Review: The Lying Room by Nicci French

Review: The Lying Room by Nicci FrenchThe Lying Room by Nicci French
Format: eARC
Source: publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, thriller
Pages: 432
Published by William Morrow Paperbacks on October 1, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
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One little secret between a married woman, her lover, and a killer.

It should have been just a mid-life fling. A guilty indiscretion that Neve Connolly could have weathered. An escape from twenty years of routine marriage to her overworked husband, and from her increasingly distant children. But when Neve pays a morning-after visit to her lover, Saul, and finds him brutally murdered, their pied-à-terre still heady with her perfume, all the lies she has so painstakingly stitched together threaten to unravel.

After scrubbing clean every trace of her existence from Saul’s life—and death—Neve believes she can return to normal, shaken but intact. But she can’t get out of her head the one tormenting question: what was she forgetting?

An investigation into the slaying could provide the answer. It’s brought Detective Chief Inspector Alastair Hitching, and Neve’s worst fears, to her door. But with every new lie, every new misdirection to save herself, Neve descends further into the darkness of her betrayal—and into more danger than she ever imagined. Because Hitching isn’t the only one watching Neve. So is a determined killer who’s about to make the next terrifying move in a deadly affair….

My Review:

“Oh what a tangled web we weave, when first we practice to deceive.” Sir Walter Scott said that back in 1806 in his poem Marmion, but the phrase has become a cliche because it is just so demonstrably true so very often. Mark Twain put it another way, “If you tell the truth, you don’t have to remember anything.” And he was equally right.

Neve Connolly should have taken both of those phrases to heart long before she decided to clean up her lover’s apartment. She tried her level best to erase herself from the man’s life – before someone else finds his murdered body. Along with the truth about their affair.

Neve begins the story as discontentedly married and disappointingly approaching middle age. Her lover, who was also married and also, in an entirely different cliche, her boss, is dead. She goes to his flat (the story takes place in contemporary London which does turn out to be important later), thinking they’re about to have a tryst, only to discover him dead on the floor with his head bashed in.

She didn’t do it, but someone certainly did.

And this is the point where Neve’s life goes completely pear-shaped – but not in the way that it should have.

She thinks she can erase herself from her lover’s apartment by cleaning the place within an inch of it’s – or actually her – life. While the corpse is lying on the floor of the living room. That she is probably erasing evidence of the murderer doesn’t seem to enter either her conscience or her consciousness. Her only motivation is protecting herself from the way that her life would implode if the affair was discovered.

But no one in a panic is thinking as clearly as someone would need to be to get themselves out from under a scenario with this much potential for self-destruction. The situation should backfire on Neve.

And it sort of does – but not in any way that she ever could have expected.

Escape Rating C+: I picked up The Lying Room because I really enjoyed the author’s Frieda Klein series and hoped that this standalone would have the same kind of taut excellence. (If you are interested, start with Blue Monday and proceed through the rest of the days of the week!)

But one of the things that I liked about Frieda Klein’s series was the character of Frieda Klein herself. Because Frieda Klein is an intelligent protagonist – and also because while she may sometimes be misled and she’s certainly someone to whom terrible things happen through no fault of her own – she’s never stupid and she never gets herself into stupid situations.

When she does defy the police – and she sometimes does – it’s both for a good reason and we expect her to succeed long enough to accomplish her goals.

As the protagonist, Neve drove me crazy. I just didn’t like her and didn’t want to be in her head. On the other hand, I passionately dislike her, so the author definitely got me involved.

But seriously, she’s unhappy at home – for reasons that are easy to empathize with – and takes the easy way out of having an affair to spice up her life rather than rock the boat at home. And as a reader I could see why she made those choices.

I fell off the “understand” wagon when she didn’t put on her big girl panties and deal with the results of her actions, as horrible as those results were. There are lots of cliches about people who have affairs secretly wanting to get caught in order to bring whatever the crisis in their home life is out into the open. How true that cliche is, well, who knows?

But I found the results of her actions contradictory. She just didn’t act smart enough to fool the police – but she managed to do so anyway. And that in spite of something that the UK readers of this book have pointed out repeatedly. Contemporary London is one of the cities most saturated with CCTV in the world. This story takes place in Central London but none of the police ever attempt to consult CCTV to discover the killer. They suspect Neve but never look at the CCTV to see if she was at the victim’s apartment or not. It’s not that there was a catastrophic and coincidental failure of the CCTV in one way or another – it’s that they never try.

Instead, it seems like the police inspector in charge of the case turns into Neve’s stalker. Or should I say Neve’s second stalker? Because it seemed obvious to this reader from the earliest parts of the book, even before Neve discovers that corpse, that someone is stalking her.

Who the stalker is – and their motivations for following her, assaulting her and trying to put her in the frame for the murder – did turn out to be surprises. But that someone was there was not. It was just a matter of waiting for the other shoe to drop.

In the end, I found this one disappointing, especially in comparison to the Frieda Klein series. But it’s staying in my head a fairly long time in that disappointment, so perhaps infuriating is closer to the mark. As always, your reading mileage may vary. Considerably.

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Review: Hell Squad: Griff by Anna Hackett

Review: Hell Squad: Griff by Anna HackettGriff (Hell Squad #17) by Anna Hackett
Format: eARC
Source: author
Formats available: ebook
Genres: post apocalyptic, science fiction romance
Series: Hell Squad #17
Pages: 186
Published by Anna Hackett on March 19th 2019
Purchasing Info: Author's WebsiteAmazon
Goodreads

As the battle against the invading aliens intensifies, a group of bad boy bikers and mercenaries will stand and fight for humanity’s survival…

Squad Three berserker Griff lived through hell long before the alien invasion. Once, he’d been a dedicated cop, but then in a gut-wrenching betrayal, he ended up behind bars in a supermax prison. After the aliens invaded, he managed to escape and join the soldiers fighting back…and came face to face with his best friend’s little sister—the bold, vibrant, off-limits woman he’s always wanted. Now the beautiful, tattooed Indy is his squad’s comms officer…and she hates his guts.

Indy Bennett lost her parents and brother in the alien attack, and every day, she vows to suck the marrow out of life. She’s also doing her bit in the fight, as Squad Three’s comms officer, even if it means seeing the man who broke her young heart. Griff was once her brother’s best friend, a boy she adored, but now she knows she needs to steer clear of the hard-edged man who still draws her like a moth to a flame.

