A+ #AudioBookReview: To Clutch a Razor by Veronica Roth

A+ #AudioBookReview: To Clutch a Razor by Veronica RothTo Clutch a Razor (Curse Bearer, #2) by Veronica Roth
Narrator: Helen Laser, James Fouhey, Nina Yndis, Tim Campbell
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, ebook, audiobook
Genres: Dark Fantasy, fantasy, urban fantasy
Series: Curse Bearer #2
Pages: 229
Length: 5 hours and 46 minutes
Published by Macmillan Audio, Tor Books on September 16, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

#1 New York Times bestselling author Veronica Roth pulls from Slavic folklore to explore family, duty, and what it means to be a monster in this sequel to the USA Today bestselling novella When Among Crows
A funeral. A heist. A desperate mission.
When Dymitr is called back to the old country for the empty night, a funeral rite intended to keep evil at bay, it's the perfect opportunity for him to get his hands on his family's most guarded relic—a book of curses that could satisfy the debt he owes legendary witch Baba Jaga. But first he'll have to survive a night with his dangerous, monster-hunting kin.
As the sun sets, the line between enemies and allies becomes razor-thin, and Dymitr’s new loyalties are pushed to their breaking point.
Family gatherings can be brutal. Dymitr’s might just be fatal.

My Review:

Everyone believes that they are the heroes of their own stories. Even the monsters. Perhaps, especially the monsters, so that they have justification for the villainies they permit. And commit. If the end truly justifies the means, then ANY means, no matter how terrible, are permissible in order to serve a righteous cause. It’s all about ‘the greater good’ and is precisely what makes that phrase so monstrous.

The story that began in When Among Crows presents the reader with both sides of that eternal conflict in this particular world. Our world, but a variation of it where magic walks among us and hides in not-so-plain sight.

The Knights of the Holy Order believe that their ‘war’ against magical creatures is righteous, because whenever they meet one of those creatures that hides behind a human face, the creature does its damndest to kill the knight however it can. So the knight feels justified in killing any such creature whenever and wherever they are found – and even hunting them down for that very purpose.

But those creatures tell a different story. Every single one of them is hunted. Every single one has lost friends and loved ones to the knights. And every single one of them is no match for the knights and their magic. From the creatures’ perspective, the creatures generally don’t hunt the knights, but are all too aware that if a knight finds them, they are already dead. So they fight as best as they can with whatever they have, whether knives, teeth, claws or shapeshifting. The creatures feel like they have no choice, just as they had no choice to be born what they are.

Knights, however, are MADE to be what they are.

Dymitr, Knight of the Holy Order from a long line of such knights, came to Chicago to beg Baba Jaga to destroy him, because he can no longer bear to commit the atrocities expected of him. He knows the creatures he’s been taught since childhood to kill are merely people with magic – just like himself.

Instead of killing him, Baba Jaga makes him into something that has never been, a knight who is also a creature. His family will kill him when they know. But he has a task to complete for Baba Jaga in order to claim his new life. A task that will take him back to the last place that he and his new friends should EVER go.

Dymitr really can’t go home again. But the only way to learn that – all the way down to his bones – is to go there anyway. And take his two dearest friends along with him for the terrible journey.

Escape Rating A+: This second book in the Curse Bearer is every single bit as excellent as the first book, When Among Crows. It also really, truly does not stand alone, so start with Crows.

Howsomever, a part of that ‘not standing alone’ is that the reader – or listener in my case and the narrators were all marvelous AGAIN – comes into this book already knowing these people and caring about them, so this one also gave me a bit of an approach/avoidance conflict. I needed to see how this story ended, BUT I didn’t want to actually experience each of the terrible things that happen to these characters, because I like them and wanted them to be okay. Which they are in the end but absolutely not unbloodied, unchanged, unscarred or untraumatized.

This story, and this series, takes these people we’ve come to know and love and takes them on a walk through some very dark places because those are the places they need to go to get redemption. So the story is not exactly fun but it is ALWAYS compelling – and sometimes even more so because of the darkness it has to travel through.

Putting it another way, this was a bit of a train wreck book, not in the sense that the book is terrible – instead it’s terribly good – but in the sense that I knew something terrible or terrifying or both was about to happen to the characters, whom I liked very much, and I didn’t want to watch but still NEEDED to see.

The series, so far at least because damn I hope there are more, is Dymitr’s, even though his is not the only perspective we get to experience. Dymitr is the curse bearer of the series’ title. In When Among Crows, his eyes were fully opened to the truth, or at least A truth, about his own people by seeing them through the eyes of their enemies.

The Knights have always told their story as a ‘secondly’ story, in that they justify their actions towards the creatures they hunt because, in the present at least, any creature they find attacks on sight. That the zmora and the strzyga (both avian shapeshifters) and all the others attack when cornered because that’s the only option they have doesn’t matter to the knights because they believe their mission is a ‘holy’ one.

