery, suspense, thriller
Series: Inspector Anjelica Henley #4
Pages: 432
Published by Hanover Square Press on March 10, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A killer who cuts straight to the bone…

A CHILLING MURDER

When a convicted killer is released and later found brutally murdered, DI Henley and the Serial Crimes Unit are pulled into a deadly investigation with links to other recent attacks – all the victims are connected by the vicious signature left behind by the killer.

A KILLER LURKS

Henley and her team begin to connect the dots between the killings, and realize the murders are part of something more sinister. Each victim has been chosen with a deadly precision, their deaths carved out with a shocking cruelty.

THE HUNT IS ON …

As the rampage continues and the case spirals into a terrifying hunt for the killer, the line between predator and prey begins to blur. Henley and the SCU are running out of time… Can they outsmart a monster before they strike again?

My Review:

The Met’s (that’s the Metropolitan Police of London to us Yanks) Serial Crimes Unit just can’t seem to catch a break. (Or this is absolutely the correct book to review on the second Friday the 13th of this year as if it wasn’t for bad luck there have been entirely too many occasions when the SCU wouldn’t have any luck at all.)

On the one side, there’s their own higher-ups at Scotland Yard, expecting the SCU to investigate serial crime cases for pretty much all of the UK with just four cops in the unit.Which means that their official charge is to take ONLY those cases that might realistically be serial crimes – but then their “Guv” gets hauled down to HQ to justify their “prima donna” cherry-picking.

When they take cases on the fringes, their boss gets called in to explain why they’re not solving cases fast enough. With a four-investigator team covering all of the UK.

Catch-22 at its finest.

Of course, when a whole bunch of seemingly disparate cases is finally classed as a serial, they catch the blame from all sides. For all of the bureaucratic malarky reasons above. Even as the unit is constantly threatened with disbandment every budget cycle if not more often.

So when the SCU is called into investigate what looks like a violent home invasion, DC Ramouter and his senior partner, DI Anjelica Henley, don’t believe that it’s one of their cases. Not that the SCU isn’t investigating a series of aggravated home invasions, but the MO for this case isn’t the same as their case.

Which doesn’t mean that they don’t both have a gut reaction to the case. It might not be part of the case they currently have on deck, but it might still be one of theirs. If so, it’s something new.

It turns out to be something old. Older than the hills. Admittedly, our hills rather than theirs. Not that either vigilante justice, which is the iceberg they’ve just crashed into, or scalping – the calling card the killers leave behind – are uniquely American phenomenons.

The case, which begins as what appears to be an interrupted home invasion, exposes a long-running series of murders that pretend that they are about justice. And maybe they started out that way.

Every victim, going back decades and halfway across the country, was the perpetrator of a heinous crime who should have gone to prison. But in each of these cases the criminal justice system failed the real victims, either through the excellent defense that can be bought with privilege and money, or through skillful manipulation of a jury by a seemingly sympathetic and harmless defendant, or simply due to a system that is overcrowded and overworked and of necessity plea bargains cases to keep those cases from taxing the court system even further.

Many see justice denied due to various technicalities and manipulations as a crime in itself. In the case that has landed in the SCU’s lap, someone, or more likely a small group of someones, calling themselves “Iron Shadow” has taken those miscarriages of justice to a new and deadly level.

Now that the SCU has them in their crosshairs, the Iron Shadow has the SCU in theirs. And have decided that the SCU is merely a cog in the wheel that has already failed them. And consequently deserves whatever punishment the Iron Shadow deems necessary to get them out of the way of their righteous crusade.

Escape Rating A: I’ve been waiting for this book for two years – and it was worth the wait.

The reason it was worth that wait is that the series, so far, hits a fascinating set of sweet spots for this reader – in spite of the blood and gore that the SCU’s cases so often nearly drown in. The Inspector Anjelica Henley series is definitely suspense thriller, a genre that often trips over the line of being too tension driven and not-enough-story for this reader. But this series makes it work by grounding the whole thing as a police procedural. I don’t want to be in a serial killer’s head – ever – but I’m more than willing to follow the investigator or detective hunting them down.

The cases, so far in the series (The Jigsaw Man, The Binding Room, The Kill List) have all been taut thrillers, with the members of the SCU, particularly Henley, always on someone’s “kill list” both literally and figuratively.

