Review: Flowers for the Sea by Zin E. Rocklyn

Review: Flowers for the Sea by Zin E. RocklynFlowers for the Sea by Zin E. Rocklyn
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Pages: 112
Published by Tordotcom on October 19, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

Flowers for the Sea is a dark, dazzling debut novella that reads like Rosemary's Baby by way of Octavia E. Butler.
We are a people who do not forget.
Survivors from a flooded kingdom struggle alone on an ark. Resources are scant, and ravenous beasts circle. Their fangs are sharp.
Among the refugees is Iraxi: ostracized, despised, and a commoner who refused a prince, she’s pregnant with a child that might be more than human. Her fate may be darker and more powerful than she can imagine.
Zin E. Rocklyn’s extraordinary debut is a lush, gothic fantasy about the prices we pay and the vengeance we seek.

My Review:

I picked this up because I was expecting a story that would be doing that creepy, uncomfortable straddle over the place where dark fantasy bleeds into horror. But that wasn’t quite what I got – although there was plenty of uncomfortable, downright painful straddling in the book itself.

Having finished the book, it feels like I got the middle part of a story that had a lot more depth to explore – but that those deeper elements just weren’t present in the part I got.

The story begins aboard a ship that has, or at least had, some very interesting magic. The ship is and has been, floating in an endless sea, its passengers permanent exiles from a shore they left behind. Originally, the ship fed and protected and sustained them easily, but the magic is dying, or the sea is dying, or it’s all fading away.

Our perspective on the ship, its inhabitants and its circumstances is through the mind of resentful, pregnant, angry, ostracized Iraxi. She is angry at everyone on the ship, and everyone on the ship is resentful and afraid of her. Even though they all hope that the baby she has zero desire to carry or bear will save them all.

Iraxi’s perspective is an uncomfortable one. She is, herself, extremely uncomfortable in the last days of her pregnancy, and very, very angry at everyone and everything around her. Including most especially, herself.

But Iraxi’s anger is a much bigger thing than one woman – or even one ocean – can contain. All she has to do is accept it, and accept the past that brought her to this point, and it will become big enough to encompass the world – and destroy it.

Escape Rating C: Even after finishing this book, I still had more of a sense of what it was supposed to be from the blurb than from reading – actually listening to – the entire thing from beginning to end. Not that the reader didn’t do a good job, because she most definitely did, but because the story didn’t quite gel for me – or perhaps it gelled in the wrong places.

The blurb describes Flowers for the Sea as Rosemary’s Baby meets Octavia Butler, in other words a combination of horror and SF. I was expecting something at least a bit like Rivers Solomon’s marvelous The Deep, in the sense that I was expecting a story that was intended to reclaim the Middle Passage of the slave trade for its victims and away from its perpetrators.

I didn’t exactly get either of those things. Admittedly that’s at least in part because both the author and the narrator did an all too excellent job of portraying Iraxi’s unwanted, undesired, unwelcome and utterly resented pregnancy and eventual childbirth as a internal horror of anger, fear, hatred, loathing, disgust and pretty much every other negative emotion in a way that hit me right in the nightmare to the point where it overshadowed the entire story.

The other reason the story didn’t gel is that we see the entire thing from Iraxi’s perspective, and Iraxi is angry almost to the point of incoherence pretty much all of the time. She hates her circumstances, she hates her pregnancy, she hates her baby, she hates all the people aboard the ship for the way that they have forced her to carry this unwanted pregnancy to term, the way that they in their turn hate and fear her and only give a damn about the child she is carrying. She’s lonely, she’s resentful, she’s afraid and she’s hiding the reasons she is in this circumstance from herself and from the reader, only dribbling out clues and then shutting herself down before we learn what we need to know.

Paradoxically for a story that didn’t work for me, I wish this had been longer. We don’t know anything about this world, although we learn that it isn’t exactly ours. We don’t know nearly enough about Iraxi’s people, their background or how they got into this fix. We eventually get hints, but they’re not enough. More pages, more scope to learn more, would have made this work better – at least for this reader.

Your reading mileage may vary. I’m headed off to gibber in a quiet corner someplace until the nightmare passes.

Review: An Impossible Promise by Jude Deveraux and Tara Sheets

Review: An Impossible Promise by Jude Deveraux and Tara SheetsAn Impossible Promise: A Novel by Jude Deveraux
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical romance, time travel romance
Series: Providence Falls #2
Pages: 288
Published by Mira on September 21, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

They can’t be together, but they can’t stay apart…
Liam O’Connor has one purpose in this life—to push the woman he loves into the arms of another man. The Irish rogue unknowingly changed the course of destiny when he fell in love with Cora McLeod over a century ago. Their passion was intense, brief and tragic. And the angels have been trying to restore the balance of fate ever since.
Now police officers in Providence Falls, North Carolina, Liam and Cora are partners on a murder investigation. The intensity of the case has drawn them closer together—exactly what Liam is supposed to avoid. The angels have made it clear Cora must be with Finley Walsh. But headstrong Cora makes her own decisions and she’s starting to have feelings for Liam—the only thing he’s ever really wanted.
Liam knows this is the last chance to save his soul. But does he love Cora enough to let her go?
Providence Falls
Book 1: Chance of a Lifetime

My Review:

Okay, I’m hooked. Also confused, frustrated and annoyed – but hooked. I have to find out how this whole soap opera turns out.

Which constitutes fair warning on two counts. Count number one, that the insane story begun in Chance of a Lifetime does NOT conclude in An Impossible Promise. Count number two, this series is one story broken up into chapters, not two separate stories with some kind of link between them. In other words, you have to start at the beginning and it’s not done yet.

The third book isn’t even announced yet. Hence both the frustration AND the annoyance. I want to know how this is all going to get resolved – if only to find out if ANY of my guesses are right. And I need to know that the answers will be forthcoming at hopefully the not too distant future, but at least at some fixed date in the future.

Let me explain, which isn’t going to be easy because this story, at least so far, completely broke my willing suspension of disbelief meter and then set it on fire. This story needs resolution in the hopes that at the end it will all make sense.

The concept for the whole thing, as I discussed in my review of the first book in the series last week, has a lot of potential. It’s a time travel romance with a bit of angelic interference taking the place of any SFnal handwavium that often powers the jaunt through time.

