Format: eARC

Review: Osprey by M.L. Buchman

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
Review: Osprey by M.L. BuchmanOsprey (Miranda Chase NTSB, #13) by M L Buchman
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: action adventure, political thriller, technothriller, thriller
Series: Miranda Chase NTSB #13
Pages: 392
Published by Buchman Bookworks on September 17, 2023
Purchasing Info: Author's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Russia teeters on the brink of collapse, spoiling for a battle to end all wars. All it needs? One thin excuse. World War I began with the assassination of Archduke Ferdinand. World War II launched with the invasion of Poland. As for Russia's invasion of Ukraine... A Russian flyby of an American CMV-22 Osprey tiltrotor goes desperately wrong over the North Sea. Will the tipping point for World War III break the moment a favored daughter of the Oligarchy goes down in flames? When the NSA's secret military base at Menwith Hill in the UK needs specialized expertise, they call in Miranda Chase. She and her elite team of air-crash investigators must avert a crisis like none before. A crisis that unravels her past, batters at her autism, and threatens to crush her team in the ultimate grinder of East vs. West. "Miranda is utterly compelling!" - Booklist, starred review "Escape A. Five Stars! OMG just start with Drone and be prepared for a fantastic binge-read!" -Reading Reality

My Review:

Osprey, in addition to being about the investigation of a series of airplane crashes, as the books in the Miranda Chase series always are, is fundamentally the story of a woman who has based her life on a series of truths that turn out to be lies.

Miranda Chase is not merely A lead investigator for the National Transportation and Safety Board, but at this point in the series, THE premiere investigator for the NTSB. Miranda, along with her team, are the people that not just the NTSB but federal government all the way up to the President call whenever the crash is either too thorny for a regular investigator OR, as is very much true in this particular case, has the potential to start World War III and/or bring about the end of the world.

Considering the nuclear arsenals of the U.S. and other countries, they are likely to be one and the same.

Which is what drags Miranda and her team out of their vacation in Yorkshire, hiking the Herriot Trail, all the way to the top secret US/UK communication and intelligence support station at RAF Menwith Hill, which is, according to Miranda’s teammate Holly Harper, the place where the world ends. Because, on Holly’s last mission for Australia’s SSAR, Menwith Hill’s sister station in Pine Gap ended Holly’s.

This time around, they’re about to end Miranda’s – even as she and her team prevent the end of pretty much everyone else’s in the whole damn world.

Escape Rating A+: This was one of those books that turned out to be a much harder read than I was expecting – even as it sucked me right in and wouldn’t let me go until the end. By saying Osprey is a ‘hard read’ I mean that in the sense that, 13 books into this series, I’ve become very fond of Miranda and her team and hate seeing any of them in serious distress. But it’s clear that this is the 13th book in the series for a reason in that it seems like all the bad luck and worse trouble in Miranda’s life comes home to roost in this one and probably won’t leave anytime soon.

Like all of the books in this series so far, starting with the marvelous Drone and continuing through ALL of the team’s compelling adventures along the way, each story pretty much has two plots. The first is the actual plot that results in the crash that Miranda and company are tasked with investigating. The second line is tied up in a particular team member’s personal circumstances, whether that’s how they become part of the team, falling in love with either a fellow team member, a friend or an enemy, or when those relationships crash and burn.

With the case in Osprey it’s a question of which will burn first, Miranda or the entire world, which makes the stakes the highest they can be on both sides of that equation.

The initial crash could have, and in other circumstances would have, been put down to pilot error combined with a bit of stupid people doing stupid things. In other words, humans just being human – unfortunately at tens of thousands of feet in the air while piloting state of the art aircraft.

The situation escalates, and fast, because the initial less-than-stellar piloting was on the part of a Russian military jet playing ‘chicken’ with a brand new U.S. craft that is capable of switching from taking off like a helicopter to flying like an airplane. Sounds cool, doesn’t it? But when the jet’s wings got tied up in the Osprey’s proprotor, everything went to hell in a handbasket and both countries, already über tense – as they are in real life – were on the brink of nuclear war.

Figuring out how that crash occurred, and the even stupider one that followed, is all in a day’s work for Miranda and her team. The President of the U.S. is thrilled to take her very expert word that the crash was merely the stuff of stupid and not a deliberate provocation to war.

But the Russian side of this equation is a whole lot messier. A mess which raises questions about just how Miranda’s parents REALLY died – because the newly discovered and always obscured – evidence makes it clear that it didn’t exactly happen the way that the world, even the CIA’s hidden world, believed it did. And that’s only the beginning of how Miranda’s world falls apart, even as the rest of the world gets put back together. At least for now.

The reader knows most of what’s coming – at least as far as Miranda’s parents’ deaths are concerned – from the very first scene, so that’s not exactly a spoiler. We know it’s going to be devastating, and we’re waiting for that shoe to drop through the entire book. It’s agonizing. It’s also not all she’ll have to contend with, but getting into that would be a spoiler.

Let’s just say that on Miranda’s personal front, this is a heartbreaking story and it’s hard to watch her even begin to go through the inevitable fallout. Howsomever, as one of the strengths of this series is the way that the characters and relationships change and grow over time, Miranda’s situation is one that I expect to see explore and change and resolve over the next several books in the series, starting with Gryphon, coming in late January of 2024.

One final note; there’s a surprising bit of a parallel to The Last Devil to Die, the most recent book in the Thursday Murder Club series. The leaders of each series, Miranda and Elizabeth, are brought low by heart-shattering personal catastrophes, and it’s up to the other members of their teams to keep the case on track even as their leader, rightfully and righteously, falls apart for an understandable bit. It’s terrible seeing those leaders stumble and fall, but lovely to watch the other members of their teams carry them and carry on.

 

Review: Bad Blood by Lauren Dane

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: Bad Blood by Lauren DaneBad Blood (Goddess with a Blade, 7) by Lauren Dane
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: paranormal, urban fantasy
Series: Goddess with a Blade #7
Pages: 384
Published by Carina Press on June 27, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Trouble never takes a vacation in Bad Blood , the seventh installment in the epic Goddess with a Blade series by New York Times bestselling author Lauren Dane.

After spending the last two years locked in one deadly struggle after the next, Rowan Summerwaite deserves delicious meals, excellent sex and uninterrupted sleep on high-quality linens. But when two separate investigations converge in unexpected ways and a new threat to the Treaty blows into town, there’s no rest for the wicked.

And she’ll need help.

Genevieve Aubert, a seven-hundred-year-old witch from a powerful familial line, has become more than a formidable ally. To Rowan, she’s become a friend. To Darius, a Dust Devil from the Trick, where she’s now a priestess, she’s the key to unlocking his magic. The pretty flower to his motorcycles and bruised knuckles.

Soon, the dangerous reality becomes clear. It isn’t just wayward witches. It isn’t just egotistical Vampires. What’s brewing in the desert will take a witch, a Dust Devil and a human vessel to a goddess to save those they’ve sworn to protect.

My Review:

If Eve Dallas had set her cap at being police commissioner instead of refusing more rank in order to continue to do the job she does best, she’d be a lot more like Rowan Summerthwaite than she already is. And they most certainly already are sisters under the skin – even though Rowan takes down criminal vampires while Eve catches criminals of the more humanly monstrous variety.

