Review: The Last Devil to Die by Richard Osman

Review: The Last Devil to Die by Richard OsmanThe Last Devil to Die (Thursday Murder Club, #4) by Richard Osman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, thriller
Series: Thursday Murder Club #4
Pages: 432
Published by Pamela Dorman Books on September 19, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Shocking news reaches the Thursday Murder Club.
An old friend in the antiques business has been killed, and a dangerous package he was protecting has gone missing.
As the gang springs into action they encounter art forgers, online fraudsters and drug dealers, as well as heartache close to home.
With the body count rising, the package still missing and trouble firmly on their tail, has their luck finally run out? And who will be the last devil to die?

My Review:

The first ‘devil’ to die in this fourth entry in the Thursday Murder Club series is an old friend who helped them solve the case in the previous book in the series, The Bullet That Missed. Kuldesh Sharma was an antiques dealer who was lucky enough to be making a decent living in a business where too many people get caught up in buying things they love rather than trading in things they can sell at a profit.

But his luck ran out on a lonely country road with a bullet in his head that absolutely did not miss this time around.

Technically, his luck ran out earlier that Boxing Day, when he was one of the few antique shops open for business on a day when the local heroin importers needed someplace to hold onto a box for them. It was an offer he knew he couldn’t refuse, lest he end up exactly the way he did, dead with his store ransacked.

Those events aren’t linked the way that anyone expects them to be, and thereby hangs a tale. Specifically, this tale of bad luck and worse choices, an utter inability on the part of several unlucky individuals to distinguish friend from foe, a trail of bodies both guilty and innocent, and a small box that may not be bigger on the inside but is certainly a great deal larger in some dimensions than it appears.

Escape Rating A: The Last Devil to Die turned out to be the perfect capstone to this series so far, but I had more than a bit of an approach/avoidance problem to reading it all the way to the bitter end.

I also had the same hard time writing this up because there’s a point near that end that gave me the weepies. Seriously, I started crying. If you read the whole series so far, there’s a strong possibility that you will, too. It’s not exactly unexpected but it does invoke one hell of a lot of feels. Those tears rain over this entire review. Consider yourself warned.

What makes this case so convoluted is that, at least at the beginning, NO ONE really knows what it’s about – but everyone has made assumptions in that regard. Which makes the whole thing fall directly into that cliché about ‘assume’ and asses.

To the police, at least in the persons of the Thursday Murder Club’s police buddies Chris and Donna, it’s all about the heroin, or at least it’s about the local drug kingpins chasing the heroin. Because it would be a really serious feather in Chris and Donna’s caps if they could manage to nail those bastards to the wall.

But there’s a big deal officer from London who has come to take over the case and thrown our friends off the case – with rather extreme prejudice. Leading Chris and Donna to continue their investigation following rather more closely in the footsteps of the Thursday Murder Club – at least in regards to extra-legal methods – than either of them is strictly comfortable with.
Whatever the police think this case is about, the local drug gangs seem to be making a much bigger fuss over a mere 100,000 pounds worth of heroin. That not 100,000 pounds of heroin, which would be a pretty big deal, but rather a small amount of the stuff worth 100,000 pounds.

Big difference. Huge difference. Orders of magnitude difference. It’s only after the Thursday Murder Club follows that trail of bodies that Elizabeth Best puts together what it’s really all about, in a scene worthy of the best of the classic murder mysteries – even if the trail and the reasons for it are anything but old fashioned.

What makes this series work as a whole is that, in spite of how fanciful the idea of a bunch of septuagenarians solving murders might be and often is, and as quirky and eccentric as the members of the Club absolutely are, there’s nothing silly or twee about the way they go about their business.

And it’s not just that they are as deadly serious as the corpses they discover, but also that they are pragmatic and savvy about their place in the world, that they have many more days behind them then ahead of them, that they are often discounted because of that, and that the end is coming for all of them and it’s important how they occupy that time and take care of that end as it comes.

I appreciate their perspective and their approach to their lives at this stage of them even more than I might have otherwise, as I’m now in my mid-60s and honestly I’d like to be them when I grow up. Preferably without having to deal with a string of dead bodies every other month, but the way they all work together and make a difference in the world, as well as their beautiful and supportive friendship, is something to aspire to.

There’s a hint at the end that the Thursday Murder Club will be tying up the loose ends of a case tangential to the one they investigated in The Bullet that Missed when this series continues. Which, according to the author’s afterword, won’t come as immediately as fans would prefer, but will happen once the Club and their legion of fans recover from their grief over The Last Devil to Die.

Review: Prophet by Sin Blache and Helen MacDonald

Review: Prophet by Sin Blache and Helen MacDonaldProphet by Sin Blaché, Helen Macdonald
Narrator: Jake Fairbrother, Ryan Forde Iosco, Charlotte Davey
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: espionage, mystery, science fiction, thriller
Pages: 480
Length: 17 hours and 1 minute
Published by Grove Press, Recorded Books on August 8, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Daring, surprising and superbly plotted, this is a fresh, thrilling page-turner from a dynamic new duo in genre fiction
Your happiest memory is their deadliest weapon.
THIS IS PROPHET.
It knows when you were happiest. It gives life to your fondest memories and uses them to destroy you. But who has created it? And what do they want?
An all-American diner appears overnight in a remote British field. It's brightly lit, warm and inviting but it has no power, no water, no connection to the real world. It's like a memory made flesh - a nostalgic flight of fancy. More and more objects materialise: toys, fairground rides, pets and other treasured mementos of the past.
And the deaths quickly follow.Something is bringing these memories to life, then stifling innocent people with their own joy. This is a weapon like no other. But nobody knows who created it, or why.
Sunil Rao seems a surprising choice of investigator. Chaotic and unpredictable, the former agent is the antithesis of his partner Colonel Adam Rubenstein, the model of a military man. But Sunil has the unique ability to distinguish truth from lies: in objects, words and people, in the past and in real time. And Adam is the only one who truly knows him, after a troubled past together. Now, as they battle this strange new reality, they are drawn closer than ever to defend what they both hold most dear.
For Prophet can weaponise the past. But only love will protect the future.

My Review:

From the opening of Prophet, two things are immediately clear. Sunil Rao and Adam Rubenstein are both FINE, and the situation they are in is already FUBAR.

Whatever is going on – which neither they nor the reader know yet – Adam and Rao are both Fucked-up, Insecure, Neurotic (and) Egotistical (although Rao is way more of the last than Adam) and the world is already Fucked Up Beyond All Recognition. FINE and FUBAR to the max, both of them and all of it.

In other words, they’re both hot messes and not a single thing that happens in Prophet helps either of them get any better.

Pretty much the opposite, in fact.

Calling Sunil Rao a human lie detector isn’t nearly enough of a description. It is TRUE, which matters a lot because that’s what Rao, as he prefers to be called, really does. He can tell when someone or something is true. Which explains why Rao gets called in – and out of a psychiatric institute after a suicide attempt – to the sight of something that so clearly does not belong even as he’s staring at the manifestation of it.

