A+ #AudioBookReview: Rough Pages by Lev A.C. Rosen

A+ #AudioBookReview: Rough Pages by Lev A.C. RosenRough Pages (Evander Mills, #3) by Lev A.C. Rosen
Narrator: Vikas Adam
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: historical mystery, mystery, noir
Series: Evander Mills #3
Pages: 272
Length: 9 hours and 15 minutes
Published by Forge Books, Macmillan Audio on October 1, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Private Detective Evander "Andy" Mills has been drawn back to the Lavender House estate for a missing person case. Pat, the family butler, has been volunteering for a book service, one that specializes in mailing queer books to a carefully guarded list of subscribers. With bookseller Howard Salzberger gone suspiciously missing along with his address book, everyone on that list, including some of Andy's closest friends, is now in danger.
A search of Howard's bookstore reveals that someone wanted to stop him and his co-owner, Dorothea Lamb, from sending out their next book. The evidence points not just to the Feds, but to the Mafia, who would be happy to use the subscriber list for blackmail.
Andy has to maneuver through both the government and the criminal world, all while dealing with a nosy reporter who remembers him from his days as a police detective and wants to know why he's no longer a cop. With his own secrets closing in on him, can Andy find the list before all the lives on it are at risk?
Set in atmospheric 1950s San Francisco, Rough Pages asks who is allowed to tell their own stories, and how far would you go to seek out the truth.

My Review:

The case that Andy has to solve in Rough Pages begins by circling back to the events of the first book in the series, Lavender House. In that first book, Andy Mills found a purpose, became part of a found family, and solved a murder, all while keeping the police – of which he used to be a part – from learning the truth about the residents of Lavender House.

That every single member of the family, and the staff, were queer. He managed to keep their secrets in spite of his own already being common knowledge – at least among his former ‘brothers in blue’ in the San Francisco Police Department.

So Rough Pages begins by taking Andy back to Lavender House, because they need his detective skills again – even if they don’t know it yet.

The Lamontaine family at Lavender House has adopted a baby. Or nearly so. The paperwork and the inspections and the questions have not quite run their course. It would still be much too easy for social services to take the baby back. If the family’s secret comes out – they certainly will.

At first, the case doesn’t seem like much. A friend of the family, the owner of a queer bookstore, is missing. Nearly all of the family have bought books from the shop. The butler/majordomo, Pat, volunteers there on his days off.

But it’s not just the owner that’s missing. Because he kept a list of all the subscribers to his book service, a kind of book club for queer books, mailed to subscribers all over the state of California – and even beyond. It’s not just that he’s missing – his list is missing too. A list that includes every single member of the Lamontaine family old enough to read.

Mailing ‘dirty’ books through the mail was illegal and ALL books with a hint of queer contents were considered ‘dirty’ automatically. If that list is in the wrong hands, they’re all in trouble and they’ll lose the baby.

So there’s the obvious possibility that Howard and his business partner DeeDee, who is also missing, might have been arrested by the feds, and that the feds have the list.

But it could be worse, because Howard may have gotten himself in trouble with the mob, either because his boyfriend is a mobster’s nephew or because he planned to publish the memoirs of a gay mobster – anonymously, of course. Either of those circumstances is more than enough to land him in big trouble with some very shady characters.

The feds will just ruin everyone’s lives and send as many as possible to jail. But the mob? Blackmail is the most likely outcome. Or, they might send somebody to ‘feed the fishes’. Unless they already have.

Escape Rating A+: I am absolutely hooked on this series, and Rough Pages was a totally worthy successor to the first two books, Lavender House and The Bell in the Fog. And it’s even better and more utterly absorbing in Vikas Adam’s narration, which I’ve had the pleasure of listening to for all three books so far. And OMG but I hope there are more.

I fell into this book so deeply that I had to let it process for a couple of days before I could write anything coherent. With a book this good it takes a while for the ‘SQUEE!” to settle down. I’m not exactly certain that it has even now, but I’ll certainly try.

This is a book that can be read – or listened to – from multiple perspectives with multiple hooks, all of which ‘hook’ the reader rather firmly.

Mystery readers, particularly readers who love noir detective fiction will feel right at home in the foggy streets of Andy’s San Francisco. Andy Mills is exactly the type of hardboiled detective featured in the work of Raymond Chandler, Dashiell Hammett and James M. Cain – or he would be if Andy wasn’t queer.

At the same time, this series is historical fiction, set in the early 1950s, among San Francisco’s gay community. Also, it’s set at the point in U.S. postwar history where everyone was trying to repair and/or return to a ‘normalcy’ fractured by war. The tolerance of the war period was over and McCarthyism was on the rise, searching for liberals, queers and communists in every closet, under every bed, and any place where anyone who stood up or stood out might ask questions, persecuting and prosecuting them unmercifully in both the courts and the press, driving them out of jobs, homes and even the whole country.

The fear that Andy, his friends, his found family, and the community he serves, live under every day is as palpable as Andy’s personal fear that his former ‘buddies’ in the SFPD will find him and beat him again and again – and that they might not stop when he’s merely ‘near‘ death the next time.

And in this particular case, Andy’s job and his life intersect with an issue that, while it never goes away, has reared its ugly head as high in our present day as it did during the 1950s setting of the story. And that’s censorship and the repression of thought and speech that is always its ultimate goal.

The combination of themes gives this story a resonance from past to present while also telling a terrific story, putting the reader squarely at Andy’s side during a compelling investigation, and feeling right along with him as he does his best to protect the people he has come to hold dear – in a life that he never expected to have.

Some readers will be here for the mystery, some for the history, some for the portrait of gay life in a time and place where everything had to be hidden – and the cost of that attempt at hiding one’s truest self on every action and reaction. And anyone who believes in the power of words and thoughts and books and reading to change lives and form communities – and just how much some parts of society will attempt to suppress those same words and thoughts and even lives, will find Rough Pages to be a story that sticks long after the final page is turned.

Grade A #AudioBookReview: Graveyard Shift by M.L. Rio

Grade A #AudioBookReview: Graveyard Shift by M.L. RioGraveyard Shift by M.L. Rio
Narrator: Jess Nahikian, Max Meyers, Si Chen, Susan Dalian, Tim Campbell
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Gothic, horror, mystery, thriller
Pages: 144
Length: 3 hours and 9 minutes
Published by Flatiron Books, Macmillan Audio on September 24, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Author of sales sensation If We Were Villains returns with a story about a ragtag group of night shift workers who meet in the local cemetery to unearth the secrets lurking in an open grave.
Every night, in the college’s ancient cemetery, five people cross paths as they work the late shift: a bartender, a rideshare driver, a hotel receptionist, the steward of the derelict church that looms over them, and the editor-in-chief of the college paper, always in search of a story.
One dark October evening in the defunct churchyard, they find a hole that wasn’t there before. A fresh, open grave where no grave should be. But who dug it, and for whom?
Before they go their separate ways, the gravedigger returns. As they trail him through the night, they realize he may be the key to a string of strange happenings around town that have made headlines for the last few weeks—and that they may be closer to the mystery than they thought.
Atmospheric and eerie, with the ensemble cast her fans love and a delightfully familiar academic backdrop, Graveyard Shift is a modern Gothic tale in If We Were Villains author M. L. Rio’s inimitable style.

My Review:

I almost saved this one for Halloween, because it’s just the kind of horror-adjacent book that I love to pick for spooky season. But it’s out this week – and I simply didn’t want to wait that long!

