#BookReview: The Girl Who Made a Mouse From Her Grandfather’s Whiskers by Kenneth Hunter Gordon

#BookReview: The Girl Who Made a Mouse From Her Grandfather’s Whiskers by Kenneth Hunter GordonThe Girl Who Made a Mouse From Her Grandfather’s Whiskers by Kenneth Hunter Gordon
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: fairy tales, science fantasy, science fiction
Pages: 160
Published by Lanternfish Press on March 17, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In a distant future, a little girl named Anny makes toy mice out of scraps and dust. Anny has never seen a real mouse, just as she’s never seen the planet her family came from many generations ago. All she knows is her home, Tsedt: an isolated village of human colonists’ descendants and their friendly helper robots.
But then one day the Amau arrive in Tsedt: plastic people with luminous eyes, intent on taking young humans to the distant city of Harbor to be educated. It’s not long before Anny is flown away to a place unlike any she’s seen before.

My Review:

What would fairy tales look like on a world that, once upon a time, was settled by human colony ships? Somehow, the idea of Aesop or B’rer Fox and B’rer Rabbit, or even the Brothers Grimm and Hans Christian Andersen, still being the stories that children get told to help them cope with the world or get life and morality lessons, doesn’t quite work. (Disney might make it, but imagining what that would look like would be a different book entirely!)

That Anny’s remote village is a farming village that reads like somewhere in fantasy land makes the story itself feel like fantasy. That little Anny’s best friends are the veritable army of mice made out of scraps and fluff that she keeps under her bed AND, more importantly, writes stories about in her head, just adds to that impression of fae and fantasy.

At least until her grandfather – and his helper robot, Oskar – move in. Not because of Oskar, as there are plenty of “billies” (short for habilibots) around the little village. They just don’t personally impinge on Anny’s childhood all that much.

But because of her grandfather. Grandfather who remembers the early days of the colony, and, more important for the story, the early days of the city that grew up around the colony ships and their landing site. His memories, as interpreted through Oskar, disturb the peace of the household even though they seem like, well, fairy tales. Or the product of the disordered mind of an old man who is losing it. Or both.

And that’s the point where the story takes a turn into the Twilight Zone. Literally if you squint a bit. Because the people from the city, now called Harbor, suddenly find the little village. And start making the kind of offers that people – at least young people in a small village dreaming of more – mostly don’t want to refuse.

A trip to the ‘big city’. A chance to see the world outside their tiny village. The hope of a new, bigger, better, brighter, life. Grandfather knows it’s all a lie, but no one wants to listen.

Except little Anny. When the people from Harbor come for her, she knows she’s in danger – even if she isn’t quite able to understand why or how. She can tell that their truth is not THE truth, and that she needs to find a way to escape. If she can.

And that’s when the mice, not just her mice, and not just the mouse she made with her grandfather’s whiskers, come to her rescue so that she has a chance to rescue her family. Even if Anny, with the help of the mice, has to destroy much of Harbor in the process.

Escape Rating B: At first, I had a bit of a time getting into this one. I think you kind of have to just go with it for a bit and let it grab you. Or you have to settle into Anny’s perspective and stop worrying about whether what she’s telling you is happening is REAL, just in her imagination, or actually a child’s interpretation of events that are above her head but all around her.

In that sense, it reminded me of One Level Down, as we’re also seeing that SFnal world from a child’s perspective, at least at first. That world is every bit as cruel in its way as Anny’s world is in hers, and Anny has to break herself out by reaching a perspective of a less child-like version of herself.

Anny’s world is just that bit less cruel because the terrible things that happen to her are caused by outside agencies, where the child in One Level Down is betrayed by her own family. So there’s a bit of a remove that helps the reader ease into things here.

The reader, on the outside looking in, knows that the situation in Harbor is not a damn thing like the people from Harbor present it to be. Anyone who has read even a bit of SF can easily determine the exact ways in which that situation is very, very wrong. And it does have a bit of a Twilight Zone feel in the way it’s currently going wrong.

But part of the SFnal element – and all of the fairy tale elements – are carried in the paws of the mice. Not just Anny’s mice, but the mice she finds at Harbor, hidden in the walls, powering the infrastructure and perfectly capable of setting that infrastructure on fire. Which they do, because Anny, in her own way, is one of them.

How Anny becomes one of them, whether her own mice or real or imaginary constructs or imaginary wrapping for something else real is never fully explained and doesn’t have to be. Because we’re Team Anny every step of the way, and if Anny needs to pretend to be Anny Mouse or become Anny Mouse or just be ANNYMOUSE (anonymous), that’s just fine with us as long as some version of Anny brings down Harbor and gets to take herself and her people HOME.

