Publisher: Berkley

#BookReview: Requiem for a Mouse by Miranda James

Posted on by Marlene Harris | Author : | B Reviews> book reviews
#BookReview: Requiem for a Mouse by Miranda JamesRequiem for a Mouse (Cat in the Stacks, #16) by Miranda James
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: cozy mystery, mystery
Series: Cat in the Stacks #16
Pages: 282
Published by Berkley on June 25, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Librarian Charlie Harris and his ever-intuitive feline friend Diesel must catch a killer in a deadly game of cat and mouse where no one is who they seem to be…
At last, Charlie and Helen Louise’s wedding is only a month away. They’re busy preparing for the big day, and the last thing Charlie needs is a new mystery to solve. Enter Tara Martin, a shy, peculiar woman who has recently started working part-time at Helen Louise’s bistro and helping Charlie in the archive. Tara isn’t exactly friendly and she has an angry outburst at the library that leaves Charlie baffled. And then she abruptly leaves a catered housewarming party Charlie’s son Sean is throwing to celebrate his new home in the middle of her work shift. Before ducking out of the party, Tara looked terrified and Charlie wonders if she’s deliberately trying to escape notice. Is she hiding from someone?
When Tara is viciously attacked and lands in the hospital, Charlie knows his instincts were correct: Tara was in trouble and someone was after her. With the help of his much beloved cat, Diesel, Charlie digs deeper, and discovers shocking glimpses into Tara’s past that they could never have predicted. Will they catch the villain before Charlie’s own happily ever after with Helen Louise is ruined?

My Review:

As today marks the start of the American Library Association Annual Conference, it’s the perfect day to review the latest entry in the Cat in the Stacks series, Requiem for a Mouse, featuring librarian Charlie Harris and his large and lovable Maine Coon cat Diesel.

While the possessive should probably be in the other direction, that Charlie belongs to Diesel and not the other way around, as a librarian himself Charlie would have attended many ALA conferences over the course of his career, especially back when he was one of the Branch Managers at the Houston Public Library.

Charlie’s current position, as the part-time cataloger and rare book librarian for his hometown – and alma mater’s – tiny Athena College Library in Athena, Mississippi – generally doesn’t have the budget to make Charlie schlep to wherever the conference happens to be each year. (This year it’s San Diego.)

Which is just fine with him, as he’s been there, done that, and probably has thrown away the conference t-shirts quite some time ago.

Besides, Charlie has much more interesting things to do. Such as ‘help’ the local police solve murders. A help that Athena P.D.’s Chief Deputy generally thinks of as poking his nose in where it doesn’t belong and beating her detectives to the clues a bit too often.

This time around, Charlie’s nose DOES belong in the case – because it happened at the desk right across from his. Not literally, but certainly more than figuratively enough that he feels compelled to help discover who murdered the intensely private, socially maladroit woman who had been his part-time assistant.

Tara Monroe may have been rude and tactless – and she certainly was – but that certainly wasn’t enough reason for someone to drive deliberately onto the sidewalk to run her over. But the cops’ certainty about her cause of death is the one of only two sure things in this entire case – and the victim’s identity is not the other.

But Charlie can’t let it rest until he knows both whodunnit and the truth of who it was done to – even when that puts him squarely in the killer’s sights.

Escape Rating B: I’m here for Diesel. Not just because I’ve always wanted a Maine Coon, but because he’s just sweet and charming – and large – but also because he’s intelligent and empathetic but on a cat scale and not a human one. There are quite a few cozy mystery series that feature cats – and why not? – but it’s refreshing that the cat in this series doesn’t solve the mysteries on his own and doesn’t mysteriously help his person solve them.

Which leads back to Diesel’s person, Charlie Harris. One of the things I love about this series is not just that Charlie is a librarian, but that he feels like ‘one of us’ and not merely the result of some cursory research. (This is not a surprise as the author is themself, one of us.) But it’s lovely not just to see one’s own profession represented in a story but to have it done correctly – which is far from always the case.

This series is a very cozy series. Athena is a small town, Charlie has a charming and well-developed ‘Scooby Gang’ who help him, worry about him, and occasionally rescue him from his own folly. The portrait of the town as a whole turns it into the kind of fictional small town that makes readers want to live there – except in the hot, muggy Mississippi summers.

So this is a series I pick up because I’m always happy to see Diesel and I love catching up with Charlie and his friends and family.

