A- #BookReview: The Fox Wife by Yangsze Choo

A- #BookReview: The Fox Wife by Yangsze ChooThe Fox Wife by Yangsze Choo
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy mystery, historical fantasy, magical realism
Pages: 390
Published by Henry Holt and Co. on February 13, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Some people think foxes are similar to ghosts because we go around collecting qi, or life force, but nothing could be further than the truth. We are living creatures, just like you, only usually better looking . . .
Manchuria, 1908.
A young woman is found frozen in the snow. Her death is clouded by rumors of foxes involved, which are believed to lure people by transforming themselves into beautiful women and men. Bao, a detective with a reputation for sniffing out the truth, is hired to uncover the dead woman’s identity. Since childhood, Bao has been intrigued by the fox gods, yet they’ve remained tantalizingly out of reach. Until, perhaps, now.
Meanwhile, a family that owns a famous Chinese medicine shop can cure ailments, but not the curse that afflicts them―their eldest sons die before their twenty-fourth birthdays. Now the only grandson of the family is twenty-three. When a mysterious woman enters their household, their luck seems to change. Or does it? Is their new servant a simple young woman from the north or a fox spirit bent on her own revenge?
New York Times bestselling author Yangsze Choo brilliantly explores a world of mortals and spirits, humans and beasts, and their dazzling intersection. The Fox Wife is a stunning novel about a winter full of mysterious deaths, a mother seeking revenge, and old folktales that may very well be true.

My Review:

A hint of historical fantasy, a touch of magical realism, more than a soupçon of fantasy mystery, wrapped in a surprisingly lovely tissue of love lost and found. I wasn’t expecting all of those elements in The Fox Wife, but the twists and turns from one to another and back again kept me enthralled every step of this journey’s way.

The fox spirit Snow is searching for the man responsible for the death of her cub. Bao, a detective/fixer/spy, is looking for foxes. Or rather, he’s hunting for fox spirits around the edges of the other, more practical things and people he generally looks for. In this particular case, the identity of a nameless young courtesan frozen to death behind a popular eatery. And the location of a young would-be concubine missing from a rich man’s keeping, a woman he claims is his wife-to-be, who he also claims to be possessed by a fox.

Although much of the story is told from Snow’s perspective, as a fox she’s more than a bit of an unreliable narrator. Which isn’t helped at all by the fact that she’s lying to herself even more than she is to the reader. There are things she doesn’t want to face, so she’s not – not even when they are right in her face.

Bao, on the other hand, has reached a point in his life where he’s mostly honest with himself, about both his past AND his present. At least the parts of his past where other people have been honest with him.

Which doesn’t mean that there isn’t a blank spot in his narrative as well, but where Snow knows what happened and doesn’t want to even think about it, Bao doesn’t know all of the foundational elements of his story, so keeps poking at a void that he doesn’t have the filling for.

From one perspective, this is a revenge story – or at least Snow thinks it is. Her cub is dead because a photographer was paying for a fox cub to photograph. She’s following the trail of the photographer as all sorts of roadblocks, past and present, internal and external, get in her somewhat meandering way.

Bao is following the trail of a missing person. He’s doing his job. That his job is to find Snow is something he circles towards even as Snow herself gets closer to him and to her own quest. But neither of them is in pursuit of what they believed they were. And once they figure THAT out, they each find what they were truly seeking all along.

Which was never, ever, truly each other.

Escape Rating A-: The Fox Wife is a story at an inflection point, and it manages to blend in aspects of so many genres because it takes place on the cusps of so many changes – not just for its characters but for the world in which it is set.

The story itself is at the crossroads between the numinous and the mundane, as embodied in the two narratives, the literal ‘fox wife’ Snow and the pragmatic detective, who is old enough to have a foot in both camps, as his life was influenced by magic in his childhood, at a time when beliefs in the other were still very much present.

A time that has passed, as the story takes place in China at the end of the Qing Dynasty, just as the last emperor was crowned in 1908 and World War I is looming on the horizon. The remoter places where magic still had sway, such as the places where the foxes lived, are diminishing as technology conquers magic or at least the belief in it, whether literally or figuratively.

Part of that inflection is that the two narratives, Snow’s and Bao’s, follow different paths and operate at different paces. Snow meanders, where Bao mostly follows mystery conventions – at least in his actions – even if his thoughts occasionally wander to his own past.