Even though this particular “graveyard shift” takes place in an actual graveyard, the story doesn’t start out all that creepy. Unhealthy, maybe, but not creepy.

The ‘Anchorites’ are a group of insomniacs who meet up at midnight in a graveyard for a quick smoke. The ancient but historically significant cemetery and the church it’s attached to just happen to be the only location in the middle of a busy college campus that is the requisite distance from ALL of the various campus entrances. It’s the only place where it’s OK to smoke that anyone attached to the campus can reach during the length of a typical work break.

Two of the ‘Anchorites’ hang around because they work an actual night shift. Theo, the manager at a nearby bar, and Tamar, working her second job as a hotel night desk manager. Edie, the editor-in-chief of the college newspaper, is too stressed out hunting for the paper’s next story to sleep. Tuck, a washed-out grad student with no place to go, is squatting in that derelict church and can’t resist the temporary camaraderie. Hannah, a rideshare driver, has had chronic insomnia for so long that she doesn’t seem to sleep at all.

The graveyard hasn’t been used – except by desperate smokers – in at least a century. They’re safe smoking in the middle of campus in the middle of the night. Or so they assume.

Until the night when they arrive for their not-exactly-arranged, never-truly-spoken-about, midnight rendezvous – and discover a freshly dug grave in the middle of their usual meeting place. Led by editor-in-chief Edie, they can’t resist speculating about whodunnit? Or perhaps this time it should be ‘who dug it?’

A question that gets answered when the gravedigger comes back, dumps a load of dead lab rats in the grave and covers it over – while they collectively hide all around and watch.

This game really is afoot – and so is one escaped lab rat making a literal meal out of one of the petrified Anchorites.

From there the story is off to a surprisingly twisted race, as Edie sees a story that might win her and her paper a prestigious award, Tamar sees a chance to use her library degree and her research talents for something other than merely checking in hotel guests or checking out books, Tuck sees an opportunity to use his experience with scientific laboratories and his knowledge of mycology to investigate a rogue project, while Theo sees a way to help the only friends he has. Hannah, however, seeks revenge on the people who gave her hope – and then snatched it away.

What they’re going to get is likely to be considerably more than any of them imagined, for good and definitely for ill.

Escape Rating A: Graveyard Shift wasn’t at all what I was expecting – it was better! It’s not really horror, although very Gothic in tone in spite of its contemporary setting, at least until the very, very end where the reader is left wondering – as are a couple of the characters.

But as it goes, it sucks the reader – or listener in my case – into this story, every bit as much as the ‘Anchorites’ get sucked into following Edie in pursuit of the potential newspaper story.

That story is told as snippets of the night, each slice of time from a different character’s point of view. This worked even better in the audio, as the five characters are voiced by five different narrators. (Insert here my usual rant at the lack of information about who voiced whom. As a group, Jess Nahikian, Max Meyers, Si Chen, Susan Dalian and Tim Campbell did a fantastic job but I very much wish I knew who voiced which part.)

One of the things that makes this story so riveting is the way that the tension seems to build almost minute by minute – and how we’re inside each character’s head as they experience their particular slice of that tightening noose. Particularly as the investigation continues feverishly through the single night of the story, and the identity of the person or persons who are about to get hung out to dry – figuratively if not literally – zeroes in on the real target.

Even as the group of investigators gets deeper and deeper into their own personal fog of jittery exhaustion.

I got caught up in this story in multiple ways. I always love a good story about an investigation – and this was definitely that. While Edie, the editor is at first idly speculating, she does have the threads of a big scoop in her hands – even if her moral compass has been knocked more than a bit askew after chasing stories for so long. There is something rotten going on, and it needs to be brought out into the light.

The ‘Anchorites’ as a group are fascinating, and part of that fascination is in their unacknowledged interconnectedness. They ARE friends, but they are each so used to being friendLESS that they’re pretty much incapable of acknowledging that fact. The way the telling of the story bounced from one to the other keeps the story hopping and the reader on their toes.

That the guilty parties got their comeuppance in the end was absolutely righteous, and the way that the story ended with just that shivery touch of frightening possibility made for the icing on a deliciously creepy horror-adjacent, Halloween-anticipatory reading cake. I’ll certainly be looking for the author’s next book, Hot Wax, when it comes out in January.

#BookReview: Saving Susy Sweetchild by Barbara Hambly

#BookReview: Saving Susy Sweetchild by Barbara HamblySaving Susy Sweetchild (Silver Screen Historical Mystery #3) by Barbara Hambly
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery, mystery
Series: Silver Screen Historical Mystery #3
Pages: 293
Published by Severn House on September 3, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Welcome to Hollywood of the 1920 a world filled with glamour, fake names . . . and the occasional felony!

July, 1924. After nine months of living in Hollywood and working as a companion to her beautiful silent-movie star sister-in-law, young British widow Emma Blackstone is settling into her new doctoring film scenarios whenever the regular scenarist is overwhelmed with work, which seems to be most of the time.

Shoots for the Western movie Our Tiny Miracle are in full swing, with little seven-year-old Susy Sweetchild playing the lead and acting most professionally. Maybe too professionally, Emma thinks, shocked to the core when the child star is nearly killed in a stunt scene and her mother - former screen siren Selina Sutton - seems only to care that Susy gets the job done.

But Emma's concerns only worsen when news reaches her that Susy and her mother have been kidnapped. The ransom note says to keep the cops out of it, so it's up to Emma and Kitty to find them before the unthinkable happens and Emma is forced to rewrite Our Tiny Miracle with a far more tragic ending . . .

New York Times bestselling author Barbara Hambly once again brings the glamour and intrigue of Hollywood to life! An unputdownable mystery for fans of female-fronted historical mysteries set in the roaring twenties.

My Review:

Emma Blackstone, after nearly a year in Hollywood as her sister-in-law’s friend, confidant, dog handler and general factotum, as well as serving as a script doctor for Foremost Studios for almost as long, has learned the way that things work in Hollywood – no matter how often she wishes she didn’t.

Because she sees entirely too much, and is all too aware that she can’t fix ANY of it. Although she certainly does what she can, as shown in the first two books in the Silver Screen Historical Mysteries, Scandal in Babylon and One Extra Corpse.

But Susy Sweetchild’s situation still pierces her straight to the heart. Because the child is clearly – and justifiably – frightened to death. And is just as clearly aware that no one can help her or save her no matter how much they want to.

It’s 1924, and Hollywood is still the ‘Wild West’ when it comes to rules and regulations. Prohibition is in full swing, but bootlegged booze is openly everywhere. OSHA, the Occupational Safety and Health Administration, won’t exist for another 45 years and child actors like Susy have no rights whatsoever – not even to the money they make.

Especially not to the money they make.

Susy is only seven years old, she’s one of Foremost Pictures biggest moneymakers, and she’s supporting her stage mother, her alcoholic father, her mother’s business manager and her mother’s succession of lovers and THEIR failed businesses as well as her father’s drinking habit. And quite possibly the partridge in the pear tree.

The only person on Susy’s side is her cat Mr. Gray, and poor Mr. Gray is even more of a hostage than she is. If Susy ‘misbehaves’ in any way, Mr. Gray is done for. And Susy is all too aware of the threat.

Possibly so is Mr. Gray. The cat seems both smart and sober, which is more than can be said for a lot of the humans in this story.

