The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 8-2-15

Sunday Post

It’s Saturday as I type this. I’m in a hotel in Chattanooga because we didn’t quite make it home. There were two problems. One, my new/old car can either go uphill or accelerate,, but not both. there’s this little mountain range between Cincinnati and Atlanta. The car is a 1997 Mazda Protege, and while I’m thrilled to have a car again, the poor baby can only hit 70 going downhill, and drafting behind a truck.

And it’s been a long time since I’ve driven through the mountains. White-knuckling it all the way from one Tennessee border to the other, even in the short direction, makes for one tired and stressed Marlene. Sunday’s trip should be easier. It’s certainly shorter.

I’m even giving stuff away this week (and next week!)

Current Giveaways:

Flask of the Drunken Master by Susan Spann
5 copies of Pure Heat by M.L. Buchman

terrans by jean johnsonBlog Recap:

A+ Review: The Terrans by Jean Johnson
B+ Review: Broken Open by Lauren Dane
A Review: Flask of the Drunken Master by Susan Spann + Giveaway
B+ Review: Deadly Lover by Charlee Allden
B+ Review: Hot Point by M.L. Buchman + Giveaway
Stacking the Shelves (146)

 

 

 

Coming Next Week:

eReaderGiveaway_Horz_BPSummertime eReader Giveaway
Back to You by Lauren Dane (blog tour review)
Charming by Elliott James (review)
Whiskey and Wry by Rhys Ford (review)
One Good Dragon Deserves Another by Rachel Aaron (review)

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Stacking the Shelves

Another quiet week here in the shelf-stacking room. And looking at the list, it seems to have been Lauren Dane week. I love her books, but I didn’t expect to be grabbing them all at once.

Today was very odd. Edelweiss was down for part of today (Friday) and it was surprisingly upsetting not being able to check regularly for new books. I try not to take everything I see, but the inability to even check threw off my routine.

Speaking of routine, I ended up buying Daring because I’m reviewing the next book in the series, Fearless, for a tour in a couple of weeks. I have Charming, and now I need to review it before I get to Fearless. But I remember not picking up Daring when it was available  on NetGalley because I already had so much and hadn’t gotten to Charming yet. But I can’t make myself read Fearless without reading the first two books, so I ended up buying Daring after all. Reading compulsions are so annoying.

For Review:
Back to You (Hurley Boys #3) by Lauren Dane
The Empire Ascendant (Worldbreaker Saga #2) by Kameron Hurley
Falling Under (Ink & Chrome #2) by Lauren Dane
Sloe Ride (Sinners #4) by Rhys Ford

Purchased from Amazon:
Daring (Pax Arcana #2) by Elliott James
Sway (Delicious #1) by Lauren Dane

Review: Liesmith by Alis Franklin

liesmith by alis franklinFormat read: ebook provided by the publisher via NetGalley
Formats available: ebook
Genre: urban fantasy
Series: Wyrd #1
Length: 308 pages
Publisher: Hydra
Date Released: October 7, 2014
Purchasing Info: Author’s Website, Publisher’s Website, Goodreads, Amazon, Barnes & Noble, Kobo

Working in low-level IT support for a company that’s the toast of the tech world, Sigmund Sussman finds himself content, if not particularly inspired. As compensation for telling people to restart their computer a few times a day, Sigmund earns enough disposable income to gorge on comics and has plenty of free time to devote to his gaming group.

Then in walks the new guy with the unpronounceable last name who immediately becomes IT’s most popular team member. Lain Laufeyjarson is charming and good-looking, with a story for any occasion; shy, awkward Sigmund is none of those things, which is why he finds it odd when Lain flirts with him. But Lain seems cool, even if he’s a little different—though Sigmund never suspects just how different he could be. After all, who would expect a Norse god to be doing server reboots?

As Sigmund gets to know his mysterious new boyfriend, fate—in the form of an ancient force known as the Wyrd—begins to reveal the threads that weave their lives together. Sigmund doesn’t have the first clue where this adventure will take him, but as Lain says, only fools mess with the Wyrd. Why? Because the Wyrd messes back.

My Review:

For the first third of the book, I was afraid it was going to turn out to be a two-man grift. And it almost was, but not exactly the same two men and definitely not the same grift.

The above could be considered a spoiler for Neil Gaiman’s awesome American Gods, but it doesn’t begin to explain the complexity of the story in Liesmith.

However, the Liesmith in this title, and Low-Key Lyesmith in American Gods are the same Loki, for qualified definitions of “same” and possibly even of Loki.

