Grade A #BookReview: Fury in Death by J.D. Robb

Grade A #BookReview: Fury in Death by J.D. RobbFury in Death (In Death, #63) by J.D. Robb
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: futuristic, mystery, romantic suspense, suspense, thriller
Series: In Death #63
Pages: 357
Published by St. Martin's Press on September 8, 2026
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

In the new crime thriller from the #1 New York Times-bestselling author, Lt. Eve Dallas journeys into the darkness where murder is born…

NYSPD lieutenant Eve Dallas never knows what to expect when she gets word of a body. It could be an elderly man who made the mistake of climbing a ladder in slippery footwear. And the next call could be a wealthy biotech executive beaten to death in his home office―but what was Larry Chu’s mistake?

The victim’s corpse is so mangled and damaged it’s hard to believe a lone, unarmed assailant could have managed it. The killer was clearly unnaturally strong―and smart enough to find a way into Chu’s highly secure building. Most of all, whoever did this was very, very angry.

The excessive violence leads Dallas to conclude that this was a deeply personal act, born of a rage that she can’t excuse but can understand thanks to her own traumatic past. And though the motive seems rooted in heated emotion rather than cold hard cash, she can’t ignore the suspicious bank account in the Cayman Islands, or the shadowy, profit-hungry company Chu worked for. The mystery only grows when it turns out Chu isn’t the only victim―and Dallas will need to tear through one layer of secrecy after another to reveal what lies behind this explosion of fury...

My Review:

In the end, this is a story about corporate greed and collateral damage. NYPSD Lieutenant Eve Dallas has solved plenty of cases wrapped around those same two axes over the now 63 books (and counting!) in the In Death series.

As always, Dallas goes into the case seeking justice for the dead. Often, that means developing a meticulous case against a killer, one bloody, painstaking step at a time. But this case isn’t just about the murders in the present – it’s about murders in the past that Dallas and her colleagues never even knew WERE murders. Not even her mentor, Captain Feeney, who helped to rule this killer’s origin story as an accident. Not because Feeney did anything wrong or underhanded or even neglectful – because if he were that kind of cop he wouldn’t BE Dallas’ mentor – but simply because thirteen years ago, one greedy corporation had access to WAY better tech than the NYPSD.

But time marches on, and tech marches with it, or ahead of it. Thanks in part at least to Dallas’ husband, the mega-billionaire known only as Roarke, the NYPSD has a lot of top-of-the-line tech on their own side of the line. And more than enough talent to follow the trail. Not just to this murderer, but to the original crime.

So this is really a story about justice delayed. About the need for justice that only comes to light because someone lit the torch with vengeance. And about a killer who is also a victim, just as, once upon a time, the little girl who would someday become Lt. Eve Dallas was herself.

She understands his choices – even as she condemns his actions. He respects hers – even as he nearly beats her to a pulp so that he can finish the duty he claimed on the bodies of his dead wife and child.

He can’t be saved, no matter how much Dallas might want to redeem him. But she can stand for him, even after everything he’s done, because he’s already one of her dead.

Escape Rating A: At first, I had some doubts about the opening. Not just that the reader left that prologue pretty damn sure they already knew who the murderer was, but that they already knew most of the why and that the how got figured out pretty early in the story. And yet, we already sympathized with the murderer, because his cause was just even though his means were bloody and his motives seemed entirely vengeful.

Then again, there’s a strong streak of making heroes out of vigilantes in American “mythology”, and this murderer could have been carved right out of those myths. Additionally, while Dallas is the one who finally administers a whole lot of justice, it has to be acknowledged that her investigation only begins because he starts killing people who believed they had gotten away with multiple mass murders and needed to be taken care of for everyone’s safety.

So the reader gets caught on the horns of that dilemma, that every single one of this particular murderer’s victims got exactly what they had coming to them. Which doesn’t make any of it right. The problem is that right only happened because the murderer forced their old crimes into the light. By killing them in a way that absolutely could not be called anything other than murder.

I’m still sitting with that, because as fascinating as the case is, and as much fun as it is to catch up with everyone and see the team working at the top of their game and the found family coming together for a celebration at the end, this is a story that doesn’t have a clear ending even though it has a clear ending.  Part of what readers enjoy about mysteries is the catharsis of opening a story where order has been disrupted and seeing order restored, good triumph and evil get its just desserts. But this is a story where the lines between good and evil are blurry. And yet, we STILL want to root, at least a bit, for the man who committed the murders. Or at least we feel for him because he’s a victim, too.

This 63rd entry in the In Death series grabbed me and shook me from the very first page, even though I already knew who did it, why they did it and most of how they did it. Because none of that was the point. The point was the story of what happens after someone breaks, and the true, sometimes even desperate lengths that someone will go to for love. Which fits right into the entire arc of the series, starting from the very first book, Naked in Death. When Roarke took all of his shady businesses and experience as a high-end thief and turned his whole empire entirely legit because he fell in love with a cop.

The next book in this series is Perfect in Death, coming in February. I’m already looking forward to it.

A- #BookReview: Scion by James Islington

A- #BookReview: Scion by James IslingtonScion by James Islington
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: cyberpunk, science fiction, thriller
Pages: 240
Published by S&S/Saga Press on September 1, 2026
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

John Wick meets Blade Runner in this fast-paced cyberpunk thriller by the #1 NYT bestselling author of The Will of the Many.
My job, when you think about it, isn’t so different from a lot of people’s. I have to deal with a ton of boring planning. Inconvenient hours. Some pretty awkward face-to-face interactions. And like most of us, I’m really only clocking in to try and crawl out from beneath my debts.
The more old-fashioned crowd do still get hung up on the ‘killing people’ part, I guess, but that’s a them problem: it’s been perfectly legal to take out lifers for ages. Besides, once ultrawealthy morons realised they had a way to live forever—limited resources be damned—there was only ever going to be one genuinely practical deterrent. So someone’s got to do it.
And luckily, my genetic compatibilities make me really, really good at it.
Still. This next job… I don’t know. It’s something I haven’t had to deal with in years. Kind of the opposite of my regular duties. Strange, that it got thrown my way.
I’m sure it’ll all go totally fine though.

My Review:

This is a bit of a caper story. More than a bit, actually, but it’s the kind of caper where the protagonist or agent, or whatever Azure thinks of himself as because it sure as hell isn’t “hero” may be the point of view but isn’t as aware as he should be about precisely what it is he has a point of view OF.

Of course he thinks he does. He thinks he’s handling a protection job for the Keres, the agency/megacorp to whom he owes a life debt. Or at least a near lifetime’s service in payment for, well, bringing him back to life.

Azure hates protection jobs. He’d much rather be assassinating the rich assholes who can afford to hire the Keres instead of protecting any one of those assholes. And they are ALL assholes. Which is kind of the point of the whole thing.

In a world where most people are scraping by on the Basic Income, because there are few jobs and even fewer people have the right connections to get them, there are always a few megarich folks who can buy whatever they want. And in a world where immortality can be had for a price (a big, long, price that only the megarich can afford) those people are generally going to be, well, assholes.

Assholes who, since they are over privileged and massively influential – because money talks really loudly – they can commit criminal level assholery however and whenever they like because they can buy their way out of anything. Except for the completely legal crowdfunding of a sanctioned assassination.

Azure is Keres’ best agent for THOSE jobs – and the best agent to prevent them. But he hates those gigs. This time around he’s stuck with just such a job, protecting a very paranoid, really rich, extremely secretive old woman who doesn’t seem to be immortal at all. But is every single bit as much of a conniving bitch as the best of them. Or should that be the worst of them.

The problem with paranoia is that just because you’re paranoid that doesn’t mean that someone isn’t really out to get her. And Azure. And not just because he’s protecting this seemingly fragile old woman who won’t tell him who she is or why they’re after her.