Come to think of it, Rao’s ‘gift’, for lack of a better word, also explains the psych hold, as well as why his work partner/keeper, Lt. Colonel Adam Rubenstein, has been brought in to make sure that Rao doesn’t go off the rails, again, no matter how much the situation they have been dragged into might justify it.

And that’s where both the thriller and the SFnal aspects come into this story. Prophet isn’t a person, there is no one predicting the future. And it’s not ‘profit’, which is what I first thought when I heard the title and hadn’t yet seen it in print.

Although, that’s for select definitions of both of those things, as there is a cabal that intends to make profit on Prophet in the long run, and they do believe that they can control the future with it. They’re oh-so-far off base on both counts.

Prophet is a drug. It’s an attempt to weaponize nostalgia. Which would be one hell of a power IF the side effects could be dealt with. At least the side effects that are a bug and NOT an actual feature. (As we already know because it’s already sorta/kinda happening IRL)

But Prophet isn’t exactly what anyone thought it was, and Rao’s special talent isn’t exactly what anyone has been led to believe, while Adam’s motivations for letting himself get roped into this FUBAR are not what anyone who thinks they are in charge of the whole thing has any reason to have a clue about.

Which leads to this story about finding those clues, the truth about Prophet, who thinks they’re behind it and what actually is. The truth about what Rao can really do. The truth about who Rao and Adam really are. The truth about the relationship between them that they have spent years trying to hide from themselves and each other.

And especially the truth about the nature of the universe, which is not a place that anyone would have predicted this story would go – but is oh-so-utterly fascinating once it gets there.

Escape Rating A+: The thing about Prophet as a story is that it is damn difficult to categorize. It’s kind of like Michael Crichton and Robert Ludlum had a book baby, and as wild and crazy as that thought is the whole thing still needs a lot of midwives and stepparents to get a glimpse at just how much is packed into the story.

But still, that’s a start. (It’s also a clue that any expectations that Prophet will have any resemblance at all to co-author Helen MacDonald’s H is for Hawk are going to be thoroughly disappointed.)

At first it all seems a bit SFnal, of the laboratory school of science fiction – much like Michael Crichton’s Jurassic Park and The Andromeda Strain. Prophet is created in a laboratory, and tested in a more-or-less scientific fashion. Or at least a scientific fashion for scientists who had their ethics surgically removed – which would also be science fiction. (We hope, we really, really do!)

But the way the story works is as a kind of mystery/thriller, particularly of the spy thriller school. Which is interesting because espionage fiction is usually about governments spying on other governments and that’s not what’s happening here. It’s not even, exactly, corporate espionage. Although it’s not exactly not either. (There are a LOT of things in Prophet that are not exactly what they seem but not exactly not what they seem, all at the same time.)

It’s more that Adam and Rao are kind of but not exactly undercover within the organization that is working with Prophet, playing with things they don’t understand, and trying their damndest to figure out what the hell is going on.

Which leads to the mystery. At first it’s the mystery of what created a 1950s era, American-style diner in the middle of the English countryside in a literal instant with someone actually watching the whole time. And what keeps happening to the people who get exposed to Prophet, whether accidentally or on purpose. Mostly on purpose.

Along with the mystery of why Adam Rubenstein is immune and Sunil Rao can safely extract it from people who have been exposed. It’s all a puzzle and a mystery and Adam and Rao become deeply invested in solving it – because they must.

Mixed in with ALL of that, and it’s a lot, is the relationship between Rao and Adam that is, that isn’t, that might be, that can’t be, and that is always more and different than anyone thinks it is. Which includes themselves. And quite possibly, the multiverse.

The inability to figure out what box Prophet falls into will drive some readers bananas. Certainly it gave the reading group that recommended it to me a whole bunch of very mixed reactions because it’s not easily defined. They collectively liked it and were not sure about it at the same time.

What carries the story, and carries the reader through the story, is the ever-evolving, often hidden, always on the verge of heartbreak relationship between Sunil Rao and Adam Rubenstein. They are not who they appear to be – not even to each other. Their histories are both shared and opaque to each other. And they’re both so FINE (in the sense of the acronym) that they are on the edge of mutually assured destruction almost all the time. And yet, they’re always on the same page and always have the same goals, even if it doesn’t seem that way at first, not even to them.

If the reader falls for them and their relationship, and I did, the story is an absolute WOW from beginning to end. An end which still manages to be a bit deus ex machina in spite of the reader being able to see it coming a mile away AND the way that it’s not the deus that saves the day. It’s the machina.

I listened to this one all the way to the end, and the readers were terrific every step of the way, even when they were voicing each other’s characters because the story is told in three, sometimes dueling, first person perspectives. This is the kind of first-person narration I love listening to, because the readers were so good and the story so compelling and the characterization, both in the text and in voice was so very much each of them individually that I really did feel like I was in their heads. Which made for an awesome listening experience.

One of my ongoing frustrations with multiple narrators in audiobooks, as much as I utterly love the style and how much it adds to the storytelling, is that while the list of narrators is credited, it’s seldom detailed into precisely who narrates whom. In this particular production, I believe that Jake Fairbrother ‘played’ Rao and Ryan Forde Iosco took Adam’s part, but I can’t be 100% certain of that in the way that I’m sure that Charlotte Davey voices Veronica, the absolutely psychopathic researcher in charge of Prophet R&D.

To sum things up, Prophet is absolutely bonkers in the best of all possible ways. If you like laboratory-based SF, the implications of the story are fascinating. If you love espionage fiction, especially if you miss it and wonder how those kind of stories are going to be told post-Cold War, this is a fantastic exploration of who might still be spying on whom and why. And if you love a good bromance/buddy thriller, especially one that has the potential for more, Prophet could be your jam across the board, and even better in audio.

It absolutely, positively was mine.

Review: Payback in Death by J.D. Robb

Review: Payback in Death by J.D. RobbPayback in Death (In Death, #57) by J.D. Robb
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: futuristic, mystery, romantic suspense, suspense, thriller
Series: In Death #57
Pages: 368
Published by St. Martin's Press on September 5, 2023
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A retired colleague's suspicious death puts Lt. Eve Dallas on the case in Payback in Death, the electrifying new novel from #1 New York Times bestselling author J.D. Robb.
Lt. Eve Dallas is just home from a long overdue vacation when she responds to a call of an unattended death. The victim is Martin Greenleaf, retired Internal Affairs Captain. At first glance, the scene appears to be suicide, but the closer Eve examines the body, the more suspicious she becomes.
An unlocked open window, a loving wife and family, a too-perfect suicide note—Eve's gut says it's a homicide. After all, Greenleaf put a lot of dirty cops away during his forty-seven years in Internal Affairs. It could very well be payback—and she will not rest until the case is closed.

My Review:

The case in Payback in Death is a fascinating one that could just as easily work in a contemporary police procedural as it does in their near-future world, because cases about ‘who watches the watchers’ are always relevant, and raise interesting questions about just how much of that watching is necessary and who watches the watchers who watch.

