Review: Her Lost Words by Stephanie Marie Thornton

Review: Her Lost Words by Stephanie Marie ThorntonHer Lost Words: A Novel of Mary Wollstonecraft and Mary Shelley by Stephanie Marie Thornton
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: biography, historical fiction, women's fiction
Pages: 448
Published by Berkley Books on March 28, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook DepositoryBookshop.org
Goodreads

From A Vindication of the Rights of Woman to Frankenstein, a tale of two literary legends--a mother and daughter--discovering each other and finding themselves along the way, from USA Today bestselling author Stephanie Marie Thornton.
1792. As a child, Mary Wollstonecraft longed to disappear during her father's violent rages. Instead, she transforms herself into the radical author of the landmark volume A Vindication of the Rights of Woman, in which she dares to propose that women are equal to men. From conservative England to the blood-drenched streets of revolutionary France, Mary refuses to bow to society's conventions and instead supports herself with her pen until an illicit love affair challenges her every belief about romance and marriage. When she gives birth to a daughter and is stricken with childbed fever, Mary fears it will be her many critics who recount her life's extraordinary odyssey...
1818. The daughter of infamous political philosopher Mary Wollstonecraft, passionate Mary Shelley learned to read by tracing the letters of her mother's tombstone. As a young woman, she desperately misses her mother's guidance, especially following her scandalous elopement with dashing poet Percy Bysshe Shelley. Mary struggles to balance an ever-complicated marriage with motherhood while nursing twin hopes that she might write something of her own one day and also discover the truth of her mother's unconventional life. Mary's journey will unlock her mother's secrets, all while leading to her own destiny as the groundbreaking author of Frankenstein.
A riveting and inspiring novel about a firebrand feminist, her visionary daughter, and the many ways their words transformed our world.

My Review:

As a young woman, Mary Wollstonecraft Godwin (the future Mary Shelley) must have felt as if she would always live in the shadow of her scandalous, reviled, radical mother, Mary Wollstonecraft, the author of the famous – or infamous – philosophical treatise,  A Vindication of the Rights of Women.

After all, even when the younger Mary first met the love of her life, the poet Percy Bysshe Shelley, even he confessed to being a fan of her mother’s work.

But the tides of history turn, and for more than a century after Mary Shelley’s death it was HER great work that captured the limelight – and much of the popular imagination – while her mother’s achievements were covered in the shadows cast by her daughter’s monster, the doctor who made him and the literary genre they started.

Mary Shelley and her Frankenstein gave birth to modern science fiction at the age of 19, an achievement for which she is celebrated every bit as much as both mother and daughter were reviled in their own times.

The story in Her Lost Words takes the lives of this pair of literary giants and tells them in alternating first-person chapters. So we read about the mother’s life from her not-early-enough escape from her abusive father’s house to her death alternating with her daughter’s life from learning to read using the letters of her mother’s tombstone to her return to England after the publication of Frankenstein, the birth of her own child and Shelley’s tragic early death as she navigates her own storied life.

Their stories are intertwined – but also entirely different. The older Mary was always in search of a life of the mind – even though women were supposed to be incapable of such a thing. The younger Mary expected to have such a life but devoted more of her passion to her relationships, particularly with Shelley, until her monster took over her literary ambitions.

One was thought, one was feeling. Each was a towering genius in their own way. Her Lost Words does its best to set them both in their times, showing their influence on each other and their respective legacies while doing its best to see them each outside the long shadow that the other cast.

Escape Rating B: Someone needs to do a literary survey of just how many fictional and even non-fictional biographies of famous women in history begin with a dramatic scene of parental or spousal abuse. Not that I do not believe it’s true in the case of the older Mary, more that it should be telling in a profound way that it happened so damn frequently but somehow that message never seems to penetrate the male psyche. Which is a part of what made A Vindication of the Rights of Women such a radical document, not just in its day but still. Because we haven’t achieved all the rights she set out in the late 1700s even to this day.

If behind every successful man there stands his mother-in-law, quite surprised – or more likely a supportive woman in one or many roles in his life, in historical fiction, at least, it does seem as if behind every successful woman stands a male authority figure, generally a spouse or parent, with his hand still raised to deliver yet another blow as she runs away as far and as fast as she can.

(I’ll climb down off my soapbox now but considering the general opprobrium both of the subjects of this dual fictional biography faced in their lifetimes, if there was ever a book to make that soapbox germane, this is it. I digress, but not as much as usual.)

I ended up with mixed feelings about Her Lost Words. I really enjoyed the history, and I liked the dueling dual portraits of these two incredible women. I think where it didn’t work quite well for me was in those first-person singular voices, because this story was told as women’s fiction, centering their personal lives as much as their professional lives, and dealing as much with their emotions as it did with their written thoughts and words.

First-person narratives can be excellent in drawing a reader into the mind of a character, but Mary Wollstonecraft and Mary Shelley weren’t fictional characters, they were real women who each left behind a considerable body of literary work. I was more interested in what they actually said and wrote and what they actually did than anything else. The book was very well done for what it was, but the presentation of historical figures as characters in women’s fiction didn’t quite work for this reader.

I wanted to be all in on this one and I just wasn’t. I’m still interested in Wollstonecraft and Shelley, and will probably refer myself to Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley by Charlotte Gordon, a nonfiction dual biography that covers much of the same ground as Her Lost Words, and features in the author’s references the next time my towering TBR pile catches its breath.

