Grade A #AudioBookReview: Graveyard Shift by M.L. Rio

Grade A #AudioBookReview: Graveyard Shift by M.L. RioGraveyard Shift by M.L. Rio
Narrator: Jess Nahikian, Max Meyers, Si Chen, Susan Dalian, Tim Campbell
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Gothic, horror, mystery, thriller
Pages: 144
Length: 3 hours and 9 minutes
Published by Flatiron Books, Macmillan Audio on September 24, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Author of sales sensation If We Were Villains returns with a story about a ragtag group of night shift workers who meet in the local cemetery to unearth the secrets lurking in an open grave.
Every night, in the college’s ancient cemetery, five people cross paths as they work the late shift: a bartender, a rideshare driver, a hotel receptionist, the steward of the derelict church that looms over them, and the editor-in-chief of the college paper, always in search of a story.
One dark October evening in the defunct churchyard, they find a hole that wasn’t there before. A fresh, open grave where no grave should be. But who dug it, and for whom?
Before they go their separate ways, the gravedigger returns. As they trail him through the night, they realize he may be the key to a string of strange happenings around town that have made headlines for the last few weeks—and that they may be closer to the mystery than they thought.
Atmospheric and eerie, with the ensemble cast her fans love and a delightfully familiar academic backdrop, Graveyard Shift is a modern Gothic tale in If We Were Villains author M. L. Rio’s inimitable style.

My Review:

I almost saved this one for Halloween, because it’s just the kind of horror-adjacent book that I love to pick for spooky season. But it’s out this week – and I simply didn’t want to wait that long!

Even though this particular “graveyard shift” takes place in an actual graveyard, the story doesn’t start out all that creepy. Unhealthy, maybe, but not creepy.

The ‘Anchorites’ are a group of insomniacs who meet up at midnight in a graveyard for a quick smoke. The ancient but historically significant cemetery and the church it’s attached to just happen to be the only location in the middle of a busy college campus that is the requisite distance from ALL of the various campus entrances. It’s the only place where it’s OK to smoke that anyone attached to the campus can reach during the length of a typical work break.

Two of the ‘Anchorites’ hang around because they work an actual night shift. Theo, the manager at a nearby bar, and Tamar, working her second job as a hotel night desk manager. Edie, the editor-in-chief of the college newspaper, is too stressed out hunting for the paper’s next story to sleep. Tuck, a washed-out grad student with no place to go, is squatting in that derelict church and can’t resist the temporary camaraderie. Hannah, a rideshare driver, has had chronic insomnia for so long that she doesn’t seem to sleep at all.

The graveyard hasn’t been used – except by desperate smokers – in at least a century. They’re safe smoking in the middle of campus in the middle of the night. Or so they assume.

Until the night when they arrive for their not-exactly-arranged, never-truly-spoken-about, midnight rendezvous – and discover a freshly dug grave in the middle of their usual meeting place. Led by editor-in-chief Edie, they can’t resist speculating about whodunnit? Or perhaps this time it should be ‘who dug it?’

A question that gets answered when the gravedigger comes back, dumps a load of dead lab rats in the grave and covers it over – while they collectively hide all around and watch.

This game really is afoot – and so is one escaped lab rat making a literal meal out of one of the petrified Anchorites.

From there the story is off to a surprisingly twisted race, as Edie sees a story that might win her and her paper a prestigious award, Tamar sees a chance to use her library degree and her research talents for something other than merely checking in hotel guests or checking out books, Tuck sees an opportunity to use his experience with scientific laboratories and his knowledge of mycology to investigate a rogue project, while Theo sees a way to help the only friends he has. Hannah, however, seeks revenge on the people who gave her hope – and then snatched it away.

What they’re going to get is likely to be considerably more than any of them imagined, for good and definitely for ill.

Escape Rating A: Graveyard Shift wasn’t at all what I was expecting – it was better! It’s not really horror, although very Gothic in tone in spite of its contemporary setting, at least until the very, very end where the reader is left wondering – as are a couple of the characters.

But as it goes, it sucks the reader – or listener in my case – into this story, every bit as much as the ‘Anchorites’ get sucked into following Edie in pursuit of the potential newspaper story.

That story is told as snippets of the night, each slice of time from a different character’s point of view. This worked even better in the audio, as the five characters are voiced by five different narrators. (Insert here my usual rant at the lack of information about who voiced whom. As a group, Jess Nahikian, Max Meyers, Si Chen, Susan Dalian and Tim Campbell did a fantastic job but I very much wish I knew who voiced which part.)

One of the things that makes this story so riveting is the way that the tension seems to build almost minute by minute – and how we’re inside each character’s head as they experience their particular slice of that tightening noose. Particularly as the investigation continues feverishly through the single night of the story, and the identity of the person or persons who are about to get hung out to dry – figuratively if not literally – zeroes in on the real target.

Even as the group of investigators gets deeper and deeper into their own personal fog of jittery exhaustion.

I got caught up in this story in multiple ways. I always love a good story about an investigation – and this was definitely that. While Edie, the editor is at first idly speculating, she does have the threads of a big scoop in her hands – even if her moral compass has been knocked more than a bit askew after chasing stories for so long. There is something rotten going on, and it needs to be brought out into the light.