That being said, the beginning of this one is particularly rough. Tara Monroe, whoever she is, puts everyone off with her tactlessness and her inability to pick up on social cues. When the story opens, as much as many of the characters want to help her out, there’s a surprising amount of backbiting and general verbal nastiness. There’s not even a suggestion that she might be neuroatypical – which was my first thought. It’s only after she’s struck down that people begin to treat her situation with any real understanding. But the initial impression that people were badmouthing her behind her back stuck with me and stained my impression of the book.

The mystery was a lot of sad fun, as it was very twisty and filled with lots of delicious red herrings for Diesel and his little buddy Ramses to beg for – even though every reveal about the victim’s true circumstances made her life and her death just that much sadder. (She’s certainly the ‘Mouse’ of the title) Those twists and turns, along with a whole cast of characters using false names and fake pretenses made this a very quick read as .well. But that initial impression meant that in the end I liked it rather than loved it as I had expected to.

But I’m still Team Diesel, so I’ll still be back to check up on how he’s doing the next time there’s a Cat in the Stacks mystery.

#BookReview: A Ruse of Shadows by Sherry Thomas

Posted on by Marlene Harris | Author : | B+ Reviews> book reviews
#BookReview: A Ruse of Shadows by Sherry ThomasA Ruse of Shadows (Lady Sherlock, #8) by Sherry Thomas
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Lady Sherlock #8
Pages: 368
Published by Berkley on June 25, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Charlotte Holmes is accustomed to solving crimes, not being accused of them, but she finds herself in a dreadfully precarious position as the bestselling Lady Sherlock series continues.
Charlotte’s success on the RMS Provence has afforded her a certain measure of time and assurance. Taking advantage of that, she has been busy, plotting to prise the man her sister loves from Moriarty’s iron grip.
Disruption, however, comes from an unexpected quarter. Lord Bancroft Ashburton, disgraced and imprisoned as a result of Charlotte’s prior investigations, nevertheless manages to press Charlotte into service: Underwood, his most loyal henchman, is missing and Lord Bancroft wants Charlotte to find Underwood, dead or alive.
But then Lord Bancroft himself turns up dead and Charlotte, more than anyone else, meets the trifecta criteria of motive, means, and opportunity. Never mind rescuing anyone else, with the law breathing down her neck, can Charlotte save herself from prosecution for murder?

My Review:

A Ruse of Shadows is a fascinating study in contradictions. It’s a story about paying it forward, payback, and revenge served ice cold. It’s a yarn spun out of a tissue of lies and a truth that literally sets several people free. All the while it’s a game of three-handed chess that only one player understands is being played in 3D while both of the other players assume it’s being played in only two – and who consequently suffer the fate of those who assume.

This eighth entry in the Lady Sherlock series is also a bit of a caper story, as it begins, not at the beginning, but rather at what at first seems to be the end. Charlotte being in the midst of being questioned by the police in regards to the death of Lord Bancroft Ashburton in the immediate aftermath of his escape from the prison to which he had been remanded after his perfidy and treason were unveiled – by Charlotte and her friends – in the previous book in the series, A Tempest at Sea.

(This is a hint, by the way. Theoretically the books in this series could be read as standalone, but I wouldn’t recommend it. It’s not just that the endings of each book flow into the next, but that there’s a vast, interconnected and rather sticky web between all of the cases – at least so far. I’m glad I began at the beginning with A Study in Scarlet Women – and I think many readers are or will be as well.)

What makes the plot of this particular entry in the series so sticky – and so convoluted – is that it seems as though every past case is tied into this present one – particularly the most recent pair, Miss Moriarty, I Presume? and A Tempest at Sea.

It’s those cases that give Charlotte her motives for both facilitating Bancroft’s escape AND murdering the man – at least in the minds of the police investigators.

But Charlotte has a bland, banal and utterly blameless answer for every single one of their questions – at least on the surface. While she relates the story that she has prepared, the reader, however, is presented with the truth behind that fiction and the story switches between Charlotte’s innocuous tale and a vast and far-reaching plot of much more interesting but considerably less innocent truths.

Along with a few switches in perspective from Charlotte’s part of the story to accounts by some of her other agents in her grand plan to thwart Bancroft’s and Moriarty’s equally grand plots to trap her and her friends – one way or another.