So if you’re looking for more of a factual biographical presentation, this may not be the book for you, as it was not for me. But if you are searching for a fictionalized history, Her Lost Words is a well-written exploration of these towering literary figures told from a personal and even intimate point of view.

Review: And Put Away Childish Things by Adrian Tchaikovsky

Review: And Put Away Childish Things by Adrian TchaikovskyAnd Put Away Childish Things by Adrian Tchaikovsky
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: fantasy, horror, portal fantasy, science fiction
Pages: 208
Published by Solaris on March 28, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook DepositoryBookshop.org
Goodreads

Harry Bodie’s been called into the delightful fantasy world of his grandmother’s beloved children’s books. It’s not delightful here at all.
All roads lead to Underhill, where it’s always winter, and never nice.
Harry Bodie has a famous grandmother, who wrote beloved children’s books set in the delightful world of Underhill. Harry himself is a failing kids’ TV presenter whose every attempt to advance his career ends in self-sabotage. His family history seems to be nothing but an impediment.
An impediment... or worse. What if Underhill is real? What if it has been waiting decades for a promised child to visit? What if it isn’t delightful at all? And what if its denizens have run out of patience and are taking matters into their own hands?

My Review:

If the title of this book sounds familiar, it’s because it’s from the New Testament quote from Chapter 13 of I Corinthians below. But as much as the first line is directly referenced in the title, the second line is every single bit as applicable to this story and the way that it all works out.

“When I was a child, I spoke as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things. For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known.”

The first question the story raises is “who decides?” Who decides what a childish thing is and when we should put it away. The second revolves around what it takes to truly be known, by oneself as well as by others.

Because as the story opens, Felix “call me Harry” Bodie doesn’t know himself or where he came from very much at all. And honestly doesn’t seem to want to. What he wants is to hide himself behind the mask of a working – if barely – actor and bury his past as the grandson of a famous juvenile fantasy author.

His grandmother, Mary Bodie, was the author of the Underhill books, a story and a world not all that different from Narnia. Or at least a Narnia without Aslan and the overt Christian allegory that seemed to exude from the lion’s mane.

Underhill was a place with quirky, intelligent animals and not too perilous dangers just perfect for a pair of young human scamps to slip into for adventures. Harry is more than happy to cash the decreasing royalty checks that still drop into his accounts and forget the rest. Or so he believes.

It’s only when he takes a rather desperate chance on a spot in the British equivalent of the Finding Your Roots program that he learns that Grandma Mary was born in an insane asylum to a woman who claimed to come from fairyland, and that she told her daughter all about it. It’s those stories that became the roots of the Underhill series.

The revelation of his great grandmother’s insanity draws the most rabid side of the still-active Underhill fandom out into the light of day – just as the real-world pandemic is about to drive everyone, everywhere under quarantine.

The world is going insane, and Harry is all too afraid he’s going with it. Especially when he starts seeing a diseased, desiccated version of Underhill’s resident trickster faun in the alleys behind his apartment – while a woman who claims to be a private investigator stalks him on the street.

Together they drive Harry straight out of this world and down into Underhill, which is rather more real than he ever imagined. And considerably more dangerous than his grandmother’s books EVER led him to expect.

Escape Rating B+: The thing about this book, at least for the first half of it, is Harry. And it’s not exactly a good thing, because Harry himself isn’t exactly a good thing. Nor does he have a good thing. Nor does he believe he has or is a good thing. Harry’s a bit ‘meh’ at best, pretty much all the way down to the bone. He doesn’t like himself, he doesn’t like his life, he isn’t going anywhere and he thinks nobody likes him because he honestly works at not being likable. He’s no fun to be with, not as a character and not even for himself.

So the beginning of the story is a bit rough because we don’t care about Harry – because he doesn’t even care about himself. At least not until he goes through a wardrobe, even though that’s the other fantasy series, and finds himself in Underhill. Or what’s left of it.

The place is dying and diseased and scabrous and NOTHING like the books. But for once in his life Harry is not being paranoid – everything left in Underhill really is out to get him. Or at least to find him.

Because he’s the heir to the entire blighted mess. Whether he wants to be or not. It’s the first time he’s been important in his whole, entire life. So he decides to seize the day – or at least the creepy twilight that is all that’s left in Underhill.

Only to discover that being the heir to the place isn’t remotely what he thought it might be. But then again, nothing and no one in this adventure has turned out to be anything like he expected. Not even, in the end, himself.

And that’s where things get interesting. At last. One way or another.

While it’s the off-kilter resemblance to Narnia that initially hooks the reader, it’s the subversions of any and all expectations – about Harry, about Underhill, about pretty much everyone and everything he’s met along the way – that give the story its, well, everything.

Initially, I thought this was going to be a bit like Lev Grossman’s The Magicians, which is also a play on Narnia. But The Magicians plays it more or less straight, turning Fillory into a version of Narnia that, while still fantastic, doesn’t mess with religious allegory and simply turns into an adult version of Narnia with a heaping helping of dark academia on top.

Instead, And Put Away Childish Things mixes the central theme of Never Too Old to Save the World with Carrie Vaughn’s Questland, and Tchaikovsky’s own Ogres to create a story about being called to save a portal fantasy world in midlife only to learn that the whole setup is SFnal and not fantasy after all, and that the person who can really save the place – or at least its heart – is the folklorist who everyone believed was just hanging on to prove her weird theories about literature that so-called “true academics” have discounted as either childish or merely unimportant and uninteresting to “real scholars”.