What makes this different from the usual run of such things is that Liam O’Connor doesn’t go backward in time – he goes forward. From 1844 to an undefined present day probably just pre-pandemic.

Way back when, Liam O’Connor messed with Cora McLeod’s destiny when he convinced her to run away with him rather than marrying the man her father picked out for her. Whatever that destiny was, it was so huge and important that the angels, two of them specifically, have given Liam a second chance to get it right by giving up the woman he really does most sincerely love.

The angels fast forward Liam to now, where Cora McLeod, still with the same name, has another chance to marry her destined mate, Finley Walsh. It’s up to Liam to put aside his own desires – and honestly Cora’s as well – to make sure that this time things turn out the way they were supposed to.

All the while pretending to be a 21st police detective in a tiny town in North Carolina, learning how to live in a world he never imagined, while helping Cora solve a series of murders that have everyone in town on edge.

While a couple of meddling angels blow celestial trumpets in his ears to remind him that he only has three months to fix what he broke long ago before he goes straight to hell.

Escape Rating C+: As I said at the top, I am hooked on this story, and eaten up with speculation about how the whole thing is finally going to be worked out. But, but, but there are a whole lot of things about this story that drive me crazy because they don’t make sense – or at least they don’t make sense without a whole lot more explication than we have so far.

Liam, at one point in this book, asks the angels who have stuck him in this situation whether they are really angels or whether they’re working for the other side. I do not blame him AT ALL for wondering. They say they’re working for the “greater good” and all that, but anyone who works for the so-called “greater good” without explaining a whole lot about whose good and why it’s greater makes me twitchy and gives me mad Albus Dumbledore vibes and not in a good way.

Liam was kind of “voluntold” to participate in this mess, but it seems like everyone else is being manipulated rather a lot in order to accept Liam’s place in the world and in all of their lives. It also feels like a vast coincidence, beyond any angelic arrangement, that all the people in Providence Falls are reincarnations of the people Liam and Cora knew in their first go around, that they ALL have the same names and they are all in the same relationships to Liam, to Cora, and to each other.

The long arm of coincidence does not stretch that far – even in fiction.

Aside from the setup, the big issue in this romance is the romance. Liam really does love Cora, past and present. Cora is falling for Liam, again, even though she doesn’t remember their first time around.

Because we experience the story from Liam’s perspective, he’s the one we have empathy for. We want him to get his HEA and there’s no way that happens if he fulfills his promise to the angels. The entire story goes against the grain of the way it’s being told, especially when Cora’s growing feelings for Liam are taken into consideration. That she is not getting to make her own choices just bites. Seriously.

That’s not to say that this incarnation of Finley Walsh isn’t a good guy or in any way unworthy – but he’s not Cora’s choice. Although at least the story gives us a little more depth about him in this second installment. I would be happy to see Finn get his own HEA, but so far at least I’m not on board with that HEA being with Cora.

That’s where all of my thoughts about how this is going to play out go pear-shaped. At the end of this book, Liam finally gets a full explanation of why Cora has to marry Finn – but we don’t see it. All we get is Liam’s epiphany that his wants don’t matter, that Cora’s destiny is too important for him to mess up.

The problem I’m having is that I just don’t believe it. I’m not convinced. At all. The angels could be manipulating him, they could have shown him something that leads to this conclusion without it being the truth, and they could still be demons. On an entirely other hand they could be demons like Crowley (in Good Omens) was a demon, meaning that they might be doing the right thing in the wrong way and for the wrong reasons. That’s actually an explanation I could seriously get behind.

But I want to know so, so badly. So I’m hooked. Along with being confused, frustrated and annoyed. The next book can’t come out soon enough. The horns of this particular dilemma are downright painful!

Review: Chance of a Lifetime by Jude Deveraux and Tara Sheets

Review: Chance of a Lifetime by Jude Deveraux and Tara SheetsChance of a Lifetime by Jude Deveraux, Tara Sheets
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical romance, time travel romance
Series: Providence Falls #1
Pages: 336
Published by Mira on September 15, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

In one century she loved him madly, and in another she wants nothing to do with him
In 1844 Ireland, Liam O’Connor, a rogue and a thief, fell madly in love with a squire’s daughter and unwittingly altered the future. Shy and naive Cora McLeod thought Liam was the answer to her prayers. But the angels disagreed and they’ve been waiting for the right moment in time to step in.
Now Liam finds himself reunited with his beloved Cora in Providence Falls, North Carolina. The angels have given Liam a task. He must make sure Cora falls in love with another man—the one she was supposed to marry before Liam interfered. But this Cora is very different from the innocent girl who fell for Liam in the past. She’s a cop and has a confidence and independence he wasn’t expecting. She doesn’t remember Liam or their past lives, nor is she impressed with his attempts to guide her in any way.
Liam wants Cora for himself, but with his soul hanging in the balance, he must choose between a stolen moment in time or an eternity of damnation.

My Review:

I picked this up last year, but it fell into the black hole of “so many books, so little time” and I just didn’t get a round tuit. Fast forward a year later, I pick up the second book in the Providence Falls series, intending to review it for a tour, only to realize that An Impossible Promise isn’t so much the second book in a series, with the possibility it can be read as a standalone, as it is the second “chapter” of what appears to be a continuing story.

Whether that story concludes in An Impossible Promise or continues further, well, I’ll find that out next week. Thankfully this book tour is a bit open-ended. Because I’m not sure that reading that second book makes any sense at all without this first one.

Although I’m not totally sure this first one makes a whole lot of sense, either.

There’s a reason why time travel stories generally send their characters back in time rather than forward. Life probably wasn’t any simpler in the past – just that the complications were different then they are now. And there are any number of ways that the author can give their time travelers knowledge about the past they end up traveling to.

A character coming forward into the future has no clue what they’re letting themselves in for, not even in this particular instance when Liam O’Connor’s soul is fast forwarded from Ireland in 1844 to Providence Falls, North Carolina sometime more or less here and now.

But Liam has been sent forward to fix his own great mistake, at least according to the two angels who are doing the sending. Once upon a time, Liam fell in love with Cora McLeod, and very much vice versa. According to the angels, that was not her destined path. Cora was supposed to marry someone else and give birth to a child that was destined to “help” humanity . Instead, she died young, and has continued to do so in every reincarnation since.

