Grade A #AudioBookReview: Tea You at the Altar by Rebecca Thorne

Grade A #AudioBookReview: Tea You at the Altar by Rebecca ThorneTea You at the Altar (Tomes & Tea #3) by Rebecca Thorne
Narrator: Jessica Threet
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: paperback, ebook, audiobook
Genres: cozy fantasy, epic fantasy, fantasy romance
Series: Tomes and Tea #3
Pages: 336
Length: 11 hours and 41 minutes
Published by Bramble Romance, Macmillan Audio on March 4, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The Princess Bride meets Travis Baldree in Tea You at the Altar, the third cosy fantasy in Rebecca Thorne's bestselling Tomes & Tea series. Our sapphic adventurers must navigate the ultimate maelstrom – their own wedding!
Kianthe and Reyna are ready to finally walk down the aisle, and in just seven days their wedding of a wifetime will become a reality. There's still so much to do but, like all best-laid plans, everything seems to be going awry.
Their baby dragons are causing mayhem in the town of Tawney, and Kianthe’s uptight parents have invited themselves to the wedding. Yet, worst of all, Reyna has become embroiled in a secret plot to overthrow Queen Tilaine. The world seems against them – and how are they going to live long enough to say ‘I do’?

My Review:

The Tomes & Tea Quartet has turned out to be an epitome of cozy fantasy romance – something I don’t think anyone expected when Can’t Spell Treason Without Tea came out pretty much directly in the wake of Travis Baldree’s Legends & Lattes and we were all very much there for it because there wasn’t anything else like either of them at the time.

Of course, there is now because they’re both oh-so-good and they have very much of the same feels and yet they’re not nearly as much like each other as appeared at first blush. And all the blushes thereafter.

The thing about cozy fantasy is that, while bad things do happen to good people, the bad things aren’t necessarily all that bad – and they tend to get resolved in peaceful – or at least bloodless – ways.

But Tomes & Tea has hewed a bit closer to its fantasy roots in that there really is true evil afoot in the person of capricious, rapacious Queen Tilaine, and the solution to the Queendom’s – and the whole world’s tyrant queen problem is going to involve some political shenanigans, some dangerous skullduggery, and a certain amount of outright treason.

In other words, this is the story where Kianthe and Reyna stage a coup against the very queen that Reyna once swore fealty to as a Queensguard. The thing about staging a coup is that both successful and failed versions of that act generally end up bloody. The only question is which side the blood belongs to, with the answer generally being both – and LOTS of it.

But this coup is all wrapped up in lace and chiffon, as the overthrow is intended to occur in the literal middle of Reyna and Kianthe’s wedding. But that’s only if they manage to get all their ducks and pirates in a row, wrangle the townspeople of Tawney AND Kianthe’s estranged parents, keep last-minute suitors for both brides at bay and, last but absolutely not least, find a second-choice candidate for Queen to stand against Tilaine – because their first and otherwise only contender just said “not just no but hells no” and has managed to make it stick in spite of all the pressure to change her mind.

Escape Rating A: I was intending to savor this a bit. After all, it’s the next-to-the-last entry in the Tomes & Tea series, and I’m not going to be ready for it to end, even at the end of the next book. Probably no one else will be, either.

But I was listening to this in audio, the narrator Jessica Threet was doing a lovely job, the story was proceeding at a lively but not breakneck pace – it’s not that kind of story – and I realized that the cozy pace was beautifully concealing an ever ratcheting amount of underlying tension and I just couldn’t wait any longer and read the last third in a rush because it was just time for the other boot to fall, for Queen Tilaine to crash the party, and for someone’s world AND worldview to come crashing down.

Hopefully Tilaine’s, but I’d reached the point where I HAD to know, my patience was out, and another hour was going to see me through to the end if I was willing to stay up for it.

Which, of course, I was. And I did. And OMG the damn thing ends on a huge and downright shocking and even painful cliffhanger and the final book in the quartet, Alchemy and a Cup of Tea, won’t be published until August 12 but I already have an eARC and I doubt I’ll be able to wait that long to find out what happens next. And finally.

Kianthe and Reyna have earned their happy ever after, they deserve it, they’re entitled to it, and I can’t wait to see it happen. And I probably won’t. Wait that is. (Wherever the line was when they were passing out patience, I didn’t start out with nearly enough to stand in it and wait to get more.)

If you LOVE cozy fantasy, you’re going to leave Tea You at the Altar already itching for the finale and looking for something to tide you over in the meantime. Alchemy and a Cup of Tea isn’t coming until August. The next Legends & Lattes book, Brigands & Breadknives, isn’t coming  until NOVEMBER, so that won’t help with the tiding over unless you need to get caught up and/or want to indulge in a reread while you wait.

If you haven’t had a chance to blush over Kimberly Lemming’s Mead Mishaps series, (That Time I Got Drunk and Saved a Demon, That Time I Got Drunk and Yeeted a Love Potion at a Werewolf, and That Time I Got Drunk and Saved a Human (yes, there’s a theme here!)), that series has a very similar vibe to both Legends & Lattes AND Tomes & Tea, (including the pirates!) and is just plain cozy – and even sexier – fantasy romance fun and should keep the vibe going long enough to get to Alchemy and a Cup of Tea – along with plenty of cups of tea, of course!

A- #AudioBookReview: The River Has Roots by Amal El-Mohtar

A- #AudioBookReview: The River Has Roots by Amal El-MohtarThe River Has Roots by Amal El-Mohtar
Narrator: Gem Carmella
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, ebook, audiobook
Genres: fairy tales, fantasy, fantasy romance, retellings
Pages: 130
Length: 3 hours and 53 minutes
Published by Macmillan Audio, Tordotcom on March 4, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Follow the river Liss to the small town of Thistleford, on the edge of Faerie, and meet two sisters who cannot be separated, even in death.
“Oh what is stronger than a death? Two sisters singing with one breath.”

In the small town of Thistleford, on the edge of Faerie, dwells the mysterious Hawthorn family.
There, they tend and harvest the enchanted willows and honour an ancient compact to sing to them in thanks for their magic. None more devotedly than the family’s latest daughters, Esther and Ysabel, who cherish each other as much as they cherish the ancient trees.
But when Esther rejects a forceful suitor in favor of a lover from the land of Faerie, not only the sisters’ bond but also their lives will be at risk…

My Review:

Thistleford lies just on the borders of Faerie – or Arcadia as it is called in this beautiful, lyrical almost fairy tale. (It reads so much like a fairy tale, and it certainly turns out to be one, but I kept thinking it must be a retelling of something I just didn’t recognize – and maybe it is.)

Esther and Ysabel Hawthorn live on the banks of the River Liss, and their joy as well as their duty is to sing to the magical willows that thrive on the banks of the river. It’s a task, and a delight, that has been handed down through the Hawthorn family for generations. Not just the singing, but also the care, maintenance and very careful harvesting of the willows and all the magical things they produce.

Because there is still magic in this world, even as ‘modernity’ encroaches, and the willows that the Hawthorn family tends produce the best magic-infused wood for working this world’s magic. A magic that is based on language, on the conjugation of words, and the transition of forms from the word “grammar” into “grimoire” – and back again.

Which is where the story of the Hawthorn sisters turns from love to tragedy and back again. Esther, the older sister, has fallen in love, not just with the Fae lands of Arcadia that border their own, but with one of the Arcadians, the wrath of the storm that calls themself Rin even as they refer to Esther as ‘Beloved’.

But Ysabel longs to remain with hearth and home, and resents the parting that she knows will come. She wants Esther to marry the neighbor who continues to court her in spite of her rejection – because that’s the future she wants for herself.

Instead, they find themselves thrust into the middle of exactly the kind of ‘murder ballad’ that Ysabel always loved to sing, and it’s left to Esther to sacrifice even more than she already has to keep Ysabel from making the same terrible mistake.

If she can find a way to make the magic that saved her reach out to a woman who has always loved her sister but rejected the magic that drives her very soul.