But Rowan has moved, not exactly ‘up’ in her world, but into a position where she’s stuck dealing with political crap instead of just kicking ass and taking names to put on gravestones. For those of her enemies that are human enough to still require such things, that is.

(I’m not really digressing this time around. I’ve always thought that Rowan and Dallas would get along like a house on fire – especially if some of their enemies were righteously roasting in said fire!)

Getting back to Rowan, however, there’s an element of each book in the series where Rowan begins the story in the process of dealing with the fallout from the last clusterfuck she had to fix. And that’s certainly true in Bad Blood.

At the same time, Bad Blood feels like, not exactly a ‘fresh’ start, but rather a point in the series where that cleanup has hit a new phase where it’s more preventive than reactive, and it gives the intricacies of the plot a bit of a reset.

Which was absolutely terrific for this long-term reader, because it made it really easy to slip right back into this world without needing to recall all the myriad details of Rowan’s long-running battle to clean up both her ‘Father’s’ rogue vampires AND the human asshats in her own organization, Hunter Corp.

At least, the story begins with an attempt at moving forward, only to discover that not only are the vampires playing more games than usual – including playing games with her Father, the First and their leader – but that the witches’ Conclave is also up to some surprisingly similar crap.

Because Rowan and one of the Conclave’s leaders, Genevieve Aubert, became besties in the previous book in the series, Blood and Blade, Rowan is more than happy to help Genevieve clean up that mess even as Genevieve helps her with the lingering issues in Hunter Corp.

Those issues dovetail neatly – or perhaps that should be messily – or both. Definitely both, as they are the exact same issue, being played out in different arenas. Both the vampires AND the witches think that they are superior to the original recipe humans that surround them – and believe that superiority gives them the right to ‘play’ with humans as they please.

Hunter Corp. is there to stop them both, and to prevent any of these immortal idiots from revealing the existence of the supernatural to those self-same humans. It’s just too bad that a bunch of selfish and self-indulgent idiots are living too deeply in the past to consider all the angles of their ridiculous campaign.

Too bad for them, that is.

Escape Rating A: I have a soft spot in my heart for the entire Goddess with a Blade series. The first book in the series, the Goddess with a Blade herself, was part of the first batch of eARCs I downloaded from Netgalley. I’ve been hooked ever since.

But that first book was OMG TWELVE YEARS AGO. That averages out to a long time between books, which wreaks more than a bit of havoc with remembering all the details with a series as intricately plotted as this one. Every book in the series has been, not just a direct response to the book before it, but a direct response that is still dealing with pieces of a huge plot to undermine Hunter Corp from within – along with various other asshattery that happens in the wake of that big mess.

Bad Blood, while it’s still cleaning up a bit of the previous mess, does read like a bit of a fresh start – even if that’s likely to be a fresh start because of a new and different plot full of asshattery that hasn’t yet fully emerged.

Which means that Bad Blood is a good place to get into – or back into – the Goddess with a Blade series. It’s not exactly a new set of problems, but it feels enough like it is to let someone who hasn’t read or re-read the whole thing recently to get right into the thick of it.

The other thing that makes this entry work as either a start or a fresh start is that the problems this go around feel all too much like real life in spite of the paranormal setting. It’s not just a story of immortal vampires messing with each other because immortality is boring. Instead, what we have are factions in two separate hierarchies that are each oozing with privilege who want a return to the ‘good old days’ that never really were and don’t care how much they have to lie to themselves and cheat and steal from everyone else to make it happen.

And haven’t we all witnessed that before?

It’s that grounding in the real that makes it easy to step into Rowan’s world, and it’s the continued development of Rowan’s personal relationships with her husband, her father and especially her own personal ‘Scooby gang’ that keep us in there with her. And isn’t that just like Dallas and Roarke all over?

In the end, as Rowan gets the ‘bad blood’ among the vampires’ council and the witches’ conclave to behave – at least those that haven’t already gotten dead in the crossfire – it’s clear that this is only the tip of another iceberg of asshattery that thinks it’s going to crash Rowan’s plans. I hope it happens soon, because this series has just gotten fun again and I want more!

Review: The Scandalous Confessions of Lydia Bennet, Witch by Melinda Taub

Posted on by Marlene Harris | Author : | B Reviews> blog tours> book reviews
Review: The Scandalous Confessions of Lydia Bennet, Witch by Melinda TaubThe Scandalous Confessions of Lydia Bennet, Witch by Melinda Taub
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, retellings
Pages: 400
Published by Grand Central Publishing on October 3, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A sparkling, witchy reimagining of Pride and Prejudice, told from the perspective of the troublesome and—according to her—much-maligned youngest Bennet sister, Lydia.
In this exuberant reimagining of Jane Austen’s Pride and Prejudice, Lydia Bennet puts pen to paper to relate the real events and aftermath of the classic story from her own perspective. Some facts are well known: Mrs. Bennet suffers from her nerves; Mr. Bennet suffers from Mrs. Bennet, and all five daughters suffer from an estate that is entailed only to male heirs.
But Lydia also suffers from entirely different concerns: her best-loved sister Kitty is really a barn cat, and Wickham is every bit as wicked as the world believes him to be, but what else would you expect from a demon? And if you think Mr. Darcy was uptight about dancing etiquette, wait till you see how he reacts to witchcraft. Most of all, Lydia has yet to learn that when you’re a witch, promises have power . . .
Full of enchantment, intrigue, danger, and boundless magic, The Scandalous Confessions of Lydia Bennet, Witch, has all the irreverent wit, strength, and romance of Pride and Prejudice—while offering a highly unexpected redemption for the wildest Bennet sister.

My Review:

I have to confess something. I’m not all that fond of Pride and Prejudice. I did like it when I listened to it, but I didn’t LOVE it the way that so many readers do. Mrs. Bennet drove me as far around the twist as she clearly did Mr. Bennet, which just made the whole thing hard to take. So I’m not a huge fan.

Now that I’ve got that out of my system, let’s get into this new P&P reinterpretation, The Scandalous Confessions of Lydia Bennet, Witch. Which, in spite of not being nearly as scandalous as Lydia Bennet claims they are, turned out to be a surprising amount of fun.

At the heart of this reimagining of the classic is that bit that comes after the comma in the title. Lydia Bennet was ALWAYS scandalous, at least as far as society’s definitions were concerned. That’s not exactly news, although even the reasons she courted all that scandal and exactly how she fell into it are considerably different here than they seemed to be in the original.

And it’s all due to that one little word, ‘Witch’. In this look at the Bennet family, it’s not a metaphor, and it’s absolutely not a way of saying ‘bitch’ without actually saying it. Lydia Bennet, the disgraced and disgraceful youngest Bennet daughter, is an actual, practicing (although sometimes not nearly enough) witch.

As is her aunt – and a surprising number of the women around Longbourn. Her aunt is her first teacher, the local coven are her first sisters in the Craft, and young Lydia doesn’t learn nearly enough from either of them.

Which leads to all the trouble she eventually finds herself in. Because nothing and no one she meets is exactly what they seem – and Lydia is much too young and naive to figure that out before it’s much too late.

Escape Rating B: This wants to be Lydia Bennet’s redemption story. Or rather, the way it’s written, as Lydia’s confessional to an initially unnamed party, Lydia thinks it’s her redemption story when it’s actually not. It IS a confession, of sorts, but it’s a self-justification story. It’s her long-winded explanation of everything that happened and why it happened the way it did. It’s her attempt to win forgiveness. A forgiveness she only proves herself deserving of when she DOESN’T send the damn thing.