Like I said, it gets complicated. For one thing, gods have erratic memories because they are made out of our myths and legends. When there are multiple versions of the same legend, the deity in the stories often has as much difficulty remembering exactly what he or she did or didn’t do as we do. Which is certainly a factor in the events in this book.

In myth, Loki was condemned for his part in the murder of the sun god Baldr to be chained to a rock with the entrails of one of his sons while a snake dripped poison into his eyes.. His wife Sigyn condemned herself to stand over him with a bowl to catch the poison. When he escapes, he is supposed to kill and be killed by other gods at Ragnarok, and then the world is supposed to end.

In this version, many people believe Loki cheated his fate, because, well, that’s what Loki does. In all of his manifestations, Loki is a trickster god. But Loki didn’t cheat, at least not then. Instead, the moment he escapes his loving wife conks him on the head and takes his place in the godly army, wearing his armor and pretending to be him.

Destiny is cheated, the world doesn’t end, and Loki wakes up to discover what his wife has done. That’s where things get interesting.

Because Loki sets up a huge dot.com in the middle of the Australian Outback, and sets himself up in his own exile. He’s had enough of gods and monsters and being both, and decides to just lay low and live out as many lifetimes as he can.

Then Sigmund walks into his life, and hell, also Hel, appear on earth, along with all the rest of the gods and monsters that Loki has spent the last several decades trying to avoid by submerging himself in the person of Travis Carter Hall, CEO of Lokabrenna Inc.

Baldr is back from the dead and out to get the god who connived at his death, and he doesn’t care how many civilians he has to destroy in order to make that happen. Geeky Sigmund discovers that he is the reincarnation of Loki’s lost wife Sigyn.

And Ragnarok is back on. The world is going to end after all, just so Baldr can punish his killer.

Except that nothing is as it seems. Or possibly ever was.

Escape Rating A-: A lot of Liesmith is urban fantasy of the horror school. If you’ve ever seen someone play Eternal Darkness: Sanity’s Requiem, the horror has that pulpy feel to it. It’s creepy and mucky and invades the “real” world in a way that almost breaks the fourth wall and certainly makes the characters wonder whether they have finally lost their grip on sanity. It grabs the reader enough that you get scared for them.

One of the other major threads of this story is Fate, generally referred to as the Wyrd in the book. The Wyrd seems to be the place that births gods and monsters and legends out of human beliefs and human stories. It also tries very hard to force the people stuck in the story to go down the same path every single iteration, where the characters, when they are aware, desperately attempt to find a way to create a happy, or at least a less awful, ending this time than they did the last time.

References to how this works are rather similar to the Mercedes Lackey’s stories of the Five Hundred Kingdoms. If you are meant to be Cinderella, the very universe itself will do its level best to force you to live out her story, even if you have no desire to be rescued by a prince, thank you very much. Fate can be a very cruel bitch, especially when you attempt to thwart her.

In the middle of all of this myth making and myth-breaking is a sweet and geeky romance between a man who used to be a god and a man who carries the soul of the god’s dead wife. Sigmund Sussman is an adorkable geek who works in IT support at Lokabrenna Inc. Loki falls so hard for the guy that he creates an entire new persona, Lain Laufeyjarson, just for the chance to get to know Sigmund better. And not just because Sigmund used to be Sigyn, but because there is something in the sweet, shy genius that draws the person Loki has become, as well as the god he used to be.

This part shouldn’t work. It’s a fascinating twist on the fated mate trope, and there is a huge difference in the power dynamic. For one thing, while it isn’t difficult to see what Sigmund sees in Loki, no matter which persona is at the fore, it is difficult at first to figure out what Loki sees in Sigmund besides Sigyn.

And while Sigmund seems a bit too naive about love, sex and even sometimes adulthood, it is his genuine goodness, and also his genuine dorkiness, that finally save the day. And the gods. And possibly even the future as we think we know it.

***FTC Disclaimer: Most books reviewed on this site have been provided free of charge by the publisher, author or publicist. Some books we have purchased with our own money or borrowed from a public library and will be noted as such. Any links to places to purchase books are provided as a convenience, and do not serve as an endorsement by this blog. All reviews are the true and honest opinion of the blogger reviewing the book. The method of acquiring the book does not have a bearing on the content of the review.

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 7-12-15

Sunday Post

I didn’t give anything away this week. I need to fix that. Maybe next week.

