Framed in Death (In Death, #61) by J.D. Robb Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: futuristic, mystery, romantic suspense, suspense, thriller
Series: In Death #61
Pages: 368
Published by St. Martin's Press on September 2, 2025
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads
Death imitates art in the brand-new crime thriller starring homicide cop Eve Dallas from the #1 New York Times-bestselling author J.D. Robb.
Manhattan is filled with galleries and deep-pocketed collectors who can make an artist's career with a wave of a hand. But one man toils in obscurity, his brilliance unrecognized while lesser talents bask in the glory he believes should be his. Come tomorrow, he vows, the city will be buzzing about his work.
Indeed, before dawn, Lt. Eve Dallas is speeding toward the home of the two gallery owners whose doorway has been turned into a horrifying crime scene overnight. A lifeless young woman has been elaborately costumed and precisely posed to resemble the model of a long-ago Dutch master, and Dallas plunges into her investigation.
My Review:
There are, as there often are in this series, two things going on. The ‘A Plot’ tends to be the case that Dallas ends up working on, while the ‘B Plot’ is generally wrapped up in whatever is going on with the extended fam.
And that’s the way this OMG 61st entry in the series seems like it was intended to be, as we start by witnessing the first murder – and get thoroughly creeped out being inside the killer’s entitled, egotistical, head.
But in spite of his sociopathy and his narcissism, the serial killer that the media dubs ‘The Artist’ just isn’t all that. Yes, he’s deadly, but he’s also kind of stupid – or high on his own supply of entitlement and privilege. Once Dallas has her sights set on him, he’s not that hard to catch.
So the ‘B Plot’ in this story is the one that takes center stage – or is at least a whole lot more fun AND interesting to follow. For the past several books the story has been following the progress on the new house that Dallas’ oldest and dearest friend, singer Mavis Firestone, along with her designer hubby Leonardo and their daughter Bella, are building together with Dallas’ police partner Delia Peabody and her domestic partner, NYPSD e-geek Ian McNab. Now that the house is completed, and both couples have officially moved in, the background of this book is all about the ginormous, extended, multi-day housewarming event that’s been scheduled.
As long as Dallas gets the case wrapped – which of course she does. That the money and influence the murderer’s family brings to bear THINKS it can get in the way of justice just makes the inevitable resolution that much sweeter and more cathartic.
While the party, and the gathering of the clan and the fam, makes for a perfect – if just a bit understated – happy ending for this latest book in the series.
Escape Rating B: Some entries in the marvelous and marvelously long-running In Death series kick ass and take names on all aspects of the story – as was very much true with the previous entry in the series, Bonded in Death.
Very much on my other hand, sometimes the latest book in the series is merely a chance to catch up with Dallas and Roarke and their ever-increasing found family while oh, by the way, there’s a murder case. Framed in Death is one of the latter entries in the series.
Which does not, by any means, mean that it was bad, and it certainly doesn’t mean that I didn’t have a great reading time visiting with my ‘book friends’ at the NYPSD – because I absolutely did.
But it does mean that this is a book for fans and not an entry point in the series. This was still a single-sitting read for me and I was more than happy to take a trip back – or is that forward? – into Dallas and Roarke’s futuristic world.
IMHO, the problem with this entry in the series is that it a) didn’t tell us anything new about anyone, which is very much in comparison to the reveal of Summerset’s past in Bonded in Death, and b) the story had a terrible case of ‘villain fail’.
J.H. Ebersole just wasn’t all that interesting. Or diabolical. Or even, to be honest, all that smart. He was just an over-privileged and over-entitled white man who didn’t get told “NO” often enough as a child. His rich and powerful “Mommy”, and he still calls her that as an adult, indulged every single one of his wants and tantrums, to the point where he believes he’s entitled to commit murder in furtherance of his art.
Which is honestly mediocre at best.
Dallas and her colleagues only need three days to find and arrest him. Unfortunately, that also means he’s murdered three people in cold blood, but he’s just so used to getting his own way that he didn’t even bother to cover his tracks.