Which gave this reader a bit of a conflicting reaction, as I was both absolutely riveted AND wished there’d been a bit more editing to cut down on the meandering. I loved the story but I’d have loved it a bit more if it had been about 50 pages shorter. Your reading mileage may vary.

(Honestly, I know which character I’d cut to get those 50 pages down.)

What brought the whole story full circle, for all of its many, many circles, was the way that Snow’s past and Bao’s past eventually intersected in the present, but not in any of the ways that these kinds of quasi-myths often do.

Instead, they intersect in a way that fits them both into the present they are actually living in, in ways that would work with magic or without. Because just as Snow owns her own past and her own responsibility for the tragedies she has tried so hard not to face, Bao finds his way back to the best of his, in the present that he has, and finds his way to the future that he’s always desired but was never able to admit.

Which resolved the two halves of this story into one surprisingly harmonious whole.

Review: Stories from Suffragette City edited by M.J. Rose and Fiona Davis

Review: Stories from Suffragette City edited by M.J. Rose and Fiona DavisStories from Suffragette City by M.J. Rose, Fiona Davis, Kristin Hannah
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: historical fiction, short stories
Pages: 272
Published by Henry Holt and Co. on October 27, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A collection of short stories from a chorus of bestselling writers all set on the same day, October 23, 1915, in which over a million women marched for the right to vote in New York City with an introduction by Kristin Hannah.
Stories From Suffragette City is a collection of short stories from the leading voices in historical fiction that all take place on a single day. The day one million women marched for the right to vote in New York City in 1915. A day filled with a million different stories, and a million different voices longing to be heard. Taken together, these stories from writers at the top of their bestselling game become a chorus, stitching together a portrait of a country looking for a fight, and echo into a resounding force strong enough to break even the most stubborn of glass ceilings.With stories from:Lisa Wingate, M. J. Rose, Steve Berry, Paula McLain, Katherine J. Chen, Christina Baker Kline, Jamie Ford, Dolen Perkins-Valdez, Megan Chance, Alyson Richman, Chris Bohjalian and Fiona Davis

My Review:

Forget, if you can, the David Bowie classic song, Suffragette City, because the song wasn’t about these suffragettes, in spite of the title. And in spite of the song being the first thing that popped into my head when I read the title. To the point where I have an earworm.

But this book is something entirely different.

On October 23, 1915, 105 years ago today, between 25,000 and 60,000 women marched through the streets of New York, in front of at least 100,000 spectators lining the streets, blocking traffic and generally grinding the entire metropolis to a screeching and sometimes cheering halt.

The Five-Mile Suffrage Parade of 1915 (AP Photo)

New York State was just about to vote on a referendum that would allow women the right to vote. The parade was intended to draw concentrated attention to the referendum, to provide a clear and incontrovertible testament that women were political and should be granted the right to vote.

Not all women agreed. And certainly not all men, who would be the ones doing the actual voting, for or against. As it turned out, mostly against. The referendum failed in 1915. It succeeded in 1917. The Nineteenth Amendment to the U.S. Constitution, whose centenary occurred earlier this year, gave all women the right to vote, even if it didn’t – and still doesn’t – mean that all women are actually able to vote.

Nevertheless, the October 23, 1915 parade was a watershed moment. And this collection of short stories that all take place on that day, within and surrounding that parade, tells the story of that moment and the women who were a part of it, through fictional perspectives from all sides, from the rich and famous – and occasionally infamous – Alva Vanderbilt Belmont to NAACP co-founder Ida B. Wells to Irish and Armenian immigrants to a young niece of the storied Tiffany family.

These are not any of their stories in their entirety. Rather, they are the stories of actions on that one, singular day, the thoughts, feelings and struggles that brought them to the parade, and the joy and occasional heartbreak that surrounded both its triumphs and its failures.

Escape Rating A-: It’s time to talk about the stories themselves.

This is one of those times when ALL the stories in the collection are just terrific. And that feels rare in collections. After all, not every style agrees with every reader. But this time, with its emphasis on this one day and all of the thoughts and feelings surrounding it, works. (If the concept of stories around a significant historical event appeals to you, Fall of Poppies, focusing on the cessation of the hostilities of World War I on the eleventh hour of the eleventh day of the eleventh month is also very lovely and well worth a read on this coming, or any other Veterans Day.)

