#AudioBookReview: Hot Chocolate on Thursday by Michiko Aoyama translated by E. Madison Shimoda

#AudioBookReview: Hot Chocolate on Thursday by Michiko Aoyama translated by E. Madison ShimodaHot Chocolate on Thursday (Marble Cafe, #1) by Michiko Aoyama
Translator: E. Madison Shimoda
Narrator: Ami Okumura Jones, Daniel Bunton, Nicky Talacko, Winson Ting
Format: audiobook, eARC
Source: purchased from Audible
Formats available: hardcover, ebook, audiobook
Genres: healing fiction, relationship fiction, translated fiction, world literature
Series: Marble Cafe #1
Pages: 208
Length: 3 hours and 36 minutes
Published by Hanover Square Press, Harlequin Audio on February 17, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Across a bridge in a quiet neighborhood in Tokyo, a seasonal cherry blossom sits on the river. Nearby is the Marble Cafe, where a woman writes in a notebook and a young waiter prepares her favorite hot drink. Both wonder about each other and about the other lives of the clientele who frequent this charming little cafe behind the trees...
Without even realizing it, we may touch and change someone else's life.
Taking a walk along the river, cooking the best tamagoyaki, ordering hot chocolate, forgetting to remove our nail polish... The small, everyday acts that we do can lead to unexpected encounters and reverberate far beyond your own circle and ultimately make a difference in the world.
Hot Chocolate on Thursday is a tapestry of slice-of-life moments that each open and close with a woman ordering her regular hot chocolate at the mysterious Marble Cafe. What happens in between will touch and swell your heart, as we connect with a community of untold unfolding lives.

My Review:

This interconnected collection of short stories begins, and ends, with a young woman arriving at the cozy little Marble Cafe in Tokyo to order a hot chocolate. On Thursday. Always on Thursday, always at 3 pm.

It makes a delightful little treat for her, for the cafe’s manager, and for the reader as well. Because the story in between that manager’s perspective of her and her regular visits at the beginning and her perspective at the end is every bit as round as a marble, just like the cafe’s name.

The story is passed from one character to the next, each linked to the one before and the one after. Taken as a whole, they represent a community holding hands, one to another – and occasionally stretching across – until the circle is complete – and neverending.

And it’s all due to one man’s, one Maestro’s, orchestration. Not in a negative or manipulative way, but through the links that he facilitates simply because he enjoys the thrill of discovering a new talent or just a new possibility within the circle of life.

It begins in the Maestro’s Marble Cafe, where he is hoping to find a full-time manager so that he can travel the world orchestrating meetings and connections – and just generally bringing people together and bringing both talent and joy to the attention of those who will appreciate them.

His new manager walks in off the street looking for a job, the Maestro hires him on sight and is off on his adventures – while the new manager makes the place his own and falls in love with the woman he calls ‘Miss Hot Chocolate’ for her weekly habit of coming in and brightening his day.

Between the two of them, Miss Hot Chocolate and her just as secret regard for the manager she thinks of as ‘Mr. Hot Chocolate’ for the caring way he treated a very young customer (and his father) who ordered hot chocolate the first time she visited the cafe, they connect to every other story.

From that little boy and his frantic working mother and her artist husband, to the child’s teacher and her best friend, and outward to another artist, Miss Hot Chocolate’s best friend in Sydney, and around the circle of friendship and love and life.

As one of the characters says in the story, “All that breathes on this Earth is interconnected.” A truth that is delightfully portrayed by every story that begins with one young woman’s order of hot chocolate on Thursday.

Escape Rating B: When I’m in the right mood, looking for a reading – or in this case listening – pick-me-up but not wanting to dive into something big or deep or especially dark and depressing, I pick up one of these novellas. There are a LOT of them available in translation now, all inspired in one way or another by Before the Coffee Gets Cold.

They’re always a treat, whether entirely sweet as this one is or a bit bittersweet like Coffee – whether there’s as much chocolate in the story as this one has or not. This author’s first available book, What You Are Looking For Is In the Library, is still one of my favorites of the genre.

While this one doesn’t quite rise to that level, I did enjoy it just a bit more than I did The Healing Hippo of Hinode Park by the same author. However, I’m pretty sure that’s a ‘me’ thing as that book included several stories told from a child’s point of view where the narrators’ voicing didn’t quite match up to the child-like perspectives.

Hot Chocolate on Thursday worked particularly well on audio, as there are not one but four narrators who skillfully portrayed multiple characters in the story. (Consider this comment an abridged version of my usual rant about multi-cast audiobooks NOT including the details of who narrated which characters or sections. Because credit is certainly due!)

One of the things that worked really well in this collection is the way that the stories clearly linked to each other from the beginning. The links between the individuals, the Maestro, and the cafe were often subtle, with the full extent of the Maestro’s involvement not at all obvious until near the end, but that didn’t matter as the links between the stories – or rather between the people in the stories, were explicit without hitting the reader over the head.

In other words, the handoffs were very well done and the themes that emerged came about organically in a way that was just as sweet as the chocolate in the story. I enjoyed my listening to Hot Chocolate on Thursday, and it was just the right length for the time I had this week. Now I’m looking forward to my next visit to the Marble Cafe with Matcha on Monday, coming in July.