Which is where the real villain, the “Mommy” who made him who and what he is, shows up to ‘rescue’ her baby boy. She was a LOT more interesting as the villain, but we didn’t get enough of her to make the case more interesting. In the end, they both come off as over-privileged whiners.
Not that I didn’t love the righteous takedown at the end.
But the story as a whole was much more about the long drawn out housewarming for Mavis’ and Leonardo’s and Bella’s and Peabody’s and McNab’s new house. Which was lovely and they’ve all earned it but it wasn’t quite enough to sustain the story for anyone who wasn’t already invested in the series.
Which I am, so I had a great time. But this isn’t a great entry in the series. Howsomever, if you’re a fan, it’s a hell of a lot of fun.
And that means I’ll be back in February when Stolen in Death comes out. I already have an ARC and I’m itching to get into it!
Bonded in Death (In Death, #60) by
Dallas and Roarke and the ever-expanding found family that surrounds them are clearly bonded by, in and FOR life at this point in their long-running and hopefully continuing forever story. And that’s from a beginning in
This 60th book in the
Escape Rating A: I’ve been looking for comfort reads this week, and have had some hits (
What made this particular entry in the series so absorbing was the combination of the relentless pace of the current pursuit combined with just the right amount of information both about the past of this world and about the past of the individuals who were, and still are, The Twelve. Including Summerset.
I’ve written a lot and all around because I do love this series very much – even the entries that don’t quite live up to the peak that this one does. It answers SO MANY questions about Summerset’s past and puts so much more flesh on the bones of the Urban Wars that have always been lurking in the background. On top of that, it tells a fascinating story and does a great job of making the mystery compelling even though Eve figures out who the perpetrator is fairly early on. This one is all about the chase and it keeps the reader on the edge of their seat wanting to make sure that Eve puts the bastard in a cage before he puts any of her nearest and dearest in the ground.
Passions in Death (In Death, #59) by
The villain in Passions in Death was almost as much of a ‘dooser’ as the villain in the previous book,
All of which means that Dallas will have to dig, and dig hard, into every single one of those supposedly happy partygoers to discover who in Erin and her fiancée Shauna’s tight-knit little tribe wasn’t nearly so happy as they pretended to be.
A lot has changed for both of them, and for the found family they have gathered around them, in those three years, more than enough for them to get a bit nostalgic at revisiting earlier scenes, but not nearly as much change as the world outside the series has experienced in three DECADES.
Come to think of it, their dooserness wasn’t the only thing the two villains had in common. Which doesn’t help the case for the story or the doosers.
People in Glass Houses (Ghost Hunters, #16) by
Escape Rating A-: Once upon a time, a historical romance author writing under the name of Amanda Quick introduced an organization of physically adept practitioners and mad scientists into her Victorian Era set romances – and the
As is often the case in the entire extended
Random in Death (In Death, #58) by
Escape Rating B: Learning how all my ‘book friends’ were doing in this latest entry in the
Payback in Death (In Death, #57) by
Escape Rating B: At this point, I’m here to see how all my ‘book friends’ are doing after whatever happened in the previous book in the series (which in this case was
And that the investigation displayed yet again the reasons that Dallas and her squad are the best at what they do.
Encore in Death (In Death, #56) by
Sweetwater and the Witch by
The planet of Harmony – which doesn’t generally exhibit all that much harmony or we wouldn’t have this marvelous series – was settled by a group of human colonists that included members of the Arcane Society and their allies back on Earth. Who were people with psi powers as portrayed in the Victorian and contemporary set
Desperation in Death (In Death, #55) by
The desperation that leads to the death that brings Eve Dallas and her ever-expanding crew onto this case is one that Eve is entirely too familiar with. It’s the desperation of a girl who has been trapped into a life where she is merely an object for other people’s abuse and other people’s pleasure.
All of that is a way to loop back around and say this is a solid and solidly entertaining entry in the series for long-time fans. If you love Dallas and Roarke you’ll enjoy this season’s peek into their lives as much as I did.
Abandoned in Death (In Death, #54) by