SFRQ website buttonThis was a fun week. Lots of lovely speculative fiction, a bit of fantasy, a bit of paranormal, and some of my favorite sci-fi romance. Speaking of sci-fi romance, in case you missed it, I’m going to give another shout-out to the latest issue of Sci-Fi Romance Quarterly, which just came out on July 5. As usual, it is awesome, especially if you love SFR as I do. The opinion column on this year’s Hugo kerfuffle, and how the Hugo awards treat romance in general, was an interesting take on the ongoing controversy. It also made me wonder something – is SFRQ itself eligible for a Hugo next year, in one of the Fan Writing categories?

Next week I’ve got two books that I’ve been looking forward to for a long time. First is Armada, the second book by Ernest Cline, the author of Ready Player One. Is Armada as awesome as RPO (squeed over, ahem, reviewed here)? And Last First Snow, the fourth book in Max Gladstone’s totally awesome Craft Sequence.

minion adorableSo far, it’s a lovely summer! Because…Minions!

Winner Announcements:

The winner of A New Hope by Robyn Carr is Maranda H.
The winner of the $10 Gift Card or Book in the Freedom to Read Giveaway Hop is Summer H.

inherit the stars by laurie a greenBlog Recap:

A- Review: The Invasion of the Tearling by Erika Johansen
B+ Review: Ink and Shadows by Rhys Ford
A- Review: Among Galactic Ruins by Anna Hackett
B+ Review: Video Game Storytelling by Evan Skolnick
A+ Review: Inherit the Stars by Laurie A. Green
Stacking the Shelves (143)

 

 

armada by ernest clineComing Next Week:

Armada by Ernest Cline (review)
Last First Snow by Max Gladstone (review)
Space Cowboys & Indians by Lisa Medley (blog tour review)
The Widow’s Son by Thomas Shawver (blog tour review)
Battle Lines: A Graphic History of the Civil War by Jonathan Fetter-Vorm and Ari Kelman (review)

Review: Ink and Shadows by Rhys Ford

ink and shadows by rhys fordFormat read: ebook provided by the author
Formats available: ebook, paperback
Genre: paranormal M/M romance
Series: Ink and Shadows #1
Length: 304 pages
Publisher: DSP Publications (Dreamspinner Press)
Date Released: July 7, 2015
Purchasing Info: Author’s Website, Publisher’s Website, Goodreads, Amazon, Barnes & Noble

Kismet Andreas lives in fear of the shadows.

For the young tattoo artist, the shadows hold more than darkness. He is certain of his insanity because the dark holds creatures and crawling things only he can see—monsters who hunt out the weak to eat their minds and souls, leaving behind only empty husks and despair.

And if there’s one thing Kismet fears more than being hunted—it’s the madness left in its wake.

The shadowy Veil is Mal’s home. As Pestilence, he is the youngest—and most inexperienced—of the Four Horsemen of the Apocalypse, immortal manifestations resurrected to serve—and cull—mankind. Invisible to all but the dead and insane, the Four exist between the Veil and the mortal world, bound to their nearly eternal fate. Feared by other immortals, the Horsemen live in near solitude but Mal longs to know more than Death, War and Famine.

Mal longs to be… more human. To interact with someone other than lunatics or the deceased.

When Kismet rescues Mal from a shadowy attack, Pestilence is suddenly thrust into a vicious war—where mankind is the prize, and the only one who has faith in Mal is the human the other Horsemen believe is destined to die.

My Review:

Ink and Shadows is a paranormal romance of the angels and demons school. Well, sort of. Lots of demons, no angels in sight.

As the first book in a series, Ink and Shadows spends a lot of its narrative introducing the world that the author has created for the series. And it’s one hell of an introduction.

Not quite literally Hell, although I think you might be able to see it from there.

In Ink and Shadows, the world is the one we know, with one, big giant exception. The elemental concepts, Death, War, Faith, Hope, etc., have been embodied into beings that live behind “the Veil” and come to humans when someone calls them. It’s their duty, and this story is about the conflict between some incarnations that serve their calling willingly over the centuries, and some who are corrupted by the humans they serve and observe. That corruption is not always or necessarily intentional.

So the story is about the Four Horsemen of the Apocalypse, except that they are no longer “horsemen”, they aren’t all men, and they predate the Christian vision of the Apocalypse. Death and War have a conversation where they describe how they came into being. ‘When the first human looked around and realized that some day he wouldn’t be there, Death was conceived. And when the first human looked at the second human and thought to himself that he wanted what the other guy had and was willing to fight him to get it, well, that’s when War was born.’

