#BookReview: In the Shadow of the Fall by Tobi Ogundiran

#BookReview: In the Shadow of the Fall by Tobi OgundiranIn the Shadow of the Fall (Guardians of the Gods, #1) by Tobi Ogundiran
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: epic fantasy, fantasy
Series: Guardians of the Gods #1
Pages: 160
Published by Tordotcom on July 23, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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A cosmic war reignites and the fate of the orisha lie in the hands of an untried acolyte in this first entry of a new epic fantasy novella duology by Tobi Ogundiran, for fans of N. K. Jemisin and Suyi Davies Okungbowa.
" The novella of the year has arrived!" ―Mark Oshiro, #1 New York Times bestselling author
Ashâke is an acolyte in the temple of Ifa, yearning for the day she is made a priest and sent out into the world to serve the orisha. But of all the acolytes, she is the only one the orisha refuse to speak to. For years she has watched from the sidelines as peer after peer passes her by and ascends to full priesthood.
Desperate, Ashâke attempts to summon and trap an orisha―any orisha. Instead, she experiences a vision so terrible it draws the attention of a powerful enemy sect and thrusts Ashâke into the center of a centuries-old war that will shatter the very foundations of her world.

My Review:

It’s not really a surprise that the story begins with Ashâke defying all the rules she’s lived by for her entire life. It’s more of a surprise that she’s been stewing for FIVE whole years about it.

Because something is clearly, maybe not rotten but certainly wrong, in the temple of Ifa that Ashâke has dedicated her life to. She should have been raised from acolyte to priest five years ago. She should have heard the orisha speak to her.

It may sound contradictory that she should have expected the gods to speak to her, but, well, they’re generally not that picky. They’ve spoken to EVERYONE else who has made it that far, EXCEPT Ashâke. Her inability to progress is notable and entirely too noticeable.

That the priests who rule the temple can neither explain her lack nor do something about the rising levels of bullying and abuse that Ashâke has suffered, as increasing numbers of her juniors pass her over for promotion, is the kind of problem that many people would feel compelled to rectify, sooner or later.

Unfortunately, now that Ashâke has disobeyed all the rules and learned much – but not all – of the things she was not supposed to ever discover, she’s only made things a whole lot worse. Not just for herself, but for everyone at the temple.

And for everyone she touches. Along with, quite possibly, the whole, entire world.

Escape Rating B: I generally love novellas for the way that they tell a complete story in a non-doorstoppy length. Tordotcom usually does an excellent job of producing novellas that are exactly the length they’re meant to be and don’t feel like too much got left out in the editing to make a word count that isn’t right for the story being told. Howsomever, In the Shadow of the Fall is the exception to that rule. It’s more of an interesting start to a story than the actual story.

This is intended to be the first half of a duology, and it shows a bit too much. I felt like I got half a book rather than a complete novella that has revealed plenty but has more to come. The ending of In the Shadow of the Fall, with its drumbeat of lie after lie being revealed and Ashâke’s bitter need to adjust her entire worldview, wasn’t so much a cliffhanger as running headlong off the whole entire cliff.

Where this reader is left in a heap on the horns of a HUGE dilemma, in that I was absolutely fascinated by the story that I got, up until it came to a screeching halt.

I’m saying that and I generally love stories where the twist is as unexpected as this one is and the truth – no matter how painful – sets the protagonist free to make a new course and right the wrongs they’ve finally been apprised of.

Something which I’m sure is intended to happen in the second book in the duology, At the Fount of Creation, which is not coming out until JANUARY – making the situation doubly frustrating for the reader. Or at least for this reader.

I hoped I’d feel better about the whole thing once the second book was announced – which has turned out to be true. But I must confess that I finally have an eARC which I will be reading ASAP, because I NEED TO KNOW what happens to Ashâke and her world. 

As I said, the ending of In the Shadow of the Fall wasn’t so much of a cliffhanger as it was running headlong off the cliff and/or slamming headfirst into that cliff’s base. A painful and sudden stop. My personal recommendation would be to save yourself that frustration and wait to read the entire duology in one go as soon as you can grab copies of both books in January.

Because this first book is a real gut-punch of a story – it honestly HURTS not to know how it’s all going to work out. And based on the first half, once we do find out in At the Fount of Creation – it’s going to be grand and heartbreaking in equal, glorious measure.

A- #AudioBookReview: More Days at the Morisaki Bookshop by Satoshi Yagisawa, translated by Eric Ozawa

A- #AudioBookReview: More Days at the Morisaki Bookshop by Satoshi Yagisawa, translated by Eric OzawaMore Days at the Morisaki Bookshop (Days at the Morisaki Bookshop, #2) by Satoshi Yagisawa, Eric Ozawa
Narrator: Catherine Ho
Format: audiobook, eARC
Source: purchased from Amazon, supplied by publisher via Edelweiss
Formats available: paperback, large print, ebook, audiobook
Genres: books and reading, literary fiction, relationship fiction, world literature
Series: Days at the Morisaki Bookshop #2
Pages: 176
Length: 5 hours and 21 minutes
Published by Harper Perennial, HarperAudio on July 2, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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In this charming and emotionally resonant follow up to the internationally bestselling Days at the Morisaki Bookshop, Satoshi Yagisawa paints a poignant and thoughtful portrait of life, love, and how much books and bookstores mean to the people who love them.
Set again in the beloved Japanese bookshop and nearby coffee shop in the Jimbocho neighborhood of Toyko, More Days at the Morisaki Bookshop deepens the relationship between Takako, her uncle Satoru , and the people in their lives. A new cast of heartwarming regulars have appeared in the shop, including an old man who wears the same ragged mouse-colored sweater and another who collects books solely for the official stamps with the author’s personal seal.
Satoshi Yagisawa illuminates the everyday relationships between people that are forged and grown through a shared love of books. Characters leave and return, fall in and out of love, and some eventually die. As time passes, Satoru, with Takako’s help, must choose whether to keep the bookshop open or shutter its doors forever. Making the decision will take uncle and niece on an emotional journey back to their family’s roots and remind them again what a bookstore can mean to an individual, a neighborhood, and a whole culture.

My Review:

At the end of the first book, Days at the Morisaki Bookshop, it seems as if life is on the upswing for first-person narrator Takako, her eccentric uncle Satoru, and his used bookshop in the Jimbocho neighborhood of Tokyo, a place that is positively chock full of used book stores.

As this second book opens, life seems to be going well for Takoko. She’s moving forward with her life, has a job that she enjoys, a solid and happy and solidly happy romantic relationship, her uncle is happily complaining – which is his way – her aunt seems to have made peace with her uncle and their relationship seems stable and happy.