Back to the stories. Although I will say that the differing perspectives that these stories focus on do lead the reader down plenty of mental and emotional byways. The day may have been singular, but the perspectives on it certainly were not. That’s what makes the collection as a whole so fascinating.

Many of the stories deal with women’s responses to the men in their lives who are either against the idea of women’s suffrage or just think that marching is unseemly and unsafe, and that women are delicate flowers that need protection from the dirty scrum that is politics.

Two of the particularly excellent stories on this topic are A First Step by M.J. Rose and Deeds Not Words by Steve Berry. A First Step also introduces the character of young Grace Tiffany, who flits through almost every story in the book. But in this first story about her, she and her aunt Katrina are planning to march in the parade, even though Grace’s uncle, Charles Tiffany, thinks it’s too dangerous and thinks he’s succeeded in convincing little Grace. He hasn’t. In the end, Grace convinces him.

There are also several stories that focus on the women who were, in one way or another, not welcome in this parade of mostly privileged white women. Ida B. Wells isn’t there. Rather, in Dolen Parkins-Valdez’ story, American Womanhood, Wells is in Chicago, speaking to a group of black women about the issues they face being subject to both racial prejudice and misogyny, expected to always do the most while receiving the least benefits. And as she speaks she remembers her own treatment at the Washington march in 1913, where the genteel southern ladies who had taken over control of the movement refused to let her or any other non-white women march with the main parade. And where Wells did it anyway.

The story that moved me the most was Just Politics by Chris Bohjalian. This story is an immigrant’s story, told from the point of view of Ani, an Armenian woman who has become a teacher in New York. But Ani came to New York during the years of the Armenian Genocide by the Turkish government just before World War I. Everyone around her tells her that the march is “just politics” but Ani has first hand experience of exactly how terrible and deadly “just politics” can become. Her perspective, that combination of hope with bitter, bitter experience, provides a leavening that makes her story just rise.

So, read this collection for its marvelous stories, and for its kaleidoscope of perspectives on what that day, the cause of women’s suffrage, and the cause of equal rights in general and not just the specific. And think about how many times that tide has risen and fallen and just how much is still left to fight for.

And then, if you have not already done so, go out and vote. It’s a right that was hard won, and it demands that we exercise it.

Review: The Other Bennet Sister by Janice Hadlow

Review: The Other Bennet Sister by Janice HadlowThe Other Bennet Sister by Janice Hadlow
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, retellings
Pages: 480
Published by Henry Holt and Co. on March 31, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Mary, the bookish ugly duckling of Pride and Prejudice’s five Bennet sisters, emerges from the shadows and transforms into a desired woman with choices of her own.

What if Mary Bennet’s life took a different path from that laid out for her in Pride and Prejudice? What if the frustrated intellectual of the Bennet family, the marginalized middle daughter, the plain girl who takes refuge in her books, eventually found the fulfillment enjoyed by her prettier, more confident sisters? This is the plot of The Other Bennet Sister, a debut novel with exactly the affection and authority to satisfy Austen fans.

Ultimately, Mary’s journey is like that taken by every Austen heroine. She learns that she can only expect joy when she has accepted who she really is. She must throw off the false expectations and wrong ideas that have combined to obscure her true nature and prevented her from what makes her happy. Only when she undergoes this evolution does she have a chance at finding fulfillment; only then does she have the clarity to recognize her partner when he presents himself—and only at that moment is she genuinely worthy of love.

Mary’s destiny diverges from that of her sisters. It does not involve broad acres or landed gentry. But it does include a man; and, as in all Austen novels, Mary must decide whether he is the truly the one for her. In The Other Bennet Sister, Mary is a fully rounded character—complex, conflicted, and often uncertain; but also vulnerable, supremely sympathetic, and ultimately the protagonist of an uncommonly satisfying debut novel.

My Review:

The Other Bennet Sister (UK Cover)

The Other Bennet Sister is definitely NOT a book to be judged by its cover. I really hated that cover – and this is one of the rare occasions where the UK cover is just as bad. Both covers seem to picture Mary Bennet exactly as she was in Pride and Prejudice. She seems washed out in the US cover and judgmental in the UK cover.

