Review: Paper and Blood by Kevin Hearne

Review: Paper and Blood by Kevin HearnePaper & Blood (Ink & Sigil, #2) by Kevin Hearne
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: paranormal, urban fantasy
Series: Ink & Sigil #2
Pages: 304
Published by Del Rey Books on August 10, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Kevin Hearne returns to the world of the Iron Druid Chronicles in book two of a spin-off series about an eccentric master of rare magic solving an uncanny mystery in Scotland.
There’s only one Al MacBharrais: Though other Scotsmen may have dramatic mustaches and a taste for fancy cocktails, Al also has a unique talent. He’s a master of ink and sigil magic. In his gifted hands, paper and pen can work wondrous spells.
But Al isn’t quite alone: He is part of a global network of sigil agents who use their powers to protect the world from mischievous gods and strange monsters. So when a fellow agent disappears under sinister circumstances in Australia, Al leaves behind the cozy pubs and cafes of Glasgow and travels to the Dandenong Ranges in Victoria to solve the mystery.
The trail to his colleague begins to pile up with bodies at alarming speed, so Al is grateful his friends have come to help—especially Nadia, his accountant who moonlights as a pit fighter. Together with a whisky-loving hobgoblin known as Buck Foi and the ancient Druid Atticus O’Sullivan, along with his dogs, Oberon and Starbuck, Al and Nadia will face down the wildest wonders Australia—and the supernatural world—can throw at them, and confront a legendary monster not seen in centuries.

My Review:

The alphabet – any alphabet – is magic. Just think about it for a minute. Alphabets, whatever they might look like, represent the ability to communicate across not just space but across time. If you’ve ever taken Latin, you remember Julius Caesar’s Commentaries on the Gallic War, with its famous opening about “Gaul is a whole divided into three parts,” except in the original Latin. Which Caesar may have dictated instead of penned himself, but still, the idea that we can read the words of a person who lived and died not merely centuries but millennia before we were all born is, honestly, magic.

And that’s the kind of magic that lies at the heart of the Ink & Sigil series. Al MacBharrais isn’t a wizard or a sorcerer or a Druid (more on that later) but he can do magic. With ink and paper and a special kind of alphabet called sigils. With the appropriate training and lots and lots of practice, Al can write letters that perform magic. Like a magical version of Doctor Who’s famous psychic paper. Or a magic that can temporarily give him the strength and stamina that he left behind in the sands of time long ago.

Not unconscionably long, just normally long. Al is in his early 60s, and while his mind may be as sharp as ever, it’s been a very hard-knock life as the normal aches and pains of 60+ years of living all too frequently remind him. But when he gets a call from the distressed apprentice of one of his fellow sigil agents, those aches and pains do not keep him from riding to the rescue.

Even if that rescue turns out to be in Australia. It may be a long way from Al’s printing and bookbinding business in Edinburgh, but he’s the only remaining agent without a wife, family or apprentice depending upon him to come home at the end of the day. Or the case. Or the encounter with an ancient monster who is literally shitting demons in a creek.

Along with a deity who is holding his two colleagues hostage. Not to get to Al, but to make sure that someone reaches out and gets the Iron Druid along on what seems to be a rescue operation.

Only to discover that it’s a whole lot bigger and worse than that. But then, so are the gang of friends that Al brings along to one very weird fight.

Escape Rating A: If you love urban fantasy, but have wondered why you haven’t seen much of it recently, the Ink & Sigil series will remind you of the best of that genre. And if you haven’t read much of it, but you like the kind of story where there’s a detective, amateur or professional, a crime, whether mundane or magical, a whole lot of beings that popularly go bump in the night and the snark quotient turned up to 11, well then, this series has the potential to definitely be your jam.

It certainly is mine.

Al MacBharrais is a departure for an urban fantasy protagonist, as he is not young, or immortal, or unaging or actually either a magic user or a magical being himself. Not that he isn’t accompanied by beings who fit one or more of the above classifications.

It’s that combination of Al’s ordinariness with the extraordinary nature of the people he works with and the trouble they get into that make this series so much fun. It’s a view of our world through another perspective but one that is still grounded in our own. While his friend, associate and contracted servant, the hobgoblin Buck Foi, is there to provide comic relief and to give any authority figure – even a deity – a poke in the ego with a sharp stick whenever he feels it’s necessary. Which is often.

The story in this one follows multiple parallel tracks. Al is in Australia to rescue his colleagues, with the help of their apprentice. Al’s rather unusual friends are there to help, to guard his back, to have some fun, and, in the person of “Gladys Who Has Seen Some Shite” to see some really weird shit. But it also gives Al the opportunity to observe his friends operating outside of their normal sphere, bringing Al to the realization that the Gladys he has been employing as his receptionist is clearly something else or something more, altogether. Along with, but certainly not limited to, being Canadian.