#AudioBookReview: The Murder at World’s End by Ross Montgomery

#AudioBookReview: The Murder at World’s End by Ross MontgomeryThe Murder at World's End (Stockingham & Pike, #1) by Ross Montgomery
Narrator: Joe Jameson, Derek Jacobi
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Stockingham & Pike #1
Pages: 336
Length: 9 hours and 59 minutes
Published by HarperAudio, William Morrow on January 6, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Secrets, murder, and mayhem collide as this unlikely sleuthing duoan under-butler and a foul-mouthed octogenarianhunt a killer in a manor sealed against the end of the world.
Cornwall, 1910. On a remote tidal island, the Viscount of Tithe Hall is absorbed in feverish preparations for the apocalypse that he believes will accompany the passing of Halley's Comet. The Hall must be sealed from top to bottom—every window, chimney, and keyhole closed off before night falls. But what the pompous, dishonest Viscount has failed to take into account is the danger that lies within... By morning, he will be dead in his sealed study, murdered by his own ancestral crossbow.
All eyes turn to Steven Pike, Tithe Hall's newest under-butler. Fresh out of Borstal for a crime he didn't commit, he is the wrong man in the wrong place at the wrong time. His unlikely ally? Miss Decima Stockingham, the foul-mouthed, sharp as a tack, eighty-year-old family matriarch. Fearless and unconventional, she relishes chaos and puzzles alike, and a murder is just the thrill she's been waiting for.
Together, this mismatched duo must navigate secret passages, buried grudges, and rising terror to unmask the killer before it's too late...

My Review:

This isn’t merely a “locked room” mystery in the classic, “Golden Age” tradition, it goes two steps further to being a locked mansion and even a locked island mystery. Admittedly, by way of a day trip to, well, Crazytown.

Because Viscount Conrad Stockingham-Welt is out of his very tiny mind – not that he’d ever admit either that his mind is tiny or that he’d left all sense behind. He believes he’s a scientific genius. Then again, he also believes that the gases in the tail of Halley’s Comet are poisonous and that the Earth’s imminent 1910 transit through the comet’s tail is going to wipe out all life on the planet.

Except for the few members of Conrad’s family and staff that he has invited to his remote estate off the coast of Cornwall – at World’s End – to wait out the event sealed into the house with him, cut off from the outside world. Literally and figuratively, as Tithe Hall is on a spit of land that will be cut off from the mainland by the tides, AND because he’s ordered that every single person in the house be sealed ALONE into their rooms by blocking all the windows, doors, and even the keyholes from anything outside.

The scientific establishment of the day would tell him he was wrong – no matter how much of a panic the comet is causing in the newspapers and among the general populace. The scientific community certainly knows better and if Conrad were as much of a leading light in that community as he claimed, then he should have as well. Instead, even his non-scientific relatives are certain he’s lost the plot completely. But he controls all the family money and estates, and if he’s wrong that will be proven in the morning when the world survives the cataclysm he believes is coming.

Not that Conrad will be alive to deal with his mistaken beliefs. Because someone at Tithe Hall has taken advantage of the confusion to kill the odious man, leaving an obvious murder victim (no one can shoot a crossbow bolt into their OWN eye), a locked room, a confounding puzzle, and a plethora of possible suspects who should all be in the clear because they were all sealed inside their own rooms.

Except for two people. Either of whom should make a dandy scapegoat for the incompetent police inspector assigned to the case. And he certainly does try. But Decima Stockingham and Steven Pike are more than a match for a glory-seeking incompetent. And even for a diabolically clever murderer.

The Bayeaux Tapestry (late 11th century) depicting Halley’s Comet arrival in 1066

Escape Rating B+: This is going to be one of the most mixed of mixed feelings reviews. I feel as if I’m on the horns of multiple dilemmas with this book, and that I’m literally being poked by every single one of those horns.

The mystery itself is compelling, riveting, and all of the things it should be. I’m not quite sure it’s exactly a fair play mystery like the Golden Age mysteries that it pays homage to, but it does an excellent job of keeping the reader guessing until almost the very last page.

I mean, I was starting to get glimmers really close to the end, but I wasn’t there yet until the villain finally revealed their previously hidden hands and motives.

Part of what makes this much fun is that the victim so obviously deserved it. And had, in fact, spent decades courting it even as they counted on their privilege to keep it from happening. He was such a complete arsehole – even beyond what we see in the story’s current events – that it’s not a surprise that one of his many victims took the opportunity he handed to them on a silver platter to do him in.

Howsomever, what kept bogging the pace down was the choice of perspective. Or rather, both of the choices of perspective. The story is told from the first-person point of view of Steven Pike, the brand-new under-footman who arrives just as Tithe Hall is closing down for the comet. On the one hand, Pike’s lack of knowledge of or investment in any of the characters makes him a perfect outside observer for the very much insider events. OTOH, he’s an ex-con, a secret that the butler seems to be willing to keep for him. Which leaves Pike a) beholden to the butler in a really big way; and b) scared out of his wits every single minute once the murder is discovered because his outsider status AND his big secret make him an easy scapegoat for everyone.

Because we’re in Pike’s head (very much so with the excellent vocal narration by Joe Jameson) we suffer with him every time he panics internally. And he panics a lot for very good reasons. Howsomever, he panics a LOT.

Being inside his head makes us empathize with him, which means that we feel it whenever he or any of the Hall’s servants get mistreated – which is all the time. They’re treated abominably, expected to cook and clean and bow and scrape, verbally abused at every single turn, AND expected to be grateful for it. (I’m still reflexively cringing at my own past reading of mysteries like this one where that behavior was common and expected and this reader didn’t bat an eye at it.)

There’s also a second narrator, a third person omniscient perspective, who is both observing the movements of the murderer in the shadows AND reading the (real, true) newspaper headlines of the time period. That second narrator is voiced by Sir Derek Jacobi, and, while I enjoyed his parts of the story, I found myself wondering what he was doing here and how he was induced to do this. From a story perspective, the newspaper articles were informative but the attempt at adding suspense by showing the hidden killer’s movements worked less well, at least for this reader. (And Jacobi’s voice sounded a lot like he did when he played Claudius in I, Claudius way back when, which was both nostalgic and just a bit weird. YMMV)

What makes this story ultimately work – and keeps the reader following along – isn’t Pike because he’s not really the protagonist. He is not the one moving events – he’s just reacting to those events, often by quite reasonably quaking in his boots.