Even the bookshop seems to be doing well.

Howsomever, just as the first book started out as sad fluff, with Takoko in the depths of depression and eventually working her way out through working at the bookshop, rekindling her childhood closeness with her uncle, rediscovering the joys of reading and slowly becoming involved with the life of the neighborhood, these “more days” at the bookshop transit the path in the other direction.

At the beginning, all seems to be well. But as Takoko observes each time she returns to the bookshop to spend time and help out – the reality is that happiness is slipping out from under them.

Some parts of the various situations can be fixed – but not all of them. And not the saddest of all.

Escape Rating A-: I picked up More Days at the Morisaki Bookshop because, having fallen in love with the first book, Days at the Morisaki Bookshop, I wanted more, well, days at the Morisaki Bookshop.

And that’s exactly what I got – and it was beautiful. I’m very glad that I read it – or rather that I gave in to temptation and listened to Catherine Ho as the voice of Takako again because she does an excellent job of embodying the character.

Like the previous book, this is not a story of great doings and big happenings. It’s a quiet story, a book of slices of life, specifically the lives of Takako, her family, her friends, and the Morisaki Bookshop which so much of those lives revolve around.

But, and this is a bit of a trigger warning, the progression of this story is the opposite of the first. It starts high and ends low – even though the epilogue does a good job of letting the reader know that life moves on – even from the depths of grief.

Howsomever, the depths of that grief are very deep indeed. Especially in the excellent audio recording, where it feels as if it’s Takako’s voice telling you just how heartbroken so many of the characters are. It’s very effective, and very affecting. Readers who are already grieving someone close to their hearts will find that part of the story gut-wrenching, cathartic, or both – as this reader certainly did.

So maybe don’t listen to that part while you’re driving because the urge to cry right along with Takako is pretty much irresistible.

That being said, the whole thing is lovely and charming and filled to the brim with the joy of books and reading and the people who love both – just as the first book was. I’m as happy I read this second book as I was the first – even if it did leave me a bit weepy.

This series, along with Before the Coffee Gets Cold, The Kamogawa Food Detectives, What You are Looking For Is In the Library, The Dallergut Dream Department Store and the upcoming We’ll Prescribe You a Cat are part of a marvelously charming and extremely cozy trend of magical – sometimes with real magic – comfort reads and I’m enjoying it tremendously.

If you’re looking for some cozy, comforting reads, you might want to snuggle up with some of these books too!

#BookReview: Lost to Eternity by Greg Cox

#BookReview: Lost to Eternity by Greg CoxLost to Eternity by Greg Cox
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: science fiction, space opera, Star Trek
Series: Star Trek: The Original Series
Pages: 400
Published by Pocket Books/Star Trek on July 23, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A thrilling new Star Trek “movie era” novel from New York Times bestselling author Greg Cox!
Three Eras. Three Mysteries. One Ancient Enemy?
2024: Almost forty years ago, marine biologist Gillian Taylor stormed away from her dream job at Sausalito’s Cetacean Institute—and was never seen or heard from again. Now a new true crime podcast has reopened that cold case, but investigator Melinda Silver has no idea that her search for the truth about Gillian’s disappearance will ultimately stretch across time and space—and attract the attention of a ruthless obsessive with his own secret agenda.
2268: The USS Enterprise ’s five-year mission is interrupted when Captain James T. Kirk and his crew set out to recover an abducted Federation scientist whose classified secrets are being sought by the Klingons as well. The trail leads to a barbaric world off limits to both Starfleet and the Klingon Empire—and an ageless mastermind on a quest for eternity.
2292: The Osori, an ancient alien species, has finally agreed to establish relations with its much younger the Federation, the Klingons, and the Romulans. A joint mission involving ships from all three powers, including the Enterprise -A , turns explosive when one of the Osori envoys is apparently killed. Each side blames the others, but the truth lies buried deep, nearly three hundred years in the past…

My Review:

Star Trek IV: The Voyage Home (the one with the whales), was one of the great movies of the Original Series movie era, alongside The Wrath of Khan. Voyage Home had something for everyone, in that it told a great story, had lots of sweet moments of nostalgia for fans, addresses important and still relevant issues of its day with its tale of species extinction, had oodles of funny scenes and memorable, quotable lines – and ends with a heartwarming scene of the ‘band getting back together’ in a crowning moment of awesome.

It also presents a heaping helping of wish fulfillment for legions of fans then and now as the 20th century cetacean biologist, Dr. Gillian Taylor, time travels with the crew of the Enterprise and the whales George and Gracie from her time to their 23rd century.

It was the stuff that both dreams and fanfic were made of.

But it left a mystery in Taylor’s time that, nearly forty years later, is still unsolved. That mystery serves as the inspiration for a true-crime podcast – because of course it would. And thereby, as the saying goes, hangs this tale that spans from intrepid podcasters in 2024 to a medical researcher’s abduction in 2268 and onward to a planned peace conference with an advanced species in 2292.

What do those three widely separated incidents have in common? None other than Captain James T. Kirk, the crew of the U.S.S. Enterprise – with or without their equally famous ship – and an enemy that no one saw coming.

Escape Rating B: Like most media novelizations, Lost to Eternity is absolutely a story for the fans – and not just because of its homage to the fanservice of Dr. Gillian Taylor’s fate in Star Trek IV.

There are three separate stories in this one, set in 2024, 2268 and 2292. At first, with the focus on the podcasters in 2024, the story is thoroughly grounded in our here and now. It’s easy to get caught up in Melinda Silver’s need to find out what happened to Taylor, and the way that it devolves into conspiracy theories and men in black even as it picks up the remaining threads of Voyage Home as seen through the eyes of the people those events left behind in puzzlement was absolutely riveting.

If you’ve ever wanted the X-Files to cross with Star Trek, that part of this story is pretty much that story.

But the story unwinds across all three eras in turn, so the 2024 chapter is followed by a 2268 chapter and then a 2292 chapter. It all makes sense in the end – but as it goes along it takes a long time and a lot of pages to get a glimmer of just what makes these three stories connect up.

At the same time, the stories in each of the timelines and the way that they are interwoven with previous (from a certain point of view) events in the Star Trek timeline as a whole allows for a whole lot of loose ends from an amazing number of stories to get referenced and eventually closed – which goes back to this being a story for the fans because the more of those loose ends that one recognizes the more familiar – and fun – the story feels.

I had a good time with this story – as I always do when I pick one of these up. I love slipping back into this familiar and beloved universe, and that carried me over the points late in each timeline’s story where I just wanted to see all the dots get connected – and to see if the connections that my brain was making were the ones the author intended to make.