At least not until his supposed bosses send an illegal clone of Azure himself to kill them both – and anyone who might possibly help them. That’s when the truth starts to unravel. Not just the truth of the immortality protocol that she created, but the way that her would-be killers and his scheming bosses have manipulated them both to eliminate them AND take over the world.

Unless Azure can steal it right out from under them. And expose them all.

Escape Rating A-: I had a much better time with Scion than I was expecting. Because it’s not really the way the blurb describes it. Except that it sorta/kinda is. And that obfuscation of purposes, motives and even identities turns out to be part of its charm.

The world setup is a lot like The Heist of Hollow London. Or at least Scion has some of the same vibes. The world is screwed up the same way, in that most people are either on ‘Basic Income’ or are practically owned by the megacorporations that REALLY control the world.

And Azure is caught in the middle of something that he figures out pretty early is a trap, and then decides that the only way he might possibly get out of that trap is to spring it. (Which is what happens in The Heist of Hollow London although it doesn’t happen in the same way.)

The reveal of what is really going on is a bit of a tease, especially for Azure. Not that the reader doesn’t get teased as well but at least we’re not half as cocky about thinking we know what’s going on when we really, really don’t. Azure keeps being sure he’s got a handle on everything, but every time he thinks that, it gets jerked out of his hand.

He keeps thinking on his feet – and he’s good at it – but the rug keeps getting pulled out from under him AND his assumptions. One of which is that the company that employs him, while they’re not exactly ethical from certain perspectives – has at least been playing fairly with him.

Of course they’re not.

The has the feel of a caper in that Azure is constantly on the run, he’s always trying to outthink and outrun an opponent who is multiple steps ahead of him – and he mostly manages to keep running because he has friends in low places who keep getting burned in his destructive wake.

The way the story comes down to the wire is practically breathtaking, as everything Azure thought was true is revealed to be utterly wrong and he’s left trying to decide between burning the world down and taking it over vs hiding in a bunker while it burns down behind him.

That the answer is left open is as fitting for the story and the character as it is frustrating for the reader. But it does leave things open for a sequel – and that’s not a bad thing AT ALL.

This is a story that drags the reader along, kicking and screaming every bit as much as its protagonist, and yet keeps that same reader turning pages because each and every stunning reversal leads to another shattering reveal and a higher level of wtf’ery that seems like things can’t get worse or crazier – but they do. If you love an SF caper that turns you around and shakes you up, Scion is fantastic!

Grade A #AudioBookReview: The Last Mandarin by Louise Penny and Mellissa Fung

Grade A #AudioBookReview: The Last Mandarin by Louise Penny and Mellissa FungThe Last Mandarin by Louise Penny, Mellissa Fung
Narrator: Eunice Wong
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: political thriller, suspense, technothriller, thriller
Pages: 400
Length: 13 hours and 16 minutes
Published by Minotaur Books on May 12, 2026
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A standalone thriller co-written by the #1 New York Times bestselling author of the Gamache series and an award-winning journalist.
In a fast-paced, all-too-real thriller co-written by #1 New York Times bestselling author Louise Penny and award-winning journalist Mellissa Fung, global politics become personal for two unlikely heroines. Alice Li, a first-generation Chinese-American, is an erstwhile food blogger who has lived in the shadow of her mother, Vivien Li. A Chinese dissident who escaped China after Tiananmen Square, Vivien is now a globally recognized human rights activist and passionate advocate for a free and democratic China.
When security and fire alarms go off simultaneously all around the world, setting off a panic, the signal is traced back to China. As world leaders scramble to respond, Vivien and Alice are called to the White House in hopes Madame Li can decode the Chinese intentions.
While it makes some sense that the President would turn to Vivien, since she regularly advises world leaders on the actions of today’s Chinese government, what isn’t clear is why they’d want to talk to Alice.
After looking at the evidence, Vivien says that the only thing worse than the Chinese government being behind it, is if they are not. It would mean, she explains, that some clandestine element within China is calling the shots. That the President of China has lost control. And an unstable China cannot be good for anyone.
Or perhaps that’s exactly what the shrewd old politician wants everyone to think.
Caught up in the chaos, Vivien and Alice are uniquely placed to stop the next, cataclysmic attack. But there are forces deep within both the American and Chinese governments intent on stopping mother and daughter. The estranged pair, who excels at misunderstanding each other, must figure out how to work together.
The increasingly frantic search for answers takes the women from the Oval Office to an office building in Akron, Ohio, from the noodle shops of Hong Kong to the necropolis of the first emperor. Along the way they must decode an old legend, and an old language invented by women, for women.
The Last Mandarin is an electrifying study of absolute power and voracious greed, political terror and personal conviction. But it is also, as to be expected from the minds of Louise Penny, beloved author of the Gamache novels, and Mellissa Fung, an acclaimed international journalist, an intimate examination of choice, of sacrifice, of memory and myths, both cultural and personal. It is the story of a mother and daughter, as well as a compelling international thriller about the precarious balance of power across the world, and within a family. And what happens when both break down.

My Review:

The Last Mandarin is a bit of a “six impossible things before breakfast” kind of story. Then again, our perspective on the frequently insane events of this tale is named Alice – and she often doesn’t believe what’s happening either, even while she’s in the midst of experiencing it.

Especially while she’s experiencing it.

The story begins with food blogger Alice Li in the restaurant of one of Washington D.C.’s premier hotels, watching resentfully as seemingly everyone in the room sidles up to the table to pay homage to her mother Vivien. Vivien Li, a refugee from the People’s Republic of China just after the 1989 protest and massacre at Tiananmen Square, has made a name and reputation for herself in the U.S. as a renowned human rights activist, an outspoken speaker against the communist regime that continues to control and suppresses the people of her homeland and an expert on the politics and history of the country she fled.

Alice has spent her entire life in her mother’s shadow, never measuring up to whatever unspoken plans and ambitions her mother had for her. Alice is still standing in Vivien’s shadow, dragged along in her mother’s wake, when every single alarm and warning system on the entire planet – and the space surrounding it – goes off at once. Everywhere, all at once.

And Vivien – with Alice in tow – is dragged from the hotel to the White House to speak to the members of the President’s inner circle about the source of what can only be considered an attack. Because whoever did this, however they accessed every warning system everywhere, including the space station in orbit and literally all the civilian and even military ships at sea, did it from somewhere in China.

Not that the country of China was exempt from what happened. Only that someone there must know something. And that Vivien – or one of the President’s advisors – should have seen it coming. But they didn’t.

All they have is one last text from one of Alice’s old college friends. She thought Liam was just a fellow food blogger, but his message was clearly more – and so was he. Whether he was a spy, a double agent, or merely an agent of Vivien Li’s own private spy network is something yet to be determined.

But Alice Li is determined to find out what really happened. As well as with figure out who, and what, her mother really is. It might make more of a difference than either Vivien or Alice can imagine if Vivien can manage to look past her own hubris to understand who her daughter really is, and what she’s really capable of, as well.

Before it’s too late.

Escape Rating A: This story is more than a bit of a wild ride. It’s the kind of story that the late Tom Clancy used to right, filled with paranoid plots, insane situations, mutually assured destruction brinksmanship, and the potential end of the world as we know it. (That Clancy is both dead and still publishing new books fits right in, as that’s just as impossible as much of both his – and this – story.)

But the impossibilities are in the details, and in the characters who find themselves thrust into the position where they are the only ones who CAN save the world. Even as the people who believe they are the powers-that-be gibber in paranoia and delusions and paranoid delusions that might even be partially true, worrying about vast hidden conspiracies and whether or not they’ll be blamed for the destruction.

