Review: The Bullet That Missed by Richard Osman

Review: The Bullet That Missed by Richard OsmanThe Bullet That Missed (Thursday Murder Club, #3) by Richard Osman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, thriller
Series: Thursday Murder Club #3
Pages: 413
Published by Pamela Dorman Books on September 15, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

One Thursday afternoon in the seniors' center, a decade-old cold case --their favorite kind-- leads the Thursday Murder Club to a local news legend and a murder with no body and no answers. A new foe they call "Viking", wants Elizabeth to kill former KGB chief Viktor, or he will kill her sweet best friend Joyce. Activist marked for death Ron and psychiatrist Ibrahim chase clues for Viking's identity, and investigate mob-queen prisoner from last book.
This third adventure ranges from a prison cell with espresso machine to a luxury penthouse with swimming pool high in the sky.

My Review:

How far would you go to save your best friend’s life? What lengths would you go to? Perhaps a better question would be to ask what lengths wouldn’t you go to? Because that is certainly one of the big questions at the heart of The Bullet That Missed.

First, there’s a cold case, because that’s what the Thursday Murder Club does in its Thursday meetings – it investigates cold cases.

The case they pick this time is close to home, both in time and in distance. Ten years ago, a young reporter disappeared, and has been presumed dead for most of a decade. Bethany Waites was working on a huge story about smuggling cell phones and tax fraud. Millions of pounds disappeared so thoroughly into the labyrinth of money laundering that the money was never found. Which didn’t stop the police from sending one of the perpetrators went to jail for it, while the likely instigator managed to stay out of legal trouble – most likely by doing something else seriously illegal.

But the reporter left her apartment one night, her car was found on the shore bloodied but empty after having been pushed over a cliff, and the woman was never seen again. She’s still much missed, by her friends, her colleagues, and most especially her mentor who never got over her death.

One of the seemingly trivial issues surrounding that very non-traditional event was that the young, female reporter was receiving nasty little threatening messages dropped in her purse, left on her desk and even stuck to her car.

Just as Elizabeth Best is receiving ten years later, although the messages Elizabeth is receiving are much more specifically life threatening rather than the job-threatening ‘mean-girl’ type messages Bethany was getting.

A mysterious personage has threatened Elizabeth that if she doesn’t kill a particular former KGB agent, both Elizabeth and her best friend Joyce will be killed instead. Joyce first, of course, so that Elizabeth has time to reflect on the folly of her (non) actions.

But the man that the mysterious criminal Elizabeth ends up calling “the Viking”, because he very much resembles one wants so very, very dead, is also a friend. An old and dear friend who Elizabeth would very much like to save as she doesn’t have many of those around – not just anymore but ever.

The cases don’t really intersect when Elizabeth and company get involved in them. They really, really don’t. But, and it turns out to be a big, huge, but, ten years isn’t all that long ago, especially in a small town like Cooper’s Chase.

Because all of the players for the cold case are still around for the fresh case. All except one.

Escape Rating A-: There are two ways of looking at the adventures of the Thursday Murder Club. On the one hand, the mostly fun side of the equation, there are the murder cases that seem to find their way to the club’s door – even if Elizabeth has to push them in that direction more than a bit. And sometimes they push back – as the Viking’s part of this entry in the series does.

But then there’s the much more serious side, the one that can be summed up as “old age is not for sissies’. Because it isn’t and they aren’t and none of them are remotely planning to go gentle into that good night no matter how hard some people – including Elizabeth’s oldest and dearest enemies – try to shove them in that direction. With a surprising amount of extreme prejudice.

Then again, one does get the impression that Elizabeth Best is the spiritual sister of Hetty Lang from NCIS: LA and Victoria Winslow, the character that Helen Mirren played in the movies RED and RED 2.

But seriously, the mystery – in spite of or because of the increasing number of victims – is the fun part of the story. It’s also the part that changes most from book to book in a series.

The real reason that people keep coming back to any particular mystery series over and over again (this is book 3 in this series already, after The Thursday Murder Club and The Man Who Died Twice) is because we get involved with the lives of the ‘Scooby gang’ that does the solving of the murders and not so much the murders themselves.

So what makes the Thursday Murder Club work as a series is the way that it revolves around and utilizes the strengths and weaknesses of the members of the club. The particular charm of this series is that it neither shies away from the issues of aging nor does it turn the idea of septuagenarians successfully solving crimes into anything twee or cutesy. (If you remember the Mrs. Pollifax series by Dorothy Gilman, that got both cutesy and twee over the course of its run.)

The members of the Thursday Murder Club are also all dealing with loss (realistically but differently according to each of their personalities), either in the past or the present, but are still very much living in the here and now – and dealing successfully with it – something we don’t see nearly enough.

I was tempted to say something like ‘they still have a lot to give’ which doesn’t convey the right sentiment because it implies they’re an exception to some rule in the same way that telling a woman she doesn’t look her age may be intended as a compliment but actually reinforces the idea that looking whatever age she is isn’t good enough – when it should be.

I’d say that Elizabeth, Joyce, Ibrahim and Ron have always had a lot to give and have never stopped giving it. While giving readers a terrific mystery to savor along the way.

Speaking of which, they have one more mystery to give us this year. The Last Devil to Die will be out later this month. And it’s already on my reading calendar because I can’t wait!

Review: A Duke’s Guide to Romance by Sophie Barnes

Review: A Duke’s Guide to Romance by Sophie BarnesA Duke's Guide to Romance (The Gentlemen Authors #1) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, regency romance
Series: Gentlemen Authors #1
Pages: 276
Published by Sophie Barnes on August 29th, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

He only wanted to purchase a novel, now he’s falling madly in love…

Anthony Gibbs, Duke of Westcliffe, needs an income. Bills must be paid, appearances kept, and arrangements made for his sisters' debuts. In short, he must either marry or seek employment, neither of which sounds remotely compelling. But then he meets Ada and she suggests a third option. Now he's penning a novel while losing his heart to the bookish miss, a woman he cannot afford to marry unless he’s prepared to make some difficult choices.

Ada Quinn has no connections, no dowry, and consequently no prospects. Her plan for the future is limited to her skill as a bookbinder. Until Mr. Gibbs walks into her uncle’s bookshop and starts to romance her. Handsome, thoughtful, and utterly charming, Mr. Gibbs is precisely the sort of man Ada always dreamed of falling in love with. Until she discovers he’s not who he claims to be and that he intends to marry another.

My Review:

Three years before our story begins, Anthony Gibbs, Duke of Westcliffe and his friends Brody Evans, the Duke of Corwin and Callum Davis, the Duke of Stratton survived a life-changing catastrophe by working through their collective shock and grief together when their aristocratic fathers were killed during a rare instance of random bovine combustion.

Meaning all of their fathers were caught in the literal crossfire while purchasing livestock when a cow pen exploded. (Fertilizer really is highly explosive, and the primary ingredient in fertilizer is manure. Which is what naturally falls out of a cow’s backside to rest on the floor of their pens.)