Each of her enemies believes that they have her – and their counterpart – firmly within their grasp. The police believe that they have her “dead to rights” as well. But, particularly when it comes to outsmarting ‘Sherlock’ Holmes their beliefs don’t hold a candle to Holmes’ strategies, their intelligence, or the vast circle of friends and even frenemies willing to help them against any forces arrayed against them.

Escape Rating B+: I have consistently found this series to be fascinating and frustrating in equal measure – and this entry in the series is no exception.

On the one hand, as Bancroft, Moriarty and the police in the persons of Inspector Treadles and Chief Inspector Talbot all know that Charlotte is Sherlock is Charlotte, she doesn’t need to pretend to consult a fictitious brother – which certainly removes one of my chief sources of consternation with the series.

Charlotte does, however, make plenty of use of both male and female disguises – but then so did the original Sherlock. She has little need to protect her own supposedly delicate femininity – but is forced to kowtow to society’s restrictions and assumptions on behalf of some of the other women involved in the case. Still, it makes the story considerably less frustrating for the reader as Charlotte is finally able to just get on with the case by the employment of a suitable change of face and costume.

Howsomever, the way that this story is told, with its framing story of Charlotte pretending innocence to Chief Inspector Talbot while telling the reader the truth behind her bland answers – does occasionally get more than a bit muddled, a muddling that is not helped by the additions of Olivia’s point of view as Olivia’s part of this charade isn’t revealed until the end.

Which, admittedly, was exactly as it should have been, as Olivia is the chronicler of her sister’s cases.

This story is also a bit of a mirror image to Miss Moriarty, I Presume? in that this time around it’s Lord Bancroft Ashburton (the disgraced former Mycroft after the events of A Tempest at Sea) who holds Charlotte’s hostages to fortune even as he attempts to maneuver Charlotte and her friends into a trap with the more-than-willing assistance of Moriarty. Her enemies are not friends, but are willing to collude with each other to get her, as she’s been a consistent thorn in both their sides.

The case itself, as we finally get the full picture – was every bit as twisty and convoluted and purely confounding and compelling as this reader has come to expect in this series. At the very same time the corkscrews that those twists have turned themselves into feel like they’ve been winding and tangling since the very first book in the series – only because some of them have.

In the end, I found the case fascinating, even though the way the story got told felt like a bit of a muddle, particularly at the beginning. But when it came to the reveal at the end, the whole thing wrapped up marvelously and even though we’d seen most of how Charlotte got there she still had plenty of secrets left to uncover at the finish.

A finish which doesn’t remotely feel like an end to the series. I’m not sure what Charlotte and Company will be up to next – but I can’t wait to find out!

#AudioBookReview: The Bodies in the Library by Marty Wingate

Posted on by Marlene Harris | Author : | audio reviews> audiobooks> B Reviews> book reviews
#AudioBookReview: The Bodies in the Library by Marty WingateThe Bodies in the Library (First Edition Library Mystery, #1) by Marty Wingate
Narrator: Fiona Hardingham
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: cozy mystery, mystery
Series: First Edition Library Mystery #1
Pages: 315
Length: 9 hours and 23 minutes
Published by Berkley on October 8, 2019
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Hayley Burke has landed a dream job. She is the new curator of Lady Georgiana Fowling's First Edition library. The library is kept at Middlebank House, a lovely Georgian home in Bath, England. Hayley lives on the premises and works with the finicky Glynis Woolgar, Lady Fowling's former secretary.
Mrs. Woolgar does not like Hayley's ideas to modernize The First Edition Society and bring in fresh blood. And she is not even aware of the fact that Hayley does not know the first thing about the Golden Age of Mysteries. Hayley is faking it till she makes it, and one of her plans to breathe new life into the Society is actually taking flight--an Agatha Christie fan fiction writers group is paying dues to meet up at Middlebank House.
But when one of the group is found dead in the venerable stacks of the library, Hayley has to catch the killer to save the Society and her new job.

My Review:

I have never been so happy to see a dead body in all of my reading life as I was when Tristram Cummins’ corpse was discovered in the library of Middlebank House, the home of the late Lady Georgiana Fowling’s First Edition Society.

Lady Georgiana Fowling died of natural causes – after all the woman was 92! – four years before this story begins. She was a collector of works written by the female authors of the Golden Age of Mystery, particularly Agatha Christie, Dorothy L. Sayers, Marjorie Allingham, Ngaio Marsh and Josephine Tey, among others. Daphne du Maurier’s works are also included in the library, not because she wrote mysteries – not exactly – but because she was a personal favorite of the late Lady Fowling.