The idea that the world is much more vulnerable than we think it is, and that world leaders are simultaneously afraid of each other – with reason – and have more in common with their enemy counterparts than their own people, can be, and probably is, both counter to what we believe AND entirely true. (That concept comes straight out of old Cold War espionage stories, where the enemy agents in the same situations understood each other better than the folks back home understood them – and vice very much versa.)

Again, even if the details of this story seem over-the-top. Which they mostly are.

At the same time, it’s easy to see co-author Louise Penny’s fingerprints all over the way this story works. There’s an ongoing thread through her beloved Chief Inspector Gamache mysteries in regards to hidden, deeply rooted, long buried, patiently waiting gigantic conspiracies. And that’s exactly what’s at the heart of this story – even if their motives are different from Gamache’s usual run of antagonists.

Because the story here combines human and political plausibilities and possibilities with the implausibility of its heroes and historical antecedents which careens hard into Dan Brown and the arcane, hidden historical meanings and implanted codes of, well, The Da Vinci Code.

And it’s that juxtaposition of the likely with the quirky and otherwise downright impossible that readers will either fall into in fascination or bounce off of hard and fast.

I fell hard, for the most part. I loved the conspiracy theories and the historical underpinnings. The strained relationship between Chinese dissident turned civil rights activist Vivien Li and her resentful adult daughter Alice grounded the story in the real even more than the plot wrapped around the real-world bogeyman of artificial intelligence run amok in cyberspace.

The way that the new conspiracy is steeped in the myths and legends of Chinese history will either captivate readers or push them out of the story. I love those kinds of details, but reading mileage definitely varies.

Readers who set aside their disbelief, or at least let it rest for a while, will enjoy The Last Mandarin a great deal. It’s the kind of espionage thriller that we don’t see nearly as much of as we used to. In that sense, and in its choice of foci and protagonists, it reminds me a bit of The Silver Fish as well as both Clancy and several of M.L. Buchman’s series, particularly his Miranda Chase series.

It’s also a story that is even better in audio. I listened to Eunice Wong’s narration – she’s a great reader for Alice – and got so caught up in her reading that I was up until 3 am finishing the audio instead of switching to text and wrapping up in a single hour. It was worth it.

So if you can wrap your willing suspension of disbelief around this combination of implausible heroes and not nearly as insane as we’d like them to be conspiracy plots, The Last Mandarin is a fascinating and fantastic read. In multiple senses of both words!

A- #AudioBookReview: A Deadly Episode by Anthony Horowitz

A- #AudioBookReview: A Deadly Episode by Anthony HorowitzA Deadly Episode (Hawthorne & Horowitz, #6) by Anthony Horowitz
Narrator: Rory Kinnear
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Hawthorne and Horowitz #6
Pages: 384
Length: 8 hours and 4 minutes
Published by Harper, HarperAudio on April 28, 2026
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

From the global bestselling author of Moonflower Murders and Close to Death comes an unputdownable new mystery in the Hawthorne and Horowitz series.
‘Easily the greatest of our crime writers’ Sunday Times'Nobody does this crime fiction better than Anthony Horowitz’ Crime Time FM'Anthony Horowitz is a national treasure' Ragnar Jónasson
---------
The Word is Murder, the first book in the Hawthorne series, is about to be made into a major feature film.
The actors have been cast, the script written, and filming has already started in Hastings.
But when Hawthorne and Anthony visit the set, they find a far from happy family.
The director’s pretentious, the screenwriter’s an eco-warrior, the two stars hate each other, and the producer has run out of money.
And things are about to get much, much worse.
In the middle of shooting, the actor playing Hawthorne is stabbed – which leaves the real Hawthorne with no choice. He has to step in and investigate his own murder.
Because the killer may not have got the right man. Was it Hawthorne himself who was meant to be the target?
A Deadly Episode is a wild ride through a world that the author knows only too well, and the most personal case Hawthorne has had to deal with so far.

My Review:

This series has been very meta from the very first book, The Word is Murder, but this sixth “episode” in the series is even more meta than the previous ones. And OMG that’s saying something.

They’ve always been meta (“A movie, book, or conversation is described as “meta” when it consciously references or comments upon its own medium or nature”) because the author, his more-or-less, somewhat sorta/kinda, real-life self is a character in the book who acknowledges all along that he’s writing the book – no matter his mixed feelings about the person/character he’s made famous, former Metropolitan Police Chief Inspector Daniel Hawthorne – AND about the way that Horowitz himself is treated by Hawthorne and pretty much everyone else when Hawthorne is around. Very much like a second banana – and an afterthought of one at that.

This time around the murder occurs on the site of a previous murder that was investigated by Hawthorne and Horowitz. In fact, on the site of their very first case, written up as The Word is Murder.

But not exactly the same site. Because this murder takes place on the set where The Word is Murder is being filmed. And this time around it’s Hawthorne himself who is the victim. Not the real Hawthorne, of course. Merely the actor playing Hawthorne in the production.

Not that there aren’t plenty of people around the set AND in Hastings where it’s being filmed who wouldn’t love to stick a knife in EITHER the real or the fictional Hawthorne. Neither of them has made a lot of friends in whichever business they’re in. Although not the same way. The real Hawthorne is a single-minded misanthrope who (mostly) pisses people off to get the job done. The actor playing Hawthorne, on the other hand, is a real piece of work with all the negative connotations of that phrase.

So Hawthorne has been murdered, and Hawthorne is investigating while Tony is, as usual, a day late and a pound short, following behind a character who will figure out whodunnit – no matter how twisted the path to getting there – without anyone giving poor Tony half the credit he’s due for getting yet another mess of a case into shape for eventual publication.

Then again, Watson didn’t get the credit he was due, either. And it hasn’t stopped a single one of us from getting caught up in THOSE cases. Or, for that matter, Hawthorne’s cases, with Tony tagging along behind and never quite catching up to the solution until Hawthorne lays it out for him – and the reader – on the proverbial silver salver – no matter how tarnished either that platter, or Hawthorne’s reputation or poor Tony’s ego, have gotten in the process of the investigation.

Escape Rating A-: This is the rating I usually end up at with this series, with the exception of The Twist of a Knife which I loved.

The reason I generally end up at A-, and why I did here, is that the initial parts of the story generally make me feel mean. Which needs a bit of an explanation.

Part of what makes the series as a whole equal parts interesting and meta is the life imitates art imitates life of the whole thing. Anthony Horowitz, the real-life author, is also Hawthorne’s very much put upon sidekick ‘Tony Horowitz’. He hates being called Tony, but he can’t get people – particularly Hawthorne – to stop doing it. He’s disregarded at every turn and it just weirds me out. Because if the real person were as much of a whiny, petulant, doormat as the character is, he wouldn’t have half the successful career that he actually has. And yet, so many of the details of the story that set up each book do mirror the author’s real life. There’s a disconnect for me in the early parts of each book in the series because it’s all Tony’s internal angst and reluctance to get involved with Hawthorne again and that part is getting a bit repetitive.

But as soon as the body drops, the story is off and running. I just find myself wanting to scream at ‘Tony’ to “get on with it already” frequently and often up to that point.

Speaking of screaming at the characters, I generally start these books in audio (in the car when I’m alone and can scream to my heart’s discontent), and the narrator, Rory Kinnear is always excellent and does a terrific job differentiating all the voices AND dragging me through the parts I’d skim in text. Once the story gets going – once that body hits the floor – NO narrator is fast enough and I switch to text because I HAVE to know whodunnit.

The series as a whole is very quirky, the sort of thing that if you like it, you like it, but if you don’t you don’t. I LOVE them once somebody dies – which sounds terrible – but I find the scene and stage-setting at the beginning to be a bit of a slog. However, I think that’s a ‘me’ thing. I want my protagonists to have more agency than Tony seems to have in his own (fictional) life, but from his perspective it’s clear that Hawthorne is the protagonist whether Tony likes it or not.