Emma would like to rescue Susy, but she has entirely too many hostages to fortune of her own to step that far out of line. She also knows it won’t do any good, as the powers that be in Los Angeles are all too aware of the side on which their bread is buttered, and that the studios are the ones doing the buttering.

But the status quo of Susy’s dreadful situation and anyone’s ability to help her out of it goes from bad to worse when the child star and her mother are kidnapped, along with Mr. Gray – a ginormous clue that should have occurred to more people an awful lot sooner.

Someone is extorting $100,000 from the studio for Susy’s safe return. (That’s something like $18,000,000 in today’s dollars!) There are multiple ransom notes being delivered, quite possibly from multiple sources. The police are not involved in the case, but the gossip columnists and the bootleggers are.

Considering how frequently the adults – including Emma and her Scooby Gang – are misdirected, as reluctant as the studio is to pay all that money to rescue a child star who is rapidly growing out of her cute and winsome phase, it looks like the princess is going to have to rescue herself in this one.

Escape Rating B: There are two stories going on in Saving Susy Sweetchild, and I have to admit that one interested me considerably more than the other.

The first is, of course, the mystery of who kidnapped Susy Sweetchild and whether the poor child can be found before it’s too late. The investigation of Susy’s abduction and ransom is the stuff of which Keystone Cops movies were made. No one covers themselves in glory in this part of the story – either because they are in on it, they intend to exploit its outcome, because they’ve been paid to look the other way or merely because they are simply incompetent but photogenic at the job they’re supposed to do.

Emma at least has a damn good excuse for not catching on right away – she’s not a professional detective, either police or private. It isn’t her job – she just cares about the kid and wants to help her.

But underneath – although often in plain sight – is the glimpse under the glitter and tinsel of Hollywood in the mid-1920s, before the Hays Code crackdown on ‘immorality’, before the talkies, and before the Great Depression.

We still read horrific stories about the treatment of child actors in Hollywood, and a lot of those stories are terrible to children and other living creatures. Susy will probably remind a lot of people of Shirley Temple, but by Temple’s time 15 years later, the situation had actually gotten a bit better. For select versions of ‘better’. Maybe less awful.

One of Susy Sweetchild’s contemporaries would have been another child actor named Jackie Coogan – who might be more familiar to readers as Uncle Fester in the 1960s Addams Family TV series. His relevance to Susy Sweetchild is that It was his lawsuit against his own mother in 1938, after he turned 21 and discovered that his mother had squandered his entire fortune, that finally put laws in place about the treatment of child actors AND the provision to put a portion of their income in trust for their adulthood.

All of the above tells readers that as much as I was following Susy’s fictional case, it was the factual underpinnings that truly had my attention for much of the story. The split in my attention wasn’t great for my absorption in Susy’s actual story, but the research dive was a lot of fun.

Howsomever, I did love the ending of Susy’s story. She was pretty much the only person who deserved a happy ending, and I was very relieved to see that she – and Mr. Gray – got exactly what they deserved – as did a whole lot of others who deserved something considerably less…happy.

A- #BookReview: Out of the Drowning Deep by A.C. Wise

A- #BookReview: Out of the Drowning Deep by A.C. WiseOut of the Drowning Deep by A.C. Wise
Format: ebook
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: fantasy mystery, horror, mystery, science fiction mystery
Pages: 176
Published by Titan Books on September 3, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In the distant future, when mortals mingle with the gods in deep space, an out-of-date automaton, a recovering addict, and an angel race to solve the Pope’s murder in an abandoned corner of the galaxy.
Scribe IV is an obsolete automaton, peacefully whiling away his years on the Bastion, a secluded monastery in an abandoned corner of the galaxy. But when the visiting Pope is found murdered, Scribe IV knows he has very little time before the terrifying Sisters of the Drowned Deep rise up to punish the Bastion’s residents for their crime.
Quin, a recovering drug addict turned private investigator, picks up a scrambled signal from the Bastion and agrees to take the case. Traumatized by a bizarre experience in his childhood, Quin repeatedly feeds his memories to his lover, the angel Murmuration. But fragmented glimpses of an otherworldly horror he calls the crawling dark continue to haunt his dreams.
Meanwhile in Heaven, an angel named Angel hears Scribe IV’s prayer. Intrigued by the idea of solving a crime with mortals, xe descends to offer xer divine assistance (whether those mortals want it or not). With the Drowned Sisters closing in around the Bastion, Scribe IV, Quin, and Angel race to find out who really murdered the Pope, and why. Quin’s missing memories may hold the key to the case—but is remembering worth the price?
Haunting, dreamy and beautifully written, Out of the Drowning Deep is perfect for fans of Becky Chambers, Martha Wells, and This Is How You Lose the Time War.

My Review:

I’m not quite sure what I was expecting with this one – but I’m certainly that I wasn’t expecting the ginormous size of the book blender that would be needed to encompass the many, many, many bookish influences that I caught glimpses of along its merely – I say again – MERELY 176 pages of mysterious, fantastical, science fictional surprises, delights and horrors.

Definitely the horrors. This is one of those cases where judging the book at least a bit by its cover is utterly justified. Because Out of the Drowning Deep absolutely does go to some truly creepy places – and that cover doesn’t just merely reflect that fact but stares it down with myriad, haunting and haunted, eyes.

We start with a mystery. In this far-future universe, in an ancient monastery long decayed from its glory days, the visiting Pope has just been murdered.

Scribe IV, the AI-driven “automaton” in charge of “The Bastion” is already regretting his wish for a bit of mystery in his routine existence. The mystery that has just fallen at his feet has the potential to bring about the end of the home and sanctuary of every member of the Bastion’s remaining staff, including himself.

It might also mean the literal end of all of them AND as well as the place itself, as it seems that Scribe IV’s acknowledgement of the identity of the body has triggered an immediate response from the dreaded Drowned Sisters.

As if their name wasn’t ominous enough, the Sisters have the power to lock down the Bastion, take over the investigation of the Pope’s death, and act as judge, jury and executioner on the whole tragic and/or terrible mess.

The Sisters are not known for their mercy. They are however known for their headlong rush to punitive judgment and the swiftness of their actions tells Scribe that they have passed that judgment long before the murder took place – to the point where they might have been instrumental in it or were merely waiting in the depths to pounce on any conceivable opening to swoop down upon the Bastion and Drown the old temple with its population still inside.

Scribe has one hope – and yes, the automaton has taken on the possibility of hope, and even prayer, along with a host of other human characteristics over the years of his service transcribing prayers and serving as majordomo of the Bastion.

He managed to get an SOS out before the Sisters locked the Bastion down. Scribe called for any independent investigator to answer his call. And he was answered by not one but two investigators; a man with his own terrible experiences of gods, monsters and the creatures who exist between the two, and an angel who the Sisters may not believe in but whom they also cannot control.

Even if this whole sordid mess is part of their attempt to control someone even more powerful – the god they claim to serve.

Escape Rating A-: About that gigantic book blender I mentioned earlier… This was a book that persisted in making me think of other books although I still got completely wrapped up in the story that it was telling. Then again, I really do love the current run of SF and Fantasy mysteries and this is absolutely part of that wave – pardon the pun.

So the overarching vehicle for this is solving that mystery, the who and how and why of the dead Pope lying on the Bastion’s floor. (Whether the Pope in this far-flung future is a direct spiritual or organizational descendant of the current Pope isn’t detailed and doesn’t need to be.)

