Review: War Cry by Brian McClellan

Review: War Cry by Brian McClellanWar Cry by Brian McClellan
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: fantasy, military fantasy, military science fiction, science fiction
Pages: 96
Published by Tordotcom on August 28, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Brian McClellan, author of the acclaimed Powder Mage series, introduces a new universe, new armies, and new monsters in War Cry
Teado is a Changer, a shape-shifting military asset trained to win wars. His platoon has been stationed in the Bavares high plains for years, stranded. As they ration supplies and scan the airwaves for news, any news, their numbers dwindle. He's not sure how much time they have left.
Desperate and starving, armed with aging, faulting equipment, the team jumps at the chance for a risky resupply mission, even if it means not all of them might come. What they discover could change the course of the war.

My Review:

I picked this up because I adored the author’s In the Shadow of Lightning and was looking for something else by him but didn’t quite have the spoons to get started on his Powder Mage series. At least not yet. Nor does the sequel to In the Shadow of Lightning seem to be on the horizon. Although I just learned there’s a prequel (Montego) and I just picked it up. And, honestly, I was looking for something short.

Leading me to War Cry.

William T. Sherman is the American Civil War general famous for the rather pithy comment that “War is Hell”. War Cry is a story deep into just that kind of hell – and it’s a gut punch of a story.

The world of War Cry exists in that nether region between science fiction and fantasy, as well as the hellish netherworld of war. Teado and his clandestine unit have a battered airplane, an equally battered pilot, an illusion mage and a shapechanger. Teado is the shapechanger.

Their tiny little unit is nearly out of everything, food, supplies, ammunition, and most especially, hope. They started out being near the front but the front has swept by them and now they are behind enemy lines and waging a guerrilla war from the shadows.

They’re listening to enemy propaganda while they are on watch, each wondering which of the others is going to be the first to break and run for the enemy-offered amnesty. Or whether they will be the first one to give up and just go.

But the powers that be haven’t forgotten them – nor have they quite let go of a hope of peace.

Which is where Teado, his unit, and this story come in. They have a crazy chance of striking a blow against the enemy’s new forward base and stealing an entire cargo plane full of desperately needed supplies.

If they are successful, there might be a chance at the peace talks to actually get a little. If they fail, at least their own war will be over.

Unless they are all just part of something much, much bigger and way, way, way above all their pay grades.

Escape Rating B: What made this work is that it isn’t about building up one side as the “good guys” and the other as the “bad guys”. We don’t really get much of a sense of what the two sides are fighting over beyond the obvious motivations of resources and territory.

It’s never all that clear that the two sides are truly all that different, or that one is all that much better or worse than the other.

This turns out to be a story that embodies, not just Sherman’s “War is Hell” quote, but more especially a less often seen quote from G.K. Chesterton that goes, “The true soldier fights not because he hates what is in front of him, but because he loves what is behind him.” Or in the case of Teado and his company, because he loves what is beside him.

Teado is fighting, not for himself, but for his friends and comrades. And so are they. Which is what makes this story cut deep, as the powers that be only see the big picture and which pawns they need to move to change that picture.

Where Teado sees, and we experience through him, the real cost of those pawns being moved.

Review: Sixteen Ways to Defend a Walled City by K.J. Parker

Review: Sixteen Ways to Defend a Walled City by K.J. ParkerSixteen Ways to Defend a Walled City by K.J. Parker
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fantasy, military fantasy
Pages: 350
Published by Orbit on April 9, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

This is the story of Orhan, son of Siyyah Doctus Felix Praeclarissimus, and his history of the Great Siege, written down so that the deeds and sufferings of great men may never be forgotten.

A siege is approaching, and the city has little time to prepare. The people have no food and no weapons, and the enemy has sworn to slaughter them all.

To save the city will take a miracle, but what it has is Orhan. A colonel of engineers, Orhan has far more experience with bridge-building than battles, is a cheat and a liar, and has a serious problem with authority. He is, in other words, perfect for the job.

My Review:

Usually it’s the plucky band of rapscallions who stage a breakout, and the plucky band of heroes who hold the defense. This time it’s the plucky rapscallions doing the defending! That’s the first, but far from the last, twist on pretty much everything you expect from this genre – and every other genre that it sends up, down or sideways during the course of the story.

At first, this reminded me in a very peculiar way of the Starfleet Corps of Engineers books. Like I said, it’s peculiar. But that series is quasi-military SF told from the perspective of the people who keep things running – and not the people who usually take those things into harm’s way.

Sixteen Ways to Defend a Walled City is more-or-less military fantasy told from that same perspective. Orhan is the Colonel of Engineers for the military of an empire that has subjugated not just his people, but pretty much every people around that is not themselves – and then keeps them down while looking for more people to conquer and subjugate.

The Robur Empire sounds a lot like the Roman Empire. I don’t just mean the two words are similar, I mean that the two empires are very similar. And use similar sounding names and offices and officers and procedures and well, it actually drove me a bit batty. It all sounds so much like Rome that I half expected something to explain the similarity – which otherwise makes no sense.

I don’t mean that the similarities of systems make no sense – Rome makes a great antecedence for how to and not to run an empire, I mean that the constant congruence of names for things and people and places made no sense. Although on my other hand, Orhan is the most unreliable of narrators it has ever been my media consuming pleasure to run across. And I’m including Varric Tethras in that tally of unreliability. Varric is more lovable, but he’s a shade more reliable. Or a shade less shady. Or both.

The story in Sixteen Ways to Defend a Walled City can be taken in multiple ways. Looking at it from one angle, it’s the story of an extremely unlikely hero who rises up and defends the besieged capital of an empire that treats him as a fourth-class citizen at best.

The problem for Orhan is that as an engineer, he can’t resist trying to solve this biggest of all problems. And that his friends are on the inside of the city. He’s not so much defending it as defending them – whether they appreciate it or not.

Another way of looking at the whole thing is from the perspective that the siege of the capital, and the dismantling of the empire that precedes it, is just all of the empire’s chickens, its nasty and terrible treatment of all of the many, many people it has subjugated, all coming home to roost in one giant pile of chickenshit.

With a bit of accelerant, manure burns really, really well. The empire has been providing plenty of impetus and accelerant for centuries – now it’s time to watch the explosion. Unless Orhan can manage to stop it from happening – one underhanded way or another.

Escape Rating B: This is a very mixed feelings kind of review. I loved the opening scenes of the story. The over-the-top snarkitude of the narrator was terrific and terrifically funny as well. It’s the sort of thing that makes a reader snerk and chortle every page.

Orhan has spent his career finagling the system in order to get the job done – but his internal dialog about exactly what he has to do, why he has to do it, and how easy it is to get it done because the system is so stupid, are good for a seemingly endless supply of wry chuckles.

But once the siege begins, Orhan, in spite of himself, becomes the authority – not because he wants to be but because he just can’t see that there’s any other way to survive. He’s dead certain – and more than occasionally nearly just plain dead, that anyone else would just get it wrong. Wrong-er. More wrong.

And while his many and varied attempts at getting all the city’s warring factions to work together make an interesting exercise in social engineering, they just aren’t as interesting as when Orhan and his crew were on their own. By himself, things going wrong until the last minute were funny. As the person in charge, it’s not funny at all.

The ending of the story, or rather Orhan’s end to the story, completely blew me away. But for this reader the middle went on too long. Your reading mileage may vary – no matter what units you use to measure it.