Again, meta.

The case in this one was particularly twisted because it’s wrapped up in the shared past of many of the participants in this film shoot AND it’s tied up in a surprising bit of Hawthorne’s past that he has refused to share details of with Tony – and therefore with the reader. (And he still doesn’t even when he does which is a fascinating trick in itself.)

This series is one where the detective keeps all the details VERY close to the vest and drives his sidekick crazy with it. So Tony doesn’t know and we don’t know (I didn’t) because we don’t see most of the truth behind the scattered clues because Hawthorne ALWAYS has information we don’t.

So if you’re looking for a ‘fair play’ mystery you won’t find it in the series. But if you’re looking for twisted suspense that will keep you well suspended, Hawthorne and Horowitz – but mostly Hawthorne – are going to pin you to the edge of your seat until the bitter end.

Initially, I thought that The Word is Murder was a one-trick pony. I’m thrilled that it hasn’t been, and that this series shows no sign of ending. I’ll be back for Hawthorne and Horowitz’s next case, whenever that next body drops.

Grade A #BookReview: The Silver Fish by Connor Martin

Grade A #BookReview: The Silver Fish by Connor MartinThe Silver Fish by Connor Martin
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: espionage, mystery, suspense, thriller
Pages: 384
Published by Mysterious Press on April 7, 2026
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

In this thrilling espionage fiction debut, an American journalist in Ghana is pulled into a dangerous struggle for control of the world’s fiber optic cables.

Journalist Danielle “Dani” Moreau has spent a lifetime trying to outrun the privilege she was born into. Fresh off a personal tragedy, she lands in Ghana to uncover corruption in the local oil industry. But when she crosses paths with James Aidoo, an idealistic young Ghanaian whose father is a local populist politician, Dani remembers what drew her to journalism in the first you go looking for a story, but when the real story appears, it’s never the one you expected.

Dani soon finds herself chasing a scoop that involves an American operative with a violent past, a Ghanaian double agent, and a fight between the United States and China over one of the world’s most dangerous and least-known fiber optic cables. Underwater tubes as thick as a garden hose, the cables snake along the seafloor carrying the world’s information at the speed of light from one continent to another, and the fight to control them is increasingly visible on the world’s front pages. Amidst this world-changing struggle, Dani and her new associates will be forced to make deadly choices that impact each other and their own lives in ways nobody expects.

A twisty double-cross narrative, The Silver Fish opens with a spy operation going horrifically off course and takes the reader sprinting through crowded markets, darkened bars, bustling ports, and steaming jungle on the way to a startling conclusion. It will leave the reader shocked, moved, better-informed—and eagerly awaiting the next chapter in the story.

My Review:

“The Kingdom of Heaven runs on righteousness, but the Kingdom of Earth runs on oil.” Which is where this story begins. Because that quote may be from World War II, but journalist Danielle Moreau has come to Ghana in the here and now chasing a story with that same idea in mind. Not that bit about the righteousness in Heaven, but the part about Earth and oil.

She thinks she’s got the story of a lifetime by the tail – and she does. But the story she thinks she has is a story about Ghana selling its natural resources – particularly oil – to global powers both East and West, and the inevitable consequences that result from the influx of all that money combined with the universal forces of greed and corruption.

She’s right and wrong because she’s chasing the wrong target. Instead, she’s in pursuit of a larger consequence than she imagined. Because the story isn’t about oil. It’s about the literal underground and undersea war over who controls the pipelines, not for oil, but for data.

A hidden conflict between China and the United States over which country controls the means of moving data around the world, and which country has the upper hand in seeing, analyzing, and throttling all the secrets that their friends and enemies might be attempting to hide.

A conflict whose buried front lines come up for air – and connectivity – in Ghana.

Dani is trying to outrun her past by immersing herself in her old career and one country’s old and new problems. She gets herself caught in the crossfire between two superpowers, their desperate agents, and a plot to change the balance of power in a world that has not quite yet become the future.

But it will. One way or another. No matter which side Dani decides will let her run further and faster – from herself.

Escape Rating A: I picked this up in spite of the fact that thrillers are not my usual jam. I was intrigued because this is, on the one hand, the kind of thriller that isn’t done much anymore. Espionage used to be one of the genre’s backbones, back when the old Cold War was hot under the official ice of post-war peace.

On the other hand, it takes place somewhere that is not any of the usual suspects, and is wrapped up in issues that didn’t even exist during the Cold War. And yet, in another way it’s as old as the hills. After all, spying is commonly referred to as the world’s second-oldest profession. And sometimes the distance between it and the first is barely a hair’s breadth.

What made this story so fascinating isn’t actually Dani, although she’s the character we follow most consistently and with the most certainty. Which makes sense, because everyone else fits somewhere into the spy games between China and the U.S. while Dani is just herself. Even if she’s not quite certain who that self is anymore and whether she wants to reclaim her old self or invent a new one.

The part of the story that provides the thrills and the chills and the dangers and especially the twist at the end is the story that Dani inserts herself into – even if neither she nor the reader are aware of it at first.

At first, as Dani works out in the open – or at least thinks she does – in pursuit of her story, there’s another story going on. Dani has inserted herself into the midst of a spy game that has just gone terribly wrong. Or at least terribly ragged. Both China and the U.S. have agents in Ghana and have co-opted Ghanaian officials and ordinary citizens to work for them for inducements that are never likely to be fulfilled.

And of course there are double agents playing both sides in the hopes of coming out on top no matter who wins. If anyone ever does.

All of the players, including Dani herself although she would be loath to even see it, let alone admit it, are all working from the age-old playbook of colonization, colonialism and conflict, where the great powers always win and the pawns always get sacrificed.

Which is what keeps the reader invested from beginning to end. Because we already, sorta/kinda, in a big picture sense know how the big story is going to go – or at least keep on going because the players change, but the game of empires keeps right on rolling along. But that knowledge doesn’t stop the reader from hoping that one, or more, of the tempting silver fish swimming through this sea of misplaced loyalties and corrupted data have a chance to swim free.

Even if freedom is still just another word for having nothing left to lose.

Grade A #BookReview: Double Shadow by Andrew Ludington

Grade A #BookReview: Double Shadow by Andrew LudingtonDouble Shadow (Splinter Effect, #2) by Andrew Ludington
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook
Genres: action adventure, mystery, science fiction, thriller, time travel
Series: Splinter Effect #2
Pages: 288
Published by Minotaur Books on April 21, 2026
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

In this thrilling installment of the Splinter Effect series, time-traveling archaeologist Rabbit Ward returns to the past to help save his former adversary and track down a murderous thief in first century Jerusalem.

ROME, 2019. Time-traveling, Smithsonian archaeologist Rabbit Ward is back in the present, but not for long. Helen, his former adversary and growing ally, is in trouble with the law after being framed for a murder she didn’t commit. Stuck in hiding and running out of other options, she turns to Rabbit for help. "Help" in this case involves a trip to first century Jerusalem to track down a mysterious man named Einar Eshek.

But Rabbit won't have to do this mission alone; as soon as he arrives in 68 CE, he meets a younger version of Helen, one who has never met him before. Together, they work to track down Eshek, who turns out to be not only a time-traveling thief, but a murderous psychopath.

As they pursue Eshek through time, Rabbit and Helen feel something even bigger pulling them together. Torn between the two versions of the woman he knows, and with the clock ticking down on Helen’s fate in 2019, Rabbit might have no choice but to betray her past self to secure Helen’s safety in the future. Tensions rise as Jerusalem prepares to go to war with Rome, and Rabbit races to capture Eshek, clear Helen’s name, and make it back to 2019 in one piece—a feat that’s proving to be easier said than done—before everything falls apart.