In the end, I enjoyed all three of the individual stories, liked the way they merged, had fun with the way they tied up different loose ends, and loved spending time with these characters. I also thought the author did a great job of making sure that the stories got told from different perspectives – that it wasn’t all Kirk and Spock saving the day no matter how much I do love those stories.

But I found the villain just a bit flat. He read a lot like Arne Darvin, the villain of the episodes The Trouble with Tribbles (TOS) and Trials and Tribble-ations (DS9)combined with the motive but not the scenery chewing of the villains in Star Trek: Insurrection. The villain of Lost to Eternity unfortunately got all of his character from Darvin – who was fairly colorless. A little bit of scenery chewing might have improved him a bit – for select definitions of the word ‘improvement’. Perhaps it would be better to say that a little bit of scenery chewing might have made him a bit more colorful – and interesting.

Still, a good reading time was absolutely had by this reader and I loved the way that it did exactly what Voyage Home did – it connected our present with Star Trek’s future and dreamed a dream of getting from here – to there.

A- #BookReview: Summers End by Juneau Black

A- #BookReview: Summers End by Juneau BlackSummers End (A Shady Hollow Mystery, #5) by Juneau Black
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: cozy fantasy, cozy mystery
Series: Shady Hollow #5
Pages: 288
Published by Vintage on July 9, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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A unique take on dark academia, featuring everyone's favorite vulpine sleuth, Vera Vixen.

It's late August in Shady Hollow, and the heat has intrepid reporter Vera Vixen eager to get away. She agrees to chaperone the annual field trip to Summers End, an ancient tomb built by an early woodland culture, along with her good friend Lenore Lee to come with her.

But when the two enter the tomb, they find bones that are distinctly more...modern. Digging a little deeper, Vera and Lenore discover that the deceased was involved in a recent excavation at the site, and very unpopular with their colleagues. Now the fox and raven have to delve into the dark world of academia and archaeology to determine which creature thought they were clever enough to get away with the perfect murder.

My Review:

Shady Hollow is just the kind of small town that makes small-town cozy mysteries so very cozy. Which makes it very similar to Elyan Hollow in yesterday’s book. But with a singular difference.

All the characters in Shady Hollow are animals. Which doesn’t mean that they aren’t people – because they absolutely are. Even if, or especially because, their species and its characteristics allows the story to overtly display certain facets of their personalities that have to be revealed a bit more obliquely in, let’s call them more traditional, cozy fantasies.

Take Vera Vixen for example. Vera is our protagonist, our amateur detective, and an ace investigative reporter for the local newspaper, the Shady Hollow Herald. The inquisitiveness and cunning of her fox species are assets in her chosen profession – no matter how much her boyfriend, Shady Hollow Police Chief Orville Braun – an actual bear – would prefer she be a bit more mouse-like and keep herself out of trouble.

Part of the magic of the series and the immersion in the place and the characters is that after the first few pages the human reader’s mind glosses over speculation about any details of how a romantic relationship between a fox and a bear would actually work – and what any resulting children would look like if there were any.

(I’ve always pictured those potential children as resembling the Cratchit Family in The Muppet Christmas Carol; the boys took after dad (Kermit) and the girls took after mom (Miss Piggy) – but your imagination may take you down other paths.)

This entry in the series – after the Halloween short Phantom Pond – takes Vera out of her familiar Shady Hollow setting and away from her police bear beau and takes her – along with her best friend, Lenore Lee and a whole, literal, actual boatload of students up the river to Summers End to observe the phenomenon for which the famous archaeological and astronomical site was built back in the Woodlands’ equivalent of prehistory.

So this is supposed to be an educational trip for the students. Vera and Lenore are along as chaperones – and to get a bit of a vacation in a picturesque little town as well. Vera even has a student of her own, as she’s agreed to mentor a budding reporter for the week.

Vera felt a bit out of her element trying to take care of – and ride herd on – a bunch of tweens and teens. But she finds herself needing all of her investigative skills when the group’s sunrise view of the Summers End phenomenon is obstructed – by a corpse.

Naturally – at least for Vera – she can’t stop herself from bringing her reporter’s eye and investigative mind to the grisly sight – even though that’s the last thing that the local police want.

She’s sure she’s helping the investigation. But Police Chief Buckthorn acts an awful lot as if what Vera is really doing is interfering with his coverup. It looks like Buckthorn has already decided who the murderer was – or perhaps that’s will be. And Vera can’t let that miscarriage of justice stand, not when his prime suspect is her best friend’s sister.

Escape Rating A-: This series has always struck me as being a bit of the case of the bear dancing – and pardon the pun about Orville Braun. But seriously, although the series NEVER takes itself too seriously, the whole thing has always struck me as something that one is not surprised is done well but that it’s done AT ALL.

But in this case it very much IS done well. Not that there isn’t a touch – or sometimes more than a touch – of whimsy involved. Howsomever, the heart of the story is ALWAYS the mystery, and the animal natures of the characters are very well played to poke at the vagaries and idiosyncrasies of human behavior – which are, of course, legion.

This particular entry in the series also struck me as being at the intersection of two points that I never expected to see intersect.

Summers End, the archaeological, anthropological and astronomical site, is guaranteed to make readers think of Stonehenge, possibly combined with something like Sutton Hoo to pull in the ancient burial ground aspect.

That combination allows for a whole lot of fascinating story points. There is a thread of dark academia running through the mystery, as Summers End is a huge archaeological site, there are still plenty of digs going on. Which means that the professors at the local university are constantly fighting over sites and rights and theories and tenure.

At the same time, as with any archaeological site, there are always artifacts being uncovered along with the temptations towards theft and fraud that follow. As do tourists who both want to visit the site AND take home a souvenir – legal or not.

But the part of the story that sticks – as the entries in this series often do – is the bit at that strange intersection. Because what gets found in Summers End – besides the murder and the mystery and cleanup of a whole lot of good old-fashioned – but not that old – corruption, is an old story that combines the famous but probably apocryphal quote from Margaret Mead that the earliest sign of civilization is “A healed femur” and the quip a tour guide at Stonehenge once made that the monument was built during the “loony Neolithic” because of just how much of the gross domestic product of the civilization that built it had to be devoted to something that provided neither food nor shelter nor seemingly anything else that a really primitive society would have needed really, seriously badly every single day.

So on the surface this is a murder mystery, a murder that happens for very prosaic and common reasons. The way that Vera and her friends pull together for the investigation is, as always, a whole lot of fun with just the right touch of intrigue and danger.