But I loved the book.

The real Mary, or at least the version I want to be the real Mary, does begin her story as sermonizing and judgmental. But, and it’s a HUGE but, because this is Mary’s own story and not the story of her much more brightly shining sisters, we see that Mary’s behavior is the result of being shy and withdrawn. She’s retreated into herself because she’s the frequently overlooked and often denigrated middle sister, trapped between the gorgeously beautiful Jane and Lizzy and the shallow but pretty Kitty and Lydia.

She’s not really an ugly duckling in the midst of a flock of swans, but her mother sure as hell makes her feel like it at every turn. I didn’t like Mrs. Bennet in the original story – AT ALL – and I like her even less here. Actually, I loathe her even more than I dislike this book’s cover.

Mary isn’t a diamond of the first water, as her older sisters are. She doesn’t sparkle the way her younger sisters do. But she is as pretty as any other young woman of her time, and would have been fine in any family slightly more functional than the Bennets.

But this is not a parallel story to Pride and Prejudice. Instead, it’s more like an alternate sequel, as most of the events take place after the end of P&P. Not merely after those events, but also after the long-feared death of Mr. Bennet, leaving Mrs. Bennet and her remaining unmarried daughters, Mary and Kitty.

And that is where Mary’s story really begins, as she starts the process of taking control of her own life for her own self – in spite of her mother’s frequent interference and constant disparaging – and often melodramatic – pronouncements.

Once Mary is on her own the story takes flight, as she explores the limited varieties of life possible for a spinster and begins to craft her own beliefs about who she is and how she should live – whether she manages to marry or not.

That the end of her journey of self-discovery leads her to love and happiness is the icing on a delightful and thoroughly tasty little cake of a story.

Escape Rating A-: In the end, I enjoyed The Other Bennet Sister considerably more than I expected to at the beginning. I’ve read Pride and Prejudice, but I’m not a fan or an aficionado. I found Mrs. Bennet in particular to be utterly appalling as a character, and Caroline Bingley and Catherine de Bourgh are not people I’d ever want to spend much time with. Certainly not enough time to ever attempt a reread of the book.

So one of the things I really liked about The Other Bennet Sister is that none of these petty villains are ever described as anything more than exactly what they are.

It does make for some fairly hard reading at the beginning of the story, as we pretty much suffer right along with Mary as she is first constantly berated by Mrs. Bennet, and then is forced to take on the role of charity case in the homes of both Elizabeth and then Jane as they subtly or not-so-subtly make her aware that she’s unwanted and unwelcome.

She has no place and she has no choice and that’s a difficult situation to be in.

But that’s when she takes things into her own hands and looks for other options, first with Lizzy’s friend Charlotte and her husband Mr. Collins – who was a figure of fun in the original, much like Mary herself.

It’s only when Mary takes herself off to her aunt, Mrs. Gardiner, that she finally finds a place where she is welcome and can work out her own future, whatever it might be. But all along Mary is brave and forthright, even in situations where those around her do their level best to keep her as far down as possible.

It’s fun watching her grow and expand her horizons. It’s also heartening to see her look hard at the easy way out but reject it as unworthy, over and over. She does a great job of exploring her limited possibilities and making her best choices.

In the end, Mary is a fascinating character, a woman with agency but one whose thoughts, beliefs and choices reflect her time and not ours. The Other Bennet Sister is a lovely story that uses its original as a springboard to something better!

Review: The Daughters of Temperance Hobbs by Katherine Howe + Giveaway

Review: The Daughters of Temperance Hobbs by Katherine Howe + GiveawayThe Daughters of Temperance Hobbs by Katherine Howe
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, women's fiction
Series: Physick Book #2
Pages: 338
Published by Henry Holt and Co. on June 25, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

New York Times bestselling author Katherine Howe returns to the world of The Physick Book of Deliverance Dane with a bewitching story of a New England history professor who must race against time to free her family from a curseConnie Goodwin is an expert on America’s fractured past with witchcraft. A young, tenure-track professor in Boston, she’s earned career success by studying the history of magic in colonial America—especially women’s home recipes and medicines—and by exposing society's threats against women fluent in those skills. But beyond her studies, Connie harbors a secret: She is the direct descendant of a woman tried as a witch in Salem, an ancestor whose abilities were far more magical than the historical record shows.