Lydia’s long-winded confession – it’s not that the book itself is long-winded but Lydia IS rather fascinated with the words coming out of her pen – occasionally interspersed with Lydia’s perspective on the events that are happening around her while she’s writing about the things she’s already done that brought her to this point, does an excellent job of pulling the reader into Lydia’s thoughts and her world.

Whether she actually manages to justify any of her behavior is an entirely different story, but it’s fascinating to watch her try.

In the end, Lydia comes off as naive, pragmatic and expedient in equal measure. She does the things she does because she feels her acts are the only possible choice she has at the time, and it’s only afterwards that she sees that she’s made terrible mistakes. Not because she’s a terrible person, but because at the time she simply doesn’t know any better. It reminds the reader rather forcibly that Lydia is ONLY 15 in a world that sheltered young women to what now seems an impossible and unconscionable degree.

The thing that made this work for me wasn’t the strong link to Pride and Prejudice, but rather the strength of its story of female friendship and sisterhood, and its reminder that in the end, the villains are merely human and that humans are the true monsters after all. (The witchy politics reminded me rather a lot of Her Majesty’s Royal Coven in spite of the two centuries that lie between their settings.)

So if you’re a big fan of P&P, this reimagining of the classic – with witches and talking cats! – takes the story in a magical direction but doesn’t go over the top to the place that Pride and Prejudice and Zombies camped out to. It doesn’t hew quite as closely to the more realistic interpretation in The Other Bennet Sister by Janice Hadlow but still puts a new spin on a very familiar character.

I still don’t really like Lydia, and her mother is a straight-up nightmare, but this story did give me a much more sympathetic understanding of Lydia’s character although her parents and their relationship still drive me batty. Howsomever, while I still may not like Lydia, this paranormal perspective of her story does put her in a whole new light – and it’s a whole lot of fun into the bargain!

Review: A Duke’s Introduction to Courtship by Sophie Barnes

Posted on by Marlene Harris | Author : | A Reviews> blog tours> book reviews
Review: A Duke’s Introduction to Courtship by Sophie BarnesA Duke's Introduction to Courtship (The Gentlemen Authors #2) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, regency romance
Series: Gentlemen Authors #2
Pages: 320
Published by Sophie Barnes on September 26, 2023
Purchasing Info: Author's Website, Amazon, Barnes & Noble, Kobo
Goodreads

Love caught him completely off guard and forced him to question everything…

When Brody Evans, Duke of Corwin, goes incognito at a printing press, he doesn’t anticipate meeting Mr. Michaels, a charming young man with whom he shares an instant connection. Soon he’s questioning everything he believed to be true of himself, while losing his heart in the process. Accepting the way he feels is not only hard, it’s also illegal and downright dangerous. Until he learns the truth and is forced to wonder whether or not the person he fell for is real, or just an illusion.

Dressed as a boy, Harriet Michaels acquires a job at a printing press so she can support herself and her younger sister. It seems like a good idea until she meets Mr. Evans, the new assistant editor. Her attraction toward him cannot be denied, but it must be concealed if she’s to avoid detection and the risk of losing her job. The more time she spends with him, however, the closer she comes to heartache and ruin. For as it turns out, Mr. Evans is not who he claims to be either.

My Review:

This second book in the Gentlemen Authors series has made the theme of the overarching story of the series more apparent while still giving readers a lovely historical romance. Although the romance isn’t nearly as frothy as readers often expect from a Regency romance – and is all the better for it.

There are two stories being told in parallel. The individual story in each book in the series, beginning with A Duke’s Guide to Romance, is the story of a romance between a duke in dire financial straits of his own making and a woman who has been forced to make her way in the world through her own hard work and and has chosen a rather unconventional way of going about it.

At the same time, the overarching story of the series as a whole is a fictionalized version of how a book made its way from being a glimmer in the author’s – or in this case authors’ – eye to being put in the hands of readers.

As this series began, the three dukes have finally gotten their feet back under them after their fathers’ sudden death in a cow pen explosion. Unfortunately along the way of their grief, they seem to have egged each other on in wasting much too much money, even as they held each other up emotionally.

The bills have come due. Ruinously so. Which is where their romance novel, A Seductive Scandal, comes in. They need a plan to make money even though most careers are closed to them, socially speaking. It’s just not done.

In the wake of Jane Austen’s recent death, there’s a vacancy in the publishing landscape that readers are crying out for someone to fill. The three dukes undertake to write a romance novel, à la the late Austen, and succeed beyond their wildest dreams as far as the readability of the book is concerned.

Their next step is to get the damned thing published, which is where this story begins. The Duke of Corwin, Brody Evans, walks by a printing press’ office and spies a ‘Help Wanted’ ad for an assistant editor, beginning immediately. He takes the job, planning to slip their manuscript into the slush pile after several days of doing the work and ingratiating himself with the owner.

He comes to enjoy the job far more than he ever imagined. He’s being paid a pittance from his perspective, but he’s being paid to READ ALL DAY. What’s not to love?

His enjoyment of the job is both increased and confounded by his surprising attraction to the company’s print compositor, Harry Michaels. Harry is the best the printing press’ owner has ever seen at the job, fast, efficient and accurate. He comes early, stays late and makes the whole place hum with productivity.

And he has a secret. Harry Michaels is really Harriet Michaels. A masquerade that she absolutely must keep, because she needs the money to support herself and her younger sister and knows that no job suitable for a woman will pay as much as any job reserved for men.

Which means that Harry must resist Harriet’s attraction for the new assistant editor, ‘Mr. Evans’, no matter how much she wants to give in, even as Mr. Evans’ attraction to Harry Michaels makes him question everything he thought he believed about himself, and wonder just how high a price he’s willing to pay for love.

Escape Rating A: A Duke’s Introduction to Courtship isn’t nearly as frothy a confection as A Duke’s Guide to Romance, and honestly it’s all the better for it. (Not that a good frothy romance can’t be utterly scrumptious as the first book is, but too much of a good thing usually results in a tummy ache – or in this case a headache – from overindulgence in too many sweets.)

We’ve already seen the situation that Brody and his friends are in. It’s not exactly life-threatening, but it is serious from their perspective. First of all, they’ve all been really stupid and they all regret it. They all miss their fathers who were taken from them MUCH too soon. What allows the reader to have sympathy for a group of men who are fantastically well off but merely not as rich as they could be comes down to the way they approach their situation. They are not thinking of themselves but rather of the people who depend on them, and that’s a position that is easier to respect.

What makes this entry in the series work, and also be more serious at the same time, is Harry/Harriet Michaels’ considerably more dire straits. Harriet and her sister are on the knife-edge of poverty. Harriet’s masquerade as Harry makes their situation survivable but just barely. All it will take is one slip and they’ll both be off to the workhouse or working on their backs. Or dead and that seems the most likely. A fact that is brought home to Harriet when Lucy gets sick and Harry is beaten and robbed on the way to fetch a doctor. A doctor that Lucy still needs but that Harry can no longer afford to pay after the robbery.

Harriet is caught between a rock and a hard place, or perhaps a better description would be between Scylla and Charybdis, with sea monsters to either side and slippery rocks underfoot the whole way.

