Ellie has done her best to keep the spark alive in her marriage to Wally, but she has limited options with her husband cursed into the body of a vintage novelty toy. She thought everything was going okay, aside from the fact he’s battery-operated and bursts into song whenever his motion sensor is triggered, but he’s done being a collector’s item.
When the Middles turn up with a half-dead coworker on her doorstep, Ellie jumps at the chance to help her nephews find who’s responsible to avoid the problems at home. As the attacks grow deadlier, and the rift between her and Wally grows wider, Ellie has to focus on saving herself if she ever hopes to save her marriage.

My Review:

Someone is targeting the shifters of the Sweetwater Pack as this second entry in the Yard Birds series. Ellie and her coven may not be part of the pack, but they are allies and two of her nephews absolutely are members. It’s not a surprise that those same nephews bring the hacked up victim right to Ellie’s door because he’s sure the coven can heal the victim – if she can be healed at all.

But that drags Ellie out of the funk she’s in and straight into a case that probably isn’t any of her business. Not that THAT’S ever stopped her. She wants to investigate and not just because she’s constitutionally incapable of keeping her nose out of other people’s business. Ellie’s having a personal crisis of her very own and she’d much rather handle someone else’s troubles than deal with it. Thankyouverymuch.

At least for a while. As a distraction. Until she can get down off her high horse and work on the mess that a curse has made of her marriage. Before it’s too late. Even if it already should have been – and if Ellie wasn’t a witch, would have been.

The case that Ellie, with able assistance and enablement from her nephew Zander, is a relatively simple one. Bloody, deadly and messy, but ultimately a bit stupid and easy to resolve.

Fixing her relationship with her husband is going to be a whole lot more complicated – and potentially heartbreaking. But a witch’s gotta do what a witch’s gotta do – no matter how much it’s going to hurt them both.

Escape Rating A-: This whole series, at least so far, is all about female power in its various forms. The members of the Witchlight coven may be entering their ‘crone era’, even if Flo is holding the signs of that back through sheer force of will and gallons of botox, but it’s not just them. In this second entry in the series (after Crazy as a Loon), it’s obvious that most of the paranormal and supernatural groups in Samford are run by women, including the Sweetwater Pack of shifters. A mixed pack whose alpha may be five foot nothing in human form but shifts to a whole lotta BEAR when her pack is threatened.

As it definitely is in this story.

The males in this story serve as helpers, assistants, annoyances and even outright ornaments, as exemplified by Ellie’ s beloved husband Wally, who is literally hanging on the wall as a battery-operated singing fish novelty toy.

Poor Wally has been cursed into the body of a plastic ‘Walleye’, literally, figuratively and frustratingly for both Ellie and Wally. (I really want the story of how that happened, and more about how Witchlight hubs operate when they’re not theoretically retired AND stories about the hijinks and adventures that Ellie and her coven got up to back in the day. If those stories already exist I’d appreciate it if someone would tell me!)

But all that female empowerment means that there were bound to be some males in town, whether human or shifter, who can’t hear the word “NO!” when it’s shouted in their faces – or beaks, or muzzles – and who can’t stand being beaten by a woman. Of course they’re just dead certain they’re entitled to be in charge because they have pricks. Or are pricks. Or both.

I did figure out the pattern to the attacks on Sweetwater long before Ellie and Zander did. Then again, she’s used to her and her coven and the other females in town being in charge of things. Out here in the real world, it just isn’t so and women get attacked just for being women all the damn time.

I’m going to try to climb down off my soapbox now but it’s not easy.

So the case Ellie has to solve was relatively simple, which makes it the perfect foil for Ellie’s personal issues – which are not going to be easy to resolve at all. Although, come to think of it, those issues are also about power, specifically the imbalance of power that has swum into Ellie’s marriage.

This story, the whole series in fact, is told from Ellie’s first person perspective, so we’re inside her head as she wrestles with her NEED to keep what she has of Wally SAFE. His form is fragile and easily broken or even stolen. But his heart and mind are EXACTLY what they were before the curse, meaning that inside that fish is a grown-ass adult who needs what we all need, purpose and independence. He’s starting to see Ellie as his jailor more than his wife and their marriage won’t survive that. And Ellie knows it even if she’s having a damn hard time figuring out what to DO about it.

Which is where the heartbreak and angst come into the story by the bucketful, and which the reader experiences even more fully and practically personally if they’re listening to Stephanie Richardson’s narration because she’s channeling Ellie’s internal voice perfectly. We hear Ellie, we feel for Ellie, and DAMN it’s hard to be there with her. (It’s what the story needs, but it’s still hard.)

The investigation may be over, but it feels like Ellie’s worries and woes have just dug in a little deeper as this story ends. I can’t wait to find out how, and for that matter if, everything works out in the third book in the series, Free as a Bird, which I know I’ll be listening to SOON even though I really, really don’t want this series to be over.