The protagonist, the true mover and shaker of this story, is eighty-year-old Decima Stockingham. She’s got a fouler mouth than any sailor, says “fuck” pretty much every other word with great vigor due to constant, extreme provocation by the world and everyone and everything in it – and is absolutely determined to solve the murder.

Just as Pike pushes Decima in her bath chair, she pushes Pike forward, out of his comfort zone, into extreme danger AND manages to corner the killer and save the day.

In the end, as much as the underpinnings of the story, along with Pike’s justified but constant refrain of “Oh, woe is me!” often slowed the pace down – the mystery itself is a delightfully twisted puzzle. It’s very much a combination of Agatha Christie’s And Then There Were None with the scientific misinformation and “locked island” vibes of Erik Larson’s No One Goes Alone, combined with the attitudes of the movie Gosford Park and the public panic of the War of the Worlds 1938 radio broadcast and an ending right out of the TV series Mrs. Bradley Mysteries featuring Dame Diana Rigg and Neil Dudgeon (Rigg was younger than Decima at the time and Dudgeon was a lot better able to stand up for himself than Pike but I think the resemblance between the relationships holds all the same).

All of which leads right into this being the first book in a projected series, featuring Decima Stockingham as a private detective and Steven Pike as her assistant and bath-chair pusher. I’m curious as hell to see how that’s going to go.

Grade A #AudioBookReview: Trailbreaker by Ruthie Knox and Annie Mare + #Giveaway

Grade A #AudioBookReview: Trailbreaker by Ruthie Knox and Annie Mare + #GiveawayTrailbreaker (Prairie Nightingale) by Ruthie Knox, Annie Mare
Narrator: Mia Hutchinson-Shaw
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: domestic thriller, mystery, suspense, thriller
Series: Prairie Nightingale #2
Pages: 299
Length: 10 hours and 3 minute
Published by Thomas & Mercer on January 27, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.orgBetter World Books
Goodreads

Suspicions that a serial killer is terrorizing a pristine tourist spot draw a single mom and budding private investigator into a twisting and deepening mystery of secrets and murder.

Single mom and newly minted private investigator Prairie Nightingale has opened the doors of her Green Bay, Wisconsin, agency and is ready for work. She and her crew aren’t quite prepared for their first client, Bernie Dubicki, a notorious online journalist and not-altogether-reliable provocateur, who claims the idyllic vacation destination of nearby Door County is home to a serial killer.

She’s pinpointed four seemingly unrelated deaths that haven’t raised suspicions for anyone else. But when a college student vanishes, Bernie’s sizable retainer convinces Prairie to help connect the dots. And trusted, flirty FBI agent Foster Rosemare thinks Bernie might be onto something. Prairie never expected her first investigation to be so big—like Dateline big—but she does have an inquiring mind and a knack for seeing things no one else can.

In this case she’ll have to look deep—not only into the secrets of strangers, but into Door County’s woods—to solve a mystery decades in the making.

My Review:

I had missed the first book in the Prairie Nightingale series, Homemaker, when it came out last year. I have to confess that I probably bounced right off that title and didn’t look more deeply. (I REALLY don’t do domestic.)

About Last Night by Ruthie KnoxBUT, then I saw this tour, and did look more closely at the authors’ names and remembered that I loved both their books (About Last Night for Knox and The Story Guy for Mare writing as Mary Ann Rivers) but hadn’t picked up on anything new in a while. So I went back and picked up Homemaker and I absolutely ADORED it.

Clearly, you can’t judge a book by either its cover OR its title – and I should know better. (Not that I can’t be tempted by an intriguing one or the other.)

Trailbreaker picks up right where Homemaker left off. Well, sorta/kinda. Because it’s been a year for them, and not nearly as productive or profitable a year as they’d hoped. Prairie, Marian, Joyce and Emma started Prairie Hawk Investigations on a high after the successful – if tragic – conclusion of the Radcliffe case in Homemaker.

But they couldn’t use that case as a way of drumming up business. The credit went to law enforcement, and Prairie agreed not to talk about her contribution. A contribution without which the case would NEVER have been solved. But that’s Prairie all over.

The Story Guy by Mary Ann RiversOnly the people who know about Prairie’s involvement well, know. Along with some people who made it their business to know. And that’s where Bernie Dubicki comes in.

Bernie, an eccentric, wealthy, resident of Door County Wisconsin, KNOWS in her gut that something is wrong in HER county. But she can’t put her finger on exactly what – and neither can the legions of fans who follow her “Back Door” online newsletter and gossip sheet.

But Bernie has money to burn and Prairie Hawk desperately needs a new, paying, client so they can clean the literal mouse poop out of their office. Bernie thinks she’s going to run the investigation and micromanage Prairie Hawk every step of the way, because she’s a steamroller with a bee in her bonnet and that’s pretty much her modus operandi for living.

So she’s not surprised that Prairie Hawk takes her case – after all, her retainer check is going to keep them afloat for months and she knows it. But she is surprised – and eventually (EVENTUALLY!) respectful – when Prairie Nightingale takes the reins. Bernie hired them for their principles. But a LOT of their principles are firmly wrapped in standing their own ground and investigating a case their own way – regardless of what the client demands.

As much as the agency needs Bernie’s money, they’re not willing to compromise themselves or their ethics for it. That ground is hard won for all of them, and they’re not ceding it to a rich woman looking for validation of her pet conspiracy theories.

Which doesn’t mean that Bernie’s wrong about most – if not all of what she’s fixated on. There is something going on – including but not limited to incompetence or rug sweeping or corruption on the part of the Door County Sheriff’s department stretching back decades.

It’s going to take Prairie Hawk Investigations and every single resource they can bring to bear – especially themselves – to unknot the tangled web of coincidences, mysterious thefts, murders ruled accidents, and missing women to get to the heart of what – or who – has gone wrong in Door County’s backwoods.