At the end, the seemingly childish things turn out to be not so childish after all, and Harry is known, to himself and to others, in a way that he never would have let himself be or even feel in the so-called real world. And it’s the making of him and the making of the story – even though – or perhaps especially because – he turns out not to be the true hero of after all. Although a hero he certainly becomes.

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 3-26-23

Luna was sitting on the hearth, looking all bright-eyed and bushy-faced so Galen decided to snap a picture. Tuna just had to find out what was going on, so instead of Luna looking pretty, she’s looking rather confused as she gets photobombed by her brother!

I switched around this past week’s schedule a bit. I had been intending to read One Extra Corpse by Barbara Hambly, and I’m still very much looking forward to it. But my TWELFTH Annual Blogo-Birthday Celebration is just a week away. I give stuff away every day during the Celebration, so I always look for books or authors I really, really, really want to share with people to review that week. I’ve been reading and loving Barbara Hambly’s work since The Time of the Dark back in the longer ago than either she or I probably want to admit. Which made her latest book a perfect book to include during the celebration! So expect One Extra Corpse in just one week from tomorrow!

Current Giveaways:

$10 Gift Card or $10 Book in the Chasing Rainbows Giveaway Hop

Winner Announcements:

The winner of the Winter 2022-2023 Seasons of Books Giveaway Hop is Carl
The winner of the Leaping Leprechauns Giveaway Hop is Soozle
The winner of the For the Love of Reading Giveaway Hop is Heather

Blog Recap:

A+ Review: The Lies of the Ajungo by Moses Ose Utomi
A+ Review: The New Guys by Meredith Bagby
B- Review: The Raven Thief by Gigi Pandian
A- Review: A House with Good Bones by T. Kingfisher
B Review: The White Lady by Jacqueline Winspear
Stacking the Shelves (541)

Coming This Week:

And Put Away Childish Things by Adrian Tchaikovsky (review)
Her Lost Words by Stephanie Marie Thornton (blog tour review)
Sea Change by Gina Chung (review)
White Cat, Black Dog by Kelly Link (review)
The Echo of Old Books by Barbara Davis (review)

Stacking the Shelves (541)

Well, this stack is certainly…eclectic to say the least. I picked up The Right Stuff because of The New Guys, Summer in Orcus because of Illuminations and Midnight, Water City (Water City Trilogy #1) because of Eventide, Water City (Water City Trilogy #2). Books are kind of like potato chips, in that I can’t grab just one!

There seem to be more pretty covers than usual this time around, but the book I’m most looking forward to is Cassiel’s Servant. I think there have been rumors about that book coming ‘real soon now’ for at least a decade if not longer, so I’m thrilled to have it in my hands at last!

For Review:
The Beach Reads Bookshop (Hometown Brothers #3) by Lee Tobin McClain
Biography of X by Catherine Lacey
Cassiel’s Servant (Kushiel’s Legacy #4) by Jacqueline Carey
The Comeback Cowboy (Jasper Creek #4) by Jackie Ashenden, Caitlin Crews, Nicole Helm, Maisey Yates
The Covenant of Water by Abraham Verghese
Eventide, Water City (Water City Trilogy #2) by Chris McKinney
Fatal Legacy (Flavia Albia #11) by Lindsey Davis
The Great Reclamation by Rachel Heng
The Isolated Séance (Irregular Detective #1) by Jeri Westerson
Monsters by Claire Dederer
A Rogue at Stonecliffe (Stonecliffe #2) by Candace Camp
Sir Hereward and Mister Fitz by Garth Nix
Sleeping with the Ancestors by Joseph McGill Jr., and Herb Frazier
Traffic by Ben Smith
The Water Outlaws by S.L. Huang
Whispers at Dusk (Blackbird Trilogy #1) by Heather Graham

Purchased from Amazon/Audible/Etc.:
Midnight, Water City (Water City Trilogy #1) by Chris McKinney
The Right Stuff by Tom Wolfe
Summer in Orcus by T. Kingfisher


If you want to find out more about Stacking The Shelves, please visit the official launch page

Please link your STS post in the linky below:

Review: The White Lady by Jacqueline Winspear

Review: The White Lady by Jacqueline WinspearThe White Lady by Jacqueline Winspear
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical fiction, historical mystery, mystery, World War I, World War II
Pages: 352
Published by Harper on March 21, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook DepositoryBookshop.org
Goodreads