Griff vows to claim Indy as his. The only problem is, Indy is having none of it. As their fiery attraction explodes, they find themselves embroiled in the hunt for the aliens’ unexplained octagon weapon, and a mysterious survivor town where all is not what it seems. Both Griff and Indy will have to learn to let go of the hurts of the past if they have any chance of not just surviving, but having a future.

My Review:

This is going to be a mixed feelings review, because my feelings about Griff are very mixed. Or rather, my feelings about the Hell Squad series in general and Griff’s relationship with Indy in particular are more than a bit mixed.

And I’m feeling conflicted because my feelings about this author’s work usually fall much higher on the “like to love” range, and this one just didn’t work for me. So there’s a bit of sad there as well.

Griff is the OMG 17th book in the Hell Squad series. The setup is post-apocalyptic, with the apocalypse being very specific and extremely recent. A race of alien-dinosaur-raptor hybrids have invaded a very near future Earth and wrecked the joint.

The Gizzida initially came to strip the planet and take all its resources, including the humans. There’s more than a bit of Borg in the Gizzida as they don’t merely wipe out the populations of the planets they invade, they use genetic engineering to convert both the human and animal populations into more of themselves.

The series follows one group of human survivors. This particular bunch were in Australia when the Gizzida took over (most but not all are Aussies), holed up in a remote military installation and have been sticking it to the Gizzida as much and as often as they can in some rather effective guerrilla warfare.

As the series has progressed, key members of the population of “The Enclave” have managed to grab their bit of happiness in spite of the destruction all around them. Life really does go on.

This particular story features Griff Callan, a member of one of the squads that brings that guerrilla warfare to the Gizzida, and Indy Bennett, the communications officer for his squad. Griff and Indy knew each other before the disaster. Her brother was his best friend until their relationship went seriously pear-shaped long before the aliens invaded.

They’ve always loved each other, but have never been in a place where they could admit it. They grew up together, but Indy was just younger enough to have made any possibility of romance seriously skeevy. And once she was old enough, well, there was that whole “bro code” that makes your best friend’s little sister untouchable – no matter how much she wants to be touched.

Which doesn’t mean that Griff didn’t break her heart with his refusal. And he’s scared he’ll break it again before they have any chance at all.

But it’s a chance he’s finally willing to take. If the aliens don’t take them both out first.

Escape Rating C+: Whenever I see a character named Indiana I hear Sean Connery’s voice from Indiana Jones and the Last Crusade complaining to his son Indy, “We named the dog Indiana.” Clearly at least one of Indy Bennett’s parents was a fan.

Speaking of fans, while I am definitely a fan of this author’s work, I was not a fan of this particular story. I love the premise of this series, so if you like post-apocalyptic where the heroes get to stick it to the ones who brought that apocalypse, the series is generally a blast. The first book is wrapped around the romance between the leader of the Hell Squad (Marcus) and HIS communications officer.

And thereby sits a chunk of why I have such mixed feelings about this particular entry. It’s not that there ARE patterns in the stories, because all stories of all types follow patterns. It’s that the specific patterns used in this series repeat themselves, and over 17 books those repeats are becoming a bit too obvious for this reader.

I fully recognize that those very same patterns are what make many people love this series – no matter how long it goes.

The story here, and frequently throughout the series, is that the couple in question finally acknowledge both that life in the Enclave with the Gizzida sniping at them is WAY too short, and that they have feelings for the other person that they have refused to acknowledge because one party, usually the male, thinks he’s not good enough for the female. Although that’s been reversed a couple of times and I’ve liked those better.

In this particular case, the reason that Griff is certain Indy won’t want to be with him is pretty damning, but it was also obvious from the get-go. And it felt like she got over it way too fast considering how important it was. (I’m trying not to give it away.)

After the couple finally acknowledges their feelings, they face a situation where the female has to go into battle with the squad, and she is either captured or nearly so. The male has to ride to the rescue, incurring life threatening injuries. They forgive whatever caused any tension between them during his recovery and then live happily for now.

This series really can’t include a happily ever after, not because of the internal dynamics of the couples in each story, but because the Gizzida make any “ever after” extremely tenuous at the moment.

In the case of this particular story, the scenes where Griff finally declares his intentions involve him carrying her out of meetings in a fireman’s carry, with her protesting all the way. It felt like his need to mark his territory was more important than her need to be professional and part of the team that is, after all, trying to save the world.

I felt it took away from her agency. YMMV.

My other issue with the series as a whole is that it’s just taking too long for the Enclave and their allies around the world to kick the Gizzida off our Earth. Ironically, it hasn’t been all THAT long within the scope of this world, but 17 is a lot of books. There’s been some progress towards their overall goal, but I’ve become impatient waiting for it to finally happen. And that’s affecting my enjoyment of the individual series entries at this point.

That being said, I still love Anna Hackett’s writing, and I’m eagerly anticipating her next book, Heart of Eon. I found her first in her space opera SFR, and it’s still where I love her best. Not that the Galactic Gladiators haven’t also carved out a piece of my heart – but I’ll have to wait longer to get back to Kor Magna.

Review: The True Queen by Zen Cho

Review: The True Queen by Zen ChoThe True Queen (Sorcerer Royal #2) by Zen Cho
Format: eARC
Source: publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy, historical fantasy
Series: Sorcerer Royal #2
Pages: 384
Published by Ace Books on March 12, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

In the follow-up to the "delightful" regency fantasy novel (NPR.org) Sorcerer to the Crown, a young woman with no memories of her past finds herself embroiled in dangerous politics in England and the land of the fae.

When sisters Muna and Sakti wake up on the peaceful beach of the island of Janda Baik, they can’t remember anything, except that they are bound as only sisters can be. They have been cursed by an unknown enchanter, and slowly Sakti starts to fade away. The only hope of saving her is to go to distant Britain, where the Sorceress Royal has established an academy to train women in magic.

If Muna is to save her sister, she must learn to navigate high society, and trick the English magicians into believing she is a magical prodigy. As she's drawn into their intrigues, she must uncover the secrets of her past, and journey into a world with more magic than she had ever dreamed.

My Review:

Sorcerer to the Crown was one of my favorite books of 2015. From the joint review Lou and I did at The Book Pushers in 2015, it’s pretty obvious that it was one of her favorites too. The hoped for sequel has been on my most anticipated list ever since.

That long awaited sequel has finally arrived in the manifestation of The True Queen. I wanted to love this book. I expected to love this book. And I’m SO disappointed that I didn’t.

It’s not a bad book. It certainly has some interesting moments. But, and in this case it’s a very large but, it just doesn’t have the same verve as the first. Sorcerer to the Crown was epically readable, because there’s just so much going on from the very first page.

