“We Will Teach You How to Read | We Will Teach You How to Read” by Caroline M. Yoachim in Lightspeed Magazine Issue 168 May 2024 by Caroline M. Yoachim Narrator: Stefan Rudnicki, Ruth Wallman, Alison Belle Bews, Caroline M. Yoachim
Format: ebook, podcast
Source: podcast, supplied by publisher via Hugo Packet
Formats available: magazine, podcast
Genres: science fiction, short stories
Series: Lightspeed Magazine Issue 168 May 2024
Pages: 21
Length: 18 minutes
Published by Lightspeed Magazine on May 1, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo
Goodreads
LIGHTSPEED is a digital science fiction and fantasy magazine. In its pages, you will find science fiction: from near-future, sociological soft SF, to far-future, star-spanning hard SF-and fantasy: from epic fantasy, sword-and-sorcery, and contemporary urban tales, to magical realism, science-fantasy, and folktales.
Welcome to issue 168 of LIGHTSPEED! One of the things speculative fiction does best is exploring different kinds of minds via the use of unusual story structures. Well, we're kicking off this issue with a powerful story that nearly breaks the very nature of reading! "We Will Teach You How To Read We Will Teach You How To Read" by Caroline M. Yoachim tells the story of an alien culture in a fresh, exciting format. Luckily for you, we've included instructions to help you understand every fantastic page. We also have a new original science fiction story by Nisi Shawl: "Over a Long Time Ago," a dark tale of unhappy relationships and space exploration. Stephen Geigen-Miller also delves into space exploration in his flash piece "The Last Thing They See Is Laika." Ash Howell's story of gene manipulation "Chaos Theory" joins our flash SF. Ben Peek returns to the Ministry of Saturn in his dark fantasy story "Exit Interview." P H Lee explores the nature of tricksters in their alternate history tale "Richard Nixon and the Princess of Crows." We also have a flash story ("Done Deal") from Rory Harper, and another ("And the Dreams That You Dare to Dream") from Marissa Lingen. In nonfiction, we have a terrific array of book reviews, and of course, our spotlight interviewers have sat down with our authors to get more insight into their stories.
My Review:
The first three short stories in my Hugo nominee readings were not ‘all that’ as the saying goes. Either they didn’t have enough room to work, they didn’t work for me, or they just plain didn’t work. I’m not alone in that opinion, as the contributors to the Hugo Readalong on reddit had similar thoughts. I want to say that this is a case of ‘great minds think alike’, but even if it’s just that we all went down the same rabbit hole, it is what it is.
This penultimate story in my personal readalong turned out to be one of my favorites. I think I LIKED this one more than the last story, but I think that one had a bit more to say. Or something like that. The two together certainly made my voting decision a LOT harder than those first three stories led me to believe – and I’m glad of it.
The decision, after all, is supposed to be hard. At least at the top of the ballot. This and the last story, “Why Don’t We Just Kill the Kid in the Omelas Hole?” did make it a whole lot more difficult. They turned a mostly ‘meh’ list into an ‘eeny, meany, miney, moe’ choice.
When I first saw the title of THIS story, I thought it was a typo. It’s not. Instead, it’s the first hint of the experimental way this story is told. An experiment which works fantastically well in audio and doesn’t hit nearly as hard in text (at least according to Mr. Reading Reality) – although it certainly tries.
But seriously, get the audio. It’s free and only takes 20 minutes to listen to and it’s so worth it.
The story, within the story, within the story, because that’s part of the structure, is told side-by-side-by-side. Which is what makes the audio work as each of the iterations is read by a distinctly different voice, and those voices overlapping conveys the import of the whole thing, as this is a story of an oral tradition being told by a people or race or species that is dying.
Their own people have fallen away from their traditional telling, and they’re desperate to tell their story as it’s meant to be told, one last time, to the humans who have taken over or conquered them or simply assimilated what’s left of their people.
We don’t know, because we don’t need to know and that’s not what they are trying to tell us. They just want to be remembered in their own words for who they actually were and not what later, fragmented history will make of them – if it makes anything of them at all.
Which makes this story both quite beautiful and heartbreakingly sad and feel like a sigh of relief, all at the same time.
Escape Rating A-: What made this story work for me, and work really well, is that underlying the actual message of the thing it bears a sharp and equally heartbreaking resemblance to the Star Trek Next Gen episode “The Inner Light”. (If you’re trying to remember which one that is, it’s the one with the flute.)
In that episode, Picard experiences the life of a man named Kamin, living out that life as an ironworker on the planet Kataan. He experiences an entire life – love and grief and joy and happiness and everything in between – but when Kamin dies in the memory Picard is returned to the present and the Enterprise. The people of Kataan died out long ago, but one of their final acts as a people was to send out a probe that allowed others, as Picard has just done, to experience their lives as they were.
It’s the same kind of legacy that the people of THIS story were so desperate to leave behind, although the medium they used was very different.
Because the way this story is told in text, with its parallel lines of similar but not exactly alike versions of the story, is meant to be grasped as a whole and not as the separate streams our human brains want it to be, it works fantastically well in audio as the marvelous voice cast (Stefan Rudnicki, Ruth Wallman, Allison Belle Bews, and the author Caroline M. Yoachim) can speak over each other and in counterpoint to give a sense of the fullness of the story as it would traditionally be told.
So take the time. Listen, and then listen again because there’s more in the repetition, as there should be.
Earthlight by
I NEED a text so I can hunt for quotes AND have a full list of characters, how their names are spelled and who played them in the audio. Because the cast was outstanding – every single one.