The White Lady introduces yet another extraordinary heroine/sleuth from Jacqueline Winspear, creator of the best-selling Maisie Dobbs series. This heart-stopping adventure follows the coming of age and maturity of former wartime operative Elinor White—veteran of two wars, trained killer, protective of her anonymity—when she is drawn back into the world of violence she has been desperate to leave behind.
A reluctant ex-spy with demons of her own, Elinor finds herself facing down one of the most dangerous organized crime gangs in London, and exposing corruption from Scotland Yard to the highest levels of government.
Post-World War II Britain, 1947. Forty-one-year-old “Miss White," as Elinor is known, lives in a village in Kent, England, so quietly and privately as to seem an enigma to her fellow villagers. Well she might, as Elinor occupies a "grace and favor" property, a rare privilege offered to faithful servants of the Crown for services to the nation. But the residents of Shacklehurst have no way of knowing how dangerous Elinor's war work had been, or how deeply their mysterious neighbor continues to be haunted by her past.
It will take the child of Jim Mackie, a young farmworker and his wife, Rose, to break through Miss White's icy demeanor—but Jim has something in common with Elinor. He, too, is desperate to escape his past. When the powerful Mackie crime family demands a return of their prodigal son for an important job, Elinor assumes the task of protecting her neighbors, especially the bright-eyed Susie, who reminds her of the darkest day of her life.
Elinor’s wartime training and instincts serve her well, but as she endeavors to neutralize the threat to Jim, Rose and Susie Mackie, she is rapidly led along a tunnel of smoke and mirrors in which former wartime colleagues – who know the truth about what happened in 1944, and the terrible event that led to her wartime suicide attempt – are compromised by more powerful influences.
Ultimately, Elinor will hold a gun to the head of a Mackie crime lord to uncover the truth behind the family's pursuit of Jim, and in doing so, reveal the far-reaching tentacles of their power—along with the truth that will free Elinor from her past.

My Review:

For the past several years of her cases (since The Mapping of Love and Death) March has been the month of Maisie. Maisie Dobbs, that is.

Which means that all of Maisie’s fans and friends are pretty much primed for a book every March  filled with Maisie’s inimitable style of detection and the combination of found and birth family that she has gathered around herself to help her both solve her cases and live a life that combines danger and intrigue with a intense insight into the human nature that has created the situations in which she regularly finds herself.

Maisie seems to have taken a vacation this March, and in her place we have Elinor White, who both is and is not the ‘White Lady’ of the title.

Elinor’s story is told in two timeframes, both her present in 1947 and the past that led her there, from her childhood in occupied Belgium through her wartime service in the top-secret Special Operations Executive to the point where her past meets her present after the war.

We first meet 1947 Elinor, a middle-aged spinster living in a ‘grace and favor’ cottage in Kent. That cottage was granted to her for her lifetime for services rendered to the crown in both wars, and it’s what those services consisted of that makes up the past we have to see, and the lessons Elinor has to learn, before the person we met in 1947 comes fully into focus.

And then shatters when she learns that what she believed was the worst crime she ever committed was nothing that she did at all. The crime was committed by someone she believed was a friend and an ally. Although she is certainly the one who paid for it then, and very nearly does again.

It’s only after the smoke clears, quite literally, that Elinor White may be able to step forward into a future that holds more than waiting for fate to catch up to her and make her pay for all the wrongs she committed in the name of a greater purpose.

If she can set aside the necessary cautions that come from having survived not one but two wars as a spy and saboteur.

Escape Rating B: I ended this book with a LOT more mixed feelings than I expected going into it. I enjoy the Maisie Dobbs series because I find the history interesting, Maisie’s perspective fascinating, and the story as a whole absorbing. I like the characters and more importantly I CARE about them every bit as much as I care about seeing the solution of the mystery.

It’s the care that was missing in my reading of The White Lady. The history was every bit as fascinating as I was expecting from this author. While Britain’s Special Operations Executive and the women who served as agents in it have appeared in an increasing number of stories lately – as have the women of Bletchley Park – Elinor’s experiences as an agent of La Dame Blanche – the Belgian resistance in World War I funded by Britain – were new to me. Her experiences in the Belgian Occupation, when she was just barely into her teens, were searing and absorbing.

But something about those experiences feels like it set Elinor herself just a shade apart from real life – or at least from her own real life. She seems so used to keeping herself utterly guarded – a necessity during the war that kept her alive – that she remains just a touch removed from the life we read about in this story. It makes it difficult to know her well enough to care about her character.

I didn’t feel invested in her journey and it kept me from being absorbed in the story.

Which doesn’t mean that parts of it were not fascinating, because her surprising – to herself most of all – foray into a police investigation of the criminal gangs controlling vast swaths of London had the potential for chills and thrills – and delivered them as well as a bit of schadenfreude that the men who thought they knew everything – both among the police and among the criminals – discovered they were wrong, wrong, wrong. And still weren’t convinced they’d been hoodwinked by a gang of women. Or that a woman figured out the real crime being planned while all the experienced detectives dismissed her at every turn.

In the end, I liked The White Lady but didn’t love her. I’m glad I read this one but not disappointed that it appears to be a standalone title and not the start of a new series. I hope we see Maisie again next March – or whenever her next adventure appears.

Review: A House with Good Bones by T. Kingfisher

Review: A House with Good Bones by T. KingfisherA House with Good Bones by T. Kingfisher
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy, Gothic, horror, paranormal
Pages: 256
Published by Tor Nightfire on March 28, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook DepositoryBookshop.org
Goodreads

A haunting Southern Gothic from an award-winning master of suspense, A House With Good Bones explores the dark, twisted roots lurking just beneath the veneer of a perfect home and family.
"Mom seems off."
Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone.
She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out.
But stepping inside, she quickly realizes home isn’t what it used to be. Gone is the warm, cluttered charm her mom is known for; now the walls are painted a sterile white. Her mom jumps at the smallest noises and looks over her shoulder even when she’s the only person in the room. And when Sam steps out back to clear her head, she finds a jar of teeth hidden beneath the magazine-worthy rose bushes, and vultures are circling the garden from above.
To find out what’s got her mom so frightened in her own home, Sam will go digging for the truth. But some secrets are better left buried.

