Publisher: Harper

Review: The Consequences of Fear by Jacqueline Winspear + Giveaway

Posted on by Marlene Harris | Author : | A Reviews> book reviews> Giveaways
Review: The Consequences of Fear by Jacqueline Winspear + GiveawayThe Consequences of Fear (Maisie Dobbs #16) by Jacqueline Winspear
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: historical fiction, historical mystery, mystery, thriller
Series: Maisie Dobbs #16
Pages: 352
Published by Harper on March 23, 2021
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

As Europe buckles under Nazi occupation, Maisie Dobbs investigates a possible murder that threatens devastating repercussions for Britain's war efforts in this latest installment in the New York Times bestselling mystery series.
September 1941. While on a delivery, young Freddie Hackett, a message runner for a government office, witnesses an argument that ends in murder. Crouching in the doorway of a bombed-out house, Freddie waits until the coast is clear. But when he arrives at the delivery address, he’s shocked to come face to face with the killer.
Dismissed by the police when he attempts to report the crime, Freddie goes in search of a woman he once met when delivering a message: Maisie Dobbs. While Maisie believes the boy and wants to help, she must maintain extreme caution: she’s working secretly for the Special Operations Executive, assessing candidates for crucial work with the French resistance. Her two worlds collide when she spots the killer in a place she least expects. She soon realizes she’s been pulled into the orbit of a man who has his own reasons to kill—reasons that go back to the last war.
As Maisie becomes entangled in a power struggle between Britain’s intelligence efforts in France and the work of Free French agents operating across Europe, she must also contend with the lingering question of Freddie Hackett’s state of mind. What she uncovers could hold disastrous consequences for all involved in this compelling chapter of the “series that seems to get better with every entry” (Wall Street Journal).

My Review:

In London, in September of 1941, fear was a constant companion. Every person old enough to be aware, including any children past toddlerhood, has to have felt at least some level of fear every waking minute. Fear of bombs, fear of losing someone dear to them – likely because of a bomb, fear of being made homeless and losing everything they owned – due to a bomb.

Fear that Hitler would invade Britain after softening up the target with – yet more bombs. Fear that Britain, standing alone, wouldn’t be able to hold back the tide of Nazi Germany any more than King Canute could hold back the ocean’s tide by ordering it so.

Maisie Dobbs, once upon a time a battlefield nurse in World War I, now serves as part of the checks and balances at the Special Operations Executive, vetting agents who are about to be sent to infiltrate occupied Europe as secret radio operators, saboteurs – and spies.

She did her bit in the first war, and she’s doing it again. Just not quite as near the front lines, although every bit as heartbreaking.

Maisie has spent the years between the wars as a private investigator, trained by her mentor Maurice Blanche, to ferret out the secrets that people have been keeping, sometimes even from themselves, in order to resolve personal issues they bring to her, and crimes brought to her by the police, or, in the case of her interviewing for the SOE, by the government.

The story here is about Maisie attempting, not always successfully, to balance her government work, her private clients, her family out in the country, and her American lover in the Diplomatic Corps of his own country.

It is also a story about the ways in which those responsibilities come into conflict. A country that expects her to drop everything at a moment’s notice in order to send people into situations where death is almost certain. A country that expects her to keep its secrets even from those she loves. A country that expects her to help cover up a murder in order to protect an alliance that it considers strategic.

It’s that last stress that proves to be more than Maisie can live with. The question becomes whether or not she, or anyone else involved, will die for it.

Escape Rating A: This is Mystery & Thriller week on Goodreads, and the image being used looks a lot like a piece of the cover for this book. I fully admit that I had no idea when I was picking out this week’s books that I would be echoing this theme, I just wanted books that I knew would be good and it turned out I struck a theme.

It took me most of the book to get how the title related to this particular story. Everyone is afraid at this point in the war. Things are pretty dark, and in spite of the famous British “stiff upper lip” the situation does not look hopeful.

But the fears that drive this story are not all about the war, even though they circle back to it. There’s a murder in this mystery, and everything about that murder is a result of fear. The murderer fears the loss of his honor, and the exposure of that loss. The witness fears that the killer knows he is a witness, and that the murderer is out to get him as well. And Maisie fears that her emotions are clouding her judgment, and most importantly, fears that the war will rob her of her second chance at happiness.

All three act out because of their fear, and act on their fear at the same time. This entire case and its outcomes are all consequences of those fears.

The ending is not all heartbreak as one might expect from the beginning, although the piper does get paid.

The story closes on December 8, 1941, the day after Pearl Harbor. The Americans, including Maisie’s lover, are scrambling to prepare America’s response to the attack. The entire war has changed irrevocably, along with Maisie’s life.

I’ve followed Maisie’s adventures from her very first story, fittingly named after this singular character. This is a series that follows the history of both its character and the world she inhabits, and sincerely rewards readers who get involved at the very beginning. This is not a series to pick up in the middle, especially as the last few books in the series, from A Dangerous Place onwards, show the shadows darkening over Europe as Britain prepares for the inevitable that no one wants to see.

This turned out to be a fitting close for the theme of this Blogo-Birthday Celebration Week as well. Both Maisie Dobbs and Sebastian St. Cyr are coincidentally at the 16th book in their respective series, but more importantly, both are atmospheric historical mysteries set in periods of great upheaval featuring compelling and fascinating protagonists.

Maisie also links back to, not Susan Ryeland or Atticus Pünd in Moonflower Murders, but rather to the author of the series, Anthony Horowitz, and the TV character he created, Christopher Foyle of Foyle’s War. Although a police detective rather than a private investigator, Foyle is another compelling character who served in WW1 and is now, in the second war, investigating crimes on the homefront – and occasionally working for the government – just as Maisie is.