This particular case is especially riveting for the way that it’s not theirs, and not theirs, and not theirs exactly and then the investigation turns up more bodies in the past even as more bodies drop in the present and suddenly it’s not only THEIRS but it’s more horrific than anyone imagined. While the actual perpetrators seem so far removed from the horrors they are responsible that even the SCU wonders whether they’ll be able to link them to their crimes or whether they, too, will escape on a technicality.

The cop shop vibe is part of what I read police procedural series FOR, and the SCU is very much like a dysfunctional family. I want things to get better for each of them – but they’re a bit co-dependent on each other’s messes even as they get the job done. To the point where I’m surprised that the unit hasn’t been broken up for their own good.

AND wondering how much more dysfunctional they’re going to get in the next book, because there’s now a cuckoo in their nest. The Met may not have money for additional detectives for the unit, but that doesn’t mean that a unit somewhere else can’t pay to get a problem off their hands by seconding them to the SCU. Which is exactly what it looks like has occurred during this case and I’m sure it’s going to have chaotic, disruptive consequences down the line.

And so is Henley. But in this case, their new detective’s hot-headed glory-grabbing helps to bring their quarry to justice. Unless, of course, they buy really good lawyers and take advantage of the system they claim to be flawed and broken beyond redemption.

The Shadow Carver, like the previous books in the series, was a riveting read that kept me awake until I turned the last page – and a bit after as it took awhile to recover from the tension of the whole thing! And now I’m sad that I probably have another two years to wait for the next book.

I confess that I hope that at least a few of the cases that Henley and company face in the future will be just cases and not directly target the team. They’re dysfunctional enough that they don’t need an enemy from without every time as they have PLENTY of ways to hurt each other without making new enemies. But that’s mostly a hope from a reader who would like to see them get their shit just a bit together, because I like them all – except that cuckoo in the nest – and want the best for them so they can be the best at catching their quarry.

#BookReview: The Midnight Taxi by Yosha Gunasekera

#BookReview: The Midnight Taxi by Yosha GunasekeraThe Midnight Taxi by Yosha Gunasekera
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: crime thriller, legal thriller, mystery, suspense, thriller
Pages: 336
Published by Berkley on February 10, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

When the last fare of the night turns up dead in her backseat, a Sri Lankan American taxi driver works off the clock to clear her name in this mystery novel by debut author Yosha Gunasekera.

Siriwathi Perera doesn’t quite know where she’s going in life. She never expected to be a taxicab driver in New York City, struggling to make ends meet and still living with her parents at twenty-eight. The true-crime podcasts that keep Siri company as she drives don’t do much to make up for the legal career she imagined for herself, or the brother she’s grieving.

When public defender Amaya Fernando gets into her cab, they make a quick connection through their shared Sri Lankan roots. Siri, whose social circle is limited to her grade-school best friend, Alex, thinks things might finally be looking up with this new potential friendship. But she’s suddenly dropped into her own true crime when she discovers her next passenger murdered in the backseat, and she has to call Amaya sooner than she’d expected.

Pinned as the obvious and only suspect, and desperate to clear her name, Siri chases down leads across the boroughs of New York City with Amaya’s help. But with her court date looming, they have just five days to find out who really killed the midnight passenger—or Siri’s life will be over before she can even truly live it.

My Review:

This review is being posted on Friday the 13th. Which is kind of fitting because on the night this story opens, let’s just say that if it weren’t for bad luck Siriwathi Perera wouldn’t have any luck at all. A situation that manages to get a whole lot worse before it finally turns the corner.

Siriwathi thinks she’s being observant. She also thinks she’s doing more or less okay, for variations of okay that really aren’t. Her observation skills are in about as good a condition as the rest of her life. Meaning not very.

As a late-night New York City taxi driver, one of a small percentage of female cabbies, she thinks she’s being careful, and she mostly is. At least as much as she cares to be. Because life, and her immigrant family’s well-being, financial and otherwise, has been stuck in limbo and sinking fast since her older brother died of cancer a couple of previously. Taking the family’s future along with him.