Escape Rating A-: The audio narration of The River Has Roots, in the hands – and more importantly the voice – of Gem Carmella – is absolutely exquisite. Not that the story isn’t lovely, but the reading, and even more poignantly the singing, of the narrator puts this story over the top in more than one way. (That the background and transitional music in the narration was performed by the author and her own sister added an extra bit of loveliness to the entire endeavor.)

Most of those ways are very, very good. The music of the Hawthorn Sisters is an important part – sometimes THE most important part – of the story.

There were also, however, and very much on the other hand, points where she was voicing the villain of the piece and she was so damn good at portraying his slimy villainousness that I wanted to throw something – preferably at him. He was so vile, and portrayed so well in that vileness, that I wanted to wash that voice out of my ears.

It took me a while to figure out what bothered me SO MUCH about the villain – because it was done so beautifully well – is that he’s a particular kind of villain. He’s a broken stair villain. He’s toxic, Esther knows he’s toxic, the narrator handles voicing his toxicity so well that it’s screamingly obvious, but he’s the kind of villain that is embedded in the system and manipulates it to his advantage even as the people around him just claim that he’s socially awkward and Esther KNOWS she’ll be portrayed as a hysterical female or receive some other gendered dismissal as long as he continues to seem like he’s obeying social norms and just doing it badly when he’s really hiding his despicable intentions under a thin veneer of ‘polite behavior’ and what he’s really trying to do is box Esther in so that she has no choice but to submit.

I’m going to try real hard to get down off this soapbox, but I’ll admit that it’s giving me extreme difficulty. The whole thing disturbed me considerably more than intended – but it SO DID.

As is fitting for a fantasy where the magical system is based on language, I fell so, so hard for the gorgeous lyricality of this story. At the same time, I have to confess that I was one of the few people who just didn’t ‘get’ or ‘get into’ This Is How You Lose the Time War, so I came into The River Has Roots hoping that I would like it but not predisposed to do so. It was an experiment that this time paid off.

From the beginning, the story reminded me a LOT of The Butcher of the Forest by Premee Mohamed with its setting on the edge of a dangerous fae country and its rules about coming in and attempting to go back out. It also very much has the feel of a fairy tale, and if it turned out to be a reworking or retelling of an existing tale I wouldn’t be surprised. Additionally it held echoes of Sharyn McCrumb’s Appalachian-based Ballad series that begins with If Ever I Return Pretty Peggy-O, which, come to think of it, are also murder ballads.

All of which meant that I wasn’t expecting a happy ending and was VERY pleasantly surprised – as were the Hawthorn sisters – when one arrived anyway. I’ll certainly be back the next time the author publishes a solo endeavor!

#AudioBookReview: I Got Abducted by Aliens and Now I’m Trapped in a Rom-Com by Kimberly Lemming + #Excerpt

#AudioBookReview: I Got Abducted by Aliens and Now I’m Trapped in a Rom-Com by Kimberly Lemming + #ExcerptI Got Abducted by Aliens and Now I'm Trapped in a Rom-Com (Cosmic Chaos, #1) by Kimberly Lemming
Narrator: Hazel Addison
Format: audiobook, eARC
Source: supplied by publisher via Libro.fm, supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: alien abduction romance, Romance, romantasy, science fiction romance
Series: Cosmic Chaos #1
Pages: 304
Length: 9 hours and 23 minutes
Published by Berkley, Penguin Audio on February 18, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A hilarious and sexy romance about a woman who gets dropped on a strange planet only to fall for not one, but two, aliens, from the author of That Time I Got Drunk and Yeeted a Love Potion at a Werewolf.

Dorothy Valentine is close to getting her PhD in wildlife biology when she’s attacked by a lion. On the bright side, she’s saved! On the not-so-bright side, it’s because they’re abducted by aliens. In her scramble to escape, Dory and the lion commandeer an escape pod and crash-land on an alien planet that has...dinosaurs?

Dory and her new lion bestie, Toto, are saved in the nick of time by a mysterious and sexy alien, Sol. On their new adventure, they team up with the equally hot, equally dangerous Lok, who may or may not be a war criminal. Whether it be trauma, fate, or intrigue, Dory can’t resist the attraction that’s developing in their trio....

As this ragtag group of misfits explore their new planet, Dory learns more about how and why they’ve all ended up together, battles more prehistoric creatures than she imagined (she imagined...zero), and questions if she even wants to go back home to Earth in this hilarious and steamy alien romance adventure comedy romp.

My Review:

Today is Valentine’s Day, which screamed for a romance to be today’s book. I really want to claim that aliens made me do this book to celebrate the day, but that’s not my story.

However, it is, it oh so definitely is, Dory’s story. It’s right there in the title, I Got Abducted by Aliens and Now I’m Trapped in a Rom-Com. Because Dory was abducted by aliens, and she is trapped in what the aliens believed was a rom-com.

Dory’s mileage definitely varies on that. Her story definitely turns into the ‘rom’ part of that phrase. It also, certainly does have plenty of humor in it. But part of that humor is that the aliens intended to set up a rom-com without having an actual feather of a clue as to what either ‘rom’ or ‘com’ truly mean to humans. Or, for that matter, to the Sankado, the species they’ve already abducted.

So Dory isn’t trapped in a rom-com. She does, however, totally and absolutely, get ensnared in the romance part of that equation. Times two.

And it’s a screaming ‘O’ of a blast every wild and crazy step of the way.

Escape Rating B: I picked this one up because a) that spoileriffic title and b) the author’s Mead Mishaps series was incredibly fun (start with That Time I Got Drunk and Saved a Demon and be prepared to both blush furiously and ROFL while doing so.) Not to mention c) the book comes out on Tuesday, today is Valentine’s Day and the perfect timing of the whole thing could not be ignored. At least not by moi.

The trope this story wallows in is a familiar one. Of course it’s the ‘Aliens Made Them Do It’ ™ plot device – the one that the author is using and not the aliens making them do it. Also, the author is using it correctly while the aliens flubbed nearly all of their attempts – which is part of the fun of the thing.

The thing about this particular trope is that it screams for a ‘dubcon’ (that’s dubious consent) warning that can literally be seen from outer space. Dory, along with her partners Sol and Lok, clearly do consent to everything in the moment, but the reader can easily get hung up and thrown out of the story on the question of whether it’s true consent because the aliens have drugged all of them to create that consent at the outset.

Dory occasionally throws herself out of her own story because her desires in the moment and her resulting behavior are contrary to everything she ever knew about herself.

Some readers will be totally squicked out. Some will be all into the scene. Because I was listening to a chunk of the story, I was both blushing furiously (listening to a third party describe a sex scene is just weird) and getting a bit weirded out by just how much the way her partners talked sounded like grooming her to accept things she otherwise wouldn’t.

(BTW the audio narration was FINE, I only switched to the ebook because I was all in and reading is just plain faster.)

In the end I concluded that Dory was just discovering that she was really into the kink of it all and that was okay. But your reading mileage may go through some rough patches along the way and it may definitely vary.

The part of the story that’s just purely funny – in a very wry and totally satirical way – is the way that the particular aliens who got them ALL into this mess created said mess through bureaucratic insanity, academic pomposity, and shoddy research. They created the initial mess, dug themselves a hole and threw the first results of that mess into it, realized that they’d screwed up and then dug some more and made the hole bigger.

Anyone who has ever done research or worked in either a big bureaucratic organization or in academia is going to see the situation for the hilarious and rueful set up that it is and just laugh until tears run down their face because it’s true and awful and truly awful and so very much more common than anyone wants to admit.

But this is still Valentine’s Day so I need to get back to the romance. While the aliens may have been trying to set up a rom-com, in truth this is a sex-into-love romance times two. Dory and her partners create a really hot triad. And in an entirely different kind of warning, while this trio does set fire to the sheets, there is actual fire but no actual sheets. The sexytimes, as Dory herself would say, are “hot as balls” and the scenes never, ever fade to black.

Whether or not that’s your thing, it certainly turns out to be theirs. Even if it’s not you’ll still want to slap the alien meddler who is not just watching, he’s taking notes. Dory certainly does – and who can blame her?