Liam’s been sent forward in time to make sure that this time Cora fulfills her destiny. He’s been given a minimal number of tools, an even more minimal amount of the knowledge the angels believe he needs to live in the 21st century, an amazingly deep cover story, and a deadline.

He has three months to make sure that Cora marries the man she’s supposed to marry and not the man of her dreams. Because that would be Liam. If he does the right thing and gives up the only woman he has ever, or will ever, love, he’ll go to heaven.

But if he gives into his own heart, and hers, he’ll go straight to Hell.

Escape Rating C: I’ll say this up front. I had to chuck my common sense and my willing suspension of disbelief really far out the window in order to finish this book. Because there is just so much that makes me go “WTF?” over and over and honestly, over.

Maybe I’ve read too much fantasy and paranormal romance, because what the angels did gave me so many vibes that either they aren’t on the up and up, they’re not angels at all, or they just lied their wings off to Liam to get him to participate in whatever scam they’ve got going on.

I’m not saying they aren’t some kind of supernatural being of some sort, but this whole thing makes way more sense if they’re demons posing as angels. Or if the reason they’ve set Liam up like this is NOT what they said it was. Or if there’s something bigger and more important going on that hasn’t been revealed.

Part of that is because the time travel setup is way too much like Dorothy’s trip to Oz. Possibly including someone behind the curtain that Liam isn’t supposed to be paying attention to – but we’re not there yet by the end of this book.

Howsomever, what makes the time travel so “fishy” in this story is that every single person that Liam knew in mid-19th century Ireland has been reincarnated and relocated to 21st century North Carolina and THEY ALL HAVE THE EXACT SAME NAMES AND FACES. For the most part, they also have the exact same relationships to Liam and to each other that they did over 150 years ago and 8,000+ miles away.

This is not logical and my brain went ‘tilt’.

The other part that makes me question pretty much everything that Liam has been told about Cora, his mission in this future and his own fate is that, while Liam may have seduced Cora in their original timeline – and he maybe a himbo and a horndog in both timelines – he seems to really love Cora and in their original timeline she really loved him.

While 19th century Cora could have been forced to marry the man her father picked out for her, 21st century Cora lives in an entirely different world of choices and options. And the 21st century reincarnation of the man she’s supposed to marry is a really nice guy with zero charisma that Cora has been friends with for years. He may be in love with Cora, but she just likes him as a friend. Every once in a while she feels a bit more, but it’s so rare that it’s more than possible that someone is manipulating her. As things stand when this part of the story ends, I’m not seeing anything that remotely resembles a Happy Ever After for Cora with this particular “destiny” as someone else’s endgame.

Because I already don’t trust those angels, I’d be putting my money on them as the manipulators. Especially since we don’t really know why it is just so damn important that Cora marry this guy that so many people are being maneuvered to make it happen. The angels could be telling the truth about the child that never was, or it could be part of whatever scam they’ve got going on.

So the story so far is a bit of a hot mess. I like Cora and Liam well enough, and am more than dead curious enough about those angels and what’s really going on that I’m definitely reading An Impossible Promise next week in the hopes of possibly finding out what all of this is leading to.

Review: Jekyll & Hyde Inc by Simon R. Green

Review: Jekyll & Hyde Inc by Simon R. GreenJekyll & Hyde Inc. by Simon R. Green
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: Dark Fantasy, urban fantasy
Pages: 240
Published by Baen on September 7, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

A NEW MASTERPIECE OF MACABRE HUMOR AND ACTION FROM THE NEW YORK TIMES BEST-SELLING AUTHOR OF ROBIN HOOD, PRINCE OF THIEVES, THE NATIONALLY BEST-SELLING NIGHTSIDE SERIES, THE DEATHSTALKER CHRONICLES, THE ISHMAEL JONES PARANORMAL MYSTERIES, AND MORE!
HYDE IN THE SHADOWS
Daniel Carter was a London cop who just wanted to do the right thing. But during a raid on an organ-selling chop shop, he is almost torn to pieces by monsters. And no one believes him. Hurt and crippled, his career over and his life in ruins, Daniel is suddenly presented with a chance at redemption. And revenge. It seems that more than two centuries ago, the monsters of the world disappeared—into the underworld of crime. Guild-like Clans now have control over all the dark and illegal trades, from the awful surgeries of the Frankenstein Clan, to the shadowy and seductive Vampire Clan, to the dreaded purveyors of drugs and death, the Clan of Mummies. And there’s always the Werewolf Clan, to keep order.
Only one force stands opposed to the monster Clans: the superstrong, extremely sexy, quick-witted Hydes! Now Daniel is just one sip of Dr. Jekyll’s Elixir away from joining their company. At Jekyll & Hyde Inc.
 About Simon R. Green:
“A macabre and thoroughly entertaining world.” —Jim Butcher on the Nightside series
“A splendid riddle wrapped in a mystery inside an enigma, conveyed with trademark wisecracking humor, and carried out with maximum bloodshed and mayhem. In a word, irresistible.” —Kirkus, Starred Review of Simon R. Green's Night Fall
“[F]or those who want a fantasy-genre mash-up that doesn’t slow down.” —Booklist on From a Drood to a Kill
 “Simon R. Green is a great favorite of mine. It’s almost impossible to find a writer with a more fertile imagination than Simon. He’s a writer who seems endlessly inventive.” —Charlaine Harris
 

My Review:

I picked this book up because I usually enjoy the author’s fine line in snark. His characters generally manage to say the things we all wish we’d said, and that’s always good for a bit of a chuckle, even if the humor involved tends to have the whiff of the gallows about it.

In other words, I expected to enjoy this book, at least on some levels. Even when his stories are at their most macabre, there’s always been something in the banter and the byplay that has tickled me a bit. Even when, or especially because there’s frequently something awful going on at the time.

I expected to have a good reading time with Jekyll & Hyde Inc. I really did. I liked the concept of it taking a monster to catch a monster, and the idea of Edward Hyde still running around London almost a century and a half after he supposedly died – along with his alter ego and progenitor, Dr. Henry Jekyll.

The blurb makes it seem as if the Hydes are, if not exactly on the side of the angels, at least on the side of putting the monsters down and out of both our and their misery – because the monsters have certainly earned it.