The way that Harriet’s necessary deception leads to Brody’s soul searching added something very special to the whole story, giving his portrayal considerably more depth than might have been expected. Not that this particular scenario hasn’t happened before, and hasn’t been used well, most recently in Jane Dunn’s An Unexpected Heiress, with Cat Sebastian’s Unmasked by the Marquess and even the classic movie Victor/Victoria using the same idea to terrific effect.

Brody’s decision that he loves Harry and damn the consequences, and his subsequent confusion and even sense of betrayal when Harry turned out to be Harriet after all gave the story its final bit of tension AND made Brody’s stake in the situation come much closer to equal Harriet’s than might have been expected.

I’ve written more about this book than I expected because it turned out to be several cuts above what I expected when I started it. I expected froth and fun. What I got went a bit deeper on multiple fronts and still managed to deliver a very satisfying happy ever after at the same time.

I’m really looking forward to the final book in the Gentlemen Authors series, A Duke’s Lesson in Charm, coming next month. Especially since this book should finally reveal to readers just how well the ducally-written romance does at the booksellers!

Review: The Last Devil to Die by Richard Osman

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: The Last Devil to Die by Richard OsmanThe Last Devil to Die (Thursday Murder Club, #4) by Richard Osman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, thriller
Series: Thursday Murder Club #4
Pages: 432
Published by Pamela Dorman Books on September 19, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Shocking news reaches the Thursday Murder Club.
An old friend in the antiques business has been killed, and a dangerous package he was protecting has gone missing.
As the gang springs into action they encounter art forgers, online fraudsters and drug dealers, as well as heartache close to home.
With the body count rising, the package still missing and trouble firmly on their tail, has their luck finally run out? And who will be the last devil to die?

My Review:

The first ‘devil’ to die in this fourth entry in the Thursday Murder Club series is an old friend who helped them solve the case in the previous book in the series, The Bullet That Missed. Kuldesh Sharma was an antiques dealer who was lucky enough to be making a decent living in a business where too many people get caught up in buying things they love rather than trading in things they can sell at a profit.

But his luck ran out on a lonely country road with a bullet in his head that absolutely did not miss this time around.

Technically, his luck ran out earlier that Boxing Day, when he was one of the few antique shops open for business on a day when the local heroin importers needed someplace to hold onto a box for them. It was an offer he knew he couldn’t refuse, lest he end up exactly the way he did, dead with his store ransacked.

Those events aren’t linked the way that anyone expects them to be, and thereby hangs a tale. Specifically, this tale of bad luck and worse choices, an utter inability on the part of several unlucky individuals to distinguish friend from foe, a trail of bodies both guilty and innocent, and a small box that may not be bigger on the inside but is certainly a great deal larger in some dimensions than it appears.

Escape Rating A: The Last Devil to Die turned out to be the perfect capstone to this series so far, but I had more than a bit of an approach/avoidance problem to reading it all the way to the bitter end.

I also had the same hard time writing this up because there’s a point near that end that gave me the weepies. Seriously, I started crying. If you read the whole series so far, there’s a strong possibility that you will, too. It’s not exactly unexpected but it does invoke one hell of a lot of feels. Those tears rain over this entire review. Consider yourself warned.

What makes this case so convoluted is that, at least at the beginning, NO ONE really knows what it’s about – but everyone has made assumptions in that regard. Which makes the whole thing fall directly into that cliché about ‘assume’ and asses.

To the police, at least in the persons of the Thursday Murder Club’s police buddies Chris and Donna, it’s all about the heroin, or at least it’s about the local drug kingpins chasing the heroin. Because it would be a really serious feather in Chris and Donna’s caps if they could manage to nail those bastards to the wall.

But there’s a big deal officer from London who has come to take over the case and thrown our friends off the case – with rather extreme prejudice. Leading Chris and Donna to continue their investigation following rather more closely in the footsteps of the Thursday Murder Club – at least in regards to extra-legal methods – than either of them is strictly comfortable with.
Whatever the police think this case is about, the local drug gangs seem to be making a much bigger fuss over a mere 100,000 pounds worth of heroin. That not 100,000 pounds of heroin, which would be a pretty big deal, but rather a small amount of the stuff worth 100,000 pounds.

Big difference. Huge difference. Orders of magnitude difference. It’s only after the Thursday Murder Club follows that trail of bodies that Elizabeth Best puts together what it’s really all about, in a scene worthy of the best of the classic murder mysteries – even if the trail and the reasons for it are anything but old fashioned.

What makes this series work as a whole is that, in spite of how fanciful the idea of a bunch of septuagenarians solving murders might be and often is, and as quirky and eccentric as the members of the Club absolutely are, there’s nothing silly or twee about the way they go about their business.

And it’s not just that they are as deadly serious as the corpses they discover, but also that they are pragmatic and savvy about their place in the world, that they have many more days behind them then ahead of them, that they are often discounted because of that, and that the end is coming for all of them and it’s important how they occupy that time and take care of that end as it comes.

I appreciate their perspective and their approach to their lives at this stage of them even more than I might have otherwise, as I’m now in my mid-60s and honestly I’d like to be them when I grow up. Preferably without having to deal with a string of dead bodies every other month, but the way they all work together and make a difference in the world, as well as their beautiful and supportive friendship, is something to aspire to.

There’s a hint at the end that the Thursday Murder Club will be tying up the loose ends of a case tangential to the one they investigated in The Bullet that Missed when this series continues. Which, according to the author’s afterword, won’t come as immediately as fans would prefer, but will happen once the Club and their legion of fans recover from their grief over The Last Devil to Die.

Review: The Book Club Hotel by Sarah Morgan

Posted on by Marlene Harris | Author : | B+ Reviews> blog tours> book reviews
Review: The Book Club Hotel by Sarah MorganThe Book Club Hotel by Sarah Morgan
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, holiday fiction, relationship fiction, women's fiction
Pages: 368
Published by Canary Street Press on September 19, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

This Christmas, USA Today bestselling author Sarah Morgan returns with another heartfelt exploration of change, the power of books to heal, and the enduring strength of female friendship. Perfect for fans of Emily Henry and Jennifer Weiner.
With its historic charm and picture-perfect library, the Maple Sugar Inn is considered the winter destination. As the holidays approach, the inn is fully booked with guests looking for their dream vacation. But widowed far too young, and exhausted from juggling the hotel with being a dedicated single mom, Hattie Coleman dreams only of making it through the festive season.
But when Erica, Claudia and Anna—lifelong friends who seem to have it all—check in for a girlfriends’ book club holiday, it changes everything. Their close friendship and shared love of books have carried them through life's ups and downs. But Hattie can see they're also packing some major emotional baggage, and nothing prepares her for how deeply her own story is about to become entwined in theirs. In the span of a week over the most enchanting time of the year, can these four women come together to improve each other’s lives and make this the start of a whole new chapter?

My Review:

This is the story of how the Hotel Book Club transformed the Maple Sugar Inn into The Book Club Hotel – with a little bit of help from the spirit of Christmas. It’s also the story of four women living the old saying that goes, “When you come to a fork in the road, take it.”

The members of the Hotel Book Club, former college roommates Ericka, Anna and Claudia, have met up every year since those college days at some hotel or another to catch up with each other, sightsee a bit, drink wine and talk about books. Not necessarily in that order.