Which led directly to one of the books this one reminded me of, albeit in opposition, and that was Lavie Tidhar’s short story “The Old Dispensation” in the recent New Adventures in Space Opera collection. Because that story, which also dealt with terrible acts of a far-future religious organization, used entirely Jewish references for its religious iconography and the unadorned, unexplained use of ‘The Pope’ as a person of religious authority was a reminder that Christian-styled reference in both SF and Fantasy can pass without definition or explanation.

Scribe’s desire to investigate the mystery and find the truth instead of swallowing the uncomfortable lie that he knows the Sisters are about to proclaim struck sparks of the independent investigative journalist AI Scorn from Aimee Ogden’s Emergent Properties.

The truth of this universe relies on a bit of the premise that underscores American Gods, that man makes actual gods in his own image and can literally make himself into one under the right conditions. This particular chain of thought also looped in a bit of Max Gladstone’s Three Parts Dead.

But the two books that I felt most keenly related to Out of the Drowning Deep were, on the one hand, We Shall Sing a Song Into the Deep by Andrew Kelly Stewart and The Angel of the Crows by Katherine Addison.

Those are two books that probably shouldn’t have anything to do with one another – and yet they are blended together in Out of the Drowning Deep.

Like We Shall Sing a Song Into the Deep, Out of the Drowning Deep (and yes, the similarity of the titles does echo more than a bit) there’s that shifting foundation of the way that the isolated religious worshippers – the Sisters here and the Brothers there and I just picked up that bit of irony – have wrenched their original worship of their deity and their service to its commandments into an even darker message that they intend to inflict on their world at any cost and by any means necessary. Once they served their gods faithfully – now they intend their gods to serve them.

As dark as that part of the story is, and as often as Angels appear in fantasy and even SF as overbearing, overzealous, self-righteous destroyers, in Out of the Drowning Deep, while that’s the reputation the Angels certainly have, that’s not all that they are, and that’s absolutely not who the two Angels who become involved in this mystery, Murmuration and especially the investigating angel who befriends Scribe, the one who calls xemself just Angel, both feel more human and take on more human characteristics, both good and bad, than Scribe initially expects, much like in The Angel of the Crows.

Which leads the automaton Scribe IV, who has taken on more human attributes than he likes to admit to, to consider the possibility of a much different future, a future of his own choosing, than he ever imagined possible. With a friend he never expected at all.

There’s more here. In fact, there’s lots more here. For a novella, Out of the Drowning Deep went to a lot of fascinating and surprising places, and I was as delighted to go there with Scribe IV as I was creeped out by all those eyes.

#BookReview: Chaos at the Lazy Bones Bookshop by Emmeline Duncan

#BookReview: Chaos at the Lazy Bones Bookshop by Emmeline DuncanChaos at the Lazy Bones Bookshop (Halloween Bookshop Mystery, #1) by Emmeline Duncan
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: cozy mystery, holiday mystery, mystery
Series: Halloween Bookshop Mystery #1
Pages: 256
Published by Kensington Cozies on July 23, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Bailey Briggs adores her year-round Halloween-themed town of Elyan Hollow, Oregon, but when she takes over her grandfather’s beloved bookshop, Lazy Bones Books, she accidentally discovers the town’s secret dark side . . .
Normally, spooky season is Bailey Briggs’ favorite time of year, and her Halloween-themed small town’s time to shine. But between managing Lazy Bones Books, working on her graphic novel-in-progress, and running the Spooky Season Literary Festival, Bailey hardly has a moment to enjoy Elyan Hollow’s spot-on seasonal vibes. Not to mention, at every turn she seems to be tripping over the contentious crew of Gone Ghouls, a ghost-hunting reality TV show currently filming around town. Bailey tries to stay focused on the Lit Festival, which is supposed to kick off Elyan Hollow’s annual Halloween Fair; instead, this year’s festival begins with a murder . . .
It’s bad enough Bailey discovered the victim, but now, as a lead suspect with some (admittedly) damning evidence pointing her way, she’s got to clear her name! With the help of her librarian friend, Colby, and Jack Skeleton, her world-class bookshop dog (and the absolute bestest boy ever), Bailey sets out to solve a murder . . .
As her investigation weaves through family secrets, professional rivalries, and town feuds, the list of suspects is growing fast . . . and unfortunately, so is the list of victims. If Bailey doesn’t find the killer soon, Elyan Hollow’s haunted reputation will get a little too real . . .

My Review:

Elyan Hollow, Oregon seems like just the kind of idyllic small town that makes people who read small town cozy mysteries – which this most definitely is – want to live in a small town just like it.

Elyan Hollow reads as if it’s exactly what you’d get if real towns like Frankenmuth, Michigan or nearby Leavenworth, Washington had decided to embrace The Nightmare Before Christmas all year round instead of, well, actual Christmas.

The town has truly embraced the ‘Spooky Season’, after a cozy horror movie was filmed there decades ago. The movie-set tourists brought so much to the town that Elyan Hollow decided to ‘lean in’ all year round.

Which explains both the name of Bailey Briggs’ bookstore, Lazy Bones Books, AND the theme of the town’s first annual literary festival, sponsored by Lazy Bones, of course, as part of the kickoff for this year’s Halloween season extravaganza.

Both fortunately and unfortunately, it also explains the town’s nearly magnetic attraction for horror authors (YAY!), paranormal romance writers (DOUBLE YAY!) and ghost hunting TV and streaming series (definitely not so yay).

Bailey has her hands full of the festival when all of those magnetic attractions collide in murder – with her shop and her festival at the center of a local detective’s suspicions and investigations.

Leaving Bailey, as the prime suspect in not one but two murders, desperate to clear her name. Which leaves her in precisely the situation that has put so many reluctant but innocent characters on the road to becoming amateur detectives.

Especially as Bailey has her own personal mystery to solve in the midst of this case. The first murder victim might very well have been the name that belonged in the blank spot on Bailey’s birth certificate labeled ‘father’.

Escape Rating B: There are a LOT of mysteries in Elyan Hollow – and the murder turns out to be the least interesting of them all. It’s also one of the few mysteries that gets resolved by the end of the book. Which is a good thing as this is the first book in a projected series.

On one side, there are the mysteries surrounding Bailey’s family – most of which do not get solved in this first book but absolutely do have an impact on Bailey and the story.

Bailey was raised by her grandparents because her teenage mother refused to let an accidental pregnancy spoil her plans to become a doctor. Which she did. Bailey grew up feeling like an afterthought in her mother’s life, well aware that the family her mother created at the proper time is her mother’s REAL family in seemingly all the ways that counts.

Bailey’s grandparents WERE her parents in all the ways that counted, but there are still plenty of holes in Bailey’s heart as well as in her knowledge of where she came from – such as the totally missing information about who her sperm donor might have been.

There are also plenty of current family secrets, as her grandfather has already deeded the family bookshop to Bailey but has not revealed that fact to Bailey’s uncle who is constantly scheming and digging for ways to wrest control of it for its prime downtown location. That’s a mystery that must be coming to a head later because it’s still VERY murky at the end of this book.

Then there’s the festival, the ghost program, and the returning hometown boys made more-or-less good who have come back for one or the other. Both men went to high school with Bailey’s mom, but neither have returned home in the intervening years. Both have secrets that may possibly have to do with Bailey – but it’s no secret that neither can stand the other.