But it’s the uplift at the end, the way that the stories and legends of Summers End – and of the species who came together to build it at such an early period, and what that meant for the future of the region – that raises the whole thing just that bit higher while not taking a single jot of compulsive, page-turning, edge of the seat reading tension from the mystery and its fitting resolution.

Which is a big part of what makes me love the Shady Hollow series and leaves me always looking forward to the next. As I am right this minute.

#BookReview: Chaos at the Lazy Bones Bookshop by Emmeline Duncan

#BookReview: Chaos at the Lazy Bones Bookshop by Emmeline DuncanChaos at the Lazy Bones Bookshop (Halloween Bookshop Mystery, #1) by Emmeline Duncan
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: cozy mystery, holiday mystery, mystery
Series: Halloween Bookshop Mystery #1
Pages: 256
Published by Kensington Cozies on July 23, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Bailey Briggs adores her year-round Halloween-themed town of Elyan Hollow, Oregon, but when she takes over her grandfather’s beloved bookshop, Lazy Bones Books, she accidentally discovers the town’s secret dark side . . .
Normally, spooky season is Bailey Briggs’ favorite time of year, and her Halloween-themed small town’s time to shine. But between managing Lazy Bones Books, working on her graphic novel-in-progress, and running the Spooky Season Literary Festival, Bailey hardly has a moment to enjoy Elyan Hollow’s spot-on seasonal vibes. Not to mention, at every turn she seems to be tripping over the contentious crew of Gone Ghouls, a ghost-hunting reality TV show currently filming around town. Bailey tries to stay focused on the Lit Festival, which is supposed to kick off Elyan Hollow’s annual Halloween Fair; instead, this year’s festival begins with a murder . . .
It’s bad enough Bailey discovered the victim, but now, as a lead suspect with some (admittedly) damning evidence pointing her way, she’s got to clear her name! With the help of her librarian friend, Colby, and Jack Skeleton, her world-class bookshop dog (and the absolute bestest boy ever), Bailey sets out to solve a murder . . .
As her investigation weaves through family secrets, professional rivalries, and town feuds, the list of suspects is growing fast . . . and unfortunately, so is the list of victims. If Bailey doesn’t find the killer soon, Elyan Hollow’s haunted reputation will get a little too real . . .

My Review:

Elyan Hollow, Oregon seems like just the kind of idyllic small town that makes people who read small town cozy mysteries – which this most definitely is – want to live in a small town just like it.

Elyan Hollow reads as if it’s exactly what you’d get if real towns like Frankenmuth, Michigan or nearby Leavenworth, Washington had decided to embrace The Nightmare Before Christmas all year round instead of, well, actual Christmas.

The town has truly embraced the ‘Spooky Season’, after a cozy horror movie was filmed there decades ago. The movie-set tourists brought so much to the town that Elyan Hollow decided to ‘lean in’ all year round.

Which explains both the name of Bailey Briggs’ bookstore, Lazy Bones Books, AND the theme of the town’s first annual literary festival, sponsored by Lazy Bones, of course, as part of the kickoff for this year’s Halloween season extravaganza.

Both fortunately and unfortunately, it also explains the town’s nearly magnetic attraction for horror authors (YAY!), paranormal romance writers (DOUBLE YAY!) and ghost hunting TV and streaming series (definitely not so yay).

Bailey has her hands full of the festival when all of those magnetic attractions collide in murder – with her shop and her festival at the center of a local detective’s suspicions and investigations.

Leaving Bailey, as the prime suspect in not one but two murders, desperate to clear her name. Which leaves her in precisely the situation that has put so many reluctant but innocent characters on the road to becoming amateur detectives.

Especially as Bailey has her own personal mystery to solve in the midst of this case. The first murder victim might very well have been the name that belonged in the blank spot on Bailey’s birth certificate labeled ‘father’.

Escape Rating B: There are a LOT of mysteries in Elyan Hollow – and the murder turns out to be the least interesting of them all. It’s also one of the few mysteries that gets resolved by the end of the book. Which is a good thing as this is the first book in a projected series.

On one side, there are the mysteries surrounding Bailey’s family – most of which do not get solved in this first book but absolutely do have an impact on Bailey and the story.

Bailey was raised by her grandparents because her teenage mother refused to let an accidental pregnancy spoil her plans to become a doctor. Which she did. Bailey grew up feeling like an afterthought in her mother’s life, well aware that the family her mother created at the proper time is her mother’s REAL family in seemingly all the ways that counts.

Bailey’s grandparents WERE her parents in all the ways that counted, but there are still plenty of holes in Bailey’s heart as well as in her knowledge of where she came from – such as the totally missing information about who her sperm donor might have been.

There are also plenty of current family secrets, as her grandfather has already deeded the family bookshop to Bailey but has not revealed that fact to Bailey’s uncle who is constantly scheming and digging for ways to wrest control of it for its prime downtown location. That’s a mystery that must be coming to a head later because it’s still VERY murky at the end of this book.

Then there’s the festival, the ghost program, and the returning hometown boys made more-or-less good who have come back for one or the other. Both men went to high school with Bailey’s mom, but neither have returned home in the intervening years. Both have secrets that may possibly have to do with Bailey – but it’s no secret that neither can stand the other.

Yet, when one of them is murdered, all the police suspicion falls on Bailey – which feels like more than a bit of a stretch on the part of an overwhelmed detective grabbing at straws and circumstances instead of anything remotely like a real investigation.

Which is where Bailey’s amateur efforts inevitably come in.

I fell in love with Elyan Hollow, and I REALLY liked Bailey and her ‘Scooby Gang’. It helps a LOT that Bailey has every reader’s dream job of owning and running a bookstore – and that it’s dreamy enough that she’s being VERY successful at it though dint of her own hard work. Her best friend is one of the librarians at the local public library, and their bonds to books and over books really shine through.

The mysteries that needed to get solved got solved, but the family mess is, well, messy and that looks like it will continue to be so in the books ahead.

In the end, this series starter reminded me a lot and fondly of Small Town, Big Magic (before the protagonist discovers that she’s really a witch) and Shady Hollow (only with human people instead of animal people). The small towns all have similar charms and the characters have similar and endearing quirks. (Check out my review of the latest book in the Shady Hollow series, Summers End, later this week to see if you agree.)

All of which means that I’ll be keeping my reading eye out for the second book in the Halloween Bookshop Mystery series whenever it appears out of the mist of anticipated reads.