In the end, there are multiple facets to this wild romp of a romance. There’s the meddling aliens who screw up and set off the whole entire mess. There’s the incredibly hot romance between Dory and her two sexy partners, who fall in love while an incompetent research intern meddles with their lives every step of the way.

Last but not least, there’s the two sets of sentient beings, alien to each other, who have been thrown together against their wills trying to make the best of it – in spite of yet more alien meddling. That’s clearly going to be the throughline for the entire Cosmic Chaos series, as this story ends with that incompetent research intern failing upwards into a promotion that Dory and her friends are sure to make certain he regrets at every turn. Or at least I certainly hope so and am looking forward to finding out.

The true level of Cosmic Chaos in this story has to be experienced to be believed, so I’m going to leave you with this excerpt from the opening of I Got Abducted by Aliens… so that you can experience a bit of Dory’s voice for yourself. One last thing, that lion, to quote Dory, “THE FUCKING LION!” turns out to be the very best wingman a displaced human could EVER have.

Excerpt from I Got Abducted by Aliens and Now I’m Trapped in a Rom-Com by Kimberly Lemming

“Fuck, I’m dead?” I snarled, gazing down at the desert. A bright light was pulling me farther into the sky. Which was probably good, right? I’m not the religious type, but I think the general consensus is that up is good.

“All right, not all bad, I guess?” I turned to have a look around, taking in the sights before— “THE FUCKING LION!” I screamed, trying to kick away my murderer. The sandy-brown fur of its mouth was stained a telltale red. I put a hand to my throat, flinching when pain erupted. My hand came back covered in blood. “All right, so you definitely didn’t miss. What is going on?”

The lion ignored me; instead his eyes remained transfixed by what he saw above us. I stilled and looked up to see the clouds shimmering. A darker spot opened up in the sky. A greenish light sparkled out of it until the force pulling me sped up to a breakneck pace. The light became blinding, and I . . . I must have fainted.

The next thing I knew, I was in a tank. My body felt too heavy to move. There was a tickling sensation on my neck. Reaching out, I tried to touch the glass front of the tank but couldn’t reach it. When I cried out, bubbles floated uselessly out of my mouth. I wasn’t sure how long I was floating as I drifted in and out of consciousness.

Muffled chirping met my ears. I struggled to open my eyes, but the room was so damn bright.

Why . . . why do I smell cotton candy? Am I having a stroke? I thought that was burnt toast. Dammit. I knew I should have taken that CPR class. What smell meant you were having a stroke?

A sharp zap to my neck shocked me awake. Birds were chirping all around me. I struggled to get up. Something dug into my arms, so I thrashed. Strings lined with suction cups snapped off my arm with little pops. The birds’ chirping grew angrier as I pulled my other arm free. I blinked and looked around to see what looked like . . . owls?

“What the fuck?” I asked. Mutant-looking owls with large fluffy ears fluttered around me, chirping and fussing. Their feathers ranged in color from simple blacks and grays to the colorful blue and orange plumage you would normally find on a tropical bird. Which, frankly, is a wild range of colors for one species to have. I wonder if it’s gender-based.

Focus.

Macaw-like beaks took up a third of their face. Their flapping wings ended in tiny three-fingered hands. One of them was dressed in a white robe and it was trying to probe me with some horseshoe-looking gun thing.

I smacked it away from me and got to my feet. “One of you better start chirping in English,” I warned. Fear and rage caused the threat to come out in a stuttered shout.

The birds were unaffected.

Unfortunate.

I touched my neck, unsure if I’d truly died and gone to some bird hell. But all I felt was smooth skin. When I inspected my hand, not a drop of blood was found. I checked the other side; still nothing. “If I’m not dead, how am I healed?”

The room was lined with rows of cylindrical tanks filled with green liquid. I peered closer at their contents to see the face of a sleeping woman floating in the tank. Her round face looked serene. Long braids fanned out around her face. A few tapped their beaded ends against the glass. The hair rose on the back of my neck as I took in each tank, noting that every one of them held a person. I rubbed my eyes, trying to wake up from the nightmare. Yet when I looked around again, the pods and their occupants remained. Worse still, I noticed that all of them were women.

Reality sank to the pit of my stomach. I was on an alien spaceship. Those aliens only felt the need to capture women, and I’d just woken up on an operating table. If this wasn’t hell, it was about to be.

Screaming, I stumbled away from the nearest alien, then snatched a tray off the counter next to the table where I’d woken up. Glass vials and unsettling-looking tools crashed to the floor when I flung it at the nearest alien. Two slightly bigger Owlish came at me with what looked like cattle prods. I grabbed hold of one and kicked off its owner, then swung wildly at its partner. The bird’s squawk was cut short when my stick hit the side of its head, sending the creature flying back. Not knowing what else to do, I just swung at any of the little aliens that came within striking distance.

Farther into the room was a dome-like door leading to a hallway. I leapt over two of the Owlish, caught my foot on one, then tripped and fell on my ass. The fall knocked the stick out of my hand; it ricocheted off the ceiling and slammed into a glass case lining the wall. Blue goop spilled out all over my hair. It weighed down my wild red curls until they felt like rivers of slime. “No! No strange alien goop in my hair, dammit!” I wailed, scrambling back on my feet. “Fuck, my ass is gonna die. I’m so gonna die.”

One of the Owlish squawked like a penguin and stomped closer to me. I jumped up, shoving it aside before I sped down the hallway. My vision blurred, causing me to stumble against the wall. The slime dripping down my head grew hot, and the skin where it touched tingled. “Oh, gross. This better not be poison,” I said, wiping it away quickly.

I burst into the first room I encountered to see that it was full of bigger penguin-looking bird aliens and slammed the door shut. “Nope.”

I swore all the way down to the next room and locked myself behind the door. Then I looked around to see that I had made a poor, poor decision, as this room was full of so many more Owlish, some with the cattle prods, and, of course, the motherfucking lion.

My murderer was floating in a ray of light on a table, completely unaware of its surroundings. Flapping noises beat on the door at my back and the Owlish in the room began chattering angrily. Those with cattle prods advanced.

. . . Fuck this.

“You know what? If I have to die”—I raised a finger to all the bird fuckers in the room—“we’re all gonna die.” I grabbed the nearest Owlish and threw it at the others charging forward.

Excerpted from I Got Abducted by Aliens and Now I’m Trapped in a Rom-Com by Kimberly Lemming Copyright © 2025 by Kimberly Lemming. Excerpted by permission of Berkley. All rights reserved.

A+ #AudioBookReview: Blood Jade by Julia Vee and Ken Bebelle

A+ #AudioBookReview: Blood Jade by Julia Vee and Ken BebelleBlood Jade (Phoenix Hoard, #2) by Julia Vee, Ken Bebelle
Narrator: Natalie Naudus
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm, supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: dragons, fantasy, urban fantasy
Series: Phoenix Hoard #2
Pages: 448
Length: 14 hours and 23 minutes
Published by Macmillan Audio, Tor Books on July 16, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The follow-up to Ebony Gate , the critically acclaimed debut of Vee and Bebelle's Phoenix Hoard series.
IT TAKES A KILLER TO CATCH A KILLER
Emiko Soong, newly minted Sentinel of San Francisco, just can't catch a break. Just after she becomes the guardian for a sentient city, a murder strikes close to home. Called by the city and one of the most powerful clans to investigate, she traces the killer whose scent signature bears a haunting similarity to her mother’s talent.
The trail will lead her back to Tokyo where the thread she pulls threatens to unravel her whole world and bring dark family secrets to light.
Meanwhile, the General rises in the East and Emiko must fight the hidden enemies of his growing army who are amped up on Blood Jade, while keeping her promises to her brother Tatsuya as he prepares for his tourney.
Her duties as Sentinel and her loyalties collide when she must choose between hiding her deepest shame or stopping the General’s relentless march.
Phoenix Hoard#1 Ebony Gate#2 Blood Jade

My Review:

Blood Jade is the second book in the dark, compelling, utterly marvelous and occasionally downright infuriating Phoenix Hoard trilogy that began with the fantastic Ebony Gate. If you love fantasy, especially contemporary set fantasy that features hidden worlds operating within our own, if you adore flawed heroines filled with angst and doubt who still get the job done no matter what or who might be stacked against them, I can’t recommend this series highly enough.