And then there’s the bigger story, that when Al figures out just how big a mess his friends are in, he asks for help from one of the magical heavy-hitters, the Iron Druid formerly known as Atticus O’Sullivan, along with his dogs Oberon and Starbuck. Al thinks he’s getting help with his problem, only for it to turn out that, in the end, it’s Atticus, now calling himself Connor, who needs Al’s help solving his.

That’s where things get interesting, also a bit, not exactly problematic but certainly at least deeper.

There’s never been any question that the Ink & Sigil series takes place in the same universe as the author’s Iron Druid Chronicles, it says so right there on the label. In the first book, also titled Ink & Sigil, there’s a lovely little side story about the evening that Al and Atticus met up in Rome and had a nice dinner together. It was a lovely little story, it set the time period for the new series nicely, but didn’t require that the reader have previously read the Iron Druid Chronicles to get into Ink & Sigil – it just made the story extra nice if you already had.

Now, with Paper & Blood, you really need to have read Ink & Sigil to get the full flavor of what’s going on in this second book. But with Atticus/Connor as an important secondary character, it will make a lot of readers feel like they need to have read at least some of the Iron Druid Chronicles to get everything that’s happening – and especially why it’s happening – in this book. I’ve read the first six books of that series (start with Hounded, it’s awesome) and intend to go back and finish, so I didn’t feel too lost when he became such a big part of this story, although it did make me itch to have read the ending of that series because it’s clearly part of the backstory for this. As much as I LOVED seeing Oberon again, I can’t help but imagine that anyone who hadn’t read at least some of the Iron Druid series would flounder a bit here. I hope I’m wrong.

So, this story provided a whole lot of closure for the Iron Druid Chronicles, provided Al with a lot more fascinating information about his friends and associates, engendered a whole lot of chuckles and a bit of outright laughter courtesy of Buck Foi, AND left me eagerly awaiting the next book in this series whenever it appears.

But I’m also holding my breath for the next book in The Seven Kennings, this author’s epic fantasy series, which seems to be titled A Curse of Krakens and is coming out a year from now. Obviously, this is a writer I really, really like and don’t care what I get next as long as I get something!

Review: Ink and Sigil by Kevin Hearne

Review: Ink and Sigil by Kevin HearneInk & Sigil (Ink & Sigil, #1) by Kevin Hearne
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: urban fantasy
Series: Ink & Sigil #1
Pages: 336
Published by Del Rey Books on August 25, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Al MacBharrais is both blessed and cursed. He is blessed with an extraordinary white moustache, an appreciation for craft cocktails – and a most unique magical talent. He can cast spells with magically enchanted ink and he uses his gifts to protect our world from rogue minions of various pantheons, especially the Fae.
But he is also cursed. Anyone who hears his voice will begin to feel an inexplicable hatred for Al, so he can only communicate through the written word or speech apps. And his apprentices keep dying in peculiar freak accidents. As his personal life crumbles around him, he devotes his life to his work, all the while trying to crack the secret of his curse.
But when his latest apprentice, Gordie, turns up dead in his Glasgow flat, Al discovers evidence that Gordie was living a secret life of crime. Now Al is forced to play detective – while avoiding actual detectives who are wondering why death seems to always follow Al. Investigating his apprentice’s death will take him through Scotland’s magical underworld, and he’ll need the help of a mischievous hobgoblin if he’s to survive.

My Review:

I’ve read – actually mostly listened to – enough of the Iron Druid Chronicles to know that I love the series. Since I’m 2/3rds of the way through I figured I knew enough about the world created in the series to be able to get into Ink & Sigil. Al Mac Bharrais’ adventures take place in the same version of our world as Atticus O’Sullivan, but from a much different perspective.

Ink & Sigil is a sequel that isn’t a sequel, it’s more like a consequence. Which is an interesting way of launching a series. Also an effective way for new readers to get aboard this marvelous train. So you don’t have to have read the Iron Druid Chronicles to get into Ink & Sigil, but a taste for one will probably result in a yen for the other.

Al is a fascinating protagonist for an urban fantasy series. Most urban fantasy series are headed by either the young and the energetic, or the extremely old, seriously immortal, and fascinatingly unaging.

Al is none of the above. He’s 63, he’s getting creaky, and he’s all too mortal. (I would love to see Al meet Marley Jacob from A Key, an Egg, an Unfortunate Remark. They’d have a lot to talk about when it comes to kicking paranormal ass when you’re 60-something.)

Al isn’t exactly a wizard, and he’s certainly not a druid like Atticus. He is actually a kind of paper-pusher for the paranormal. His power is literally in paper – and especially in ink. He draws symbols of power with special ink on special paper, and that power affects whoever sees the symbols he has drawn.