As the story begins they are all just one side or the other of 40. Which is turning out to be one hell of a milestone birthday for each of them – even if they are having a difficult time admitting that to themselves – let alone each other.

There’s that saying about the grass being greener on the other side of the fence? They’re all feeling a bit of that because they went very different directions after college, which was not exactly a surprise as they were not exactly peas in a pod when they met.

Anna and Claudia both envy Ericka for her high-powered and highly-successful career and the lifestyle it affords her. Ericka and Claudia both see Anna’s happy marriage and picture-perfect family as a touchstone, proof that some relationships do work and some marriages are successful and some families are perfect – even if that hasn’t been the experience for either of them in their birth families or their own history. While Ericka and Anna both have a touch of that same envy over Claudia’s passion for and expertise in being a chef.

And all of those things are true, but, under the surface each situation is nowhere near as perfect as it seems from the outside. Anna is beset by empty-nest syndrome as her ‘job’ as the ever-supportive mother to twins Meg and Daniel is moving to a new and dreaded phase as those twins get ready to leave for college.

Claudia’s 10-year relationship with John has just ended, and she’s just lost a job that burned her out so badly she’s thinking seriously about re-inventing herself as something, anything, to get out of soulless kitchens run by abusive dictators that do not respect her skills AND leave her no time for a personal life.

While Ericka is waffling on the first steps of the road not taken. Or rather, the road her father took minutes after she was born, leaving her and her mother behind to fend for themselves while he ran about as far away as he could get. An event that sent her life into an utter inability to depend on anyone else for anything ever – with Anna and Claudia seeming to be the only exceptions.

When the friends gather at the Maple Sugar Inn that early December, they enter what seems like a picture perfect place to spend a week putting each other back together – even if none of them can admit that’s a big portion of what they are there for.

Just as they arrive, that picture-perfect picture melts down. The innkeeper Hattie is having a crisis of her own. Multiple crises, in fact, as both her head housekeeper and her five-star chef have quit in the midst of tantrums worthy of a two-year old while the inn is full to the rafters and there seems to be no help in sight.

But there is. And in the course of helping Hattie set the inn on the course she finally has the spoons to create for herself, Anna, Claudia and Ericka each find the fork in their own roads – and reach out to take it.

Escape Rating B+: I picked this up for two reasons, and I’m not sure which is first or second. The whole concept of a vacation just to read and spend time with lifelong friends and read, (did I mention read?) and relax and oh, yes, read – sounds a bit like heaven. And the setting of The Book Club Hotel seemed particularly idyllic, including a brief trip to a ‘Winter Wonderland’ without having to stick around for the next several months of freezing temperatures, gray snow and mud. (Been there, done that, the t-shirts are all long-sleeved and insulated.)

The Stacking the Shelves stack that included this book garnered a whole lot of comments about just how wonderful this particular vacation sounded, so I’m clearly not alone in thinking it would be lovely.

That other reason for picking up The Book Club Hotel is that I really enjoyed this author’s The Summer Seekers a couple of years ago, and was hoping for something similar.

In spite of the wildly different settings, that particular wish was just a bit too on the nose. The characters read a bit too similarly particularly Ericka and Anna standing in for emotionally distant Kathleen and helicopter worrywart mother Liza.

The story follows a familiar outline. Four women, each at their own personal crossroads, come together accidentally and on purpose and forge or re-forge the bonds between them while figuring out which way to turn at that crossroad with a little help from their old and new friends.

It’s a familiar formula because it works – and it certainly does in The Book Club Hotel. And that’s down to the four protagonists, Ericka, Anna, Claudia and Hattie. It helps a lot that not only are they all individually charming, each in their own ways, but they also represent different but very real dilemmas. Readers may not identify with all of them, but it would be difficult not to resonate with one or two. (Personally, I was on Team Ericka and Team Claudia but your reading mileage may take you down the other fork in the road.)

What really makes it all work is that each of these women does find a happily ever after, but it’s not the SAME happy ever after – and it shouldn’t be. I particularly liked that not all of those HEAs were wrapped around relationships and children. They each needed to work on themselves, and happiness followed from that work.

I have to confess that, in spite of my deep, abiding love for the concept of an actual Book Club Hotel, the story in said hotel didn’t pull at my heartstrings quite as hard as The Summer Seekers but a good reading time was absolutely still had by this reader.

If you like women’s fiction/relationship fiction, I’m confident that you will, too.

Review: Into the Riverlands by Nghi Vo

Posted on by Marlene Harris | Author : | A+ Reviews> audio reviews> audiobooks> book reviews
Review: Into the Riverlands by Nghi VoInto the Riverlands (The Singing Hills Cycle, #3) by Nghi Vo
Narrator: Cindy Kay
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy
Series: Singing Hills Cycle #3
Pages: 112
Length: 2 hrs 21 mins
Published by Tantor Audio, Tordotcom on October 25, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Wandering cleric Chih of the Singing Hills travels to the riverlands to record tales of the notorious near-immortal martial artists who haunt the region. On the road to Betony Docks, they fall in with a pair of young women far from home, and an older couple who are more than they seem. As Chih runs headlong into an ancient feud, they find themselves far more entangled in the history of the riverlands than they ever expected to be.
Accompanied by Almost Brilliant, a talking bird with an indelible memory, Chih confronts old legends and new dangers alike as they learn that every story-beautiful, ugly, kind, or cruel-bears more than one face.

My Review:

The entire Singing Hills Cycle is a story about stories; the collection of them, the interpretation of them, and especially the way in which that interpretation changes over time as those stories fade in and out of conscience and memory.

Cleric Chih has come to the Riverlands to learn what the Riverlanders themselves have to say about the many, many martial arts legends that once walked the Riverlands, only to find themselves in the middle of one.

Or perhaps two. Or even an infinite number of interpretations of the very same one.

Chih, with their friend, mascot and memory recorder, the neixin bird Almost Brilliant, are on the road to Betony Docks, intending to wind their way home to Singing Hills to deliver their report of the stories and legends they have found along their most recent journey.

It’s who they are. It’s what they do. It’s what Singing Hills is all about.

Chih sees the opportunity to travel with the young martial arts master Wei Jintai, her sworn sister Mac Sang, and the middle-aged couple Lao Bingyi and Mac Khanh as a way of traveling the rather dangerous road through the Riverlands in somewhat greater safety while taking the opportunity to hopefully learn some new stories to take home.

However, the stories come to life – and death – as they travel into the lands of the Hollow Hand sect of bandits, thugs and marauders. The Hollow Hand is supposed to have been wiped out long ago, and the martial heroes who did the wiping, Wild Pig Yi and Gravewraith Chen, are assumed to be long dead.

But legends never die. Sometimes they don’t even fade away. They just become different legends. Over and over and over again. Even as they hide in plain sight and boss everyone around.

Escape Rating A+: At first, Into the Riverlands seems as if it’s a play on the Canterbury Tales, with Cleric Chih taking the place of Geoffrey Chaucer himself (who, come to think of it, by certain definitions was himself a ‘cleric’). Into the Riverlands is a journey, and every person in the party has at least one story to tell. It’s Chih’s duty to record those stories – not to become a part of one themselves.

Which most definitely doesn’t stop that from happening anyway.

It’s pretty clear from the beginning of their trip that Lao Bingyi and Khanh are more than they seem – a devoted middle-aged married couple where the wife knows everyone and everything and can’t stop from bossing people around and telling them all about themselves, while her husband is a man of few words who indulges her every whim.