#BookReview: The Glass Garden by Jessica Levai

#BookReview: The Glass Garden by Jessica LevaiThe Glass Garden by Jessica Lévai
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: horror, science fiction, science fiction horror
Pages: 115
Published by Lanternfish Press on May 13, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Dr. Therese Blake is a homebody archaeologist devoted to the history of planet Earth. But when her sister Lissy makes a stunning discovery near an abandoned colony on a distant exoplanet, the sisters team up to discover its secrets.
Eerie, luminescent images cover the walls of an underground cavern. The glass garden looks like a payday to Lissy, who’s been struggling to turn a profit to keep her salvage crew fed and paid. Therese, however, insists on careful academic procedure. She can’t figure it out: Is the anomaly an artificial creation–or a living organism?
As the anomaly’s mystery draws the sisters into an obsessive orbit, it turns out neither greed nor science can offer protection from its relentless gravity.

My Review:

I’m not sure what I was expecting when I picked this book, but whatever it was it veered off the path I thought it was going to take almost instantly. Which is always a good thing!

In the beginning the story sets up not just one but two potential sources of dramatic tension – one personal and one professional.

In this far-future galaxy, Lissy Blake is a down-on-her-luck, down-at-heels space salvager in desperate need of a big payday to keep her salvage ship operational and her crew fully equipped and fed and housed. (Think of Firefly, only with less moral center, considerably worse luck and an even smaller ship and crew.)

Lissy thinks she’s on the trail of a big payday in the form of an abandoned colony that doesn’t look like it’s been stripped – at least not yet. A world where she’s found a mesmerizing artifact that is sure to save her bacon – and buy LOTS more of it – if she can get it properly authenticated and extracted.

Which is where all those tensions come in, because this operation isn’t exactly on the up-and-up, so Lissy needs an archaeologist she can trust absolutely to work on the down-low. Lissy’s sister Theresa is an archaeologist. Lissy knows that she can trust Theresa not to squeal to the authorities until after the job is done.

But she is equally certain that she can trust Theresa to be, well, Theresa. Meaning a bit smug, more than a bit standoffish, terribly pedantic, insistent on following procedure and protocol to the letter – and generally being a pain in the ass and reminding her every single second of how proud their parents were of Theresa’s accomplishments and just how little they thought of Lissy’s.

Every single bit of which turns out to be utterly true in all the worst ways, to the point where the still-burning sibling rivalry leaks out onto the entire crew. This is not a happy ship – and that’s before they start exploring the planet and the artifact that Theresa dubs ‘The Anomaly’ because it doesn’t make any sense in any archaeological context.

But it is beautiful. And mesmerizing. And quite possibly the reason that the colony got abandoned in the first place. If abandonment is the right description after all.

Escape Rating B: I was expecting this to go in the direction of the sibling rivalry and professional conflict, and frankly end up in either murder or betrayal or both. And it does start out in those directions, with a heaping helping of seeing things more closely from Theresa’s perspective to understand that her situation regarding both her career and their parents, isn’t any better than Lissy’s. Theresa is just less outwardly aggressive about pretending everything is fine, which is part of their dynamic. Lissy runs over Theresa’s – and everyone else’s – boundaries, and Theresa pulls into her shell in defense.

The dysfunctional relationship between the sisters was, on the one hand, something that grounds this story into the real. Their mission may have a lot to do with the far future, but sibling rivalry is among the oldest of the old stories, going all the way back to the Biblical story of Cain and Abel – and probably something similar in every culture’s origin stories. Very much OTOH, that setup felt just a bit mundane, and Theresa and Lissy seemed to be sticking to their tropes – at least until the story veered into the weird and started sticking to them in fascinating, unexpected ways.

(Also, Lissy’s boyfriend was just there to be a ‘redshirt’ and it was a bit obvious.)

What draws the reader into this story is the mystery. The records say that the colony was abandoned, but that doesn’t begin to tackle the way in which it was abandoned. The colonists are gone. Completely gone. If they’re dead there’s no evidence of it. There are no bodies – no skeletons, no remaining, well, remains, not even of the most dry and desiccated type.

Nor did they flee, at least as far as the evidence shows. There’s no indication that they took anything. All their personal effects are not just still there, they are still in place. No food was packed. No clothing was bundled up. Their ships are even still intact and quite possibly functional. The colonists are just GONE.

There’s a historical parallel, the mystery of the abandoned ship Mary Celeste, found adrift in 1872. Once I read about the mysterious disappearance of the colony the story tipped right over into SF horror and very much recalled Kemi Ashing-Giwa’s This World is Not Yours. Because , while the fate of the Mary Celeste’s passengers is STILL a mystery over 150 years later, this story needed some kind of resolution and ‘nobody knows’ wasn’t likely to be it.

Which is where ‘The Anomaly’ comes in, as it draws Theresa, Lissy and the crew into its depths in ways that have to be seen to be believed, taking the crew’s breath away and the reader’s right along with them.