There’s a rabbit hole there that this story doesn’t have to go down, because retired NYPSD Internal Affairs captain Martin Greenleaf honored his badge and his service during a career spent on that often thankless watch.

Now he’s dead, and it’s Dallas’ job to stand for him. Because whoever killed him did a really poor job of faking his suicide. The man was murdered in his own home, and left for his wife to find. But fate intervened in the person of a detective that Greenleaf mentored. A detective who may have struck out once and badly with Dallas, but who knows she’ll bring her best to the case of the man who stood in for his father.

Which, in the end, is what this case turns out to be about. Father-figures, and the devastation they leave in their wake when they go down. Whether that happens in the line of duty – as it did for Martin Greenleaf in spite of his retirement – or whether it happens because someone like Greenleaf discovers that a man who should have at least been a hero to his family, was someone that those watchers not only watched, but ultimately discovered had feet of clay up to the knees.

Escape Rating B: At this point, I’m here to see how all my ‘book friends’ are doing after whatever happened in the previous book in the series (which in this case was Encore in Death). I just plain enjoy spending time with Dallas and Roarke’s ever-growing ‘family’ and am always happy to catch up with the gang. It doesn’t matter whether the particular case is all that interesting, and it doesn’t matter what kind of case it is. I just like these folks a lot and want to be sure they’re all still okay.

That being said, at 57 books and counting, the In Death series breaks down into three kinds of stories. First are the cases that are just cases – like the case in Payback in Death. It’s appropriately puzzling, the motives are twisted and the clues are deeply buried at first and convoluted to the end, and it’s an important case that requires that Dallas and company bring their “A” game to get it solved, but in the end it’s still just a case that gives the NYPSD a chance to prove they are the best at what they do – which they are.

The second kind of story are the ones where someone is threatening one or more members of Dallas and Roarke’s extended family. Those get messy. Always interesting, often revelatory about their pasts as well as their present, but those cases stick much closer to home and get more emotional, no matter how many of NYPSD’s finest get involved by the end.

And then there’s the third kind of story, which can dig itself into either of the above. The stories that are trips to the angst factory because they bring back the specters of either Roarke’s or Dallas’ horrifyingly terrible, thoroughly abusive childhoods. Those stories are always hard because I’ve come to care about all the characters a great deal and I hate seeing them suffer again in their present over the crap in their pasts.

This was a case that turned out to be just a case – no matter how much the perpetrator tried to make it more than that. And failed.

But it was still riveting and held my interest from the first page to the last because the story was every bit as relevant today as it is in Dallas’ time. Cops are human – and all of Dallas’ crew are certainly that, from Peabody’s pink coats to Reinecke’s eye-watering ties to Dallas’ own inability to make sense out of cliches and figures of speech – because they mostly don’t if you dissect the words.

Someone does need to watch the watchers, to police the police, to make sure that flawed human beings, because we are all flawed human beings including the police, don’t take the ability to use force and even deadly force to the point where it becomes perceived as the right to do so – because it isn’t.

Part of what made this work for me was the way that it went into the amount of painstaking work that was required to dig through everything that Greenleaf had been part of in a long career to see where the motives might be, no matter how deeply buried they were.

And that the investigation displayed yet again the reasons that Dallas and her squad are the best at what they do.

The part that cast a bit of a pall over the riveting case was that the ‘B’ plot of the story, the sidebar case of the now (former) detective who went off the rails and took a swing at Dallas, didn’t feel like it got either explained or resolved – or at least not to this reader’s satisfaction.

Which did not stop me from reading Payback in Death in a single sitting, as I often do with each, always much anticipated, entry in this series. Obviously, I’ll be back in Dallas’ early 2060s New York City for book 58(!), Random in Death, coming in January, 2024. I’m already full of anticipation!

Review: The Bullet That Missed by Richard Osman

Review: The Bullet That Missed by Richard OsmanThe Bullet That Missed (Thursday Murder Club, #3) by Richard Osman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, thriller
Series: Thursday Murder Club #3
Pages: 413
Published by Pamela Dorman Books on September 15, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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One Thursday afternoon in the seniors' center, a decade-old cold case --their favorite kind-- leads the Thursday Murder Club to a local news legend and a murder with no body and no answers. A new foe they call "Viking", wants Elizabeth to kill former KGB chief Viktor, or he will kill her sweet best friend Joyce. Activist marked for death Ron and psychiatrist Ibrahim chase clues for Viking's identity, and investigate mob-queen prisoner from last book.
This third adventure ranges from a prison cell with espresso machine to a luxury penthouse with swimming pool high in the sky.

My Review:

How far would you go to save your best friend’s life? What lengths would you go to? Perhaps a better question would be to ask what lengths wouldn’t you go to? Because that is certainly one of the big questions at the heart of The Bullet That Missed.

First, there’s a cold case, because that’s what the Thursday Murder Club does in its Thursday meetings – it investigates cold cases.

The case they pick this time is close to home, both in time and in distance. Ten years ago, a young reporter disappeared, and has been presumed dead for most of a decade. Bethany Waites was working on a huge story about smuggling cell phones and tax fraud. Millions of pounds disappeared so thoroughly into the labyrinth of money laundering that the money was never found. Which didn’t stop the police from sending one of the perpetrators went to jail for it, while the likely instigator managed to stay out of legal trouble – most likely by doing something else seriously illegal.

But the reporter left her apartment one night, her car was found on the shore bloodied but empty after having been pushed over a cliff, and the woman was never seen again. She’s still much missed, by her friends, her colleagues, and most especially her mentor who never got over her death.

One of the seemingly trivial issues surrounding that very non-traditional event was that the young, female reporter was receiving nasty little threatening messages dropped in her purse, left on her desk and even stuck to her car.

Just as Elizabeth Best is receiving ten years later, although the messages Elizabeth is receiving are much more specifically life threatening rather than the job-threatening ‘mean-girl’ type messages Bethany was getting.

A mysterious personage has threatened Elizabeth that if she doesn’t kill a particular former KGB agent, both Elizabeth and her best friend Joyce will be killed instead. Joyce first, of course, so that Elizabeth has time to reflect on the folly of her (non) actions.

But the man that the mysterious criminal Elizabeth ends up calling “the Viking”, because he very much resembles one wants so very, very dead, is also a friend. An old and dear friend who Elizabeth would very much like to save as she doesn’t have many of those around – not just anymore but ever.

The cases don’t really intersect when Elizabeth and company get involved in them. They really, really don’t. But, and it turns out to be a big, huge, but, ten years isn’t all that long ago, especially in a small town like Cooper’s Chase.

Because all of the players for the cold case are still around for the fresh case. All except one.

Escape Rating A-: There are two ways of looking at the adventures of the Thursday Murder Club. On the one hand, the mostly fun side of the equation, there are the murder cases that seem to find their way to the club’s door – even if Elizabeth has to push them in that direction more than a bit. And sometimes they push back – as the Viking’s part of this entry in the series does.