And that portrait is manifestly true – while still only being one face that they wear. It’s who people expect them to be at this point in their lives. But it’s not who they have been, or even who they ARE. Those are faces they reveal only in part, and only when they must.

It’s only when the crisis comes upon them – or they come upon it – that Chih gets a glimpse of those true faces, and even those are masks that conceal one or more truths that they are not ready to reveal – if they ever will be.

It’s as though Li Mu Bai and Yu Shu Lien, the protagonists of the film Crouching Tiger, Hidden Dragon, had managed to survive their tragic story and outlive their legends into middle age. If they had, or if their tragic ending was either smoke and mirrors on their parts or literary license on the part of some chronicler, they might have become Mac Khanh and Lao Bingyi. And perhaps they did.

Certainly Lao Bingyi lies at the heart of a whole host of tales that Chih gets the barest glimpse of and is informed in no uncertain terms that it’s all they are entitled to get. That the story is hers and not theirs and NOT the Singing Hills Abbey’s.

And that’s the right ending of this tale, which was lovely in the telling even if a bit nerve-wracking for the participants in the doing.

But, as I said in last week’s review of Mammoths at the Gates, throughout the Singing Hills Cycle Chih has been moving steadily from the periphery of the story to the center of the narrative. Their own story is in Mammoths at the Gates, and it was marvelous to finally see their perspective on their own world rather than merely being a witness and recorder to others.

I read Into the Riverlands before it came out in 2022 for a Library Journal review and loved it at the time but didn’t take the opportunity to write it up for Reading Reality while it was still fresh in my memory. After re-reading Mammoths at the Gates last week in the same circumstance, I wasn’t ready to leave Chih’s world and decided to take a trip back through audio. It seemed appropriate as the stories that Chih records are stories that they are being told and I wanted to experience them the same way.

I’m very glad I went back, as Into the Riverlands made an excellent audiobook, thanks to the expert narration of Cindy Kay. And the story had added depth and meaning after reading Mammoths at the Gates and exploring the neixen birds in general, and Almost Brilliant in particular, in a story that better showcased her talents and personality. On the whole I enjoyed this book even more the second time around, to the point where it’s making me think I might want to pick up the audiobooks for the first two books in the series, The Empress of Salt and Fortune, and When the Tiger Came Down the Mountain, and go all the way back to the very beginning!

One final note in reference to the ‘neixin’ and the audiobook. The thing about reading without hearing the words is that you learn how to spell words like ‘neixin’ without knowing how they sound. Listening to an audiobook is the reverse, in that you hear the word without knowing how it’s spelled (which can be frustrating when writing a review!) ‘Neixin’ does not sound at all like I thought it did, and I’m glad to sit corrected.

So reading/re-reading the Singing Hills Cycle has been lovely, and I’m already looking forward to the next book in the series, The Brides of High Hill. But listening to the story, as I think it’s meant to be told, has been a delight.

Review: Starter Villain by John Scalzi

Posted on by Marlene Harris | Author : | A Reviews> audio reviews> audiobooks> book reviews
Review: Starter Villain by John ScalziStarter Villain by John Scalzi
Narrator: Wil Wheaton
Format: audiobook, eARC
Source: publisher, supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: science fiction, superheroes
Pages: 272
Length: 8 hrs 5 mins
Published by Audible Studios, Tor Books on September 19, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Following the bestselling The Kaiju Preservation Society, John Scalzi returns with Starter Villain, another unique sci-fi caper set in the strangest of all worlds, present-day Earth.
Inheriting your mysterious uncle's supervillain business is more complicated than you might imagine.
Sure, there are the things you'd expect. The undersea volcano lairs. The minions. The plots to take over the world. The international networks of rivals who want you dead.
Much harder to get used to...are the the sentient, language-using, computer-savvy cats.
And the fact that in the overall organization, they're management...

My Review:

It’s a truism that “dogs have owners, cats have staff” and in that context, Charlie Fitzer is absolutely the staffer for ‘his’ cat, Hera, and her newly adopted kitten sister Persephone. In fact, Charlie is more Hera’s pet than she is his, something that he is forced to become all too aware of as Charlie’s situation sinks its teeth into him – figuratively and even literally.

As the story begins, Charlie is so far down that he can’t even see ‘up’ from where he’s standing. He’s a journalist without a job because journalism is dying. He’s divorced. The dad he spent the last several years taking care of is dead, and Charlie is living in his dad’s house but only owns one quarter of said house – while his three siblings want him OUT so they can sell it. He wants to buy a local bar so he can get out of substitute teaching and maybe build a life again.

And his great uncle Jake just died, which Charlie only knows about because he used to be a finance journalist – and a good one – and he still can’t resist listening to the finance news. He’s not expecting a legacy from Uncle Jake because Charlie hasn’t seen Uncle Jake since he was FIVE and barely remembers the man nearly 30 years later.

But Uncle Jake, who Charlie always believed was a parking lot magnate – which he was – was also something else. Something Charlie gets more than a glimpse of when he attends Uncle Jake’s funeral and one of the other attendees attempts to stab the corpse.

Uncle Jake was clearly not just in the parking lot business. And now, neither is Charlie. Which is how he discovers that Hera isn’t just a cat, and that truth is not only infinitely stranger than fiction – but that it downright inspires it in ways that Charlie could never have imagined.

At least not until he found himself mediating labor disputes between the management of the not-exactly-secret, über high-tech, super villain headquarters that Charlie himself is now in charge of and a pod of genetically engineered, super-intelligent and seriously pissed off dolphins who are planning to go on strike.

Escape Rating A: Charlie starts out Starter Villain in WAY, WAY over his head. Part of his charm is that he never loses sight of that fact. He’s always aware that he hasn’t got a clue, and isn’t likely to get one any time soon, and is secretly panicking about it every other minute. Which is a big chunk of why we like him and end up rooting for him so hard, because his inner voice is asking the same questions that a lot of us would be asking in his place.

The setup of Charlie’s world is hilarious and frightening AF at the same time. So much of what happens is utterly silly and bizarre, but with Charlie as our window into this universe we get to secretly giggle – sometimes guffaw – and Kermit-flail in panic right along with him. What makes it work is that the only thing about the over-the-top-ness of it all that Charlie takes seriously are the murders and death threats – which are legion. The trappings of wealth and power are hollow – at least as they apply to him – and he takes all of it with a grain of salt and a look behind the curtain.

So Starter Villain starts out looking like a short course in how to become a supervillain in a few, not so easy, morally ambiguous lessons, only for both Charlie and the reader to ultimately learn that they’ve been outvillained every single hilarious step of the way – and so has everyone else.

There are a couple of niggles that kept this from being an A+ grade, and one that almost put it over the top anyway, because in the end I had an absolute ball with Starter Villain, and not just because of the cats. Although they certainly helped – in exactly the way that cats always do.

The early part of the story is a really hard read – pretty much right up to the point where ‘Tobias the Stabber’ tries to stab Uncle Jake’s corpse to make sure the old man is really dead this time. It’s hard because Charlie is just so far down during that first part of the story, and circumstances continuously hammer that point home to both Charlie and the reader to the point where it feels a bit like ‘piling on’. That’s probably intentional, but it still makes that first part a bit more of a slog than I generally expect from this author.