But I do absolutely recommend that you start with Ebony Gate, as the Phoenix Hoard reads like one story divided into three parts and this one is the damn middle. I promise it’s worth the ride and the read – especially if you’re still jonesing for a book to assuage even a bit of your Green Bone Saga book hangover – as I certainly still am.

The first book, Ebony Gate, was the set up and the introduction. The Jiārén, the descendants of the Eight Sons of the Dragon, hide their true operations behind magic in the world that we Wàirén only think is ours.

Emiko Soong has done her best and her damndest to leave that world; her father’s world and her father’s machinations, behind – even though she knows she’s probably just fooling herself. The question is how much.

The answer, as Emiko learns in Blood Jade is that she’s been fooling herself a LOT and that she hasn’t truly moved outside her father’s influence at all. He’s just been watching from a distance and letting her make her own mistakes for a while.

Which she has certainly done. She’s also made real friends and a life of her own in San Francisco – some of which may have also been a mistake. Or at least it feels like one when her two worlds collide and she goes back home to Tokyo, to the center of her father’s power.

But now she has a power of her own as the magical ‘Sentinel’ of her adopted city, San Francisco. A power that will either make her, or break her, mend her or shatter her. If she can manage to survive leaving the seat of her power, the very real threats against her friends AND her family, and her father’s forever secret, always hidden, and all too often damnably right, plans for her, for the future of their clan, and for their people.

Escape Rating A+: I’ve had this book for almost half a year. I hung onto it for several reasons. One, because I wanted the time to savor it. Two, because this is the middle book in the trilogy and damn I wanted to have the final book in my hot little hands before I started this one (which I do), and three, I wanted the time to listen to the audio read by Natalie Naudus because she embodies Emiko perfectly.

I also kept it as a Hanukkah present to myself because I knew it would be excellent – which it absolutely was. But I knew even before I started that I’d need time and space to deal with all the feels before I even made a stab at writing up what I thought and felt.

And, very much like Emiko herself, I realized that I had to rethink a whole lot of the story when I reached the end. Just as her relationship with her parents wasn’t quite the way she thought it was, neither was my relationship with this book.

Before I start on my own personal thoughts and feelings, one thing needs to be said up front. Blood Jade is the middle book in a trilogy. Middle books, frequently, often and absolutely in this case, are walks through dark places. If you think of Frodo and Sam’s trip through Mordor in the second half of The Two Towers, well, that’s pretty much the archetype of a middle book. Not that the first half of that middle book in the Lord of the Rings is that much less grim, just that it’s hard to imagine anything more grim than walking through Mordor.

In Blood Jade, Emiko is walking through her own dark places, in many cases made all the darker because she’s walked them before. She’s always been the ‘Broken Blade’ of her clan, her powers blocked off or non-existent, and she’s always been a disappointment to her parents and her teachers, the flawed daughter of a powerful house with no power of her own.

Returning to her father’s orbit, doing her best – which is in fact very, very good – to keep both her brother Tacchan and her friend and ally Fiona Tran protected from the very real threat to their lives also forces her to deal with the reality that her own people see her as broken, see her as ‘less than’ at every turn, see her as a failure at everything she tries.

Except being her father’s hatchet-woman, a role she has chosen to reject. A rejection that is seen as yet another failure on her part. Emiko has a LOT of angst to deal with in this story – and because the whole saga is told from her first person perspective, we’re inside her head experiencing it right along with her. It’s a LOT, it’s all justified and it’s HARD.

In Emiko’s dysfunctional family and their interpersonal relationships I found a lot of my own buttons being pressed, which made the first half of the book a difficult read – or in this case listen – for me in spite of the excellence of the narration. (I can’t say enough good things about Natalie Naudus’ voicing of this story as well as Ebony Gate. She’s just awesome even if I’m angsting over some of what happens nearly as much as Emiko is.)

Emiko’s family is utterly dysfunctional in ways that are baked into their society. The amount of abuse the children suffer through is way too much like the Antivan Crows in the Dragon Age videogame series, AND, it’s also a reminder that it’s somewhere between hard and impossible to keep a dynasty going through inheritance because the later generations don’t have the same kind of drive their elders needed to in order to survive their real struggles and manufactured struggles through torture simply don’t instill the same needs and values. (Come to think of it, that was also a part of the mess in Tuesday’s book, Echo, in spite of the vast difference in their settings.)

What made me rethink how I felt about the whole book, what makes Emiko rethink everything she’s ever believed about her relationships with both of her parents, is a huge spoiler but at the same time is something I’ve been expecting since Ebony Gate. It’s a revelation that also beautifully sets up the third book in the trilogy, Pearl City, coming in July. I have an eARC but I’m doing my damndest to resist the temptation to read it RIGHT NOW because I’m holding out for the audio that I hope will be recorded by Natalie Naudus because she HAS to take up Emiko’s mantle one more time.

Grade A #AudioBookReview: Graveyard Shift by M.L. Rio

Grade A #AudioBookReview: Graveyard Shift by M.L. RioGraveyard Shift by M.L. Rio
Narrator: Jess Nahikian, Max Meyers, Si Chen, Susan Dalian, Tim Campbell
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Gothic, horror, mystery, thriller
Pages: 144
Length: 3 hours and 9 minutes
Published by Flatiron Books, Macmillan Audio on September 24, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Author of sales sensation If We Were Villains returns with a story about a ragtag group of night shift workers who meet in the local cemetery to unearth the secrets lurking in an open grave.
Every night, in the college’s ancient cemetery, five people cross paths as they work the late shift: a bartender, a rideshare driver, a hotel receptionist, the steward of the derelict church that looms over them, and the editor-in-chief of the college paper, always in search of a story.
One dark October evening in the defunct churchyard, they find a hole that wasn’t there before. A fresh, open grave where no grave should be. But who dug it, and for whom?
Before they go their separate ways, the gravedigger returns. As they trail him through the night, they realize he may be the key to a string of strange happenings around town that have made headlines for the last few weeks—and that they may be closer to the mystery than they thought.
Atmospheric and eerie, with the ensemble cast her fans love and a delightfully familiar academic backdrop, Graveyard Shift is a modern Gothic tale in If We Were Villains author M. L. Rio’s inimitable style.

My Review:

I almost saved this one for Halloween, because it’s just the kind of horror-adjacent book that I love to pick for spooky season. But it’s out this week – and I simply didn’t want to wait that long!

Even though this particular “graveyard shift” takes place in an actual graveyard, the story doesn’t start out all that creepy. Unhealthy, maybe, but not creepy.

The ‘Anchorites’ are a group of insomniacs who meet up at midnight in a graveyard for a quick smoke. The ancient but historically significant cemetery and the church it’s attached to just happen to be the only location in the middle of a busy college campus that is the requisite distance from ALL of the various campus entrances. It’s the only place where it’s OK to smoke that anyone attached to the campus can reach during the length of a typical work break.

Two of the ‘Anchorites’ hang around because they work an actual night shift. Theo, the manager at a nearby bar, and Tamar, working her second job as a hotel night desk manager. Edie, the editor-in-chief of the college newspaper, is too stressed out hunting for the paper’s next story to sleep. Tuck, a washed-out grad student with no place to go, is squatting in that derelict church and can’t resist the temporary camaraderie. Hannah, a rideshare driver, has had chronic insomnia for so long that she doesn’t seem to sleep at all.

The graveyard hasn’t been used – except by desperate smokers – in at least a century. They’re safe smoking in the middle of campus in the middle of the night. Or so they assume.

Until the night when they arrive for their not-exactly-arranged, never-truly-spoken-about, midnight rendezvous – and discover a freshly dug grave in the middle of their usual meeting place. Led by editor-in-chief Edie, they can’t resist speculating about whodunnit? Or perhaps this time it should be ‘who dug it?’

A question that gets answered when the gravedigger comes back, dumps a load of dead lab rats in the grave and covers it over – while they collectively hide all around and watch.