Ahem. Apologies. I couldn’t resist.

While sticking together solving one set of problems by sharing their grief, it created another, as they spent the past three years frittering away their time and wasting their money in pursuit of one distraction after another while neglecting their responsibilities, their estates and the increasingly empty state of their coffers.

The bills have all come due, they are all swimming up the River Tick. They are individually and collectively skint – or at least heading there fast. And keeping up appearances is damn expensive all by itself, without the added costs of deferred maintenance on their estates AND making sure their dependents are taken care of.

In Westcliffe’s case, those dependents include his two younger sisters, who have just reached the age for their first Seasons in the ‘Marriage Mart’. Seasons that are critical for their futures, but are guaranteed to put an equally critical drain on the family’s remaining cash.

All three of the 20-something Dukes entertain the possibility of marrying for money. It would not be an uneven trade, but a marriage of convenience would make for a shatteringly awful life. Particularly as the woman who has set her cap at Westcliffe is a conniving, manipulative harpy.

Which is when Ada Quinn walks into Westcliffe’s life. Or rather, he drops a book into hers. Literally. Onto her head. And both of their wits are addled ever after – but in the best way possible.

Westcliffe’s conversation with Ada in her uncle’s bookshop sets all of their lives into glorious motion. First, and most important for the series as a whole, their conversation puts the idea into his head that he and his friends can save their finances by writing the kind of novels that made the late Jane Austen famous. Readers are crying out for more books like hers, but the author has recently passed away and no one has taken up her pen.

Second, and most important for the protagonists of this first entry in the series, Westcliffe and Ada bring each other to sparkling life in a way that neither expected or planned on. In a way that seems guaranteed to break Ada’s heart, as she is all too aware of the disparity in their stations.

But, in a romance worthy of Ada’s favorite Austen novels, Westcliffe is convinced that society can go hang and love will find a way. As long as they trust in each other, communicate honestly with each other, and brush all of the harpies away.

Escape Rating A-: A Duke’s Guide to Romance is a deliciously frothy confection, light and fluffy and full of wit and sparkle with just the barest hint of a misunderstandammit to keep the characters on their toes until the very end.

As a Regency, it’s an excellent antidote to follow my recent reads in both the Sebastian St. Cyr and Wrexford & Sloane series, as they both explore and expose the seamy underbelly of the Regency. A Duke’s Guide to Romance, and I expect the rest of its series of Gentlemen Authors will as well, floats lightly on top of the glittering effervescence that we tend to expect in a Regency romance.

At the same time, it doesn’t shy away from the difference in social station between Westcliffe and Ada – at least from Ada’s perspective. As much as she’s fallen in love with the man, it’s clear from their differing perspectives on the potential issues that they face that she is the more realistic of the pair. The silver spoon he was born with, as well as the privilege of having been born male, leads him to believe that all their problems can be swept away easily, where she knows it just isn’t so.

Which leads to the big misunderstandammit that almost derails their happiness, as he keeps forging ahead without informing her of his decisions and change of heart because the world has always bent to his will in a way that it never has to hers.

At the same time, I very much liked the way that their romance didn’t merely invoke Jane Austen’s work but also served as an homage to it as the progress of their romance would have fit right into hers. Something that is highlighted in the way that the romance Westcliffe and company are writing plays into the romance that Westcliffe is experiencing and vice versa.

All in all, A Duke’s Guide to Romance was a very pleasant way to while away a stormy afternoon. I’m looking forward to seeing this delicious series continue with A Duke’s Introduction to Courtship and A Duke’s Lesson in Charm in the months ahead.

Review: Murder at Kensington Palace by Andrea Penrose

Review: Murder at Kensington Palace by Andrea PenroseMurder at Kensington Palace (Wrexford & Sloane, #3) by Andrea Penrose
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Wrexford & Sloane #3
Pages: 359
Published by Kensington Books on September 24, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Wrexford and Sloane must unravel secrets within secrets—including a few that entangle their own hearts—when they reunite to solve a string of shocking murders that have horrified Regency London...
Though Charlotte Sloane’s secret identity as the controversial satirical cartoonist A.J. Quill is safe with the Earl of Wrexford, she’s ill prepared for the rippling effects sharing the truth about her background has cast over their relationship. She thought a bit of space might improve the situation. But when her cousin is murdered and his twin brother is accused of the gruesome crime, Charlotte immediately turns to Wrexford for help in proving the young man’s innocence. Though she finds the brooding scientist just as enigmatic and intense as ever, their partnership is now marked by an unfamiliar tension that seems to complicate every encounter.
Despite this newfound complexity, Wrexford and Charlotte are determined to track down the real killer. Their investigation leads them on a dangerous chase through Mayfair’s glittering ballrooms and opulent drawing rooms, where gossip and rumors swirl to confuse the facts. Was her cousin murdered over a romantic rivalry . . . or staggering gambling debts? Or could the motive be far darker and involve the clandestine scientific society that claimed both brothers as members? The more Charlotte and Wrexford try to unknot the truth, the more tangled it becomes. But they must solve the case soon, before the killer’s madness seizes another victim...

My Review:

The murder that drags Wrexford and Sloane back into the fray after the events of Murder at Half Moon Gate again hits a bit too close to home – at least for Charlotte Sloane. In fact, it’s so close to home – her past home if not her present one – that when Wrex informs her that the recently elevated Lord Chittenden is dead, she performs the only quintessential female act he’s ever seen her do.

She faints. She literally swoons at his feet. And he doesn’t know what to do about it. But then, not knowing what to do about or with Charlotte Sloane, AKA the brilliant satirical artist A.J. Quill, has been a constant state of affairs for Wrex since the moment they met in Murder on Black Swan Lane.

Charlotte has just learned that her dear cousin, one of the few people who accepted her as she was back in a day she hasn’t yet revealed to Wrex, has been accused of murdering her other dear cousin – his twin brother. Charlotte is certain that this accusation is as false as the one that brought Wrexford to her door in the first book in this series.

But there’s no evidence for Nick Locke’s innocence, while the evidence for his guilt is both gruesome and damning. Not even a visit to Nick in Newgate dims Charlotte’s belief that he can’t possibly be guilty – even if does cast a dark pall over her determination to win him free.

Which is when Charlotte realizes that the cost of Nicky’s freedom – if it can be won at all – will be the sacrifice of her own. In order to investigate the possible suspects, a surprising number of whom are women in the upper reaches of the ton, Charlotte will have to finally admit the truth of her own origins, and walk with eyes wide open back into the gilded cage she escaped from in what seems like another lifetime.

Only because it was. A life that she didn’t fit into then, and must return to now. After all, needs must when the devil drives – and there is absolutely a devil driving the rush to Nicky’s judgment. And Charlotte’s own.

Escape Rating A-: I got into the Wrexford & Sloane series because it is an amazing readalike for the Sebastian St. Cyr series without being the same at all – which I know sounds contradictory but bear with me.