I was looking for a fun, horror-adjacent story with a heaping helping of snark. I expected to end with a bit of a chuckle and the feeling of order restored to the world in one way or another. Something along those lines.

But at the end of Jekyll & Hyde Inc., all I felt was sad. And I’m really, really sad about that.

Escape Rating C: From the description, and from the opening of the story, I’ll admit that I was wondering if this was going to turn out to be a bit like the Secret Histories series, only with real monsters as the protagonists instead of merely human monsters with great technology.

But the Hydes as a group don’t seem to have any redeeming motives the way that the Droods did. The Droods believed that they knew what was best for humanity, and even if they were wrong about methods or results, even if they caused a lot of collateral damage, and even if some of their number were corrupt, their overall goals at least nodded at being righteous.

The Hydes, or at least Edward Hyde himself, just want to eliminate all the other monster clans so that he can be the top dog and rule the underworld. Daniel and Tina are just tools in his hands who don’t realize that they are being taken for a ride until very near the end.

The underworld the Hydes are taking out has all the creepiness of the Nightside, or even Neil Gaiman’s  Neverwhere, without any light shining in from John Taylor or Richard Mayhew or even the Marquis de Carabas. In other words, I was looking for a least a bit of a redemptive arc or the possibility thereof, and all I got was a breather between monster mashes.

The relationship that develops between Daniel and Tina may be intended to mimic some kind of romance, but just doesn’t have the kind of heart that the relationship between Ishmael Jones and Penny Belcourt has in that series. Or even the on again/off again relationship that Gideon Sable has with Annie Anybody in The Best Thing You Can Steal.

Something is just missing in Jekyll & Hyde Inc. It has all the grim and all the dark of many of the author’s previous series, but it’s lacking in the light moments – and the snark – that made Ishmael Jones and Gideon Sable and the Nightside so compulsively readable.

Qualities that I sincerely hope he brings back in his next book, whatever it might be. I’ll certainly be looking for it the next time I go back to see what Ishmael Jones is up to in Till Sudden Death Do Us Part and the rest of that series.

Review: Star Eater by Kerstin Hall

Review: Star Eater by Kerstin HallStar Eater by Kerstin Hall
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: Dark Fantasy, fantasy, horror
Pages: 448
Published by Tordotcom on June 22, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

All martyrdoms are difficult.
Elfreda Raughn will avoid pregnancy if it kills her, and one way or another, it will kill her. Though she’s able to stomach her gruesome day-to-day duties, the reality of preserving the Sisterhood of Aytrium’s magical bloodline horrifies her. She wants out, whatever the cost.
So when a shadowy cabal approaches Elfreda with an offer of escape, she leaps at the opportunity. As their spy, she gains access to the highest reaches of the Sisterhood, and enters a glittering world of opulent parties, subtle deceptions, and unexpected bloodshed.
A phantasmagorical indictment of hereditary power, Star Eater takes readers deep into a perilous and uncanny world where even the most powerful women are forced to choose what sacrifices they will make, so that they might have any choice at all.

My Review:

If absolute power corrupts absolutely, Star Eater is the story of a world that has put that absolute power in the hands of a mean girl clique. And it’s working about as well as one might think it would, because these mean girls have real power and are using it to destroy people’s lives AND play with politics, sometimes at the same time.

Once the reader is as far on that train as the worldbuilding will allow, the situation gets even more dire and much, much stranger, all at the same time, until the story reaches a conclusion that doesn’t quite feel like it was part of the book that we started with.

When the story opens, the protagonist, the point of view from which we will view this world, is about to be raped. It’s her duty as an Acolyte of the Sisterhood of Aytrium to present herself to the “Renewal Wards” once every few months in order to, well, propagate the species. Not the human species, but specifically the “Lace”-wielding (read as magic) members of the Sisterhood by allowing herself to be raped – and it is rape even though she gives forced consent for it to happen – by a man who has already been infected with the disease that men contract when they have sex with a woman who has “lace”.

If her visit to the Renewal Wards results in a pregnancy, if the child is male he will either be given away or killed. If the child is female, the birth of her daughter begins the countdown on her mother’s life. Because the only way that lace can be renewed is for women to literally eat the flesh of their comatose mothers.

You’re probably already creeped out. The person I attempted to describe this story to certainly was. It is seriously creepy and this world is utterly fucked up. There’s no other word for it.

The thing is, as bad as Elfreda’s situation is, and the situation of every single one of her Sisters, the situation on Aytrium as a whole is even worse than you’re imagining. The Sisterhood controls everything in Aytrium because they are the ones keeping the place literally afloat. All of Aytrium and the land that supports the city and everyone in it was jerked out of the crust of the planet below by the very first Sister of the Order. If they don’t keep pouring their power into the spells that keep the city floating, it will crash back down.

And maybe it should.

Escape Rating C+: This story is a hot mess and so is its protagonist Elfreda Raughn. And the story is not nearly as high-falutin’ or well-put together as the blurb would lead one to believe.

Elfreda is a rather unreliable narrator, and not necessarily in a good way. She’s unreliable both because there are so many things she doesn’t know, and because there are just so many things that she doesn’t LET herself know. So she gets surprised a lot, and so do we, and it’s pretty much never the good kind of surprise.

Although there are plenty of things about this world that honestly, I wish I didn’t know now that I’ve read the book. Or had it read to me. In the end, a bit of both.

In the beginning, the focus seems to be on Elfrida’s relationship with the Sisterhood, and that’s where the mean girls vibe comes in. Power corrupts, absolute power corrupts absolutely, and the Sisterhood has absolute power over the lives of everyone on Aytrium, especially the Sisters. While the power over everyone else is ordinary temporal power, the power over the other Sisters has a weird feel to it. It’s not just that Elfreda and the other Sisters regularly eat bits of their mothers, but the way that their mothers are kept comatose is referred to as martyrdom. And that Elfreda’s mother was martyred for political reasons and not because it was her time.

At the same time, the whole setup leads to the Sisterhood, and all of Aytrium, being ruled by a group of middle-aged women who are more interested in playing power games against each other than they are in running the place. Also, it feels like there are no elders among the Sisterhood because of the martyrdoms. Which feels like it matters more than it should, because it removes the possibility of hard-earned wisdom as a bit of a check on how bad things are both for the Sisters and for everyone else.