Among many other useful things, he’s created his own version of the “psychic paper” that Doctor Who uses. The one that seems to be a universal high-ranking ID for wherever the Doctor wants to get into that he shouldn’t. In Al’s case, the paper just opens the mind of the person who sees it so that Al can plant the suggestion that he belongs wherever it is that he has just entered that he isn’t supposed to.

Like the apartment of his just-deceased apprentice. Gordie seems to have died of natural causes – depending on how one feels about raisins in one’s scones. Al has arrived in the middle of the police investigation into Gordie’s death to clean house of all of the fascinating, esoteric and sometimes illegal substances that sigil agents like Al and Gordie use to do their work.

Al expects to leave with a bag of inks and ingredients. What he finds in Gordie’s secret workroom changes his focus – as well as his opinion of the late and now entirely unlamented Gordie. Because Gordie was practicing things he hadn’t learned yet, and seems to have been breaking all the rules while doing so. And he had imprisoned a hobgoblin in a cage – a hobgoblin from one of the fae planes that he intended to sell to someone nefarious in this plane.

Which is illegal, immoral, and constitutes trafficking of the nasty kind that either leads to slavery or lab experimentation of the mad scientist variety.

Putting Al on the hunt for a mad scientist and at least one corrupt fae deity selling out her own kind for either fun or profit. That she’s selling them to the CIA adds a whole ‘nother level of crazy complexity to a case that is almost but not quite too much for Al and his friends to handle.

Making it a fantastic start to this series!

Escape Rating A+: I fell straight into this book and just didn’t want to leave. Possibly ever. This is one of those books that I just want to shove at everyone I know and hold them down until they read it.

In that vein, I really, truly don’t think you have to have read ANY of the Iron Druid Chronicles to get into Ink & Sigil. Not that you shouldn’t read them, they’re awesome. Howsomever, while these are set in the same world, Atticus is not a character in this series – so far – except for the scene where those of us who have read the Iron Druid Chronicles discover how Al ran into Atticus that one time and they had a nice dinner together. It doesn’t affect the plot of Ink & Sigil, it’s just a lovely scene IF you’ve met Atticus before and it’s still a lovely scene if you haven’t.

What one does need to buy into in order to get into Ink & Sigil is the concept that lies behind, or underneath, both the Iron Druid Chronicles and Neil Gaiman’s American Gods. The idea that the old cliche about humanity creating gods in their own image is the actual, literal truth. That belief creates the god rather than the god’s deeds creating the belief.

One of the things that I found marvelous was the character of Al MacBharrais, and just how much he and his companions play with just how many classic tropes from urban fantasy and even from the mystery detective genre from which it partially sprang.

Al is so different from the standard run of urban fantasy protagonists. I have a hard time saying Al is old because he’s the same age that I am, but he’s certainly no spring chicken. He’s led an already long and fairly hard-knock life. He can no longer serve as his own muscle – except in what is inevitably a very painful pinch – but he still needs an enforcer. Like Nero Wolfe needed Archie Goodwin. Or any other case where the “real” detective is no longer quite spry for one reason or another and needs someone to occasionally punch the bad beings where it hurts.

That Al’s version of Archie is a female battle-seer who does double duty as his printing firm’s manager and accountant sets all sorts of tropes on their tiny little heads. She’s great at both cooking the books and conking out their enemies. Also, Nadia’s wizard van is absolutely to die for. She’s also more than able and willing to help a few people – or things, or beings – die when they really, really need to.

The other really fun character in this one is Buck Foi the hobgoblin. The one that Al found in a cage in his dead apprentice’s apartment. When Al opens that cage he also opens up the whole case, and it’s Buck who tags along to help him close it. Because Buck needs the fae trafficking ring shut down in order to remove the price on his head. Buck is the comic relief, but it’s comic relief with one hell of an edge. (Buck reminds me a bit of P.B. from Laura Anne Gilman’s Retrievers series, which was also an awesome urban fantasy. I digress.)

But underneath the paranormal scene-setting, and Buck’s constant scene-stealing, the story is ripped from the headlines. Al’s case is to uncover a fae-trafficking ring, and it’s every bit as nasty as human-trafficking. It also seems to work in a surprisingly similar fashion. And it has to be stopped – and not just because the CIA (really, the actual CIA) is chasing after Al and his friends to silence them.

That Al manages to use some of his not-so-otherworldly connections to help the police shut down a couple of human-trafficking rings adds some real-world drama to this otherworldly story without being heavy-handed about the message. This stuff is evil and needs to be stopped. Period.

Shutting down this one, particular operation still leaves Al with plenty to do in subsequent books in the series. He still has to find out who dropped two seriously awful curses into his life, before those curses wipe out this cohort of his friends and colleagues. So he can keep Nadia and Buck around. So that he can finally manage to train an apprentice to mastery. So that he can talk to the librarian he’s been in love with for years and not have the curse make her hate him and the sound of his voice. As it did with his son.

So there is plenty for Al to be going on with in future books in this series. Hopefully soon!