Still, she really should have paid considerably more attention when she picked her last fare of the night – and all along the way from the pickup point near the night court all the way out to JFK Airport. Because somewhere along that way whose details she doesn’t fully remember, at some point when her attention was distracted by the drive, the traffic, or the true crime podcast she was listening to, someone, somehow, reached into her locked taxicab and shoved a knife through her passenger’s heart.

The police are absolutely certain she must have done it. Siriwathi is a brown-skinned female immigrant, the victim was locked inside her cab, and that’s all they need to know. Or care to find out.

She has five days to figure out who really ‘dunnit’, with the surprisingly enthusiastic assistance of her public defender and the neverending support of her childhood bestie. Not that they have much in the way of clues, motives or even information to begin with.

That their very first clue is a real, live python does not exactly bode well for their success. But Frankie does at least represent the shape of things to come. Because clearly there’s a snake – or more than one – hidden in the grass somewhere in this mess. It’s up to Siri, Amaya and Alex to figure out who it might be before Siriwathi is condemned to life in prison for a murder that she didn’t even know had happened until it was much too late.

Escape Rating B: This ended up being a bit of a mixed feelings review. Mostly good mixed feelings, because the story has a LOT of good in it in a lot of ways. But it’s also carrying a lot of weight in its backstory and setup, and it’s trying to do a lot of things with that weight, along with telling a compelling mystery. It’s just, as I keep saying, a LOT, and jam-packed with that lot over less than 350 pages.

First – and last – this is a mystery. Siriwathi has five days to figure out who murdered her passenger or she’ll be the one doing time for it. The deck is obviously stacked against her for reasons that are all too clear to her. She’s a woman, she’s brown, she’s poor, and she’s an immigrant. As her public defender puts it, for people like Siri, it’s not the “criminal justice system” no matter what Siri thought she knew based on TV crime dramas and true crime podcasts. For people like Siri – and her lawyer Amaya – it’s the ‘criminal legal system’ and there’s no ‘justice’ to be had. Not for either of them.

Siriwathi knows she’s in trouble, and she’s scared about it and angsting over it – justifiably so. Who wouldn’t be? But from a story perspective, every time she gets caught up in that grinding angst, the story grinds to a crawl. The pacing for her angst fests breaks the flow of the mystery, which should be moving to the sound of a loudly ticking clock because her time really is running out. But the clock stops for her internal dialog, which is utterly justified but more than a bit repetitious.

The pace also slows down when Siri gets caught up in her memories, which she also does often. Admittedly they’re useful for revealing her character’s backstory and they’re not the same memory each time so not repetitious at all – even when those memories are circling around the big thing that Siri doesn’t want to get into because it will just make her angst even more. But combined with the angst-fests the mystery pace does not keep proceeding apace as it should. At least not until the 2/3rds mark when the red herrings finally school into a gigantic clue-by-four that Siri doesn’t see the full dimensions of until it’s actually too late.

Even if it does give new meaning to the old cliche about a true friend being someone who will help you hide a body.

Threaded throughout all of that, this story is also a love letter to New York City – not the parts the tourists flock to, but the REAL NYC, the places where people live and work and somehow manage to hang onto to their communities and their enclaves despite the rising prices of gentrification and the drive for the new and trendy that follows in its wake.

In the end, I wanted to find out whodunnit and how and why, because the crime itself had a kind of locked room – or at least locked taxi – fascination and I certainly liked the characters and wanted them to succeed. I just didn’t feel as outright compelled to do so as I often am in a mystery.

Based on the teaser at the end of the book, The Midnight Taxi is the first book in a mystery series wrapped around Siriwathi’s and Amaya’s investigations. A story which already looks like it will go at a faster pace now that the heavy lifting of series setup has been done. I’m looking forward to exploring more of their city – and its crimes – with them.

A+ #AudioBookReview: Spider to the Fly by J.H. Markert

A+ #AudioBookReview: Spider to the Fly by J.H. MarkertSpider to the Fly by J.H. Markert
Narrator: Wayne Mitchell, Xe Sands, Vanessa Moyen
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: crime thriller, horror, psychological thriller, thriller
Pages: 352
Length: 10 hours and 22 minutes
Published by Crooked Lane Books, Spotify on September 2, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A true crime author helps in a desperate hunt for a killer in this dark and twisted thriller from the deviously inventive horror author that Peter Farris calls the “clear heir to Stephen King.”