My Review:

“Mirror, mirror on the wall, I am my mother after all,” or so goes the sampler. Sam Montgomery is experiencing something even weirder and creepier – she’s watching her mother turn into her frightening and downright abusive grandmother – and it’s scaring them both to death.

Sam is worried that her mother is going through early-onset Alzheimer’s. Or some really bizarre stage of delayed grief over her grandmother’s death. Or that she’s just fallen off her trolley. And there’s just a bit of worry on Sam’s part that whatever is going on with her mother is genetic – and that someday it will happen to her.

Although channeling her mother – as she was before this whole thing started – wouldn’t not be all that terrible. Her mother was cool. Her grandmother, on the other hand, was cold as the grave even before she was put into one herself.

But still, Sam is an academic, specifically an archaeoentomologist. Research is what she does. So she does. Research, that is, into what is happening to her mother, when it started, how it’s progressing, and whether or not there is anything at all that Sam can do about it.

What she finds are a whole lot of secrets that really, truly should have remained buried. And that the house her mother inherited from Sam’s grandmother doesn’t just have good bones – it also has very strong teeth.

Escape Rating A-: I never expected to find a story at the intersection of gothic horror with “I am my mother after all” and “academic politics are so vicious because the stakes are so small” – but here is A House with Good Bones and that’s exactly where it sits. With a vulture circling over it.

At first, the horror is the kind that happens all the time. Sam comes home for a long visit when the dig she’s supposed to be on gets postponed, only to find that her mother isn’t quite right. As we reach middle age and later, if our parents are still with us at that point, we all come to realize that they aren’t quite what they used to be as time and possibly illness or tragedy take hold. As we see their mortality and we begin to feel our own.

And that’s what Sam fears most. At first. It’s a very real fear but it isn’t usually the kind that leads straight into gothic horror and then down into the depths of something even creepier. But this time it does. And does it ever!

As Sam digs deeper into the family history, she learns that that history wasn’t nearly as above-reproach or nearly as respectable – as her late Gran Mae made it out to be. There are some real skeletons in the family closet, and more than a few of them are still haunting the house.

Then again, so is Gran Mae.

Sam will have to dig deep, under the house and into her own reserves in order to lay all of the family skeletons to rest. One way or another.

Two things made this story for me. Actually three. One is that I will read anything T. Kingfisher writes, even in genres I don’t read much of – like horror. Second is that the initial horror is so very mundane and real, making it easy to get sucked into the story. Third is the character of Sam Montgomery herself, as in this book she represents the snarky, sarcastic and self-deprecating voice of the author.

Which is where that element of “academic politics” comes into the story. Sam is able to triumph over Gran Mae not because she’s all-knowing or all-powerful or any of those standard heroic tropes. Sam wins the day because she knows herself, in all her faults and all her virtues. Gran Mae’s insidious voice has no place of entry into Sam’s mind or heart because she’s survived so much worse in the bloody (not literally), hallowed (not exactly) halls of academe.

So I read – and loved – A House with Good Bones not for its horror but for Sam’s snarkcasm and the wry smiles and chuckles and occasional guffaws that it engendered. And it was terrific.

Review: The Raven Thief by Gigi Pandian

Review: The Raven Thief by Gigi PandianThe Raven Thief (Secret Staircase Mystery, #2) by Gigi Pandian
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: cozy mystery, mystery, thriller
Series: Secret Staircase Mystery #2
Pages: 320
Published by Minotaur Books on March 21, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook DepositoryBookshop.org
Goodreads

Multiple award-winning author Gigi Pandian is one of the best locked room mystery writers working today. Her newest heroine, Tempest Raj, returns in The Raven Thief, where sliding bookcases, trick tables, and hidden reading nooks hide something much more sinister than the Secret Staircase Construction crew ever imagined.
One murder. Four impossibilities. A fake séance hides a very real crime.
Secret Staircase Construction just finished their first project with Tempest Raj officially a part of the team—a classic mystery novel-themed home interior. Their client is now ready to celebrate her new life without her cheating ex-husband, famous mystery author Corbin Colt. First up, a party, and Tempest and Grandpa Ash are invited to the exclusive mock séance to remove any trace of Corbin from the property—for good. It's all lighthearted fun until Corbin's dead body crashes the party.
The only possible suspects are the eight people around the séance table—a circle of clasped hands that wasn't broken. Suspicion quickly falls on Grandpa Ash, the only one with actual blood on him. To prove her beloved grandfather’s innocence, Tempest must figure out what really happened—and how—or Ash will be cooking his delectable Indian and Scottish creations nevermore.

My Review:

Hidden staircases are far from the only secrets that Tempest Raj has to contend with in this second book in the Secret Staircase Mystery series, after the events of last year’s locked room mystery/thriller romp, Under Lock and Skeleton Key.

In fact, the Raj family seems to be keeping an entire hidden vault chock-full of secrets, each believing they are protecting the others – and Tempest herself is no different. But those secrets – or at least a few of them, very nearly put Tempest’s beloved grandfather Ash into prison.

It all starts innocently enough. Lavinia Kingsley wants to exorcise the demon of her cheating ex-husband from her life in general and from the home they once shared in particular. As the bastard is very much still alive – and still living in town – Lavinia decides on a fake séance to remove his virtual or spiritual presence. A ceremony in which she plans to burn a box of papers he left behind when he moved out – into his new girlfriend’s house.