Both are historical mystery series, and both take place in England during the Regency. Both feature amateur detectives who are aristocrats, working with female partners with whom they have tension-filled relationships.

But, but, but there are huge differences. The St. Cyr series is exactly what it says on the label. The story is told primarily from the perspective of Sebastian St. Cyr, Viscount Devlin, the man who will in the fullness of time become the Earl of Hendon. In the meanwhile, Devlin expiates his demons, many but not all of which he acquired while serving in France during the Napoleonic Wars, by solving murders – generally the kind of murders that no one in the halls of power want solved..

Although Wrexford gets top billing in ‘his’ series, it’s not his journey. Instead, this story is told from the perspective of Mrs. Charlotte Sloane, a widow living in genteel poverty who makes ends at least wave at each other by penning satirical drawings and publishing them under the nom-de-plume A.J. Quill. It’s clear that she grew up in different circumstances, but when the story begins neither Wrexford nor the reader know exactly what those circumstances were or why she left them.

If the St. Cyr series had been written from the perspective of Devlin’s wife, the social reformer Hero Jarvis, it might read something like Wrexford & Sloane, but it isn’t and she doesn’t and as a consequence the two series are looking at the same period through much different lenses.

If you like one you’ll like the other just as much – I certainly do – but they are cousins rather than twins or even siblings. To mix metaphors entirely and get back to Sloane and her cousins at the same time.

The other thing that makes the two series different, and has been a huge factor in the Wrexford & Sloane series so far, is that Wrexford, unlike Devlin, is a man of science rather than politics, and this case, like the previous two books, is steeped in that world that seemed to be changing and discovering every day.

And yet asks the same questions that are still being asked today. Questions about possibility vs. morality, whether the ends justify the means, how far, how dark and how deep an experiment should be allowed to go, and whether just because something CAN be done doesn’t mean it SHOULD be done.

Because this case was steeped in those scientific questions, as well as the age-old question about the fine lines between genius and madness, and between interest and obsession. All the red herrings in this one, and there were many, had been electrocuted or charred to a crisp before presentation, making the solution seem just that much farther out of reach.

But what held my interest, and will hold most readers by the heartstrings, is Charlotte Sloane’s journey, and her decision to give up the thing she prizes most in order to save a person she holds dear. And that’s a dilemma that is every bit as potent two centuries ago as it is today.

Obviously, I’m still enjoying my read of the Wrexford & Sloane series very much, although I will probably take a bit of a break before I get back to it to keep the whole thing at the correct level of compulsion and freshness. But I know I’ll be picking up Murder at Queen’s Landing the next time the mood for a compelling historical mystery strikes!

Review: Cursed at Dawn by Heather Graham

Review: Cursed at Dawn by Heather GrahamCursed at Dawn: A Novel (The Blackbird Trilogy, 3) by Heather Graham
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook
Genres: paranormal, suspense, thriller
Series: Blackbird Trilogy #3
Pages: 304
Published by Mira on August 22, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Dracula lives—and he’s hunting for his bride.
Vampires may not walk among us, but FBI agents Della Hamilton and Mason Carter know real monsters exist. They’ve witnessed firsthand the worst humankind has to offer. They’re still catching their breaths after the apprehension of two such monstrous killers when they’re met with horrific news. Stephan Dante, the self-proclaimed king of the vampires, has escaped from prison, followed only by a trail of blood.
All too familiar with Dante’s cruelty, Della and Mason know the clock is ticking. But as Dante claims more victims, a chilling message arrives. The vampire killer seeks his eternal bride—Della herself. Playing into Dante’s desires might be the only way to stop the carnage once and for all, assuming they can outwit him. Della is confident the agents have the upper hand, but Mason knows every gamble runs the risk of not paying off, and this time, the consequences could be deadly.

My Review:

The story of the Blackbird Trilogy, Whispers at Dusk, Secrets in the Dark and this final book in the trilogy, Cursed at Dawn, is the story of one very long, dark night for the members of Blackbird – at least in the metaphorical sense because the action in this paranormal romantic suspense series takes place over more than one night – and on more than one continent.

When the series began in Whispers at Dusk, the original members of Blackbird, Special Agents Della Hamilton and Mason Carter were tasked with tracking down a serial killer calling himself the ‘King of the Vampires’ who led them on a not-so-merry chase from the bayous of Louisiana to Castle Bran in Transylvania and all points in between until he was brought to justice.

Or so they believed. Although maybe it was more like hoped even then.

The second book in the series, Secrets in the Dark, takes place while Stephen Dante was awaiting trial in a secure U.S. facility. Blackbird, now a fully international team, traveled to London to track down one of Dante’s apprentices, a man who decided that since he couldn’t beat the so-called ‘King of the Vampires’ using the ‘King’s’ own tricks of the trade he’d be better off appropriating a much older title from a much scarier killer, and took to calling himself the ‘King of the Rippers’ as he stalked Whitechapel and decorated the same streets with a fresh coating of blood and gore.

Blackbird caught him as well, and was taking a few days of well-earned R&R when they learned that Stephen Dante had orchestrated his escape from prison and was on the loose yet again, using his tried and true methods of charming or bribing a new network of acolytes and informations, stalking a new brace of beauties he intended to kill, and yet again with Agent Della Hamilton in his sights with an eye to making her his final victim.

Only this time he’s come to Edinburgh, Scotland, a city full to the brim with history, mystery and magic, abounding in ghost stories and banshee myths, with a twisty layers of buried geography that Dante knows like the back of his hand.

But so do the ghosts of Scots long ago, haunting the city from all the way back to the time of William Wallace and Robert the Bruce, who are more than willing to help the living fight one more righteous battle against evil.

Dante believes he is all-seeing, all-knowing and all-powerful, but the ghosts level the playing field for Blackbird with powers that he can neither imagine nor counter. Even as they help to bring his reign of terror to a crashing end.

Escape Rating A-: I’ve enjoyed the entire Blackbird Trilogy, and certainly have been caught up in each entry as soon as I started it, but I liked this one just a tick better because we spent next to no time in Stephen Dante’s head, nor that of any of his proteges. His is not the point-of-view I want to experience. I want to see the case through the investigators’ eyes to watch as the solution fits and starts and eventually falls into place. I don’t need to see the bodies drop to be caught up in the drama and terror, I just need to know they’ve fallen – which we certainly do in this story.

Although it probably helped a bit that there are few actual deaths in this entry in the series. Dante and particularly his minions, keep snatching people but he’s made too many mistakes, he’s let the Blackbird team, especially Della Hamilton, get to know him a bit too well, and this time around they manage to get there in time to save people considerably more of the time.

Which makes this one more about the psychological terror that they know he’s going to strike again – and has and does – than the actual horror of quite so many of his staged tableaux of pale, cold, bloodless, ‘sleeping’ beauties.