When a hint from her mother and clues from her research lead Connie to the shocking realization that her partner’s life is in danger, she must race to solve the mystery behind a hundreds’-years-long deadly curse.

Flashing back through American history to the lives of certain supernaturally gifted women, The Daughters of Temperance Hobbs affectingly reveals not only the special bond that unites one particular matriarchal line, but also explores the many challenges to women’s survival across the decades—and the risks some women are forced to take to protect what they love most.

My Review:

“The last enemy that shall be destroyed is death.” If that sounds familiar, that’s because those are the words written on James and Lily Potter’s tombstone. Or, if your reading trends in an entirely different direction, it’s a line in the 15th chapter of the First Epistle of Paul to the Corinthians.

Considering the story in The Daughters of Temperance Hobbs, the Harry Potter reference is more appropriate. Because Temperance Hobbs and all of her mothers and daughters in every generation up to and including Connie Goodwin in the here and now, were all “cunning women”. In other words, they were witches. Sorta/kinda. More or less.

Howsomever, Connie doesn’t actually want to defeat death, she just wants to postpone the bout with him until a much later date. Because Connie is caught on the horns of a familial dilemma that she wasn’t prepared for in any way, shape, or form.

In all the generations of her family, all the way back to Deliverance Dane in the 1690s, there has been one constant in their lives. They can have a husband – or they can have a child – but they can’t have both at the same time. Or at least not for very long.

Whether it’s really terrible luck or a truly horrific curse, in each generation, as soon as they have a child, their husbands die. Of accidents. Natural causes. War. Being in the wrong place at the wrong time.

One after another after another.

But Connie Goodwin is more than just an occasional practitioner. She is also an academic specializing in American History of the Colonial Period, with a particular emphasis on the belief in, practice of, and suppression of witchcraft.

She did her Ph.D. thesis on The Physick Book of Deliverance Dane, and her adventures in producing that thesis and exploring the world and practices of her ancestress are detailed in the novel of the same name.

She’s already pregnant. She just doesn’t want to lose her lover, the father of her child, to any force other than the hands of time – a long, long time from now.

Connie is sure that somewhere or somewhen in her family tree, at least one woman found a way around the curse. Connie just has to discover that secret for herself, before it’s too late.

Escape Rating A-: I did read The Physick Book of Deliverance Dane, back when it came out ten years ago. I remember it being a terrific time slip book, but I do not remember the details. I didn’t need to in order to enjoy The Daughters of Temperance Hobbs – but enjoy it I certainly did.

The events of that first book are 10 years in Connie’s past as well as ours. I want to say that her life has moved on, but technically I’m not sure that’s true. She is every bit as driven and tunnel-visioned as an Assistant Professor seeking tenure as she was as a grad student seeking a Ph.D.

She’s still a hamster on her wheel, unable to see anything except what’s right in front of her. And what’s right in front of her is always more work. The description of the paper chase of academic life rings true – and makes the reader wonder how Sam has managed to be so tolerant and so supportive for so long.

We’re not surprised that he’s reaching the end of his rope.

But Connie’s discovery that she is pregnant changes her focus in ways well beyond the obvious. She’s worried about the effect it will have on her still-fledgling career – but she fears that their child means Sam’s imminent death – and history bears her out. And she finally figures out that she doesn’t want to lose Sam, and that she needs to find some balance between her work and her life – because they are not, and should not be, the same thing all the time.

Connie begins researching at a furious and desperate pace, hoping to discover that at least one of her ancestresses beat the curse – and how she did it. The portrayal of how the research is conducted, the long hours of fruitless searching, the despair of reaching dead ends and the joy of discovery, sucks the reader right in – as do the interlude chapters told from the perspective of the women that Connie finds in her search.

Connie’s race against time, her race to save her soon-to-be-husband Sam, provides all the tension this story needs. There was an attempt to add a more human villain to the mix, but it didn’t quite work for me. This person wasn’t present enough or woven into the narrative enough to make that concept gel for me – and the story didn’t need it.

Connie’s race against time and death – just like Temperance Hobbs’ before her – provided all the drama needed – along with plenty of compulsion to keep the reader in a race to get to the very last page.

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