So part of the story is the poisonous internal politics of the Sisterhood. A second part wraps around a threat to that power, in the form of a semi-organized resistance movement made up of regular people, particularly but not exclusively men, who seem to be just about completely disenfranchised.

An organization, using the term loosely, which Elfreda’s best friends, Millie and Finn, seem to be an integral part of every bit as much as they are Elfreda’s life. Millie is Elfreda’s counselor (read Sisterhood-licensed therapist) and Millie’s brother Finn is the love of Elfreda’s life and vice versa, even if that relationship can never be acknowledged or consummated.

Either of those two scenarios would have been enough for a book. The repressive government and the resistance thereto, or the internal political squabbling of the all-powerful Sisterhood with its religious underpinning and its combination of “corrupt church” and “religion of evil” tropes fully on display.

Except that it gets crazier and weirder from there in ways that didn’t seem predicated on what happened so far and needed a bit of deus ex machina plot and character rescue at the end to make the whole thing tie itself up in a very messy bow.

In spite of all of the above, I have to admit that there were plenty of points where as much as I marveled at just how much shit this protagonist could manage to get herself into, and just how fucked up her world was, I felt compelled to keep reading after kind of a slow start. Elfreda’s story is the “Perils of Pauline” on steroids, out of the frying pan, into the fire and then jumping from one active volcano to another.

This is a trainwreck book, as in I knew it was going to have LOTS of awful things in it to see and read but I couldn’t turn my eyes away even when I wanted to. Hence that C+ rating. I was riveted even as I was appalled, and not in a good way. More like I couldn’t stop turning pages or sitting in the garage listening because I just couldn’t believe how much weirder and crazier it was going to get.

I mostly listened to this in audio through the NetGalley app. As I said above, the story is a hot mess. I have issues with the app. But the reader did an excellent job. I’d be happy to listen to her again, hopefully in a better story.

Review: Reality and Other Stories by John Lanchester

Review: Reality and Other Stories by John LanchesterReality and Other Stories by John Lanchester
Format: eARC
Source: supplied by publisher via Edelweiss
Genres: horror, short stories
Pages: 192
on March 9, 2021
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Ghost stories for the digital age by the Booker Prize–longlisted author of The Wall.
In 2017, inspired in part by Henry James’ The Turn of the Screw, the acclaimed English novelist John Lanchester published a ghost story in The New Yorker. "Signal," an eerie story of contemporary life and the perils of technology, was a sensation among readers—and since then Lanchester has written several more.
Reality and Other Stories gathers the best of these, taking readers to an uncanny world familiar to fans of The Twilight Zone or Black Mirror. Household gizmos with a mind of their own. Mysterious cell-phone calls from unknown numbers. Reality TV shows and the creeping suspicion that none of this is real…
Reality and Other Stories is a book of disquiet that captures the severe disconnection and distraction of our time.

My Review:

If you like the kind of horror that is featured in The Twilight Zone, those stories where it doesn’t exactly feel like horror until that sudden twist at the end – “It’s…it’s a cookbook!”

So rather than being in your face – or in your roiling stomach – this is a collection where the stories kind of sidle up to their horror aspects, give it a nod, nod, wink, wink, and then wham just before you turn the page to the next story.

And a couple lay an egg. But then that’s true for any collection where even when the concept as a whole has a lot of appeal to a lot of readers, one or two stories don’t work for everyone. And usually not the same one or two stories either.

The first story, “Signal”, was one of my favorites in the set. It’s kind of a haunted house story, and it manages to be both creepy and sad at the same time. The ending was kind of Sixth Sense in more ways than one, and also, I just love stories where it seems like it’s going one way but then the sadness just slaps you at the end, as it does here.

“Charity”, the last story in the collection, was the one that contained the most outright horror aspects, and also felt like it threw itself back to some of the classics like Lovecraft. At the same time, it’s a bit more like revenge on Lovecraft rather than homage, as the cursed object that forms the center of the story is an instrument of revenge by people who Lovecraft would never have given the time of day. “Charity” is also a story whose plot is fairly easy to predict from the opening but still manages to chill the reader at the end.

The story that is sticking with me is “We Happy Few” because it honestly scared me twice, once in its implications and then again in its result. Howsomever, from other reviews of this book it seems that this story did not resonate with a lot of readers, and I kind of understand why. The characters in the story are extremely unlikeable. At the surface level, this is about a bunch of junior academics sitting in a coffee shop complaining about absolutely everyone around them. Their observations are, for the most part, no deeper than a teaspoon. And yet, when one of them posits that the reason that the world seems to be getting crazier – and it really is if you consider things like Trump, Brexit and the COVID mask deniers and the anti-vaxxers – is that social media is designed as a system to appeal to the worst part of human nature and to ultimately make people less clear thinking and less intelligent. Which is a very scary thought in real life. In the story, the implications were instantaneous. And kind of awful.

While on the one hand it couldn’t have happened to a more deserving bunch of people, on the other, it’s more than a bit chilling.

Escape Rating C: Out of a collection of eight stories, the three listed above were the ones that I either enjoyed or that stuck with me or a bit of both. Of the other five, I thought that “Coffin Liquor”, “The Kit” and the title story “Reality” were okay but not more than that. Also “Reality” absolutely confirmed my conviction that reality TV shows are one of the circles of Hell.

I think that a lot of people are going to find “Cold Call” really chilling, but I got annoyed with it, or with the actions of the characters in it, at the very beginning and just couldn’t stick with it. “Which of These Would You Like?” didn’t have enough setup or enough detail to work for me. It’s weird rather than horrifying and there just wasn’t enough there, there.

Everyone’s reading mileage is going to vary on this one, so if you like Twilight Zone-esq horror, give this a try.

Last but not least, the UK cover at left has a completely different vibe from the US cover. The US cover feels like it touches more on the SFnal aspects of the stories, while the UK cover has more of a horror feel to it. And your mileage may vary about that as well.