(But speaking of what has come before, although the Blackbird Trilogy is an offshoot of the Krewe of Hunters series, you don’t have to read that to get into this. There’s just the right amount of catching up infodumping that Cursed at Dawn probably stands alone – but it would be better to start with Whispers at Dusk to see the team come together.)

The Blackbird Trilogy is a combination of paranormal romance and romantic suspense, and it’s a combo that holds a near and dear place in my reading heart. We began with watching Della and Mason find each other, set against the backdrop of the team coming together and following Dante’s trail of blood and death. As the trilogy has continued, it’s been fun to watch more members get swept into the action, as they band together to track an intelligent, organized and elusive – also illusive – killer.

The trilogy is riveting from its bloody beginning to its killer’s crushing end. Justice has been served after a harrowing investigation, and it’s righteous. I wouldn’t mind seeing more of Blackbird, and I know I’ll pick up the Krewe of Hunters again whenever I’m looking for more deliciously chilling paranormal romantic suspense.

Review: The Man Who Died Twice by Richard Osman

Review: The Man Who Died Twice by Richard OsmanThe Man Who Died Twice (Thursday Murder Club, #2) by Richard Osman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, thriller
Series: Thursday Murder Club #2
Pages: 355
Published by Pamela Dorman Books on December 16, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

It's the following Thursday.
Elizabeth has received a letter from an old colleague, a man with whom she has a long history. He's made a big mistake, and he needs her help. His story involves stolen diamonds, a violent mobster, and a very real threat to his life.
As bodies start piling up, Elizabeth enlists Joyce, Ibrahim and Ron in the hunt for a ruthless murderer. And if they find the diamonds too? Well, wouldn't that be a bonus?
But this time they are up against an enemy who wouldn't bat an eyelid at knocking off four septuagenarians. Can The Thursday Murder Club find the killer (and the diamonds) before the killer finds them?

My Review:

The Thursday Murder Club series is not merely a guilty pleasure of a read, it’s just the kind of guilty pleasure you feel when you filch some of the semi-sweet chips straight out of the bag while baking chocolate chip cookies. You know you’re not really supposed to, but they taste so good, sweet with just the right amount of bitter in the aftertaste that you can’t resist – and you can’t eat (or read) just one.

This series is the same, with its story of murders in a retirement community solved by the skills, the talent and especially the combined experience of the 70something residents, who live in a place where the appearance of an ambulance screaming through the streets is an everyday occurrence – and that the next time it might be for one of them.

We first met the members of the Thursday Murder Club in the book of the same title, as the four septuagenarians who solved Cold Cases as a hobby found themselves in the middle of a fresh case right on their doorstep.

At the end of which, their ‘leader’ Elizabeth Best received a letter informing her that a man she thought was very, very dead was not only alive but back in her life, followed by the virtual ‘mic drop’ of the book’s end.

In The Man Who Died Twice we get the full story behind that mysterious missive, a story that wends its way back to Elizabeth’s days in the spy game, combined with her personal past in the form – and eventually the body – of her ex-husband and fellow retired spy Douglas Middlemiss. (I’m sure there’s a pun in his name, but I’m not quite getting there. Or it could be one of the many, many tasty red herrings that abound throughout this story.)

Dear Old Doug needs a safe house and protection from the mob. And he wants one more chance with Elizabeth, who was most likely the love of his life even though the reverse was absolutely not true. But then, Doug always believed he was a bigger hit with the ladies than he actually was then – let alone now.

He may not have a chance with Elizabeth, but he really does need that safe house and he knows she’s still damn good at the game even if she acts like she’s no longer playing it. Although the number of favors she called in during the first book call that into question – and so does the agency she used to work for.

The thing is that Doug really did steal £20,000 in diamonds from the New York mafia by way of their, let’s call him their escrow agent and insurance broker, in Britain. There really are assassins, and that’s definitely plural, out to get both him and the diamonds. It’s not personal, it’s just business.

Whether it was a successful business or not is an entirely different question. At first it looks like at least one set of assassins succeeded, but the clues that Doug left his ex-wife about where he stashed the diamonds make it seem like maybe they didn’t.

And Doug has form for that, leading the Thursday Murder Club on a merry chase to figure out who done what to whom. Just in case that the old spy had one last game in him after all.

Escape Rating A-: I started this book back when it came out in 2021, but bounced off it for some reason that I absolutely cannot remember nearly two years later. The reason I can’t remember is that when I picked it up this weekend, I absolutely could not put it down. So whatever it was, it must have been both a ‘me’ thing and a ‘then’ thing, because this cozy-ish, thriller-ish mystery was a whole lot of fun.

What makes the Thursday Murder Club so much fun is the way that the members of this little gang both are and are very much not exactly what they appear to be. They are all in their 70s, they have all lost a step or two physically, but often fewer steps than people assume from their age. And they all have hidden depths AND hidden assets that they are able to bring to bear to protect their friends and each other – and to help Elizabeth take care of the secret business she was never supposed to tell anyone about – but did anyway.

Part of the fun of this particular entry in the series is the way that Elizabeth’s adversary is also her mirror, a woman very much like herself who has also made her way into the upper echelons of the spy agencies, who came up through the ranks hearing about the ‘great Liz Best’ and wanted to best her at her own game. The way they work both in concert and in opposition, as each tries to ‘win’ a game that was never a contest, is fascinating to watch even as it throws so very many red herrings out of the basket and into the plot.

The ‘B’ plot of this book (and these do have an ‘A’ and a ‘B’ plot like a TV series that I wouldn’t be surprised to see come out of the BBC one of these days) is even closer to home as one of the Club members is attacked, and the Club pulls out all the stops to make it as right as they can – all the while acknowledging that at their age not everything can be put right, that they can only do the best they can.

But there is a touch of bitter mixed into the sweet of a good caper well solved and justice being righteously served, and that’s in the real identity of ‘the man who lived twice’. A revelation that has nothing to do with the spy game and everything to do with being all too human.

The Thursday Murder Club series continued with last year’s The Bullet that Missed, and I’ll be reading that sometime in the next few weeks so that I can catch up with the series in time for The Last Devil to Die, arriving – and apparently dying, late next month.

Review: Where the Dead Lie by C.S. Harris

Review: Where the Dead Lie by C.S. HarrisWhere the Dead Lie (Sebastian St. Cyr, #12) by C.S. Harris
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Sebastian St. Cyr #12
Pages: 334
Published by Berkley on April 4, 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The gruesome murder of a young boy takes Sebastian St. Cyr from the gritty streets of London to the glittering pleasure haunts of the aristocracy . . .
London, 1813.Sebastian St. Cyr, Viscount Devlin, is no stranger to the dark side of the city, but he's never seen anything like this: the brutalized body of a fifteen-year-old boy dumped into a makeshift grave on the grounds of an abandoned factory.
One of London's many homeless children, Benji Thatcher was abducted and tortured before his murder—and his younger sister is still missing. Few in authority care about a street urchin's fate, but Sebastian refuses to let this killer go unpunished.
Uncovering a disturbing pattern of missing children, Sebastian is drawn into a shadowy, sadistic world. As he follows a grim trail that leads from the writings of the debauched Marquis de Sade to the city's most notorious brothels, he comes to a horrifying realization: someone from society's upper echelon is preying upon the city's most vulnerable. And though dark, powerful forces are moving against him, Sebastian will risk his reputation and his life to keep more innocents from harm . .