I expect Maisie’s war to be every bit as dangerous, and to include every bit as much crime and punishment as her between the wars life has done. And I’m certainly looking forward to reading about Maisie’s war now that it is finally and officially here.

~~~~~~ GIVEAWAY ~~~~~~

Today is the final day of my Blogo-Birthday Celebration Week. This is a series that is near and dear to my heart, making it a perfect ending to a week of giveaways. I love this series and am thrilled to share a bit of that love with one lucky winner.

The winner of today’s giveaway will receive their choice of one book by Jacqueline Winspear (up to $25 US to include The Consequences of Fear) whether in the Maisie Dobbs series or her standalone or her nonfiction. If you haven’t met Maisie, I would recommend starting with one of the early books in the series, either the collection of novellas in Maisie Dobbs, or the first complete novel that features her, Birds of a Feather.

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Review: Moonflower Murders by Anthony Horowitz + Giveaway

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: Moonflower Murders by Anthony Horowitz + GiveawayMoonflower Murders (Susan Ryeland #2) by Anthony Horowitz
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, thriller
Series: Susan Ryeland #2
Pages: 608
Published by Harper on November 10, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

Featuring his famous literary detective Atticus Pund and Susan Ryeland, hero of the worldwide bestseller Magpie Murders, a brilliantly complex literary thriller with echoes of Agatha Christie from New York Times bestselling author Anthony Horowitz.
Retired publisher Susan Ryeland is living the good life. She is running a small hotel on a Greek island with her long-term boyfriend Andreas. It should be everything she's always wanted. But is it? She's exhausted with the responsibilities of making everything work on an island where nothing ever does, and truth be told she's beginning to miss London.
And then the Trehearnes come to stay. The strange and mysterious story they tell, about an unfortunate murder that took place on the same day and in the same hotel in which their daughter was married—a picturesque inn on the Suffolk coast named Farlingaye Halle—fascinates Susan and piques her editor’s instincts. 
One of her former writers, the late Alan Conway, author of the fictional Magpie Murders, knew the murder victim—an advertising executive named Frank Parris—and once visited Farlingaye Hall. Conway based the third book in his detective series, Atticus Pund Takes the Cake, on that very crime. 
The Trehearne’s, daughter, Cecily, read Conway’s mystery and believed the book proves that the man convicted of Parris’s murder—a Romanian immigrant who was the hotel’s handyman—is innocent. When the Trehearnes reveal that Cecily is now missing, Susan knows that she must return to England and find out what really happened.
Brilliantly clever, relentlessly suspenseful, full of twists that will keep readers guessing with each revelation and clue, Moonflower Murders is a deviously dark take on vintage English crime fiction from one of its greatest masterminds, Anthony Horowitz.  

My Review:

For a dead man Alan Conway certainly does manage to get around. He even manages to cause just as much mischief from the grave as he did while alive. Something that he is probably looking down upon, or more likely up towards from below, with a great deal of pride if not utter glee.

In life, Alan Conway was not what one would call a “good person”, even if he was a very good author of very twisty mysteries. Until he became part of one himself, in the story that is told in the first book of the Susan Ryeland series, Magpie Murders.

As a reader, I wasn’t expecting to see Ryeland, Conway, or the detective character that Conway created, Atticus Pünd, ever again. After all, as Charles Dickens so eloquently opened A Christmas Carol, “Marley was dead to begin with” just as Alan Conway is at the start of Moonflower Murders. Atticus Pünd was a product of Conway’s now dead imagination, and Susan Ryeland is not just out of a job at the end of Magpie Murders, but the publishing company she worked for is as dead as Conway.

I have to say that of the three of them, I missed Atticus Pünd the most. In my review of Magpie Murders I said that I really wished the Pünd series actually existed because I would love to read them. Based on Moonflower Murders, it is entirely possible that I might get my wish.

There is a complete Atticus Pünd mystery enclosed within the pages of Moonflower Murders. However, unlike Magpie Murders, the title of both the book by Anthony Horowitz is different from the Atticus Pünd book by Alan Conway that forms the heart of the case that Susan Ryeland finds herself stuck in the middle of, whether that’s where she wants to be, or not.

In this case it’s more like wants to be. Or at least wants to be if there has to be a case at all. Which there definitely does. And it’s all, just as it was in Magpie Murders, Alan Conway’s fault.

As this story opens, it’s been two years since the events of Magpie Murders brought Susan Ryeland’s career in publishing to an end, and brought Alan Conway to his. His end, that is. (His books seem to be doing just fine.) Susan is now the co-owner of a small hotel in Crete, with her business-and-domestic partner Andreas. At the point where the Trehernes, Conway and this case invade her life, the hotel is losing money, Susan has lost her patience with being a hotel owner and her relationship with Andreas has lost much of its steam.

So she’s ready for a change, or at least a break. The Trehernes in their tragedy offer her both a partial solution to the hotel’s problems and a break from her own. They are willing to pay her 10,000 pounds to come back to England and stay at their hotel for a week. (That’s nearly $14,000 (US) so enough to make a serious dent in the inn’s financial problems. A real temptation on that front alone, without Susan’s other reasons for taking a break from Crete, innkeeping and Andreas.)

The Trehernes’ visit has nothing to do with their common interest in small hotels and everything to do with Alan Conway and Atticus Pünd. Because Alan Conway visited their hotel, Bramlow Hall, and wrote about a real-life murder that took place there. Of course Atticus Pünd solved the fictitious murder, but their daughter, after reading Atticus Pünd Takes the Case, believed that Alan Conway had solved the real murder as well.

A belief that she conveyed to her parents in a rather frantic telephone call, just before she went missing.

The police have not found Cecily Treherne, and her parents are desperate to grasp at any straws that might lead to their missing daughter. Alan Conway is beyond grasping at, but his editor Susan Ryeland is not.

Whether Susan can figure out what it was that Cecily Treherne believed that Alan Conway knew is a long shot. But it’s one that Susan is willing to try in order to get away from Crete and gain some perspective on her life there.

She goes into the whole thing thinking that it’s a clever puzzle that she might just have a chance at solving. And it is. But it’s also digging up the dirt in a whole lot of lives that thought they had put it all behind them. For those people, it’s not just a clever puzzle.

And for someone, it’s murder. Again.

Escape Rating A-: This is a book that I began in audio and switched to the ebook relatively early on. I got to the weekend, didn’t have any place I needed to drive to, and couldn’t wait to see what happened next.

And it was a whole lot easier to peek ahead to see where the Atticus Pünd book started in the ebook!

This book within a book contrasts the process of the extremely amateur detective, Susan Ryeland, against the tried-and-true methods of the professional detective Atticus Pünd. And it’s clear from the outset that Susan is in WAY over her head in a way that Pünd never is. Also that Susan has to reckon with a lot more pesky reality than the fictitious detective ever does – lucky for him.

But then, Pünd reads as if he is both an homage to Dame Agatha Christie’s celebrated detective Hercule Poirot and his antithesis. Both are post-war refugees, neither are English. Making them both outsiders who can investigate a case without bias or prejudice. Both are acknowledged geniuses. At the same time, they are refugees from different wars, Belgium was neutral before it fell while Germany was the enemy. The biggest difference between the two is that Pünd seems to have relatively few affectations while Poirot seems to be the accumulation of his.

And in the background there’s the late and mostly unlamented Alan Conway. Certainly no one at Bramlow Hall misses him. But Susan is following his trail, hoping to see either what he saw, what the missing Cecily Treherne saw, or to figure things out for herself.

But Conway had an advantage – he knew many of the principals before he ever entered the scene. Susan, however, has a different advantage. She, like Pünd, is an outsider. She arrives with no preconceived notions about who might have done it.

She’s a blank slate as an investigator, but she’s often just plain drawing a blank, knowing that there’s something she isn’t seeing or isn’t putting together. She’s just not sure what. As this story is told from Susan’s first-person perspective, whatever blank she’s drawing – we’re drawing it too.

Normally I’d say that with a first-person narrator it’s important to like the person whose head you’re in. I have to say that isn’t true here, or at least it wasn’t true for me. I’m not sure I actually like Susan much. She treats all of the people involved in the case as though she were reading a book and they’re all just characters – and not real people whose lives are being upended for the second time.

That she isn’t sure of anything, not whodunnit, not who Alan thought done it, not even why she’s there or where her life is going felt both real and off-putting at the same time. Probably part of why I like Atticus Pünd better is that he always seems sure of his course – even when he isn’t.

All Susan is sure of is that she’s pissing everyone off nearly as much as Conway did before her. And that the missing Cecily Treherne, whether she solved the mystery or not, was most likely dead long before Susan arrived back in England.

What keeps this story moving, and keeps both the reader and Susan Ryeland guessing every step of the way, are the multiple mysteries that need to be unraveled at Bramlow Hall. Who committed the original murder? What happened to Cicely Treherne? What did Alan Conway know? And the key that unlocks the entire mystery, who committed the murder in Atticus Pünd Takes the Case?

This is a series that just didn’t seem plausible after Magpie Murders. But I’m so glad it’s here! Maybe we’ll even get to read ALL of the Atticus Pünd series before Susan Ryeland’s career as an amateur detective goes the way of her publishing career.