But then there’s the much more serious side, the one that can be summed up as “old age is not for sissies’. Because it isn’t and they aren’t and none of them are remotely planning to go gentle into that good night no matter how hard some people – including Elizabeth’s oldest and dearest enemies – try to shove them in that direction. With a surprising amount of extreme prejudice.

Then again, one does get the impression that Elizabeth Best is the spiritual sister of Hetty Lang from NCIS: LA and Victoria Winslow, the character that Helen Mirren played in the movies RED and RED 2.

But seriously, the mystery – in spite of or because of the increasing number of victims – is the fun part of the story. It’s also the part that changes most from book to book in a series.

The real reason that people keep coming back to any particular mystery series over and over again (this is book 3 in this series already, after The Thursday Murder Club and The Man Who Died Twice) is because we get involved with the lives of the ‘Scooby gang’ that does the solving of the murders and not so much the murders themselves.

So what makes the Thursday Murder Club work as a series is the way that it revolves around and utilizes the strengths and weaknesses of the members of the club. The particular charm of this series is that it neither shies away from the issues of aging nor does it turn the idea of septuagenarians successfully solving crimes into anything twee or cutesy. (If you remember the Mrs. Pollifax series by Dorothy Gilman, that got both cutesy and twee over the course of its run.)

The members of the Thursday Murder Club are also all dealing with loss (realistically but differently according to each of their personalities), either in the past or the present, but are still very much living in the here and now – and dealing successfully with it – something we don’t see nearly enough.

I was tempted to say something like ‘they still have a lot to give’ which doesn’t convey the right sentiment because it implies they’re an exception to some rule in the same way that telling a woman she doesn’t look her age may be intended as a compliment but actually reinforces the idea that looking whatever age she is isn’t good enough – when it should be.

I’d say that Elizabeth, Joyce, Ibrahim and Ron have always had a lot to give and have never stopped giving it. While giving readers a terrific mystery to savor along the way.

Speaking of which, they have one more mystery to give us this year. The Last Devil to Die will be out later this month. And it’s already on my reading calendar because I can’t wait!

Review: The Man Who Died Twice by Richard Osman

Review: The Man Who Died Twice by Richard OsmanThe Man Who Died Twice (Thursday Murder Club, #2) by Richard Osman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, thriller
Series: Thursday Murder Club #2
Pages: 355
Published by Pamela Dorman Books on December 16, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

It's the following Thursday.
Elizabeth has received a letter from an old colleague, a man with whom she has a long history. He's made a big mistake, and he needs her help. His story involves stolen diamonds, a violent mobster, and a very real threat to his life.
As bodies start piling up, Elizabeth enlists Joyce, Ibrahim and Ron in the hunt for a ruthless murderer. And if they find the diamonds too? Well, wouldn't that be a bonus?
But this time they are up against an enemy who wouldn't bat an eyelid at knocking off four septuagenarians. Can The Thursday Murder Club find the killer (and the diamonds) before the killer finds them?

My Review:

The Thursday Murder Club series is not merely a guilty pleasure of a read, it’s just the kind of guilty pleasure you feel when you filch some of the semi-sweet chips straight out of the bag while baking chocolate chip cookies. You know you’re not really supposed to, but they taste so good, sweet with just the right amount of bitter in the aftertaste that you can’t resist – and you can’t eat (or read) just one.

This series is the same, with its story of murders in a retirement community solved by the skills, the talent and especially the combined experience of the 70something residents, who live in a place where the appearance of an ambulance screaming through the streets is an everyday occurrence – and that the next time it might be for one of them.

We first met the members of the Thursday Murder Club in the book of the same title, as the four septuagenarians who solved Cold Cases as a hobby found themselves in the middle of a fresh case right on their doorstep.

At the end of which, their ‘leader’ Elizabeth Best received a letter informing her that a man she thought was very, very dead was not only alive but back in her life, followed by the virtual ‘mic drop’ of the book’s end.

In The Man Who Died Twice we get the full story behind that mysterious missive, a story that wends its way back to Elizabeth’s days in the spy game, combined with her personal past in the form – and eventually the body – of her ex-husband and fellow retired spy Douglas Middlemiss. (I’m sure there’s a pun in his name, but I’m not quite getting there. Or it could be one of the many, many tasty red herrings that abound throughout this story.)

Dear Old Doug needs a safe house and protection from the mob. And he wants one more chance with Elizabeth, who was most likely the love of his life even though the reverse was absolutely not true. But then, Doug always believed he was a bigger hit with the ladies than he actually was then – let alone now.

He may not have a chance with Elizabeth, but he really does need that safe house and he knows she’s still damn good at the game even if she acts like she’s no longer playing it. Although the number of favors she called in during the first book call that into question – and so does the agency she used to work for.

The thing is that Doug really did steal £20,000 in diamonds from the New York mafia by way of their, let’s call him their escrow agent and insurance broker, in Britain. There really are assassins, and that’s definitely plural, out to get both him and the diamonds. It’s not personal, it’s just business.

Whether it was a successful business or not is an entirely different question. At first it looks like at least one set of assassins succeeded, but the clues that Doug left his ex-wife about where he stashed the diamonds make it seem like maybe they didn’t.

And Doug has form for that, leading the Thursday Murder Club on a merry chase to figure out who done what to whom. Just in case that the old spy had one last game in him after all.

Escape Rating A-: I started this book back when it came out in 2021, but bounced off it for some reason that I absolutely cannot remember nearly two years later. The reason I can’t remember is that when I picked it up this weekend, I absolutely could not put it down. So whatever it was, it must have been both a ‘me’ thing and a ‘then’ thing, because this cozy-ish, thriller-ish mystery was a whole lot of fun.

What makes the Thursday Murder Club so much fun is the way that the members of this little gang both are and are very much not exactly what they appear to be. They are all in their 70s, they have all lost a step or two physically, but often fewer steps than people assume from their age. And they all have hidden depths AND hidden assets that they are able to bring to bear to protect their friends and each other – and to help Elizabeth take care of the secret business she was never supposed to tell anyone about – but did anyway.

Part of the fun of this particular entry in the series is the way that Elizabeth’s adversary is also her mirror, a woman very much like herself who has also made her way into the upper echelons of the spy agencies, who came up through the ranks hearing about the ‘great Liz Best’ and wanted to best her at her own game. The way they work both in concert and in opposition, as each tries to ‘win’ a game that was never a contest, is fascinating to watch even as it throws so very many red herrings out of the basket and into the plot.

The ‘B’ plot of this book (and these do have an ‘A’ and a ‘B’ plot like a TV series that I wouldn’t be surprised to see come out of the BBC one of these days) is even closer to home as one of the Club members is attacked, and the Club pulls out all the stops to make it as right as they can – all the while acknowledging that at their age not everything can be put right, that they can only do the best they can.

But there is a touch of bitter mixed into the sweet of a good caper well solved and justice being righteously served, and that’s in the real identity of ‘the man who lived twice’. A revelation that has nothing to do with the spy game and everything to do with being all too human.

The Thursday Murder Club series continued with last year’s The Bullet that Missed, and I’ll be reading that sometime in the next few weeks so that I can catch up with the series in time for The Last Devil to Die, arriving – and apparently dying, late next month.