And the clock is ticking, because the last victim of whatever or whoever this is, is still missing, PRESUMED dead a year after she disappeared. Miray Küçükgenç might still be alive. But the clock is ticking and it’s getting so loud that Prairie herself can’t stop hearing it. She’s determined to bring Miray home – whatever it takes and whoever it takes down along the way.

Escape Rating A: Trailbreaker was even better than Homemaker, which is saying something because I LOVED Homemaker a whole lot. What makes this one better, IMHO, is that Homemaker was, of necessity, a whole lot of setup for the series and for Prairie’s detective agency, Prairie Hawk Investigations.

THIS story is all about their first investigation as an official team. And it’s a doozy. (It was also so damn compelling – or compulsive – that as much as I was REALLY enjoying the audiobook narrated by Mia Hutchinson-Shaw, I couldn’t stop myself from continuing each day’s listen with even more reading. In the end I read as much as I listened. The audio was TERRIFIC, but reading is FAST.)

Part of what captivated me was the way that it grounds itself in what’s gone before while still moving forward. And I’m saying that even though that means that the place where this second book starts is with that ground in a bit of a hard freeze.

Because Prairie Hawk isn’t doing all that well a year after the events in Homemaker – and for reasons that are realistic on multiple levels. It’s not just that Prairie gave away the opportunity to publicize their foundational achievement in the Radcliffe case, but that her need to solve the puzzle, provide closure for the family, and especially to accommodate law enforcement, is very much part and parcel of how women are socialized. She’s expected to step back, and she does even though she already knows she shouldn’t.

And that issue is part of what makes Prairie Hawk’s contracts so stringent when it comes to standing their own ground, because it’s hard for all of them.

Also, for the past year, Prairie has let herself get dragged back into the self-effacing and self-erasing patterns of attending to every domestic crisis in her own household and not training her ex-husband to take the times and dates and responsibilities he AGREED to at the start of the business. The constant interruptions to Prairie’s time and derailments of Prairie’s business plans and work have consumed the agency – and it’s up to her not to keep falling into that.

We understand why she does because those old roles are comfortably familiar (if not always comfortable in any other sense) in a way that being the leader of her own business is not. But she’s exasperated her colleagues to the point where Bernie’s self-motivated intervention drops like a bomb into the middle of Prairie Hawk’s “come-to-Jesus” meeting with Prairie Nightingale about the way her domestic distractions are distracting their entire enterprise.

Which, by a circuitous route, leads back to the mouse poop on the conference room table and the team’s varying, but typical for each individual, reactions to it.

Bernie Dubicki serves as the team’s wake-up call in multiple ways. First and most obvious, she has a case for them, and enough money to make them think more than twice about doing anything other than taking it.

Bernie, herself is actually the biggest drawback to the case, almost but not quite enough to outweigh the size of her bankroll. On the one hand, Bernie’s very up front with the fact that she was looking for an all-woman detective agency that would actually LISTEN to her, because law enforcement clearly is not.

OTOH, Bernie is a steamroller, which is part of why law enforcement isn’t listening to her. If she were a man, her steamroller tendencies would be seen as the strength of conviction, but in a woman it’s all chalked up to over-reacting and a need for attention. (We’ve ALL heard that one before IRL.) At the same time, there’s a clear undercurrent that Bernie knows that Prairie Hawk is desperate for a case, and figures she can steamroller them into investigating HER pet theories and following HER lead and being HER mouthpiece.

So while Bernie’s case is the making of Prairie Hawk Investigation in a lot of ways, this case also prods Bernie into a whole lot of changes of her own. Not so much the making of Bernie as the remaking of Bernie with a bit more understanding of the people around her.

But it’s the case that keeps the reader following along with Prairie, possibly trying to put a foot on an imaginary accelerator for the story every bit as much and as often as Prairie is trying to pump on an imaginary brake when her daughter is driving – after said daughter side-swiped a pedestrian in her first attempt at taking her driving test.

The case is, just as the agency and the story itself are, female-centric, female-forward and female-focused. While it’s the last victim (so far and Prairie’s hoping to keep it that way) that has Prairie’s mom-senses tingling, the whole chain of crimes is not as equal opportunity as it appears on the surface in a really terrible way. Both men and women get robbed and murdered along this criminal’s path. But the men just get killed – the women get abducted and held, somewhere, for days or weeks or in the last case nearly a year so far. All the murders get chalked up to death by misadventure or accident, this missing persons cases get labelled as ‘running away’, but in the case of the women’s murders or disappearances evidence gets outright ignored that doesn’t fit the easiest theory.

It’s up to Prairie and her team to take Bernie’s conspiracy theories and set them aside, while still investigating the individual crimes that stretch back decades, to do the coordination that law enforcement seemingly can’t or won’t. Which they do. And it’s an absolute blast to watch them work, struggle with their internal issues and team-building, and work some more.

And get the job that no one else has managed to do, done. In time to save one missing young woman, while bringing closure to a whole bunch of grieving families AND putting the guilty behind bars.

Two final notes as I close. There’s one thing that nagged at me, and I recognize that it’s very much a ‘me’ thing but still. The ending of Prairie Hawk’s case was just right. It provided the best outcome for the victims and their families, rescuing the girl who could still be rescued, closing out several missing persons cases, providing a kind of emotional restitution to families who were told their loved one had committed suicide when they’d been murdered, etc., etc., along with putting Prairie Hawk Investigations back in the black and hopefully on track.

But I missed a scene I desperately wanted, where all those law enforcement agencies who did a ton of rug sweeping got hauled onto the carpet by someone and accepted – or rejected – delivery of a righteous lecture detailing just how badly they all effed up. Because they did. (Unless, of course, Prairie Hawk’s caseload is going to get built on picking up after law enforcement’s rug sweeping and effing up and in that case never mind.) I still wanted to see that message delivered by someone, even if it had to be FBI Agent Foster Rosemare and his semi-retired intelligence agent dad.