Definitely on the other hand, The True Queen just doesn’t have that compulsive readability.

Instead, the first half of the book plods. It’s slow. Not much seems to happen.

Part of that is that we need to be re-introduced to this world and its characters. 2015 was a long time ago, even if not much time has passed within the series.

But a lot of it is that the protagonists of The True Queen are passive, where the protagonists of Sorcerer to the Crown were both very active participants in the story. Instead, one of the main characters of The True Queen is fridged for a big chunk of the story. And while Sakti is frequently annoying, especially to her sister Muna, she is also the more active of the pair.

Of the sisters, Sakti is proactive – even if usually wrongheaded – while Muna is reactive. Unfortunately, it’s Muna the passive that we end up following for the first half of the story. And while Sakti always overestimates her capabilities, Muna underestimates hers. As a consequence, Sakti is the one who makes things happen – even if they are often the wrong thing.

Muna usually cleans up after Sakti. Without Sakti around to push her, she spends a lot of time waiting for something to happen, for someone to help her, or for the situation to become clear.

The two very active protagonists of Sorcerer to the Queen are relegated to background roles, and the story misses their drive immensely. Instead, the true standout character in The True Queen is Prunella’s shy and retiring friend Henrietta.

About halfway through the book, once all of the situations are set, the action finally kicks into gear. That’s the point where Henrietta finally takes her courage into her hands, and Muna sets plans in motion to rescue her sister instead of waiting for someone else to tell her what do it and how to do it.

From the point where the action moves to the court of the capricious Queen of Fairy, the situation becomes both more interesting and more dangerous. Not just because Henrietta manages to find out what she’s really made of, but because Muna takes the lead and figures out who she really is and what she’s been meant to be all along.

Escape Rating C+: This is a book that does reward sticking with it, but it takes a lot of stick. The action does not really get going until the book is half over, and that’s a lot of set up. In the end, it makes sense that Muna is as passive and reactive as she is – but it still makes The True Queen a disappointment in comparison with its predecessor. And I’m so, so sorry about that.

Review: The Raven Tower by Ann Leckie

Review: The Raven Tower by Ann LeckieThe Raven Tower by Ann Leckie
Format: eARC
Source: publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy
Pages: 432
Published by Orbit on February 26, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

Gods meddle in the fates of men, men play with the fates of gods, and a pretender must be cast down from the throne in this breathtaking first fantasy novel from Ann Leckie, New York Times bestselling author and winner of the Hugo, Nebula, and Arthur C. Clarke Awards.

For centuries, the kingdom of Iraden has been protected by the god known as the Raven. He watches over his territory from atop a tower in the powerful port of Vastai. His will is enacted through the Raven's Lease, a human ruler chosen by the god himself. His magic is sustained via the blood sacrifice that every Lease must offer. And under the Raven's watch, the city flourishes.

But the power of the Raven is weakening. A usurper has claimed the throne. The kingdom borders are tested by invaders who long for the prosperity that Vastai boasts. And they have made their own alliances with other gods.

It is into this unrest that the warrior Eolo--aide to Mawat, the true Lease--arrives. And in seeking to help Mawat reclaim his city, Eolo discovers that the Raven's Tower holds a secret. Its foundations conceal a dark history that has been waiting to reveal itself...and to set in motion a chain of events that could destroy Iraden forever.

My Review:

Quoth the Raven, “Nevermore” and that’s pretty much how I feel about this book. Quote me as disappointed. I expected so much from this book after the awesome Imperial Radch series – but I did not get it. And damn but I’m sad about that.

The story is, for the most part, a familiar one. The heir to the kingdom returns from service at a contested border. He’s received a message that his father the king is dying, and he needs to be back in the capitol to see him one last time and for the handover of power.

But when he enters the capitol he discovers that nothing is as its supposed to be. His father is missing and his uncle has taken the throne, seemingly peacefully and with the full agreement of the other power brokers in the kingdom.

In spite of the kingdom being more of a theocracy than a kingdom, where the ruler is not called king but is the voice of the local godling for as long as he lives, the story is one that has been done before.

This is where it should get interesting, because we see the story not from the perspective of either the “king” or the “prince” or even the “prince’s” aide, but from the perspective of a local godling who has seen it all.

In fact, the story is being told by the godling, both to the reader in its first-person perspective, and to the aide in the second person. So the godling tells big parts of the story as “I” and other parts as “you”.

One of the things this author is known for is her inventive uses of voice, but this particular variation, while technically interesting, and more than a bit meta, is distancing for the reader, who is not, after all, the aide.

(That would make this self-insert fanfiction and I don’t even want to go there. Or even in the region of there.)

The godling’s first person narrative actually works better than the second-person narrative – at least we know what the godling is thinking and where it’s coming from – even if it is just a big rock and doesn’t move.

But, and it is a very big but, the godling’s perspective begins at the beginning of time in this world and comes to the present day in its own good time. After all, as a big rock, that has sentience but has chosen not to have mobility – it has nothing but time and takes the long view of everything.

The feeling I got as a reader was as if James Michener decided to write fantasy, as many of his longer books (Centennial, Alaska, etc.), start with the rocks, and move through the geologic and prehistoric ages much as The Raven Tower does. I loved his books, but I was always grateful when the first animals would appear because it finally gave me a perspective I could almost identify with. Not to mention the plot usually started to move at that point – along with the animals.

I should be saying “I digress” at this point, but it doesn’t feel like I did. Make of that what you will.

Escape Rating C: I wanted to like this so much, and I just didn’t. The experiment with voice was interesting but distancing rather than compelling as it was in Ancillary Justice. The injection of the godling’s perspective allowed for a fascinating bit of deus ex machina at the end, involving a quite literal deus, but it takes a LONG time to get there and not nearly enough happens along the way.

There was so much that could have been done here. A lot is said about the way that words have power, and it’s interesting and different but also adds to the distancing. The godling has learned that its words have the power of truth in that if it says something that is not true its power will be sacrificed to make it true. If it says a large or impossible truth, that sacrifice may consume all of its power.

As a consequence, much of its own story is told with the preface, “Here is a story that I have heard.” so that it never runs the risk of claiming that something is true that is not. While this is logically consistent from its perspective within the context of the story, it does add a layer of remove to the storytelling.

In the end, interesting but neither compelling nor absorbing. I will say that the reviews vary widely. Those that love it really, really love it. Those that don’t really, really don’t and there’s not much middle ground. If you like experimental fiction or metafiction in your fantasy, give it a try and see what you think.