~~~~~~ GIVEAWAY ~~~~~~

Moonflower Murders is the first of three days of book giveaways for this year’s Blogo-Birthday Celebration. This felt like the right book to start with for two reasons. The first reason, and the most important, I always fill this week with books I love and want to share, and this author always fills that bill. Even when his characters infuriate me, I love the stories he tells with them. Moonflower Murders was certainly no exception to that rule. Second, the author and I share our birthday, April 5, although he’s just a smidge older than I am, which makes me feel a tiny bit better about the whole thing.

The winner of today’s giveaway will receive their choice of one book by Anthony Horowitz (up to $25 US to include Moonflower Murders), whether in this series or any of his other series or standalones.

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Review: The Tale Teller by Anne Hillerman + Giveaway

Posted on by Marlene Harris | Author : | A+ Reviews> Blogo-Birthday> book reviews
Review: The Tale Teller by Anne Hillerman + GiveawayThe Tale Teller by Anne Hillerman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: mystery
Series: Leaphorn and Chee #23, Leaphorn Chee and Manuelito #5
Pages: 304
Published by Harper on April 9, 2019
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

Legendary Navajo policeman Lieutenant Joe Leaphorn takes center stage in this riveting atmospheric mystery from New York Times bestselling author Anne Hillerman that combines crime, superstition, and tradition and brings the desert Southwest vividly alive.

Joe Leaphorn may have retired from the Tribal Police, but he finds himself knee-deep in a perplexing case involving a priceless artifact—a reminder of a dark time in Navajo history. Joe’s been hired to find a missing biil, a traditional dress that had been donated to the Navajo Nation. His investigation takes a sinister turn when the leading suspect dies under mysterious circumstances and Leaphorn himself receives anonymous warnings to beware—witchcraft is afoot.

While the veteran detective is busy working to untangle his strange case, his former colleague Jim Chee and Officer Bernie Manuelito are collecting evidence they hope will lead to a cunning criminal behind a rash of burglaries. Their case takes a complicated turn when Bernie finds a body near a popular running trail. The situation grows more complicated when the death is ruled a homicide, and the Tribal cops are thrust into a turf battle because the murder involves the FBI.

As Leaphorn, Chee, and Bernie draw closer to solving these crimes, their parallel investigations begin to merge . . . and offer an unexpected opportunity that opens a new chapter in Bernie’s life.

My Review:

I found the original Leaphorn and Chee series sometime in the 1990s, when I had a horrifically long commute in the Chicago suburbs and audiobooks saved my sanity if not my life. Audiobook publishing was nowhere near as robust as it is today, and there weren’t a lot of options for someone who spent 3 hours in their car, 5 days a week, for most of 9 years.

I listened to a lot of books, and The Blessing Way (the first book in the series) and all of the following books that were available, during those long drives. The stories, told in the inimitable voice of George Guidall, swept me away, kept me awake, and left me enthralled every time.

When the original author, Tony Hillerman, died in 2008, the series seemingly ended. At least until his daughter Anne picked it back up again in 2013 with the marvelous Spider Woman’s Daughter, adding Navajo Tribal Police Officer Bernie Manuelito’s name to the series as well as her perspective to the continuing series.

The Tale Teller is the fifth book in that continuation, and it swept me away from the very first page – as all of the books in this series have done.

One of the things that has made the return of the series so marvelous has been its addition of Bernie to the mix. Bernie is a Navajo Tribal Police Officer, as is her husband Jim Chee, and their mentor, the legendary Lieutenant Joe Leaphorn.

They each bring a different perspective to their work, to their culture, and to life in the Four Corners. Leaphorn is older, semi-retired, and does not believe in many of the traditions while still revering the history. Chee, although younger, has much more belief in the traditions of their people, and once studied to be a healer. Bernie Manuelito is a woman caught between the demands of her career and the need to still fulfill as many of the traditional roles of oldest daughter to her aging mother as she can manage – including the role of attempting to keep her wayward younger sister on the straight and narrow.

While the “torch” directly passed from Leaphorn to Chee and Manuelito at the beginning of Spider Woman’s Daughter, Leaphorn has remained a presence in the series as he recovered from a near fatal gunshot wound but continued to provide information and support in whatever capacity he happened to be capable of at the time.

In The Tale Teller, while Leaphorn is not quite back to fighting form, he has healed to the point where he can manage to pick up his work as a private investigator, part-time consultant to the Tribal Police and frequent mentor and sounding board for Chee and Manuelito.

This is the first story in the continuing series where Leaphorn has been fully capable of performing his own investigations and providing a full third point of view on events.

And what fascinating events they are!

At first there seem to be three separate cases here, but as so often happens in mysteries, in the end that are only two. This is one of the rare mysteries where everything does not tie up neatly in a single bow. Instead, we have two bows, one reasonably neat and one a bloody mess.

Bernie finds a dead body on a hiking trail, guarded by the victim’s faithful dog. An old friend of her mother’s finds a valuable piece of jewelry that he previously reported stolen being sold at a flea market – leading into Chee’s investigation of a sudden string of home robberies. And Leaphorn takes on a case from the Tribal Museum. An important donation may have been stolen, either before it arrived, or after. Or it may not have been in the box at all. That the donor wishes to remain anonymous adds to the mystery. That one of the important pieces of the puzzle dies almost the instant that Leaphorn gets involved shifts the problem from seemingly minor to possibly deadly.

While not all of the cases end happily, following the trail of clues and bodies is a page-turner from beginning to end – and a delight.

Escape Rating A+: I read this in a single day. This was one I picked up pretty much everywhere, like at meals, in the bathroom, in the car (as long as someone else was driving), and pretty much every time I had a couple of spare minutes.

I sunk right back into this place with these people on the very first page, and didn’t come out until the end.

What I love about this series is the way that it combines its police procedural mystery with a perspective into a part of the U.S. that outsiders don’t often get to experience with an, if not insider’s perspective, at least a well-informed and reverential outsider’s point of view.

This would be a very different series if the investigator were one of the FBI agents who often intrude – as they do in this case. Instead, it is the point of view of people who are insiders in a world that most of us are not, while they still are outsiders within their own culture so that they can both see the “why” of things while not being emotionally involved with all of the “who”.

The cases in this particular story are complex, especially Leaphorn’s investigation into the possibly missing artifact. As readers, we learn a lot about both the history of the Navajo people and the treatment of precious artifacts. At the same time, the case has echoes in the past while it is motivated by events in the present. The resolution is heartbreaking but fits.

Chee and Manuelito’s cases turn out to have more tentacles than an octopus, ranging from burglaries to internet scams to witness protection to murder – but at least that case, which gets a bit too close to Bernie’s family, ends with a mostly happy resolution.

That the perpetrators were hiding in plain sight but not obvious until very near the end made both cases fascinating to read.