Perfect for fans of cat and mouse serial killer thrillers like The Butcher and the Wren and The Jigsaw Man.

Ellie Isles first became obsessed with the I-64 murders when she saw her own face on one of the victims. Identical to every detail, the woman wasn’t her, but she could have been. Compelled to discover the story of her dopplegänger’s death, Ellie wrote a bestselling true crime book about the serial killer, dubbed “the Spider.”

Four years later, the Spider still hasn't been caught, and his victim count is climbing. Many of the bodies remain unidentified, but with Ellie’s online network of true crime followers, that’s slowly changing. Together they’ve pooled information to create a massive database that tracks people at risk of becoming Jane and John Does–the homeless, the drug addicted, and the downtrodden–with the hopes that if they become victims, they might at least be identified.

Now that Ellie has successfully identified multiple victims, the law enforcement task force tracking down the Spider pulls her in to help–and after Ellie’s therapist is arrested for the murders, she is more determined than ever to help catch the Spider.

With striking prose and a horror flair, Spider to the Fly is an engrossing serial killer thriller, perfect for fans of The Whisper Man.

My Review:

We begin with just the sort of thing that lets the reader know that this story is going to go to some very dark places. Because it begins with three children being abandoned by their father at what appears to be the worst sort of orphanage without a backward glance.

We don’t learn that the place was even worse than we imagined it to be until much, much later.

Because the story shifts from those children to an entirely different child decades later. Twelve -year-old Amber Isles is trying to draw her exhausted mother Ellie’s attention to the TV. Because her mom’s face is on it. But it’s not her mom.

And that’s where the story kicks Ellie in the gut, changes the course of her life and propels everything into a high and panicky kind of gear. The face on the TV screen, the one that looks EXACTLY like Ellie’s, is the face of Sherry Brock, one of the adopted children of the richest and most influential family in tiny Ransom, Kentucky. Sherry Brock is dead, the 17th victim of the serial killer known as ‘The Spider’ because all of the Spider’s victims have been found by the side of I-64 as it crosses Kentucky, poisoned by numerous bites from the most venomous breeds of arachnids.

That uncanny resemblance between Ellie Isles and Sherry Brock leaves Ellie convinced that Sherry is her twin. Ellie was an orphan raised in foster care, Sherry was an orphan who was adopted by the Brock Family and they are exactly the same age so – the idea that they might be twins isn’t outside the bounds of possibility.

In her search for connection – and for a driving focus to keep her own nightmares at bay, Ellie Isles becomes an expert on the Spider and especially his victims. Her best-selling true crime book on the subject, Bloody Highway, brings her recognition and continually increasing book royalties, as sales of her book rise with the discovery of each new victim.

When the Spider’s 29th victim is discovered, the pieces of the puzzle that has consumed Ellie’s life start falling into place – as do the vague and shadowy memories of Ellie’s life before she was left, as if by a very large stork, at the age of eight in front of an orphanage with no memory of her early life or how she got there in the first place.

At the same time, the vast, influential house of cards that was the life of the Brock family disintegrates right before the eyes of a fascinated but horrified town. The elder Brocks, Brad and Karina, are dead as the result of a massive house fire. A crime that their oldest adopted son, Ian, confesses to but claims he can’t remember.

But Ellie’s missing memories have started shaking loose. And so have the memories of a lot of others, all of whom were once orphaned children being traumatized and experimented on at a place called ‘The Farm’. And they all remember Ian Brock, the boy who terrified every single one of them in brutal games of ‘The Spider and the Fly’.

Unless, Ian Brock, like his sister Sherry, had a twin. An evil twin. But which twin was he?

Escape Rating A+: This book sits at an uncomfortable place for this reader, spiked right on the barbed wire fence between horror and thriller. It is absolutely riveting – and at the same time I couldn’t make myself linger long with it each day and I could not convince myself to read it at night. It’s that kind of compellingly uncomfortable story.

Which made it a perfect candidate for an audiobook, as well as simply a damn good audiobook, because I got just enough each day to give my anticipation of the next day’s installment a delicious shiver of dread.

From one perspective, this is about the hunt for a serial killer, which is one way that I work myself into both horror and thrillers. I can get caught up trying to solve the puzzle and distance myself from the horror enough to get into the story.