Review: Where the Dead Lie by C.S. Harris

Review: Where the Dead Lie by C.S. HarrisWhere the Dead Lie (Sebastian St. Cyr, #12) by C.S. Harris
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Sebastian St. Cyr #12
Pages: 334
Published by Berkley on April 4, 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The gruesome murder of a young boy takes Sebastian St. Cyr from the gritty streets of London to the glittering pleasure haunts of the aristocracy . . .
London, 1813.Sebastian St. Cyr, Viscount Devlin, is no stranger to the dark side of the city, but he's never seen anything like this: the brutalized body of a fifteen-year-old boy dumped into a makeshift grave on the grounds of an abandoned factory.
One of London's many homeless children, Benji Thatcher was abducted and tortured before his murder—and his younger sister is still missing. Few in authority care about a street urchin's fate, but Sebastian refuses to let this killer go unpunished.
Uncovering a disturbing pattern of missing children, Sebastian is drawn into a shadowy, sadistic world. As he follows a grim trail that leads from the writings of the debauched Marquis de Sade to the city's most notorious brothels, he comes to a horrifying realization: someone from society's upper echelon is preying upon the city's most vulnerable. And though dark, powerful forces are moving against him, Sebastian will risk his reputation and his life to keep more innocents from harm . .

My Review:

The dead lie in multiple meanings of the word AND in multiple places in this twelfth entry in the long-running, utterly marvelous Sebastian St. Cyr series.

The dead, and their deaths, circle around three points: a serial killer, a supposedly lost work from the pen of the late Marquis de Sade, and lost, missing or abandoned children. Those are three topics that sit uneasily in the mind separately, together they are a nightmare.

Or rather, Sebastian St. Cyr, Viscount Devlin’s nightmares – and he already has PLENTY of those to keep him awake on entirely too many nights.

It begins with a child’s dead body, as a midnight burial is interrupted by an old soldier with a long-standing grudge. But it’s only the first body that’s found in this frequently macabre tale of murder and privilege. Benji Thatcher, abandoned, abused, stabbed, raped and killed, was not the first body to be murdered in such a heinous manner – only the one whose accidental discovery leads to more.

Too many more as Devlin discovers. Even more horrific, there are also too many people in the circle he is supposed to be a part of who don’t give a damn. Along with at least one who is adding to the body count even as Devlin does his damndest to see him hanged.

That he fails isn’t on Devlin, but rather, on the privileges of a society that protects both him and the killer – even as it fails to protect those without that privilege. Those like the children abandoned on London’s streets because their parents have been transported to remote penal colonies such as Georgia, or Botany Bay.

As well as those who have the misfortune to have been born female – no matter their class – not even the most privileged. Not even Devlin’s own niece who could still be saved – but refuses to let herself be.

Escape Rating A-: This one is a really hard read. It’s excellent, just as the entire St. Cyr series is, but this one is difficult because there’s just so much tragedy and horror uncovered within its pages.

At its heart, this is a story about lost children, and all the ways that society (not just his but also, frankly, ours) allows children to be lost, abandoned and abused. These children are being preyed upon because no one will miss them and the killer knows it.

And has exploited their position, over and over again, because they know they are so privileged and so protected that even if they are suspected, which they are and have been long before St. Cyr becomes involved, few will believe they could possibly be guilty of such heinous crimes and even then there are people in very high places who will guarantee they never pay.

Wrapped around the ongoing horror of finding not one but three mass burial sites, there’s a story about a lost child who is found, an adult child who loses a parent to an untimely death, a formerly lost child who recognizes that he has found a home, and a lost child who finds his way back to a home he once rejected.

With one child’s, as well as their mother’s, tragedy yet to come in the later books in the series.

This entry in the series is of the ‘read ‘em and weep’ variety, as everyone in Devlin’s true circle is as harrowed and horrified as the reader – which is made infinitely worse by the people who are informed but simply refuse to care. If “The only thing necessary for the triumph of evil is for good men to do nothing” then there is more evil in the world than even Devlin can fix – and he is made all too aware of that in this entry in the series.

My reading of Where the Dead Lie completes my ‘catch-up’ read of this series, so I’ll be waiting with the proverbial ‘bated breath’ for the forthcoming new entry, What Cannot Be Said, currently scheduled for publication in April of 2024. And in the meantime, I have the readalike Wrexford & Sloane series to catch up with, as it reads quite a bit like the St. Cyr, series would read if we were viewing the Regency from Hero Devlin’s perspective rather than Sebastian’s.

Review: Who Buries the Dead by C.S. Harris

Review: Who Buries the Dead by C.S. HarrisWho Buries the Dead (Sebastian St. Cyr #10) by C.S. Harris
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Sebastian St. Cyr #10
Pages: 338
Published by Berkley on March 3, 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The grisly murder of a West Indies slave owner and the reappearance of a dangerous enemy from Sebastian St. Cyr’s past combine to put C. S. Harris’s “troubled but compelling antihero” (Booklist) to the ultimate test in this taut, thrilling mystery.
London, 1813. The vicious decapitation of Stanley Preston, a wealthy, socially ambitious plantation owner, at Bloody Bridge draws Sebastian St. Cyr, Viscount Devlin, into a macabre and increasingly perilous investigation. The discovery near the body of an aged lead coffin strap bearing the inscription “King Charles, 1648” suggests a link between this killing and the beheading of the deposed seventeenth-century Stuart monarch. Equally troubling, the victim’s kinship to the current Home Secretary draws the notice of Sebastian’s powerful father-in-law, Lord Jarvis, who will exploit any means to pursue his own clandestine ends.
Working in concert with his fiercely independent wife, Hero, Sebastian finds his inquiries taking him from the wretched back alleys of Fish Street Hill to the glittering ballrooms of Mayfair as he amasses a list of suspects who range from an eccentric Chelsea curiosity collector to the brother of an unassuming but brilliantly observant spinster named Jane Austen.
But as one brutal murder follows another, it is the connection between the victims and ruthless former army officer Sinclair, Lord Oliphant, that dramatically raises the stakes. Once, Oliphant nearly destroyed Sebastian in a horrific wartime act of carnage and betrayal. Now the vindictive former colonel might well pose a threat not only to Sebastian but to everything—and everyone—Sebastian holds most dear.

My Review:

Whenever I flail around looking for a comfort read, I end up back in Regency England, following Sebastian St. Cyr, Viscount Devlin, as he investigates yet another murder that touches upon the high and mighty of his time and place – whether the high and mighty like it or not.

Especially, and sometimes just a bit gleefully, whether his powerful father-in-law, Lord Charles Jarvis, likes it or not. Devlin enjoys discomfiting his father-in-law, while Jarvis would just as soon see Devlin dead, and is more than capable of arranging it. The only thing keeping the two men from killing each other is that they both love Hero Jarvis, Lord Jarvis’ daughter who is, much to the consternation of her father, Devlin’s wife.