I’m grateful to those long ago long commutes, now that they are in the past, for the terrific series such as this one that they introduced me to. And I’m looking forward to returning to the Four Corners with Leaphorn, Chee and Manuelito at the next opportunity!

~~~~~~ GIVEAWAY ~~~~~~

For the final day of my Blogo-Birthday Celebration Week I’m giving away a copy of any book in the combined Leaphorn, Chee & Manuelito series, from it’s very beginning in The Blessing Way to the latest book, The Tale Teller. If you are new to the series, I would recommend starting with Spider Woman’s Daughter, as it brings the reader into the action at the present while providing enough background to immerse you in the story and familiarize you with the characters. But it is up to the winner to decide. Enter the rafflecopter, and it might be YOU!

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Review: The American Agent by Jacqueline Winspear

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: The American Agent by Jacqueline WinspearThe American Agent (Maisie Dobbs, #15) by Jacqueline Winspear
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Maisie Dobbs #15
Pages: 384
Published by Harper on March 26, 2019
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

Beloved heroine Maisie Dobbs, “one of the great fictional heroines” (Parade), investigates the mysterious murder of an American war correspondent in London during the Blitz in a page-turning tale of love and war, terror and survival.

When Catherine Saxon, an American correspondent reporting on the war in Europe, is found murdered in her London digs, news of her death is concealed by British authorities. Serving as a linchpin between Scotland Yard and the Secret Service, Robert MacFarlane pays a visit to Maisie Dobbs, seeking her help. He is accompanied by an agent from the US Department of Justice—Mark Scott, the American who helped Maisie escape Hitler’s Munich in 1938. MacFarlane asks Maisie to work with Scott to uncover the truth about Saxon’s death.

As the Germans unleash the full terror of their blitzkrieg upon the British Isles, raining death and destruction from the skies, Maisie must balance the demands of solving this dangerous case with her need to protect Anna, the young evacuee she has grown to love and wants to adopt. Entangled in an investigation linked to the power of wartime propaganda and American political intrigue being played out in Britain, Maisie will face losing her dearest friend—and the possibility that she might be falling in love again.

My Review:

It’s March, which means it’s time for this year’s Maisie Dobbs adventure. I’m just sorry her publisher isn’t sponsoring the “Month of Maisie” any longer, as that always made for a terrific excuse to pick up one of the earlier books in the series as well as the new one.

For Maisie, the year in 1940, and London is in the middle of the Blitz. And so is Maisie, as she and her best friend Priscilla are doing in London what they did in the Great War so many (and so few) years ago.

They’re driving an ambulance and taking the wounded from the “front” to hospital. It’s just that this time, that “front” is the streets of London. Their roads are better paved this time around, but the shelling is even more deadly.

Just because Maisie is driving an ambulance every night, that doesn’t mean that she isn’t solving cases during the day. Even though she’s “dead on her feet” half the time, victims of murder still need justice.

Her worlds collide. One night, Maisie and Priscilla have an observer on their ambulance run – a female American journalist. Cath Saxon is reporting the war from a woman’s perspective – with the hope of becoming one of the “boys” working for and with Edward R. Murrow.

Just as Cath gets in – she’s out. She’s found murdered in her rented rooms, and both Scotland Yard and the American Embassy call on Maisie to find out who killed her. It might just be a love affair gone wrong. It might have something to do with her reporting. There’s also a chance that her powerful family back in America decided that Cath’s sympathetic reports of the plucky and heroic English response to Hitler’s Blitz might be too embarrassing for their Hitler-sympathizing friends back home.

Maisie is supposed to be working with an American agent on this case. Mark Scott is the same American agent who saved her life during her nearly disastrous Journey to Munich. But as the case progresses it’s clear to Maisie that the man who is supposed to be working WITH her is working on an agenda of his own – and mostly far from Maisie’s inquiries.

And that at least part of his hidden agenda has more to do with Maisie herself than any case either of them might be investigating.

Escape Rating A: This is a series that I absolutely love, and eagerly await the next book. So I’m already on tenterhooks for book 16, hopefully next March. But in the meantime there’s plenty to discuss regarding The American Agent.

One thing that struck me as I read about Maisie and Patricia’s exploits as ambulance drivers was the way that it brought home just how close World War II was to World War I. Both women served in the Great War, Maisie as a nurse and Patricia as an ambulance driver. As this book opens, they are still only in their early 40s, still in their prime. And serving again. Although there are many young people who think that war is glorious, as evidenced by the behavior of Patricia’s son in To Die but Once. At the same time there are plenty of people populating Maisie’s world who served in the first war, are serving in the second, and know from grim experience that war is terrible. And are equally aware that they must fight, that surrender is unthinkable.

However, there are plenty of people who have taken that belief that war is terrible, but either believe that Hitler is unstoppable or don’t care who dies as long as their profits continue. And some who agree with his many and terrible hatreds and prejudices. (If that sounds familiar, it bloody well should as things stand today!)

Ironically, we are re-watching Poirot, and the later episodes of that series also deal with the impending war. The Clocks had been rewritten to take place before the war, and part of the plot revolved around government agents who were giving secrets to the Nazis to make Britain fall faster so that the war would end sooner. The Duke of Windsor was part of this movement, much to the embarrassment of the Royal Family.

There were also plenty of people in America who believed that Hitler’s win was inevitable – or were in at least economic cahoots with Germany. And there was a significant amount of Antisemitism involved, people who believed that Hitler’s plan to kill all the Jews was the right way to go. (Yes, that’s appalling. But true.)

Charles Lindbergh, the aviator, was a prominent member of the America First Committee, which wanted America to stay out of the war and tacitly agreed with the Antisemitic tone of the party. One of the other prominent members of the America First movement was Joseph P. Kennedy, the father of President John F. Kennedy and Senator Robert Kennedy. Joe Kennedy was also the U.S. Ambassador to Britain during this story, and Maisie’s American Agent is using the hunt for Cath Saxon’s killer to poke into Joe Kennedy’s dubious dealings. Because there were plenty to poke into.

It works as a ruse because Cath’s father, a prominent U.S. Senator, is also an America Firster. And he, along with his “friends” were dead set against Cath reporting material that was sympathetic to the British cause. The family was dead set against Cath being a reporter at all.

Maisie has to look into just how dead they were set. And wonders if her investigations will lead her into places that the U.S. Embassy will not want her to go. Or, at least to report.

But Maisie never presumes, never presupposed and never lets herself get dead set on any hypothesis. She follows the clues where they lead her. No matter how much she has to dig, and how many secrets she uncovers along the way.

It’s what makes following her so interesting, and her character so fascinating. I’m looking forward to reading more of Maisie’s war in the next book. And while I wait, I think I’m going to treat myself with a dive into What Would Maisie Do?

Review: The Word is Murder by Anthony Horowitz

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: The Word is Murder by Anthony HorowitzThe Word Is Murder by Anthony Horowitz
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery
Series: Hawthorne #1
Pages: 400
Published by Harper on June 5, 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

She planned her own funeral--but did she arrange her murder?

A wealthy woman strangled six hours after she’s arranged her own funeral.A very private detective uncovering secrets but hiding his own.A reluctant author drawn into a story he can’t control.

What do they have in common?

Unexpected death, an unsolved mystery and a trail of bloody clues lie at the heart of Anthony Horowitz's page-turning new thriller.

My Review:

This is a weird book. That’s not to say that it wasn’t good and that I didn’t enjoy it – because it is and I did. But it was not what I expected.

Not exactly what I expected, anyway. I was, after all, expecting a murder mystery. What I was not expecting was for the book the break the fourth wall as much as it does, or for the author to be a fictional character in his own book.