Second, I do enjoy the understated, hesitant, step forward and back romance between Prairie and Foster Rosemare. I’m not saying they should pick up the pace because it feels right this way under their circumstances. But there’s starting to be a feeling that what’s keeping the pace so slow is at least partly the long arm of coincidence inserting interruptions and taking him out of town at critical moments. That long arm can get brittle if it gets too long and starts seeming too coincidental. It’s not there yet but it is getting there. (My two cents and your reading mileage may vary.)

All in very much all in this case, I had an excellent reading/listening time with Prairie Nightingale and Trailbreaker. I wasn’t ready to let this book end at all – no matter how much I raced to find out how it ended. Which means that I’m thrilled that the next book in the series, Believer, is coming in September. I’m already looking forward to it.

I hope I’ve teased you sufficiently that you’ll give Prairie Nightingale’s investigations a try. And if you’d like to take another metaphorical tromp through the Door County backwoods after you finish Trailbreaker, take a look at Annelise Ryan’s Monster Hunter Mysteries, starting with A Death in Door County. Just something to tide you over while, like me, you’re itching for Prairie Hawk’s next case.

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

TOUR PARTICIPANTS

February 4 – Books1987 – SPOTLIGHT

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A+ #AudioBookReview: Junkyard Riders by Faith Hunter

A+ #AudioBookReview: Junkyard Riders by Faith HunterJunkyard Riders (Junkyard Cats #5) by Faith Hunter
Narrator: Khristine Hvam
Format: audiobook, ebook
Source: purchased from Amazon, purchased from Audible
Formats available: paperback, ebook, audiobook
Genres: dystopian, post apocalyptic, urban fantasy
Series: Shining Smith #5
Pages: 163
Length: 4 hours and 46 minutes
Published by Audible Studios, Lore Seekers Press on January 20, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

Shining Smith returns, taking on the “Dark Riders,” a paramilitary group motorcycle gang searching for Gov. political power, military connections, and alien tech. The Dark Riders are closing in on Shining’s secrets and, while she would rather nest in her new roadhouse, Shining must protect her own, once again taking the battle to the enemy.
Unfortunately, CAIT, the original AI on the junkyard’s crashed spaceship, has its own agenda buried in the ship’s code and choses this time to implement it. There is nothing Shining can do to stop it, except what she does best – plot an offensive, get her people in place, and hope Jolene can outsmart the virtual alter ego.
But the cataclysmic snowstorm crashing in with all the power and subtlety of Mateo in his WarBot suit could be the end of them all.

My Review:

There’s a major snowstorm crashing down on Shining’s head in this one – and bloody damn (as Shining herself would put it – I didn’t need the up-close-and-personal reminder of what’s headed my way in real life as it headed towards hers in brilliantly realized fiction.

I’m still here for the cats, six years and four books after the first utterly terrific book in this series, Junkyard Cats. Because Shining and her allies, the more-or-less humans AND the self-proclaimed “destructions of cats” have just gotten bigger and more badass as the series has evolved.

And so have their enemies.

In this fifth entry in the series, the hard-won more-or-less peace that Shining has sacrificed so much blood for, particularly in the previous book, Junkyard Roadhouse, has been disturbed by the advent of an unnamed motorcycle gang that Shining calls the “Dark Riders”. She’s sure they have a name, she just doesn’t know what it is – yet. She just knows that these “Dark Riders” are in the sex trafficking business and don’t care who they have to kill in order to get their “stock” or how willing they might be to “serve”. The Dark Riders are threatening territory that is under the protection of Shining and/or her allies, and have now turned their sights on the Junkyard Roadhouse. Not directly, not yet, but attempting to pick off some of their more remote trading partners.

Which Shining cannot allow, both as the threat to her independence that it definitely is, and because some of her own people are on site. And mostly because she promised protection so now she’s duty bound to deliver it.

That her enemy is a whole lot bigger and more powerful than even rival queen Clarice Warhammer  in Junkyard War just means that Shining is going to need a lot more allies to help take them down. Even if this time around she’s putting herself directly against the Gov and their military forces.

Especially if it’s the Gov and their military. She’ll just have to be a bit sneakier about how she brings them down. Or out. Or into the bright, shining light of exposure.

Even if bringing down a bigger and more powerful – and connected – foe is a good deed that is guaranteed not to go unpunished. That’s a problem for ‘later’ Shining, if she survives this time around. Which she bloody damn WILL.

Escape Rating A+: I’ve adored this series from that very first book, Junkyard Cats, and I haven’t changed my mind one bit as the series has continued. In fact, I think they’ve gotten better as they’ve gone along. They’ve certainly gotten bigger – not necessarily in length but in scope. With each book we see more of how this effed up future is, well, effed up. And it’s FUBAR, glorious and terrible all at the same time.

In my personal opinion, it’s also better in audio, but that’s a shade of better that’s really, really close. Narrator Kristine Hvam remains the perfect voice of Shining, she’s gritty and snarky, self-deprecating and over-confident, desperate and determined, always, always picking herself up off the ground to DEAL WITH IT whatever IT might be.

She makes hard decisions, lives with the even harder consequences, and Hvam’s voice perfectly captures Shining’s first-person, internal voice every step of the way. The one problem I have with the narration being just so damn good is that now that the ebooks are released simultaneously with the audio, I’m caught very sharply on the horns of the dilemma of whether I want to hear Shining’s voice more than I’m desperate to find out what happened.

It’s a bloody damn hard call every time. But that’s Shining Smith all over.