The case in this 10th outing of the series begins with a murder. Not just the usual garden-variety murder, either. Stanley Preston, a man who loved collecting memorabilia related to the famously dead, is found not merely dead but decapitated much like the late King Charles I. Or, to be a bit more accurate, like Oliver Cromwell, whose body was decapitated after death – and whose head is part of Preston’s ‘cabinet of curiosities’.

The late, mostly unlamented Mr. Preston was one of those people who are so cantankerous and so outspoken about all the many and varied things they are cantankerous about that it’s not hard to imagine that someone killed him. In fact, it’s all too easy and potential suspects are legion.

Or would be if not for that grisly, gruesome and downright difficult to accomplish decapitation. Not that plenty of Preston’s enemies weren’t more than wealthy enough to hire it done. Including, quite possibly, his daughter. Or one of her long-suffering suitors who believed that her father stood in the way of their happiness.

Bow Street would love to pin the murder on Miss Preston’s most objectionable suitor – at least the most impoverished one. Devlin hopes that the crime can be laid at the door of one of his own enemies, newly returned to London.

Unless the whole thing comes back around to Preston’s cantankerousness combined with his inability to keep his objectionable opinions behind his teeth. And a man who with a secret that he can’t afford to have exposed.

A secret not all that different from Devlin’s own.

Escape Rating A-: I picked this up this week because yes, I was having a comfort read flail, and Sebastian St. Cyr always delivers – or rather whisks me away from my time to his. Which got me to thinking about the nature of comfort reads in general, and why this works for me in particular.

I had originally hoped this week that Blind Fear, being the third book in a series I’m definitely enjoying, would scratch some of that comfort read itch – but it didn’t – leading me straight to questions about why and why not.

What makes mysteries in general so much of a comfort is the romance of justice. If a story is a mystery and not purely a thriller, then it’s guaranteed that in the end the crime is solved, evil is punished and justice triumphs.

The Finn Thrillers have a mystery component, but they are exactly what it says on the label. They’re thrillers. At the end of the whole series, it seems highly probably that justice will triumph and evil will get its just desserts. But it hasn’t happened yet and doesn’t look like it’s happening any time soon. And in the meantime Finn is dealing with a lot of injustice, directed at himself as well as others, and wading all too frequently in some of the nastier cesspits of human behavior as he searches high and low – mostly low – for that justice.

In a historical mystery like the St. Cyr series, the historical setting adds to the comfort. Not that the past was any better, easier or safer than the present, but rather that its problems and its evils are not open-ended. We know what got solved or resolved, which situations improved and which are still plaguing the world today.

Not that justice writ large always triumphs in the St. Cyr series, but writ small it generally does. Even if the evils of the socioeconomic issues of the day are frequently appalling. Devlin and Hero attempt to do some good with the money and power they have, and often succeed if only a bit.

Bow Street may attempt to rush someone to judgment because it’s convenient for the high and mighty, but Devlin is always successful at standing in their way on that front, at least. The official story that gets into the papers may sweep things under the rug that shouldn’t be, and some of the rich and powerful escape the full range of justice they deserve, but no one is successfully railroaded to the hangman’s noose who hasn’t earned that punishment, at least not on Devlin’s watch.

And that is most definitely a comfort to the reader. Or at least this reader.

Who Buries the Dead was the penultimate title in my quest to catch up with the Sebastian St. Cyr series. I have one book left, Where the Dead Lie, and I’m pretty confident at this point that I’ll have that read long before the 19th entry in the series, What Cannot Be Said, gets said, done and published in April 2024.

After that, if I get desperate for a comfort read that is very like St. Cyr, I’ve got more of the Wrexford & Sloane series to look forward to. And I am!

Review: Blind Fear by Brandon Webb and John David Mann

Review: Blind Fear by Brandon Webb and John David MannBlind Fear (Finn Thrillers, #3) by Brandon Webb, John David Mann
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Finn Thrillers #3
Pages: 398
Published by Bantam on July 11, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Haunted by the death of his best friend and hunted by the FBI for war crimes he didn’t commit, Finn lands on an island paradise that turns into his own personal hell in this gripping follow-up to Steel Fear and Cold Fear —from the New York Times bestselling writing team Webb & Mann . . .
“Webb & Mann have done it again. Blind Fear has it great characters, an amazing plot, and an incredible setting. This novel moves like a hurricane!”—Connor Sullivan, author of Wolf Trap
By day, AWOL Navy SEAL Finn is hiding out on Vieques, a tiny island paradise off the eastern coast of Puerto Rico, living in a spare room behind a seafood restaurant owned by a blind local. By night he scours the dark web, hunting for the rogue officer responsible for the crimes he is accused of committing.
But Finn’s world is about to be turned upside down by a new nightmare, when his employer’s two grandchildren go missing. To find them, he’ll have to infiltrate the island’s dangerous criminal underbelly and expose a shadowy crime network known as La Empresa—even if it means exposing himself in the process.
As the children go on their own harrowing odyssey to stay one step ahead of a cop-turned-killer, a hurricane batters the coastline, cutting Puerto Rico off from the rest of the world. Taking his pursuit to the sea, Finn’s skills and endurance will be tested to their limits to rescue the lost children and escape his own pursuers before the clock runs out. No one is to be trusted. And those who are seemingly his friends might be the most dangerous foes he’s faced yet.

My Review:

For a man who really, really, really needs to stay under the radar, Navy SEAL Chief Finn seems to have an unfortunate genius for rising so far over the surface that he can’t help but become a target for – not just everyone who is already out to get him – but also a whole barrel full of rotten apples who didn’t even know he existed.

Who end up wishing they’d never heard of him – if they live long enough to tell the tale. But if they don’t survive, they just get added to the body count that is already trailing behind him, putting an even bigger target on his back.

We first met Finn in Steel Fear aboard the USS Abraham Lincoln, in limbo after his Team’s mission in Yemen went terribly, horribly wrong. Finn was supposed to cool his heels aboard the Lincoln while the fix went in to use him as the scapegoat for an operation that was even dirtier than it was deadly. Finn escaped from the trap when the Lincoln finally came to port, but not before discovering that someone aboard was a murderer and a saboteur – and that the traumatic memories of his childhood that he had been suppressing all of his life were finally breaking free – making him an even better patsy for the crimes that were being falsely laid at his feet.

Cold Fear takes Finn to Iceland, battling with nightmares and doubt as those repressed memories assault both his waking and sleeping hours, while he begins his hunt for the people who betrayed him and his Team. But as his first step in that journey is hunting the hunters who have been sent to hunt him – intending to follow them up their chain of command – the resulting murder and mayhem puts a local serial killer in his sights – and him into the sights of the police hunting that killer down.

Blind Fear takes Finn from the cold of Iceland in the winter to the steamy, humid heat of Puerto Rico in hurricane season as a building tropical storm out in the Atlantic plays will they/won’t they about deciding how big to get and where to strike.