Review: Seasons of Sorcery by Amanda Bouchet, Grace Draven, Jennifer Estep and Jeffe Kennedy

Review: Seasons of Sorcery by Amanda Bouchet, Grace Draven, Jennifer Estep and Jeffe KennedySeasons of Sorcery : A Fantasy Anthology by Amanda Bouchet, Grace Draven, Jeffe Kennedy, Jennifer Estep
Format: eARC
Source: author
Formats available: ebook
Genres: anthologies, fantasy romance
Pages: 410
Published by Brightlynx on November 13, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

WINTER'S WEB BY JENNIFER ESTEP

An assassin at a renaissance faire. What could possibly go wrong? Everything, if you’re Gin Blanco. This Spider is trapped in someone else’s icy web—and it seems like they don’t want her to leave the faire alive . . .

 A WILDERNESS OF GLASS BY GRACE DRAVEN

 The stretch of sea known as the Gray rules the lives of those in the village of Ancilar, including widow Brida Gazi. In the aftermath of an autumn storm, Brida discovers one of the sea's secrets cast onto the shore—a discovery that will change her world, mend her soul, and put her in the greatest danger she's ever faced.

 A CURSE FOR SPRING BY AMANDA BOUCHET

 A malevolent spell strangles the kingdom of Leathen in catastrophic drought. Prince Daric must break the curse before his people starve. A once-mighty goddess trapped in a human body might be the key—but saving his kingdom could mean losing all that he loves.

 THE DRAGONS OF SUMMER BY JEFFE KENNEDY

 As unofficial consort to the High Queen, former mercenary Harlan Konyngrr faces a challenge worse than looming war and fearsome dragons. His long-held secrets threaten what he loves most—and he must make a choice between vows to two women.

My Review:

Jeffe Kennedy seems to be participating in one of these fantasy romance anthologies every year, because that’s where I get them from. There’s always a story from her awesome Twelve Kingdoms series, and I’d get the whole thing for that alone. But the other stories are frequently awesome, occasionally even awesomer, so I’m glad to collect the set!

Seasons of Sorcery contains four fantasy romance novellas, all but one set in its author’s ongoing series.

Winter’s Web by Jennifer Estep is set in her Elemental Assassin series, which I haven’t read – or at least not yet. The story takes place at a Renaissance Faire in an urban fantasy-type world where magic exists but seems to be mostly, but not totally, hidden in plain sight. As I said, I haven’t read this series, but I still enjoyed the story. The Ren Faire setting always provides an interesting backdrop for urban fantasy, and this story is no exception. I suspect that the story didn’t have quite the resonance for me as it would for readers who are familiar with the series, but it still worked well and I didn’t feel lost at all. I liked it more than enough to put this series on the towering TBR pile!

Escape Rating for Winter’s Web: B+

Although A Wilderness of Glass by Grace Draven is set in her Wraith Kings world, which I have not read, the setting felt awfully familiar. Only because it was. This story is set in the same town and among the same people as Night Tide, her fantastic story in Teeth Long and Sharp. A story that I loved.

I didn’t find this story to be quite as good as Night Tide, possibly because it was a bit too reminiscent of The Shape of Water. Albeit with a slightly different version of the happy ending. At least as far as we know.

Escape Rating for A Wilderness of Glass: B

There’s nearly always one story in a collection that doesn’t work for me. It’s the nature of collections that you get to sample authors you may not be familiar with, but might like because they are like someone you already do.

Not that any fantasy romance reader is not familiar with Amanda Bouchet and her terrific Kingmaker Chronicles!

But A Curse for Spring by Amanda Bouchet is the story in this collection that just didn’t work for me. Which is ironic because it is the one story that is not in a previously created world of any kind. For this reader, the problem with this story was that it felt too obvious. It seemed clear from the very beginning what was going on, who was responsible, and how the problem was going to get solved. I kept wanting the story to either just get on with it or go someplace interesting – but it did neither.

Escape Rating for A Curse for Spring: C

Last but definitely not least, The Dragons of Summer by Jeffe Kennedy. This is the story that I got this collection for, and it did not disappoint – although it did occasionally infuriate – but in a good way.

This story is set in Kennedy’s Twelve Kingdoms/Uncharted Realms series. While it seems to take place directly after The Arrows of the Heart, much of the emotional heft of the story comes from its relationship to the heroine of her Chronicles of Dasnaria series. The long shadow cast by the lost Dasnarian princess Jenna still looms over her brothers Harlan and Kral. Neither of them know their sister’s fate, but both had a hand in setting her on her path.

It’s not just her brothers that are ignorant of whether Jenna is alive or dead. The final book in that series, Warrior of the World, is due out on January 8. I’ve never been so glad to have an ARC! It’s not so much that either the previous story, Exile of the Seas, or this short story end in a cliffhanger as that it is now obvious that Jenna’s fate is going to be the key that resolves EVERYTHING in both series.

It’s just the kind of ginormous wrap-up that makes readers salivate waiting for the next book in the series. But it also means that this story, of all the stories in the collection, is the one that really only makes sense if you’ve followed the series. And if you love fantasy romance and you haven’t read the series, what on earth are you waiting for? Begin your journey with The Mark of the Tala, and settle in for a marvelous read.

Escape Rating for The Dragons of Summer: A

Review: Putting the Science in Fiction by Dan Koboldt vs. The Science of Science Fiction by Mark Brake

Putting the Science in Fiction: Expert Advice for Writing with Authenticity in Science Fiction, Fantasy, & Other Genres by by Dan Koboldt, Chuck Wendig , Gareth D. Jones, Bianca Nogrady, Kathleen S. Allen, Mike Hays, William Huggins, Abby Goldsmith, Benjamin Kinney, Danna Staaf, Sylvia Spruck Wrigley, Judy L. Mohr, Anne M. Lipton, Jamie Krakover, Rebecca Enzor, Stephanie Sauvinet, Philip Kramer, Gwen C. Katz
Format read: eARC
Source: publisher via NetGalley
Formats available: paperback
Genre: science, science fiction
Pages: 266
Published by Writer’s Digest Books on October 16th 2018
Purchasing Info: Author’s Website, Publisher’s Website, Amazon, Barnes & NobleBook Depository
Goodreads

Science and technology have starring roles in a wide range of genres–science fiction, fantasy, thriller, mystery, and more. Unfortunately, many depictions of technical subjects in literature, film, and television are pure fiction. A basic understanding of biology, physics, engineering, and medicine will help you create more realistic stories that satisfy discerning readers.