This entry in the series reads like the set up for the next phase of Shining’s ‘adventures’ – to use that term very loosely. Alternatively, it’s the opening campaign in Shining’s next war. Because she is at war. In the first three books (Junkyard Cats, Junkyard Bargain, Junkyard War), she was at war with rival queen Clarice Warhammer. The previous book, Junkyard Roadhouse, represented a consolidation of the gains and alliances Shining gathered for and as a result of Warhammer’s destruction.

Those gains included a lot of intel on bad actors in what passes for the US government in this post-apocalyptic dystopia, and that intel has led her to a bigger, better equipped enemy. Taking on the Gov, even in the clandestine fashion she does in this story, is going to take more than one book and a whole lot more firepower. Those Dark Riders are the tip of an iceberg that goes a lot deeper and further than even Shining and her tendency to imagine worst-case scenarios had imagined.

On the surface, Junkyard Riders is another fantastic Shining Smith adventure, for multiple definitions of the word ‘adventure’. It’s also the latest chapter in an ongoing saga that gets bigger as it goes – even though the length of the individual entries is still relatively short. On my third hand (and some of Shining’s allies actually have such a thing), this story represents both an expansion and an escalation in the best ‘Old Skool’ urban fantasy tradition. At the end of every story, Shining takes her bow with more resources, more weapons, more POWER than she had at the beginning. Which forces her next enemy to match and exceed her in order to have a shot at taking her down.

This entry in the series was fantastic AND did a fantastic job of setting up the next book. Hopefully this time next year if not, fingers crossed, just a bit sooner. Because I’m already there for it.

One final note because I can’t resist. A ‘destruction of cats’ is a collective noun for a group of wild and/or feral cats. The junkyard’s cats are not exactly feral, but they certainly are both wild AND destructive. Tufts, the queen of the junkyard’s cats, took that name for her clowder HERSELF. Because of course she did. And her Destruction has certainly earned the moniker. I can’t wait to see how THAT works out in the books to come. Because I’ve always been all in on this series for the cats. And they get more badass every book – right along with Shining Smith herself.

A- #AudioBookReview: Through Gates of Garnet and Gold by Seanan McGuire

A- #AudioBookReview: Through Gates of Garnet and Gold by Seanan McGuireThrough Gates of Garnet and Gold (Wayward Children, #11) by Seanan McGuire
Narrator: Cynthia Hopkins
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, ebook, audiobook
Genres: fantasy, portal fantasy, urban fantasy, young adult
Series: Wayward Children #11
Pages: 149
Length: 4 hours and 33 minutes
Published by Macmillan Audio, Tordotcom on January 6, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A fan-favorite character returns in this action-packed instalment of the Hugo Award-winning Wayward Children series.
After Nancy was cast out of the Halls of the Dead and forced to enroll at Eleanor West's School for Wayward Children, she never believed she'd find her door again, and when she did, she didn't look back. She disappeared from the school to resume her place in the Halls, never intending to return.
Years have passed. A darkness has descended on the Halls, and the living statues who populate them are dying at the hands of the already dead. The Lord and Lady who rule the land are helpless to stop the slaughter, forcing Nancy to leave the Halls again, this time on purpose, as she attempts to seek much-needed help from her former schoolmates.
But who would volunteer to quest in a world where the dead roam freely?
And why are the dead so intent on adding to their number?

My Review:

Whenever I think of the Wayward Children series, I imagine of the chase scene from Monsters, Inc. that takes place in the vast, cavernous space where all the doors are stored. I want to see a place just like that in this series – but I KNOW that the doors that these wayward children go through, sometimes back through, and very occasionally stride through one more time – or even more – aren’t stored that way.

Because the doors in this series have way more sentience of their own than that.

Nancy’s story turns out to be the rarest of all. Once upon a time she left our world for the stillness of the Halls of the Dead, stumbled back through her door to this world in Every Heart A Doorway, but found her door again at the end of that story and returned to the place her heart called home – a life of quiet, still, contemplation in the Halls of the Dead.

At least until the hungry dead start eating her friends, the other living statues, and the Lady of the Dead uses her powers to shove Nancy back through the doors to this world, specifically back to the one place where she hopes that Nancy can find help for whatever has gone wrong in the Halls.

That door leads to Nancy’s old room at Miss West’s School – and it is a place where Nancy can indeed find help and succor. Even though the provision of that help is certain to break Miss West’s one supposedly hard and fast rule – “NO QUESTS”

Of course there will be a quest to save the place their friend’s heart calls home. All their hearts are already in it. Because, even though they don’t know it yet, that this particular quest was theirs all along.

Escape Rating A-: This series opened with Nancy’s story in Every Heart A Doorway, and it feels right and fitting that the story return to Nancy yet again. Not for an ending – or at least I surely hope not – but for a bit of a catch-up. A catch-up with where and how Nancy is that ends on a surprisingly open note because Nancy’s story is clearly not over. So hopefully the series isn’t either.

I listened to this entry in the series, and the narration was lovely. The narrators in this series switch depending on which of the children is the focus and whether their world is a ‘logic world’ or a ‘nonsense world. Cynthia Hopkins voiced Nancy’s first story, Every Heart A Doorway, and also voiced another logic world story in the series, In an Absent Dream. She did a particularly excellent job with Nancy’s voice and with all of the voices this time around, even nonsense-oriented Sumi as she reacts, lampshades and occasionally outright subverts the norms of this world that is antithetical to her very nature.

Then again, sometimes they need it.

Nancy is one of the long-standing, frequently appearing, characters in this series, so it’s not surprising that her – and everyone’s – equally long-standing nemesis appears in this story as well. After all, this is a universe where in the right worlds behind the right doors, the dead can rise again.

Which at first seems to be the story here. What made that story interesting, at first, was that the dead who are the foundation of the Halls of the Dead do, in fact, have cause to rise. They have been neglected and ignored if not outright mistreated. The Lord of the Dead has retreated to his private chambers and has begun to think of himself as a god and not merely the genius loci of this particular world.