I’ll confess that I began looking up some of the people in the story, to see if they really were real. The degree to which the author inserts himself and his own history makes everyone in the story seem like they must be equally real.

Or if not real, then at least recognizable stand-ins for some true-life counterpart. But they are not. At least I don’t think they are. Or if they were I couldn’t figure out who they were standing in for.

What adds to the verisimilitude is the way that author Anthony Horowitz seems to include so many easily verifiable details of his own work, if not his own life. He is the creator of two of my favorite TV series, Foyle’s War and Midsomer Murders. He is also the author of two excellent Sherlock Holmes pastiches, The House of Silk and Moriarty.

But in The Word is Murder he seems to find himself playing Watson, both as a sidekick and as a recorder of events, to an even more misanthropic Holmes than the original.

Daniel Hawthorne is not a likeable protagonist. As a detective he is every bit as brilliant as the ‘Great Detective’ he is so obviously modeled after, while at the same time so focused on whatever case he is following that he does not care who he pisses off or how much he ignores all of the social niceties that keep the wheels of society grinding.

He’s a man with zero friends, lots of enemies, and a nose for figuring out “whodunit”.

And even though Horowitz-the-author seems to draw the man in all of his misanthropic ‘glory’, we are drawn into the cases every bit as much as the author seems to be, and we understand why he follows along – because we are every bit as compelled as he is.

Escape Rating A-: I picked this up because I loved both The House of Silk and Magpie Murders, although I admit that I enjoyed the historical portions of Magpie Murders more than the contemporary framing story.

I didn’t know what to expect with The Word is Murder, just that I was interested enough to give it a try. I had not read any of the reviews beforehand, so I was at a bit of a loss when the author himself appeared as a character in the book.

I knew the book was supposed to be fiction, but so many well-known details of the author’s career were introduced into the narrative that I’ll admit I started to wonder.

While the way that this book is written is meta (actually very, very meta), the story itself is a classic. A woman goes to a funeral home to plan her entire funeral. When she is murdered a few short hours later, it seems obvious that the long arm of coincidence just doesn’t stretch that long.

The police want the murder to be a burglary gone wrong. That’s a simple crime with a simple solution. But ex-cop Daniel Hawthorne is certain that it’s not that easy. He knows that when the Met calls him in as a consultant, it’s because someone at the top is certain it isn’t that easy – even if they can’t articulate exactly why.

Figuring it out is Hawthorne’s job. Annoying all of the investigating officers involved in the case seems to be part of the fun of it – at least for him. Dragging his narrator out of an important meeting with OMG Steven Spielberg and Peter Jackson shows just how little Hawthorne can be bothered with anything outside his laser focus on the case.

In the end, the case is both simple and complex. The reasons for the murder are classic. The misdirection is epic. And even though I figured out who didn’t do it before the narrator, the reveal of just who did was as much of a surprise to me as it was to him. Just like the narrator, I was too caught up in the story to follow the clues to their final destination.

There’s going to be a sequel. I’m more than curious enough to see what Daniel Hawthorne investigates next – as long as Anthony Horowitz is at his side.

Review: Cave of Bones by Anne Hillerman

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: Cave of Bones by Anne HillermanCave of Bones by Anne Hillerman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: mystery
Series: Leaphorn, Chee & Manuelito #22
Pages: 320
Published by Harper on April 3, 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

New York Times bestselling author Anne Hillerman brings together modern mystery, Navajo traditions, and the evocative landscape of the desert Southwest in this intriguing entry in the Leaphorn, Chee, and Manuelito series.

When Tribal Police Officer Bernadette Manuelito arrives to speak at an outdoor character-building program for at-risk teens, she discovers chaos. Annie, a young participant on a solo experience due back hours before, has just returned and is traumatized. Gently questioning the girl, Bernie learns that Annie stumbled upon a human skeleton on her trek. While everyone is relieved that Annie is back, they’re concerned about a beloved instructor who went out into the wilds of the rugged lava wilderness bordering Ramah Navajo Reservation to find the missing girl. The instructor vanished somewhere in the volcanic landscape known as El Malpais. In Navajo lore, the lava caves and tubes are believed to be the solidified blood of a terrible monster killed by superhuman twin warriors.

Solving the twin mysteries will expose Bernie to the chilling face of human evil. The instructor’s disappearance mirrors a long-ago search that may be connected to a case in which the legendary Joe Leaphorn played a crucial role. But before Bernie can find the truth, an unexpected blizzard, a suspicious accidental drowning, and the arrival of a new FBI agent complicate the investigation.

While Bernie searches for answers in her case, her husband, Sergeant Jim Chee juggles trouble closer to home. A vengeful man he sent to prison for domestic violence is back—and involved with Bernie’s sister Darleen. Their relationship creates a dilemma that puts Chee in uncomfortable emotional territory that challenges him as family man, a police officer, and as a one-time medicine man in training.

Anne Hillerman takes us deep into the heart of the deserts, mountains, and forests of New Mexico and once again explores the lore and rituals of Navajo culture in this gripping entry in her atmospheric crime series.

My Review:

Once upon a time, a long time ago, but not in a galaxy far, far away, I used to have a very long commute to work. I listened to a LOT of audiobooks, and one of the series I discovered was the Leaphorn & Chee series by Tony Hillerman. Mysteries are perfect in audio because you can’t thumb to the end to find out whodunit. And the series was particularly good because it is read by the inestimable George Guidall. If you like audio and have not listened to a book read by him you’ve missed a real treat.

Fast forward a couple of decades and the series ended when the author died. That ending turned out to be more of a pause, as several years later his daughter revived the series by switching the focus. In Spider Woman’s Daughter, the “Legendary Lieutenant” Joe Leaphorn is struck down in the opening scene, and Navajo Tribal Police Officer Bernadette “Bernie” Manuelito, with the assistance of her husband Sergeant Jim Chee, takes over the investigation while Leaphorn begins the long, slow road to recovery.

The torch passes with the perspective, and the series has continued with Bernie becoming the principal character, while Chee appears nearly as frequently, but ironically still kind of the second-banana that he was to Leaphorn. Leaphorn provides consultation and occasional welcome, if sometimes cryptic, clues.

As has turned out to be the case with this continuation of the series, Bernie and Chee are stuck in different places, handling different situations when Bernie finds herself in the middle of an investigation that keeps her hopping all over the Four Corners Reservation and the surrounding area while Chee is in Santa Fe for a training class while keeping an eye on Bernie’s sister Darleen’s latest attempt to stay on the straight and narrow.

And, as usual, just when it seems that their cases can’t connect, the long arm of coincidence reaches out and links the case that Bernie is in the middle of with a few little errands that the Captain asked Chee to take care of while he was in Santa Fe.

It’s a mess that just keeps getting messier and messier, at least until Bernie and Chee, but mostly Bernie, with a few hints from Leaphorn, finally manage to get the disparate problems all wrapped up in one neat package.

Just in time for the crises in Bernie’s personal life to boil over.

Escape Rating A-: I loved this series back when I was listening to it, and I still do. But if this combination of mystery with exploration of the problems that plague the Navajo Tribal Police (as well as the issues that plague the tribe itself) sound like your cup of tea, and you don’t want to go all the way back to the very beginning, starting with Spider Woman’s Daughter will provide plenty of background to the characters, the situation, and the place.

Something that will fascinate long-time readers of the series is the way that the series is set in what is sometimes referred to as the “Perpetual Now”. If Leaphorn had aged chronologically from his first introduction, he would be over 100. Instead, he seems to be in his 60s, while Chee is still in his 30s. And all the updates to police methods of the 21st century, markedly absent in the early books set in the 1970s, are both a help and hindrance to everything in 2018.