This book brings together scientists, physicians, engineers, and other experts to help you:
Understand the basic principles of science, technology, and medicine that are frequently featured in fiction.
Avoid common pitfalls and misconceptions to ensure technical accuracy.
Write realistic and compelling scientific elements that will captivate readers.
Brainstorm and develop new science- and technology-based story ideas.
Whether writing about mutant monsters, rogue viruses, giant spaceships, or even murders and espionage, Putting the Science in Fiction will have something to help every writer craft better fiction.

Putting the Science in Fiction collects articles from “Science in Sci-fi, Fact in Fantasy,” Dan Koboldt’s popular blog series for authors and fans of speculative fiction (dankoboldt.com/science-in-scifi). Each article discusses an element of sci-fi or fantasy with an expert in that field. Scientists, engineers, medical professionals, and others share their insights in order to debunk the myths, correct the misconceptions, and offer advice on getting the details right.

 

The Science of Science Fiction: The Influence of Film and Fiction on the Science and Culture of Our Times by Mark Brake
Format read: eARC
Source: publisher via Edelweiss
Formats available: paperback, ebook
Genre: science fiction, history
Pages: 272
Published by Skyhorse Publishing on October 9th 2018
Purchasing Info: Author’s Website, Publisher’s Website, Amazon, Barnes & Noble, Book Depository
Goodreads

We are the first generation to live in a science fiction world.

Media headlines declare this the age of automation. The TV talks about the coming revolution of the robot, tweets tell tales of jets that will ferry travelers to the edge of space, and social media reports that the first human to live for a thousand years has already been born. The science we do, the movies we watch, and the culture we consume is the stuff of fiction that became fact, the future imagined in our past–the future we now inhabit.

The Science of Science Fiction is the story of how science fiction shaped our world. No longer a subculture, science fiction has moved into the mainstream with the advent of the information age it helped realize. Explore how science fiction has driven science, with topics that include:

Guardians of the Galaxy Is Space Full of Extraterrestrials? Jacking In: Will the Future Be Like Ready Player One?
Mad Max Is Society Running down into Chaos? The Internet: Will Humans Tire of Mere Reality?
Blade Runner 2049 When Will We Engineer Human Lookalikes? And many more!
This book will open your eyes to the way science fiction helped us dream of things to come, forced us to explore the nature and limits of our own reality, and aided us in building the future we now inhabit.

My Review:

I have served on various book judging committees over the years. Recently I was part of a group picking the best science fiction for the year. I’m not going to say where or when, but it’s a list where the jury is still out.

But it made me think about what makes good science fiction – and conversely what doesn’t. Which led me to not one but two books in the virtually towering TBR pile, Putting the Science in Fiction and The Science of Science Fiction, both of which have been released this month.

It seemed like a golden opportunity to do a compare and contrast instead of a more traditional review.

I thought that these books would work together well. Putting the Science in Fiction was all about the inputs. It is exactly what I expected it to be. Much fiction, both written and filmed, includes some science in some form. Police dramas and mysteries deal with forensic science. Medical dramas – and not a few mysteries – deal with medical science. Science fiction, of course, is all about taking science out to the nth degree and then playing with it.

But lay people often get things wrong. There are lots of things about science that get shortchanged or simplified in order to make better drama. Anyone who is an expert in whatever has just gotten completely screwed up will cringe and just how far off-base the writer or director has just taken the science in their story.

We all do it for our own fields. And when it happens it throws the knowledgeable reader out of the story – no matter how good the rest of it might be.

Putting the Science in Fiction turns out to be a surprisingly readable collection of essays by science and engineering experts explaining the very, very basics of their fields to those of us whose expertise is somewhere else. It serves as a terrific guide for any writer who wants to follow the dictum of “write what you know” by learning more so they know more so they have more to write about.

On my other hand, The Science of Science Fiction is not what I expected it to be. I was kind of expecting it to be about SF that did well – not necessarily in the science aspect at the time so much as in the way that it captured the imagination – even to the point where the SF created the science it postulated.

There is a famous story about Star Trek: The Original Series and the invention of the cell phone that comes to mind.

But that’s not where this book went. Although that would be a great book and I hope someone writes it.

Instead, The Science of Science Fiction reads more like a history of SF written thematically rather than chronologically. It takes some of the basic tenets and tropes of SF and lays out where they began – sometimes surprisingly long ago – to where they are now.

It’s an interesting approach but it didn’t quite gel for this reader.

By way of comparison, both books talk about the science and the influences of Michael Crichton’s classic work of SF, Jurassic Park.

Putting the Science in Fiction does two things, and it does them really well. First, it conveys that “sensawunder” that SF does when it is at its best. The author of the essay is a microbiologist, who puts the science of the book in context – both the context of what was known at the time it was written (OMG 1990!) and what has been discovered since, and comes to the conclusion that he didn’t do too badly based on what was known at the time. Discoveries since have made his science fictional extrapolation less likely than it originally seemed. It’s hard to fault the author for that.

But what the author of the essay also does is to show how the book not only grabbed his interest and attention but continues to hold it to the present day, even though he knows the science isn’t remotely feasible. The book does a great job of taking just enough of the science in a direction that we want to believe is possible.

After all, who wouldn’t want to see a real live dinosaur? Under very controlled conditions. Much more controlled conditions than occur in the book, of course.

The Science of Science Fiction also discusses Jurassic Park. (A classic is a classic, after all) But instead of talking about the science of cloning the author goes into a couple of other directions. First he sets Jurassic Park within the context of other “lost world” works of science fiction. That’s a tradition that goes back to Jules Verne and even further. But it feels like the fit of Jurassic Park as part of that lost world tradition doesn’t quite fit.

The other part of this Jurassic Park discussion has to do with the way that scientists are portrayed in SF. Science makes the story possible. Scientists in fiction tend to work toward proving they can do something – in this particular case proving they can clone dinosaurs from preserved DNA. It takes a different kind of scientist, someone dealing in chaos theory, to posit that just because it CAN be done doesn’t mean it SHOULD be done. That’s a discussion I would love to see expanded. And I’d have liked this book more if it had been expanded here.

Reality Ratings: These two books struck me completely differently. Putting the Science in Fiction is both readable and does what it sets out to do – excellent points for a work designed to help writers do a more informed job of including science in their fiction. I therefore give Putting the Science in Fiction a B+.