They are still around, along with Famine and Pestilence. The difference is that Death and War are the same “people” using a very loose term for “people” that they have always been. Over the millennia, there seem to have been several incarnations of Famine and Pestilence, as the beings in those roles have become tired or depressed and have chosen to go back to wherever incarnations go when they cease to exist.

Famine is the only female in this group. Death and War, as the two oldest “horsemen” have a long-term case of mostly unresolved sexual tension. Death is afraid to let anyone get too close, out of fear that they will, well, die. War doesn’t care, he lives for today because tomorrow may never come, although since they are all immortal it probably will.

That Death and War love each other makes a certain amount of existential sense, too.

But Mal, the new Pestilence (and it’s never quite established how new Mal is) is still learning his role. He’s also still quite a bit human in his sensibilities. And he’s lonely.

Kismet Andreas is a part-time tattoo artist and sometime junkie who needs heroin to keep him from seeing the shadows all around him. The shadows populated with very scary creatures who want to eat him – and the ghost of his little brother, who still hasn’t figured out that he’s dead.

Kismet thinks he is crazy, seeing things that aren’t there, using the drugs to keep those things away. But he isn’t crazy, those things really are there. And someone is using his addiction to get him to cross over from our world to the Veil that the immortals inhabit. He’s a guinea pig, and now that the experiment is nearly complete, the mad scientist (read sorcerer) wants to grab his experimental animal out of the cage and take it apart to analyze what made it tick.

Experimental animals do not survive that type of testing, and neither will Kismet. If the magus and his allies catch him, that is.

Mal and the rest of the Horsemen end up intervening in Kismet’s mess, because whatever was done to him has worked so well that Kismet has become an immortal without a calling, but with a whole pack of shadowy demons on his trail.

The Veil between the worlds has been shredded, and it’s up to the Horsemen to end the threat before everyone can see the demons – and get eaten by them. It’s happened before and this is not a piece of history that the Horsemen are willing to see happen again.

Even if they have to break more of the rules to get the job done.

Escape Rating B+: There is a lot of set up to this story, but the payoff in the last third makes it definitely worth it.

The idea of embodying universal concepts so that they can act independently has been done before. This is, after all, the idea behind the character “Death” in the Discworld. Piers Anthony did something similar in his Incarnations of Immortality series in the (OMG) 1980s. Anthony used Death, Time, Fate, War, Nature, Evil and Good.

Death and War seem to be the constants. While I suspect the Anthony series doesn’t wear well (it’s been decades since I read them) the idea struck me as very similar to the Horsemen (and other immortals) in Ink and Shadows.

The world behind the Veil is much bigger than we imagine, and the Horsemen aren’t the only ones out there who deal with humanity. There are hints that there are lots of these “Fours” around. The one that comes into this story is the Four that consists of Faith, Charity, Hope and Peace. In spite of who or what they are, all is definitely not well at their end of the Veil.

You could say that this story is the result of humans corrupting the immortals. We do awful things to each other, and having to watch us takes a stronger stomach or higher moral fiber than even some immortals manage to possess.

Going with the theme of Kismet’s addiction, Ink and Shadows serves as a terrific gateway drug – for those who love angels and demons type paranormal romance or urban fantasy it is a great way to dip one’s romantic toe into the waters of male/male romance. For those starting from the M/M side, it’s a good way to introduce them to paranormal and urban fantasy.

And it’s a great gateway drug for everything Rhys writes. Count me an addict.

***FTC Disclaimer: Most books reviewed on this site have been provided free of charge by the publisher, author or publicist. Some books we have purchased with our own money or borrowed from a public library and will be noted as such. Any links to places to purchase books are provided as a convenience, and do not serve as an endorsement by this blog. All reviews are the true and honest opinion of the blogger reviewing the book. The method of acquiring the book does not have a bearing on the content of the review.

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Stacking the Shelves

I knew that this week would make up for last week. I just didn’t realize how much!

Last week I said it was too early to see Christmas books on NetGalley. I spoke much too soon. This week, I saw eARCs on Edelweiss for books that are not scheduled for publication until March 2016! Too soon, too soon! Make it stop!

old mans warThere’s one book on this list that I don’t think I can resist reading way early. That’s The End of All Things by John Scalzi. I love his Old Man’s War series, and I’m a bit sad that this will be the last book for a while. He’s promised to go back later, but this is it for the moment. The book is being released as a serial ebook right now, but I’ve discovered (see Monday’s review of Dissident) that I just don’t like the serial novel format. I need a beginning, middle and an end, even if it’s just a temporary end. This makes me doubly glad to have the entire End of All Things to chomp through at once. Which won’t stop me from buying a print copy the next time I see him and can get him to sign one. Maybe WorldCon?

