A- #AudioBookReview: We Will Teach You How to Read | We Will Teach You How to Read by Caroline M Yoachim

A- #AudioBookReview: We Will Teach You How to Read | We Will Teach You How to Read by Caroline M Yoachim“We Will Teach You How to Read | We Will Teach You How to Read” by Caroline M. Yoachim in Lightspeed Magazine Issue 168 May 2024 by Caroline M. Yoachim
Narrator: Stefan Rudnicki, Ruth Wallman, Alison Belle Bews, Caroline M. Yoachim
Format: ebook, podcast
Source: podcast, supplied by publisher via Hugo Packet
Formats available: magazine, podcast
Genres: science fiction, short stories
Series: Lightspeed Magazine Issue 168 May 2024
Pages: 21
Length: 18 minutes
Published by Lightspeed Magazine on May 1, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

LIGHTSPEED is a digital science fiction and fantasy magazine. In its pages, you will find science fiction: from near-future, sociological soft SF, to far-future, star-spanning hard SF-and fantasy: from epic fantasy, sword-and-sorcery, and contemporary urban tales, to magical realism, science-fantasy, and folktales.

Welcome to issue 168 of LIGHTSPEED! One of the things speculative fiction does best is exploring different kinds of minds via the use of unusual story structures. Well, we're kicking off this issue with a powerful story that nearly breaks the very nature of reading! "We Will Teach You How To Read We Will Teach You How To Read" by Caroline M. Yoachim tells the story of an alien culture in a fresh, exciting format. Luckily for you, we've included instructions to help you understand every fantastic page. We also have a new original science fiction story by Nisi Shawl: "Over a Long Time Ago," a dark tale of unhappy relationships and space exploration. Stephen Geigen-Miller also delves into space exploration in his flash piece "The Last Thing They See Is Laika." Ash Howell's story of gene manipulation "Chaos Theory" joins our flash SF. Ben Peek returns to the Ministry of Saturn in his dark fantasy story "Exit Interview." P H Lee explores the nature of tricksters in their alternate history tale "Richard Nixon and the Princess of Crows." We also have a flash story ("Done Deal") from Rory Harper, and another ("And the Dreams That You Dare to Dream") from Marissa Lingen. In nonfiction, we have a terrific array of book reviews, and of course, our spotlight interviewers have sat down with our authors to get more insight into their stories.

My Review:

The first three short stories in my Hugo nominee readings were not ‘all that’ as the saying goes. Either they didn’t have enough room to work, they didn’t work for me, or they just plain didn’t work. I’m not alone in that opinion, as the contributors to the Hugo Readalong on reddit had similar thoughts. I want to say that this is a case of ‘great minds think alike’, but even if it’s just that we all went down the same rabbit hole, it is what it is.

This penultimate story in my personal readalong turned out to be one of my favorites. I think I LIKED this one more than the last story, but I think that one had a bit more to say. Or something like that. The two together certainly made my voting decision a LOT harder than those first three stories led me to believe – and I’m glad of it.

The decision, after all, is supposed to be hard. At least at the top of the ballot. This and the last story, “Why Don’t We Just Kill the Kid in the Omelas Hole?” did make it a whole lot more difficult. They turned a mostly ‘meh’ list into an ‘eeny, meany, miney, moe’ choice.

When I first saw the title of THIS story, I thought it was a typo. It’s not. Instead, it’s the first hint of the experimental way this story is told. An experiment which works fantastically well in audio and doesn’t hit nearly as hard in text (at least according to Mr. Reading Reality) – although it certainly tries.

But seriously, get the audio. It’s free and only takes 20 minutes to listen to and it’s so worth it.

The story, within the story, within the story, because that’s part of the structure, is told side-by-side-by-side. Which is what makes the audio work as each of the iterations is read by a distinctly different voice, and those voices overlapping conveys the import of the whole thing, as this is a story of an oral tradition being told by a people or race or species that is dying.

Their own people have fallen away from their traditional telling, and they’re desperate to tell their story as it’s meant to be told, one last time, to the humans who have taken over or conquered them or simply assimilated what’s left of their people.