Lady Fowling may be dead, but the Board of the charitable society that inherited her house and its contents – along with Lady Fowling’s secretary and personal assistant, Mrs. Glynis Woolgar – seem determined to preserve the library, the house, and its contents like a fly trapped in amber. Even if that is far from what Lady Fowling would have ever desired.

Hayley Burke, the newly appointed curator of the library, is determined to move the Society and its Library into the 21st century. She sees her job as placing the Library as prominently on the list of Bath’s literary-related attractions, such as the nearby Jane Austen Centre, as can possibly be arranged as quickly as can be managed. Or can be gotten past the Board and the Society’s Secretary.

Even though Hayley doesn’t know a thing about the Golden Age of Mystery – she knows plenty about ways that a literary site can put itself on the map, having previously worked – albeit in a rather junior position – at the Jane Austen Centre which has done an excellent job of just that.

The discovery of a body in the Society’s library, the morning after a contentious meeting of a local writers’ group, seems a bit too much like it’s straight out of the pages of one of the Agatha Christie novels sitting on a nearby shelf, The Body in the Library.

Whether inspired by Christie or not, that discovery, and the police investigation that ensues, certainly does put the First Edition Society on the map and at the top of mind of a whole lot of people who would otherwise never have heard of the place – in spite of Hayley’s best efforts.

But it’s not the kind of attention either Hayler or the Society actually wants. Because with all of the amateur and professional sleuths on the premises, someone will eventually deduce that the one person who should be an expert, the curator herself, doesn’t have a clue.

Escape Rating B: As much as I usually enjoy this author – and I’m particularly loving her London Ladies’ Murder Club (starting with A Body on the Doorstep) these days – I remember that I bounced off of this particular book really hard but didn’t remember exactly why.

So when I hit a hard flail and bail last week, in conjunction with a 2-for-1 sale at Audible, I picked this up in audio out of a bit of desperation. I knew that whatever had made me set this book aside when it came out, it couldn’t possibly be the same thing that was driving me away from the book I had just stopped listening to – with extreme prejudice – in the present.

I started the audio of The Bodies in the Library and figured out pretty quickly what drove me away the first time. OMG but Hayley Burke begins this story as a complete and utter doormat, and her doormat persona has invaded every part of her life.

This story is told in the first person, so we’re inside Hayley’s head – and it’s kind of a boring place to be, quite possibly because it seems like there’s no spine holding it up. Her long-distance boyfriend, her adult daughter, and her repressive, stick-up-her-bum colleague all walk all over her at every turn.

I could rant, but I’ll refrain. The work parts of this exhibition of lack of backbone are the one part of Hayley’s situation that make sense, as these two women share both the job and the house and making an actual enemy out of her recalcitrant colleague is the recipe for a very quick job change that Hayley can’t afford to make.

Howsomever, on top of the more personal aspects of her spinelessness it drove me round the twist. At least until Trist, the leader of that writers’ group, is found dead on the floor of the library and the pace of the story picks up while Hayley picks up her big girl panties and finally starts dealing with her life as well as the mystery that has been literally dropped in her lap.

One of the more, let’s call it awkward, parts of Hayley’s character at the beginning is that she doesn’t merely have impostor syndrome – don’t we all on occasion – but that she IS an actual impostor. She’s not REALLY qualified for the well-compensated job she lucked into. Hayley knows nothing about the Golden Age of Mystery as she specialized in 19th century literature for her degree. For a lot of the story, we see her flailing about in an attempt to hide her lack of knowledge – what we don’t see is her actually rectifying that lack until after the body drops. It’s clear that her continuing forays into the world of Golden Age mystery is going to be part of her journey – and will hopefully induce readers to do the same – but early on I found myself wondering, repeatedly and OFTEN, why she didn’t just stream a whole lot of video because they’ve ALL been done. It wouldn’t have been the same as reading the books, but it would certainly have given her a leg up that she desperately needed.

Speaking of media, however, the audio was fine, and it certainly got me over the rough first third of the book that drove me away the first time around. So I’m glad I picked it up – even though once the story finally got started I got more than caught up in it enough to want to find out whodunnit a whole lot faster than audio would allow.