There is a bit of a contrivance in the way that the author keeps Bernie and Chee apart during their cases, forcing them to rely on their own resources and not able to lean on each other. The coincidences that bring their cases back together at the end sometimes have a very long arm.

At the same time, this allows us to see one side, and the bigger part at that, from Bernie’s solo perspective. She is always caught between a rock and a hard place, between her duty as a police officer and her duty to her mother and sister. That conflict is a perspective we never saw when it was just Leaphorn and Chee, and it helps ground the series and keep the characters feeling human and real.

The case in Cave of Bones starts out a bit convoluted and keeps adding more and more parts and conundrums as it goes. While it is not difficult for the reader to keep straight, it does feel like the mountain of both Bernie’s and Chee’s tasks and duties keeps growing and growing.

It all starts with a missing person. And it ends with one, too. But it middles in helicopter parenting, scared teenagers, embezzlement, illegal antiquities, family squabbling and grand theft auto. And it’s a marvelous ride all along the way.

Review: To Die but Once by Jacqueline Winspear

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: To Die but Once by Jacqueline WinspearTo Die but Once (Maisie Dobbs #14) by Jacqueline Winspear
Formats available: hardcover, large print, ebook, audiobook
Series: Maisie Dobbs #14
Pages: 336
Published by Harper on March 27th 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

Spring 1940. With Britons facing what has become known as "the Bore War"—nothing much seems to have happened yet—Maisie Dobbs is asked to investigate the disappearance of a local lad, a young apprentice craftsman working on a "hush-hush" government contract. As Maisie’s inquiry reveals a possible link to the London underworld, another mother is worried about a missing son—but this time the boy in question is one beloved by Maisie.

My Review:

In the earlier books in this series, Maisie reminded me a lot of Bess Crawford, from Charles Todd’s series, or even Mary Russell from Laurie R. King’s Holmes/Russell series. Bess, Mary and Maisie are all contemporaries, and had similar experiences.

But Maisie’s series has moved on, from World War I through the between-the-wars period and now she has reached World War II. And now Maisie, 20 years older and hopefully wiser than she was in her earlier cases, reminds me all too much of Christopher Foyle in Foyle’s War.

While the scenario behind To Die But Once is straight from the movies. One movie in particular, Dunkirk.

The movie was set on the beaches as the men waited desperately for rescue. To Die But Once takes place on the other side of the Channel, on the home front, where Maisie’s friends, and therefore Maisie herself, worry about their hostages to a fortune that they desperately hoped never to see again in their lifetimes. A hope that has been miserably dashed on the rocky shore at Dunkirk.

As with Foyle’s War, while the background of war is ever present, the story revolves around events on the home front. Just because there’s a war on, even if in 1940 it was the “Bore War”, does not mean that human beings have refrained from their usual patterns of crime if not punishment.

The impending war merely provides yet more opportunities for nefarious activity, unfortunately not limited to graft, cheating on government contracts, selling secrets, and that age-old wartime pastime, the black market.

War makes very strange bedfellows, especially when there’s money to be made.

Maisie begins by investigating the disappearance of a young man. She, as well as the entire neighborhood, watched Joe Coombes grow up in his family’s pub. He’s a sweet young man, and at 16 he’s away from home for the first time, apprentice to a painter’s crew doing government work at RAF bases all over Britain.

While Maisie hopes to discover a boy out on a lark, she is prepared for what she does find – Joe’s unidentified body in a morgue. For Maisie, that is never the end of a case – only the beginning.

Maisie isn’t satisfied with the coroner’s ruling of death by misadventure. It is possible that this was the case – but it just doesn’t feel likely. And the more that Maisie looks into Joe’s life, the less likely it seems.

All she has to do is find the one thread to pull that will unravel this case – if the mysterious gentlemen in the black sedan don’t unravel her first.

Escape Rating A: This series is, from beginning to end, marvelous. It is a comfort read for me, having now read the first four books and the last five. I plan to meet myself in the middle sometime soon.

But this is a dense series. While the case in each book is generally singular, or at least all the cases that Maisie turns up are all completed within the volume, each entry requires at least some previous knowledge of Maisie’s background, her professional history, and an acquaintance with Maisie’s friends and associates.

In other words, don’t start here. Particularly as the series has been building towards the war for several books, since A Dangerous Place, if not before. Maisie’s adventures begin in the first book in the series, named for its protagonist, Maisie Dobbs.

Maisie is both a thorough and a thoughtful detective. She is also, as she describes her associate Billy Beale, a terrier. Once she has a case between her teeth, she doesn’t let it go until she has poked her nose into every single one of its dark alleys.

That’s certainly the case here. Joe is dead, but his death was caused as much by the tentacles of corruption that surround his family as it was by the sharp blow to the head that snuffed out his life. And Maisie uncovers a net that reaches from a small-time contractor to a big-time hoodlum to the halls of power and everywhere in between.

The case is twisting and convoluted, and keeps both Maisie and the reader captivated as she follows its turns to the very end.

There is so much going on here, with Maisie, with the case, and with the war. Maisie is often pushed to her limit, and in more than one direction. In the end, it is her willingness to confront the difficult, and her ability to see inside the human heart, that provides the answers – even if those are answers that no one wants to hear.

The Maisie Dobbs series is one of my favorite historical mystery series. I enjoy every entry, to the point where it is difficult to review the book. When I read Maisie, it feels like I am there. And I can’t wait to travel with her again. Even into war.

Review: Fools and Mortals by Bernard Cornwell

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: Fools and Mortals by Bernard CornwellFools and Mortals by Bernard Cornwell
Formats available: hardcover, large print, ebook, audiobook
Pages: 371
Published by Harper on January 9th 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

New York Times bestselling author Bernard Cornwell makes a dramatic departure with this enthralling, action-packed standalone novel that tells the story of the first production of A Midsummer’s Night Dream—as related by William Shakespeare’s estranged younger brother

Lord, what fools these mortals be . . .

In the heart of Elizabethan England, Richard Shakespeare dreams of a glittering career in one of the London playhouses, a world dominated by his older brother, William. But he is a penniless actor, making ends meet through a combination of a beautiful face, petty theft and a silver tongue. As William’s star rises, Richard’s onetime gratitude is souring and he is sorely tempted to abandon family loyalty.

So when a priceless manuscript goes missing, suspicion falls upon Richard, forcing him onto a perilous path through a bawdy and frequently brutal London. Entangled in a high-stakes game of duplicity and betrayal which threatens not only his career and potential fortune, but also the lives of his fellow players, Richard has to call on all he has now learned from the brightest stages and the darkest alleyways of the city. To avoid the gallows, he must play the part of a lifetime . . . .

Showcasing the superb storytelling skill that has won Bernard Cornwell international renown, Fools and Mortals is a richly portrayed tour de force that brings to life a vivid world of intricate stagecraft, fierce competition, and consuming ambition.

My Review:

If the title sounds familiar, it should. It’s a bit of one of the many famous lines from Shakespeare’s A Midsummer Night’s Dream, “Lord, what fools these mortals be!” It is apropos for this book in multiple ways.

This is a story about the writing of, the stealing of, and the first performance of one of Shakespeare’s most famous plays. And the mortals within the story, and not just within the play, are certainly fools, but only in the sense that all humans are fools at one time or another.

And some of them play fools in the play itself, but that could almost be considered beside the point – being foolish, after all, is one of the hallmarks of the human condition.

The fools in this particular book (and play) are the Lord Chamberlain’s Men, the company of players that included as its most famous member, William Shakespeare, as well as his ne’er-do-well younger brother Richard.