Yet, when one of them is murdered, all the police suspicion falls on Bailey – which feels like more than a bit of a stretch on the part of an overwhelmed detective grabbing at straws and circumstances instead of anything remotely like a real investigation.

Which is where Bailey’s amateur efforts inevitably come in.

I fell in love with Elyan Hollow, and I REALLY liked Bailey and her ‘Scooby Gang’. It helps a LOT that Bailey has every reader’s dream job of owning and running a bookstore – and that it’s dreamy enough that she’s being VERY successful at it though dint of her own hard work. Her best friend is one of the librarians at the local public library, and their bonds to books and over books really shine through.

The mysteries that needed to get solved got solved, but the family mess is, well, messy and that looks like it will continue to be so in the books ahead.

In the end, this series starter reminded me a lot and fondly of Small Town, Big Magic (before the protagonist discovers that she’s really a witch) and Shady Hollow (only with human people instead of animal people). The small towns all have similar charms and the characters have similar and endearing quirks. (Check out my review of the latest book in the Shady Hollow series, Summers End, later this week to see if you agree.)

All of which means that I’ll be keeping my reading eye out for the second book in the Halloween Bookshop Mystery series whenever it appears out of the mist of anticipated reads.

A- #BookReview: The Mummy of Mayfair by Jeri Westerson

A- #BookReview: The Mummy of Mayfair by Jeri WestersonThe Mummy of Mayfair (An Irregular Detective Mystery #2) by Jeri Westerson
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery, mystery
Series: Irregular Detective #2
Pages: 224
Published by Severn House on July 2, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Private investigators Timothy Badger and Benjamin Watson take on another unusual and baffling case in Victorian London when a mummy unwrapping party takes a chilling turn.London, 1895. Although their last high profile case was a huge success, private detectives Tim Badger and Benjamin Watson know they can't afford to turn down any work, despite financial assistance from their mentor, Sherlock Holmes.So when the eminent Doctor Enock Sawyer of St Bart's Hospital asks Badger if the duo will provide security for a mummy unwrapping party he is hosting, Badger doesn't hesitate to take the job. After all, how hard can guarding the doctor's bizarre Egyptian artefacts be? But with Doctor Sawyer running late for his own party, the 'genuine' ancient sarcophagus of Runihura Saa is unravelled to reveal the remains of . . . Doctor Sawyer! Suddenly, the pair are drawn into a new case that's stranger and twister than they could ever have imagined.

My Review:

The “irregularity” of the Irregular Detective series is in the person of one of its protagonists, Timothy Badger of the Badger and Watson Detecting Agency. Once upon a time, Badger was one of the “invisible” children who operated as Sherlock Holmes’ eyes and ears on the streets of Victorian London. In other words, Tim Badger was one of Holmes’ Baker Street Irregulars.

But when Badger aged out – or grew up – out of the Irregulars, he still needed to make his living. Which is where his partner, jack-of-all-trades Benjamin Watson comes into the picture. Both from the “wrong side of the tracks” in the East End, without a shilling between them, they set up as private detectives in the mode of Badger’s former ‘Guv’, the Great Detective himself.

As seen in the first entry in this series, The Isolated Séance, after five years of struggle to keep body and soul together, Sherlock Holmes himself gave these ‘apprentices’ a bit of a leg up. Their perseverance was rewarded with rooms in Soho – several steps up the economic ladder from their previous lodgings and office – and a seemingly magical refilling box of money for expenses.

They’re doing well for themselves. It’s a lot of hard work and shoe leather – but their successes seem to outnumber their failures. They have as much work as they can handle – and even their own chronicler in the person of newspaper reporter Ellsie Littleton.

Which leads to this second sensational case, The Mummy of Mayfair. A moniker that seems ripped, not from the headlines, but from the titles of the penny dreadful fiction that Badger loves to read. Watson prefers the newspapers and scientific journals.

After all, someone in this partnership needs to keep their feet on the ground, especially with a case that has so much potential to ascend – or perhaps that’s descend – into flights of fantasy and mythology.

It begins with a mummy unwrapping party. An all too common event among the upper crust in the 1890s. It was the heyday of ‘Egyptomania’, with all of the implications of madness the word mania implies.

Badger and Watson were hired by Dr. Enoch Sawyer to provide security for his mummy unwrapping party. A party that takes an even more macabre turn when the mummy is finally unwrapped to reveal that it’s not the mummy of Runihura Saa. It’s the much more recent mummy of Dr. Enoch Sawyer – their client – who is clearly not going to be able to pay them for the job they are about to do on his behalf.

And the game is afoot!

Escape Rating A-: First, I loved this every bit as much as the first book in this series, The Isolated Séance. Second, I need to kick myself for not figuring out that the series title is a pun until now. I sorta/kinda thought the cases were “irregular” and they are that – from a séance in the first book to a mummy in the second. But it’s the DETECTIVES – or at least one of them – that are irregular. As in, the Baker Street Irregulars. 🤦🏻

Now that I’ve got that out of my system, what makes this case so much fun is the way that it blends the real with the fictional.

Mummy unwrapping parties were a very real thing in the 1890s – as shown in the painting below by artist Paul Dominique Philippoteaux circa 1890. The scene may seem macabre to 21st century readers, but such parties were all the rage in 1895, when The Mummy of Mayfair takes place.

Rage also being an important factor – at least in this particular case – as the ‘mania’ led people to strange rivalries and illegal behaviors – as humans are wont to do in the throes of a craze, fad, or mania. It still happens now, and humans haven’t changed all that much in just a bit over a century.

As much as the insanity of this particular mania turns out to be the impetus for the actions of the characters, what is making the series work are the characters and the way they manage to fit into – and take off from – the canon of Sherlock Holmes and ITS well-known and loved protagonists.

The best detectives, whether amateur or professional, are outsiders. It’s nearly impossible for humans to set aside their preconceived notions and biases in regards to people they know. A fact which very nearly sends the entire case on a wild goose chase, as one of the possible suspects is one of Badger’s former colleagues in the Irregulars.

But the triumvirate necessary to fill all of the roles that in the original canon were filled by just two changes the structure of the investigation even as it challenges the reader to see Holmes’ Victorian age from a considerably less lofty perspective.

Timothy Badger grew up in the East End, living by his wits and the nimbleness of his fingers. His accent clearly marks him as being of a “lower class” to the toffs among whom he now finds himself – and he has to grow into his role without giving up who he essentially is.

Benjamin Watson is a black man in a white world. The first thing that anyone sees when they meet him is the color of his skin. He has the intelligence and the drive to have been anything within his reach, but his reach in the late Victorian era is circumscribed by his race.

Miss Ellsie Moira Littleton is a woman in a man’s world. Much like Charlotte Sloane in the Regency-set Wrexford and Sloane series, Ellsie has been forced by circumstances to be self-supporting, and is on the outside of the society to which she was born. As an intelligent, educated, woman who needs to make her own way, she is also an outsider but with an entirely different perspective on the society of which she was once a member.

From its sensational beginning, the case is a deeply puzzling mess. Badger and Watson’s preconceived notions about their clients and their former associates, as well as their lack of knowledge of the precise ways the rich spend their time and money and protect their positions frequently send them haring off in the wrong directions – and we follow them eagerly even as they frequently caution each other.