Even in a real séance, the practitioner does not expect the corpse of the dearly or not-so-dearly departed to manifest in the room. So it’s more than a bit of a surprise – it’s a downright shock – when Corbin Colt’s still warm body drops from the ceiling to the middle of the table.

Tempest’s magician friend Sanjay prepared the room for the fake séance, but that was absolutely not one of the props he planned to include!

But that preparation included all the participants surrendering their cell phones, all of the doors to the room being locked, and all of the lights dimmed to set the ‘right’ atmosphere for the event. When that body drops right in front of him, Ashok’s instincts as a retired doctor are to examine the victim in the hopes that he can save the man.

An instinct that unfortunately covers Ash in the evidence used to indict him for the murder of a man who once filed a restraining order against him for assault.

Leaving Tempest and her friends in the same position they found themselves in Under Lock and Skeleton Key – running an unofficial, unsanctioned and absolutely unprofessional investigation into a murder case involving her family that the police seem to have gotten all wrong. Again.

Escape Rating B-: Like the series opener, The Raven Thief is a cozy mystery thriller that takes the classic locked-room mystery and gives it a whole prop cupboard’s worth of new, inventive and occasionally downright magical twists and turns.

When Corbin Colt’s case turns into a murder investigation, it’s not merely a locked room mystery. There are not just one or two, but four impossibilities built into his killing, from how did his murderer get the body into the ceiling with the séance attendees in the room to how did he get so recently dead when he was seen a half hour away by hundreds of witnesses just a few minutes before his shocking demise?

Watching Tempest figure out just how it was done and whodunnit was a lot of fun, filled with oodles of surprises and misdirections, but it takes a fair amount of book to get there.

What was much less fun, or at least much more disjointed, was following Tempest as the family secrets and curses that have plagued her life twisted her up, sent her on more than one wild goose chase and just generally muddied the waters of both the case in hand AND the overarching story of her family and the tragedies that have followed them around the world.

Tempest’s family have a long and storied history as stage magicians – a history that included Tempest herself until just prior to the events of Under Lock and Skeleton Key. Both her mother and her aunt were murdered due to a secret not yet revealed. A mysterious figure that Tempest has nicknamed ‘Moriarty’ is stalking her, claiming to be protecting her but that is murky at best and the reader, along with Tempest is still very much in the dark about his true purpose.

So there are two stories combined into The Raven Thief, and they don’t manage to jell into one. The case of the dead bastard, while not exactly straightforward, had the potential to be a delightful mystery romp of an arsehole getting his just desserts that gets twisted by human emotions and clever misdirection.

The secrets that the Raj family are keeping from one another keep rising up to bite them in the collective arse – which could make the mystery more fascinating. But so far it feels like trying to solve an equation for too many unknowns and they just muddy the waters – at least for this reader.

I did enjoy the last third of the book, as the case in hand starts drawing towards its conclusion. I love Tempest’s quirky family and their even quirkier business adding whimsy, hidden rooms and secret staircases to houses. I’ve also read and liked a few of the books in the author’s Jaya Jones Treasure Hunt series. Taking all of those things together means that I’ll be picking up the next book in the Secret Staircase Mystery series in the hopes of getting a few more clues to all of those pesky family secrets that keep getting in Tempest’s way.

Review: The New Guys by Meredith Bagby

Review: The New Guys by Meredith BagbyThe New Guys: The Historic Class of Astronauts That Broke Barriers and Changed the Face of Space Travel by Meredith Bagby
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: history, nonfiction, science, science history, U.S. history
Pages: 528
Published by William Morrow & Company on February 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook DepositoryBookshop.org
Goodreads

The never-before-told story of NASA's 1978 astronaut class, which included the first American women, the first African Americans, the first Asian American, and the first gay person to fly to space. With the exclusive participation of the astronauts who were there, this is the thrilling, behind-the-scenes saga of a new generation that transformed space exploration
The story of NASA's Astronaut Class 8, or "The F*cking New Guys," as their military predecessors nicknamed them, is an unprecedented look at these extraordinary explorers who broke barriers and blasted through glass ceilings. Egos clashed, ambitions flared, and romances bloomed as the New Guys competed with one another and navigated the cutthroat internal politics at NASA for a chance to rocket to the stars.
Marking a departure from the iconic military test pilots who had dominated the space program since its inception, the New Guys arrived at the dawn of a new era of space flight. Teardrop-shaped space capsules from Mercury, Gemini, and Apollo gave way to the space shuttle, a revolutionary space plane capable of launching like a rocket, hauling cargo like a truck, and landing back on Earth like an airliner. They mastered this new machine from its dangerous first test flights to its greatest achievements: launching hundreds of satellites, building the International Space Station, and deploying the Hubble Space Telescope.
The New Guys depicts these charismatic young astronauts and the exuberant social and scientific progress of the space shuttle program against the efforts of NASA officials who struggled to meet America's military demands and commercial aspirations. When NASA was pressured to fly more often and at greater risk, lives were lost in the program's two biggest disasters: Challenger (1986) and Columbia (2003).
Caught in the crosshairs of this battle are the shuttle astronauts who gave their lives in those catastrophes, and who gave their lives' work pursuing a more equitable future in space for all humankind. Through it all they became friends, rivals, lovers, and ultimately, family.