This game really is afoot – and so is one escaped lab rat making a literal meal out of one of the petrified Anchorites.

From there the story is off to a surprisingly twisted race, as Edie sees a story that might win her and her paper a prestigious award, Tamar sees a chance to use her library degree and her research talents for something other than merely checking in hotel guests or checking out books, Tuck sees an opportunity to use his experience with scientific laboratories and his knowledge of mycology to investigate a rogue project, while Theo sees a way to help the only friends he has. Hannah, however, seeks revenge on the people who gave her hope – and then snatched it away.

What they’re going to get is likely to be considerably more than any of them imagined, for good and definitely for ill.

Escape Rating A: Graveyard Shift wasn’t at all what I was expecting – it was better! It’s not really horror, although very Gothic in tone in spite of its contemporary setting, at least until the very, very end where the reader is left wondering – as are a couple of the characters.

But as it goes, it sucks the reader – or listener in my case – into this story, every bit as much as the ‘Anchorites’ get sucked into following Edie in pursuit of the potential newspaper story.

That story is told as snippets of the night, each slice of time from a different character’s point of view. This worked even better in the audio, as the five characters are voiced by five different narrators. (Insert here my usual rant at the lack of information about who voiced whom. As a group, Jess Nahikian, Max Meyers, Si Chen, Susan Dalian and Tim Campbell did a fantastic job but I very much wish I knew who voiced which part.)

One of the things that makes this story so riveting is the way that the tension seems to build almost minute by minute – and how we’re inside each character’s head as they experience their particular slice of that tightening noose. Particularly as the investigation continues feverishly through the single night of the story, and the identity of the person or persons who are about to get hung out to dry – figuratively if not literally – zeroes in on the real target.

Even as the group of investigators gets deeper and deeper into their own personal fog of jittery exhaustion.

I got caught up in this story in multiple ways. I always love a good story about an investigation – and this was definitely that. While Edie, the editor is at first idly speculating, she does have the threads of a big scoop in her hands – even if her moral compass has been knocked more than a bit askew after chasing stories for so long. There is something rotten going on, and it needs to be brought out into the light.

The ‘Anchorites’ as a group are fascinating, and part of that fascination is in their unacknowledged interconnectedness. They ARE friends, but they are each so used to being friendLESS that they’re pretty much incapable of acknowledging that fact. The way the telling of the story bounced from one to the other keeps the story hopping and the reader on their toes.

That the guilty parties got their comeuppance in the end was absolutely righteous, and the way that the story ended with just that shivery touch of frightening possibility made for the icing on a deliciously creepy horror-adjacent, Halloween-anticipatory reading cake. I’ll certainly be looking for the author’s next book, Hot Wax, when it comes out in January.

A- #AudioBookReview: The Dallergut Dream Department Store by Miye Lee translated by Sandy Joosun Lee

A- #AudioBookReview: The Dallergut Dream Department Store by Miye Lee translated by Sandy Joosun LeeThe Dallergut Dream Department Store by Lee Mi-ye, Sandy Joosun Lee
Narrator: Shannon Tyo
Format: audiobook, ebook
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, ebook, audiobook
Genres: cozy fantasy, magical realism
Pages: 288
Length: 6 hours and 27 minutes
Published by Hanover Square Press, Harlequin Audio on July 9, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Before the Coffee Gets Cold meets Mr. Penumbra’s 24-Hour Bookstore in this whimsical, poignant novel about the inner workings of a department store that sells dreams
THE #1 KOREAN BESTSELLER WITH OVER A MILLION COPIES SOLD
In a mysterious town that lies hidden in our collective subconscious, there's a quaint little store where all kinds of dreams are sold ...
Day and night, visitors both human and animal from all over the world shuffle in sleepily in their pyjamas, lining up to purchase their latest adventure. Each floor in the department store sells a special kind of dream, including nostalgic dreams about your childhood, trips you've taken, and delicious food you've eaten, as well as nightmares and more mysterious dreams.
In Dallergut Dream Department Store we meet Penny an enthusiastic new hire; Dallergut, the flamboyant owner of the department store; Agnap Coco, producer of special dreams; Vigo Myers, an employee in the mystery department as well as a cast of curious, funny and strange clientele who regularly visit the store. When one of the most coveted and expensive dreams gets stolen during Penny's first week, we follow along with her as she tries to uncover the workings of this wonderfully whimsical world.
A captivating story that will leave a lingering magical feeling in readers' minds, this is the first book in a bestselling duology for anyone exhausted from the reality of their daily life.

My Review:

In The Voyage of the Dawn Treader, part of the Chronicles of Narnia, one of the places that the Dawn Treader voyages to is the “Island Where Dreams Come True”. What made that part of their journey stick in my head hinges on the definition of “dream”. Because it doesn’t refer to daydreams, the things we think we might like to do or be or have, but rather to the things that our subconscious throws up at us at night.

Some of those dreams may be good, but a lot of them are not – and all of them have the potential to get very, very weird.

If there were a place like the Dallergut Dream Department Store, things would be so much different!

We see Dallergut’s through the eyes of Penny as she interviews with Mr. Dallergut for a job at his store. Through her eyes, we see how the store and the little corner of the world in which it lives and works, well, works.

It’s never called “Dreamland”, but that is what it is. The living, breathing, wide-awake residents seem to be relatively few – and not necessarily human. Whatever they are, their jobs are to either serve the people who work in the dream industry – or to serve the dreamers who pass through each night to buy their nightly dreams at Dallergut’s.

Penny doesn’t so much work her way UP the store’s hierarchy – because it’s a pretty flat organization – as she works her way IN to how the system works.

Dreamers don’t remember they were ever there. They don’t really remember their dreams – as one generally does not. But they do wake up feeling refreshed and with a lingering sense of whatever it was they were looking for within those dreams.

And it’s the lingering sense, that rising emotion, that powers the entire dream economy.

So, as Penny learns how the whole thing functions, we have the opportunity to see what a charming place it is, filled with (mostly) charming people and a whole lot of creativity – along with a strong sense of found family – that makes it a delightful read for a day when all you really want is to escape and (day)dream of a magical place that brings dreams to life!

Escape Rating A-: I’m going to use the word “charming” a lot here, because this story is absolutely that. What makes it work, and what pulls the reader across that hump of “but this isn’t the real world” is that we see the whole thing through Penny, and she’s a newbie at everything.

Not that she doesn’t seem to have grown up as a citizen of the little corner of magical realism – although that’s never really clear – but rather than she’s young and this appears to be her first real job post-graduation and she’s learning about how THE world works and how HER world works and we’re able to piggyback on her learning process.

And she’s just a really nice person to tag along with!

But in spite of the magical realism aspects of the story – what makes it interesting are the personalities of the people that Penny meets and works with, the structure of the dream economy and how it does and doesn’t mirror reality, and the way that the story gently explores the function of sleep and dreams for everyone.

So it’s a found family story and a coming of age story and a bit of a training montage and a lovely, thoughtful metaphor all rolled into a delightful ball of a sweet story that even manages to have a bit of the effect of the “Calm cookies” that Mr. Dallergut likes so much.

In short, The Dallergut Dream Department Store is utterly charming, and I was absolutely charmed – even in the places where I had to tell the logical side of my brain to go to sleep and just dream the whole thing.

This was, also and absolutely, the perfect book for the mood I was in and the frantic stuff going on in real life, so it was a terrific read for this week. It also fits into the same branch of magical realism, found family and cozy fantasy (or at least fantasy-ish) of Before the Coffee Gets Cold, The Kamagawa Food Detectives and Days at the Morisaki Bookshop – and I’m going to dive into the next book in all of those series pretty much immediately because I need more of this.

But I also need to confess that my impatience got the better of me a bit – so even though I was enjoying the audiobook I still had that urge to see the whole of Penny’s first year at Dallegut’s and switched to the ebook about halfway through.

It’s charming either way, lovely and oh-so-cozy a fantasy. Just perfect for days that you wish you could dream away.