As the story begins in 1595, during the first flourishing of what will become professional theater, Richard, now around 20 or so, is lamenting that he is still relegated to playing women’s parts in the company, and that he seems to have an undetermined, and often underpaid status that is neither “boy” nor “hired man”. He knows that he’s a good player, and he is certain that it is time for him to play men’s parts. He’s also equally certain that his famous older brother neither likes him nor wants him around, but can’t quite figure out what to do with him.

Into this winter of Richard Shakespeare’s discontent is introduced a new playhouse, the Swan, that is in desperate need, not of players which are a shilling a dozen, but of plays. There is a conspiracy afoot to steal William Shakespeare’s two latest plays, both of which are still works in progress.

But even with what is completed and what is rumored, A Midsummer Night’s Dream and Romeo and Juliet are the stuff of which reputations are made, for players, for playwrights, and for theater companies.

Richard Shakespeare is caught in the middle, between his untrusting brother, the sniping, backbiting and jealous company known as the Lord Chamberlain’s Men, the Puritans who want to shut down all the playhouses and the nobles who will stop at nothing to ensure the success of their players and no other.

There is as much magic in Richard’s adventures as there are in the Forest of Arden on that famous midsummer night – even if Richard feels that it is as much nightmare as it is dream.

And it is glorious.

Escape Rating A: I love historical fiction, particularly of England in the Tudor and Stuart periods. Bernard Cornwell is an author who has been repeatedly recommended to me (he’s best known for the Sharpe series) but I’ve never managed to find the round tuit. Until now.

The first part of Fools and Mortals sets the stage (pun intended in this case) for what is to come. So much has been written about what little we actually know about William Shakespeare, so it was especially interesting to see this dive into historical fiction from a perspective we do not know – that of his younger brother Richard.

Sibling rivalry seems to have been just as big a problem in the 16th century as it is in the 21st. Richard may be aware of his brother’s genius as a playwright, but he is all-too-often focused on the man’s failings as an older brother, which seem to have been legion. Or it may have been that like so many geniuses, William Shakespeare’s focus was on his art to the exclusion of everything else, including both his birth family and his wife and daughters back home in Stratford.

Richard is somewhat of an unreliable narrator, or perhaps simply an unreliable person. But he can only be what his life and circumstances have made him. His “training” to be a player as well as a small time thief does not make for easy remembering for the character or reading for the reader.

At first, the story moves a bit slowly, as the stage is set. Not just our introduction to Richard, but our immersion in his world and his brother’s company. The 1590s represent the first flowering of professional theater, and it was in the midst of several different types of chaos.

One aspect that is so much different from the present is the complete lack of anything resembling copyright and the resulting paranoia and secrecy that surrounds the writing of a play and the desperate protection of any and all copies of it. Good plays were a company’s lifeblood, and in the case of the Lord Chamberlain’s Men, William Shakespeare was the fount of that blood.

At the same time, the political and religious upheaval had a marked effect on the nascent theater. The rise of the Puritan strain of Protestantism was gaining influence, and it preached that theaters, players and all forms of entertainment were the work of Satan and must be eradicated at all costs. The theaters were all located outside the city boundaries of London in order to mitigate this problem, but they were still harassed at every turn.

(Readers who are interested in this time and place and these events should also take a look at Shakespeare’s Rebel by C.C. Humphreys. It is excellent historical fiction, to the point where the reader just about smells the smells, and covers this same time period.)

As fascinating as the plots and counterplots outside the theater are in Fools and Mortals, the magic of the book is wrapped up in the very first performance of A Midsummer Night’s Dream. And the author has done a marvelous job of putting the reader right there, with Queen Elizabeth and that first ensorcelled audience as the magic happens and the audience is transported to the Forest of Arden, and we along with them.

Review: Magpie Murders by Anthony Horowitz

Posted on by Marlene Harris | Author : | B+ Reviews> book reviews
Review: Magpie Murders by Anthony HorowitzMagpie Murders by Anthony Horowitz
Formats available: hardcover, paperback, large print, ebook, audiobook
Series: Susan Ryeland #1
Pages: 496
Published by Harper on June 6th 2017
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

When editor Susan Ryeland is given the manuscript of Alan Conway’s latest novel, she has no reason to think it will be much different from any of his others. After working with the bestselling crime writer for years, she’s intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan’s traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.

Conway’s latest tale has Atticus Pünd investigating a murder at Pye Hall, a local manor house. Yes, there are dead bodies and a host of intriguing suspects, but the more Susan reads, the more she’s convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder.

My Review:

I really wish that the Atticus Pünd series existed, because the one we got in Magpie Murders was absolutely marvelous. I’d dearly love to read the rest of the series.

What we have, however, is the final book in the series, encased within a framing story about the death of the fictitious author of this fictitious book, and the many, many ways in which art seems to be imitating life – or vice versa.

The story begins with its frame. Susan Ryeland, editor at a small but prestigious publishing house, settles in for the weekend to read the latest manuscript by her least favorite and most favorite author. Susan loves Alan Conway’s work, but the man himself is far from lovable.

As Susan settles in to read, we do too. We read Magpie Murders by Alan Conway right along with her. And it is a marvelous take on the Golden Age of mystery, reading as though it should sit on the shelf beside Agatha Christie, Dorothy Sayers and Margery Allingham.

The detective, the perpetual outsider, comes to a small English village to investigate what turn out to be a series of murders. It’s an absorbing case, and the readers, along with Susan herself, are sucked right into the mid-1950s, the mind of the detective and the murderous goings on of this otherwise unremarkable little place.

Until the story ends abruptly, and we, as well as Susan, are left wondering “who done it?”. The last chapter of Magpie Murders is missing. And its author has just been found dead, an apparent suicide.

So Susan begins by hunting for that missing chapter, and finds herself hunting for the truth about Alan Conway’s life, and about his death. By the time those missing pages are found, Susan has uncovered much more than she, or anyone else, could have bargained for.

After all the times when she has blurbed that “reading such-and-such’s latest book changed her life”, just this once, it’s all too true.

Escape Rating B+: Magpie Murders is really two books in one. There’s a classic historical mystery sandwiched within the pages of a contemporary mystery thriller. And for this reader, the historical mystery wins out.

I absolutely adored Magpie Murders by Alan Conway. It was both a wonderful homage to the mysteries of the Golden Age, and a terrific case itself. Atticus Pünd would make a wonderful addition to the ranks of series detectives, right up there with Poirot, Marple, Wimsey and the rest. In its post-WWII time period, it takes the reader back to a simpler but no less deadly time, and its play on the locked room/locked house mystery keeps the reader guessing.

It gave me a tremendous yen to pick up a “real” historical mystery at the first opportunity. It reminded me how much I love the genre, and gave me a hankering to return. Or just to re-watch Poirot.

The abrupt ending to Conway’s novel jarred me almost as much as it did Susan Ryeland. I felt cheated. I wanted to know who the killer was every bit as much as she did. But I had a difficult time getting into the framing story.

In fact, I started the book once, couldn’t get into it, and then picked it up on audio. Listening to it got me over the hump, to the point where I was so captivated by Pünd’s story that I changed the audio back for the book, so that I could find out whodunnit that much more quickly – only to be disappointed when Susan discovers that the final chapter is missing.

Susan’s own quest turned out to be fascinating as well, but for some reason I didn’t find her as sympathetic or interesting a character to follow as the even more fictional Pünd.

The problem is that Pünd, while a bit distant in the traditional detectival mold, is a sympathetic character and seems to be a generally nice man. We want him to succeed. Alan Conway, on the other hand, will not be missed by anyone, except possibly his publishers.