The ‘Anchorites’ as a group are fascinating, and part of that fascination is in their unacknowledged interconnectedness. They ARE friends, but they are each so used to being friendLESS that they’re pretty much incapable of acknowledging that fact. The way the telling of the story bounced from one to the other keeps the story hopping and the reader on their toes.

That the guilty parties got their comeuppance in the end was absolutely righteous, and the way that the story ended with just that shivery touch of frightening possibility made for the icing on a deliciously creepy horror-adjacent, Halloween-anticipatory reading cake. I’ll certainly be looking for the author’s next book, Hot Wax, when it comes out in January.

Review: The Salt Grows Heavy by Cassandra Khaw

Review: The Salt Grows Heavy by Cassandra KhawThe Salt Grows Heavy by Cassandra Khaw
Narrator: Susan Dalian
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: Dark Fantasy, horror
Pages: 112
Length: 2 hours and 54 minutes
Published by Macmillan Audio, Tor Nightfire on May 2, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

From USA Today bestselling author Cassandra Khaw comes The Salt Grows Heavy, a razor-sharp and bewitching fairytale of discovering the darkness in the world, and the darkness within oneself.
You may think you know how the fairytale goes: a mermaid comes to shore and weds the prince. But what the fables forget is that mermaids have teeth. And now, her daughters have devoured the kingdom and burned it to ashes.
On the run, the mermaid is joined by a mysterious plague doctor with a darkness of their own. Deep in the eerie, snow-crusted forest, the pair stumble upon a village of ageless children who thirst for blood, and the three 'saints' who control them.
The mermaid and her doctor must embrace the cruellest parts of their true nature if they hope to survive.

My Review:

Three different stories, all irreparably skewered and vivisected, are stitched together to make one bloody, creepy, startling ode of a horror story in The Salt Grows Heavy. But as haunting and compelling as the story is, I didn’t pick this up for its story.

Because what makes this tale stick in the mind and the ribs and the craw isn’t the story nearly as much as it is the soaring, lyrical language in which it is told.

After repeated Disney incarnations, in the popular imagination The Little Mermaid is a romance with a happy ending, even though the original Hans Christian Andersen version was a lot more equivocal.

The Salt Grows Heavy takes that romantic tale and sieves it through a much gorier and grimmer lens – much like the original, unexpurgated Grimm’s Fairy Tales. Then it strips the skin from the story’s bones and makes it a whole lot bloodier.

This so-called mermaid did not leave the sea for love of any prince. She was captured by a rapacious king who kept her as his literal trophy wife through sorcery and brutality. When we first meet her, she has already had her revenge for decades of rape and torment. Her daughters, just as much monsters as their mother, have killed and eaten the entire kingdom.

Paul Fürst, engraving (coloured), c. 1656, of a plague doctor of Marseilles (introduced as ‘Dr Beaky of Rome’). His nose-case is filled with herbal material to keep off the plague.

She decides to leave those bones to her daughters, and set out on a journey. After all, the marrow has literally been sucked out of her revenge. But she does not travel alone. One brave or foolish soul, if not a bit of both, volunteers to accompany her. It is ‘her’ Plague Doctor, someone who has secrets of their own, hidden behind their profession’s iconic mask.

So they set off on a journey, two monsters together. For she is most definitely a monster, and the Plague Doctor is a patchwork creature not unlike Frankenstein’s monster, made of bits and pieces of dead things with a mind of their own.

What they find along their way is something that neither of them ever imagined. They find beauty, and love, and nature “red in tooth and claw”, including their own.

But if the Plague Doctor is Frankenstein’s monster, then the doctor himself – or themselves – can’t be far away. With an entirely new – and even more rapacious – pack of monster acolytes to carry out their bloody, gruesome work.

Escape Rating A-: I picked this up because I loved the author’s Nothing But Blackened Teeth, in spite of not being all that much of a horror reader. What I loved about that earlier book was the absolutely unholy lyricality of the language in which the story was told. It was horror as poetry and it captured me from the very first.

Therefore, The Salt Grows Heavy is one of the very rare occasions where I picked a book, not for its story, but for the language in which that story is told; haunting, creepy and beautiful at the same time.

The story combines The Little Mermaid, Frankenstein, and The Lost Boys (both the movie and the original Peter Pan interpretations fit) by sticking them into a blender, bones and all, and watching the blood fountain up as the blades gnaw at their meat.

It wasn’t quite as cohesive a story as Nothing But Blackened Teeth, but as I was listening to it, that didn’t matter AT ALL. I was so caught up in how she was describing EVERYTHING that I couldn’t stop listening – no matter how gorge inducing the scene she was describing might have been.

But I discovered, as I did with Nothing But Blackened Teeth, that the story lost its punch for me when I attempted to finish by reading the text. It wasn’t half so compelling a story in my head as it was when I felt myself inserted into the head of that misnamed mermaid.

So even when we see the even awfuller stuff coming – when she sees it coming – it was her voice that allowed me to let it come and let the experience play out to its bloody, bittersweet end.

The Salt Grows Heavy is a tale to be listened to with rapt attention – with ALL the lights on.