Finn has been living on tiny Isla Vieques, off the coast of the ‘Big’ island of Puerto Rico, staying off the grid, helping a blind grandfather operate his fish shack restaurant and playing a combination of ‘big brother’ and ‘protective uncle’ to the old man’s two grandchildren, Pedro and Miranda, when, as seems to happen all too regularly in Finn’s life these days, a perfect storm of events puts him back on the grid as a literal perfect storm – that hurricane – comes barrelling down on the islands.

The two little ones have disappeared. They are not on Vieques – Finn has most definitely and thoroughly checked – and they did not board the ferry to the main island. Finn and the old man know something has happened to them – even if they don’t yet know what.

So Finn takes up the search – and takes it everywhere he can – raising his head very far above the parapet just as his pursuers – both official and unofficial – reach the island.

Which puts Finn in not one but two sets of cross-hairs – a place he finds himself way more often than is comfortable. Finn is sure that the kids must have seen something they shouldn’t have, most likely something involved the drug trade that is rife on the island. Which means that Finn has to rattle those trees to shake down information about people who will kill to keep their secrets, while the US ‘Alphabet’ agencies are hunting him.

So the blind fear of the title? That’s not the old man, as he’s certain the children will be back. Finn is the one who is blindly afraid, not of his American pursuers because that’s become old hat at this point – but of the possibility that he won’t be enough to save two children that he has come to care for from a criminal organization that seems too big to take down.

Just as he wasn’t enough to save his Team from an even more insidious and corrupt organization that might just be even bigger and more entrenched in a place that he can’t reach.

Escape Rating A-: I did get into Blind Fear, but it took me a lot longer than it did with either of the first two books in the series, Steel Fear and Cold Fear. I think that’s because the story begins from the perspective of the two children, and frequently circles back to their circumstances and that didn’t quite work for me. (But that’s a me thing and not necessarily a you thing.)

On the one hand, one of the things I love about the Finn Thrillers is that Finn is hyper-competent. And he didn’t seem quite as competent this time around as he did particularly in Steel Fear. On that other hand, he DOES still manage to find the next clue in his hunt for the traitor who got him into this mess, even if it did seem like he got more lucky than smart this time around.

One of the overarching threads to this series is that this is Finn’s journey, not just his hunt for the traitor, but his search for himself as the mess of his childhood gets exposed piece by frequently ugly piece. The nature of such a journey is that sometimes the runner stumbles along the way, and this felt like a story that dealt with more of that stumbling.

What made this story work was the combination of its realistic portrayal of Puerto Rico, a portrait not remotely tinged by rose-colored glasses or a need to paper over the hard parts to promote the tourism that the island needs to survive. Puerto Rico was every bit as much a character in this story as any of the humans and that was both awesome and eye-opening. And combining that portrait with the progress of Finn’s journey to finding, well, himself even as he pushes himself beyond his own limits one more time.

So I’m still fascinated with Finn and his hunt for the people who betrayed him AND his search for his true self along the way. Based on the ending of Blind Fear, it looks like Finn is going to be taking his fight a whole lot closer to someone who deserves it in his next outing – and I’m definitely looking forward to that!

Review: The Horoscope Writer by Ash Bishop

Review: The Horoscope Writer by Ash BishopThe Horoscope Writer by Ash Bishop
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: horror, mystery, thriller
Pages: 320
Published by CamCat Books on July 18, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Leo: You’ll step out the door, prepared for a normal day. But you’ll never reach your workplace. You will vanish, without a trace.
Who is The Horoscope Writer? It’s not Bobby Frindley. He’s an ex-Olympic athlete who has fast-talked his way into an entry-level position at a dying newspaper. He’s supposed to be writing horoscopes, but someone has been doing his job for him . . .
On his first night on the job, Bobby receives an email with twelve gruesome, highly-detailed horoscopes, along with a chilling ultimatum: print them and one will come true, or ignore them and all of them will.
Working with a skeptical co-worker, Bobby investigates the horoscope writer’s true identity, but the closer he gets to the truth, the more the predictions begin to be about him. Has he attracted the attention of a cruel puppeteer? Or is it possible that, like any good horoscope, it’s all in his mind?

My Review:

Human beings do their damndest to find patterns in things that don’t have them. The whole idea behind that concept, patternicity, is a huge part of what drives the plot and the people in the book Rabbits by Terry Miles, and its upcoming sequel, The Quiet Room.

We want the world to make sense, so we try to force that sense into the world whether it’s there or not.

Which may be part of why people faithfully read their horoscopes and believe the rather vague hints and warnings therein. Because it’s easy to make the predictions and warnings cover the events of the day after the fact, especially if one is looking for such coverage.

But in this story, the new ‘horoscope writer’ for a struggling regional newspaper in San Diego receives a full set of horoscopes from an anonymous ‘benefactor’ with an attached threat – or warning – or a bit of both.

If the horoscopes are published in full, only one will come true. But if they’re not, all of them will. While some are trivial, a few on the list are downright dire – but also very much against the odds. Former Olympian and hopeful journalist Bobby Frindley believes it’s all a hoax.

At least until the rare tiger leaps out of his zoo enclosure and kills a tourist – just as his horoscope predicted.

From that point forward, the story is off to the races as the horoscope writer turned fledgeling reporter becomes caught up in the global phenomenon of figuring out which of the day’s predictions are going to come true – and wondering who is trying to force the pattern and to what grisly end.

And whether that end will be Bobby’s, his friends’, his city’s, or just his soul.

Escape Rating B-: I picked up The Horoscope Writer because I reviewed the author’s debut novel, Intergalactic Exterminators, Inc. for Library Journal and had a blast, so I was hoping for more of the same.

I certainly got caught up in Bobby Frindley’s ride to fame and maybe fortune as he tries to cobble out a career as an investigative journalist in the waning days of newspaper journalism. But there were a couple of things that I kept tripping over as I followed Bobby’s trek out of the frying pan and into the fire as he latched onto one flawed potential father-figure after another.

The Horoscope Writer reads like the ‘evil twin’ of the late 1990s TV series Early Edition, where a kind of average guy receives a daily delivery of the Chicago Sun-Times (how the mighty have fallen) that is one day ahead. The protagonist has one day to right whatever wrong he reads in the prognosticating paper before it’s too late to fix.

But that early newspaper delivery turned out to be on the side of the angels, while the horoscopes that Bobby starts receiving are a lot more like horrorscopes, and that’s before the general public starts trying to make them come true – or at least the potentially ‘good’ ones, often with considerably less than good results.

Humans being human, because they are.

As much as Bobby as a character read like more than a bit of a ‘failure to launch’, he also read like at least one answer to a question that I’ve always wondered about, the fate of people like Olympic athletes in sports that don’t have long-term career prospects. He’s achieved a kind of fame and success that people dream of, but at a time when nearly all of his life is still ahead of him.

Bobby’s flailing around for a second act, and the one that lands in his lap turns out to be a doozy – or will be if it doesn’t get him killed.

Howsomever, while I found the story compelling to read in the earlier stages, particularly when it really seemed possible that the story was heading into true psychic or fantasy territory in some way, when Bobby started zeroing in on a more mundane agent – at least for criminally sociopathic definitions of mundane – it lost a bit of its fascination for this reader as it shifted fully into ‘bwahaha’ territory.