Conway’s series is the marquee title for small but prestigious Cloverleaf Books. It’s their one big moneymaker, and it tides them over an awful lot of less successful ventures. Conway, or rather Atticus Pünd, pays the bills and keeps the lights on. But no one likes Conway. There are certainly people who benefit from his death in the direct, traditional way, but there are even more who are just happy at his absence from this earth, beginning with his ex-wife and ending with Susan’s lover. While there are plenty of people who will miss Atticus Pünd, no one will miss his author.

Susan finds herself with plenty of motives, too many suspects, and a police investigation that is all too happy to consider it suicide and close the case. There’s plenty of evidence to support that theory, and damn little to support anything else.

Until Susan starts digging, and nearly digs her own grave. In the end, no one is certain that good triumphed and evil got its just desserts. Not even Susan. And that’s what makes the contemporary thriller less satisfying than the historical mystery it contains. Mystery, as a great writer once said, is the romance of justice. Good is supposed to triumph, evil is supposed to get those just desserts. When that formula is subverted, as it is in the contemporary frame for Magpie Murders, it feels wrong, at least for this reader. While there may be a metaphor in there about the world being more complicated than it used to be, or that the real world isn’t half so neat and tidy as fiction, the framing story is also fiction. I want my neat and tidy ending, and I’m disappointed that it wasn’t there.

But we do finally get to read Atticus Pünd’s last chapter. And that was well worth waiting for.

Review: Song of the Lion by Anne Hillerman

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: Song of the Lion by Anne HillermanSong of the Lion by Anne Hillerman
Formats available: hardcover, large print, ebook, audiobook
Series: Leaphorn and Chee #21, Leaphorn Chee and Manuelito #3
Pages: 304
Published by Harper on April 11th 2017
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A deadly bombing takes Navajo Tribal cops Bernadette Manuelito, Jim Chee, and their mentor, the legendary Lieutenant Joe Leaphorn, back into the past to find a vengeful killer in this riveting Southwestern mystery from the bestselling author of Spider Woman’s Daughter and Rock with Wings
When a car bomb kills a young man in the Shiprock High School parking lot, Officer Bernadette Manuelito discovers that the intended victim was a mediator for a multi-million-dollar development planned at the Grand Canyon.
But what seems like an act of ecoterrorism turns out to be something far more nefarious and complex. Piecing together the clues, Bernadette and her husband, Sergeant Jim Chee, uncover a scheme to disrupt the negotiations and inflame tensions between the Hopi and Dine tribes.
Retired Lieutenant Joe Leaphorn has seen just about everything in his long career. As the tribal police’s investigation unfolds, he begins to suspect that the bombing may be linked to a cold case he handled years ago. As he, Bernadette, and Chee carefully pull away the layers behind the crime, they make a disturbing discovery: a meticulous and very patient killer with a long-simmering plan of revenge.
Writing with a clarity and grace that is all her own, Anne Hillerman depicts the beauty and mystery of Navajo Country and the rituals, myths, and customs of its people in a mystery that builds on and complements the beloved, bestselling mysteries of her acclaimed father, Tony Hillerman.

My Review:

This case starts out with a very literal (and also very large) bang. Navajo Tribal Police Officer Bernadette (Bernie) Manuelito has a rare night off. Unfortunately it isn’t a night off that she can share with her husband Jim Chee, also an officer with the Tribal Police. Left to her own devices, Bernie does what a couple of thousand other people are doing that night, going to a basketball game.

Although basketball is a VERY big deal on the rez (Bernie herself played back in high school) this game draws an even bigger crowd than usual. The current high school team are playing against a team made up of veterans from some of Championship teams of the relatively recent past. Everybody wants to see the hometown heroes, and discover whether or not age and experience really can beat youth and skill.

Bernie never gets to see the end of the game, because a bomb goes off in the parking lot. Suddenly Bernie finds herself back on the clock, trying to keep the crowd away from the very big mess (cars explode! car lots full of cars explode LOTS!)

Bernie finds herself in the middle of all the chaos, trying to keep the crowd contained and the crime scene relatively uncontaminated, while searching for any possible victims or suspects (or both) and praying that more officers arrive to help manage the 3,000+ attendees along with all the cars showing up to pick up kids at the end of the game. And she needs the FBI, much as she hates even thinking that, because they are the ones with explosives expertise.

It’s a mess that only gets messier, and more confusing, over the days ahead.

Because there are no coincidences in Bernie’s world, as she was taught by the “Legendary Lieutenant” Joe Leaphorn, the bombing ties into a much larger case. It seems like the intended victim was a hometown hero on that Championship team, but now he’s a big-shot lawyer from the big city. And he’s come back to the Rez not just for a basketball game, but to serve as mediator for all of the many, varied, contradictory and non-cooperative factions who are debating (loudly, heatedly and occasionally violently) about whether there should be any development at all at the base of the Grand Canyon.

A debate that feels like it is nearly as old as the Canyon itself. And equally immovable.

In the wake of the bombing, Jim Chee gets stuck body-guarding the mediator on his trip to Tuba City. Chee hates being a bodyguard, but not nearly as much as Aza Palmer hates having one.

Aza keeps giving Jim the slip. Eventually that is bound to catch up with him. With all of them. With catastrophic results. For multiple definitions of “catastrophe”.

Escape Rating A: I have to admit upfront that I love this series. I listened to the earlier books, written by the author’s father Tony Hillerman, back when I had a long commute. (If you have a long drive ahead of you, audiobooks are marvelous, and mysteries are particularly good. It’s nearly impossible to thumb to the end to find out “whodunnit”.)

When Tony Hillerman died in 2008, I assumed this series was over. So when his daughter Anne revived it in 2013 with the absolutely awesome Spider Woman’s Daughter, it felt like a miracle. Not just for the opportunity to catch up with “old friends” as the protagonists in long-running series often turn out to be, but also because Anne found a way to make the series her own, by shifting much of the perspective from the two male cops, Leaphorn and Chee, to Bernie Manuelito, giving readers a new perspective on the cases and a different perspective on Navajo life in the 21st century. Unlike both of the men, Bernie is often caught between two worlds and two sets of obligations. While she loves her job, and is every bit as good a cop as her husband or any other male officer, unlike them she still keeps up much of her more traditional role as her mother’s oldest daughter, and as her wayward younger sister’s protector. She often finds herself between the rock of her job and the hard place of her family in a way that neither Leaphorn nor Chee ever experienced.

(While the entire series is great, 21 books in may seem daunting to a new reader. And as much as I loved them at the time, I don’t think it is necessary to read the whole thing to get the background, especially since so much has changed. Starting with Spider Woman’s Daughter will bring any new reader up to speed with where the characters are now.)

The case in this story is fascinating, although not really about the bombing. One of the things about mysteries in general is that people are always people, both good and bad. In the end, the motives always turn out to be the familiar ones. And as so often happens, the past catches up with the present.

But in this series the surroundings and the background keep the reader enthralled every bit as much as whatever the mystery is. The background of this particular case is particularly intractable. There are multiple competing interests. Every single group involved is extremely passionate about their argument, whether they want to develop the Canyon, preserve it as it is, or something either in between or more extreme.

Even the groups that seem to be on the same side can’t agree with each other. And on top of that there’s a group that just wants to cause trouble and get media coverage, no matter what they have to do to get it. Everyone has a stake, and it seems like everyone wants to shove their stake into someone else’s heart. The FBI is up to their eyeballs in potential suspects for the bombing.

Watching the mediator attempt to herd all of the cats is both interesting and enlightening. In spite of the rumors that surround the event, his role is to referee, not to promote an agenda of his own. He’s very, very good at his job. And it turns out, very, very bad at family. Which is what the case comes back to in the end.

People are always people. But sometimes lions are more than they seem.