For Review:
The Bourbon Kings (Bourbon Kings #1) by J.R. Ward
The Dark Forest (Three-Body #2) by Cixin Liu
The Devil’s Brew (Sinners #2.5) by Rhys Ford
Doctor Who: The Drosten’s Curse by A.L. Kennedy
The End of All Things (Old Man’s War #6) by John Scalzi
Gold Coast Blues (Jules Landau #3) by Marc Krulewitch
Gray Card by Cassandra Chandler
If You Only Knew by Kristan Higgins
The Kill Box (Jamie Sinclair #3) by Nichole Christoff
The Library at Mount Char by Scott Hawkins
Part of Our Lives by Wayne A. Wiegand
Tequila Mockingbird (Sinners #3) by Rhys Ford
Tough Love (Ultimate #3) by Lori Foster
Whiskey and Wry (Sinners #2) by Rhys Ford
Wrath of the Furies by Steven Saylor

Review: Sinner’s Gin by Rhys Ford

sinners gin by rhys fordFormat read: ebook borrowed from the library
Formats available: paperback, ebook, audiobook
Genre: M/M romantic suspense
Series: Sinners #1
Length: 260 pages
Publisher: Dreamspinner Press
Date Released: December 24, 2012
Purchasing Info: Author’s Website, Publisher’s Website, Goodreads, Amazon, Barnes & Noble, Kobo, Book Depository

There’s a dead man in Miki St. John’s vintage Pontiac GTO, and he has no idea how it got there.

After Miki survives the tragic accident that killed his best friend and the other members of their band, Sinner’s Gin, all he wants is to hide from the world in the refurbished warehouse he bought before their last tour. But when the man who sexually abused him as a boy is killed and his remains are dumped in Miki’s car, Miki fears Death isn’t done with him yet.

Kane Morgan, the SFPD inspector renting space in the art co-op next door, initially suspects Miki had a hand in the man’s murder, but Kane soon realizes Miki is as much a victim as the man splattered inside the GTO. As the murderer’s body count rises, the attraction between Miki and Kane heats up. Neither man knows if they can make a relationship work, but despite Miki’s emotional damage, Kane is determined to teach him how to love and be loved — provided, of course, Kane can catch the killer before Miki becomes the murderer’s final victim.

My Review:

I pulled Sinner’s Gin out of the endless TBR stack as a treat to myself. It’s seldom these days that I get a chance to read a book just because “I wanna” and not because I’ve promised a book tour or picked up an ARC from NetGalley or Edelweiss that comes packages with its own commitment to read and review.

Not that I don’t love a good chunk of the books I get from those sources and in those ways, but sometimes I miss the days when I could read something “just because”.

I had to provide myself with an excuse this time, too. I wanted to read at least one book for Pride Month, and I’ll confess that I needed a relatively short book (under 300 pages) to round out the week because of, well, reasons. And because I love Rhys’ Ford’s other series and have had the Sinners series on my iPad forever, this seemed like the time to finally read it.

Boy, howdy, am I glad I did!

The story in Sinner’s Gin is incredibly sad, horribly frightening, and ultimately marvelous. It takes a lot of twists and turns to get to its surprising, in fact, downright shocking, conclusion. And I loved every minute of it.

One of the terrific things about this story is that it starts in a way you don’t expect. Where Olivia Cunning’s Sinners on Tour series shows a rock band at the height of its success, and sometimes excess, Sinner’s Gin shows the pride before the fall, and it cuts like a knife.

They’ve just won a Grammy. The garage band has finally made it to the top, and while they are all still young enough to enjoy it. Tragedy strikes in an instant, and a drunk driver totals their limo on the way back from the awards show, ending three of their lives, plus the limo driver, in a squeal of crashing metal.

We meet survivor Miki St. John months later, and he’s just barely surviving. His extensive injuries are still providing more than enough physical pain to give him nightmares, but its the survivor’s guilt that keeps him stuck in the sea of despond.

Until the dog he won’t even admit is his drags a cop into his life. And until someone leaves the dead body of one of the men who abused him as a child stuffed into his dead bandmate’s classic car.

A car that Miki can’t even drive. It’s just one of the many memories he hangs onto of the only time in his young life that he belonged. Or was happy.