The advent of that body in the library (all due apologies to Agatha Christie because the cases aren’t much the same after all) turns out to be the making of both Hayley and the story as a whole, which is the reason I ended up at a ‘B’ grade in spite of the character’s and the story’s frustrating and glacially paced opening. By the end, the whole thing shows a LOT of promise, to the point where I’m sure I’ll pick up the next book in the series, Murder is a Must, the next time I’m in the mood for a very cozy and gentle mystery.

Or I want to see how the Library’s cat Bunter is doing with the new visitors that Hayley is hopefully bringing to the place!

Grade A #AudioBookReview: Funny Story by Emily Henry

Posted on by Marlene Harris | Author : | A Reviews> audio reviews> audiobooks> book reviews
Grade A #AudioBookReview: Funny Story by Emily HenryFunny Story by Emily Henry
Narrator: Julia Whelan
Format: audiobook, eARC
Source: supplied by publisher via Libro.fm, supplied by publisher via NetGalley
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: Chick Lit, contemporary romance, relationship fiction, women's fiction
Pages: 400
Length: 11 hours and 23 minutes
Published by Berkley, Random House Audio on April 23, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A shimmering, joyful new novel about a pair of opposites with the wrong thing in common.
Daphne always loved the way her fiancé Peter told their story. How they met (on a blustery day), fell in love (over an errant hat), and moved back to his lakeside hometown to begin their life together. He really was good at telling it…right up until the moment he realized he was actually in love with his childhood best friend Petra.
Which is how Daphne begins her new story: Stranded in beautiful Waning Bay, Michigan, without friends or family but with a dream job as a children’s librarian (that barely pays the bills), and proposing to be roommates with the only person who could possibly understand her predicament: Petra’s ex, Miles Nowak.
Scruffy and chaotic—with a penchant for taking solace in the sounds of heart break love ballads—Miles is exactly the opposite of practical, buttoned up Daphne, whose coworkers know so little about her they have a running bet that she’s either FBI or in witness protection. The roommates mainly avoid one another, until one day, while drowning their sorrows, they form a tenuous friendship and a plan. If said plan also involves posting deliberately misleading photos of their summer adventures together, well, who could blame them?
But it’s all just for show, of course, because there’s no way Daphne would actually start her new chapter by falling in love with her ex-fiancé’s new fiancée’s ex…right?

My Review:

This is not a meet-cute, it’s more like a meet-really-really-ugly. But it starts with a meet-cute. It’s just that the meet-cute is NOT between our protagonists Daphne and Miles. It’s between Daphne and her very suddenly ex-fiancé Peter. There may, or may not, have been another meet-cute between Miles and his equally suddenly ex-girlfriend Petra – but that really doesn’t matter by the time we meet all of the above.

Because of all of that VERY sudden ex-ing that happened. In the wee hours after Peter’s bachelor party, between Peter and his childhood bestie, the beautiful Petra. The woman he claimed had always been a platonic friend. Always.

At least until Petra confessed to Peter, when they were alone in the aftermath of that bachelor party, which of course Petra attended because she was, after all, his bestie, that she was in love with him and couldn’t watch him marry someone else without letting him know that.

The resulting mess – and was it ever a mess – left Daphne with one week to move out of the house that she and Peter were supposed to share, alone in the small town she’d moved to because that’s what HE wanted, with no support network because all of “their” friends were really his friends – and a job she loved and didn’t want to leave in a place she could no longer bear to stay.

Not too far away, in that same tiny little town, Petra’s ex Miles was left with an apartment he could only afford half the rent on, in a town that he felt like he’d made his own, with an utterly shattered heart.

Daphne, ever practical EXCEPT when it came to Peter, made Miles an offer he literally couldn’t afford to refuse. His need for a roommate dovetailed heartbreakingly and conveniently with her need for a place to live.

They may have agreed to be roommates out of their shared tragedy but they are definitely respectful of each other’s space and each other’s brokenness. At least until they both receive invitations to – you guessed it! – Peter and Petra’s upcoming nuptials. After a long and very drunken night of shared drinking, ranting and more than occasional sobbing, Daphne and Miles decide that living well – or at least the appearance of it – will be their revenge on their exes.

They RSVP to the wedding of the people they each once believed to be the love of their lives, together. And to back that up, they post a selfie that gives the unmistakable impression that they’ve found the new loves of their own lives – with each other.