My Review:

The dead lie in multiple meanings of the word AND in multiple places in this twelfth entry in the long-running, utterly marvelous Sebastian St. Cyr series.

The dead, and their deaths, circle around three points: a serial killer, a supposedly lost work from the pen of the late Marquis de Sade, and lost, missing or abandoned children. Those are three topics that sit uneasily in the mind separately, together they are a nightmare.

Or rather, Sebastian St. Cyr, Viscount Devlin’s nightmares – and he already has PLENTY of those to keep him awake on entirely too many nights.

It begins with a child’s dead body, as a midnight burial is interrupted by an old soldier with a long-standing grudge. But it’s only the first body that’s found in this frequently macabre tale of murder and privilege. Benji Thatcher, abandoned, abused, stabbed, raped and killed, was not the first body to be murdered in such a heinous manner – only the one whose accidental discovery leads to more.

Too many more as Devlin discovers. Even more horrific, there are also too many people in the circle he is supposed to be a part of who don’t give a damn. Along with at least one who is adding to the body count even as Devlin does his damndest to see him hanged.

That he fails isn’t on Devlin, but rather, on the privileges of a society that protects both him and the killer – even as it fails to protect those without that privilege. Those like the children abandoned on London’s streets because their parents have been transported to remote penal colonies such as Georgia, or Botany Bay.

As well as those who have the misfortune to have been born female – no matter their class – not even the most privileged. Not even Devlin’s own niece who could still be saved – but refuses to let herself be.

Escape Rating A-: This one is a really hard read. It’s excellent, just as the entire St. Cyr series is, but this one is difficult because there’s just so much tragedy and horror uncovered within its pages.

At its heart, this is a story about lost children, and all the ways that society (not just his but also, frankly, ours) allows children to be lost, abandoned and abused. These children are being preyed upon because no one will miss them and the killer knows it.

And has exploited their position, over and over again, because they know they are so privileged and so protected that even if they are suspected, which they are and have been long before St. Cyr becomes involved, few will believe they could possibly be guilty of such heinous crimes and even then there are people in very high places who will guarantee they never pay.

Wrapped around the ongoing horror of finding not one but three mass burial sites, there’s a story about a lost child who is found, an adult child who loses a parent to an untimely death, a formerly lost child who recognizes that he has found a home, and a lost child who finds his way back to a home he once rejected.

With one child’s, as well as their mother’s, tragedy yet to come in the later books in the series.

This entry in the series is of the ‘read ‘em and weep’ variety, as everyone in Devlin’s true circle is as harrowed and horrified as the reader – which is made infinitely worse by the people who are informed but simply refuse to care. If “The only thing necessary for the triumph of evil is for good men to do nothing” then there is more evil in the world than even Devlin can fix – and he is made all too aware of that in this entry in the series.

My reading of Where the Dead Lie completes my ‘catch-up’ read of this series, so I’ll be waiting with the proverbial ‘bated breath’ for the forthcoming new entry, What Cannot Be Said, currently scheduled for publication in April of 2024. And in the meantime, I have the readalike Wrexford & Sloane series to catch up with, as it reads quite a bit like the St. Cyr, series would read if we were viewing the Regency from Hero Devlin’s perspective rather than Sebastian’s.

Review: Who Buries the Dead by C.S. Harris

Review: Who Buries the Dead by C.S. HarrisWho Buries the Dead (Sebastian St. Cyr #10) by C.S. Harris
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Sebastian St. Cyr #10
Pages: 338
Published by Berkley on March 3, 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The grisly murder of a West Indies slave owner and the reappearance of a dangerous enemy from Sebastian St. Cyr’s past combine to put C. S. Harris’s “troubled but compelling antihero” (Booklist) to the ultimate test in this taut, thrilling mystery.
London, 1813. The vicious decapitation of Stanley Preston, a wealthy, socially ambitious plantation owner, at Bloody Bridge draws Sebastian St. Cyr, Viscount Devlin, into a macabre and increasingly perilous investigation. The discovery near the body of an aged lead coffin strap bearing the inscription “King Charles, 1648” suggests a link between this killing and the beheading of the deposed seventeenth-century Stuart monarch. Equally troubling, the victim’s kinship to the current Home Secretary draws the notice of Sebastian’s powerful father-in-law, Lord Jarvis, who will exploit any means to pursue his own clandestine ends.
Working in concert with his fiercely independent wife, Hero, Sebastian finds his inquiries taking him from the wretched back alleys of Fish Street Hill to the glittering ballrooms of Mayfair as he amasses a list of suspects who range from an eccentric Chelsea curiosity collector to the brother of an unassuming but brilliantly observant spinster named Jane Austen.
But as one brutal murder follows another, it is the connection between the victims and ruthless former army officer Sinclair, Lord Oliphant, that dramatically raises the stakes. Once, Oliphant nearly destroyed Sebastian in a horrific wartime act of carnage and betrayal. Now the vindictive former colonel might well pose a threat not only to Sebastian but to everything—and everyone—Sebastian holds most dear.

My Review:

Whenever I flail around looking for a comfort read, I end up back in Regency England, following Sebastian St. Cyr, Viscount Devlin, as he investigates yet another murder that touches upon the high and mighty of his time and place – whether the high and mighty like it or not.

Especially, and sometimes just a bit gleefully, whether his powerful father-in-law, Lord Charles Jarvis, likes it or not. Devlin enjoys discomfiting his father-in-law, while Jarvis would just as soon see Devlin dead, and is more than capable of arranging it. The only thing keeping the two men from killing each other is that they both love Hero Jarvis, Lord Jarvis’ daughter who is, much to the consternation of her father, Devlin’s wife.

The case in this 10th outing of the series begins with a murder. Not just the usual garden-variety murder, either. Stanley Preston, a man who loved collecting memorabilia related to the famously dead, is found not merely dead but decapitated much like the late King Charles I. Or, to be a bit more accurate, like Oliver Cromwell, whose body was decapitated after death – and whose head is part of Preston’s ‘cabinet of curiosities’.

The late, mostly unlamented Mr. Preston was one of those people who are so cantankerous and so outspoken about all the many and varied things they are cantankerous about that it’s not hard to imagine that someone killed him. In fact, it’s all too easy and potential suspects are legion.

Or would be if not for that grisly, gruesome and downright difficult to accomplish decapitation. Not that plenty of Preston’s enemies weren’t more than wealthy enough to hire it done. Including, quite possibly, his daughter. Or one of her long-suffering suitors who believed that her father stood in the way of their happiness.

