#BookReview: Rebellious Grace by Jeri Westerson

#BookReview: Rebellious Grace by Jeri WestersonRebellious Grace (A King's Fool mystery, 3) by Jeri Westerson
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery
Series: King's Fool #3
Pages: 224
Published by Severn House on January 7, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads


Henry VIII's court jester Will Somers turns reluctant inquisitor once again when a grotesque murder within the palace walls is linked to the Pilgrimage of Grace rebellion in this gripping Tudor mystery.

1536, London. The gruesome murder of a servant in the king's palace, his throat savagely cut, has brought fear to the court of Henry VIII. When the man's body is then dug up from the churchyard and disembowelled two weeks later, Will Somers, the king's jester, is horrified. What terrible mischief is now afoot under the king's roof?
With Henry VIII distracted by The Pilgrimage of Grace, the religious revolt led by Robert Aske in protest at the king turning his back on the Catholic faith, Will becomes reluctant inquisitor once again. As he attempts to unmask a murderous knave, Will uncovers a chilling link between one of Queen Jane Seymour's precious jewels, the rebellion and the dead man. Is a shocking act of treachery behind a grotesque killing?
Perfect for fans of stunning Tudor mysteries and historical dramas featuring witty and tenacious sleuths, and bursting with betrayal, politics and passion from the likes of Paul Doherty Michael Jecks,, C.J. Sansom and Philippa Gregory.

My Review:

Will Somers, the King’s Fool of this series, finds himself hoist on his own petard in this particular case. After his success at investigating murders on his own in the two previous books in this series, Courting Dragons and The Twilight Queen, this time around his king has ordered him to look into the death of one of Will’s fellow royal servants.

Not as a result of the original murder, but because some ghoulish or desperate person disinterred the corpse of the late Geoffrey Payne in order to disembowel the man two weeks after his burial. Someone seriously had it out for the victim, and King Henry VIII has tasked his fool, Will Somers, with discovering who would do such a terrible thing – and especially why.

Finding out who might have wanted the man dead is one thing, figuring out who hated him so much that they desecrated his corpse is something else altogether.

Evidence from the murder has long been washed away, but Will knows THAT is where he must begin, with a trail long grown as cold as the winter winds whipping through the palace. But Will, as the king’s own, personal, fool, has permission to poke his nose in anywhere and everywhere at court. With his king’s commission, he has the warrant to ask all the questions he wants, as well.

Even as every single noble he even attempts to talk with makes him all too aware that they will remember this slight and take it out on him whenever the first opportunity arises. Because even if they’re guilty they know they can’t be punished – but sooner or later, Will Somers most certainly can.

But Will can’t resist the puzzle – no matter how much he wishes that he could. The more he digs into the problem, the more it seems like that problem is much bigger than the ‘mere’ death of one of the queen’s own royal servants – not that Will Somers, a royal servant himself, would ever see it so.

That his best witness is unreliable by their very nature only adds to the conundrum, as each clue he teases out takes his investigation one more rung up the ladder of people that Will knows he cannot touch – even if they are guilty.

Especially if they have involved a member of the court so high that they cannot even be questioned, let alone touched, at all.

Escape Rating B+: Historical mysteries like this one, and the King’s Fool series of which it is the third entry, have to walk a tightrope over the historical era they portray. That’s especially true in this case, as Will Somers, the ‘King’s Fool’ of the title, was a real person in the court of Henry VIII, and his position and duties are known to history – if not the details of his days and nights.

At the same time, as an integral part of the court, Will was, by definition of his duties, in a position to literally see all and know all about the doings of the high and mighty among whom he served.

Which is very much where that tightrope comes in. His job, not as a ‘court jester’ but as the king’s own fool, required him to be in the rooms where Henry VIII’s reign happened – while at the same time being ignored as beneath the notice of the courtiers in that room with him.

The conceit of this series has put Somers in the sort of position that modern detectives would envy. He is intimately aware of all the ‘goings on’ in court, and he has been part of the court more than enough years to know how things work, where the nobility stash the skeletons in their personal closets and where the metaphorical and occasionally physical bodies are buried.