Miles is certain that they can keep up the pretense of dating each other for the summer – just long enough to get past that dreadful wedding. Daphne isn’t nearly so sure – but she’s willing to try. She certainly expects it all to go terribly, terribly wrong long before they reach that Labor Day weekend disaster-ganza. And it very nearly does.

At least until it all starts going terribly, terribly right.

Escape Rating A: I started out listening to this one, and that’s probably what got me over the hump of the early chapters. This is one of those stories that, of necessity, has a very hard start. We meet Daphne just after very nearly the entire life she had planned crashed and burned. She’s wallowing in a whole lot of angst and regret and self-recrimination, nearly buried by the weight of her emotional baggage piling up all around her. Listening to the excellent narrator makes the listener feel like they are literally inside Daphne’s mostly despairing head and it’s a realistically well-portrayed terrible place to be.

Fortunately for the reader/listener and Daphne, it really does get better – mostly thanks to Miles – who very nearly crashes and burns it all around her again.

The thing that keeps the whole meet-ugly/meet-cute of the thing from going over the top is that Peter in particular may be the villain of this piece – which he definitely turns out to be – but he isn’t evil. He’s certainly awful, and he displays all of his awful bits over the course of the story – but he’s not actually, technically, evil. He’s just selfish and self-centered and more than a bit spoiled.

Daphne was willing to continue spoiling him because he represented something she’d never had – stability. Her dad was mostly absent and generally in the midst of his next big score that never materialized. Her mother was the very best in Daphne’s eyes, but they moved a LOT in pursuit of financial security and Daphne stopped bothering to make connections because she knew they’d never survive a move. Peter, his large, loving family and his wide circle of lifelong friends is a situation she wants to be adopted into wholesale so she lets herself be surrounded and subsumed into it.

Only to be confronted with the fact that it was never really hers – and neither was Peter. (Although that turns out to have been dodging a bullet she never would have seen coming.)

The fun part of this story – and it mostly is fun after that first long, deep and totally justified wallow – is watching the way that Miles courts Daphne by getting her to fall in love with tiny, slightly touristy, totally scenic, Waning Bay Michigan. He loves the town that he’s adopted and been adopted by, and does his damndest to share that love with Daphne. That he makes the town irresistible makes him irresistible and their hesitant steps toward a relationship turn this story into a marvelous kind of dance of a romance.

That, at the very same time, Daphne uses the foundation of having a job that she totally loves – even if it barely pays the bills – to put herself out there in the sense of opening herself up to the possibilities of deep and true friendship and fellowship – is what makes this story so much her journey to happiness and fulfillment. Whether or not, in the end, either of those things includes Miles, or Waning Bay, or both, or neither.

That Peter ultimately gets the shaft all the way around turned out to be merely the icing on a very tasty cake of a book – or perhaps that should be the slathering of cheese and jalapenos on a fresh, hot serving of Petoskey fries. The part that makes a good thing just that much better.

My favorite of Emily Henry’s books is still Book Lovers, but Funny Story definitely moved into the runner-up slot. I loved that Daphne was a librarian, and she definitely read like “one of us” while her Waning Bay Library read as both realistic and on the good side of places to work – except for the poor salary which was equally realistic – dammit.

I’ve read all of the author’s adult books except for People We Meet on Vacation, which I can feel climbing the virtually towering TBR pile as I type this. It looks like a perfect book to pick up later this summer – when we’re on vacation!

A- #BookReview: People in Glass Houses by Jayne Castle

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
A- #BookReview: People in Glass Houses by Jayne CastlePeople in Glass Houses (Ghost Hunters, #16) by Jayne Castle
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: action adventure romance, futuristic, paranormal romance, romantic suspense, science fiction romance
Series: Harmony #16
Pages: 313
Published by Berkley on May 7, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Dive into the alien world of Harmony in this new novel by New York Times bestselling author Jayne Castle.
His name is Joshua Knight. Once a respected explorer, the press now calls him the Tarnished Knight. He took the fall for a disaster in the Underworld that destroyed his career. The devastating event occurred in the newly discovered sector known as Glass House—a maze of crystal that is rumored to conceal powerful Alien antiquities. The rest of the Hollister Expedition team disappeared and are presumed dead.
Whatever happened down in the tunnels scrambled Josh’s psychic senses and his memories, but he’s determined to uncover the truth. Labeled delusional and paranoid, he retreats to an abandoned mansion in the desert, a house filled with mirrors. Now a recluse, Josh spends his days trying to discover the secrets in the looking glasses that cover the walls. He knows he is running out of time.
Talented, ambitious crystal artist Molly Griffin is shocked to learn that the Tarnished Knight has been located. She drops everything and heads for the mansion to find Josh, confident she can help him regain control of his shattered senses. She has no choice—he is the key to finding her sister, Leona, a member of the vanished expedition team. Josh reluctantly allows her to stay one night but there are two rules: she must not go down into the basement, and she must not uncover the mirrors that have been draped.
But her only hope for finding her sister is to break the rules…