Howsomever, The Science of Science Fiction doesn’t work nearly as well. It reads much more like a history of SF than it treats with the science of SF. That it breaks that history up into themes rather than treat it chronologically makes it jump around a bit. As SF history, it’s not nearly as readable as Astounding or An Informal History of the Hugos or What Makes This Book So Great?. While I will be tempted to dip back into Putting the Science in Fiction again when I need some explanatory material on a particular science in SF, I won’t be inclined to go back to The Science of Science Fiction. I give The Science of Science Fiction a C+

One final recommendation. Do not read the chapter in Putting the Science in Fiction about plausible methods for kicking off the Zombie Apocalypse at breakfast. Or any other meal!

Review: Clock Dance by Anne Tyler

Review: Clock Dance by Anne TylerClock Dance by Anne Tyler
Format: eARC
Source: publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: literary fiction
Pages: 304
Published by Knopf Publishing Group on July 10, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

A bewitching new novel of family and self-discovery from the best-selling, award-winning author of A Spool of Blue Thread.

Willa Drake can count on one hand the defining moments of her life. In 1967, she is a schoolgirl coping with her mother's sudden disappearance. In 1977, she is a college coed considering a marriage proposal. In 1997, she is a young widow trying to piece her life back together. And in 2017, she yearns to be a grandmother, yet the prospect is dimming. So, when Willa receives a phone call from a stranger, telling her that her son's ex-girlfriend has been shot, she drops everything and flies across the country to Baltimore. The impulsive decision to look after this woman and her nine-year-old daughter will lead Willa into uncharted territory--surrounded by eccentric neighbors, plunged into the rituals that make a community a family, and forced to find solace in unexpected places. A bittersweet, probing novel of hope and grief, fulfillment and renewal, Clock Dance gives us Anne Tyler at the height of her powers.

My Review:

Willa Drake is living a life of such quiet desperation that she never quite realized just how desperate she’s become. And just how much of an apologetic doormat she is in her own life. Until circumstances, along with a tiny bit of her own once and future spark, finally crack open, not even a doorway, but at least a window out.

We all tend to marry types, and Willa’s first husband was a real jerk. Her second is an ass. Not quite an asshole, but certainly an ass. And her older son takes after his father – her first husband. But both of them condescend to Willa at every turn, and act like the world revolves around them, because Willa does everything she can to enable them to maintain that belief.

Her second son, who we don’t see all that much of, takes after her. She patterned her own behavior on her father, a quiet, saintly man who married a most likely bipolar or manic depressive drama queen.

The idea that a person either marries Gandhi or becomes Gandhi is depressing as hell, and it’s an idea that Willa seems to have embraced wholeheartedly. She’s been the Gandhi in every relationship – the saintly one who enables everything and forgives everyone all of their trespasses.

And, as one of the characters says, it must be frustrating to be married to such a person because the non-Gandhi always feels guilty, bitter or both pretty much all the time. It also means that the Gandhi-type enables all of their partner’s bad behavior, including abuse, and does not deal with the damage that is being done to any innocents in the household.

Like the children. Willa and her sister Elaine were both abused by their mother, but dealt with it in different ways. Elaine is distant and self-absorbed, Elaine makes peace at any and all costs. Neither is a particularly healthy way to deal.

But this story is finally about Willa breaking free. It happens almost by accident. Her son’s ex-girlfriend is hospitalized, leaving her 9-year-old daughter with nobody and no place. Not that little Cheryl isn’t surprisingly independent, but she’s still too young to be living by herself.

In a fluke, a neighbor calls Willa. And Willa, empty-nesting and looking for a purpose other than mollifying her husband, jumps at the chance to fly from Tucson to Baltimore to take care of a child she’s never even met.

Oh, so slowly, and oh so cautiously, Willa steps further and further out from that life of quiet self-effacement and desperation. And sets herself free.

Escape Rating C+: So many people love Anne Tyler, and I have so many friends who read literary fiction. It’s the stuff of the best seller lists after all. But I usually bounce right off of it, because the stories are so grim, the characters are so quiet, and so little happens.

And that’s kind of true in Clock Dance. The first half of the book was rough going for me. Until the point where Willa agrees to go to Baltimore, it’s so easy to see her making one mistake after another. The way that she gets into (and actually out of) her first marriage is depressing in its predictability. It’s sad to see that when we meet her again years later, she’s essentially recreated the same dynamic with her second husband.

It’s only when she goes to Baltimore to take care of Cheryl and her mother Denise that the story begins to move – just as Willa does. In her own life everyone treats her as a doormat. Her husband even calls her “little one” in a way that is as demeaning as it gets.

But with Cheryl and Denise and their working middle class neighborhood, Willa rediscovers the purpose that she lost along the way. It’s not that she becomes selfish, it’s that she’s helping others who also give back in return. She’s part of the community, not a servant to select members of it.

Her rebellion is as quiet as her desperation, and seems to take her forever to finally achieve – because it takes her forever to finally acknowledge her own wants and needs after years of looking after everyone else.

I wasn’t so much moved by this story as I was frustrated by it. A big part of me wanted this to be women’s fiction rather than literary fiction – because there would be more plot, more action, and more of a sense of resolution at the end. And the first depressing half would have ended a lot quicker.

The most forthright person in the story is young Cheryl. For a 9-year-old she’s pretty self-aware and knows who she is and what she wants. She’s certainly more self-aware than Willa. Willa has been such a cipher in her own life that she continues to be a cipher even when she’s the heroine. Most of her self-talk is utterly self-effacing. I’m not saying that she’s not realistic, because I’m all too aware that she is.

People, particularly women, often “settle” instead of striving. We’ve all done it at times in our lives, often for reasons that seem good at the time. But just because her character is ultra-realistic doesn’t make a book with her at the center all that enjoyable. More like a bit depressing until the very, very end.

If you love literary fiction, this is a book you’ll probably enjoy. If, like me, you have your doubts about litfic, this one won’t change your mind.

Your mileage, of course, may vary.

Review: Kill the Farm Boy by Kevin Hearne and Delilah S Dawson

Review: Kill the Farm Boy by Kevin Hearne and Delilah S DawsonKill the Farm Boy (The Tales of Pell, #1) by Delilah S. Dawson, Kevin Hearne
Format: eARC
Source: publisher via Edelweiss, publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: fairy tales, fantasy
Series: Tales of Pell #1
Pages: 384
Published by Del Rey Books on July 17, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

In an irreverent new series in the tradition of Terry Pratchett novels and The Princess Bride, the New York Times bestselling authors of the Iron Druid Chronicles and Star Wars: Phasma reinvent fantasy, fairy tales, and floridly written feast scenes.