Review: Rabbits by Terry Miles

Review: Rabbits by Terry MilesRabbits by Terry Miles
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, technothriller, thriller
Pages: 448
Published by Del Rey Books on June 8, 2021
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Conspiracies abound in this surreal and yet all-too-real technothriller in which a deadly underground alternate reality game might just be altering reality itself, set in the same world as the popular Rabbits podcast.
It's an average work day. You've been wrapped up in a task, and you check the clock when you come up for air--4:44 pm. You go to check your email, and 44 unread messages have built up. With a shock, you realize it is April 4th--4/4. And when you get in your car to drive home, your odometer reads 44,444. Coincidence? Or have you just seen the edge of a rabbit hole?
Rabbits is a mysterious alternate reality game so vast it uses our global reality as its canvas. Since the game first started in 1959, ten iterations have appeared and nine winners have been declared. Their identities are unknown. So is their reward, which is whispered to be NSA or CIA recruitment, vast wealth, immortality, or perhaps even the key to unlocking the secrets of the universe itself. But the deeper you get, the more deadly the game becomes. Players have died in the past--and the body count is rising.
And now the eleventh round is about to begin. Enter K--a Rabbits obsessive who has been trying to find a way into the game for years. That path opens when K is approached by billionaire Alan Scarpio, the alleged winner of the sixth iteration. Scarpio says that something has gone wrong with the game and that K needs to fix it before Eleven starts or the whole world will pay the price.
Five days later, Scarpio is declared missing. Two weeks after that, K blows the deadline and Eleven begins. And suddenly, the fate of the entire universe is at stake.

My Review:

R U playing? That’s the question that runs through the entire book. Are you playing Rabbits?

There’s a quote attributed to Mary Kay Ash – yes, the cosmetics queen – that goes, “If you think you can. And if you think you can’t, you’re right.” (There are also variations attributed to Henry Ford, but I like her version better.) With Rabbits, it’s more that if you think you’re playing, you might be, but if you think you’re not, you’re probably right. But whether or not you are playing Rabbits, Rabbits is definitely playing you. You just don’t know it. By the time you do know, it’s too late. Too late for you, and possibly too late for the rest of us as well.

If you’re a bit confused by the above, you’re not alone. And you’re not supposed to be. That’s Rabbits.

What is certain, for select, certain, Rabbits-induced values of certainty, is that when the story opens, our protagonist K is not playing Rabbits. At least at the moment. Because the eleventh round of the long-running game – just how long its been running is a matter for serious debate – is about to begin but hasn’t – yet.

So K is in the middle of giving a somewhat roundabout introductory lecture into the world of Rabbits, being extremely circumlocutory because the first rule of Rabbits is that no one ever talks either directly or straightforwardly about Rabbits. He’s also passing the hat because being a Rabbits player isn’t exactly a way to make a living.

Winning is even better than winning the lottery, but the odds of winning are probably equal to the odds of winning the lottery if not, honestly, a bit worse. Very much on that infamous other hand, playing the lottery won’t get you killed. Playing Rabbits just might.

Especially if, like K and his friends, you’re asked to investigate why Rabbits players are dropping dead at even greater than normal rates. There’s something rotten in the current state of Rabbits, and K has to fix it before it’s too late.

If he can figure out what it is. Or where it is. Or even IF it really is. Without revealing much, if anything about what he’s really doing. Because the game might be out to get him. Or it might not. After all, it’s Rabbits.

Escape Rating C+: Rabbits (the book) is, honestly, fairly confusing. The book is supposed to stand alone from the podcast of the same name by the same author, and I’m not 100% sure that it does. I’m also not sure it doesn’t, but that’s Rabbits for you.

I think part of my confusion with the story was that it was presented to me as science fiction, so I was expecting it to be more SFnal than it turned out to be. There is a bit of true SF, but that felt like handwavium rather than being part of the meat of the story.

The story, at its heart, reads like a thriller. K and his friends are tasked with fixing the game before it starts its next iteration and even more terrible things happen. They are under a tremendous amount of pressure and absolutely do not know what they’re doing.

They are paranoid, but there really does seem to be someone out to get them. And paranoia as a state of mind feels like it’s a requirement for playing Rabbits in the first place. Which does a terrific job of ratcheting up the slow building tension of the entire story.

There were plenty of points where the book reminded me of Ready Player One, but that’s also a bit of a misdirection. The stakes turn out to actually be higher in Rabbits, but the game itself is a conspiracy theorist’s dream. Ready Player One, after all, is a game where the players know they are participating, and where, while they may not share tips and tricks with their competitors, discussion of the game is going on pretty much everywhere.

Rabbits is a real-world game, where obsessed people find patterns everywhere in everything (like noticing that once you buy a car you start seeing that make and model of car EVERYWHERE). Some of the patterns that Rabbits players see are part of the game, but some are just the mind playing tricks and some are simply coincidence and the players seem to have very few ways of figuring out which witch is which or even if there are any witches at all. (Mixing metaphors to the point of absurdity.)

So I finished Rabbits feeling not exactly satisfied. As a thriller the SFnal handwavium didn’t quite work for me. As SF, there just wasn’t nearly enough SF there. I liked the characters, but the story didn’t gel because of the handwavium.

But it’s fascinating if you enjoy stories that are chock-full of conspiracy theories, where the stakes are high and the characters are never sure which way is up. Or even if there is an “up” at all. If you threw Ready Player One, The Matrix and and the TV series Lost into an extremely high-tech blender fueled by whatever was fueling the Heart of Gold in The Hitchhiker’s Guide to the Galaxy you might get something like Rabbits. Play if you dare.

Review: The Final Dawn by Jess Anastasi

Review: The Final Dawn by Jess AnastasiThe Final Dawn (Atrophy #5) by Jess Anastasi
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: science fiction romance
Series: Atrophy #5
Pages: 400
Published by Entangled Publishing: Amara on March 22, 2021
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Rian Sherron is a lot of things. Captain of the spaceship Imojenna. Ex-war hero. Ex-assassin. For years, he's traveled from one end of the galaxy to the other, both trying to escape his demons and get revenge on the shape-shifting aliens responsible for his slow demise into hell.
That all changed the day Rian rescued an Arynian priestess from slave traders. Ella Kinton is everything Rian both fears and admires. Ella is everything he never let himself admit he wanted. Together, they must face a harrowing choice—come together and defeat Reidar, or fall apart, leaving the universe in total chaos.

My Review:

I picked up The Final Dawn because I enjoyed so much of the Atrophy series – to the point where I gave more than one entry in the series an SFR Galaxy Award.