My Review:

Archaeologists dig up formerly hidden caches of important artifacts all the time. As often as Egypt’s Valley of the Kings has been explored and looted over the millennia, the last undiscovered royal tomb of the 18th Egyptian dynasty (the dynasty that included Tutankhamun), wasn’t discovered until February, 2025. It’s not that historians and archaeologists didn’t know that Thutmose II existed, or that he must have a tomb someplace, they just couldn’t locate it.

Until they did.

But if time travel were an actual thing, as it is in this Splinter Effect series, such discoveries might not be so uncommon. After all, that’s what Dr. Robert “Rabbit” Ward is famous for – and what his expeditions get funded for. He doesn’t just dig up the past in the present – he goes back to the past and steals or saves (opinions vary) important artifacts and places them EXACTLY where he knows he can find them again in the present.

For Rabbit, it’s about being able to experience history by being there. The artifacts he “finds” are just an excuse to get funding. He’s in it for the adventure – and the thrill of it all.

But just as billionaires pay their way into space travel, in a world in which time travel is a viable technological thing there would be some who would pay their way into the past. Even if the practice was illegal. Which it needs to be because, well, imagine the mess if anyone with enough money could go back in time and manipulate the present?

(It’s been imagined, that’s the story in Nicholas Binge’s Extremity. It’s not a pretty picture. AT ALL)

In this version of time travel, similar to John Scalzi’s 3 Days, 9 Months, 27 Years, the time traveler can’t change their own timeline, but they can ‘splinter’ the timeline to create a different future for a different version of themselves and their world.

They can also go back in time to, let’s say, act out their worst impulses with the certainty that it won’t have any effect on their own present. (A variation of Jack the Ripper’s time travel in the movie Time After Time.)

In this second book in this series, however, Rabbit’s motives for this particular jaunt back to the waning days of the Second Temple period of Jewish history (68 CE), isn’t about an artifact or even a treasure – not that he isn’t using one as an excuse.

He’s going back in time to chase a serial killer and help a frenemy – not expecting the two things to turn out to be the same thing after all.

Escape Rating A: I did read the first book in this series, Splinter Effect, for a Library Journal review but didn’t write it up because OMG Rabbit’s story in that first one is a fascinating but confusing mess. (I definitely enjoyed it, I just couldn’t wrap my mind around a review of the length I use here. I either had too many words or not nearly enough.)

This second book is even more fascinating, because there’s a bit more of a through line to tie the past, present, present past (that makes sense in the story, I swear), and the unknown future together into a rollicking historical adventure.

It helps a lot that Rabbit finally figures out his weird relationship with frenemy/rival time traveler (Dr.) Helen Fletcher. I didn’t catch the hints the first time around, because it’s sorta/kinda the relationship in The Time Traveler’s Wife – and I haven’t read that. Also, that impression isn’t strictly correct although it is adjacent.

In other words, the relationship between Rabbit and Helen isn’t as much like The Time Traveler’s Wife as it IS like a different SFnal relationship that was based on that book. By that, I’m referring to the relationship between the Doctor and River Song in Doctor Who (“The Silence in the Library” – and I can’t believe I’m referring to that twice in the same week) in that they’ve met out of order. Rabbit’s first meeting with Helen was in Splinter Effect. Her first meeting with him is here in Double Shadow, back in 68 CE in Qumran. Judaea is about to fall to the Romans, and Rabbit and Helen are caught up in the turmoil that leads to the destruction of the Second Temple and the fall of Jerusalem.

Which leads straight into the other fascinating thing about time travel stories. The “you are there” effect. The reason Rabbit does what he does, the reason Helen got caught up by the same compulsion, the thing that makes this series compulsively readable, is that they are us. They’re people from our time who are able to go back and experience history as it happened who can see things through our eyes.

Including the desire to make things better with the acknowledgement that they can’t. That for them, this is settled history. They can’t save anyone because they are already dead. And they have to do their damndest to experience the world as it was and stand by and bear witness to history even when it’s awful and not lose their humanity in the process.

So we feel for them and with them even as we watch with fascination as history unfolds – very much warts and blood and guts and all. That they’ve brought the excesses of our present into the excesses of the past – which goes back to Time After Time AGAIN – added a touch of mystery to a story that was already riveting – AND opens the series up to further (mis)adventures in its future. And I’m looking forward to reading them!

Grade A #BookReview: The Shadow Carver by Nadine Matheson

Grade A #BookReview: The Shadow Carver by Nadine MathesonThe Shadow Carver: A Novel (An Inspector Anjelica Henley Thriller, 4) by Nadine Matheson
Format: eARC
Formats available: hardcover, ebook, audiobook
Genres: crime fiction, crime thriller, mystery, suspense, thriller
Series: Inspector Anjelica Henley #4
Pages: 432
Published by Hanover Square Press on March 10, 2026
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A killer who cuts straight to the bone…

A CHILLING MURDER

When a convicted killer is released and later found brutally murdered, DI Henley and the Serial Crimes Unit are pulled into a deadly investigation with links to other recent attacks – all the victims are connected by the vicious signature left behind by the killer.

A KILLER LURKS

Henley and her team begin to connect the dots between the killings, and realize the murders are part of something more sinister. Each victim has been chosen with a deadly precision, their deaths carved out with a shocking cruelty.

THE HUNT IS ON …

As the rampage continues and the case spirals into a terrifying hunt for the killer, the line between predator and prey begins to blur. Henley and the SCU are running out of time… Can they outsmart a monster before they strike again?

My Review:

The Met’s (that’s the Metropolitan Police of London to us Yanks) Serial Crimes Unit just can’t seem to catch a break. (Or this is absolutely the correct book to review on the second Friday the 13th of this year as if it wasn’t for bad luck there have been entirely too many occasions when the SCU wouldn’t have any luck at all.)

On the one side, there’s their own higher-ups at Scotland Yard, expecting the SCU to investigate serial crime cases for pretty much all of the UK with just four cops in the unit.Which means that their official charge is to take ONLY those cases that might realistically be serial crimes – but then their “Guv” gets hauled down to HQ to justify their “prima donna” cherry-picking.

When they take cases on the fringes, their boss gets called in to explain why they’re not solving cases fast enough. With a four-investigator team covering all of the UK.

Catch-22 at its finest.

Of course, when a whole bunch of seemingly disparate cases is finally classed as a serial, they catch the blame from all sides. For all of the bureaucratic malarky reasons above. Even as the unit is constantly threatened with disbandment every budget cycle if not more often.

So when the SCU is called into investigate what looks like a violent home invasion, DC Ramouter and his senior partner, DI Anjelica Henley, don’t believe that it’s one of their cases. Not that the SCU isn’t investigating a series of aggravated home invasions, but the MO for this case isn’t the same as their case.

Which doesn’t mean that they don’t both have a gut reaction to the case. It might not be part of the case they currently have on deck, but it might still be one of theirs. If so, it’s something new.

It turns out to be something old. Older than the hills. Admittedly, our hills rather than theirs. Not that either vigilante justice, which is the iceberg they’ve just crashed into, or scalping – the calling card the killers leave behind – are uniquely American phenomenons.

The case, which begins as what appears to be an interrupted home invasion, exposes a long-running series of murders that pretend that they are about justice. And maybe they started out that way.

Every victim, going back decades and halfway across the country, was the perpetrator of a heinous crime who should have gone to prison. But in each of these cases the criminal justice system failed the real victims, either through the excellent defense that can be bought with privilege and money, or through skillful manipulation of a jury by a seemingly sympathetic and harmless defendant, or simply due to a system that is overcrowded and overworked and of necessity plea bargains cases to keep those cases from taxing the court system even further.

