ARC-Gate at ALA

Last week, and it is difficult to believe it was already more than a week ago, the American Library Association held its Annual Conference in the land of Mickey Mouse, Anaheim, California.

And there was a kerfuffle on YouTube about ARCs and who should be able to pick up how many on the exhibit hall floor.

Two bloggers at The Lost Lola posted a 22-minute video, since retracted, detailing their incredibly awesome book haul at ALA. They scored, and I think scored is a fair assessment, two copies of everything possible, including a lot of books they had no personal interest in.

A librarian who blogs at Stackedbooks questioned on Twitter how authors would feel “knowing a librarian couldn’t get an arc of their book at ALA, but a blogger picked up multiple copies.”

The Lost Lolas have printed an impressive and well-thought out response and clarification, but lots of questions still stand.

Let’s start at the beginning. I have described ALA as BEA for librarians, and I think it’s a fair description. ALA is a business conference for libraries, just as BEA is a business conference for the book industry. And just like the book industry, a good bit of the business of libraries happens to be books.

Not all of it, but a lot of it. That doesn’t make ALA a book convention. There was another half of the exhibits that was all about automated systems, materials-handling units, furniture, and supplies. This stuff isn’t sexy, but it was all on that floor. And those things are a significant part of the business of libraries.

Libraries do promote reading. And one of the ways we promote reading is through books. (I can hear you saying “well, duh” from here). Libraries are also part of the publishers’ ecosystem to promote books and authors. Libraries constitute about 10% of book sales in the U.S overall. For some genres and markets, like children’s books and audiobooks, we’re a lot more.

For midlist authors, libraries are a critical lifeline. Libraries provide the author, not just sales, but also word-of-mouth “advertising”. If the librarian likes the book, it gets “sold” across the desk. One enthusiastic reader puts the book directly into the hands of another. It’s a trust relationship.

We bloggers are trying to get into that “space” but we’re not there yet.

For anyone who has noticed that I’ve said we on both sides of this issue, I have. I am a librarian. I attend ALA because I am a member of the Association, and because I serve on a committee. I’m part of the business of the Association that gets done at the Conference.

And right now, most of my day-to-day work is as a book blogger.

But ALA is a business convention. It’s one of the largest conventions in the U.S. Not just for the number of people who attend (20,000!), but also for the number of simultaneous meeting rooms. On Saturday and Sunday, there are more than 100 meetings every hour.

And because it’s a business convention, if you’re there to be at a meeting, or three, or five, you can’t drop everything to stalk the exhibit halls for the author signings. People notice when you don’t show up at committee meetings, especially if you’re the chair of the committee. Or when you don’t make the presentation when you are one of the speakers.

ALA is a volunteer-run organization for the most part. The members do most of the work.

So when a librarian can’t be in the exhibit hall at a particular time for a particular signing, it’s because she or he has a commitment to keep. It’s a working conference.

But what ALA isn’t, is a book convention. It’s not RomCon or the RT Booklovers Convention or even WorldCon. There’s a picture (at right) from the RT Booklovers Book Fair, where the description touts the 100’s of authors who are there just to sign books. That’s not what ALA is.

The thing about this whole mess is that all the parties involved went in with different expectations. The bloggers saw it as a book conventions, with that set of expectations. They had a plan of attack to maximize their resources to get as much out of the book convention as possible. What they did is understandable from that perspective.

The librarians who come to the conference see it as professional development, or professional commitment. They get ARCs for a whole different set of reasons. Some are just for reading. But a lot more have to do with programming, especially YA programming. Teen librarians want ARCs to give to teen readers as prizes for book clubs, to plan programs, and just to figure out what their groups will be reading next.

Yes, the libraries that sent those librarians should find better ways to reach out to publishers, and should have better funding. And a lot of other things. But library budgets are shrinking right now. And a lot of librarians are self-funded to conferences. In other words, they pay their own way.

Just like bloggers.

The questions remain. Should ALA change their policies regarding exhibits-only passes to give preferential treatment to members and book-industry professionals? BEA has only just begun admitting the general public, and only on a very restricted basis.

However, book reviewers, including bloggers, are eligible for attendance at BEA, it’s just more expensive than an ALA exhibits-only pass. Considerably more expensive.

This isn’t just a question about ARCs. It isn’t even a question about ALA policy.