At the same time, he’s an outsider. He’s not himself a noble and he never will be. He’s a servant and all too frequently reminded of that fact. He’s beneath notice – and yet, he has the ear of the king. He can go everywhere and see everything and continue to slither out of trouble as long as he doesn’t go too far for the king to allow him to keep both his position and his head.

The story gets told, and the mystery gets solved, through Will Somers’ intimate perspective on the court and the people in it. It very much feels as if the mystery is second to the detailed and loving portrait of the court and its denizens. Not that Will doesn’t manage to solve the mystery while getting into as much danger as any contemporary detective, but that both the solution and the danger are tightly wrapped in the historical period.

I enjoy this series a LOT because this is a period that has always fascinated me. The history that it dives into so deeply is recognizable and familiar and the ‘you are there’ feeling is one that I’m eager to be a part of. I hope it works just as well for readers who are experiencing this era for the first time.

The series continues to move through the reign of Henry VIII based on that old doggerel about his wives, “Divorced, beheaded, died. Divorced, beheaded, survived.” The next book in the series, tentatively titled Beloved Sister but recently changed to Devil’s Gambit, will be set during Henry VIII’s brief marriage to Anne of Cleves, which she survived in style.

In the meantime, I’m also looking very much forward to Six Wild Crowns by Holly Race coming in June, the start of an epic fantasy series that also takes its inspiration from the court of Henry VIII and his wives.

I am eagerly anticipating both of these upcoming books!

Review: The Twilight Queen by Jeri Westerson

Review: The Twilight Queen by Jeri WestersonThe Twilight Queen (A King's Fool mystery, 2) by Jeri Westerson
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery
Series: King's Fool #2
Pages: 224
Published by Severn House on January 2, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Court jester Will Somers is drawn into another gripping and entertaining mystery when malevolent forces strike again at the court of Henry VIII - and Anne Boleyn is the target.
Greenwich, Palace of Placentia, April 1536. Queen Anne is in peril. In the mid of night, court jester Will Somers is summoned to an urgent assignation when she discovers a body in her chamber. The queen wants Will to find out who the man is and how he ended up there. Is someone trying to frame her for his murder?
Anne has many enemies at court, and to make matters worse, Henry VIII is lining up his next conquest and suspects her of treason. Has the formidable Oliver Cromwell been whispering vile lies in the king's ears, and could Anne be the target of a Catholic conspiracy? As further attacks plague the court, Will is determined to uncover the truth behind the plotting and devilry, but he will need to keep hold of all his wits to do so!

My Review:

There are characters, whether real or imagined, who seem to get reinvented or reinterpreted for each generation. Henry VIII, that towering, looming figure of British history, with his outsized body and equally outsized personality – along with his fascinating and scandalous pursuit of a son and heir for his crown – seems to be one of those characters.

That his story – or rather the reinterpretation of his story through the characters of his six wives – has been reimagined yet again in the Tony Award winning Broadway play, Six: The Musical, is just the latest in a long line of portrayals, beginning with the Bard himself, William Shakespeare, written under the rule of King James I of England and VI of Scotland – a reign that could be said to be the direct result of Henry’s failure to secure a healthy male heir.

Which makes this portrayal of Henry, his court and his wives and paramours, as seen through the eyes of his Court Fool, Will Somers, just that much more fascinating and relevant, as it appears that this series is also going to trip its way through Henry’s nearly 40-year reign through the machinations of his court and his courtiers through each of his successive – but not all that successful – marriages.

The first book in this series, Courting Dragons, took place as Catherine of Aragon’s star at court was rapidly waning, and Anne Boleyn’s was on the ascendant.

In the midst of the King’s ‘Great Matter’, the impending divorce that severed not only Henry’s first marriage but also his country’s religion, a murder took place among the foreign diplomatic corps that threatened to destabilize the already fraught negotiations over, well, pretty much everything at that point.

A murder that was ultimately solved by a not-so-foolish investigation by the King’s Fool, Will Somers.

Just as that first murder of a Spanish diplomat had political implications for Catherine of Aragon, the murder that opens The Twilight Queen has potentially deadly implications for Anne Boleyn, whose brief, tumultuous reign is now in its twilight.