Many see justice denied due to various technicalities and manipulations as a crime in itself. In the case that has landed in the SCU’s lap, someone, or more likely a small group of someones, calling themselves “Iron Shadow” has taken those miscarriages of justice to a new and deadly level.

Now that the SCU has them in their crosshairs, the Iron Shadow has the SCU in theirs. And have decided that the SCU is merely a cog in the wheel that has already failed them. And consequently deserves whatever punishment the Iron Shadow deems necessary to get them out of the way of their righteous crusade.

Escape Rating A: I’ve been waiting for this book for two years – and it was worth the wait.

The reason it was worth that wait is that the series, so far, hits a fascinating set of sweet spots for this reader – in spite of the blood and gore that the SCU’s cases so often nearly drown in. The Inspector Anjelica Henley series is definitely suspense thriller, a genre that often trips over the line of being too tension driven and not-enough-story for this reader. But this series makes it work by grounding the whole thing as a police procedural. I don’t want to be in a serial killer’s head – ever – but I’m more than willing to follow the investigator or detective hunting them down.

The cases, so far in the series (The Jigsaw Man, The Binding Room, The Kill List) have all been taut thrillers, with the members of the SCU, particularly Henley, always on someone’s “kill list” both literally and figuratively.

This particular case is especially riveting for the way that it’s not theirs, and not theirs, and not theirs exactly and then the investigation turns up more bodies in the past even as more bodies drop in the present and suddenly it’s not only THEIRS but it’s more horrific than anyone imagined. While the actual perpetrators seem so far removed from the horrors they are responsible that even the SCU wonders whether they’ll be able to link them to their crimes or whether they, too, will escape on a technicality.

The cop shop vibe is part of what I read police procedural series FOR, and the SCU is very much like a dysfunctional family. I want things to get better for each of them – but they’re a bit co-dependent on each other’s messes even as they get the job done. To the point where I’m surprised that the unit hasn’t been broken up for their own good.

AND wondering how much more dysfunctional they’re going to get in the next book, because there’s now a cuckoo in their nest. The Met may not have money for additional detectives for the unit, but that doesn’t mean that a unit somewhere else can’t pay to get a problem off their hands by seconding them to the SCU. Which is exactly what it looks like has occurred during this case and I’m sure it’s going to have chaotic, disruptive consequences down the line.

And so is Henley. But in this case, their new detective’s hot-headed glory-grabbing helps to bring their quarry to justice. Unless, of course, they buy really good lawyers and take advantage of the system they claim to be flawed and broken beyond redemption.

The Shadow Carver, like the previous books in the series, was a riveting read that kept me awake until I turned the last page – and a bit after as it took awhile to recover from the tension of the whole thing! And now I’m sad that I probably have another two years to wait for the next book.

I confess that I hope that at least a few of the cases that Henley and company face in the future will be just cases and not directly target the team. They’re dysfunctional enough that they don’t need an enemy from without every time as they have PLENTY of ways to hurt each other without making new enemies. But that’s mostly a hope from a reader who would like to see them get their shit just a bit together, because I like them all – except that cuckoo in the nest – and want the best for them so they can be the best at catching their quarry.

A+ #BookReview: Sentient by Michael Nayak

A+ #BookReview: Sentient by Michael NayakSentient (Ice Plague Wars, #2) by Michael Nayak
Format: eARC
Formats available: paperback, ebook, audiobook
Genres: horror, science fiction, technothriller, thriller
Series: Ice Plague Wars #2
Pages: 336
Published by Angry Robot on February 24, 2026
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Extinction Horizon meets Contagion in this sequel to 2025's sci-fi thriller Symbiote, where the biological threat has escaped the South Pole and is now wreaking havoc upon Antarctica.

The survivors of the South Pole massacre will find that getting off the Antarctic continent may cost them their lives…

Months after the events of Symbiote, sunrise has come to the ice continent, bringing with it the beginning of the annual tourist season. where 1,500 summer visitors will soon call the coastal McMurdo Station home. With them are the architects of the classified CIA program that unleashed the deadly microbes, who are determined to uncover what happened with their experiment and harvest samples of the mutation to turn into a biological weapon.

However, when Ben Jacobs returns from an impossible journey to the Pole and is reunited with Penny - an asymptomatic carrier of the symbiotic microbes - all hell breaks loose. When the sea ice surrounding the station becomes a fertile breeding ground for a new and more dangerous infestation, Rajan Chariya and his friends will have to join forces with the CIA to fight the onslaught of infected "sea people" roving the streets. With tensions high and stakes even higher, the question becomes when will the group stop being useful, and start becoming targets who know too much?

Worse, there may be more than one asymptomatic carrier….

With a heart-stopping pace and twists that will leave readers breathless, Sentient is a thrilling sequel that brilliantly combines all the best horror tropes with real world scenarios.

My Review:

When I read Symbiote, the first book in what is now called the Ice Plague Wars series, back in late 2024, the very first scary thing in the story was that it takes place in 2028 as the U.S. and China are on the brink of World War III. Yes, that’s a THREE, in a story that was only four years out at the time.

I finished this second book, Sentient, in late 2025, when that prospect was only three years away, and as you read this review near its publication date in early 2026, it will only be two years in the future. A future that is so close – and in some frightening ways so very plausible – that it’s easy to see that future as the most frightening of the horrors outlined in the story – whether the war happens or not.

But this book, at least so far, is MOSTLY an alternative future – which doesn’t make it any less chilling and not just because of its setting at the frozen bottom of the world.

Which is thawing a bit – as much as Antarctica ever does – when this story picks up the action just a few desperate months after the fraught and bloody ending of Symbiote. Because summer, such as it is, is about to arrive at the isolated South Pole Station but also at the much more populated – and totally unprepared – McMurdo Station, along with the annual migration of the summer science and engineering crews.

Even more frightening, this year’s visitors include representatives of the architects of the ice plague that ravaged South Pole Station and is heading straight for McMurdo. From both directions.

The few survivors of the plague-induced massacre at South Pole don’t know that they are harboring the plague in their midst. The station crew at McMurdo don’t know that the CIA strike team heading their way is tasked with cleaning up the plague that the CIA scientists seeded among the international overwinter crews. A plague that has mutated so much and so fast that their only option to eradicate the plague and all the evidence about its origin may be to scorch a continent that has never seen anything like this much fire – even if they have to take themselves out along with the plague.

Everyone on the frozen continent is out for their own survival. Even the penguins. And none of them may – or perhaps should – get out of this alive. Which won’t stop all of them from trying.

Escape Rating A+: Sentient is every single bit as much of a WOW as the first book, Symbiote. It’s also a lot of the same kind of compelling but alarming, terrifying and horrifying (and I need more descriptive words because this series so far needs ALL of them) as the first. Please don’t mistake me, it’s not that this second book is the same as the first, rather that it is similarly spine-chilling only more so because the situation is just so much worse – and sinking fast.

(The first book I stopped reading at 1 am because I knew I wouldn’t sleep if I didn’t. This time I woke up at 6 am (I am NOT a morning person) because I couldn’t stop thinking about it and HAD to finish immediately.)

This second book, and the series as a whole, is definitely one of those “book in a blender” situations – starting with even more ice as the base ingredient. Then I’d throw in Michael Crichton, Robin Cook and Nicholas Sainsbury Smith for the engineered plague, extinction-level bioterrorism, utterly FUBAR’d military snafu cover up along with Tom Clancy and M.L. Buchman for the political thriller/terrorism shenanigans complete with hitting entirely too close to a possibly all-too-real terrible future.

Because, this also needs an even bigger heaping helping of that terrible classic combo, the quote from Jurassic Park that warns “Your scientists were so preoccupied with whether or not they could, they didn’t stop to think if they should,” along with the much older and even truer quote from Walt Kelly’s Pogo, “We have met the enemy and he is us.”