In this story, tracking down the Spider is clearly Ellie’s obsession, but that obsession may honestly be the mentally healthiest part of her personality – and that’s a scary thing to say in a much different way. She is personally involved because of her resemblance to Sherry Brock, and it’s made even more personal because of the way the Brocks treated her when she tried to reach out.

But the death of the older Brocks changes the story. Of course, at first, it’s all about the scandal. Because of course it’s a scandal.

More than that, the death of the older Brocks kicks over an anthill. Or perhaps that should be tears down a spider’s web. Their deaths remove their wealth and influence, and their long-held secrets begin scurrying out into the light. And in those secrets is the true horror behind, not just the lives of their now adult adopted children, but the lives of all the children like Ellie who were imprisoned on ‘The Farm’.

I found the book’s most horrific moments – and the real-life horrors of experimental children’s hospitals like the Fernald Center (look up Walter E. Fernald Developmental Center and be prepared to be horrified) that they were based on, to be even more terrifying than the serial killer. And he was plenty next level already.

The story itself was riveting in the way that it was told from three separate viewpoints, and we don’t know exactly how they all connect up for nearly the entire story. (That they were separately voiced in the audio was marvelous.)

It is mostly Ellie’s story, but a piece of it is her daughter Amber’s. I got into the story through Ellie’s investigation, because the puzzle solving – and was it ever compelling – gives me enough comfort zone to deal with rest. The focus remains mostly on Ellie because her perspective, and her investigation, is the one that pushes the plot forward. And that just worked for me because I could get into her head. Which may be an uncomfortable place for her, but still held the most logic, motivation, and coherence.

While we know who Amber is, from her point of view we also learn that she’s been investigating on her own AND keeping her own secrets about it. She turns out to be a prime mover and shaker in what’s happening as the case unravels, but it’s a perspective she’s kept to herself. (Amber reads like she KNOWS she’s auditioning for the part of ‘Final Girl’ in this horror show and that put me off a bit. Not that it happens, but that she knows it’s happening as she does it and doesn’t change course. Then again, she’s still a teenager.)

The third point of view is from one of Ellie’s fellow former orphans, someone who perhaps was so damaged by his experiences that there’s no way back. That he manages to be a huge red herring, a victim AND a perpetrator and even, possibly, a hero, was a twist that helped to keep this reader on the edge of her seat until the very end. And more than a bit shaky for quite some time after.

I prefer to sidle up to horror, and this spider of a novel absolutely does creep up to it from the edges on all sides. Not just the spiders themselves, both two-legged and eight-legged, but also the suppressed horrors of the past that occur in memory and offstage, and, sadly and even more horrifyingly, in real life. It’s an utterly compelling read – or listen – every single step of the way. No matter how many legs are crawling through the reader’s brain as they read it.

Neither horror nor thrillers, and this is certainly both, are exactly my jam. But this book is going to be on my ‘Best Books of 2025’ list all the same.

Grade A #BookReview: The Kill List by Nadine Matheson

Grade A #BookReview: The Kill List by Nadine MathesonThe Kill List (Inspector Anjelica Henley, #3) by Nadine Matheson
Format: eARC
Formats available: hardcover, ebook, audiobook
Genres: crime fiction, crime thriller, mystery, suspense, thriller
Series: Inspector Anjelica Henley #3
Pages: 448
Published by Hanover Square Press on August 6, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

While an innocent man sits behind bars, a serial killer with a gruesome signature has started killing again. And only Anjelica Henley can stop him.
After twenty-five years behind bars, Andrew Kenan has just been exonerated. Newly discovered DNA evidence proves that he was not the cold-blooded serial killer the world thought he was, the one who sewed his victims' eyes shut before burying them alive. Before Kenan can taste freedom, however, he is found dead in his prison cell. And Inspector Anjelica Henley, who worked the original investigation, is left in shock.
Henley never thought she'd have to revisit one of the most horrifying cases of her career. But now, after evading justice for twenty-five years, the true killer is back, and so is their gruesome signature. Can Henley stop them once and for all? Or has the Serial Crimes Unit finally met its match?
Drawing on her experiences as a criminal attorney, and exploring themes of race, class and justice, Nadine Matheson's newest entry in the Anjelica Henley series is her darkest, most adrenaline-fueled mystery yet.