My Review:

Just as Tom Wolfe’s The Right Stuff set its portrait of the original astronaut class, the Mercury Seven, into its time and place in the history of the space program and the 1950s space race that preceded it, The New Guys performs a similar service for the 1978 astronaut class, the 35 astronauts recruited to help design, build and crew the Space Shuttle.

The concepts behind the books may be similar, but the people they follow were very, very different, both by design and because of the events of the intervening decade, the tumultuous 1960s, when the civil rights movements took hold and gained more ground than anyone could have imagined in the 1950s.

At the same time, there’s something similar in the two groups, that both were willing to sit “on top of an enormous Roman candle…and wait for someone to light the fuse,” as Wolfe said about the group of astronauts he portrayed. That most of the fuel for that Roman candle sat next to rather than directly under the Space Shuttle at launch doesn’t change the unstated point in that quote, that sometimes that Roman candle might just explode instead of providing liftoff – and that every astronaut who sat atop or beside it knew it.

Because it had happened before – and might happen again.

But before the disasters that marked the waning days of the Space Shuttle program, Challenger and Columbia, first there were the years of endless testing, of heady excitement, of competition to be the first as well as the camaraderie of being part of the most glorious dream that humanity ever imagined. The journey to leave this “big blue marble” in order to see its beauty and its fragility from the black of space.

The astronaut class of 1978, “The New Guys”, “Thirty-Five New Guys (AKA TFNG)” or “Those F*cking New Guys” as they were dubbed by the old hands, were recruited for the express purpose of making the “final frontier” seem like a possible dream for everyone, and not just restricted to a few white men who could qualify to be military test pilots.

This is their story. The story of a dream given form. But also the story of the personal costs to those who dreamed that dream – and to their friends and families. And underlying the good and the great, the firsts and the glory of it, there’s a hidden uncurrent of an organization and a country who cared more about the costs and the potential financial benefits than they did about the lives of the people sitting on or by that Roman candle.

Escape Rating A+: I loved this. Truly, seriously, I just loved it. And even though the eARC version I read did not include the pictures, I could still picture more of it in my head than seems possible.

But I do need to confess that I have a soft spot in my heart for the space program and books about it and I always have. So I expected to love it and was NOT disappointed. Howsomever, if you plan to read the book after reading this squee of a review, do get a copy with the pictures. Also, be advised that this is a much quicker read that it would seem from the stated length. The notes are EXTENSIVE.

All of that being said, what made the book work for me was that it was a view from the inside of something that I always wanted to be inside of but would never have had the chance. At the same time, because of the time period the story covers, it sheds light on some darker parts of the history I lived through from the 1970s and into the 2000s.

And there certainly were dark places, even before the shadows left behind by the Challenger and Columbia disasters – the causes for which are not glossed over here. Instead, the deep dive into the reasons behind both made me cry – because neither needed to happen and yet were inevitable because of situations that could have been predicted and corrected long before either explosion.

But a big part of what made this book so absorbing were the stories of how many of the individuals in this particular class of astronauts came to the point where they applied for the program, and how their perspectives were affected by the situations they came to the program from. Six of the new astronauts were women, one of whom was Jewish. Three of the men were African American, one was Asian American. In other words, 10 out of those 35 new astronauts were people who would never have been permitted into the selection process before this class, and faced bigotry and resentment as well as intense scrutiny along with all of the personal and professional stress that came with becoming astronauts.

Their stories felt real in a way that previous astronaut stories may not, because there were finally people that more of us could identify with.

But this book also contains those huge hard places, as it pokes and prods its way into NASA’s overall culture, the frequently terrible economics of the times when the Shuttle Program was at its peak, and how those factors played into the Challenger and Columbia disasters. Those sections are frustrating, infuriating and heartbreaking at the same time. It’s a rough read but so very necessary to set the whole story in its proper context.

The story of The New Guys takes the TFNG from their earliest dreams of space to the ends of their careers. But there’s a wider context to the story of the space program as a whole, placing this book in the center between the machismo of Wolfe’s The Right Stuff and the end of the era as told in Leaving Orbit by Margaret Lazarus Dean.

In conclusion, if you ever dreamed of becoming an astronaut, if you ever wondered what it would be like to go through the intensity – and occasionally insanity – of that program, The New Guys will give you a taste of what it was like for someone you might have been inspired by – or aspired to be. If you are looking for a dive into the causes of the Challenger and Columbia disasters that is accessible to both the layperson and the layperson’s tear ducts, this book will make the whole mess human, comprehendible and utterly frustrating and infuriating at the same time.

The New Guys is a book to touch both the heart and the stars.

Review: The Lies of the Ajungo by Moses Ose Utomi

Review: The Lies of the Ajungo by Moses Ose UtomiThe Lies of the Ajungo (Forever Desert, #1) by Moses Ose Utomi
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook
Genres: epic fantasy, fantasy
Series: Forever Desert #1
Pages: 96
Published by Tordotcom on March 21, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook DepositoryBookshop.org
Goodreads

Moses Ose Utomi's debut novella, The Lies of the Ajungo, follows one boy’s epic quest to bring water back to his city and save his mother’s life. Prepare to enter the Forever Desert.
A Library Journal Best Book of the Month!
They say there is no water in the City of Lies. They say there are no heroes in the City of Lies. They say there are no friends beyond the City of Lies. But would you believe what they say in the City of Lies? In the City of Lies, they cut out your tongue when you turn thirteen, to appease the terrifying Ajungo Empire and make sure it continues sending water. Tutu will be thirteen in three days, but his parched mother won’t last that long. So Tutu goes to his oba and makes a deal: she provides water for his mother, and in exchange he will travel out into the desert and bring back water for the city. Thus begins Tutu’s quest for the salvation of his mother, his city, and himself.
The Lies of the Ajungo opens the curtains on a tremendous world, and begins the epic fable of the Forever Desert. With every word, Moses Ose Utomi weaves magic.