As I’ve said frequently within these pages, I’m a sucker for Sherlock Holmes pastiches, and that’s why I initially started this series. Now I’m hooked! I’m really looking forward to the next book in this series, The Misplaced Physician, where we’ll finally get to meet Sherlock Holmes’ Watson, as Badger and his Watson will be on the case of rescuing him! It’s a good thing that investigative reporter Ellsie Littleton will be on hand to record the adventure, as the original Watson may be too embarrassed – or too injured – to write it up himself.

We’ll certainly see, hopefully this time next year!

#BookReview: Requiem for a Mouse by Miranda James

#BookReview: Requiem for a Mouse by Miranda JamesRequiem for a Mouse (Cat in the Stacks, #16) by Miranda James
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: cozy mystery, mystery
Series: Cat in the Stacks #16
Pages: 282
Published by Berkley on June 25, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Librarian Charlie Harris and his ever-intuitive feline friend Diesel must catch a killer in a deadly game of cat and mouse where no one is who they seem to be…
At last, Charlie and Helen Louise’s wedding is only a month away. They’re busy preparing for the big day, and the last thing Charlie needs is a new mystery to solve. Enter Tara Martin, a shy, peculiar woman who has recently started working part-time at Helen Louise’s bistro and helping Charlie in the archive. Tara isn’t exactly friendly and she has an angry outburst at the library that leaves Charlie baffled. And then she abruptly leaves a catered housewarming party Charlie’s son Sean is throwing to celebrate his new home in the middle of her work shift. Before ducking out of the party, Tara looked terrified and Charlie wonders if she’s deliberately trying to escape notice. Is she hiding from someone?
When Tara is viciously attacked and lands in the hospital, Charlie knows his instincts were correct: Tara was in trouble and someone was after her. With the help of his much beloved cat, Diesel, Charlie digs deeper, and discovers shocking glimpses into Tara’s past that they could never have predicted. Will they catch the villain before Charlie’s own happily ever after with Helen Louise is ruined?

My Review:

As today marks the start of the American Library Association Annual Conference, it’s the perfect day to review the latest entry in the Cat in the Stacks series, Requiem for a Mouse, featuring librarian Charlie Harris and his large and lovable Maine Coon cat Diesel.

While the possessive should probably be in the other direction, that Charlie belongs to Diesel and not the other way around, as a librarian himself Charlie would have attended many ALA conferences over the course of his career, especially back when he was one of the Branch Managers at the Houston Public Library.

Charlie’s current position, as the part-time cataloger and rare book librarian for his hometown – and alma mater’s – tiny Athena College Library in Athena, Mississippi – generally doesn’t have the budget to make Charlie schlep to wherever the conference happens to be each year. (This year it’s San Diego.)

Which is just fine with him, as he’s been there, done that, and probably has thrown away the conference t-shirts quite some time ago.

Besides, Charlie has much more interesting things to do. Such as ‘help’ the local police solve murders. A help that Athena P.D.’s Chief Deputy generally thinks of as poking his nose in where it doesn’t belong and beating her detectives to the clues a bit too often.

This time around, Charlie’s nose DOES belong in the case – because it happened at the desk right across from his. Not literally, but certainly more than figuratively enough that he feels compelled to help discover who murdered the intensely private, socially maladroit woman who had been his part-time assistant.

Tara Martin may have been rude and tactless – and she certainly was – but that certainly wasn’t enough reason for someone to drive deliberately onto the sidewalk to run her over. But the cops’ certainty about her cause of death is the one of only two sure things in this entire case – and the victim’s identity is not the other.

But Charlie can’t let it rest until he knows both whodunnit and the truth of who it was done to – even when that puts him squarely in the killer’s sights.

Escape Rating B: I’m here for Diesel. Not just because I’ve always wanted a Maine Coon, but because he’s just sweet and charming – and large – but also because he’s intelligent and empathetic but on a cat scale and not a human one. There are quite a few cozy mystery series that feature cats – and why not? – but it’s refreshing that the cat in this series doesn’t solve the mysteries on his own and doesn’t mysteriously help his person solve them.

Which leads back to Diesel’s person, Charlie Harris. One of the things I love about this series is not just that Charlie is a librarian, but that he feels like ‘one of us’ and not merely the result of some cursory research. (This is not a surprise as the author is themself, one of us.) But it’s lovely not just to see one’s own profession represented in a story but to have it done correctly – which is far from always the case.

This series is a very cozy series. Athena is a small town, Charlie has a charming and well-developed ‘Scooby Gang’ who help him, worry about him, and occasionally rescue him from his own folly. The portrait of the town as a whole turns it into the kind of fictional small town that makes readers want to live there – except in the hot, muggy Mississippi summers.

So this is a series I pick up because I’m always happy to see Diesel and I love catching up with Charlie and his friends and family.

That being said, the beginning of this one is particularly rough. Tara Martin, whoever she is, puts everyone off with her tactlessness and her inability to pick up on social cues. When the story opens, as much as many of the characters want to help her out, there’s a surprising amount of backbiting and general verbal nastiness. There’s not even a suggestion that she might be neuroatypical – which was my first thought. It’s only after she’s struck down that people begin to treat her situation with any real understanding. But the initial impression that people were badmouthing her behind her back stuck with me and stained my impression of the book.

The mystery was a lot of sad fun, as it was very twisty and filled with lots of delicious red herrings for Diesel and his little buddy Ramses to beg for – even though every reveal about the victim’s true circumstances made her life and her death just that much sadder. (She’s certainly the ‘Mouse’ of the title) Those twists and turns, along with a whole cast of characters using false names and fake pretenses made this a very quick read as .well. But that initial impression meant that in the end I liked it rather than loved it as I had expected to.

But I’m still Team Diesel, so I’ll still be back to check up on how he’s doing the next time there’s a Cat in the Stacks mystery.

A+ #BookReview: Fatal Enquiry by Will Thomas

A+ #BookReview: Fatal Enquiry by Will ThomasFatal Enquiry (Barker & Llewelyn, #6) by Will Thomas
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Barker & Llewelyn #6
Pages: 293
Published by Minotaur Books on May 13, 2014
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Brimming with wit, atmosphere, and unforgettable characters, FATAL ENQUIRY reintroduces private enquiry agent Cyrus Barker and his assistant, Thomas Llewellyn, and their unforgettable world of Victorian London.
Some years ago, Cyrus Barker matched wits with Sebastian Nightwine, an aristocrat and sociopath, and in exposing his evil, sent Nightwine fleeing to hide from justice somewhere in the far corners of the earth. The last thing Barker ever expected was to encounter Nightwine again—but the British government, believing they need Nightwine's help, has granted him immunity for his past crimes, and brought him back to London. Nightwine, however, has more on his mind than redemption—and as Barker and Llewellyn set out to uncover and thwart Nightwine's real scheme, they find themselves in the gravest danger of their lives.

My Review:

Most of the entries in the Barker & Llewelyn series, at least so far, begin with Thomas Llewelyn in some kind of VERY hot water, in the middle of a case that we haven’t yet seen the beginning of. Then his narrative winds back and we get to learn how he got into the pickle we opened with and the game is afoot.

This time around doesn’t seem like it starts in that ‘usual’ fashion, as Llewelyn and his ‘Guv’, private enquiry agent Cyrus Barker, are sitting peacefully in their offices negotiating the precise time at which Barker will let Llewelyn go for his half-day off.

Which is when the situation goes entirely pear-shaped, and they are suddenly on the run after a coded telephone call.

It’s not until somewhere in the middle of that run for their lives that the reader figures out that this was the standard opener after all. Because this is a pickle that Barker and Llewelyn have been in since the very first book in the series, Some Danger Involved.

