Review: Women of the Post by Joshunda Sanders

Review: Women of the Post by Joshunda SandersWomen of the Post by Joshunda Sanders
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, World War II
Pages: 368
Published by Park Row Books on July 18, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

An emotional story, based on true events, about the all-Black battalion of the Women's Army Corps who found purpose, solidarity and lifelong friendship in their mission of sorting over one million pieces of mail for the US Army.
1944, New York City. Judy Washington is tired of working from dawn til dusk in the Bronx Slave Market, cleaning white women’s houses and barely making a dime. Her husband is fighting overseas, so it's up to Judy and her mother to make enough money for rent and food. When the chance arises for Judy to join the Women’s Army Corps (WAC) and the ability to bring home a steady paycheck, she jumps at the opportunity.
Immediately upon arrival, Judy undergoes grueling military drills and inspections led by Second Officer Charity Adams, one of the only Black officers in the WAC. Judy becomes fast friends with the other women in her unit—Stacy, Bernadette and Mary Alyce—who only discovered she was Black after joining the army. Under Charity Adams’s direction, they are transferred to Birmingham, England, as part of the 6888th Central Postal Battalion—the only unit of Black women to serve overseas in WWII. Here, they must sort a backlog of over one million pieces of mail.
The women work tirelessly, knowing that they're reuniting soldiers to their loved ones through the letters they write. However, their work becomes personal when Mary Alyce discovers a backlogged letter addressed to Judy that will upend her personal life. Told through the alternating perspectives of Judy, Charity and Mary Alyce, Women of the Post is an unforgettable story of perseverance, female friendship, romance and self-discovery.

My Review:

American women had many and various reasons for signing up for the Women’s Army Corps in World War II, from the Corps’ beginning as the Women’s Army Auxiliary Corps in 1942 through its transition to the WAC in 1943 – and all the way through its eventual disbanding in 1978.

For the three African-American women portrayed in Women of the Post, the reasons were every bit as varied, but underlying those reasons was that their options for highly paid civilian war work were practically non-existent because of the color of their skin. They all wanted to make a difference – not just for themselves but in how women of color were treated both during and after the war.

And it was the best job they thought they were ever likely to have.

The story of the 6888th Central Postal Directory Battalion is told through the experience of three characters, one based directly on a real historical figure, and two who are composites of the real women who served in the 6888th.

Through Major Charity Adams’ eyes we see the perspective of the first African-American female officer in the WACs. She knows that the future rides on the shoulders of her unit, and that they will all have to be three times as good with less than half the training and equipment in order to stay the course they’ve set for themselves. A course that few in the Army or outside it believe that women like them are capable of.

From the point of view of Judy Washington we experience the way that the world looks and especially works from someone who is closed out of every opportunity except for poorly paid domestic work conducted under the thumbs of privileged white women who can steal the meager coins from their purses and pay it back to them as ‘wages’. That the work is solicited through an institution named the Bronx Slave Market is bitter icing on a terrible cake. (But another facet of U.S. history that needs more exposure)

But Judy wants more from her life and her world. She wants a decent wage for a day’s work. She wants to see a broader horizon than her mother does or expects her to settle for. And she wants to see if she can catch word of her husband, himself in uniform, who she hasn’t heard from in months.

Mary Alyce Dixon is the character who gives readers the clearest picture of what life is like for an African-American woman in the WAC’s, because it’s not the life she ever expected to have. Her long-deceased father was ‘colored’, but her mother never told her. When the Army receives her birth certificate, her world shifts under her feet. She doesn’t know how to be the person she has just learned that she is, and her education in living on the other side of the color line is sometimes harsh but always an eye-opener for readers who have not lived her experience.

That this unit comprised entirely of women of color, from its officers on down, forms into a band of sisters is not a surprise, but is a delight. That they exceed every goal set for them in clearing the seemingly years’ worth of backlogged mail to and from U.S. troops stationed in Europe is a boost to morale on both the front lines AND the homefront.

And the story of these unsung heroines is one that absolutely cried out to be told.

Escape Rating B+: I ended up with some mixed feelings about this story, a bit of a conflict between what I thought of the true history that inspired it vs. what I felt about the fictionalized version presented between these pages.

Women of the Post is a story of ‘hidden figures’, very much like the book of that title. It’s one of those stories that isn’t widely known, but truly should be. However, that the story is not as well-known as it should be allows this fictionalization of it to rise above the overcrowded field of World War II fiction.

I loved seeing this important and inspiring story brought to such vivid life.

The Six-Triple-Eight really existed, and they performed the work outlined in the book. They were the only unit of African-American women to serve overseas during the war. The ONLY unit. Think about what that says about racism and bigotry in the U.S. during the war.

The story also feels true to life in its depiction of the pervasive racism, sexism and all the other heinous bigotries that these women, and in fact ALL women of color, faced not just during their military service, but also before and after it.

Those prejudices provide a harsh, driving drumbeat that persists throughout the narrative. As it did in real life. It can make for a hard read but a necessary one. It has to have been, and still be in too many ways, even more difficult to live.

But that drumbeat does have an effect on the story as it’s told, because it’s always there and confronts the characters around pretty much every corner.

The story being told, however, creates its dramatic tension out of the interactions of the characters, and from the war that is being waged all around their postings. From a certain perspective, not a lot happens – although plenty is happening all around them. For a story that takes place in the midst of war, the pace can seem a bit leisurely even as it pulls the reader along. It’s more of a slice of life in wartime story than a big drama.