Why did the issue of ARCs touch so many hot buttons  among both librarians and bloggers?

What do ARCs mean to you? What does a massive ARC haul mean to you? Why do we covet ARCs? What do we do with them after the conference?

And what will we do when publishers stop printing them?

(This post was previously published at Book Lovers Inc.)

Armchair BEA: Interview and Introduction

This is BEA week. Who or what is BEA you might ask?

BEA is Book Expo America, the show where book people do business. And it’s usually in New York in early June. It certainly is this year, although there are rumors about 2016 in Chicago.

Not all of us get to make it to NYC for BEA. Although many of us wish we could.

(Most years, for me, it’s a logistical problem. The American Library Association Annual Conference is in late June, and I am committed to attend that. Two conferences in one month is very expensive. There is overlap, but it’s not the same. I really want to go to BEA!)

Because so many bloggers want to get to BEA, and can’t quite manage, some of the enterprising among us invented the fantastic Armchair BEA! (There’s armchair football, why not Armchair BEA? I ask you?)

The kickoff event for Armchair BEA (see, see!) is an interview. Each participating blogger is supposed to interview themselves. (There’s a list of questions here, if you’re curious)

1.Please tell us a little bit about yourself: Who are you? How long have you been blogging? Why did you get into blogging?

I started blogging in April 2011. We were about to move (again) and were packing up our huge book collection, trying to figure out what to keep and what to weed. I’m a librarian and weeding books is hard. I thought I’d be writing a lot about libraries, and it has turned out that I’m doing a lot of book reviews. Which I love.

The other things. I blog here at Reading Reality, sometimes known as Escape Reality, Read Fiction! I am also The Rocket Lover at Book Lovers Inc. My husband is the techie here at Reading Reality, although we are both die-hard geeks. Our cats otherwise run the house. Which moves frequently. Chicago to Anchorage to Tallahssee (FL) to Chicago to Gainesville (FL) to Atlanta. (I’m originally from Cincinnati, but that’s a whole bunch of moves ago!)

2. What are you currently reading, or what is your favorite book you have read so far in 2012?

I’m listening to The Scottish Prisoner by Diana Gabaldon and reading Deadly Secrets, Loving Lies by Cynthia Cooke. My favorite book this year is probably Blood and Bullets by James R. Tuck, and I need to get the review written.

3. What is your favorite feature on your blog (i.e. author interviews, memes, something specific to your blog)?

The feature that I’m proudest of is Ebook Review Central. Every Monday (except Memorial Day, so far), I cover the output of one or more of the ebook-only or ebook-mostly publishers for a month. Later today it will be Samhain who are ebook-mostly. I pull together all the reviews for their titles each month and highlight three with the most and best reviews. And I maintain a database with links to all the reviews. I also cover Carina, Dreamspinner, Astraea, Liquid Silver, Amber Quill, Riptide, Red Sage and Curiosity Quills.

4. Which is your favorite post that you have written that you want everyone to read?

There are two posts I would want everyone to read (yes, I know, the question said one). Back in February, the Oklahoma Chapter of the Romance Writers of America suddenly changed the rules of their writing contest to exclude same-sex entries. Not because they couldn’t find any judges, but because their chapter members felt “uncomfortable” with stories that had, in fact, won the contest in years past. My post titled Hot Buttons Popping was syndicated by BlogHer.

BEA is a book expo. And it is also an exposition of traditional publishing. My background is in libraries. One of the big issues facing public libraries is how to handle the ebook revolution when most of the “Big 6” publishers will not license ebooks to libraries under any conditions. But exactly who are the “Big 6” anyway, and what does that mean? I couldn’t resist an attempt at describing them in 9 Rings, 8 Planets, 7 Dwarfs, 6 Publishers.

5. Have your reading tastes changed since you started blogging? How?

It’s not that my tastes have changed, it’s more that they’ve expanded. Which is bad, in a way, because I have access to even more books than I did when I was working in a library. I get a lot of first novels and ebook-only books, because I promote them on Ebook Review Central, and because I get them through book tours for review. So many neat new authors and series. But I still love all the things I always have, like science fiction and fantasy, and urban fantasy. There are so many wonderful books, and I want to read them all.

(Banner design: Nina of Nina Reads; Feature image design: Sarah of Puss Reboots; Rainbow pencils photo credit Horia Varlan on Flickr)