Bow Street would love to pin the murder on Miss Preston’s most objectionable suitor – at least the most impoverished one. Devlin hopes that the crime can be laid at the door of one of his own enemies, newly returned to London.

Unless the whole thing comes back around to Preston’s cantankerousness combined with his inability to keep his objectionable opinions behind his teeth. And a man who with a secret that he can’t afford to have exposed.

A secret not all that different from Devlin’s own.

Escape Rating A-: I picked this up this week because yes, I was having a comfort read flail, and Sebastian St. Cyr always delivers – or rather whisks me away from my time to his. Which got me to thinking about the nature of comfort reads in general, and why this works for me in particular.

I had originally hoped this week that Blind Fear, being the third book in a series I’m definitely enjoying, would scratch some of that comfort read itch – but it didn’t – leading me straight to questions about why and why not.

What makes mysteries in general so much of a comfort is the romance of justice. If a story is a mystery and not purely a thriller, then it’s guaranteed that in the end the crime is solved, evil is punished and justice triumphs.

The Finn Thrillers have a mystery component, but they are exactly what it says on the label. They’re thrillers. At the end of the whole series, it seems highly probably that justice will triumph and evil will get its just desserts. But it hasn’t happened yet and doesn’t look like it’s happening any time soon. And in the meantime Finn is dealing with a lot of injustice, directed at himself as well as others, and wading all too frequently in some of the nastier cesspits of human behavior as he searches high and low – mostly low – for that justice.

In a historical mystery like the St. Cyr series, the historical setting adds to the comfort. Not that the past was any better, easier or safer than the present, but rather that its problems and its evils are not open-ended. We know what got solved or resolved, which situations improved and which are still plaguing the world today.

Not that justice writ large always triumphs in the St. Cyr series, but writ small it generally does. Even if the evils of the socioeconomic issues of the day are frequently appalling. Devlin and Hero attempt to do some good with the money and power they have, and often succeed if only a bit.

Bow Street may attempt to rush someone to judgment because it’s convenient for the high and mighty, but Devlin is always successful at standing in their way on that front, at least. The official story that gets into the papers may sweep things under the rug that shouldn’t be, and some of the rich and powerful escape the full range of justice they deserve, but no one is successfully railroaded to the hangman’s noose who hasn’t earned that punishment, at least not on Devlin’s watch.

And that is most definitely a comfort to the reader. Or at least this reader.

Who Buries the Dead was the penultimate title in my quest to catch up with the Sebastian St. Cyr series. I have one book left, Where the Dead Lie, and I’m pretty confident at this point that I’ll have that read long before the 19th entry in the series, What Cannot Be Said, gets said, done and published in April 2024.

After that, if I get desperate for a comfort read that is very like St. Cyr, I’ve got more of the Wrexford & Sloane series to look forward to. And I am!

Review: Blind Fear by Brandon Webb and John David Mann

Review: Blind Fear by Brandon Webb and John David MannBlind Fear (Finn Thrillers, #3) by Brandon Webb, John David Mann
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Finn Thrillers #3
Pages: 398
Published by Bantam on July 11, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Haunted by the death of his best friend and hunted by the FBI for war crimes he didn’t commit, Finn lands on an island paradise that turns into his own personal hell in this gripping follow-up to Steel Fear and Cold Fear —from the New York Times bestselling writing team Webb & Mann . . .
“Webb & Mann have done it again. Blind Fear has it great characters, an amazing plot, and an incredible setting. This novel moves like a hurricane!”—Connor Sullivan, author of Wolf Trap
By day, AWOL Navy SEAL Finn is hiding out on Vieques, a tiny island paradise off the eastern coast of Puerto Rico, living in a spare room behind a seafood restaurant owned by a blind local. By night he scours the dark web, hunting for the rogue officer responsible for the crimes he is accused of committing.
But Finn’s world is about to be turned upside down by a new nightmare, when his employer’s two grandchildren go missing. To find them, he’ll have to infiltrate the island’s dangerous criminal underbelly and expose a shadowy crime network known as La Empresa—even if it means exposing himself in the process.
As the children go on their own harrowing odyssey to stay one step ahead of a cop-turned-killer, a hurricane batters the coastline, cutting Puerto Rico off from the rest of the world. Taking his pursuit to the sea, Finn’s skills and endurance will be tested to their limits to rescue the lost children and escape his own pursuers before the clock runs out. No one is to be trusted. And those who are seemingly his friends might be the most dangerous foes he’s faced yet.

My Review:

For a man who really, really, really needs to stay under the radar, Navy SEAL Chief Finn seems to have an unfortunate genius for rising so far over the surface that he can’t help but become a target for – not just everyone who is already out to get him – but also a whole barrel full of rotten apples who didn’t even know he existed.

Who end up wishing they’d never heard of him – if they live long enough to tell the tale. But if they don’t survive, they just get added to the body count that is already trailing behind him, putting an even bigger target on his back.

We first met Finn in Steel Fear aboard the USS Abraham Lincoln, in limbo after his Team’s mission in Yemen went terribly, horribly wrong. Finn was supposed to cool his heels aboard the Lincoln while the fix went in to use him as the scapegoat for an operation that was even dirtier than it was deadly. Finn escaped from the trap when the Lincoln finally came to port, but not before discovering that someone aboard was a murderer and a saboteur – and that the traumatic memories of his childhood that he had been suppressing all of his life were finally breaking free – making him an even better patsy for the crimes that were being falsely laid at his feet.

Cold Fear takes Finn to Iceland, battling with nightmares and doubt as those repressed memories assault both his waking and sleeping hours, while he begins his hunt for the people who betrayed him and his Team. But as his first step in that journey is hunting the hunters who have been sent to hunt him – intending to follow them up their chain of command – the resulting murder and mayhem puts a local serial killer in his sights – and him into the sights of the police hunting that killer down.

Blind Fear takes Finn from the cold of Iceland in the winter to the steamy, humid heat of Puerto Rico in hurricane season as a building tropical storm out in the Atlantic plays will they/won’t they about deciding how big to get and where to strike.

Finn has been living on tiny Isla Vieques, off the coast of the ‘Big’ island of Puerto Rico, staying off the grid, helping a blind grandfather operate his fish shack restaurant and playing a combination of ‘big brother’ and ‘protective uncle’ to the old man’s two grandchildren, Pedro and Miranda, when, as seems to happen all too regularly in Finn’s life these days, a perfect storm of events puts him back on the grid as a literal perfect storm – that hurricane – comes barrelling down on the islands.

The two little ones have disappeared. They are not on Vieques – Finn has most definitely and thoroughly checked – and they did not board the ferry to the main island. Finn and the old man know something has happened to them – even if they don’t yet know what.

So Finn takes up the search – and takes it everywhere he can – raising his head very far above the parapet just as his pursuers – both official and unofficial – reach the island.