The murder changes everything. But Miki has to wade back through all the bad shit in his life before he is truly ready to reach for something good. The cop that his dog drags into their lives, and into their hearts.

Escape Rating A-: Sinner’s Gin starts with a tragedy, and ends with a shock that kicks over everything that the characters have assumed at the beginning, although they don’t know it yet.

I will say that the whipcrack of that ending answered my questions about how this series was going to continue. Just before the end, it seemed like Miki had worked out his demons, and the mystery was solved with the murderer pleading his case before a much higher court. I didn’t know where the story could go next. And then boom!

Although Kane (and Dude’s) introduction into Miki’s life provide the impetus for the story, and sometimes the impetus for Miki to just manage to get out of bed, this is Miki’s story. It’s his pain, his anguish, and ultimately his re-emergence into the light that gives the story its heart and keeps the reader on the edge of their seat.

At first, the mystery of the trail of dead bodies (and dead body parts) feels like insult added to injury. Miki was lost in the foster care system until he got himself out at 15 and was discovered by the very fledgling band Sinner’s Gin.

He wasn’t able to get justice for the men who physically and sexually abused him, because they were upstanding members of the community and he was considered mixed-race trash who should be grateful for the roof over his head.

In other words, the system failed him. And it starts out failing him again when the body of one of his tormentors is discovered in his garage. It’s obvious that Miki couldn’t have committed the crime, but the cops still circle him like vultures. Until Kane Morgan reaches into the mess and pulls Miki to safety, and into his arms.

It’s a tough time for either of them to be starting a relationship. Miki has never healed from any of the damage that was done to him, either by his childhood or the accident that took his friends. Kane should not get involved with a suspect, or even a person of interest, in a murder case he’s investigating. But it happens anyway.

One of the lovely and marvelous things about the start of Kane’s and Miki’s relationship is that no one is giving Kane any crap over being gay. He is accepted for who he is by everyone, both his fellow cops and his family – not that there isn’t considerable overlap between those two groups. He does take some heat for getting involved with a potential suspect, but that’s an equal opportunity problem.

We do end up following Kane as he is frustrated by his inability to deal with Miki’s very dark night of the soul. Miki is being victimized all over again by the deaths of his tormentors, and by the media leak of his trauma. All Kane can do is be there for him, because Miki has to conquer his demons himself.

I also liked the way that Miki figures out not who exactly, but what drives the person who is attempting to frame him. And the way that he ultimately saves himself.

Just a couple of little niggles that keep this from being an A or A+, as much as I enjoyed it. Kane and Miki’s relationship feels like it goes from zero to 60 in no time flat. While sometimes a sex-into-love relationship works, this was more of a “get under each other’s skin into love and sex” relationship. They seemed to fall in love with each other without this reader feeling it happen. YMMV. It also seemed like Kane’s mother Brigid was a bit of a stereotype of the overpowering mother. I would have pushed her out of my apartment, too. I wanted a bit more nuance to her. Or something.

But I loved Dude. He is such a cute scamp, and exactly what Miki needed.

whiskey and wry by rhys fordI can’t wait to make up an excuse to read the next book in this series, Whiskey and Wry. I desperately want to discover how that BOOM of an ending plays out.

***FTC Disclaimer: Most books reviewed on this site have been provided free of charge by the publisher, author or publicist. Some books we have purchased with our own money or borrowed from a public library and will be noted as such. Any links to places to purchase books are provided as a convenience, and do not serve as an endorsement by this blog. All reviews are the true and honest opinion of the blogger reviewing the book. The method of acquiring the book does not have a bearing on the content of the review.

 

Stacking the Shelves (138)

Stacking the Shelves

I already own a print copy of Snake Agent, but when I saw the sale dealie from Open Road, I couldn’t resist getting a cheap copy in ebook. I love the Inspector Chen series, which is an Asian-based urban fantasy set in celestial realms that are culturally diverse. It’s an awesome and strange place where “demon” is a cultural marker and not necessarily prejudicial. Of course, sometimes demons act demonically, and other times, they are just “people”.

open road logoIf you like seriously weird in your urban fantasy, the series is definitely worth checking out. And if you have an interest in seeing works of all genres from the last 50 years or so become available again, and in ebook, take a look at Open Road’s catalog. They publish ebooks from authors who have gotten their rights back, and do a terrific job with everything.

I don’t know about you, but I’m starting to see ARCs at NetGalley and Edelweiss for books that won’t be published until January and February of 2016. I know time flies, but this is wild. It’s just barely summer, and the winter books are going up.