A- #AudioBookReview: Earthlight by J. Michael Straczynski

A- #AudioBookReview: Earthlight by J. Michael StraczynskiEarthlight by J. Michael Straczynski
Narrator: Erik Braa, Pete Bradbury, Jonathan Davis, William DeMeritt, Robert Fass, Jeff Gurner, Ryan Haugen, David Lee Huynh, Mars Lipowski, Saskia Maarleveld, Kathleen McInerney, Brandon McInnis, Sean Kenin Elias Reyes, Stefan Rudnicki, Salli Saffioti, Kristen Sieh, Christopher Smith, Marc Thompson, Will Watt, Michael Ann Young, Beka Sikharulidza, Stephanie Walters Montgomery, Robin Atkin Downes
Format: audiobook
Source: supplied by publisher via Libro.fm
Formats available: audiobook
Genres: military science fiction, political thriller, science fiction
Length: 2 hours and 54 minutes
Published by Penguin Random House Audiobook Original on July 9, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

International tension is rising as the Russian military forms an Eastern Alliance to create a new age of Russian supremacy. The rest of the world is scrambling for a united response.
Enter Project Earthlight.
Earthlight is a NATO operation under U.S. command based in the ultimate military high ground: space. A group of the best fighter pilots is handpicked from around the world to fly the first generation of advanced planes capable of maneuvering in the vacuum of space and inside the atmosphere.
Learning how to fly experimental planes while learning to trust their new squadron, our pilots are plunged into a high-stakes life-and-death mission with everything at risk. Can Commanding Officer Colonel Scott Dane get the other pilots on the same page in time to prevent World War III?
With cutting-edge soundscapes and an action-packed plot, EARTHLIGHT will keep listeners on the edge of their seats from start to finish.

My Review:

Even when there is something that pretends to be peace on Earth – there’s brinkmanship and stepping up to the terrible line that leads to World War III. So far, we’ve always stepped back – but someday we won’t.

The story in Earthlight posits a near future – possibly too damn near – when the U.S. and its NATO allies step up to that line because a post-Putin Russia is already there. What makes Earthlight just a bit different from similar stories by Tom Clancy and M.L. Buchman is that the brinkmanship takes place – not somewhere on Earth, or at least not exclusively somewhere on the planet – but in space.

Not “outer space” but somewhere a LOT closer to home. Specifically Low Earth orbit – or LEO. Far enough out to see an entire hemisphere of the planet – and close enough to strike anywhere on it – especially from planes that can go faster than MACH 20.

Those planes have the advantage – the literal high ground – as long as they don’t overshoot their targets.

Project Earthlight is a secret – because of course it is. And of course it’s been leaked – because big secret projects are incapable of staying secret for very long – especially once they go into production.

And Project Earthlight – and its space-borne aircraft carrier, the Alexander – is very much in production, on-line, and waiting for its first mission and its first squadron of pilots. Which is where this story begins, as Colonel Scott Dane of the U.S. Air Force is on a recruiting mission to sign the best, the brightest, and the most out-of-the-box thinkers from ALL of the NATO forces to fly the first planes assigned to the Alexander.

He hopes they’ve got time for all the training they’ll need – but he knows they don’t. Because those plans did leak, and the Russians have a space carrier of their own – the Gagarin. And they have a bunch of fanatics in the Kremlin – all promising a return to Russia’s glory days.

The path to which leads straight through a NATO allied Eastern Europe, and to a head to head dogfight with the Alexander for the highest stakes of all.

Escape Rating A-: There’s a whole lot of SQUEE in this review because WOW what a ride.

Although I have to admit that for a good chunk of the story, as much as I was totally caught up in it I was desperately worried that it was all a tease. There just didn’t seem like enough time left in the recording to come to anything like a satisfactory ending. (I was half-heartedly looking for the reading equivalent of ‘coitus interruptus’ because it sure seemed like the story was heading that way.)

But fear not, Earthlight does come to a satisfactory conclusion – although it is still more than a bit of a tease as most listeners will want to know what happens afterwards. At least the story certainly does make clear that there IS an afterwards and that’s a gigantic relief.

The elements that make up the story are familiar to readers of military SF. There’s a recruitment phase, a training phase, a getting-to-know-each-other phase, and there’s the inevitable potential romance that runs into the military frat regs (shades of Stargate).

The process of the squad pulling itself together is jam-packed and doesn’t give all the characters the time needed for readers – or their squadmates – to really get to know them. And of course the characters who are mostly reduced to (admittedly well done) accents are the ones that get lost early.

But in spite of that necessity, we do get a good feel for the leaders, and we do feel like “we are there” because we’re not just reading this story – we’re in the thick of it by listening to their distinct voices.

Laid on top of the military side, there’s also the side that gives us the historical and political side. The part that’s going to remind lots of listeners of Tom Clancy or M.L. Buchman because the shenanigans, including the brinkmanship, the short-sightedness, the glory-seeking to the exclusion of common sense and the epic levels of paranoia are all out of the political thriller playbook.

That part of the story works, even with a bit of necessary shorthand for the length, because we’ve seen them before – even in real life. That part of the story feels entirely too plausible.

This listening experience is edge-of-the-seat, you-are-absolutely-there, nail-biting compulsion filled with a surprising number of crowning moments of awesome. There were plenty of moments when my heart was literally in my throat even though I knew the worst-case scenario couldn’t possibly be the ending.

So the story of Earthlight, taken as a whole, is a fantastic experience even if many of the elements that make it so compelling are also just a bit familiar. It’s a great three hours of listening – I just wish there were a hell of a lot more.

But OMG I wish there was a text for this thing.

I NEED a text so I can hunt for quotes AND have a full list of characters, how their names are spelled and who played them in the audio. Because the cast was outstanding – every single one.

It is a pet peeve of mine that full cast or even multicast audio productions don’t generally tell the listener exactly who played whom – and I always want to know. But in this particular case, that lack of a list led to a bit of serendipity. To my ear, the political officer aboard the Russian ship sounded a LOT like the Romulan officer Tomalak in a couple of Star Trek: Next Gen episodes. When I checked out who portrayed Tomalak, I discovered that the character was played by the late Andreas Katsulas – who embodied Ambassador G’Kar on the author’s beloved TV series Babylon 5.

One reviewer opined that Earthlight could be seen as a very, very, very early prequel to B5 if one squinted a LOT. And it’s possible. Certainly it captured something of its spirit – without squinting at all. If it turns out that that spirit continues into another chapter of Earthlight – this listener/reader would be thrilled to be aboard for another mission.

#AudioBookReview: To Gaze Upon Wicked Gods by Molly X Chang

#AudioBookReview: To Gaze Upon Wicked Gods by Molly X ChangTo Gaze Upon Wicked Gods (Gods Beyond the Skies, #1) by Molly X. Chang
Narrator: Natalie Naudus
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, paperback, ebook, audiobook
Genres: coming of age, dystopian, epic fantasy, historical fantasy, science fiction, space opera
Series: Gods Beyond the Skies #1
Pages: 368
Length: 10 hours and 41 minutes
Published by Del Rey, Random House Audio on April 16, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

She has power over death. He has power over her. When two enemies strike a dangerous bargain, will they end a war . . . or ignite one?
Heroes die, cowards live. Daughter of a conquered world, Ruying hates the invaders who descended from the heavens long before she was born and defeated the magic of her people with technologies unlike anything her world had ever seen.
Blessed by Death, born with the ability to pull the life right out of mortal bodies, Ruying shouldn’t have to fear these foreign invaders, but she does. Especially because she wants to keep herself and her family safe.
When Ruying’s Gift is discovered by an enemy prince, he offers her an impossible deal: If she becomes his private assassin and eliminates his political rivals—whose deaths he swears would be for the good of both their worlds and would protect her people from further brutalization—her family will never starve or suffer harm again. But to accept this bargain, she must use the powers she has always feared, powers that will shave years off her own existence.
Can Ruying trust this prince, whose promises of a better world make her heart ache and whose smiles make her pulse beat faster? Are the evils of this agreement really in the service of a much greater good? Or will she betray her entire nation by protecting those she loves the most?