We don’t know, because we don’t need to know and that’s not what they are trying to tell us. They just want to be remembered in their own words for who they actually were and not what later, fragmented history will make of them – if it makes anything of them at all.

Which makes this story both quite beautiful and heartbreakingly sad and feel like a sigh of relief, all at the same time.

Escape Rating A-: What made this story work for me, and work really well, is that underlying the actual message of the thing it bears a sharp and equally heartbreaking resemblance to the Star Trek Next Gen episode “The Inner Light”. (If you’re trying to remember which one that is, it’s the one with the flute.)

In that episode, Picard experiences the life of a man named Kamin, living out that life as an ironworker on the planet Kataan. He experiences an entire life – love and grief and joy and happiness and everything in between – but when Kamin dies in the memory Picard is returned to the present and the Enterprise. The people of Kataan died out long ago, but one of their final acts as a people was to send out a probe that allowed others, as Picard has just done, to experience their lives as they were.

It’s the same kind of legacy that the people of THIS story were so desperate to leave behind, although the medium they used was very different.

Because the way this story is told in text, with its parallel lines of similar but not exactly alike versions of the story, is meant to be grasped as a whole and not as the separate streams our human brains want it to be, it works fantastically well in audio as the marvelous voice cast (Stefan Rudnicki, Ruth Wallman, Allison Belle Bews, and the author Caroline M. Yoachim) can speak over each other and in counterpoint to give a sense of the fullness of the story as it would traditionally be told.

So take the time. Listen, and then listen again because there’s more in the repetition, as there should be.

A- #AudioBookReview: Earthlight by J. Michael Straczynski

A- #AudioBookReview: Earthlight by J. Michael StraczynskiEarthlight by J. Michael Straczynski
Narrator: Erik Braa, Pete Bradbury, Jonathan Davis, William DeMeritt, Robert Fass, Jeff Gurner, Ryan Haugen, David Lee Huynh, Mars Lipowski, Saskia Maarleveld, Kathleen McInerney, Brandon McInnis, Sean Kenin Elias Reyes, Stefan Rudnicki, Salli Saffioti, Kristen Sieh, Christopher Smith, Marc Thompson, Will Watt, Michael Ann Young, Beka Sikharulidza, Stephanie Walters Montgomery, Robin Atkin Downes
Format: audiobook
Source: supplied by publisher via Libro.fm
Formats available: audiobook
Genres: military science fiction, political thriller, science fiction
Length: 2 hours and 54 minutes
Published by Penguin Random House Audiobook Original on July 9, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

International tension is rising as the Russian military forms an Eastern Alliance to create a new age of Russian supremacy. The rest of the world is scrambling for a united response.
Enter Project Earthlight.
Earthlight is a NATO operation under U.S. command based in the ultimate military high ground: space. A group of the best fighter pilots is handpicked from around the world to fly the first generation of advanced planes capable of maneuvering in the vacuum of space and inside the atmosphere.
Learning how to fly experimental planes while learning to trust their new squadron, our pilots are plunged into a high-stakes life-and-death mission with everything at risk. Can Commanding Officer Colonel Scott Dane get the other pilots on the same page in time to prevent World War III?
With cutting-edge soundscapes and an action-packed plot, EARTHLIGHT will keep listeners on the edge of their seats from start to finish.

My Review:

Even when there is something that pretends to be peace on Earth – there’s brinkmanship and stepping up to the terrible line that leads to World War III. So far, we’ve always stepped back – but someday we won’t.

The story in Earthlight posits a near future – possibly too damn near – when the U.S. and its NATO allies step up to that line because a post-Putin Russia is already there. What makes Earthlight just a bit different from similar stories by Tom Clancy and M.L. Buchman is that the brinkmanship takes place – not somewhere on Earth, or at least not exclusively somewhere on the planet – but in space.

Not “outer space” but somewhere a LOT closer to home. Specifically Low Earth orbit – or LEO. Far enough out to see an entire hemisphere of the planet – and close enough to strike anywhere on it – especially from planes that can go faster than MACH 20.