My Review:

I picked this up because I was utterly riveted by the first two books in the Inspector Anjelica Henley series, The Jigsaw Man and The Binding Room. It’s taken me nearly a month after the publication date to brace myself to read the book, because this is a series where the word “enjoy” doesn’t actually apply to the reading of it.

Riveted, on the other hand, certainly does. Compelled, also. Certainly glued to the edge of my seat for nearly four hours, unable to put the thing down out of fascination and fear that something else even more terrible was about to happen.

Which, to be fair, it generally was.

Detective Inspector Anjelica Henley is a member of the (London) Metropolitan Police Serial Crimes Unit. It’s a unit that didn’t exist in 1995, when the serial killer the press dubbed “The Burier” began his spree of kidnapping young women, torturing them, raping them, burying them until they died of asphyxiation, then digging up their bodies and staging the discoveries of their corpses.

Then 15-year-old Anjelica Henley’s best friend Melissa was the first – but certainly not the last – of The Burier’s victims.

The Burier’s spree came to an end in 1996, when Andrew Streeter was convicted of all five monstrous killings. While Streeter protested his innocence repeatedly at his trial, at his conviction, and frequently and often over the twenty plus years since, the fact that the killings stopped convinced even the doubters that they had the right man – even if there might have been a few – or even more than a few – irregularities in the way the police handled the case.

But those irregularities have come back to haunt Anj, the entire SCU, and every single person who ever had anything to do with that old case. Because Andrew Streeter, the man everyone simply knew was guilty, had gotten the attention of a high-profile “Innocence Project” that successfully convinced a review board that those irregularities were the result of a police cover up and corruption that stitched him up for reasons that had nothing whatsoever to do with his actual guilt or innocence of the crime for which he was convicted.

He was merely convenient. Or in someone’s way. Or both. Almost certainly both.

And now that he’s about to be released from prison, the hunt for The Burier is starting all over again. Unless he starts hunting for them, first.

Escape Rating A: I’m not joking about the utterly mesmerizing four hours it took me to read this from beginning to end. I think the only times I moved were to adjust my legs to accommodate whichever cat had nestled into my lap and frankly I was glad of the comfort.

A comfort I desperately needed, because comfort is absolutely the last word I would use to describe this book OR the series from which it sprang. Compelling, yes. Fascinating, also yes. Riveting, absolutely. But comforting, no, not even in the ending which is not so much cathartic or relieving as merely a sigh and a pause between this story and the fresh hell that its unanswered questions inevitably lead to.

This is a hard book, and that’s made it difficult to get my thoughts into order and pour them out through my keyboard.

Why?

Because there are at least three elements to the taut suspense of this thriller, and each one is more of everything than the last. Surprisingly, the case of The Burier, with all of its chilling and even visceral horror, isn’t the worst of what the characters face.

Except for Henley, none of the current members of the SCU were involved in the original case. And Henley’s involvement was as a witness and victim-by-association. Whatever guilt she may feel – however much she might second guess her behavior then – she wasn’t actually responsible for any of the events – and neither are any of the other current members of the team.

It didn’t happen on their watch – although they are being held accountable for cleaning up the rather obvious black eye that has materialized on the face of the Met as a result of it.

Which is where the story veers into the worse, because it’s not just that Streeter was framed then. It’s that their deceased boss, their mentor, is being framed now, that his handling of the case then is responsible for this miscarriage of justice.

Unless, he wasn’t the bent copper who focused the case on Streeter, manipulated evidence and witnesses and knowingly put the wrong man in jail. A possibility that seems even more obvious as the way that the present case has been dumped in their collective laps has made it crystal clear that the Serial Crime Unit has an enemy within the Met who absolutely is out to get them all.

The question of who, what, when, where and why of that fact, while less terrible in the blood and guts sense, is a bigger and worser question for a unit that sees each other as family – whether that’s healthy or not – and sees that they are all falling over the edge in one way or another. Watching each other fall apart, knowing that someone has a figurative knife in their backs even as they investigate a killer who literally stabs his victims before he does the rest of his terrible work ratchets up the tension of this case even as it powers the story straight into the next book – which we’ll probably have to wait a nail-biting two years for.

A fact which makes this reader want to curse even more than the characters in the story do.