By this time in the story, everyone we meet is part of that “us”, in one way or another. Regardless of how innocent they might have been when the saga began or how long they managed to ignore just how terrible the situation had already become.

The story here, between the bioterrorism, the political cover-up, and the shooting war that has already begun, has a lot more thriller/horror facets than it does science fiction. Which doesn’t lower the sheer, compulsive, utterly chilling readability of the thing one big. Or degree whether measured in Fahrenheit or Celsius.

Every single character has been stripped down to their basest survival instincts, and it’s just as chilling observing their individual veneers of ‘civilization’ break down as it is watching their bosses, handlers and overlords not just watching them suffer but practically ordering their deaths.

And yet, just as “it’s not over until it’s over”, the story of the Ice Plague Wars doesn’t end at the end of Sentient. It merely opens a new, wider and even more terrifying AND horrifying front in this conflict. I expect to see the iceberg on the book’s cover turn completely red as blood when the even more chilling third book in this series looms over the horizon.

A+ #BookReview: The Patient by Tim Sullivan

A+ #BookReview: The Patient by Tim SullivanThe Patient: A DS George Cross Mystery by Tim Sullivan
Format: eARC
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, thriller
Series: DS George Cross #3
Pages: 416
Published by Atlantic Crime on February 3, 2026
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Bristol detective DS George Cross investigates the suspicious suicide of a young woman.
DS George Cross can be rude, difficult, and awkward with people. But his unfailing logic and dogged pursuit of the truth means his conviction rate is the best on the force. An outsider himself, having been diagnosed with Autism Spectrum Disorder, DS Cross is especially drawn to cases concerning the voiceless and the dispossessed.
Now, Cross is untangling the truth about a young woman who died three days ago. With no fingerprints, no weapon and no witnesses, the Bristol Crime Unit are ready to close the case. The coroner rules the woman had a long history of drug abuse. But her mother is convinced it was her daughter has been clean and sober for over two years.
DS Cross is determined to defy his bosses and re-open the case, even if it costs him his career. Soon he is mired in a labyrinth of potential suspects – but can he solve the case before his superiors shut it down for good?
 

My Review:

This is my third read in the DS George Cross series, after The Dentist and The Cyclist, and so far I am enjoying the whole thing very much. So much so that I have zero plans to stop until the current, or for that matter any future, end.

The series so far, and the stories within, are all mysteries with a bit of a thriller edge. Not that Cross and his colleagues get themselves in physical danger, as they usually don’t deal with those kinds of cases. Cross generally picks up cold cases or, as occurs in this case, recent cases that the original investigating officer decided were closed where Cross sees that something does NOT add up.

Or, as it turns out in this particular case, adds up to a LOT of dead bodies that no one else noticed.

It’s the pacing of the story that picks up that thriller edge. At first, Cross often has very little to go on, but is doggedly going at it anyway, over and over again. Where a previous inspector saw little worth bothering with, Cross sees details that are either missing or contradictory. And, as usual, he’s right.

Which doesn’t ever mean that it’s easy for him to determine precisely what is wrong no matter how certain he is that something is. The case itself unravels slowly – at least up until the desperate race at the end. The tension early on often comes from either within Cross himself as he refuses to settle for less than the truth, or from the actions of his superiors who press him to either charge a suspect he’s not certain of or drop a case altogether even as a clock dimly ticks somewhere in the background.

At the same time, there’s usually a personal element to the events surrounding the mystery. In this particular case there are two. Cross has a difficult time dealing with change, and also with clutter and untidiness. A combination that comes to a head when his father, a hoarder, takes a tumble inside his own, extremely cluttered apartment, and needs physical therapy AND a safe and uncluttered home to return to. Navigating their separate needs and responsibilities pushes Cross to reach out to his colleagues for help, a HUGE undertaking for the extremely private Cross.

That the temporary care facility in which his dad is placed causes the entire police department to reconnect with an old, respected colleague during her final days AND provides Cross with the breakthrough in his case manages a kind of trifecta as it affords Cross the rare opportunity to open himself up a bit, gives a former officer the recognition she deserved along with a beautiful, heartfelt sendoff AND presents Cross with the final puzzle piece he needed to get the full measure of justice for a victim who finally had everything to live for but made the grave mistake of placing her trust in someone who should have been worthy of it but absolutely was not.

Escape Rating A+: I was originally intending to read this a couple of weeks ago, but I put it off for a bit. Not because I wasn’t looking forward to it, but because I was listening to Inside Man by John McMahon, which is a really, really close readalike for this series. So close, in fact, that I was a bit worried about conflating the two which wouldn’t do either of them the justice they each deserve. Books absolutely do deserve separate consideration because both series are terrific. However, just because both protagonists are on the spectrum doesn’t mean that their stories or their characters are exactly alike.

Far from it. Gardner Camden seems to be a bit more aware that the world is not set up to suit him and that he needs to suit it to get ahead. That he has a young daughter who loves him, relies on him and has more than a few of the same traits helps him to fit into the world a bit more smoothly than George Cross does. (Notice I said more smoothly, not that Camden is actually smooth at fitting in. But he’s more consciously trying and a bit more successful at it – or at least a bit less abrupt about it. It’s a matter of degree.)

One of the interesting personal aspects of this entry in Cross’ series is that we get a much clearer picture of the probable cause of that difference. Camden’s mother did her best to help him understand how he did and didn’t fit into the world and gave him tools for figuring that out for himself. Cross’ mother abandoned her son and her husband when George was five because she couldn’t cope with either her husband’s gentle parenting of their son or her own inability to deal with the boy’s many differences.

It’s turned these two detectives, both with similar jobs and similar approaches to those jobs, into much different people in ways that mostly do not reflect the differences between the US and the UK.

This particular entry in the Cross series, in addition to a fascinating and convoluted case – as Cross prefers – tells the reader quite a bit more about Cross as a person, not just how he moves in the world but how he sees himself. That the backdrop of the story includes a complaint against Cross by a senior officer who bullied Cross when he was a junior and now resents every single time Cross investigates one of his cases and discovers yet again that he didn’t investigate much at all does a terrific job of showing how Cross thinks of his work as well as the various ways in which his colleagues, superiors and rivals think of him.

At the same time, the way that Cross enlists the aid of his colleagues to help him with his dad’s apartment opens the character up in many ways AND shows how his work environment is, well, working on him on a more personal level. So the investigations in his first three cases so far have had a lot of similar aspects, but the protagonist himself is definitely changing.

I’m certainly looking forward to more of both, more twisty cases and more of Cross reaching out beyond his own boundaries, in the books ahead in this series. Next up is The Politician. As the titles of this series represent something about the victim of the case, I might just be looking forward to that one even more than usual!

A+ #AudioBookReview: Inside Man by John McMahon

A+ #AudioBookReview: Inside Man by John McMahonInside Man (Head Cases, #2) by John McMahon
Narrator: Will Damron
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, ebook, audiobook
Genres: mystery, suspense, thriller
Series: PAR Unit #2
Pages: 390
Published by Macmillan Audio, Minotaur Books on January 13, 2026
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

In this sequel to McMahon's electrifying series debut, Head Cases, Gardner Camden and the PAR team return to investigate potentially connected cases.
FBI Agent Gardner Camden is an analytical genius with an affinity for puzzles. He and his squad of brilliant yet quirky agents make up the Patterns and Recognition (PAR) unit, the FBI’s hidden edge, brought in for cases that no one else can solve.
PAR’s latest case involves a militia group stockpiling weapons. When their confidential informant in the case is killed, it quickly becomes clear that the militia did not kill him.
As the squad looks into the evidence surrounding his murder, an unidentified man is caught on camera with their informant. This mystery man’s picture is connected to another case at the FBI, an unsolved series of murdered women, buried in the ground in north Florida. Could they have uncovered a serial killer? And if so, what is his connection to their C.I.?
As PAR juggles an investigation into both the dead women and the militia, they enroll a new informant, only to find the case escalating in dangerous ways. How will PAR handle a case that increasingly looks like a terrorist plot? And in the serial case, with no puzzles or witnesses, and few leads, how will a group set up to decode riddles be successful?