But those creatures, those people, are only defending themselves. They’d be happy to live and let live if they only could. Or perhaps there was a point where they would have. Now, there’s so much history and blood on both sides that peace between them might not be possible. And doesn’t THAT sound familiar?

So that first story took Dymitr into the belly of the first beast, to the supernatural community of Chicago, so that he could see that the creatures he had been taught to hunt were merely people. This second book takes him home, to learn first-hand and as painfully as possible that the people he loves, the people who taught him to fight and hunt monsters – are the true monsters.

What he’ll need to reckon with in later books in the series – if they ever exist and I sincerely hope they will – is that he is part of both sides and that they are part of him. That he still loves people who are creatures AND people who are monsters. Even if only one side is still willing to love him back.

#AudioBookReview: The Conjurer’s Wife by Sarah Penner

#AudioBookReview: The Conjurer’s Wife by Sarah PennerThe Conjurer's Wife by Sarah Penner
Narrator: Helen Laser
Format: audiobook, ebook
Source: purchased from Amazon, purchased from Audible
Formats available: ebook, audiobook
Genres: historical fantasy, historical fiction, magical realism
Pages: 40
Length: 1 hour and 2 minutes
Published by Amazon Original Stories on January 1, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazon
Goodreads

In nineteenth-century Venice, a young woman’s marriage to an illusionist hides secrets that go deeper than his spectacular acts. The stage is set for transformation in a mesmerizing short story by the New York Times bestselling author of The Lost Apothecary.
In 1820s Venice, world-renowned magician Oscar Van Hoff confounds sold-out crowds with his astounding manifestations. Even his beautiful wife and assistant, Olivia, is mystified. Her job is to smile and recite her lines—onstage and in society. But the thankless routine is bringing out her rebellious side. Then, on the eve of what promises to be Oscar’s greatest performance yet, Olivia uncovers a secret with the power to shatter all her husband’s illusions. Now the finale belongs to her.

My Review:

The story begins simply, and seems a bit familiar even if, or especially because of its historical setting.

We open with, and looking through the eyes of, the titular conjurer’s wife, Olivia Van Hoff, standing on the stage of an early 19th century Venice theater, waiting for the curtain to rise on her husband’s masterful magical show filled with absolutely breathtaking illusions that no one can penetrate. Not even Olivia, who is not only his wife but also his assistant both onstage and off.

But Oscar is a man who demands that everything be ‘just so’, both on the stage and in their private life. Olivia is standing, knowingly, willfully and rebelliously, three whole entire inches off her mark when the curtain rises.

She can tell that Oscar is incensed. Olivia, however, is practically drunk on the tiny flame of rebellion kindled in her heart. Just as Olivia learns that defiance can be intoxicating, we learn that Oscar is an abusive bastard, and that Olivia has a form of amnesia so all-encompassing that she remembers nothing before their hasty marriage only one year previously.

And just as Olivia has a whole lot of sneaking suspicions about her life before the terrible accident that resulted in her amnesia, the mysteriously masterful nature of Oscar’s illusion, and the suspicious coincidence of timing between her accident and his rise to fame – so do we.

Olivia isn’t necessarily searching for the truth, or even, specifically, a way out of her marriage and the life in the spotlight that she has no desire for. Or, truthfully, for Oscar himself. But that does not mean she does not know precisely what to do with the truth when she finds it.

Escape Rating B: I initially picked this up because it looked like a quick read on a cloudy day, and because I liked two of the author’s previous books, The Lost Apothecary and The London Séance Society. At only 40 pages I read it over lunch, thought it was interesting but not very deep – which is fair for a 40 page story – and moved on with my reading.

(The Conjurer’s Wife also reminded me more than a bit of The Ladies of the Secret Circus by Constance Sayers, which is also a story about magic, performing under the spotlights, and secrets. Lots and lots of secrets.)

Then I picked up an eARC of the author’s upcoming book, The Amalfi Curse. Again, because I enjoyed The London Séance Society and The Lost Apothecary, and not just for their utterly gorgeous covers. But the blurb for The Amalfi Curse seemed like it was teasing me – specifically about something mentioned in The Conjurer’s Wife. Which led to the discovery that the audio of that short story was available through Amazon Prime, and that it would take me about an hour to listen to.

Which brings me to this review, because the story was even more interesting the second time around and the narrator, Helen Laser, did a terrific job as Olivia Van Hoff. Also, the story absolutely does tease something about the ‘witches of Positano’, Oscar’s potential and presumably unrealized ambitions in their direction, as well as the Amalfi coast if not (yet) The Amalfi Curse, making me all the more eager for the book coming at the end of April.