My Review:

We all know the way that phrase ends, don’t we? “People who live in glass houses shouldn’t throw stones.” It’s a somewhat more potentially kinetic way of talking about the “pot calling the kettle black.” Or putting it yet another way, people who have the same faults should resist poking at each other along the same fault lines.

As it turns out, this particular story is also a case of “the enemy of my enemy is my friend” – although Joshua Knight and Molly Griffin want to be much more than friends the moment they meet, in spite of both of them living in the glass house of having extremely high levels of paranormal talent that they keep under wraps.

Because too much power can be extremely dangerous – especially when all the power is encased in the fragile mind of a human. Any human.

Although at the moment they meet, both Joshua and Molly do happen to be rather fragile humans – particularly in the context of the not-totally-explored and still all too frequently dangerous lost Terran colony on Harmony. A planet where high-resonating crystal artifacts left on the planet by aliens have caused, raised and enhanced the psychic powers of the humans who have occupied the planet for more than two centuries.

Joshua Knight is considered to be psi-burned. He was a talented guide and navigator to Harmony’s fascinating but treacherous underworld, and he lost ALL the members of his last expedition.

An expedition that included Molly Griffin’s sister Leona. Molly needs Joshua to lead her to where he lost her sister. Joshua needs Molly to help him regain his lost memories of where he lost the expedition in order to have even a chance at making that happen.

Lucky for them, their talents dovetail in a harmony that neither of them ever expected. But not lucky at all for the mastermind who set Joshua up to take the fall and did not reckon, at all, on the dogged persistence of the Griffin sisters.

And not that the villain doesn’t have a plan B to take care of all of those new, pesky, loose ends that Molly and Joshua have managed to unravel in the crystal palaces hidden under Harmony.

Escape Rating A-: Once upon a time, a historical romance author writing under the name of Amanda Quick introduced an organization of physically adept practitioners and mad scientists into her Victorian Era set romances – and the Arcane Society was born. In one of her other personas, Jayne Ann Krentz, the author carried the Arcane Society in the 20th and 21st centuries. Under a third name, Jayne Castle, she created the lost Terran colony world of Harmony and eventually admitted that the original colonists included a considerable number of members of, you guessed it, the Arcane Society.

It’s been over two centuries since Harmony was cut off from Earth. The population has evolved to include paranormal talents, many of which have become specialized in response to the resonating crystal artifacts that aliens left behind on their new home world. Their society has also evolved into the close-knitted, family oriented, relatively stable structure that we see in this series.

The population also still throws out the occasional mad scientist.

Which is part of Molly and Leona Griffin’s background, although it’s not really part of this story – except in the trust issues that background left in both women – although the next book in the series will be going there – and I’m seriously looking forward to it.

But in the meantime, this book is focused in Harmony’s present, and follows directly after the events of Guild Boss while putting brand new characters in the literal hot seat – along with another of Harmony’s adorable, scene-stealing predators, Newton the intrepid dust bunny.

As is often the case in the entire extended Arcane Society/Harmony series, there’s both a crime to solve and a talented person to save from what seems like the brink of madness. Molly’s sister is missing, the search has been called off. Molly is determined to pursue the only lead she has left, the supposedly burned out has-been navigator, Joshua Knight.

Joshua is the one who needs saving – he’s pretty sure he’s going mad, and the crazy house he’s squatting in is helping to finish the job that the mess of that lost expedition merely started. Joshua and Molly are each other’s last chance, so they grab onto that chance – and each other – with both hands.

That they manage to find the lost expedition – as wonderful as that is – opens up an entirely new can of worms so that the chief worm can finally get squashed. Only to open the way for yet another and even more dangerous worm – or perhaps that should be wyrm – to emerge from the shadows.