Those planes have the advantage – the literal high ground – as long as they don’t overshoot their targets.

Project Earthlight is a secret – because of course it is. And of course it’s been leaked – because big secret projects are incapable of staying secret for very long – especially once they go into production.

And Project Earthlight – and its space-borne aircraft carrier, the Alexander – is very much in production, on-line, and waiting for its first mission and its first squadron of pilots. Which is where this story begins, as Colonel Scott Dane of the U.S. Air Force is on a recruiting mission to sign the best, the brightest, and the most out-of-the-box thinkers from ALL of the NATO forces to fly the first planes assigned to the Alexander.

He hopes they’ve got time for all the training they’ll need – but he knows they don’t. Because those plans did leak, and the Russians have a space carrier of their own – the Gagarin. And they have a bunch of fanatics in the Kremlin – all promising a return to Russia’s glory days.

The path to which leads straight through a NATO allied Eastern Europe, and to a head to head dogfight with the Alexander for the highest stakes of all.

Escape Rating A-: There’s a whole lot of SQUEE in this review because WOW what a ride.

Although I have to admit that for a good chunk of the story, as much as I was totally caught up in it I was desperately worried that it was all a tease. There just didn’t seem like enough time left in the recording to come to anything like a satisfactory ending. (I was half-heartedly looking for the reading equivalent of ‘coitus interruptus’ because it sure seemed like the story was heading that way.)

But fear not, Earthlight does come to a satisfactory conclusion – although it is still more than a bit of a tease as most listeners will want to know what happens afterwards. At least the story certainly does make clear that there IS an afterwards and that’s a gigantic relief.

The elements that make up the story are familiar to readers of military SF. There’s a recruitment phase, a training phase, a getting-to-know-each-other phase, and there’s the inevitable potential romance that runs into the military frat regs (shades of Stargate).

The process of the squad pulling itself together is jam-packed and doesn’t give all the characters the time needed for readers – or their squadmates – to really get to know them. And of course the characters who are mostly reduced to (admittedly well done) accents are the ones that get lost early.

But in spite of that necessity, we do get a good feel for the leaders, and we do feel like “we are there” because we’re not just reading this story – we’re in the thick of it by listening to their distinct voices.

Laid on top of the military side, there’s also the side that gives us the historical and political side. The part that’s going to remind lots of listeners of Tom Clancy or M.L. Buchman because the shenanigans, including the brinkmanship, the short-sightedness, the glory-seeking to the exclusion of common sense and the epic levels of paranoia are all out of the political thriller playbook.

That part of the story works, even with a bit of necessary shorthand for the length, because we’ve seen them before – even in real life. That part of the story feels entirely too plausible.

This listening experience is edge-of-the-seat, you-are-absolutely-there, nail-biting compulsion filled with a surprising number of crowning moments of awesome. There were plenty of moments when my heart was literally in my throat even though I knew the worst-case scenario couldn’t possibly be the ending.

So the story of Earthlight, taken as a whole, is a fantastic experience even if many of the elements that make it so compelling are also just a bit familiar. It’s a great three hours of listening – I just wish there were a hell of a lot more.

But OMG I wish there was a text for this thing.

I NEED a text so I can hunt for quotes AND have a full list of characters, how their names are spelled and who played them in the audio. Because the cast was outstanding – every single one.

It is a pet peeve of mine that full cast or even multicast audio productions don’t generally tell the listener exactly who played whom – and I always want to know. But in this particular case, that lack of a list led to a bit of serendipity. To my ear, the political officer aboard the Russian ship sounded a LOT like the Romulan officer Tomalak in a couple of Star Trek: Next Gen episodes. When I checked out who portrayed Tomalak, I discovered that the character was played by the late Andreas Katsulas – who embodied Ambassador G’Kar on the author’s beloved TV series Babylon 5.

One reviewer opined that Earthlight could be seen as a very, very, very early prequel to B5 if one squinted a LOT. And it’s possible. Certainly it captured something of its spirit – without squinting at all. If it turns out that that spirit continues into another chapter of Earthlight – this listener/reader would be thrilled to be aboard for another mission.