The Atrophy series began as more than a bit of a Firefly-alike, and when it began back in 2015 with Atrophy, later republished as The Last Sky, it filled a Serenity-shaped hole in my heart as it had not been all that long since I finally got around to rewatching the oft-recommended and much-beloved TV series.

The series continued with Quantum in 2016 (now titled The Lost Stars), Diffraction in 2017 (now The Dark Moon) and then Entropy in 2018 (now The Empty Night). And then nothing. It was obvious from the ending of Entropy and there was more to come in the series, but real-life entropy set in and … crickets.

Until now. The Final Dawn is the final book in the series, but it’s been three years since the previous book. Long enough that I’m not entirely certain that the reason this book didn’t feel like it really followed on from the previous is because I’ve forgotten too much or because it doesn’t follow nearly as well or as tightly as the previous books did.

And that matters because the books in this series are not true standalones. The romantic pairing is different in each but everyone stays together to fight the good fight and all of the prior action and worldbuilding gets tied up in this final book in the series.

So this one follows everything that came before, and on top of that felt both rushed and like more than a bit of kitchen sink got thrown in. To reference another late and much-lamented science fiction TV series, it reminded me a bit too much of the way that Babylon 5 nearly ended at the end of season 4, so all the plot threads had to start closing in a hurry, only for there to be a reprieve giving us a season 5 after all, albeit one that had more than a bit of filler because so many plot threads had been closed.

As this series reaches The Final Dawn, the characters are separated, everything spins downward towards the dark, and it all takes on a spiritual/metaphysical direction that just did not feel like it was part of the original action/adventure story that I enjoyed so much.

Escape Rating C: In the end, The Final Dawn was a book that I so very much wanted to love, but just didn’t. And I’m rather sad about that. The first four books in this series were wonderful, the characters were fascinating, the worldbuilding was complex and the overarching story of an underdog crew fighting against an enemy that no one else even believes exists was compelling.

I’m still glad to know how it all ended. Mostly. At least I think I am.

Review: To Catch a Dream by Audrey Carlan

Review: To Catch a Dream by Audrey CarlanTo Catch a Dream by Audrey Carlan
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, women's fiction
Series: Wish #2
Pages: 320
Published by Hqn on March 9, 2021
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The #1 New York Times bestselling author of the worldwide phenomenon Calendar Girl series brings readers a poignant and honest look at life’s most complicated relationships.
When their mother passed away, Evie Ross and her sister were each given a stack of letters, one to be opened every year on their birthday; letters their free-spirited mother hoped would inspire and guide them through adulthood. But although Evie has made a successful career, her desire for the stability and security she never had from her parents has meant she’s never experienced the best life has to offer. But the discovery of more letters hidden in a safe-deposit box points to secrets her mother held close, and possibly a new way for Evie to think about her family, her heart and her dreams.
“Audrey Carlan has created a gem of a story about sisterhood, love, second chances, and the kind of wanderlust that won’t be silenced, reminding us that sometimes the most important journey is the one we take home.” —Lexi Ryan, New York Times bestselling author

My Review:

There are two stories in To Catch a Dream. One is a story of sisterhood, and that part of the story is also about finding the place that your heart can call home – even if it’s not a place at all. And that part of the story really worked – at least for this reader.

The second part of the story is the romance. It’s a story about finally making the dreams of love and romance you had when you were experiencing your first crush come not just true, but seemingly just about perfect. And I have to say that this part of the story did not work nearly as well, at least not for this reader.

The relationship between Evie, her younger sister Suda Kaye and their mother Catori is a story about roots and wings and baggage. And I include Catori in the present tense because that relationship is still very much a part of both Evie and Suda Kaye’s present even though Catori has been dead for over a decade by the time To Catch a Dream begins.

When Catori died, Evie was 20, Suda Kaye was 18 and their mother had NEVER been their primary caregiver. That role was reserved for Catori’s father Tahsuda, the grandfather that the girls called Toko who was the defining figure in their lives.

Why? Because their father Adam Ross was a career Army officer, someone high up in hush-hush operations, and someone who lived where he served – wherever in the world that might be. Catori knew that going in, but the reality turned out to be more than she could handle as a young mother with postpartum depression and a baby.

Catori was a free spirit, born with wanderlust, and her home was never going to be a fixed place. So she left her daughters on the reservation with her own father and took off. Not that both Catori and Adam didn’t come back to their daughters as often as they could, but it made for a far from conventional upbringing for the girls.

When Catori succumbed to cancer, the girls were just barely old enough to take care of themselves. But she left them each a pile of letters, one to be opened on each of their birthdays, year after year, until the piles ran out. She left them each a piece of her spirit even if she couldn’t be with them.

And as soon as she opened her letter, Suda Kaye began making plans to follow the wanderlust in her own heart, leaving Evie heartbroken all over again, wondering why she was never enough for anyone she loved.

Suda Kaye returned to Colorado in the first book in the The Wish series, What the Heart Wants, which I haven’t read but didn’t feel like I missed anything important for this story by not having read that one.

As this story opens, Suda Kaye has found her heart has led her home, and she has found her happy ever after, but she and Evie still have a ton of baggage to get over, and a metric buttload of resentment, hurt and anger that they are both trying desperately to ignore.

And in the middle of that still seeping emotional wound, Suda Kaye just HAS to manipulate and maneuver her sister into the path of the childhood crush that she never got over. While it may be that folks who have found their own romantic HEAs are particularly bound and determined to make sure that every single person in their orbit finds theirs, the course of true love does not run smooth when there are too many people sticking their oars in the water.

Escape Rating C+: As I said, there were two parts to this story, as is fitting for something that straddles the line between women’s fiction and romance. The women’s fiction part of this story worked really, really well for me. As much as Suda Kaye would drive me crazy, and frequently does her sister Evie, their relationship felt solid and loving and grounded even when they were arguing. All of their stuff felt very real – including Suda Kaye’s well-intentioned but MUCH too frequent interference in her sister’s life.

And I especially loved the relationship that they both had with their grandfather. That was beautifully done.

But, and you knew there was a but coming, I had serious issues with the relationship between Evie and Milo, the relationship that eventually becomes the romance in the story.