A dead musician has been discovered in the Queen’s private chambers. It’s obvious to Anne that the intent is to stir up rumors that she is unfaithful to her royal husband. A treasonous pot that someone influential at court is already stirring.

Because no good deed goes unpunished, when the Queen has need of a discreet investigator, she calls upon the King’s Fool to poke his nose into all the places he can to figure out who left this dead and potentially deadly ‘package’ in her private chambers – in the hopes that the truth will stave off her inevitable downfall.

Escape Rating B: Genre blends such as historical mystery are always a balancing act – much like Will Somers position is a balancing act between making his sovereign laugh, forcing his master to stop and think – and keeping both his job and his head.

For a historical mystery to be successful, it has to balance upon the knife edge of being true to its historical setting AND following the somewhat strict conventions of the mystery genre. It must allow the reader to maintain that crucial willing suspension of disbelief when it comes to history while still delivering that ‘romance of justice’ that is crucial to a mystery’s satisfactory ending.

As much as I love this particular period of history, this series so far reads like it tilts more than a bit towards the description and details of the historical setting. Not that the mystery doesn’t get solved, but rather that the mystery feels more like an excuse to dive into the history instead of the historical period being a setting for a mystery.

Reflecting on this second book in the series, I believe that impression is a result of Will Somers’ life and work being so far removed from ordinary life either in his time or our own. Even Crispin Guest, the protagonist of the author’s Medieval Noir series, feels like more of a standard archetype, as he’s operating as a kind of private investigator in a big city. Even though the details of his circumstances are even a century or two before Somers, what Guest does and the way he does it – and how he feels about it – reads as something surprisingly familiar.

Will Somers’ dependence on and love of his ‘master’ the King, on the other hand, jars a bit in the 21st century mind whether it rings true or not. A kind interpretation of their relationship would liken it to the relationship between Frodo and Sam in The Lord of the Rings – except that Frodo couldn’t order Sam’s head to be struck off. Will Somers’ relationship with his king reads a bit too close to the so-called ‘love’ of slaves for their masters in the antebellum South. It’s not comfortable, no matter how fascinating a character Somers has turned out to be.

Which he most definitely is.

In the end, I found the history behind this story more interesting than the mystery within its pages. Your reading mileage, of course, may vary. I am, however, still terribly curious about the next book in this series, which is planned to take place during Henry’s brief but fruitful marriage to Jane Seymour, tentatively titled, Rebellious Grace.

Review: Courting Dragons by Jeri Westerson

Review: Courting Dragons by Jeri WestersonCourting Dragons (A King's Fool mystery, 1) by Jeri Westerson
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery
Series: King's Fool #1
Pages: 224
Published by Severn House on Publication date January 3, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Introducing Will Somers, the king's jester but nobody's fool in this exuberant, intriguing and thoroughly entertaining mystery set in Tudor England – the first in a new series from the author of the critically acclaimed Crispin Guest Medieval Noir series.

1529, London. Jester Will Somers enjoys an enviable position at the court of Henry VIII. As the king's entertainer, chief gossip-monger, spy and loyal adviser, he knows all of the king's secrets – and almost everyone else's within the walls of Greenwich Palace.

But when Will discovers the body of Spanish count Don Gonzalo while walking his trusted sidekick Nosewise in the courtyard gardens, and a blackmail note arrives soon after demanding information about the king, is one of his own closely guarded secrets about to be exposed? Trouble is afoot at the palace. Are the king's enemies plotting a move against him? Will must draw on all his wit and ingenuity to get to the bottom of the treacherous and deadly goings-on at the court before further tragedy strikes . . .

My Review:

Henry VIII was always a towering, larger-than-life figure, even before he became the obese caricature of himself that has become the popular image of him. Just as he loomed large over the life of his court and everyone in it, so too he dominates this historical mystery told from, not Henry’s point of view, but through the eyes of his fool, or court jester, William Somers.

Who was every bit as real a person – whether or not he resembles the character in this story – as the king he served.