Which puts Finn in not one but two sets of cross-hairs – a place he finds himself way more often than is comfortable. Finn is sure that the kids must have seen something they shouldn’t have, most likely something involved the drug trade that is rife on the island. Which means that Finn has to rattle those trees to shake down information about people who will kill to keep their secrets, while the US ‘Alphabet’ agencies are hunting him.

So the blind fear of the title? That’s not the old man, as he’s certain the children will be back. Finn is the one who is blindly afraid, not of his American pursuers because that’s become old hat at this point – but of the possibility that he won’t be enough to save two children that he has come to care for from a criminal organization that seems too big to take down.

Just as he wasn’t enough to save his Team from an even more insidious and corrupt organization that might just be even bigger and more entrenched in a place that he can’t reach.

Escape Rating A-: I did get into Blind Fear, but it took me a lot longer than it did with either of the first two books in the series, Steel Fear and Cold Fear. I think that’s because the story begins from the perspective of the two children, and frequently circles back to their circumstances and that didn’t quite work for me. (But that’s a me thing and not necessarily a you thing.)

On the one hand, one of the things I love about the Finn Thrillers is that Finn is hyper-competent. And he didn’t seem quite as competent this time around as he did particularly in Steel Fear. On that other hand, he DOES still manage to find the next clue in his hunt for the traitor who got him into this mess, even if it did seem like he got more lucky than smart this time around.

One of the overarching threads to this series is that this is Finn’s journey, not just his hunt for the traitor, but his search for himself as the mess of his childhood gets exposed piece by frequently ugly piece. The nature of such a journey is that sometimes the runner stumbles along the way, and this felt like a story that dealt with more of that stumbling.

What made this story work was the combination of its realistic portrayal of Puerto Rico, a portrait not remotely tinged by rose-colored glasses or a need to paper over the hard parts to promote the tourism that the island needs to survive. Puerto Rico was every bit as much a character in this story as any of the humans and that was both awesome and eye-opening. And combining that portrait with the progress of Finn’s journey to finding, well, himself even as he pushes himself beyond his own limits one more time.

So I’m still fascinated with Finn and his hunt for the people who betrayed him AND his search for his true self along the way. Based on the ending of Blind Fear, it looks like Finn is going to be taking his fight a whole lot closer to someone who deserves it in his next outing – and I’m definitely looking forward to that!

Review: A Pirate’s Life for Tea by Rebecca Thorne

Review: A Pirate’s Life for Tea by Rebecca ThorneA Pirate's Life for Tea by Rebecca Thorne
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: cozy fantasy, fantasy
Series: Tomes and Tea #2
Pages: 454
Published by Rebecca Thorne on February 23, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

While searching for stolen dragon eggs, newly engaged couple Kianthe and Reyna find themselves smack-dab in the middle of a swashbuckling love story.
On one side is Serina, a failed farmer turned river pirate. Her booty? Wheat, grains, and the occasional jar of imported tea leaves. It's quite the embarrassment to Diarn Arlon, the powerful lord of the Nacean River, and he'll conscript anyone to bring her to justice. Especially Kianthe, the elemental mage who just crashed his party, and her somewhat-scary fiancée.
Begrudgingly, the couple joins forces with Bobbie, one of Arlon's constables--who happens to be Serina's childhood friend. Bobbie is determined to capture the pirate before anyone else, but it would be a lot easier if Serina didn't absolutely loathe her now.
As Kianthe and Reyna watch this relation-shipwreck from afar, it quickly becomes apparent that these disaster lesbians need all the help they can get. Luckily, matchmaking is Reyna's favorite past time. The dragon eggs may have to wait.

My Review:

Just as with the first book in the Tomes & Tea series, Can’t Spell Treason without Tea, where I picked it up just because I discovered it existed while looking for information and readalikes for the lovely, wonderfully awesome Legends & Lattes, learned it was in the same cozy fantasy vein and was looking for more of THAT, please and with bells on, I picked up A Pirate’s Life for Tea because I was looking for more books with the same cozy fantasy vibe as Bookshops & Bonedust, the second book in the Legends series, and learned that the second Tomes & Tea book already existed.

Bookshops & Bonedust won’t be out until November, but A Pirate’s Life for Tea is out now and has been since June and I can’t believe I didn’t spot it when it first came out but I’m so damn glad it’s here now. Because it’s exactly what I was looking for and it’s even better than Can’t Spell Treason without Tea.

So YAY!

In many ways, A Pirate’s Life for Tea is the opposite of Treason. Treason was all about Reyna and Kianthe settling down together and figuring out how to make a life AND run a business together in the same place after years of clandestine meetings in out of the way places to keep Reyna’s psychopathic queen and Kianthe’s meddling bureaucrats from learning about their relationship and breaking it up – one way or another – before they decided what to be to each other.

At the point in their story where we get to catch up with them in A Pirate’s Life for Tea, they’ve been living in the quiet little border town of Tawney for over a year and happily running their combined bookshop and teahouse together. Life is good, but life is also a bit less adrenaline-inducing than former Queensguard Reyna is used to.

Which is when the excitement from the previous story rears its ugly head (literally as it turns out) and sends them to the domain of Diarn (read as Lord) Arlon in search of a shipment of stolen dragon eggs that seems to have passed through his lands – if not his actual hands – early in his rule.

The dragons want their eggs back and expect Kianthe and Reyna to find them – or their peaceful little town gets set on fire. Again. And Again.

But when Kianthe and Reyna get to Arlon, they find themselves caught up in the little pirate problem he seems to be having. They negotiate a trade, Kianthe and Reyna’s help with the pirate problem in return for Arlon’s shipping and taxing records from the time period they need to investigate.

And that’s where the fun comes in. Because Arlon is clearly not on the up and up. After all, it is only ONE pirate. Just one. That he can’t seem to catch even though it appears that half the population of his domain are on his payroll as constables. And because he’s just slippery and slimy in the way that all politicians are – if not a bit more.

However, Kianthe and Reyna involve themselves in the pirate problem mostly because Kianthe can’t resist meddling, either in the much bigger problem that the pirate represents – or in the romantic tangle that she senses between the constable assigned to bring in the pirate and the pirate she’s assigned to bring in.

Kianthe could be wrong – but not about this. She’s more than a bit wrong about how much even Reyna likes her truly execrable puns – but she’s not wrong about what’s not going on between the constable and the pirate. If only she can get them to see it for themselves.

Escape Rating A-: A Pirate’s Life for Tea was even more cozy fantasy fun than Can’t Spell Treason without Tea with a bit less of the villain fail that plagued Treason. I fell straight into this heady brew of fantasy and froth and didn’t fall out until I closed the book with a grateful sigh for another lovely visit with Kianthe and Reyna.

Made even that much more charming because we don’t often get to see what happens in a romance after the Happy Ever After, and this definitely does that while showing that there is still plenty of heat and romance after it seems like at least most of the dust has settled.