A+ #AudioBookReview: When Among Crows by Veronica Roth

A+ #AudioBookReview: When Among Crows by Veronica RothWhen Among Crows by Veronica Roth
Narrator: Helen Laser, James Fouhey, Tim Campbell
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, ebook, audiobook
Genres: fantasy, urban fantasy
Series: Curse Bearer #1
Pages: 176
Length: 4 hours and 29 minutes
Published by Macmillan Audio, Tor Books on May 14, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

When Among Crows is swift and striking, drawing from the deep well of Slavic folklore and asking if redemption and atonement can be found in embracing what we most fear.
We bear the sword, and we bear the pain of the sword.
Pain is Dymitr’s calling. His family is one in a long line of hunters who sacrifice their souls to slay monsters. Now he’s tasked with a deadly mission: find the legendary witch Baba Jaga. To reach her, Dymitr must ally with the ones he’s sworn to kill.
Pain is Ala’s inheritance. A fear-eating zmora with little left to lose, Ala awaits death from the curse she carries. When Dymitr offers her a cure in exchange for her help, she has no choice but to agree.
Together they must fight against time and the wrath of the Chicago underworld. But Dymitr’s secrets—and his true motives—may be the thing that actually destroys them.

My Review:

There’s an old Polish saying – not the one you’re thinking of, at least not yet – that translates as “Not my circus, not my monkeys” Which pretty much sums up the attitude of the first zmora that Dymitr approaches in regards to the very dangerous trade he wants to make.

The second zmora comes to him, because what he’s offering IS her cursed circus and those are her damned monkeys. Or, to be a bit more on the nose about the whole thing, it is her murder – or at least it will be – and those are her crows, who are already flocking to the scene.

Dymitr has acquired a legendary magical artifact that holds the possibility of a cure for the curse that Ala suffers from. A curse that killed her mother, her aunt, and her cousin, and is now killing her. A curse that will pass down her bloodline to the next female relative in line – no matter how distant – until the whole line is wiped out.

In return, Dymitr wants an introduction to another legendary ‘artifact’, the powerful witch Baba Jaga [that’s how her name is spelled in the book]. As merely a human, Dymitr does not have access to the places and people that will get him to his goal. As a zmora, while Ala does not know Baba Jaga at all, she does have contacts who can at least get Dymitr a few steps further along on the quest that he refuses to either name or explain.

Their journey proves to be a very different “magical mystery tour” than the one that the Beatles sang about, observing the different magical populations that have migrated to Chicago from his native Poland, and how each group abides by the proverb, “When among crows, caw as the crows do.”

The zmora, who feed on fear, operate movie theaters that feature horror movies, the strzygi, who live on anger and aggression, run underground fight clubs, while the llorona, who collect sorrow, own a chain of hospice centers. It’s all perfectly legal, or at least most of it is. And the parts that aren’t, the strzygi fight clubs, fit right in with the rest of the organized crime and corruption that operates in Chicago.

The supernatural have learned to caw like the crows do, the better to hide from the powerful so-called ‘Holy Order’ that hunts down anyone and anything it deems to be ‘not human enough’. And isn’t that the most human impulse of all?

An impulse, and a life, that Dmitry is willing to cut himself off from – literally as well as figuratively – at any and all cost. Even the cost of the humanity that his family has held so dear over the centuries.

All he needs to do is find Baba Jaga – and pay whatever price she demands in order to cut the sword out of his back once and for all.

Escape Rating A+: I’ve frequently said that a story has to be just about perfect to make the leap from an A- to an A. This one absolutely did, and listening to the audio put it over the top into A+. With bells on. To the point where I have to restrain myself from just squeeing all over the place.

The tone of When Among Crows felt very much like ‘old school’ urban fantasy before it left its horror with mystery roots behind to fall down the paranormal romance rabbit hole. Not that I don’t love a good paranormal with a kickass heroine posed on the cover in an utterly impossible position, but those got to dominating the genre and that’s not all I wanted from it.

(The blurb implies a romantic relationship between Dymitr and Ala. Don’t be fooled, that is absolutely not what is going on here – and it shouldn’t be. The relationship they are scrabbling towards is family, that the pain they have both suffered, and from the same source, can lead to them finding the family ties that pain has cost them with each other.)

At the same time, the way this story drew in so many Slavic myths and legends that I itched for a mythopedia (I was driving, that would have had terrible consequences) reminded me, a lot and very fondly, of Neil Gaiman’s American Gods, because that book gave me the same vibes – along with the same dilemma – and I listened to it well before the Annotated Edition was published. I won’t say that When Among Crows was better, because American Gods had a much larger scope, but for the smaller size of the package of Crows, it still managed to evoke that same sense of memory and wonder, that so much that is old and weird still walks among us hidden in plain sight – made all that much more poignant in that the place the weird is hiding is the darker corners of Chicago – a city that has always had plenty.

When Among Crows was utterly enchanting, and I was totally enchanted by it, staying up entirely too late to finish the audio because it was just that good. While the story was relatively short, it also went surprisingly deep, and then came around full circle in a way that surprised and delighted even as it led to a delicious sort of closure that I wasn’t expecting but utterly loved.