Source: publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, thriller
Series: Frieda Klein #8
Published by William Morrow Paperbacks on July 24, 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository
Now the final book in this extraordinary series is here. And it's an ending you'll never forget.
A decade ago, psychologist Frieda Klein was sucked into the orbit of Dean Reeve -- a killer able to impersonate almost anyone, a man who can disappear without a trace, a psychopath obsessed with Frieda herself.
In the years since, Frieda has worked with -- and sometimes against -- the London police in solving their most baffling cases. But now she's in hiding, driven to isolation by Reeve. When a series of murders announces his return, Frieda must emerge from the shadows to confront her nemesis. And it's a showdown she might not survive.
This gripping cat-and-mouse thriller pits one of the most fascinating characters in contemporary fiction against an enemy like none other. Smart, sophisticated, and spellbinding, it's a novel to leave you breathless.
This is definitely going to be one of those mixed feelings kind of reviews, because I certainly have a whole river’s worth of mixed feelings about this book and the end of the Frieda Klein series.
When this series began back in Blue Monday, we met Frieda Klein as a psychotherapist who sometimes worked with the police, and seems to have sometimes worked against them over the course of her career. But in the background of all her cases has lurked Dean Reeve, a serial killer who has been fixated on Frieda for nearly a decade.
At times, Reeve has acted to smooth Frieda’s way, murdering people who were opposing her. At other times, he has killed people who he perceived as being too close to her, in the belief that those people were getting in the way of her focus on him, or his focus on her. Sometimes he has murdered people as surrogates for her, or simply to remind her that he is still around.
He also murdered his twin brother, to confuse the police and make them believe he was dead, and that Frieda’s seeming obsession with him with delusional.
But at the end of the previous book in the series, Sunday Silence, Frieda finally decides that she has had enough of Reeve’s obsession with her, and the constant danger he poses to any person even tangentially in her orbit.
She disappears, in the hope of taking Reeve’s focus away from her friends and colleagues. But when she is found by a young and extremely naive criminal psychology student, she discovers that Reeve has been trying to get her attention all along.
And that when he can’t find her, he’ll happily find other people to kill to keep himself amused – just so that he can get her attention.
Once he has it, their long history moves to the endgame. And just as in the chess games that Frieda loves to play, only one side can win.
Escape Rating B: While Frieda Klein has been a fascinating character throughout the entire series, she’s also kind of a Sherlock Holmes. Not in the sense that she’s an eccentric genius, although that may not be far off the mark, but in the sense that she seems to be operating on instinct and intuition. Left to her own devices, she doesn’t expose much of her inner thoughts or emotions.
As readers, we need to see what she’s thinking. In the previous books in the series, she has been surrounded by a circle of friends and colleagues, and it is in her discussions with them, or sometimes her probing by them, that we are able to peek inside her head.
In this book she has deliberately taken herself away from her circle, in the hopes of keeping all of them safe. But in order for us to understand and empathize with her, she still needs a ‘Watson’, someone to explain things to so that we can hear. And that’s where this story gave me all of those mixed feelings.
The character who becomes the audience surrogate is young Lola Hayes, that naive criminal psychology student. Lola is a pawn throughout the story. At first, she is a pawn of her thesis advisor and one of her other professors, who set her on a collision course with Frieda Klein in the hopes of scoring points against someone they see as a kind of academic rival.
Neither of them cares what happens to Lola, or seems to give a damn about the tragic body count that has always followed in Frieda’s wake – and whether they’ve just thrown Lola’s body onto that pile.
Lola herself frequently comes off as TSTL (too stupid to live). She’s lazy, she wants everyone else to do her work for her, she’s thoughtless and she’s clueless. She takes the easy way out every time, and as a consequence she gets used at every turn. But most of all she’s just plain annoying.
Lola is there to be used, and she is used by everyone in the story, including, by the end, Frieda. She’s a frustrating inclusion in a series that usually features smart, or at least interesting, characters.
A big part of this story is that of Frieda tying up all the loose ends. She circles back through everything that has happened in the series and every case that Dean Reeve has touched on. While I think there is enough explained that readers don’t need to have read the entire series to be invested in this volume, there’s certainly more resonance if you’ve read at least some of the previous entries, particularly the first, Blue Monday, and the most recent, Sunday Silence.
The cat and mouse game between Dean Reeve and Frieda Klein does come to a satisfying, albeit surprisingly low-key, conclusion. In all of their previous encounters, Reeve has always seen himself as the predatory cat, while he has cast Frieda as his mouse-prey.
Reeve forgets that just as every dog has his day, every once in a while, the mouse roars.