A+ #BookReview: Murder at the White Palace by Allison Montclair

A+ #BookReview: Murder at the White Palace by Allison MontclairMurder at the White Palace (Sparks & Bainbridge, #6) by Allison Montclair
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Sparks & Bainbridge #6
Pages: 320
Published by Minotaur Books on July 30, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In post-WWII London, the matchmakers of The Right Sort Marriage Bureau are involved in yet another murder.In the immediate post-war days of London, two unlikely partners have undertaken an even more unlikely, if necessary, business venture—The Right Sort Marriage Bureau. The two partners are Miss Iris Sparks, a woman with a dangerous—and never discussed—past in British intelligence and Mrs. Gwendolyn Bainbridge, a genteel war widow with a young son entangled in a complicated aristocratic family. Looking to throw a New Year’s Eve soiree for their clients, Sparks and Bainbridge scout an empty building—only to find a body contained in the walls. What they initially assume is a victim of the recent Blitz is uncovered instead to be a murder victim—stabbed several times.To make matters worse, the owner of the building is Sparks’ beau, Archie Spelling, who has ties to a variety of enterprises on the right and wrong sides of the law, and the main investigator for the police is her ex-fiancée. Gwen, too, is dealing with her own complicated love life, as she tentatively steps back into the dating pool for the first time since her husband’s death. Murder is not something they want to add to their plates, but the murderer may be closer to home than is comfortable, and they must do all they can to protect their clients, their business and themselves.

My Review:

Over the course of the Sparks & Bainbridge series, beginning with The Right Sort of Man, Iris Sparks and Gwen Bainbridge have proven to have a very strange kind of luck. The sort of luck that has them tripping over murder victims – or in this case having a murder victim nearly drop on one of their heads. But that luck of theirs extends to not just finding the body – but also getting into the thick of the police investigation, involving themselves with the mob, AND, most importantly, figuring out whodunnit.

Up until this case, that luck has extended to emerging from each case with all of their friends, colleagues and hostages to fortune – as well as themselves – relatively unscathed at the end.

This case breaks the last bit of that streak, as the body that drops on Gwen’s head at the beginning leads to Iris’ mobster boyfriend near-death as the result of a gunshot in the middle. Center mass, in fact, but enough of a smidgeon of that luck kept that bullet from his heart. Not that recovery from a through-and-through shot to one lung is going to make his recovery a walk in the park – if he recovers.

Iris wants to murder whoever shot her man – but Gwen is there to keep her friend from going off half-cocked on a revenge spree. Leaving Gwen to do most of the investigation and surprisingly all of the derring-do in Sparks & Bainbridge’s very personal quest to figure out who murdered the body that dropped in the beginning AND who is doing their damndest to make sure that Archie Spelling is interred in a coffin beside him.

Escape Rating A+: I was up until 3 am finishing this, so an A+ it most definitely is. I tried telling myself I could finish AFTER breakfast, but myself wasn’t listening. I simply HAD to find out whodunnit!

This entry in the series represents a turning point, as well as a bit of trading places. Up ’til now, Iris Sparks, former spy or whatever secret things she did during the war for whatever secret agency, was always the intrepid and daring partner, rushing in where angels rightfully feared to tread.

Gwen Bainbridge, on the other hand, was the cautious and conservative half, fearing – rightfully so – that if they cocked too much of a snook at the conventions that she would be made to pay for it in ways that have hung over her head like the Sword of Damocles in the previous books in the series.

Their positions reverse here, as Gwen is now out from under the restrictions of both her late husband’s family AND the Lunacy Court, while Iris is searching for approval – or at least understanding – from her disapproving mother and Archie’s extended family – only one of which is EVER likely to be on offer.

The police don’t want to listen to either of them – which is par for the course. Not only do the coppers not enjoy being shown up by a couple of amateurs, but Iris’ relationship with a mob boss and Gwen’s partnership with Iris, her friendship with Archie, and the friendly relations she has with Archie’s gang, tar both women with the brush of criminality.

Also, the police don’t seem to be all that interested in investigating Archie’s shooting. They don’t care much if one mobster rubs out another – they’re only worried about the potential for mob warfare that seems likely to follow.

But the case itself isn’t so much about Archie as it is about Archie poking his nose in places that it doesn’t belong. It’s about the past – and not even Archie’s own. While Archie is fighting for his life in the hospital, and Iris Sparks is emotionally flailing about the potential loss of a future she wasn’t sure that she wanted until it was nearly snatched out of her hands – it’s up to Gwen Bainbridge to get to the bottom of the case that literally dropped on her head.

While the case does get wrapped, the story of Iris Sparks and Gwen Bainbridge and the Right Sort Marriage Bureau screeches to a halt with the pop of a champagne cork as 1947 is ushered in on a tide of desperate hope and wild expectation.

This reader, at least, desperately hopes that the next entry in the Sparks & Bainbridge will drop on her head this time next year. It’s not merely a matter of expectation – I absolutely HAVE to know what happens next.

A+ #BookReview: The Price of Redemption by Shawn Carpenter

A+ #BookReview: The Price of Redemption by Shawn CarpenterThe Price of Redemption (Tides of Magic, #1) by Shawn Carpenter
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: adventure, fantasy, historical fantasy
Series: Tides of Magic #1
Pages: 368
Published by Saga Press on July 9, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A debut female-led swashbuckling fantasy following powerful sorceress and sea captain Marquese Enid d’Tancreville as she is forced on the run where she meets a vast cast of characters perfect for fans of Patrick O’Brian’s beloved Master and Commander series.

Despite her powerful magic, Marquese Enid d’Tancreville must flee her homeland to escape death at the hands of the Theocratic Revolution. When a Theocratic warship overtakes the ship bringing her to safety, Enid is spared capture by the timely intervention of the Albion frigate Alarum , under the command of Lt. Rue Nath.

The strange circumstances make for an odd alliance, and Enid finds herself replacing Alarum ’s recently slain sea mage. Now an officer under Nath’s command, Enid is thrust into a strange maritime world full of confusing customs, duties, and language. Worse she soon discovers the threat of the revolution is not confined to shore.

My Review:

When it comes to fictional settings, the Napoleonic Wars are a gift that just keeps on giving. Admittedly, that giving is in the context of the thing about adventures being terrible stuff that happened to someone either long ago, far away, or both. In the case of The Price of Redemption, very much of both.

Because the war between the Ardainne and Albion is absolutely a rehash of the Napoleonic Wars, with Ardainne serving at the post-Revolutionary French complete with their own version of a revolution, and Albion, naturally, sailing in for the Brits holding the line to protect their status quo.