I say eventually because in the first half of the book, Milo comes on so strong, and is so overbearingly heavy-handed in all of his dealings with Evie that I had to wonder whether that part of the book was going to turn out to be a cautionary tale about letting a man take over your life rather than a romance.

Although Milo and Evie have known each other since they were 12 and 8 respectively, when Milo saved Evie from a bunch of bullies, they have not had an ongoing friendship. So when the meet again as adults, the way that Milo declares that Evie is “his woman” and overrides her expressed wishes because he knows what’s best for her, it was honestly cringeworthy. He comes across as an obsessed stalker, and their every interaction for the entire first half of the book felt possessive and overbearing – not the start of a romance.

That he also wants to merge their businesses as well as their personal lives made things extra-squicky for a significant part of the story, because he kept ignoring and overriding Evie’s expressed opinions, concerns and needs. Even if he turned out to be right, the way that their romance began did not read like a relationship of equals.

I will say that Milo redeems himself in the second half of the story, but the impression left by the first half lingers uncomfortably.

So skim the first half of the romance, read this one for the sisterhood and the family relationships and the awesome and surprising cliffie at the end that sets up the next story in the series, On the Sweet Side.

Review: Dune: The Duke of Caladan by Brian Herbert, Kevin J. Anderson

Review: Dune: The Duke of Caladan by Brian Herbert, Kevin J. AndersonDune: The Duke of Caladan by Brian Herbert, Kevin J. Anderson
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: science fiction, space opera
Series: Caladan Trilogy #1
Pages: 414
Published by Tor Books on October 13, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
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A legend begins in Dune: The Duke of Caladan, first in The Caladan Trilogy by New York Times bestselling authors Brian Herbert and Kevin J. Anderson.
Leto Atreides, Duke of Caladan and father of the Muad’Dib. While all know of his fall and the rise of his son, little is known about the quiet ruler of Caladan and his partner Jessica. Or how a Duke of an inconsequential planet earned an emperor’s favor, the ire of House Harkonnen, and set himself on a collision course with his own death. This is the story.
Through patience and loyalty, Leto serves the Golden Lion Throne. Where others scheme, the Duke of Caladan acts. But Leto’s powerful enemies are starting to feel that he is rising beyond his station, and House Atreides rises too high. With unseen enemies circling, Leto must decide if the twin burdens of duty and honor are worth the price of his life, family, and love.

My Review:

Dune: The Duke of Caladan really should have been titled Dune: The Book of Foreshadowing. Seriously. This book is all the foreshadowing all the time. That’s neither good nor bad, but it is kind of “meh”.

First edition cover

Which it may not be if the original Dune is just something you read but didn’t make that gigantic an impression. But those of us for whom the original is part of our personal canon (see Sarah Gailey’s marvelous feature for an explanation of what that REALLY means) there’s not nearly as much dramatic tension here as there was in the original.

After all, we already know EXACTLY what happens to all of these people – and only one year in their future at that. And even if you don’t already know from either the book or one of the dramatic adaptations, it’s pretty easy to find out. Dune was originally published in 1965 as a two-part serial in Analog magazine It tied for the Hugo and won the FIRST Nebula and was cited as the WORLD’s best-selling science fiction novel in 2003. Synopses and analyses and all kinds of other -ses are readily available pretty much everywhere, including a brief but decent summary on Wikipedia that manages to hit all the high points without nearly conveying just how compelling the damn thing is to read – or at least was when it first came out.

I read it in for the first time in the mid-to-late 1960s, probably not long after I read The Hobbit and The Lord of the Rings for the first time, so I was probably 11 or 12, certainly no more than 13, and it was one of the first big science fiction books I ever read, along with Asimov’s Foundation Trilogy, and Heinlein’s Stranger in a Strange Land – which I was MUCH too young to completely “grok” at the time. I read them all, including LOTR, more than once, and those readings formed the backbone of my lifelong love affair with Fantasy and Science Fiction – along with a heaping helping of Star Trek.

I think it’s difficult to see from today’s perspective just how influential those books were on a young reader who fell into the genre, because speculative fiction today, to treat fantasy and SF more broadly, is so much more influential – and infinitely more readily available – than it was then. There weren’t nearly so many choices, so discovering something that was just SO GOOD was marvelous and had an outsize influence.

All that to say that the original Dune – not the sequels and prequels and what-have-you – is a book I still remember very fondly – and still remember the high points of even decades after the last time I read it.

So I had hopes that this prequel would bring back some of that intense love I felt for the original OMG half a century ago. (Mind reels!) And it did bring back memories of the original book. Perhaps too many, as those memories cut the legs out from under any dramatic tension in this one.

Escape Rating C+: I loved the original, and this one suffers both in comparison and in the way that my knowledge of the original story turns almost the entirety of this book into foreshadowing of that one instead of feeling compelled to read this one in it’s own right.

Completists will probably love this book. However, while I may usually be a completist it’s just not working for me here. I feel like I already knew enough about what happened at this point in the history, AND it’s really difficult to get into a story knowing when, where, how and why the protagonist will die. And that the death in question isn’t even all that far off.

Even the information that is new to this story, like the plot about the Noble Commonwealth and the Caladan drug, drove me a bit bonkers as I kept expecting one of the Mentats to suggest that there might be a link between the two, but it never happens. Which meant that the “big reveal” wasn’t one to this reader, although it certainly was to entirely too many characters within the story.

But as much as that particular lack of computation felt like a missing piece, overall there were too many pieces, and they repeated too many things I remembered. When I saw the blurb for this book, I was expecting something a lot shorter than what I got. So don’t let the details on Amazon or anywhere else fool you, the Book Depository, and only on the British edition of the book, seems to be the only place that got the correct information. This is NOT a 320 page book. Rather, it just misses being a 420 page book by a hair. Maybe it SHOULD have been a 320 page book. But it isn’t.

Science fiction has been referred to as the “romance of political agency” and this is definitely a book in that mode. It’s all about political chicanery, noble skullduggery, and greed on all sides, with Leto as the one honorable man in the middle of an imperial shitstorm. Readers who are looking for something to either substitute for, whet their appetites for, or tide them over until the next movie version will probably enjoy this. There are plenty of juicy bits.

But it doesn’t live up to the original – or at least not the way that original shines so bright in my memory.