Barker’s old nemesis, Sebastian Nightwine, has merely been biding his time – off running his usual con games somewhere out on the fringes of the British Raj – waiting for the right opportunity to bring him back to London where he can finally finish Barker off – once and for all.

Or at least that’s Nightwine’s plan – a plan which Barker must thwart to preserve his life, his reputation AND especially the lives of all those he holds dear – even as he is aware that on one count, at least, he’s already failed.

Each believes that the other is a pawn in their long game. Llewelyn, on the other hand, is certain that he’s a pawn in both their schemes. None of them are aware that they are all being played for fools, and that there is a puppet master operating in the wings pulling ALL of their strings.

Escape Rating A+: I knew when I started this book that it would finally break the two weeks of mostly ‘meh’ reading that’s been happening around here. And it absolutely did!

But there was one story during that ‘meh’ that did rise above, and that was “How to Raise a Kraken in Your Bathtub”. You’d think that story and this book wouldn’t have much in common – but they actually do. Because underlying both stories, in spite of their very different genres, is a story about the excesses of empire, the lengths that those who are in charge or those empires will go to continue their expansion, and the desperation and necessity of those who stand in their way.

That it’s the same empire turned out to be utterly fascinating.

In this case, however, the sixth case that Thomas Llewelyn has written about his work and adventures with his boss and mentor, Cyrus Barker, the story starts out much closer to home when Barker and Llewelyn flee theirs in order to stay out of the hands of the police – who have been led astray, by a very roundabout route, by people with big dreams of empire and one man willing to exploit those dreams for his own gain.

A gain that is intended to secure Barker’s downfall and death. Poor Thomas Llewelyn is merely collateral damage in this chess game of a mystery, as Barker sets his lifelong adversary Nightwine up for a big fall even as Nightwine does the same to him.

Along the way, we – along with Llewelyn – learn a LOT more about Barker’s mysterious past. Because that’s where this case has its origins. At the same time we see the operations of the levers of power and privilege being moved by a con man running a game that is too tempting for even the savviest government officials to resist.

What makes the story rise to an A+, at least for this reader, was the delicious irony of the ending. Nightwine returns to London with deep, well-laid plans to eliminate Barker. Barker, forced to react rather than plan, still manages to maneuver Nightwine to what he believes will be his enemy’s downfall. It’s only after the results of that inevitable confrontation have been dealt with that Barker learns that both he and Nightwine have both been played by someone neither realized was even studying their board – let alone running it.

Someone who still has plans for Barker – or at least for Llewelyn – but only if this particular fly steps willingly back into the spider’s den.

I had a grand time with this entry in the series, so obviously I’ll be back to see Barker and Llewelyn try to get ahead of Jack the Ripper in the next book in this marvelous series, Anatomy of Evil, the next time I’m in the mood for murder – or just in search of a ripping good read!

#AudioBookReview: The Bodies in the Library by Marty Wingate

#AudioBookReview: The Bodies in the Library by Marty WingateThe Bodies in the Library (First Edition Library Mystery, #1) by Marty Wingate
Narrator: Fiona Hardingham
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: cozy mystery, mystery
Series: First Edition Library Mystery #1
Pages: 315
Length: 9 hours and 23 minutes
Published by Berkley on October 8, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Hayley Burke has landed a dream job. She is the new curator of Lady Georgiana Fowling's First Edition library. The library is kept at Middlebank House, a lovely Georgian home in Bath, England. Hayley lives on the premises and works with the finicky Glynis Woolgar, Lady Fowling's former secretary.
Mrs. Woolgar does not like Hayley's ideas to modernize The First Edition Society and bring in fresh blood. And she is not even aware of the fact that Hayley does not know the first thing about the Golden Age of Mysteries. Hayley is faking it till she makes it, and one of her plans to breathe new life into the Society is actually taking flight--an Agatha Christie fan fiction writers group is paying dues to meet up at Middlebank House.
But when one of the group is found dead in the venerable stacks of the library, Hayley has to catch the killer to save the Society and her new job.

My Review:

I have never been so happy to see a dead body in all of my reading life as I was when Tristram Cummins’ corpse was discovered in the library of Middlebank House, the home of the late Lady Georgiana Fowling’s First Edition Society.

Lady Georgiana Fowling died of natural causes – after all the woman was 92! – four years before this story begins. She was a collector of works written by the female authors of the Golden Age of Mystery, particularly Agatha Christie, Dorothy L. Sayers, Marjorie Allingham, Ngaio Marsh and Josephine Tey, among others. Daphne du Maurier’s works are also included in the library, not because she wrote mysteries – not exactly – but because she was a personal favorite of the late Lady Fowling.

Lady Fowling may be dead, but the Board of the charitable society that inherited her house and its contents – along with Lady Fowling’s secretary and personal assistant, Mrs. Glynis Woolgar – seem determined to preserve the library, the house, and its contents like a fly trapped in amber. Even if that is far from what Lady Fowling would have ever desired.

Hayley Burke, the newly appointed curator of the library, is determined to move the Society and its Library into the 21st century. She sees her job as placing the Library as prominently on the list of Bath’s literary-related attractions, such as the nearby Jane Austen Centre, as can possibly be arranged as quickly as can be managed. Or can be gotten past the Board and the Society’s Secretary.

Even though Hayley doesn’t know a thing about the Golden Age of Mystery – she knows plenty about ways that a literary site can put itself on the map, having previously worked – albeit in a rather junior position – at the Jane Austen Centre which has done an excellent job of just that.

The discovery of a body in the Society’s library, the morning after a contentious meeting of a local writers’ group, seems a bit too much like it’s straight out of the pages of one of the Agatha Christie novels sitting on a nearby shelf, The Body in the Library.

Whether inspired by Christie or not, that discovery, and the police investigation that ensues, certainly does put the First Edition Society on the map and at the top of mind of a whole lot of people who would otherwise never have heard of the place – in spite of Hayley’s best efforts.

But it’s not the kind of attention either Hayler or the Society actually wants. Because with all of the amateur and professional sleuths on the premises, someone will eventually deduce that the one person who should be an expert, the curator herself, doesn’t have a clue.

Escape Rating B: As much as I usually enjoy this author – and I’m particularly loving her London Ladies’ Murder Club (starting with A Body on the Doorstep) these days – I remember that I bounced off of this particular book really hard but didn’t remember exactly why.

So when I hit a hard flail and bail last week, in conjunction with a 2-for-1 sale at Audible, I picked this up in audio out of a bit of desperation. I knew that whatever had made me set this book aside when it came out, it couldn’t possibly be the same thing that was driving me away from the book I had just stopped listening to – with extreme prejudice – in the present.

I started the audio of The Bodies in the Library and figured out pretty quickly what drove me away the first time. OMG but Hayley Burke begins this story as a complete and utter doormat, and her doormat persona has invaded every part of her life.

This story is told in the first person, so we’re inside Hayley’s head – and it’s kind of a boring place to be, quite possibly because it seems like there’s no spine holding it up. Her long-distance boyfriend, her adult daughter, and her repressive, stick-up-her-bum colleague all walk all over her at every turn.

I could rant, but I’ll refrain. The work parts of this exhibition of lack of backbone are the one part of Hayley’s situation that make sense, as these two women share both the job and the house and making an actual enemy out of her recalcitrant colleague is the recipe for a very quick job change that Hayley can’t afford to make.