Which is when this particular take on that old conflict gets fascinating, fantastic and utterly magical. Because Ardainne’s Theocratic Revolution throws a religious crusade on top of the class warfare, and marries fanatics straight out of the Spanish Inquisition to Madame Defarge cackling at the feet of Madame Guillotine.

The equivalent of the sans culottes in this world’s Revolution hate and kill mages every bit as much and often as they do aristos – made much simpler for VERY bloody meanings of the world simple – by the fact that so many of the aristos ARE mages who have been using their magical power to increase their political and socio-economic power for centuries.

Ardainne, just like France, was ripe for some kind of plucking. Our story begins with Marquese Enid d’Tancreville, running before the wind and away from the Theocrats (just call them Rats because EVERYONE does) now in charge of the Revolution, on an Albion merchant ship that is outmanned and outgunned but nevertheless rescued in the nick of time by Captain Rue Nath and his outclassed frigate, the Alarum.

Once the smoke clears, Nath is victorious but in need of a replacement Magister – meaning Ship’s Mage – as his previous ‘Spells’ died in the recent skirmish. Enid needs a better protected way to Albion, so that she can offer her services to people who are at least doing something about the filth that has taken over her beloved homeland.

Nath and Enid strike a win-win bargain – she’ll become his temporary new Magister, he’ll convey her and her worldly goods to the place where she intended to go, and in the meantime the Alarum will at least be able to fight if another Rat ship finds them on the open sea.

And thereby, as that very old saying goes, hangs an absolutely marvelous tale of wooden ships, iron men and women, deeds of derring-do and dastardly betrayals from within.

Escape Rating A+: The Napoleonic Wars absolutely are the gift that keeps on giving, at least in the fictional sense. You’ve even seen and or read plenty of stories that used it as a base – even if some of those stories hide the base pretty well.

But one of the most respected AND popular ‘spin offs’ from this particular war is the Aubrey and Maturin series by Patrick O’Brian that begins with Master and Commander, where Jack Aubrey is in the exact same position as Rue Nath – he’s the commander of a ship, called ‘Captain’ by courtesy while in command, but whose true rank is Lieutenant. The journey of the first book in both series is for the ‘Captain’ by courtesy title to make ‘Post’ – to be commissioned as a Captain by rank and clamber onto first rung of the ladder to the Admiralty.

Both the Honor Harrington series by David Weber and the Temeraire series by Naomi Novik used Aubrey and Maturin as their jumping off points, taking their inspiration from the Napoleonic wars into SF (Weber) and fantasy (Novik, but with dragons).

One of the things that the Aubrey and Maturin series did extremely well, that is absolutely a part of The Price of Redemption, is the way that the story takes the reader through the perspective of a previously (land)lubberly point of view character – Enid here and Maturin in the original series – and uses their instruction by beautifully descriptive but still fascinating details to draw the reader into the arcane mysteries of the sea.

The story, the part that keeps the reader frantically turning pages, is, on the one hand, the story of the plucky underdog – in this case Albion – fighting the mighty empire of Ardainne. On the other hand, it’s a very intimate story about one man’s fight to protect his crew, his career, and his country against all comers – particularly the forces arrayed against them all. And on the third hand, possibly the one on the rudder steering this ship, the story of a woman desperate to find a new place in the world – one from which she can strike a blow at her own enemies, find a new perspective on what she left behind that brought her and her country to this terrible pass, and a help create a future that she can live on, and with, and into.

It’s marvelous and riveting and a compulsive page-turner every single league of its way. That this story is not over yet, that there are two more books on the horizon for this cast and crew, is the absolute best news any reader could possibly receive.

#BookReview: Daughters of Olympus by Hannah M. Lynn

#BookReview: Daughters of Olympus by Hannah M. LynnDaughters of Olympus by Hannah M. Lynn
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: fantasy, mythology, retellings
Pages: 336
Published by Sourcebooks Landmark on July 9, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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A daughter pulled between two worlds and a mother willing destroy both to protect her...
Gods and men wage their petty wars, but it is the women of spring who will have the last word...
Demeter did not always live in fear. Once, the goddess of spring loved the world and the humans who inhabited it. After a devastating assault, though, she becomes a shell of herself. Her only solace is her daughter, Persephone.
A balm to her mother's pain, Persephone grows among wildflowers, never leaving the sanctuary Demeter built for them. But she aches to explore the mortal world--to gain her own experiences. Naïve but determined, she secretly builds a life of her own under her mother's watchful gaze. But as she does so, she catches the eye of Hades, and is kidnapped...
Forced into a role she never wanted, Persephone learns that power suits her. In the land of the living, though, Demeter is willing to destroy the humans she once held dear--anything to protect her family. A mother who has lost everything and a daughter with more to gain than she ever realized, their story will irrevocably shape the world.

My Review:

Whether gods make men in their own image, or the other way around, either way it’s NOT a compliment. But it does explain a whole damn lot about the behavior of Zeus and his Olympians.

This is not a pretty story. It’s a reminder that the versions of Greek mythology we all read in school were sanitized to the max and absolutely written from a male perspective. That’s pretty much the only reason I can think of for the cavalier treatment of Zeus’ utter lack of faithfulness to his wife. Not to mention how many of the females who bore his demi-god and demi-goddess offspring said “NO” and ran as far and as fast as they could – even if that wasn’t enough.

So it’s not a stretch to believe that Zeus raped his sister Demeter to create Persephone. It’s all too typical of his behavior. Also utterly infuriating.

Which made Daughters of Olympus a fascinating rage read, because it made me look at something that was a familiar and even beloved part of my childhood reading in an entirely new and retrospectively furious way.

Escape Rating B: I ended up with mixed feelings about this book. At first, I was all in with Demeter’s point-of-view of the way things worked in her world – or rather, the way they mostly didn’t and she always ended up suffering at the hands of her brothers and fellow Olympians. Particularly Zeus. ESPECIALLY Zeus.

To the point where she spends centuries hiding away from her brother, her fellow Olympians, and the whole damn world. As much as I wanted her to stand up and take charge of at least her own fate and destiny – that’s not the way the myths go.

It’s only when the story switches to Persephone and after she is kidnapped by Hades at that, that we start seeing something different emerge – even as Persephone rails against Hades and the fate her father Zeus’ bargains have condemned her to.

What makes this retelling of Greek mythology work is that we see the old familiar stories from the perspective of characters who don’t have their own voices in the versions we originally learned. However, this is a feminine perspective and not a feminist one – regardless of which one the reader might prefer.

Meaning that Demeter and Persephone may be the predominant voices of this retelling, but their agency is still significantly limited. They can run, they can hide, but they can’t overpower – at least not until Demeter takes the reins of her own power to enact a different but still traditional feminine aspect – that of the protective, and if necessary avenging – mother.