What – or who – has stirred the dead up so destructively is not of his world, it’s of ours. And it’s up to someone – or several someones – to help lay that evil to rest yet again. Because the children have met this particular hungry dead before – and quite likely will again because they are unlikely to rest for long.

The danger of the quest is real, because the dead are very, very hungry AND they have a grudge. Well, one of them does. So there’s a lot of chasing and racing and pounding hearts and feet in a place that has formerly known only stillness.

But the part that lingers of this story isn’t the quest or even the enemy they face – not that their enemy isn’t likely to linger, but that’s what this particular enemy has become infamous for. It’s not new although it does keep everyone on the edge of their toes every step of the way.

What lingers is Nancy’s insight into someone who has been both a hero and a figure of worship and reverence to her. She thought she was sure that the Halls where where she belonged. Her discovery that her hero isn’t remotely the hero she thought he was, that the Lord of the Dead has feet of clay up to his knees, might just have the power to change her mind.

Or at least make her much, much less sure. And that’s what the reader, and Nancy, are left with at the end. The possibility of change, and the recognition that her heart might call her elsewhere. Perhaps even back to Miss West’s, where a piece of her heart has been waiting for her all along.

I can’t wait for the next (very much hoped for) entry in this series, so that I can find out what happens next!

Grade A #AudioBookReview: The Architect of New York by Javier Moro, translated by Peter J. Hearn

Grade A #AudioBookReview: The Architect of New York by Javier Moro, translated by Peter J. HearnThe Architect of New York by Javier Moro
Translator: Peter J. Hearn
Narrator: Robert Fass
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: autobiography, biography, historical fiction, memoir
Pages: 352
Length: 12 hours and 33 minutes
Published by Brilliance Audio, Counterpoint on January 6, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A transportive work of historical fiction chronicling the life, loves, and larger-than-life successes of Rafael Guastavino, an influential yet largely forgotten Spanish architect of New York’s Gilded Era
Iconoclast. Genius. Womanizer. Architect Rafael Guastavino’s signature vaulted tile ceilings revolutionized Gilded Age New York City. The Oyster Bar in Grand Central, the Prospect Park Boathouse, and the iconic Old City Hall subway stop, number among his masterpieces. But while his works continue to imbue the city with the glamor of a bygone era, the man himself has been largely forgotten. Until now.
Told through the eyes of Guastavino’s son and business partner, Javier Moro’s magnetic prose brings to life the remarkable rags-to-riches journey of this influential immigrant family. Guastavino was a stubborn man, enamored of his own sense of destiny, but he was also a deeply compassionate father, as committed to his family as he was to his work, and equally defined by his successes in the latter realm as by his failures in the former.
Set against historical events including the Chicago World's Fair and the sinking of the Titanic, The Architect of New York is a moving and entertaining father-son story filled with finely developed and deeply researched real-life characters (including figures like Stanford White) that captures the glamor and drama of a bygone era while offering a perrenial glimpse into the human heart.

My Review:

They called him “the architect of New York” in his New York Times obituary dated February 2, 1908. And he was. Or rather, THEY were. The title in the obituary, at the time it was written, referred to the elder Guastavino, Rafael Guastavino Moreno, but even then it could have referred to either Rafael Guastavino, the father or the son he named for himself and trained to be his protegee, his right-hand man, and his shadow.

As told in this fictionalized biography/autobiography, not even the two Rafaels Guastavino could tell where the one ended and the other began. And by the end of this story, it’s clear that, as much as he might have wanted to stand apart from his father as a young man, once his beloved father was gone he wished he’d never been forced to discover where that line was drawn.

Rafael Guastavino (1842-1908)

The story reads as if it was intended to be a biography of the older Guastavino. But that biography is written as if from the perspective of the younger, and he tells his own story just as much – if not at points a bit more – than he does his father’s. After all, he knows his own story better AND remembers what he thought and felt as the events he witnessed actually happened.

His father was often a closed book, partly because this story begins when the younger Guastavino, called Rafaelito to distinguish him from the larger-than-life persona of his father, was merely nine years old. A boy, recently immigrated to the United States, with his parents and his older sisters, in the midst of his family tearing itself apart due to stresses that he was, at the time, too young to understand.

But also, and more prominently as Rafaelito’s story continues and he grows in maturity and understanding, because the bits of his father’s life in their native Spain that his father reluctantly reveals over the years contains a great deal of truly messy embarrassments and outright scandals, and the father doesn’t want to tarnish the worship in his son’s eyes.

As much as Guastavino senior had been at the (first) height of his career as an architect and builder when he fled Spain for America on borrowed – and possibly swindled – money, as a human being he was a bit of a louse. More than a bit when it came to his relationships with women.

Part of Rafaelito’s growing up included the discovery that his mother was not his father’s wife, that older his sisters were his half-sisters AND that he had older half-brothers (sons of his father’s first and at the time legal wife) that he’d never met, that the woman in New York City who loved him like a mother couldn’t legally marry his father, and that dear old dad cheated on her, too, repeatedly.

Senior also sent the family – however untraditionally it was constituted – into desperate financial straits over and over again because he could not manage money to save either his soul or whatever building company he was operating at the time.

He always meant well, but he didn’t always do well – at least not personally. Professionally, Guastavino senior was a bit of a dreamer – but he was often right and always visionary. His ability to execute those visions, when he was forced to rely on others outside himself, was hampered by his inability to see the way the world really worked.

But his buildings assuredly did – beautifully so – and in many cases, still do.

The elder Guastavino’s story is a compelling one. It’s a riches to rags to riches to rags to riches story told from the perspective of a person who knew him intimately, shared his life, his work, his profession and his company – and loved him much too much to have anything like an unbiased opinion on anything to do with the man he saw as larger than life until long after the end of it.