What makes it work are the three characters we follow, Major (later Lieutenant Colonel) Charity Adams, Judy Washington, and Mary Alyce Dixon. While Major Adams is the real-life heroine of this story, it’s through Mary Alyce’s learning curve that the reader gets the sharpest picture of what life is really like for the Women of the Post, before, during and after their wartime service.

Review: Find Me in Havana by Serena Burdick

Review: Find Me in Havana by Serena BurdickFind Me in Havana by Serena Burdick
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction
Pages: 352
Published by Park Row Books on January 12, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A stunning new novel of historical fiction from the author of
The Girls with No Names
based on the true unsolved murder of Cuban-born Hollywood actress Estelita Rodriguez.
Cuba, 1936. As her family struggles to recover from the Cuban Revolution, Estelita's own world opens when she's "discovered" singing in Havana nightclubs. At fifteen, her dreams to travel to America come true with the invitation to sing at the Copacabana. There, she begins a whirlwind romance with Chu Chu Martinez, a handsome actor she later marries. But when Chu Chu forbids her from performing, Estelita takes their daughter, Nina, and escapes to Hollywood.
Big Sur, 1966. Nina Rodriguez grew up enamored by her mother's beauty and glamour. She still doesn't understand how her vivacious mother could have died so quickly from influenza and suspects a more sinister plot pointing to her mother's most recent romance. When Nina finds herself repeating her mother's destructive patterns with men, she looks to the lessons of her mother's past to find a new way forward.
Based on the true events of Estelita Rodriguez's sensational life and exclusive interviews with the real Nina, Find Me in Havana beautifully captures the love, sacrifice and deep understanding that can only come from a mother-daughter relationship.

My Review:

This is one of those stories that lives up to the adage “fiction is the lie that tells the truth.” Because this is a fictionalized story of a real life, a real death, and a real mystery. The author, having been told this story, filled in the blanks provided by the story of a daughter, 30 years later, telling the story of the mother who died under mysterious circumstances, and whom, quite possibly, she never really knew.

The woman at the center of this story is Estelita Rodriguez, a Cuban actress who was featured in a series of Westerns with Roy Rogers, and whose best known role was in Rio Bravo with John Wayne.

She died young and under rather mysterious circumstances in 1966, at the age of 37, leaving behind a husband she was about to divorce and a 20-year-old daughter whose memories provide the heart of this pseudo-speculative biography.

I say pseudo because Nina Rodriguez, although she tells this story much, much later in her life, is remembering events in her mother’s life that she either witnessed as a child or pieced together long after the events. Much of what she remembers is filtered through her childhood perspective and some of it may be inaccurate, either because of a lack of perspective, a lack of information, or simply the tendency of memories to blur over time.

So Nina’s memory of her stepfather Grant Withers’ death isn’t quite what happened. Or rather it isn’t quite when and where it happened. He did die that way, but four years after her mother divorced him and neither Estelita nor Nina were witnesses.

Time and memory play tricks on us all.

The story is also speculative because the cause of Estelita’s death was not determined at the time, so the mystery surrounding her death has never been resolved. It may be as Nina describes it in the book. That story fits the pieces she had but we’ll never really know.

Estelita Rodriguez

What we do have is a story that blends Nina’s memories with messages that are written as if they came from Estelita. It’s the story of a life that had its highs and lows, but also a life that traveled from, through, and returned to some very dark times and places.

And she survived, even if entirely too often by the skin of her teeth. Until, suddenly and unexpectedly, she was gone. Leaving her daughter to pick up the tiny, broken pieces of both of their lives.

Escape Rating B: In a week where I was looking for stories with happy endings, this one was particularly heartbreaking. Estelita’s story is a walk through some very dark places, to the point where the reader sometimes questions how she managed to survive as long as she did.

It’s also a story where the protagonist has sown the seeds of their own destruction to the point where it’s not really a surprise that it finally reaches out and sucks her under.

One of the things that surprised me while reading is just how much Estelita and the heroine of yesterday’s book have in common. That they are both Latinx is the superficial part of that similarity. The deeper underlying commonality is the way that they both spend their lives looking for validation through the eyes of and in their relationships with, men. Usually the wrong men, at that. The differences begin because Jasmine, yesterday’s heroine, gets herself out of that trap, where Estelita never does. But part of Jasmine’s ability to do that comes from her marvelously supportive family, where Estelita seems to have always been an outsider in hers.

And that the times they lived in were so very different.

The hardest part of Estelita’s life to read, however, relates to her experience of the Cuban Revolution in 1959, when she briefly returned to her homeland after her father and two of her brothers-in-law had been imprisoned for their support of the ousted Batista. The harrowing events of those few brief months, at least according to this fictionalized biography, left both Estelita and Nina emotionally scarred for the rest of their lives.

If it happened this way, or at all.

In the end, I have mixed feelings about this book. It is, as I said earlier, a walk through very dark places, whether fictionalized or not. It’s an absorbing read, even if it was not what I was in the mood for, and that colors my perceptions. The story also feels very subjective, as it isn’t so much Estelita’s story as it is Nina’s recollections of Estelita’s story as seen through Nina’s eyes as a child and young adult. The two women don’t relate as much to or understand each other nearly as well as the blurb might lead readers to believe.

In the end, a frequently compelling read, but not a remotely happy one.