For Review:
The Crescent Spy by Michael Wallace
The Determined Heart by Antoinette May
Ink and Shadows (Ink and Shadows #1) by Rhys Ford
Keeper’s Reach (Sharpe & Donovan #5) by Carla Neggers
The Perfect Bargain by Julia London writing as Jessa McAdams
Siren’s Call (Rainshadow #4, Harmony #12) by Jayne Castle
Too Hard to Handle (Black Knights Inc. #8) by Julie Ann Walker
Updraft by Fran Wilde
Wildest Dreams (Thunder Point #9) by Robyn Carr

Purchased from Amazon:
Snake Agent (Detective Inspector Chen #1) by Liz Williams

 

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 5-31-15

Sunday Post

I’ve gone weeks with relatively few blog tours, but next week is chock-full of them. Lucky for me, they are all for books that I am really anxious to read, so it should be a real treat of a week.

Keep your fingers crossed for me!

Current Giveaways:

One copy of Love and Miss Communication by Elyssa Friedland

beyond galaxy's edge by anna hackettBlog Recap:

Memorial Day 2015
A- Review: Beyond Galaxy’s Edge by Anna Hackett
B+ Review: Murder and Mayhem by Rhys Ford
B+ Review: The Mapmaker’s Children by Sarah McCoy
B Review: Love and Miss Communication by Elyssa Friedland + Giveaway
Stacking the Shelves (137)

 

 

moonlight on butternut lake by mary mcnearComing Next Week:

The Marriage Season by Linda Lael Miller (blog tour review)
The Talon of the Hawk by Jeffe Kennedy (blog tour review)
Moonlight on Butternut Lake by Mary McNear (blog tour review)
Let Me Die in His Footsteps by Lori Roy (blog tour review)
The Clockwork Crown by Beth Cato (blog tour review)

Review: Murder and Mayhem by Rhys Ford

murder and mayhem by rhys fordFormat read: ebook provided by the author
Formats available: paperback, ebook
Genre: M/M Romantic Suspense
Series: Murder and Mayhem #1
Length: 236 pages
Publisher: Dreamspinner Press
Date Released: June 5, 2015
Purchasing Info: Author’s Website, Publisher’s Website, Goodreads, Amazon, Barnes & Noble, Kobo

Dead women tell no tales.

Former cat burglar Rook Stevens stole many a priceless thing in the past, but he’s never been accused of taking a life—until now. It was one thing to find a former associate inside Potter’s Field, his pop culture memorabilia shop, but quite another to stumble across her dead body.

Detective Dante Montoya thought he’d never see Rook Stevens again—not after his former partner’d falsified evidence to entrap the jewelry thief and Stevens walked off scot-free. So when he tackled a fleeing murder suspect, Dante was shocked to discover the blood-covered man was none other than the thief he’d fought to put in prison and who still made his blood sing.

Rook is determined to shake loose the murder charge against him, even if it means putting distance between him and the rugged Cuban-Mexican detective who brought him down. If one dead con artist wasn’t bad enough, others soon follow, and as the bodies pile up around Rook’s feet, he’s forced to reach out to the last man he’d expect to believe in his innocence—and the only man who’s ever gotten under Rook’s skin.

My Review:

So I’m a little early with this review. Sue me. I absolutely love both Rhys’ Cole McGinnis and Hellsinger series, so when she offered me a review copy of Murder and Mayhem, it was off to the races and on my schedule.

While this is the first book in a new series, I can’t help wondering if it doesn’t tie into Cole McGinnis’ life just a bit. One of the cops refers to his former partner as Dawson, and if that doesn’t turn out to be Bobby Dawson, I’ll eat my non-existent hat.

The concept for this story combines a couple of classic ideas. One is the story of a former thief turned legit. It’s not that Rook Martin has forgotten any of his old skills, or his old friends, but that he has finally decided to put down roots and make a real life for himself where he doesn’t have to hide in the shadows.

He’s still working on convincing himself that everything he has earned on the legally straight and narrow adds up to a life that he deserves. Partly because he’s been a thief and a carny for so long, and partly because while he may be legally straight, sexually he’s anything but.

The author has also mixed in a cop and crook romance, even though Rook is now a former crook. Dante Montoya and his late partner lost their way trying to pin the last of Rook’s second-story jobs on him. While Rook did the crimes, he was always very good at sliding out from under the legal consequences.

Dante’s partner went very much to the dark side in order to plant evidence and get Rook convicted. Instead, the late Vince got all the charges thrown out and ended his career dishonorably. The worst part was that he nearly took Dante’s career out with his own.