Speaking of whom, the other niggle that is not a ‘me’ thing but may be a ‘you’ thing is that Charlie is very much the author’s avatar in this one. The bleed through from the author’s public persona to Charlie’s character is obvious. I like the author’s public persona, I’ve been to a whole bunch of his readings and events and often read his blog, Whatever, for his signature brand of giggles, snark and well-thought-out malleting. But I recognize that he’s an acquired taste. I’ve been rather thoroughly infected, and clearly so have a lot of others or his books wouldn’t make the New York Times Bestseller list on the regular. But if you’re not at least neutral to that taste, Charlie Fitzer may not be your jam. If so, I think you’re missing out but YMMV.

The thing that almost put Starter Villain over the top into an A+ anyway is that this is my second ‘read’ of Starter Villain. The first time around, I read it for a Library Journal review, which turned out to be Starred Review and the SFF Pick of the Month that month. So I did love it but that first bit was just hard. (I liked Charlie too much to enjoy watching him suffer – especially from inside his own head.)

This time around I was able to listen to the audiobook (THANK YOU TOR BOOKS!), narrated by Wil Wheaton of Star Trek: Next Gen fame. Wheaton is channeling the author’s public persona so hard and so well that I nearly caught myself checking a couple of times that it really was him and not the author himself – who does do an excellent job of reading his own work at conventions and on book tours.

But all of the above means that, as the character reads like an avatar of the author’s public persona, and the actor is excellent at channeling that same voice, the reading feels almost seamless, like we’re directly in Charlie’s head the whole time and Kermit-flailing right along with him.

In short – which I realize I haven’t been AT ALL – this means that you really, really need to read Starter Villain – especially if you like cats and are sure they’re the ones really in charge of you, your house, and pretty much everything else in the world. And if you have or can create an opportunity where listening to this book in audio will work for you, make it so because it’s even better in audio.

Review: The Quiet Room by Terry Miles

Posted on by Marlene Harris | Author : | B Reviews> book reviews
Review: The Quiet Room by Terry MilesThe Quiet Room (Rabbits, #2) by Terry Miles
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: science fiction, technothriller, thriller
Series: Rabbits #2
Pages: 432
Published by Del Rey on October 3, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The lore and legends around the underground game known as Rabbits gain new dimensions in this twisty tale set in the world of the hit Rabbits podcast.
After nearly winning the eleventh iteration of Rabbits, the mysterious alternate reality game so vast it uses the entire world as its canvas, Emily Connors suddenly finds herself trapped in a dimensional stream where the game does not exist. At all. Except . . . why do sinister figures show up to stop her every time she goes looking? Does Rabbits truly not exist, or is it being hidden? And if it’s being hidden, why—and by whom?
Meanwhile, architect and theme park designer Rowan Chess is having the weirdest month of his life, full of odd coincidences and people who appear one moment and vanish the next, with no trace they ever even existed. The game that is hiding from Emily seems to have found Rowan—with a vengeance.
But only when Rowan and Emily meet do things start to get dangerous, for together they uncover a conspiracy far deeper and deadlier than either of them expected—one that could forever change the nature not only of the game, but of reality itself.

My Review:

R U playing Rabbits? Or is Rabbits playing you – along with the rest of the multiverse? That’s the question at the heart of The Quiet Room, a wild ride that is anything but quiet. Or peaceful. And only sorta/kinda a room.

The story is, as one of the chapter headings put is, “a Bumpy Fucking Ride” every single step of its sometimes meandering but always terrifyingly dangerous way.

Fair warning, there be “wibbly wobbly timey-wimey stuff” here, with absolutely no Doctor in sight – even if this version of the multiverse could definitely use one.

Emily Cooper, one of the protagonists of Rabbits, seems to have dimensionally shifted into a corner of the multiverse where Rabbits is hiding – not in plain sight as it was in the first book – but so completely underground and under the radar that even Emily can’t find it.

There’s clearly something very, very wrong going on, and the ‘Rabbit Police’ all too frequently mess with any progress that she makes in figuring out what.

They’re not really called the ‘Rabbit Police’, in fact Emily doesn’t know what they ARE called. What she does know is that they operate a bit like a cross between the Men in Black, and SPECTRE or some secret super-spy organization. They show up in suits and masks, kidnap her or one of her friends, sedate her, imprison her and ask her questions about Rabbits. Over and over and over again.

While Emily is running from the ‘Rabbit Police’, Rowan Chess seems to be running straight towards them. The extreme coincidences that form the backdrop of Rabbits seem to be chasing him down in that same world where Rabbits is emphatically not being played. Except by him – even if he has no clue what it is.

As the Rabbits players scurry, and the Rabbit Police chase after them, Emily & Co., discover that the end of this world is coming – even as the ongoing playing of Rabbits in other dimensions is intended to save the rest of it.

They have to find their way to the Quiet Room, the one place where this dying stub of a world connects to the rest of the multiverse. But they have no clue where it is – or even when it is – and no idea who is with them or against them.

Or even if one of them is the entire reason that the AI that controls Rabbits has decided that the whole stub – and everyone in it – should be shut down for the greater good. Or even whether that greater good is greater or good or even halfway well defined at all.

Escape Rating B: I honestly did not expect to like The Quiet Room. The first book in the series, titled Rabbits after the game at the heart of the podcast series of the same title, was a bit of a confused mess that didn’t completely gel for me as a story. I wanted it to, but it just didn’t quite.

The Quiet Room is still a very wild and chaotic ride, but the action is, for the most part, confined to a single stub of the multiverse, and the problem that the characters have to solve is a bit more contained and refined as a result. Meaning that the story hangs together better and makes considerably more sense to a reader looking for a story with at least a somewhat defined beginning, middle and end.

The Quiet Room does a considerably better job at particularly the beginning and the middle, although the end it reaches isn’t so much an end as it is an opening for further adventures. Still, the cast of characters is a bit smaller and their motivations are a bit easier to suss out, so the story feels like it’s on a fast set of rails that keeps the reader on their toes, guessing what comes next, and hanging on for the next corkscrew without flying off into the walls and ceiling.

The ending is only the ending to this particular adventure, but the way it delivers its last twist means that there’s plenty of room for the series to continue. And I’m rather surprised to say that I’ll be more interested in reading that continuation than I ever imagined when I first poked my way into The Quiet Room.

Review: Prophet by Sin Blache and Helen MacDonald

Posted on by Marlene Harris | Author : | A+ Reviews> audio reviews> audiobooks> book reviews
Review: Prophet by Sin Blache and Helen MacDonaldProphet by Sin Blaché, Helen Macdonald
Narrator: Jake Fairbrother, Ryan Forde Iosco, Charlotte Davey
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: espionage, mystery, science fiction, thriller
Pages: 480
Length: 17 hours and 1 minute
Published by Grove Press, Recorded Books on August 8, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Daring, surprising and superbly plotted, this is a fresh, thrilling page-turner from a dynamic new duo in genre fiction
Your happiest memory is their deadliest weapon.
THIS IS PROPHET.
It knows when you were happiest. It gives life to your fondest memories and uses them to destroy you. But who has created it? And what do they want?
An all-American diner appears overnight in a remote British field. It's brightly lit, warm and inviting but it has no power, no water, no connection to the real world. It's like a memory made flesh - a nostalgic flight of fancy. More and more objects materialise: toys, fairground rides, pets and other treasured mementos of the past.
And the deaths quickly follow.Something is bringing these memories to life, then stifling innocent people with their own joy. This is a weapon like no other. But nobody knows who created it, or why.
Sunil Rao seems a surprising choice of investigator. Chaotic and unpredictable, the former agent is the antithesis of his partner Colonel Adam Rubenstein, the model of a military man. But Sunil has the unique ability to distinguish truth from lies: in objects, words and people, in the past and in real time. And Adam is the only one who truly knows him, after a troubled past together. Now, as they battle this strange new reality, they are drawn closer than ever to defend what they both hold most dear.
For Prophet can weaponise the past. But only love will protect the future.