That their identities became so intertwined that the many, many buildings they created or helped to create, including parts of Vanderbilt’s famous Biltmore Estate, the Boston Public Library, the Spanish Pavilion at the 1893 Chicago World’s Fair, and several glorious and iconic New York City Subway Stations are now often credited to the company they shared rather than either of them individually.

So, in the process of telling his father’s story, a labor of love for a man now old enough to look back and see a bit more of his father’s truth, Rafael Guastavino, Jr. also does a heartfelt and heart wrenching job of telling his own.

Guastavino Vault in the Boston Public Library Entrance TODAY

Escape/Reality Rating A: To quote Mark Twain, one of the elder Guastavino’s contemporaries, “Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn’t.” The story that Rafaelito tells in The Architect of New York is so wild that it seems over the top at many points – and yet it’s all based on the known facts of the man’s life and the work that he – and his son – left behind all over New York City, most of the Eastern Seaboard and all the way across the country.

Which is why this is both an Escape and a Reality rating. As a reader/listener (mostly listener), I certainly escaped into this story. As someone fascinated with history, that the bones of this story are both true and not well known made for a delightful voyage of discovery. The Guastavino designs remain gorgeous examples of New York City’s Gilded Age and Art Deco periods, with their sweeping vaulted ceilings and glorious ceramic tilework.

At the same time, because this is a fictionalized version of a real life it’s difficult to separate what happened from how it’s being told. I both don’t want to critique the man’s actual life – but I also do because his personal life was, to put it in 21st century terms, a hot mess. One of his own making, at that. While he didn’t actually marry all of the women involved, he did also kind of bypass bigamy on the way to trigamy – just not in a legal sense which would have gotten him in even more hot water than he was already in up to his neck.

By telling the story through Rafaelito it allows the author to put a bit of gauze over the lens of objectivity, and also puts the focus more on the work they did together. It turns the story of a truly wild life into a story about the relationship between fathers and sons, the relationship between the immigrant generation and the more formally educated second generation, and, in a business sense, the relationship between the hard driven founding generation and the softer, more privileged generation that comes after them. Those stories, those relationships, are universal and are beautifully explored here.

Rafaelito’s later-in-life reflections on just how much he STILL misses his father, on how much he regrets their frequent arguments, how heartbreakingly often he wishes he could go back in time and tell his father how much he loved him just once more, will bring tears to the eyes of anyone with a heart – especially those who lost their own fathers before they had a chance to realize everything they would miss.

The Architect of New York is a beautiful, absorbing LOT of a story. The audio, read by Robert Fass, was also very well done. Something in the narrator’s voice allowed me to sink right into the story, and that was just right as the story is more than dramatic enough to the point that too much vocal embellishment would take away from it.

Rafael Guastavino, Jr. (1872-1950)

In the end, I was surprised by how much I enjoyed this book, both for its story and for its peek into the Gilded Age and turn of 20th century America, as well as for its tale of love and independence and fathers and sons. If you enjoy stories of fascinating characters with big dreams, even bigger accomplishments, and feet of clay up to the knees, it’s a compelling journey from beginning to end.

One final note; Throughout my absorption in this book, as I listened to the narrator there was a song running through my head. The song, which has reached earworm status and I can’t get it out, is “Leader of the Band” by Dan Fogelberg. Because, the story in that song, the story of Fogelberg’s love for his own father and appreciation of his legacy, may refer to a different shared profession but is very much the same story. A story about a son whose life “has been a poor attempt to imitate the man” and feels as though he’s “just a living legacy” to the father he loved and worshiped.

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 1-4-26

Last week’s cat picture was of Hecate looking back at the year that was passing. Not really, it was Hecate seeming to utterly reject the new cat we put out for her. What a difference a week makes! Today’s picture is Hecate, IN that cat bed, giving me more than a bit of tortitude but claiming the whole thing for herself after all.

Now that the holidays are drawing to a close, we’re moving out of “no time’s land” and back into more of a routine. It was fun to have lots of time off for the holidays, and now it’s comforting for life to go back to normal. Except for the parts where 2026 is looking like 2025 part two.

But speaking of routine – or at least routine-ish – I signed up for the 2026 Audiobook Challenge hosted by Caffeinated Reviewer and That’s What I’m Talking About. I’ve looked at it for years, but hadn’t wanted to formally commit because I didn’t want to deal with tracking. I took a look back at last year to tally just how many audiobooks I listened to, and I was somewhere on the challenge levels between “Binge Listener” and “My Precious”. They had me at “My Precious” so I’m in for this year and we’ll see how it goes. (I’m already in the middle of my first audiobook for the year!)

I hope that your return to the usual routine isn’t too traumatic – AND that you’ll continue reading along with me as 2026 continues!

Current Giveaways:

$10 Gift Card or $10 in Books in the New Year, New You Giveaway Hop
$10 Gift Card or $10 in Books in the Winter 2025-2026 Seasons of Books Giveaway Hop

Winner Announcements:

The winner of the Thanksgiving, Black Friday, Holiday Giveaway is Rochelle
The winner of the Dashing December Giveaway Hop is Bonnie

Blog Recap:

A+ #BookReview: Dance with Death by Will Thomas
B+ #AudioBookReview: A Ruin Great and Free by Cadwell Turnbull
B #BookReview: Best Wishes from the Full Moon Coffee Shop by Mai Mochizuki, translated by Jordan Taylor
New Year New You Giveaway Hop
Most Anticipated Books of 2026
Stacking the Shelves (686)

Coming This Week:

The Shop on Hidden Lane by Jayne Ann Krentz (#BlogTour #BookReview)
A Lion’s Ransom by Candace Robb (#BookReview)
Sorcerous Plates by Tao Wong (#BookReview)
We Will Rise Again edited by Karen Lord, Annalee Newitz and Malka Older (#BookReview)
Intergalactic Waste Management, LLC by Ash Bishop (#BookReview)