My Review:

The Lies of the Ajungo is a story that reads like a myth, and is also a story about mythmaking, sitting comfortably at the intersection of fable and fantasy and making the reader uncomfortable in its stark descriptions of how easily people can be led to believe a lie – and the lengths that the powerful will go to maintain it.

If those people are desperate enough and if their oppressors are both ruthless and clever. Very, very clever.

Tutu grew up under the incessant drumbeat of the oppressive, repressive, depressive mantras about his city. A city that has come to be known as ‘The City of Lies’. But Tutu is too desperate to let those endlessly repeated phrases keep him from his quest to be a hero for his city and find water to save his city and his mother. Mostly, to save his mother.

What he finds on his trek through the Forever Desert is that everything that has been said about his city is a lie, and that the name is the biggest lie of all.

He finds friends and companions. They help train him to become a hero – and he helps to train them as well. And they all believe in each other – because they are all from ‘The City of Lies’ and nothing about any of their cities is what they thought. Or were taught. Or believed.

They find the truth, a truth that has the possibility of setting their cities free of the lies told by their conquerors.

If only the rest of their people can set aside all the lies they have been told and tear down each city’s Palace of Lies.

Escape Rating A+: I loved this when I read it last year for a Library Journal review, and I loved it just as much when I reread it last week. It’s an awesome and thoughtful story and I don’t think I can do it justice, but I’m going to try.

The story begins as a tragic but rather typical epic fantasy-type quest. When Tutu sets out he’s the young hero, the chosen one, setting out to save his people. We’ve seen this story before, and if it had continued in that vein it would have been beautifully written but not necessarily special beyond that.

And that’s where it takes its turn into that something special, as Tutu gets a big chunk of his naivete blasted away, learns that his quest has a cost, and discovers that he and his city are not alone. That a heinous crime is being committed, and committed in such a way as to inflict maximum cruelty at minimum cost to as many people as possible.

Which is when the story shifts from epic quest for water to even more epic quest for justice. The truth sets Tutu and his companions free, even as it grieves them for everything that all of their peoples have lost over the centuries, and just how terribly they have all been betrayed.

What made this even more fascinating is that there’s no magic involved in any of it. There’s no Sauron or Palpatine. No monster and no supervillain. It’s just people behaving very, very badly and other people being at first terribly gullible and eventually just terribly downtrodden.

While Tutu learns, to his cost, that both sides are invested in maintaining that narrative, whether because they want to keep the power they have illicitly gained or because they can bear to have their illusions destroyed of simply because they’ve just drunk way too much of the ‘kool-aid’ and can’t let go of their beliefs.

It’s possible to read The Lies of the Ajungo as merely the epic quest it first appeared to be. But the more one thinks about it, the more the sand of that desert blows into the cracks of that initial interpretation. It’s a story that stuck with me the first time I read it, and it’s still sticking this time as well.

I always love a good story that also makes me think, and The Lies of the Ajungo is most definitely that. I highly recommend this quickly read fantasy that will leave you with a long book hangover of was and would be and might have been and might yet be kinds of thoughts.

The Forever Desert is a place that is more than capable of holding multiple legends, but when I read The Lies of the Ajungo last year it seemed as if those stories would remain untold. I’m very happy to say that is no longer the case, and a second story from the Forever Desert, The Truth of the Aleke, will be published this time next year. A story which sounds every bit as beautiful, harrowing and yes, legendary, as this first one.

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 3-19-23

The following picture is both adorable and apropos today. This is a rare shot of Hecate and Luna sharing the same space, and it’s perfect for today because we’ll be on our way home from a visit with one of my oldest and dearest friends, someone I’ve known since kindergarten but have not shared the same space with in almost 20 years. We’ve always kept in touch but haven’t been in the same geographic area in literally aeons. I don’t even care if the weather is good while we’re there – although I certainly hope it is. The opportunity to just sit and talk together is, as they say, priceless.

Current Giveaways:

$10 Gift Card or $10 Book in the Winter 2022-23 Seasons of Books Giveaway Hop (ENDS TONIGHT!!!)
$10 Gift Card or $10 Book in the Leaping Leprechauns Giveaway Hop (ENDS TOMORROW!!)
$10 Gift Card or $10 Book in the For the Love of Reading Giveaway Hop (ENDS THURSDAY!)

Winner Announcements:

The winner of the Lady Luck Giveaway Hop is Debbi

Blog Recap:

C Review: The Atlas Paradox by Olivie Blake
A+ Review: The Mimicking of Known Successes by Malka Older
B Review: Illuminations by T. Kingfisher
Chasing Rainbows Giveaway Hop
A- Review: Knightmaster by Anna Hackett
Stacking the Shelves (540)

Coming This Week:

The Lies of the Ajungo by Moses Ose Utomi
The New Guys by Meredith Bagby
The Raven Thief by Gigi Pandian
The White Lady by Jacqueline Winspear
One Extra Corpse by Barbara Hambly