So, if you’re looking for a retelling of familiar stories from a different perspective – but not expecting a different ending, Daughters of Olympus has an interesting tale to tell – particularly after Demeter finally breaks through her isolation to find her daughter and Persephone picks up the reins of the power that Hades is willing to give her.

Just don’t expect the story to end differently than we already know that it does. In that respect it’s similar to Kaikeyi by Vaishnavi Patel, in that a traditional story is told from the perspective of an often overshadowed female character, but the outcomes are not and cannot be changed.

Dammit.

A- #BookReview: This Great Hemisphere by Mateo Askaripour

A- #BookReview: This Great Hemisphere by Mateo AskaripourThis Great Hemisphere by Mateo Askaripour
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: dystopian, science fiction, speculative fiction, political thriller
Pages: 432
Published by Dutton Books on July 9, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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From the award-winning and bestselling author of Black Buck : A speculative novel about a young woman—invisible by birth and relegated to second-class citizenship—who sets off on a mission to find her older brother, whom she had presumed dead but who is now the primary suspect in a high-profile political murder.
Despite the odds, Sweetmint, a young invisible woman, has done everything right her entire life—school, university, and now a highly sought-after apprenticeship with one of the Northwestern Hemisphere’s premier inventors, a non-invisible man belonging to the dominant population who is as eccentric as he is enigmatic. But the world she has fought so hard to build after the disappearance of her older brother comes crashing down when authorities claim that not only is he well and alive, he’s also the main suspect in the murder of the Chief Executive of the Northwestern Hemisphere. 
A manhunt ensues, and Sweetmint, armed with courage, intellect, and unwavering love for her brother, sets off on a mission to find him before it’s too late. With five days until the hemisphere’s big election, Sweetmint must dodge a relentless law officer who’s determined to maintain order and an ambitious politician with sights set on becoming the next Chief Executive by any means necessary.
With the awe-inspiring defiance of The Power and the ever-shifting machinations of House of Cards , This Great Hemisphere is a novel that brilliantly illustrates the degree to which reality can be shaped by non-truths and vicious manipulations, while shining a light on our ability to surprise ourselves when we stop giving in to the narratives others have written for us.

My Review:

Shakespeare said it best, but the Bard said an awful lot of things very, very well, which is why we keep quoting him. In The Merchant of Venice (Act 1, Scene 3), there’s a famous proverb that says that, “The devil can cite Scripture for his purpose.” It’s something the reader is forced to reckon with in This Great Hemisphere – even if the characters for the most part don’t have the education to recognize the phenomenon.

They’re not supposed to. That’s part of the story. In fact, a more accurate paraphrase of that quote as it applies to This Great Hemisphere would be that “the devil can WRITE Scripture for his purpose.” because that is exactly what has happened during the five centuries between our now and the future experienced by Sweetmint and her people.

As Sweetmint discovers over the course of this story, there’s another quote that applies even more, from a part of the Bible that the powers-that-be of the Northwestern Hemisphere have undoubtedly excised as part of their thoroughgoing revision of Scripture to suit their purposes. It’s the one from Ecclesiastes (1:9) that goes: “What has been will be again, what has been done will be done again; there is nothing new under the sun.” Or as it was put more succinctly in Battlestar Galactica, “This has all happened before. All of this will happen again.”

But Sweetmint and her friends do not know any of this when her story begins. It may have all happened before – in fact it has all happened before – but it hasn’t happened before TO HER and her perspective is what carries the story from hope and compliance to desperation, rebellion and tragedy. And maybe, just maybe, back to hope – or at least a brief approximation thereof.

But what is it that has happened before? Sweetmint’s story – or the story that takes place around her and through her, is just the kind of metaphor that science fiction does well when it takes an issue that is real and present – and generally terrible – and shifts it in time and space, alters just a few of the parameters – and forces the reader to see an obscured truth for what it really is.

This Great Hemisphere is set on Earth, five centuries into a future where a portion of the human population is born invisible. Because humans are gonna human, and governments always need a common enemy to class as less than human to keep everyone else in line, invisibles have been cast as a threat and dehumanized in every way possible. They are denied higher education, voting rights, land ownership, good jobs, good housing, etc., etc., etc. Denied all of those things by law and forced to live in remote villages so that the dominant population can never really know them so that they can be more easily demonized.

Sweetmint is supposed to be a “model Invisible” and has earned a place as an intern – not a servant, but an actual intern – with one of the men responsible for the creation of this system. He’s using her for the next step in his “great plan”.

But we see this broken society through Sweetmint’s eyes as the scales are removed from them. She learns that nothing she believes bears much of any resemblance to any objective truth and that the system is rotten from within – always has been and intends to always be so.

What makes the story so compelling is that even as we watch it unravel, we’re still riveted by her attempts to force a new way through. That even though it may be hopeless in the long run, there can be a reprieve in the short run – and possibly more. And we’re there for her and for it – even if the specific future she hoped for is not.

Escape Rating A-: I obviously had a lot of thoughts about this as I was reading it, and I have more. It’s that kind of book.

It does absolutely fly by. The author has done an excellent job of creating a world that is firmly rooted in the history we know and yet manages to shine a light on it from a different corner. Using invisibility as a metaphor for race allows the reader to be firmly grounded in our own historical perspective and yet provides a vector by which anyone can imagine themselves as Sweetmint because there are circumstances in which anyone can be rendered invisible.

I’m all over the map on what I thought and felt about this book, and it’s making writing it up all kinds of difficult. On the one hand, as I said, it’s compelling to read. On a second hand, I felt like the social issues part was a bit heavy-handed – but at the same time, I recognize that my own background makes me more familiar with some of the issues – albeit from a slightly different angle, and as someone whose read a lot of history the repetitive patterns are not exactly news.

From the point of view of someone who reads a lot of science fiction, this very much fits into the spec fic, SFnal tradition of exploring an all too real past and present issue by setting it in either a time or place away from the here and now. Something that even the original Star Trek series did both well and badly – sometimes at the same time – and there’s an episode that’s particularly on point in this regard, Let That Be Your Last Battlefield.

In other words, in yet another attempt to make a long story short and probably fail at it again, This Great Hemisphere is a compelling story, both because of Sweetmint’s originally naive perspective and because the actual political machinations going and increasing enmeshment in the consequences of them – sometimes intentionally but often not. And the ending – oh that was a stunner in a way that just capped off the whole thing while still leaving just a glimmer of possibility – if not necessarily a good one – for the world in which it happens.