All things considered, The Horoscope Writer started out strong, and had some compelling dramatic possibilities along the way, but in the end wasn’t nearly as good as Intergalactic Exterminators, Inc. But I still have high hopes for the author’s next – especially if he leans back into SFnal territory.

Review: Why Kings Confess by C.S. Harris

Review: Why Kings Confess by C.S. HarrisWhy Kings Confess (Sebastian St. Cyr, #9) by C.S. Harris
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Sebastian St. Cyr #9
Pages: 340
Published by Berkley, New American Library, Obsidian on March 4, 2014
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The gruesome murder of a young French physician draws aristocratic investigator Sebastian St. Cyr and his pregnant wife, Hero, into a dangerous, decades-old mystery as a wrenching piece of Sebastian’s past puts him to the ultimate test.
Regency England, January 1813: When a badly injured Frenchwoman is found beside the mutilated body of Dr. Damion Pelletan in one of London’s worst slums, Sebastian finds himself caught in a high-stakes tangle of murder and revenge. Although the woman, Alexi Sauvage, has no memory of the attack, Sebastian knows her all too well from an incident in his past—an act of wartime brutality and betrayal that nearly destroyed him.
As the search for the killer leads Sebastian into a treacherous web of duplicity, he discovers that Pelletan was part of a secret delegation sent by Napoleon to investigate the possibility of peace with Britain. Despite his powerful father-in-law’s warnings, Sebastian plunges deep into the mystery of the "Lost Dauphin”, the boy prince who disappeared in the darkest days of the French Revolution, and soon finds himself at lethal odds with the Dauphin’s sister—the imperious, ruthless daughter of Marie Antoinette—who is determined to retake the French crown at any cost.
With the murderer striking ever closer, Sebastian must battle new fears about Hero’s health and that of their soon-to-be born child. When he realizes the key to their survival may lie in the hands of an old enemy, he must finally face the truth about his own guilt in a past he has found too terrible to consider.... 

My Review:

Once upon a time there was a legend about a prince locked in a tower, never to be seen again. You might be thinking this sounds familiar, but that there were two princes. This is not that story. Although the idea that the one about the two princes might have inspired this version, or at least might have made this version seem a bit more plausible, is not outside of the realms of possibility.

The earlier version of this legend, the one about the two princes in the tower, refers to the end of the Wars of the Roses, young Edward V of England and his brother Richard, and the perfidy – at least according to Shakespeare’s popular account, of their uncle Richard III.

Bones were discovered in the tower two centuries later and ascribed to the bodies of those two little boys. No one knows what really happened, hence the persistent legend.

Louis XVII, Dauphin of France, Portrait by Alexander Kucharsky, 1792

While the truth about the boys’ fate is was never discovered, the fact that it wasn’t clear in their own time led to a seemingly endless parade of opportunists pretending to be one or the other of the ‘lost’ princes, resulting in a simmering cauldron of uncertainty and doubt about the legitimacy of the English throne and the ability to topple whoever was sitting on it that lasted for DECADES.

In light of that history, both the known and the unknown, it’s not a stretch to think that, in the wake of the French Revolution, when the fate of the last heir to the throne seems to have been equally suspiciously, dubiously, and questionably unknown, that there would be rumors and even downright hopes that Louis XVII, the ‘Lost Dauphin’ (then aged EIGHT), had been spirited away from the inhuman conditions in which he was imprisoned to an unknown sanctuary, and that the child who died in his cell two years later was an imposter.

It seems like I’m talking all about the distant past rather than about the present matter in this book. And I am. But I’m also very much not, as ALL of the books in the Sebastian St. Cyr series are intimately involved with not merely the Regency period in which they are set, but with the great doings and underhanded dealings of the very month and year in which they take place.

Why Kings Confess opens in January of 1813. Those two princes in England’s Tower of London are over three centuries dead, but the Lost Dauphin is merely two decades into his, if he truly IS in his grave, that is. Napoleon Bonaparte is the Emperor of the French, but his popularity is very much on the wane after his catastrophic retreat from Russia’s most implacable field commander – ‘General Winter’.

As the story begins, Napoleon has sent a not-so-secret (utterly plausible but entirely fictional) embassy to England to negotiate a peace that England, and its unpopular Prince Regent, need as much as Napoleon does after ten years of the ruinously costly Napoleonic Wars.

The murder that opens Why Kings Confess is that of a young French doctor who was part of that peace overture. The palace, in the person of the shadowy power behind the throne, Lord Charles Jarvis, wants the murder hushed up. His enemy and son-in-law Sebastian St. Cyr, Viscount Devlin, disagrees. Strenuously.

Devlin knows the man wasn’t killed by footpads, because footpads don’t cut out their victims’ hearts – just their money and other valuables. As Devlin investigates, it begins to appear that the murder wasn’t related half so much to the current embassy as it was to the fate of the Lost Dauphin.

The deaths are certainly related to someone’s past, but when the second member of the embassy is also murdered, Devlin is forced to look both further afield and closer to home. Because the past that is coming to light is Devlin’s own.

Escape Rating A-: This week already felt like a week and a half by the time I picked this book up on Wednesday – and there were still two days to go. I needed a comfort read, and it had been just long enough since I finished my previous St. Cyr read that I was more than ready to dive back into Devlin’s era and escape my own for a bit. I confess that Why Kings Confess was absolutely the right book at the right time.

What makes this series work for me, every single time, is that every single story is an example of the proverbial three-legged stool where three story threads provide strength and balance to the story as a whole, keeping the reader sitting pretty and enthralled from the first page to the last.

First, there’s a murder. Generally there’s more than one. But when that first body drops Devlin becomes wrapped up in a case that reaches over to the second leg of the plot, the historical period in which this story is set, not just the year but down to the month and even the day, and the tendrils of that history reach down to the stinking underbelly of the glittering Regency all the way up to the dirty political deals being done by the high and mighty. And last, there’s the third leg that keeps it all in balance, as the entire series is Sebastian St. Cyr’s journey from a young, scarred, disillusioned war veteran to become the powerful force for justice that he needs to be to keep his own demons at bay.

I started this series for the historical mystery setting. St. Cyr has been a fascinating character from the very first page of What Angels Fear, and following his dangerous and deadly journey has been riveting from that beginning. But it’s the way that the character grows and changes, the way that he heals from the damage of war, in fits and starts and one step forward and sometimes two steps back, that makes him a leader, and a character, worth following from book to book and year to year.

At the same time, the thing that makes the series different from other historical mysteries is its deep and penetrating dive into its historical setting. I know enough to get caught up in the political skullduggery behind the deaths to get sucked right in, and then find myself looking up details just to get that little bit more meat out of everything he’s just experienced and I’ve just read.

Which is exactly the experience I expect from the next book in my St. Cyr catch-up read, Who Buries the Dead, the next time I go flailing around for a comfort read of justice delivered by a riveting character who cannot make himself stop trying to deliver that justice in spite of the odds stacked against him.