If you remember the old doggerel, “Divorced, beheaded, died. Divorced, beheaded, survived” as a way of tracking Henry VIII’s six wives, this story takes place in 1529, in the midst of the long and ultimately futile negotiations between Henry and Pope Clement VII in regards to that first divorce, sometimes referred to as the King’s Great Matter.

Which it most certainly was.

So the court is in ferment, divided between the rapidly waning star of the old queen, Catherine of Aragon, and the woman who will be the next queen, Anne Boleyn. Tension is everywhere among the usual cutthroat jockeying for favor and position that was always an integral part of serving in the King’s court.

Will Somers, the king’s fool, has been among Henry’s closest companions since he had arrived in court several years before. Somers was the one person who could, by the very nature of his position, go anywhere, talk to anyone, walk in and out of the King’s apartments, and generally do as he pleased as long as he was always available when the King called for him.

Somers is perfectly placed to find himself in the role of amateur detective when that metaphorically cutthroat jockeying results in the actual cut throat of one of the Spanish ambassador’s attendants.

That the bisexual Somers had spent the previous night with the dead man only adds to his distress. Someone he genuinely cared for is dead, and a thorough investigation could discover Will’s own clandestine behavior. He wants justice – and he needs to protect himself.

In the midst of the King’s Great Matter, with the Spanish on one side and his King on the other, the crime could also have political implications. Somers will have to tread carefully, but still poke his, or his dog’s, nose into every nook and cranny to find the killer – even while that killer is stalking him and those he holds dear.

The Family of Henry VIII (c. 1545), unknown artist. Left to right: ‘Mother Jak’, Lady Mary, Prince Edward, Henry VIII, Jane Seymour (posthumous), Lady Elizabeth and Will Somers. Oil on canvas, 141 x 355 cm. Hampton Court Palace, East Molesey, Surrey

Escape Rating A-: Hybrid genres like historical mystery have to achieve a balance between the two genres being blended. In the case of historical mystery that means that the historical setting has to feel authentic and the mystery has to be puzzling and fit the conventions for solving the crime that has taken place.

Courting Dragons is one of those historical mysteries where the reader is dropped right into the historical period from the first page, and where the history that wraps around it is integral to the plot – even though it can’t change any of the known historical facts. (For anyone who remembers the movie or the play, Anne of the Thousand Days, Courting Dragons read a LOT like returning to that setting and characters.)

So one of the reasons that I loved Courting Dragons was because I saw that movie in 1969 – I was twelve – and fell in love with the entire Tudor Period, warts and all. Going back was a delight. Howsomever, I read a lot in the period after I saw the movie and was familiar with the historical background.

Courting Dragons read like that balance between the history and the mystery was weighted towards the history, to the point where unless you are either familiar with the period, or enjoy learning a surprising amount of detail about a period with which you are not well acquainted, you need to be aware that the historical setting and tensions of Courting Dragons dominate the mystery. As I said, I loved it but your reading mileage may vary.

It does take a while for the mystery to get itself going, because there is just so much to learn and explore about life at court and Will’s circumstances within it. Which are fascinating but may not be what you read mysteries for.

There was one bit of the story that niggled more than a bit. It doesn’t feel inaccurate, but it was jarring to a 21st century reader all the same. And that involves Will’s relationship with the king. On the one hand, Will is utterly financially dependent on his work. He has a relatively high place for someone of low birth, but it can be snatched away at any time – and so can his life. He is the one person who can tell the king “No” and not get killed for it. He can needle the king about matters, such as his divorce, that the king doesn’t want to hear contradicted in any way. But he has to be careful of how much and how far he goes all the time. Very much on the other hand, in the book it is clear that Will is the king’s man through and through, and actually loves him in a way that seems a lot like the way that Sam Gamgee looked up to Frodo in The Lord of the Rings. Or the way that slavery proponents claimed that slaves felt about their slavemasters. It may be the way things actually were, but it still disconcerts.

So, if you like your historical mystery to dive deeply into the historical milieu in which it is set – or if you are just plain fascinated with the Tudors, Courting Dragons is a terrific mix of royal history and rotten murder. Will Somers, and his master Henry VIII, will be back in The Lioness Stumbles, hopefully this time next year!