Ellie Gleason has protected the town of Samford, Alabama for decades. It’s not as glamours as her glory days as the WitchLight Hub, but it keeps her active during her golden years.
Life is good.
Well, it’s okay.
Fine.
It could be bloodier with a smidge more gore, but retirement is meant to be low-key. It’s not like her fragile bones could handle the strenuous hunt for monsters anymore, even if her current duties are dull as dishwater.
But when her great-nephew shows up on her doorstep in tears—or is he her great-great nephew?—begging for help, Ellie straps on her beloved shotgun, Bam-Bam, and gets the coven back together.
Sure, Betty just had a hip replacement, and Flo would rather flirt than fight, and Ida is busy with her anniversary plans, and Joan is…Joan. But Ellie is certain she can whip the girls into shape in time to defeat the creature preying on kids at a nearby summer camp. She might even have them home in time for dinner.

My Review:

Ellie Gleason isn’t, really, and neither are the rest of her friends. Well, maybe Joan is just a bit. Crazy as a loon, I mean. None of them are crazy, loony or otherwise, no matter how much Ellie might fake it by running around the tiny town of Samford, Alabama in her housecoat with ‘Bam-Bam’ strapped to her back.

Bam-Bam is her shotgun. And nope, still not crazy.

Because when you’re still patrolling as a working member of Witchlight – even if you are in your second century – it’s better to be armed as well as dangerous. Which Ellie and the rest of her coven certainly are. Even if it takes them a little longer to get to the scene of the crime.

Or, for that matter, to the point of any discussion, because they’ve been together so damn long that there are plenty of times when the pointed barbs and the old grudges take over the planning of any and every op.

It’s mostly small town stuff – because they’re not the top tier of Witchlight operators no matter how much they all still wish they were kicking ass and taking names and riding monsters to the rescue. So when this case literally crawls into their laps, they’re all a bit giddy with the adrenaline of the chase.

Even if the person at the heart of the mess is a child under their protection. Particularly because another member of their family is doing their damndest to keep it from them.

They may not be what they used to be – but when one of their cubs is threatened it brings out the mama bear in every single one of them. Even if not one of them shifts into an actual bear. That’s okay. After all, one of their sons is bear-shifter enough to handle THAT part of the job.

Escape Rating A-: I picked up this book and audiobook, in fact this whole, entire series, on a recommendation from Caffeinated Reviewer. I caught her review of the third book in the series, Free as a Bird, and had to ask myself where had this been all my life and how had I missed it?

Based on this first book, this series is an absolute hoot from beginning to end. It was also the perfect book for this week as it is a hilarious pick-me-up with a heart wrapped around found family and lifelong sisterhood.

The combination of elements got me from the opening paragraphs. Because this takes off from the same premise as one of my favorite urban fantasies, A Key, an Egg, an Unfortunate Remark, but goes about it differently.

That book, and I still mourn that it was only ever the one, took off from a question about what happens to all those young, limber, kickass urban fantasy protagonists if they survive to middle age and even older. Marley Jacob got herself a kickass sidekick and went about her own personal kickassery through negotiation and mediation once the years caught up with her.

Ellie and her coven have just kept on kicking – even as they also kick against the inevitable slowing down of age. They use magic to slow down slowing down – and then they do too much and pay the price later. But they all refuse to quit even as they are forced to change gears.

They’re a LOT like the sisterhood of retired spies turned assassins in Killers of a Certain Age – complete with the sharply pointed banter and the lifelong grudges. So if you liked that and want to give urban fantasy a try, you’ll love Ellie and her Yard Birds.

The case here, and there certainly is one, does a great job of introducing Ellie and her sisters and setting up their family situation – which is just a bit complicated – while giving them a case that is close to their hearts even as it shines a light on just what sorts of things can go wrong in a world where the paranormal exists but still has to keep itself under wraps.

And then the case managed to tie itself back into the reason they all got involved in the first place, as both the evil they fight and the reason they’re fighting it come from the same place – a mother’s love.

The story is told from inside Ellie’s snarky head – and I loved every minute of it. The narrator, Stephanie Richardson, captured the essence of Ellie perfectly, so I’m very happy that she is the narrator for the whole series so far.

I only have two quibbles about this whole experience. One is that I wish there were more. Which there is, of course, as the second and third books, Dead as a Dodo and Free as a Bird, are already out and I already have them.

But the second is that I hope those later books resolve a niggle left over from this one. They did solve the case. They absolutely did. But there was a dangling potential co-conspirator left in their midst. I may be wrong about their co-conspirator status, but there was something rotten left in the heart of the family that got a rug pulled over it. I hope that rug gets pulled back in the books ahead.

I’m certainly there for it. I definitely want to hear as much more from Ellie as I can get!