Once upon a time, in a faraway kingdom, a hero, the Chosen One, was born . . . and so begins every fairy tale ever told.

This is not that fairy tale.

There is a Chosen One, but he is unlike any One who has ever been Chosened.

And there is a faraway kingdom, but you have never been to a magical world quite like the land of Pell.

There, a plucky farm boy will find more than he's bargained for on his quest to awaken the sleeping princess in her cursed tower. First there's the Dark Lord who wishes for the boy's untimely death . . . and also very fine cheese. Then there's a bard without a song in her heart but with a very adorable and fuzzy tail, an assassin who fears not the night but is terrified of chickens, and a mighty fighter more frightened of her sword than of her chain-mail bikini. This journey will lead to sinister umlauts, a trash-talking goat, the Dread Necromancer Steve, and a strange and wondrous journey to the most peculiar "happily ever after" that ever once-upon-a-timed.

My Review:

If Robert Asprin’s Myth-Adventures series had a love child with Piers Anthony’s Xanth series, and then if that love child had a child with Monty Python – or possibly a love child with each individual member of Monty Python, all midwifed by The Princess Bride, you might get something like Kill the Farm Boy.

Or you’d get a cheese sandwich. Or possibly both.

On the one hand, the description of this book can easily be read as a fairly typical epic fantasy. A group of adventurers, including a ”chosen one” set out from obscurity to undertake a quest.

But this particular fantasy is fractured from beginning to end. Like so many fantasies, the adventuring party consists of a wizard or two, a rogue, a warrior, a bard and a trusty steed. The opening salvo in the quest is to rescue a fairy tale princess from a sleeping castle. In a twisted cross between Sleeping Beauty and Beauty and the Beast.

That beast is a rabbit. Or at least sort of a rabbit. And sort of a girl. The rogue is a klutz, and a not very bright klutz at that. Of the two wizards, neither is exactly the leader of the Light. One fancies himself a budding Dark Lord, and the other is as grey as grey can get – except for her hair, because the natural color of that has been hiding behind magic for decades at the very least.

The dangers they face are life threatening and never ending. But there’s no farm boy in sight. Oh, there was a farm boy all right, but he gets chosen for death relatively early in the story. The real “Chosen One” is the trusty steed, but he’s neither trusty nor exactly a steed. And he likes to eat boots.

If the tongue was any further in the cheek, it would poke out the other side.

Escape Rating C+:Some of the reviewers make the comparison between Kill the Farm Boy and the Discworld. If that comparison holds at all, it’s only between Kill the Farm Boy and the first two Discworld titles, The Color of Magic and The Light Fantastic, where Sir Terry was merely skewering the genre and not exactly plotting a story. And where he clearly had no clue yet that he was at the beginning of something that needed a real plot, sympathetic characters and at least a bit of internal consistency to wrap around that skewer.

While I love the work of both of this book’s authors, Delilah Dawson for the Blud series and Kevin Hearne for the Iron Druid Chronicles, this collaboration does not live up to either of their previous work, nor to any of the many antecedents I mentioned at the beginning of this review.

And that’s a real pity, because Kill the Farm Boy had so much promise. And it does have its funny moments. But in the end it doesn’t deliver – even though it’s obvious that the co-authors had tons of fun in the process of writing this.

The snark is too thick and the plot is too thin. It reminds me of the lesson that Mike the computer learns in Robert A. Heinlein’s marvelous The Moon is a Harsh Mistress. Mike is trying to teach himself humor, and his human friend introduces him to the difference between “funny once” and “funny always”. Kill the Farm Boy attempts to be “funny always” by keeping up a nonstop torrent of snark and in-jokes.

And those are almost always “funny once”.

But we’ll be back in Pell for No Country for Old Gnomes. It took Sir Terry until at least Mort (Discworld #4) for that series to really get its legs under it. Maybe The Tales of Pell will manage to get there a little sooner. We’ll see.

Review: A Study in Treason by Leonard Goldberg

Review: A Study in Treason by Leonard GoldbergA Study in Treason (The Daughter of Sherlock Holmes Mystery #2) by Leonard Goldberg
Format: eARC
Source: publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: historical mystery
Series: Daughter of Sherlock Holmes #2
Pages: 320
Published by Minotaur Books on June 12, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

A continuation of USA TODAY bestselling author Leonard Goldberg's The Daughter of Sherlock Holmes, A Study in Treason is a new intriguing locked room mystery for Joanna and the Watsons to solve.

The following case has not previously been disclosed to the public due to the sensitive information on foreign affairs. All those involved were previously bound by the Official Secrets Act. With the passage of time and the onset of the Great War, these impediments have been removed and the story can now be safely told.

When an executed original of a secret treaty between England and France, known as the French Treaty, is stolen from the country estate of Lord Halifax, Scotland Yard asks Joanna, Dr. John Watson, Jr., and Dr. John Watson, Sr. to use their keen detective skills to participate in the hunt for the missing treaty. As the government becomes more restless to find the missing document and traditional investigative means fail to turn up the culprit, Joanna is forced to devise a clever plan to trap the thief and recover the missing treaty.

Told from the point of view of Dr. John Watson, Jr. in a style similar to the original Sherlock Holmes stories, A Study in Treason is based partly on facts in our world and partly on the facts left to us by Sir Arthur Conan Doyle.

Full of excitement and intrigue, this mystery is sure to be enjoyed by fans of Sherlock Holmes as well as the works of Laurie R. King and Charles Finch.

My Review:

A Study in Treason is the followup to last year’s The Daughter of Sherlock Holmes. I’m a sucker for Holmes’ pastiches, and I absolutely loved that first book. Not only was it the right book at the right time for me, but it seemed to hit all the right notes, with Holmes’ daughter taking her father’s place and solving crimes with Dr. Watson Sr. as well as his son, Dr. Watson Jr. In keeping with the spirit of the original stories, Watson Jr. is the chronicles of these new events.

But after having read A Study in Treason, I’m starting to wonder if this is something that can only be done well once. Part of what makes the first book so much fun is the nostalgia factor; that it echoes the originals while being just a touch new and just slightly different.

Nostalgia can only carry a person, a book, or a story so far. And I think that shows in this second book. While Watson Sr. is an older version of himself in the canon, very much as he should be, the new characters need to go in at least a few new directions.

Instead, Joanna Blalock Watson feels more like a carbon copy of her famous father. It is ironic in a case that proves that nurture is more important than nature, that Joanna seems to have each and every one of Holmes’ talents and habits, in spite of not having been raised by him. While Joanna certainly knows who her father was, I’m not certain that she actually met the man.