My Review:

I picked this up because I had the opportunity to get the audiobook from Libro.fm, saw that the narrator, Natalie Naudus, is one of my faves, looked at the summary and thought to myself that this had terrific possibilities and figured I’d be in for a decent if not outright excellent listening/reading time.

It was not to be. It was not to be so hard that I bailed on the audio at the 30% mark and it’s not the narrator’s fault. Really, truly, seriously, it’s not her fault. Natalie Naudus, as always, does a great job with the first person perspective of a protagonist who is expected to be kickass or at least grow into that role. (In this case, it may have been a bit too good of a job, as it felt like I was right there with her in a story where I’d have much preferred to be at a remove or ten.)

That decent to excellent time is not what I got. What I got for that first 30% felt like torture porn, and experiencing that neverending torment from inside the character’s own head was literally more than I could take. To the point where, if you’ve followed my comments about the book I flailed and bailed on that set nearly a whole week of reviews off-kilter, you’ve found it. This was it.

And damn was I surprised about that.

So I flailed, and bailed – also ranted and raved (not in a good way) – but in the end I finished in text. Because when I looked at the text to see where I stopped the audio, to figure out if the situation got redeemed at all, I learned that in the very next sentence – which of course I couldn’t see in the audio – the thing that nearly made me turn this book into a wallbanger in spite of a) the potential for having to replace my iphone and b) I was driving – didn’t actually happen.

Not that the character and I hadn’t already been tortured plenty at that point. But it was enough to bring me back if only to find out whether the situation got better – or worse.

The answer, as it turned out, was both.

Escape Rating D: If The Poppy War and Babel had an ugly, squalling bookbaby, To Gaze Upon Wicked Gods would be it. I loved The Poppy War, but had deeply serious issues with Babel which pretty much sums up my feelings about To Gaze Upon Wicked Gods in a desicated, unsightly, possibly even poisonous nutshell.

And that requires some explanation. Possibly a whole lot of it.

This story sits uneasily on a whole lot of crossing points. It’s right on the border between YA and Adult AND it’s at the intersection of historical fantasy with science fiction as well as at least hinting at being a romantasy – which it absolutely is not in spite of those hints in the blurb – even as it turns out to be post-apocalyptic and utterly dystopian in ways that are not hinted at anywhere at all.

And it’s torture porn. By that I mean that the entire first third of the story focuses on a protagonist whose entire life seems to be made of various axes on which she is ground, tortured and punished.

She’s female in a society that makes her property of the male head of household – in a line where those men squandered the family fortune on gambling and drugs one after another. She has magic powers that make her a target for people who want to use her gifts until those gifts use her up – and people who want to destroy her where she stands for a gift that many deem anathema.

Her entire world is under the boot heel of an overwhelming empire – in this I believe the story is intended to reference the Opium Wars and their oppressors are intended to stand in for the British Empire even if they are called Romans.

That her sister is addicted to a substance named “Opian”, provided by the Romans and engineered by the Romans to bring their society down even faster adds to that resemblance as well as to the protagonist’s torture.

That she’s 19, her sister’s and her grandmother’s only real support, and that her cultural conditioning has her blaming herself for everything wrong in their lives – including the invasion by the Romans before she was even born – is just terrible icing on an already unsightly cake overflowing with oppression and self-flagellation.

Ruying, her family and her whole entire world are in deep, deep trouble with no way out that anyone can see. I got that. I got that LONG before the story didn’t so much come out of the mire as it did finally start sloshing through the muck to the even more epically fucked up political shenanigans that are at the heart of everything that’s gone wrong for Ruying’s people.

Once the story finally, FINALLY started to reveal what was really happening and why and how, the situation got more interesting even as Ruying wallowed even more deeply in her personal angst and kept right on torturing herself every literally bloody step of the way.

At the very, very end, after all the blood and gore and guts and not very much plot movement forward, the story finally shows a glimpse of the light at the end of the tunnel, reveals that the light is an oncoming train, and at least displays a glimmer of a hint of action in this book’s sequel, titled either Immortal the Blood or  To Kill a Monstrous Prince, which will be coming out this time net year.

This reader, at least, has no plans to be there for it. I’ve been tormented enough. Your reading mileage (and/or listening mileage) may vary.

A+ #AudioBookReview: When Among Crows by Veronica Roth

A+ #AudioBookReview: When Among Crows by Veronica RothWhen Among Crows by Veronica Roth
Narrator: Helen Laser, James Fouhey, Tim Campbell
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, ebook, audiobook
Genres: fantasy, urban fantasy
Pages: 176
Length: 4 hours and 29 minutes
Published by Macmillan Audio, Tor Books on May 14, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

When Among Crows is swift and striking, drawing from the deep well of Slavic folklore and asking if redemption and atonement can be found in embracing what we most fear.
We bear the sword, and we bear the pain of the sword.
Pain is Dymitr’s calling. His family is one in a long line of hunters who sacrifice their souls to slay monsters. Now he’s tasked with a deadly mission: find the legendary witch Baba Jaga. To reach her, Dymitr must ally with the ones he’s sworn to kill.
Pain is Ala’s inheritance. A fear-eating zmora with little left to lose, Ala awaits death from the curse she carries. When Dymitr offers her a cure in exchange for her help, she has no choice but to agree.
Together they must fight against time and the wrath of the Chicago underworld. But Dymitr’s secrets—and his true motives—may be the thing that actually destroys them.

My Review:

There’s an old Polish saying – not the one you’re thinking of, at least not yet – that translates as “Not my circus, not my monkeys” Which pretty much sums up the attitude of the first zmora that Dymitr approaches in regards to the very dangerous trade he wants to make.

The second zmora comes to him, because what he’s offering IS her cursed circus and those are her damned monkeys. Or, to be a bit more on the nose about the whole thing, it is her murder – or at least it will be – and those are her crows, who are already flocking to the scene.

Dymitr has acquired a legendary magical artifact that holds the possibility of a cure for the curse that Ala suffers from. A curse that killed her mother, her aunt, and her cousin, and is now killing her. A curse that will pass down her bloodline to the next female relative in line – no matter how distant – until the whole line is wiped out.

In return, Dymitr wants an introduction to another legendary ‘artifact’, the powerful witch Baba Jaga [that’s how her name is spelled in the book]. As merely a human, Dymitr does not have access to the places and people that will get him to his goal. As a zmora, while Ala does not know Baba Jaga at all, she does have contacts who can at least get Dymitr a few steps further along on the quest that he refuses to either name or explain.

Their journey proves to be a very different “magical mystery tour” than the one that the Beatles sang about, observing the different magical populations that have migrated to Chicago from his native Poland, and how each group abides by the proverb, “When among crows, caw as the crows do.”

The zmora, who feed on fear, operate movie theaters that feature horror movies, the strzygi, who live on anger and aggression, run underground fight clubs, while the llorona, who collect sorrow, own a chain of hospice centers. It’s all perfectly legal, or at least most of it is. And the parts that aren’t, the strzygi fight clubs, fit right in with the rest of the organized crime and corruption that operates in Chicago.

The supernatural have learned to caw like the crows do, the better to hide from the powerful so-called ‘Holy Order’ that hunts down anyone and anything it deems to be ‘not human enough’. And isn’t that the most human impulse of all?

An impulse, and a life, that Dmitry is willing to cut himself off from – literally as well as figuratively – at any and all cost. Even the cost of the humanity that his family has held so dear over the centuries.

All he needs to do is find Baba Jaga – and pay whatever price she demands in order to cut the sword out of his back once and for all.

Escape Rating A+: I’ve frequently said that a story has to be just about perfect to make the leap from an A- to an A. This one absolutely did, and listening to the audio put it over the top into A+. With bells on. To the point where I have to restrain myself from just squeeing all over the place.

The tone of When Among Crows felt very much like ‘old school’ urban fantasy before it left its horror with mystery roots behind to fall down the paranormal romance rabbit hole. Not that I don’t love a good paranormal with a kickass heroine posed on the cover in an utterly impossible position, but those got to dominating the genre and that’s not all I wanted from it.