Howsomever, on top of the more personal aspects of her spinelessness it drove me round the twist. At least until Trist, the leader of that writers’ group, is found dead on the floor of the library and the pace of the story picks up while Hayley picks up her big girl panties and finally starts dealing with her life as well as the mystery that has been literally dropped in her lap.

One of the more, let’s call it awkward, parts of Hayley’s character at the beginning is that she doesn’t merely have impostor syndrome – don’t we all on occasion – but that she IS an actual impostor. She’s not REALLY qualified for the well-compensated job she lucked into. Hayley knows nothing about the Golden Age of Mystery as she specialized in 19th century literature for her degree. For a lot of the story, we see her flailing about in an attempt to hide her lack of knowledge – what we don’t see is her actually rectifying that lack until after the body drops. It’s clear that her continuing forays into the world of Golden Age mystery is going to be part of her journey – and will hopefully induce readers to do the same – but early on I found myself wondering, repeatedly and OFTEN, why she didn’t just stream a whole lot of video because they’ve ALL been done. It wouldn’t have been the same as reading the books, but it would certainly have given her a leg up that she desperately needed.

Speaking of media, however, the audio was fine, and it certainly got me over the rough first third of the book that drove me away the first time around. So I’m glad I picked it up – even though once the story finally got started I got more than caught up in it enough to want to find out whodunnit a whole lot faster than audio would allow.

The advent of that body in the library (all due apologies to Agatha Christie because the cases aren’t much the same after all) turns out to be the making of both Hayley and the story as a whole, which is the reason I ended up at a ‘B’ grade in spite of the character’s and the story’s frustrating and glacially paced opening. By the end, the whole thing shows a LOT of promise, to the point where I’m sure I’ll pick up the next book in the series, Murder is a Must, the next time I’m in the mood for a very cozy and gentle mystery.

Or I want to see how the Library’s cat Bunter is doing with the new visitors that Hayley is hopefully bringing to the place!

#BookReview: The Marlow Murder Club by Robert Thorogood

#BookReview: The Marlow Murder Club by Robert ThorogoodThe Marlow Murder Club (Marlow Murder Club, #1) by Robert Thorogood
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: cozy mystery, mystery
Series: Marlow Murder Club #1
Pages: 340
Published by Poisoned Pen Press on January 7, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

To solve an impossible murder, you need an impossible hero…
Judith Potts is seventy-seven years old and blissfully happy. She lives on her own in a faded mansion just outside Marlow, there’s no man in her life to tell her what to do or how much whisky to drink, and to keep herself busy she sets crosswords for The Times newspaper.
One evening, while out swimming in the Thames, Judith witnesses a brutal murder. The local police don’t believe her story, so she decides to investigate for herself, and is soon joined in her quest by Suzie, a salt-of-the-earth dog-walker, and Becks, the prim and proper wife of the local Vicar.
Together, they are the Marlow Murder Club.
When another body turns up, they realise they have a real-life serial killer on their hands. And the puzzle they set out to solve has become a trap from which they might never escape…

My Review:

Being in a murder-y mood this week, I was searching through the virtually towering TBR pile for mysteries, especially mystery series, that I hadn’t dipped into, and lo and behold The Marlow Murder Club popped to the top of the pile.

Recommended, pretty much everywhere as a readalike for The Thursday Murder Club, which I liked very much the second time I tackled it, I decided to give this other Murder Club a try. Even though that readalike recommendation isn’t quite on the nose – if anything Marlow turned out to be a teensy bit closer to An Elderly Lady is Up to No Good, this still turned out to be a fun cozy that fit right into both that murder-y mood and to be the second book this week featuring surprisingly successful amateur detectives aiding, abetting and looked down upon by less than stellar local police.

At least the local police in Marlow have a really good excuse for their less than stellar performance – and they do manage to redeem themselves in the end, which was certainly not the case in Monday’s A Mischief of Rats or its entire series so far.

Let me go back to the beginning – at least the beginning of The Marlow Murder Club.

One evening, eccentric, reclusive Judith Potts hears a murder. Specifically, she hears a gunshot at her nearest neighbor’s house and punts along the Thames from her house to his to see if he’s alright. He’s not – not that she quite knows that at the time.

So she calls it in, the local police come out to their remote corner just outside Marlow, and discover – absolutely nothing.

Judith can’t let that rest, so she goes over the next day – better prepared – and investigates for herself. She discovers something the police missed – her neighbor’s dead body, caught in the rushes, with a bullet hole in the center of his forehead.

The police try to pass it off as an accident – or even suicide – but Judith is having none of THAT. When a second body turns up, complete with forehead-centered bullet hole, and the bullets are proved to be from the same antique pistol, it’s clear that there’s a serial killer in a tiny, peaceful little Home Counties village that has never experienced anything like this. At all. Ever.

The local police, in the person of Detective Sergeant Tamika Malik, are in over their under-equipped, under-trained and under-staffed heads. There should be a Detective Inspector in charge of this case – but none are available and none will be. Malik makes much too convenient a scapegoat if the crimes go unsolved – which is exactly what her superiors expect from her.

But Malik has been shadowed, dogged, and out-investigated by Judith Potts and her two new friends and accomplices, dog-walker Suzie Harris and parson’s wife Becks Starling. They’ve found clues and leads at every turn, while Malik keeps coming up with exactly nothing.

Malik’s desperate, they’re determined. So she drafts them into service as volunteer consultants. Malik was told to do “everything in her power” to get this case solved – and that’s exactly what she does.

That it works, and the way that it works, surprises everyone in Marlow. Especially the killer.

Escape Rating B: Marlow is very cozy, in spite of the murder spree. But about that murder spree…I’ve seen this particular plot device before, so I recognized what was happening REALLY early on. At that point I didn’t have enough of a picture of Marlow to know precisely whodunnit but I knew precisely how it was done much too early on.

The initial suspect was a bit too smug, and resembled a real-life Lucius Malfoy entirely too much to be anything but the villain. Or at least, a villain, and thereby hung the whole, entire, tale.

That being said, the story still worked, not so much as a mystery but definitely as a cozy. The way that the “club” puts itself together was a hoot, as none of the members intend to band together for anything, with anyone, but they can’t resist not just solving the murder but the sense of camaraderie and outright sisterhood they receive from working together.

So it was great watching the gang pull together, and especially for all of these lonely people – and they are ALL lonely, even married Becks – find common cause, common purpose, and much-needed friendship – even if none of them would ever have admitted that they were in desperate need of all of the above.

The other thing I really liked was that, while the local police were completely overwhelmed by a serial killer in their tiny town, the reasons they were overwhelmed were much easier to understand and empathize with than the lackluster performance of the local constabulary in Monday’s book and its series – although I still like that series and intend to continue it.

The police in the Dr. Nell Ward series often seem distracted and incompetent and made more incompetent by their distractions. DS Malik, on the other hand, has been left in this soup very much over her head, knows it, and does a surprisingly good job of finding people to throw her a lifeline. I felt FOR her to the point that just as much as she drafts the “Marlow Murder Club” in as auxiliaries to the investigation, they adopt her as an auxiliary member of their “club”.

As much as the mystery in this first outing was screamingly obvious, I still stuck with the book and outright enjoyed it for the development of the characters and the setting. I’ll certainly be back for the next book in the series, Death Comes to Marlow, the next time I’m in a murder-y mood!