Yet somehow, not only his talents but his every habit seems to have passed down to her, as if by osmosis, barely changed from the original. And while the talents could indeed pass through the blood, that the habits would too seems a bit unlikely.

The story in A Study in Treason, recalls The Adventure of the Bruce-Partington Plans, while its title calls back to the first published Holmes story, A Study in Scarlet. But in spite of the veritable school of red herrings thrown in the reader’s, and Lestrade’s, way, the case itself seems fairly obvious from the early stages. And obvious in a way that has been overused.

Escape Rating C+: I wanted to like this a lot more than I did, especially after the promising start in the first book. Instead, the story feels a bit thin and stretched, as though the author has taken a good idea and pushed it past its limits.

In order for this series to work, the characters need to change and grow. It makes no sense for Joanna to be such an exact replica of her father, particularly having grown up outside his influence. There should be some marked differences, and those differences would make her an interesting character in her own right.

She also seems to face or have faced little of the difficulties that a woman in a man’s profession would have faced in the 1910s. Or she has completely brushed all of them aside. Even if she chooses to ignore those differences, anyone she deals with on a professional basis would not. And that constant fight should have had some influence on her character.

There’s not enough there there, and I’m sorry to have to say that. I had high hopes for this series. But for a more believable female Holmes, I’m going back to Sherry Thomas’ Lady Sherlock series.

Review: Fast Burn by Lori Foster

Review: Fast Burn by Lori FosterFast Burn (Body Armor, #4) by Lori Foster
Format: eARC
Source: publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: contemporary romance, romantic suspense
Series: Body Armor #4
Pages: 384
Published by Harlequin Books on March 20th 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

For the woman who’s his perfect match, he’s willing to break the rules…

The moment Brand Berry meets beautiful, driven Sahara Silver, the connection between them is electric. It’s also something he can’t pursue. Sahara wants him, sure—to join Body Armor, where his MMA skills, size and cocky attitude make him perfect for her elite crew of bodyguards. For Sahara, the agency always comes first, and Brand needs more. Yet when she’s kidnapped by men searching for her missing brother, he doesn’t hesitate.

Somewhere along the way, flirting with Brand for the sake of business turned very personal. Despite his refusal to join Body Armor, it’s Brand who steps up when Sahara needs him most. Now there’s no more time for games, and no point denying the hunger they both feel. They’ll escape together or not at all. But if they survive, can Sahara finally surrender control to claim this blazing passion?

My Review:

Fast Burn is the fourth and it looks like final book in the Body Armor series. I’ve had a mixed reaction to the books in this series. I loved books two and three, Hard Justice and Close Contact, but had a lukewarm reaction to the first book in the series, Under Pressure.

My feelings about Fast Burn are all too similar to my feelings about Under Pressure. Let me explain…

This series is romantic suspense. That has meant that the bodyguards from the Body Armor Agency, former MMA fighters all, have a tendency to fall in love with the body they are guarding. But Fast Burn is a bit different, because the body that needs protection in this case is the owner of the agency, Sahara Silver.

And the man who wants to guard her is not part of Body Armor. Not that she hasn’t tried to recruit Brand Berry, but that Brand has refused to be recruited, in spite of Sahara’s patented full-court press.

Brand is interested in Sahara and not her Agency. He does not want to work for a woman that he wants to date. And a whole lot more. It makes sense to this reader. They can either have a personal relationship or a working one, but not both – especially not in their case, where both of them have the need to be in control of absolutely everything all the time. Compromise is not going to be easy for either of them.

One of the underlying plot threads in this entire series revolves around Sahara’s missing brother Scott. Scott has been missing and presumed dead for a couple of years now, after his boat was found with his girlfriend’s dead body on it and plenty of his own spilled blood along with hers. But his body was never found, and Sahara believes that Scott is out there, still alive.

When a bunch of thugs kidnap Sahara in order to get back the money that Scott owes them, one way or another, their leader believes that putting Sahara in danger will bring Scott out of the woodwork. He might be right, but before that can happen, it brings out the protective instincts of every one of the guys that Sahara has hired at Body Armor. As well as the one that she hasn’t, Brand Berry.

Sahara is now the person with the target on her back, and Brand is more than willing to step up and protect her – 24/7. But not as a member of her staff. Not at all. He just wants to protect her, and wipe the floor with the guys who are after her. Sahara isn’t sure that she can give up being in charge 24/7 in order to let someone take care of her, even for a second.

But the sharks are circling, and it’s a race to the finish. But whose?

Escape Rating C+: One of the things that made the Body Armor series so good was the character of Sahara Silver. As the owner of the agency, she has been part of every single book, and generally a fairly large part. She’s been the person that many of the women in the stories initially turn to, and she’s been kind, understanding and helpful without either giving up any of her femininity or any of her take charge agency. Either the actual agency, Body Armor, or her own personal agency as a mover and shaker in each story.

She loses all of that in Fast Burn. The whole story is all about all the guys, but particularly Brand, patting her on the head and letting her know that they’ve got this and that she really should let them take over and not worry her pretty little head. Whenever she tries to contradict or correct them, they pretty much ignore whatever she says.

While the possibility of her missing brother not only being alive but protecting her from the sidelines is certainly enough to make anyone just a bit crazy, Sahara seems to go off the rails and fall apart, giving Brand the chance to swoop in and protect her – whether she needs it or not.

As one of the characters says in one of my favorite video games, “swooping is bad”.

The men, but particularly Brand, do their level best to keep Sahara from participating in an operation that is all hers – it’s both all about her brother and all about a gang of idiots that keep trying to kidnap her and even succeed more than once. She also runs off half-cocked and puts herself in danger in ways that are definitely outside her character until this book.

This included an added filip of a trope I dislike, the one where the villain has a hard on for the female in danger and has the strong desire to take her and break her. This particular villain was much less vile than most, but that added element wasn’t necessary to ramp up the amount of danger Sahara kept landing herself in.

At the same time, I really love the character of Sahara, and I wanted to see her get her HEA as well as solve the mystery of what happened to her brother. I’ve liked all of the men that she has recruited for Body Armor, and it was fun to catch up with them a bit and see just how much they all care about her boss. I just wish it hadn’t been necessary to take away so much of Sahara’s agency to protect her.

I hope we see more characters like Sahara has been in the previous books, women who are intelligent, capable and very much in charge while still being happy and proud to be women. And we shouldn’t have to watch them sacrifice who they are to get their HEA.

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