Actually, that turns out to be the second worst part.

So Dante has been a homicide cop with a shadow over his career and a secret that jumps up to bite him. Literally.

Dante is gay. That’s no secret. The secret is that he nearly had an almost anonymous club encounter with one thief. Dante has a yen for Rook Martin that he has never been able to get out of his system.

And very much vice versa.

When the dead body of one of his late enemies turns up at Rook’s collectibles shop, sliced to bits and covered in blood, Rook finds himself in the middle of a shootout, as the cops mistake a Wookie in the window for an armed assailant. When the former thief runs for his life, he finds himself taken down by the cop he’s never lost a taste for.

Unfortunately for Rook, someone is trying to frame him for murder, and those hits just keep on coming. Fortunately for Rook, he begins to trust Dante enough to keep his abused body and eventually his equally abused heart safe from someone who obviously intends to wipe Rook from the face of the earth in any way that they can.

As Rook and Dante trace the strands of Rook’s former life to figure out who hates him so much that they don’t just want to kill him, but seemingly want to absolutely obliterate him and anyone close to him, they get the chance to explore the chemistry between them.

For the first time, they are both more-or-less on the same side of the law. The question is whether they can both stay there, and alive, long enough to reach for each other for keeps. And if Rook even has a chance at “for keeps”.

Escape Rating B+: It took a little while for this story to get going, in spite of starting in the middle of what felt like the gunfight at the not-so-OK Corral. We don’t know why Rook is running, or even initially who he’s running from.

And we need a little background to figure out why Rook is so shy of the cops, and why the cops are so ready to shoot him first and ask him questions later. Or never.

The tension between Dante and Rook steams off the page from the first moment that Dante finds Rook under him in the street, as he’s putting on the handcuffs. That tension never lets up, and it helps the story take flight.

As Rook nearly does on more than one occasion.

There is a lot of tension of all kinds in this story. There’s the obvious sexual tension between Dante and Rook. They both desperately want to explore their chemistry and know that any exploration is a really bad idea. Dante is, after all, a cop, and a cop who has a history of investigating Rook for a crime that Rook really did commit. Now Dante is investigating Rook again, but this time for a crime that screams set up from the very beginning. Once Rook is cleared, a relationship between them is still a bad idea, just less bad.

Rook doesn’t believe that he’s worth having a relationship with anyone, but all the people in his life conspire to make him finally consider that he is worth loving. Not just Dante, but Rook’s very old and extremely wealthy grandfather has recently discovered that Rook exists, and even better, that he is a chip off the old block.

Rook’s other relatives are furious, and his grandfather is furiously funny about the whole thing. But it also throws into the mix Rook’s desire not to get tied down or held back, and his grandfather’s attempt to control Rook, which is mostly born out of a desire to keep Rook safe. They butt heads repeatedly, and there are times when peace between them seems far away. But they need each other, and have a terrible time expressing it.

On the other side, Dante has been rejected by his Catholic Hispanic/Latino family, and has made his peace with that. He’s also taking care of his uncle Manny, who is also gay and has also been rejected by their family. They’ve made their own family and are pretty happy with their choices. Manny just wants to adopt Rook right alongside Dante. The family relationship that Manny and Rook eventually develop is heartwarming, sweet and often hilarious.

Then there’s the case. Although some readers figured out whodunnit before the end, I’ll confess to not being one of them. As we meet more and more of Rook’s former associates, we (and Dante) get a clear picture that Rook truly has gone legit, and even more, that he’s doing his best to pay back everyone who helped him and anyone who sincerely needs a hand getting out of the life. He’s become a good man, but he’s clinging to one last stash from his old life that someone feels entitled to a piece of. Or all of. And is willing to leave a trail of bodies in their wake in order to get it.

While I didn’t totally buy that person’s motivations, the way that they went about their road to riches and revenge gave me chills and had me flipping pages fast to discover whether or not everyone escaped mostly intact.

I am definitely looking forward to more in this series. Ex-thief and righteous cop make a fantastic detective duo.

***FTC Disclaimer: Most books reviewed on this site have been provided free of charge by the publisher, author or publicist. Some books we have purchased with our own money or borrowed from a public library and will be noted as such. Any links to places to purchase books are provided as a convenience, and do not serve as an endorsement by this blog. All reviews are the true and honest opinion of the blogger reviewing the book. The method of acquiring the book does not have a bearing on the content of the review.