My Review:

From the opening of Prophet, two things are immediately clear. Sunil Rao and Adam Rubenstein are both FINE, and the situation they are in is already FUBAR.

Whatever is going on – which neither they nor the reader know yet – Adam and Rao are both Fucked-up, Insecure, Neurotic (and) Egotistical (although Rao is way more of the last than Adam) and the world is already Fucked Up Beyond All Recognition. FINE and FUBAR to the max, both of them and all of it.

In other words, they’re both hot messes and not a single thing that happens in Prophet helps either of them get any better.

Pretty much the opposite, in fact.

Calling Sunil Rao a human lie detector isn’t nearly enough of a description. It is TRUE, which matters a lot because that’s what Rao, as he prefers to be called, really does. He can tell when someone or something is true. Which explains why Rao gets called in – and out of a psychiatric institute after a suicide attempt – to the sight of something that so clearly does not belong even as he’s staring at the manifestation of it.

Come to think of it, Rao’s ‘gift’, for lack of a better word, also explains the psych hold, as well as why his work partner/keeper, Lt. Colonel Adam Rubenstein, has been brought in to make sure that Rao doesn’t go off the rails, again, no matter how much the situation they have been dragged into might justify it.

And that’s where both the thriller and the SFnal aspects come into this story. Prophet isn’t a person, there is no one predicting the future. And it’s not ‘profit’, which is what I first thought when I heard the title and hadn’t yet seen it in print.

Although, that’s for select definitions of both of those things, as there is a cabal that intends to make profit on Prophet in the long run, and they do believe that they can control the future with it. They’re oh-so-far off base on both counts.

Prophet is a drug. It’s an attempt to weaponize nostalgia. Which would be one hell of a power IF the side effects could be dealt with. At least the side effects that are a bug and NOT an actual feature. (As we already know because it’s already sorta/kinda happening IRL)

But Prophet isn’t exactly what anyone thought it was, and Rao’s special talent isn’t exactly what anyone has been led to believe, while Adam’s motivations for letting himself get roped into this FUBAR are not what anyone who thinks they are in charge of the whole thing has any reason to have a clue about.

Which leads to this story about finding those clues, the truth about Prophet, who thinks they’re behind it and what actually is. The truth about what Rao can really do. The truth about who Rao and Adam really are. The truth about the relationship between them that they have spent years trying to hide from themselves and each other.

And especially the truth about the nature of the universe, which is not a place that anyone would have predicted this story would go – but is oh-so-utterly fascinating once it gets there.

Escape Rating A+: The thing about Prophet as a story is that it is damn difficult to categorize. It’s kind of like Michael Crichton and Robert Ludlum had a book baby, and as wild and crazy as that thought is the whole thing still needs a lot of midwives and stepparents to get a glimpse at just how much is packed into the story.

But still, that’s a start. (It’s also a clue that any expectations that Prophet will have any resemblance at all to co-author Helen MacDonald’s H is for Hawk are going to be thoroughly disappointed.)

At first it all seems a bit SFnal, of the laboratory school of science fiction – much like Michael Crichton’s Jurassic Park and The Andromeda Strain. Prophet is created in a laboratory, and tested in a more-or-less scientific fashion. Or at least a scientific fashion for scientists who had their ethics surgically removed – which would also be science fiction. (We hope, we really, really do!)

But the way the story works is as a kind of mystery/thriller, particularly of the spy thriller school. Which is interesting because espionage fiction is usually about governments spying on other governments and that’s not what’s happening here. It’s not even, exactly, corporate espionage. Although it’s not exactly not either. (There are a LOT of things in Prophet that are not exactly what they seem but not exactly not what they seem, all at the same time.)

It’s more that Adam and Rao are kind of but not exactly undercover within the organization that is working with Prophet, playing with things they don’t understand, and trying their damndest to figure out what the hell is going on.

Which leads to the mystery. At first it’s the mystery of what created a 1950s era, American-style diner in the middle of the English countryside in a literal instant with someone actually watching the whole time. And what keeps happening to the people who get exposed to Prophet, whether accidentally or on purpose. Mostly on purpose.

Along with the mystery of why Adam Rubenstein is immune and Sunil Rao can safely extract it from people who have been exposed. It’s all a puzzle and a mystery and Adam and Rao become deeply invested in solving it – because they must.

Mixed in with ALL of that, and it’s a lot, is the relationship between Rao and Adam that is, that isn’t, that might be, that can’t be, and that is always more and different than anyone thinks it is. Which includes themselves. And quite possibly, the multiverse.

The inability to figure out what box Prophet falls into will drive some readers bananas. Certainly it gave the reading group that recommended it to me a whole bunch of very mixed reactions because it’s not easily defined. They collectively liked it and were not sure about it at the same time.

What carries the story, and carries the reader through the story, is the ever-evolving, often hidden, always on the verge of heartbreak relationship between Sunil Rao and Adam Rubenstein. They are not who they appear to be – not even to each other. Their histories are both shared and opaque to each other. And they’re both so FINE (in the sense of the acronym) that they are on the edge of mutually assured destruction almost all the time. And yet, they’re always on the same page and always have the same goals, even if it doesn’t seem that way at first, not even to them.

If the reader falls for them and their relationship, and I did, the story is an absolute WOW from beginning to end. An end which still manages to be a bit deus ex machina in spite of the reader being able to see it coming a mile away AND the way that it’s not the deus that saves the day. It’s the machina.

I listened to this one all the way to the end, and the readers were terrific every step of the way, even when they were voicing each other’s characters because the story is told in three, sometimes dueling, first person perspectives. This is the kind of first-person narration I love listening to, because the readers were so good and the story so compelling and the characterization, both in the text and in voice was so very much each of them individually that I really did feel like I was in their heads. Which made for an awesome listening experience.

One of my ongoing frustrations with multiple narrators in audiobooks, as much as I utterly love the style and how much it adds to the storytelling, is that while the list of narrators is credited, it’s seldom detailed into precisely who narrates whom. In this particular production, I believe that Jake Fairbrother ‘played’ Rao and Ryan Forde Iosco took Adam’s part, but I can’t be 100% certain of that in the way that I’m sure that Charlotte Davey voices Veronica, the absolutely psychopathic researcher in charge of Prophet R&D.

To sum things up, Prophet is absolutely bonkers in the best of all possible ways. If you like laboratory-based SF, the implications of the story are fascinating. If you love espionage fiction, especially if you miss it and wonder how those kind of stories are going to be told post-Cold War, this is a fantastic exploration of who might still be spying on whom and why. And if you love a good bromance/buddy thriller, especially one that has the potential for more, Prophet could be your jam across the board, and even better in audio.

It absolutely, positively was mine.