The thing about A Pirate’s Life for Tea and the whole Tomes & Tea series so far is that it’s a bit closer to its epic fantasy roots while still rocking that cozy fantasy vibe that everyone loved in Legends & Lattes.

So along with the surprisingly cozy pirate life and the strongly hinted at steamy pirate-themed romantic fantasies there’s also an epic political fantasy story being told about kingdom-equivalents becoming oppressive and king-wannabes turning tyrant and dirty deeds done dirt cheap being investigated by righteous outside forces in the forms of Mage of Ages Kianthe and her sword-wielding fiancee Reyna.

It’s just that in this cozy fantasy, evildoers don’t end up with their heads on pikes but do get their comeuppances. Results seldom result in death but rather in justice, and it makes for a glorious and dare I say comforting read that still has all the fantasy thrills that fantasy readers crave.

(If you’re wondering how this missed being a full A grade, in spite of how much I loved it while I was reading it, Diarn Alorn fell flat as a villain. He didn’t go full-on bwahaha the way the Queen did in Treason, but he’s just lacking in motive and pretty much everything else. Possibly he’s overcompensating for something (an idea which fits in with many of Reyna’s puns and the pirate romantic fantasy themes) but we don’t get to know what.)

So if you’ve heard about the new cozy fantasy thing, if you’re on tenterhooks waiting for Bookshops & Bonedust, or if you just fell hard for Kianthe and Reyna and their world in Can’t Spell Treason without Tea, A Pirate’s Life for Tea is a joy and a delight, that holds the promise of more in its epilog and I’m so there for it. Soon would be lovely.

And if the title of this one is driving you bananas, as it did me, because it sounds familiar but not quite, “A Pirate’s Life for Me” has been the theme song of the Pirates of the Caribbean theme park ride at Disney since 1967, and has been part of the soundtrack of all the Pirates of the Caribbean movies. Savvy?

Review: Knighthunter by Anna Hackett

Review: Knighthunter by Anna HackettKnighthunter by Anna Hackett
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: science fiction, science fiction romance, space opera
Series: Oronis Knights #1
Pages: 258
Published by Anna Hackett on July 26, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & Noble
Goodreads

She vows to bring her abducted queen home…even if she has to work with the man she hates.Knightmaster Nea Laurier is tough, dedicated, and lives to be the best Oronis knight she can be. All her life, she’s worked hard to live up to her prestigious family name. She will do whatever it takes to rescue Knightqueen Carys from their enemy, the vicious Gek’Dragar…she just wishes it didn’t involve the most cunning and dangerous man she knows. A man she detested when they were at the Academy, and a man she still detests—Knighthunter Kaden Galath.Now she’s headed deep into enemy space, and the only person guarding her back is a man she’ll never trust.Knighthunter Kaden Galath was born in the darkness and came from nothing. Being a knighthunter—a spy for his people—is the perfect job for him. He uses all his unique and deadly abilities to keep the Oronis safe, even the beautiful, perfect, do-gooder Knightmaster Nea. He’s vowed to always stay alone in the shadows…but Nea might be the weakness he never expected.As Kaden and Nea embark on a mission to some of the deadliest enemy planets, they fight side by side, and uncover each other’s darkest secrets. Following the trail leading to their captive queen, Nea and Kaden will face their most dangerous battle yet, and a fiery passion that will engulf them both.

My Review: 

Knighthunter is a story about not one but two concurrent chases – one of which is definitely more successful than the other.

The Knightqueen of Oron was kidnapped by the Gek’Dragar in the first book in the Oronis Knights series, Knightmaster, which was all wrapped up in the investigation into that catastrophe as well as the romance between Knightmaster Ashtin Caydor and xenoanthropologist Kennedy Black from Earth. In Knighthunter, Knightmaster Nea Laurier and Knighthunter Kaden Galath have been tasked with hunting down the Knightqueen and her dedicated and bonded Knightguard Sten before the Gek’Dragar complete whatever dastardly plans they have for Knightqueen Carys in specific and most likely the Oronis in general.

It’s not like the Oronis and Gek’Dragar haven’t been bitter enemies since pretty much forever. And as the Oronis are allies of the bands of heroes in both the Galactic Guardians series AND the Eon Warriors series, they are the ones on the side of the angels.

The Gek’Dragar, on the other hand, are in league with (probably loosely and with intent to betray at some point) and certainly in the league of the rapacious Kantos, the dastardly enemies of the Eon Warriors.

So we all know where we stand – or fly – in not just this heinous act but also in the war that this is clearly a prelude for.

But, there are also enemies, of the much closer and more intimate kind, closer to home. Nea Laurier and Kaden Galath attended the Academy together. Well, not really together-together, but at the same time.

Each was the thorn in the other’s side for all the years of their schooling, and can’t seem to stand to be in the same room, let alone stuck with each other in a series of cramped two-person ships on the hunt for their kidnapped Knightqueen.

But appearances can be deceiving, and, in the spirit of the best defense being a good offense, Nea and Kaden have been defending so hard against their feelings for each other that it’s looked like a whole lot of being offensive. For nearly a decade of bristling hostility.

Howsomever, the longer they spend together in the here and now, the more occasions when they just miss their quarry, the more they realize that the masks they have been wearing with each mostly serve to hide their true feelings from themselves.

In the heat of that race, even as they chase down a ship that hides from them at every turn, they stop hiding from themselves. And each other.

Escape Rating A-: In terms of the overarching story of the Oronis vs. the ‘Big Bad’, in this instance the Gek’Dragar, Nea and Kaden’s pursuit of a series of fleeing Gek’Dragar ships through Gek’Dragar space gives the reader a tour of the galaxy and a whole host of reasons to understand why the Oronis have such a huge and justified hate-on for their scaly enemy.

Meanwhile, the sheer volume of true enemies that Nea and Kaden have to wade through in their hunt for their missing Knightqueen puts their personal enmity into sharp relief. They’ve never really hated each other, particularly not in comparison to what true hatefulness looks like.

But the heat of their enemies into lovers relationship burns away any misunderstandings between the two of them – and are there ever plenty! Many of which can be laid at the feet of Nea’s snobby, relentlessly demanding douchecanoe of a father. He may have had his reasons, or his own griefs, that created the mess of a relationship he has with his only remaining child, but his treatment of Kaden even all the way back in the younger man’s Academy days has no excuse.

It was also a whole lot of painful fun to watch Nea whack dear-old-dad with a big clue-by-four, but he clearly needed more applications of that  device before he gets the point. I hope we get to see those whacks delivered in a later book.

But seriously, the way that Nea and Kaden keep JUST missing Carys and her kidnappers ratchets up the dramatic tension in this one from the first page to the very last, as the hope that keeps getting snatched away comes back into view yet again.

This was great fun both as an adventure and as a romance, and I really loved being along for both rides. It also makes an excellent setup for the next book in the series, Knightqueen, coming early next year. In romances, I tend to find the chase much more interesting than the catch. And this one really kept me going through one ultimately successful chase – and one I hope to see turn successful soon!