My Review:

The first book in this series, Head Cases, set up the characters and the structure of the FBI unit they work in, the Patterns and Recognition Unit, or PAR. They’re the ‘head cases’, the freaks, the ones who solve cold cases that defy ordinary investigative methods because something about the case isn’t ordinary – and neither are they.

PAR is also a collection of agents who have pissed off the brass in ways that are not firing offenses. Like shooting into a pattern that read F-U-C-K C-O-N-G-R-E-S-S on the wall of targets at a federal gun range, while a senator was visiting said gun range. That sort of thing isn’t a crime, it isn’t illegal, but it is guaranteed to get someone sent to the equivalent of career Siberia. Or, in the case of this series, PAR.

In Head Cases, the unit was led by a senior FBI agent named Frank Roberts. But Frank kept too many secrets from his own team in the hopes of getting a supervisory assignment back out in the wider – and more respected – parts of the FBI before the PAR Unit got closed down. He made his own escape path and kind of left the rest of ‘his’ team hung out to dry.

Except the rest of that team, spearheaded by Agent Gardner Camden, solved the serial killings, saved the day, the PAR Unit and literally saved Frank’s ass. Frank got his reward back home in Texas, and Gardner got the supervisory position, always aware that the unit was one step away from being disbanded if they didn’t deliver.

Camden, often referred to by his fellow FBI agents as THE head case among the head cases, knows that his strengths lie in figuring out the pattern and not in supervision. Or management, or office politics. He’s doing his best, working with the skills he does have, to make it work. And it mostly does.

At least until their current case threatens to blow itself sky high. They’ve spent three months following a fraud, guns and racketeering case. A big one involving fraudulent unemployment accounts – and the money paid into those accounts, illegal arms sales, and domestic terrorism – facilitated by those illegal arms sales bought with those illegally gotten funds. It’s a criminal enterprise that crosses at least one state line (Florida to Georgia and back) and has left behind a trail of bodies – and will leave more if their leader’s plans and ambitions continue on the track he’s already laid out.

The FBI’s confidential information or CI (read that as either ‘inside man’ or snitch) has heard rumors about this domestic terrorism militia purchasing several thousand kits to make ‘ghost guns’ that would have no true manufacturer or serial number. (It’s a loophole in the law and it’s being exploited, potentially to devastating effect.) It’s the FBI’s mission to find those kits and stop them from being turned into guns before they start firing.

Which is when the case goes pear-shaped. (I can’t say it goes south as they are already nearly as far south in Florida as they can get.) They find their snitch shot dead in his trailer, along with plenty of evidence, including CASH, related to the financial parts of the case.

He wasn’t shot by the people he’s snitching on, or they’d have removed the evidence. They also wouldn’t be on the way to check in with the guy and figure out why HE hasn’t been checking in. So who killed the snitch? And how can they keep the case from blowing up and taking their careers and who knows how many innocent lives, along with them?

Camden and the PAR Unit know there must be a pattern, They just have to find it. Whether or not anyone in the FBI thinks it has anything at all to do with the case they started with. Because it must.

Escape Rating A+: This is a story that I began in audio, and was certainly enjoying in audio. The narration by Will Damron was very well done and he did an excellent job of sounding like I expected Camden to sound while still giving the rest of the characters their own distinct voices. But I got caught between the dilemma that the audio was good but my reading is considerably faster, and I couldn’t stand the idea of waiting over a weekend to continue the story. So I switched to text and couldn’t put the thing down.

That being said, I picked this up in the first place because I fell headlong into the first book in this series, Head Cases, late last summer. I was absolutely riveted AND it was also a case of the ‘right book at the right time’ to the nth degree. So I grabbed the eARC of the second book up before I was even finished with the first one. I knew it was going to be THAT good. And it was.

Very much like the first book, what makes this case interesting is the way that it spirals outward in directions that no one, including the team doing the investigating, expects AT ALL. They think they’ve got one thing, and they do have to deal with that thing because the idea of a gang of domestic terrorists with ghost guns shooting up Washington DC should give anyone pause. That it particularly gives ALL the federal agencies that would either be caught in the crossfire or whose lives and careers will be toast if they fail to stop it from happening an absolute mania to catch the would-be terrorists before they strike another round of terror is exactly what one would expect. And should.

However, as big as that crime is/would be/could be, it’s not what’s driving the PAR Unit. Their search for their CI’s killer has uncovered a serial killer. Their skills at pattern recognition have unearthed several body dumping sites. They’re off on an entirely different – and not completely sanctioned – race than the one the rest of the FBI is on, yet they’re involved in both up to their necks.

It’s fascinating – and not done all that often in fiction – to see this small unit try to work two high priorities at the same time. They can’t – and in real life probably wouldn’t be – focused entirely on a single case no matter how important. Also the way that resources are allocated at the level above them shines a spotlight on how upper level priorities affect funding which affects focus on what the political powers-that-be believe is most important.

So there was a lot going on throughout this whole story, and it kept me reading long after I should have quit for the night. I had to see what happened next – and what ultimately did or did not tie the two cases together. Because they shouldn’t have been but they absolutely were.

Part of what makes the series compelling to follow are the personalities of the members of the PAR Unit itself. They each bring a whole lot of quirks, a fair bit of irreverence regarding authority, and a lot of widely different experience to the table. They do an excellent job of filling the roles of a classic “five-man band”, especially when they get their fifth member back as this story progresses.

But speaking of the characters, it’s impossible for me to read Gardner Camden’s series without thinking of George Cross’ series that begins with The Dentist. I held off on reading my next book in THAT series until I finished this book because they are a bit too similar – even though they’re not actually as much alike as one might think.

Both Camden and Cross are on the autism spectrum, and both seem to be in the same part of that spectrum. Highly intelligent, often hyper focused, with low emotional affect and engagement. In other words, what was referred to as Asperger’s syndrome not that long ago and both would have been labelled so as children as they are both in their mid-to-late 30s. Both went into police work, but Camden with the FBI in the US and Cross on a local level in Britain. It would seem like their stories should be similar, and there are similarities, but not as many as the reader might think going in as their approaches to both themselves and the world they live in are different.

Cross is aware that he is different, but he expects the world and everyone around him to bend in order to work with those differences. His world revolves around himself and he believes that everyone else should make the adjustments. Camden, very much on the other hand, while he is just as certain of who he is and how he works best, also recognizes that the world is not made for him anymore than he is made for it. He adapts as much as he can to the way things work, and is very aware of when his hyperfocus gets in the way of getting the human-facing parts of the job done. In this book he is the supervisor of the PAR Unit, and is all too cognizant of that fact that he is no good at playing politics, and that he has to find a way to be a leader for the team and a mentor for their rookie whether those things are natural for him or not, if he wants to keep the job.

So this book managed to both give me a lot to think about, as I couldn’t stop comparing Camden to Cross, at least inside the confines of my own head, and I couldn’t stop reading late into the night/morning because I had to find out not just ‘whodunnit’ but who done each of the parts of the ‘it’ the PAR Unit was following.

I had a grand reading time, so I was just a bit sorry to read at the end that the author has a lot of writing irons in the fire and while he intends to come back to PAR, he isn’t exactly sure about when. While I’ll need to look up his other series, AND look for whatever direction his work takes him, in the meantime if I want to scratch at least around this particular itch I’m glad that I have more of the Cross series to read – and most likely soon because I’ve got a book hangover that needs to be assuaged somehow.