A- #BookReview: The Mummy of Mayfair by Jeri Westerson

A- #BookReview: The Mummy of Mayfair by Jeri WestersonThe Mummy of Mayfair (An Irregular Detective Mystery #2) by Jeri Westerson
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery, mystery
Series: Irregular Detective #2
Pages: 224
Published by Severn House on July 2, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Private investigators Timothy Badger and Benjamin Watson take on another unusual and baffling case in Victorian London when a mummy unwrapping party takes a chilling turn.London, 1895. Although their last high profile case was a huge success, private detectives Tim Badger and Benjamin Watson know they can't afford to turn down any work, despite financial assistance from their mentor, Sherlock Holmes.So when the eminent Doctor Enock Sawyer of St Bart's Hospital asks Badger if the duo will provide security for a mummy unwrapping party he is hosting, Badger doesn't hesitate to take the job. After all, how hard can guarding the doctor's bizarre Egyptian artefacts be? But with Doctor Sawyer running late for his own party, the 'genuine' ancient sarcophagus of Runihura Saa is unravelled to reveal the remains of . . . Doctor Sawyer! Suddenly, the pair are drawn into a new case that's stranger and twister than they could ever have imagined.

My Review:

The “irregularity” of the Irregular Detective series is in the person of one of its protagonists, Timothy Badger of the Badger and Watson Detecting Agency. Once upon a time, Badger was one of the “invisible” children who operated as Sherlock Holmes’ eyes and ears on the streets of Victorian London. In other words, Tim Badger was one of Holmes’ Baker Street Irregulars.

But when Badger aged out – or grew up – out of the Irregulars, he still needed to make his living. Which is where his partner, jack-of-all-trades Benjamin Watson comes into the picture. Both from the “wrong side of the tracks” in the East End, without a shilling between them, they set up as private detectives in the mode of Badger’s former ‘Guv’, the Great Detective himself.

As seen in the first entry in this series, The Isolated Séance, after five years of struggle to keep body and soul together, Sherlock Holmes himself gave these ‘apprentices’ a bit of a leg up. Their perseverance was rewarded with rooms in Soho – several steps up the economic ladder from their previous lodgings and office – and a seemingly magical refilling box of money for expenses.

They’re doing well for themselves. It’s a lot of hard work and shoe leather – but their successes seem to outnumber their failures. They have as much work as they can handle – and even their own chronicler in the person of newspaper reporter Ellsie Littleton.

Which leads to this second sensational case, The Mummy of Mayfair. A moniker that seems ripped, not from the headlines, but from the titles of the penny dreadful fiction that Badger loves to read. Watson prefers the newspapers and scientific journals.

After all, someone in this partnership needs to keep their feet on the ground, especially with a case that has so much potential to ascend – or perhaps that’s descend – into flights of fantasy and mythology.

It begins with a mummy unwrapping party. An all too common event among the upper crust in the 1890s. It was the heyday of ‘Egyptomania’, with all of the implications of madness the word mania implies.

Badger and Watson were hired by Dr. Enoch Sawyer to provide security for his mummy unwrapping party. A party that takes an even more macabre turn when the mummy is finally unwrapped to reveal that it’s not the mummy of Runihura Saa. It’s the much more recent mummy of Dr. Enoch Sawyer – their client – who is clearly not going to be able to pay them for the job they are about to do on his behalf.

And the game is afoot!

Escape Rating A-: First, I loved this every bit as much as the first book in this series, The Isolated Séance. Second, I need to kick myself for not figuring out that the series title is a pun until now. I sorta/kinda thought the cases were “irregular” and they are that – from a séance in the first book to a mummy in the second. But it’s the DETECTIVES – or at least one of them – that are irregular. As in, the Baker Street Irregulars. 🤦🏻

Now that I’ve got that out of my system, what makes this case so much fun is the way that it blends the real with the fictional.

Mummy unwrapping parties were a very real thing in the 1890s – as shown in the painting below by artist Paul Dominique Philippoteaux circa 1890. The scene may seem macabre to 21st century readers, but such parties were all the rage in 1895, when The Mummy of Mayfair takes place.

Rage also being an important factor – at least in this particular case – as the ‘mania’ led people to strange rivalries and illegal behaviors – as humans are wont to do in the throes of a craze, fad, or mania. It still happens now, and humans haven’t changed all that much in just a bit over a century.

As much as the insanity of this particular mania turns out to be the impetus for the actions of the characters, what is making the series work are the characters and the way they manage to fit into – and take off from – the canon of Sherlock Holmes and ITS well-known and loved protagonists.

The best detectives, whether amateur or professional, are outsiders. It’s nearly impossible for humans to set aside their preconceived notions and biases in regards to people they know. A fact which very nearly sends the entire case on a wild goose chase, as one of the possible suspects is one of Badger’s former colleagues in the Irregulars.

But the triumvirate necessary to fill all of the roles that in the original canon were filled by just two changes the structure of the investigation even as it challenges the reader to see Holmes’ Victorian age from a considerably less lofty perspective.

Timothy Badger grew up in the East End, living by his wits and the nimbleness of his fingers. His accent clearly marks him as being of a “lower class” to the toffs among whom he now finds himself – and he has to grow into his role without giving up who he essentially is.

Benjamin Watson is a black man in a white world. The first thing that anyone sees when they meet him is the color of his skin. He has the intelligence and the drive to have been anything within his reach, but his reach in the late Victorian era is circumscribed by his race.

Miss Ellsie Moira Littleton is a woman in a man’s world. Much like Charlotte Sloane in the Regency-set Wrexford and Sloane series, Ellsie has been forced by circumstances to be self-supporting, and is on the outside of the society to which she was born. As an intelligent, educated, woman who needs to make her own way, she is also an outsider but with an entirely different perspective on the society of which she was once a member.

From its sensational beginning, the case is a deeply puzzling mess. Badger and Watson’s preconceived notions about their clients and their former associates, as well as their lack of knowledge of the precise ways the rich spend their time and money and protect their positions frequently send them haring off in the wrong directions – and we follow them eagerly even as they frequently caution each other.

As I’ve said frequently within these pages, I’m a sucker for Sherlock Holmes pastiches, and that’s why I initially started this series. Now I’m hooked! I’m really looking forward to the next book in this series, The Misplaced Physician, where we’ll finally get to meet Sherlock Holmes’ Watson, as Badger and his Watson will be on the case of rescuing him! It’s a good thing that investigative reporter Ellsie Littleton will be on hand to record the adventure, as the original Watson may be too embarrassed – or too injured – to write it up himself.

We’ll certainly see, hopefully this time next year!