(The blurb implies a romantic relationship between Dymitr and Ala. Don’t be fooled, that is absolutely not what is going on here – and it shouldn’t be. The relationship they are scrabbling towards is family, that the pain they have both suffered, and from the same source, can lead to them finding the family ties that pain has cost them with each other.)

At the same time, the way this story drew in so many Slavic myths and legends that I itched for a mythopedia (I was driving, that would have had terrible consequences) reminded me, a lot and very fondly, of Neil Gaiman’s American Gods, because that book gave me the same vibes – along with the same dilemma – and I listened to it well before the Annotated Edition was published. I won’t say that When Among Crows was better, because American Gods had a much larger scope, but for the smaller size of the package of Crows, it still managed to evoke that same sense of memory and wonder, that so much that is old and weird still walks among us hidden in plain sight – made all that much more poignant in that the place the weird is hiding is the darker corners of Chicago – a city that has always had plenty.

When Among Crows was utterly enchanting, and I was totally enchanted by it, staying up entirely too late to finish the audio because it was just that good. While the story was relatively short, it also went surprisingly deep, and then came around full circle in a way that surprised and delighted even as it led to a delicious sort of closure that I wasn’t expecting but utterly loved.

Grade A #AudioBookReview: Funny Story by Emily Henry

Grade A #AudioBookReview: Funny Story by Emily HenryFunny Story by Emily Henry
Narrator: Julia Whelan
Format: audiobook, eARC
Source: supplied by publisher via Libro.fm, supplied by publisher via NetGalley
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: Chick Lit, contemporary romance, relationship fiction, women's fiction
Pages: 400
Length: 11 hours and 23 minutes
Published by Berkley, Random House Audio on April 23, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A shimmering, joyful new novel about a pair of opposites with the wrong thing in common.
Daphne always loved the way her fiancé Peter told their story. How they met (on a blustery day), fell in love (over an errant hat), and moved back to his lakeside hometown to begin their life together. He really was good at telling it…right up until the moment he realized he was actually in love with his childhood best friend Petra.
Which is how Daphne begins her new story: Stranded in beautiful Waning Bay, Michigan, without friends or family but with a dream job as a children’s librarian (that barely pays the bills), and proposing to be roommates with the only person who could possibly understand her predicament: Petra’s ex, Miles Nowak.
Scruffy and chaotic—with a penchant for taking solace in the sounds of heart break love ballads—Miles is exactly the opposite of practical, buttoned up Daphne, whose coworkers know so little about her they have a running bet that she’s either FBI or in witness protection. The roommates mainly avoid one another, until one day, while drowning their sorrows, they form a tenuous friendship and a plan. If said plan also involves posting deliberately misleading photos of their summer adventures together, well, who could blame them?
But it’s all just for show, of course, because there’s no way Daphne would actually start her new chapter by falling in love with her ex-fiancé’s new fiancée’s ex…right?

My Review:

This is not a meet-cute, it’s more like a meet-really-really-ugly. But it starts with a meet-cute. It’s just that the meet-cute is NOT between our protagonists Daphne and Miles. It’s between Daphne and her very suddenly ex-fiancé Peter. There may, or may not, have been another meet-cute between Miles and his equally suddenly ex-girlfriend Petra – but that really doesn’t matter by the time we meet all of the above.

Because of all of that VERY sudden ex-ing that happened. In the wee hours after Peter’s bachelor party, between Peter and his childhood bestie, the beautiful Petra. The woman he claimed had always been a platonic friend. Always.

At least until Petra confessed to Peter, when they were alone in the aftermath of that bachelor party, which of course Petra attended because she was, after all, his bestie, that she was in love with him and couldn’t watch him marry someone else without letting him know that.

The resulting mess – and was it ever a mess – left Daphne with one week to move out of the house that she and Peter were supposed to share, alone in the small town she’d moved to because that’s what HE wanted, with no support network because all of “their” friends were really his friends – and a job she loved and didn’t want to leave in a place she could no longer bear to stay.

Not too far away, in that same tiny little town, Petra’s ex Miles was left with an apartment he could only afford half the rent on, in a town that he felt like he’d made his own, with an utterly shattered heart.

Daphne, ever practical EXCEPT when it came to Peter, made Miles an offer he literally couldn’t afford to refuse. His need for a roommate dovetailed heartbreakingly and conveniently with her need for a place to live.

They may have agreed to be roommates out of their shared tragedy but they are definitely respectful of each other’s space and each other’s brokenness. At least until they both receive invitations to – you guessed it! – Peter and Petra’s upcoming nuptials. After a long and very drunken night of shared drinking, ranting and more than occasional sobbing, Daphne and Miles decide that living well – or at least the appearance of it – will be their revenge on their exes.

They RSVP to the wedding of the people they each once believed to be the love of their lives, together. And to back that up, they post a selfie that gives the unmistakable impression that they’ve found the new loves of their own lives – with each other.

Miles is certain that they can keep up the pretense of dating each other for the summer – just long enough to get past that dreadful wedding. Daphne isn’t nearly so sure – but she’s willing to try. She certainly expects it all to go terribly, terribly wrong long before they reach that Labor Day weekend disaster-ganza. And it very nearly does.

At least until it all starts going terribly, terribly right.

Escape Rating A: I started out listening to this one, and that’s probably what got me over the hump of the early chapters. This is one of those stories that, of necessity, has a very hard start. We meet Daphne just after very nearly the entire life she had planned crashed and burned. She’s wallowing in a whole lot of angst and regret and self-recrimination, nearly buried by the weight of her emotional baggage piling up all around her. Listening to the excellent narrator makes the listener feel like they are literally inside Daphne’s mostly despairing head and it’s a realistically well-portrayed terrible place to be.

Fortunately for the reader/listener and Daphne, it really does get better – mostly thanks to Miles – who very nearly crashes and burns it all around her again.

The thing that keeps the whole meet-ugly/meet-cute of the thing from going over the top is that Peter in particular may be the villain of this piece – which he definitely turns out to be – but he isn’t evil. He’s certainly awful, and he displays all of his awful bits over the course of the story – but he’s not actually, technically, evil. He’s just selfish and self-centered and more than a bit spoiled.

Daphne was willing to continue spoiling him because he represented something she’d never had – stability. Her dad was mostly absent and generally in the midst of his next big score that never materialized. Her mother was the very best in Daphne’s eyes, but they moved a LOT in pursuit of financial security and Daphne stopped bothering to make connections because she knew they’d never survive a move. Peter, his large, loving family and his wide circle of lifelong friends is a situation she wants to be adopted into wholesale so she lets herself be surrounded and subsumed into it.

Only to be confronted with the fact that it was never really hers – and neither was Peter. (Although that turns out to have been dodging a bullet she never would have seen coming.)

The fun part of this story – and it mostly is fun after that first long, deep and totally justified wallow – is watching the way that Miles courts Daphne by getting her to fall in love with tiny, slightly touristy, totally scenic, Waning Bay Michigan. He loves the town that he’s adopted and been adopted by, and does his damndest to share that love with Daphne. That he makes the town irresistible makes him irresistible and their hesitant steps toward a relationship turn this story into a marvelous kind of dance of a romance.

That, at the very same time, Daphne uses the foundation of having a job that she totally loves – even if it barely pays the bills – to put herself out there in the sense of opening herself up to the possibilities of deep and true friendship and fellowship – is what makes this story so much her journey to happiness and fulfillment. Whether or not, in the end, either of those things includes Miles, or Waning Bay, or both, or neither.

That Peter ultimately gets the shaft all the way around turned out to be merely the icing on a very tasty cake of a book – or perhaps that should be the slathering of cheese and jalapenos on a fresh, hot serving of Petoskey fries. The part that makes a good thing just that much better.

My favorite of Emily Henry’s books is still Book Lovers, but Funny Story definitely moved into the runner-up slot. I loved that Daphne was a librarian, and she definitely read like “one of us” while her Waning Bay Library read as both realistic and on the good side of places to work – except for the poor salary which was equally realistic – dammit.

I’ve read all of the author’s adult books except for People We Meet on Vacation, which I can feel climbing the virtually towering TBR pile as I type this. It looks like a perfect book to pick up later this summer – when we’re on vacation!