The romance between Molly and Joshua is as hot as the energy they both channel, but the way that their mutual needs and insecurities keep bumping up against one another keeps the relationship from feeling like insta-love. They also have a lot more in common than just their tangling insecurities, leaving the reader to believe that they really do have a good chance at an HEA even after the adrenaline of this case evens out.

To make a long story – or review – short; Harmony is a fascinating world, the paranormal powers keep everything and everyone involved tuned up to the max, the dust bunnies are both adorable and deadly, the romances are scorching, and the tension of whatever wrong needs to be righted or case that needs to be solved has been keeping this reader on the edge of her seat from the very first and this entry in the series continues that happy trend. Visit Harmony and settle in for a long, highly charged, utterly captivating binge-read.

And, also very much to the good, the way that the resolution of this adventure hints so tantalizingly at the next gives this fan of the series a lot of high-rez hope for the next – which doesn’t appear to be coming nearly soon enough!

A+ #BookReview: What Cannot Be Said by C.S. Harris

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
A+ #BookReview: What Cannot Be Said by C.S. HarrisWhat Cannot Be Said (Sebastian St. Cyr, #19) by C.S. Harris
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: regency mystery
Series: Sebastian St. Cyr #19
Pages: 368
Published by Berkley on April 16, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A seemingly idyllic summer picnic ends in a macabre murder that echoes a pair of slayings fourteen years earlier in this riveting new historical mystery from the USA Today bestselling author of Who Cries for the Lost.
July 1815: The Prince Regent’s grandiose plans to celebrate Napoléon’s recent defeat at Waterloo are thrown into turmoil when Lady McInnis and her daughter Emma are found brutally murdered in Richmond Park, their bodies posed in a chilling imitation of the stone effigies once found atop medieval tombs. Bow Street magistrate Sir Henry Lovejoy immediately turns to his friend Sebastian St. Cyr, Viscount Devlin, for help with the investigation. For as Devlin discovers, Lovejoy’s own wife and daughter were also murdered in Richmond Park, their bodies posed in the same bizarre postures. A traumatized ex-soldier was hanged for their killings. So is London now confronting a malicious copyist? Or did Lovejoy help send an innocent man to the gallows?
Aided by his wife, Hero, who knew Lady McInnis from her work with poor orphans, Devlin finds himself exploring a host of unsavory characters from a vicious chimney sweep to a smiling but decidedly lethal baby farmer. Also coming under increasing scrutiny is Sir Ivo McInnis himself, along with a wounded Waterloo veteran—who may or may not have been Laura McInnis’s lover—and a charismatic young violinist who moonlights as a fencing master and may have formed a dangerous relationship with Emma. But when Sebastian’s investigation turns toward man about town Basil Rhodes, he quickly draws the fury of the Palace, for Rhodes is well known as the Regent’s favorite illegitimate son.
Then Lady McInnis’s young niece and nephew are targeted by the killer, and two more women are discovered murdered and arranged in similar postures. With his own life increasingly in danger, Sebastian finds himself drawn inexorably toward a conclusion far darker and more horrific than anything he could have imagined.

My Review:

Most readers, myself included, read mysteries for what one author has called “the romance of justice”. What we love about the genre is that no matter how dark the deed, the investigator is able to figure out ‘whodunnit’, justice triumphs and evil receives its just desserts, followed by the reader’s catharsis that order has been restored to the world.

That’s not what happens in this case – because it can’t. This is a case where there can be no justice. Even though the investigator does manage to figure out ‘whodunnit’ there is no catharsis to be had and it would be wrong if there were.

Two bodies are discovered in Richmond Park, a mother and her 16-year-old daughter. That they are cut down in the prime of – or even worse at the beginning of – their lives is unjust enough. Then the situation gets worse.

The bodies are posed in repose, in exactly the same way that the bodies of another mother and daughter were found in that same park, near that same spot, fourteen years previously. It’s the grief over the deaths of his wife and daughter that put Magistrate Henry Lovejoy on the road that led to his first case with Viscount Devlin nearly a decade later, and could be said to have changed both their lives.

Seeing these two bodies – so like his own wife and daughter – make Lovejoy question whether in his zeal to bring SOMEONE to justice all those years ago he pushed for the wrong man’s conviction and execution. In his reinvigorated grief, his crisis of conscience is profound. Yet he still soldiers on in a case that he should have passed on to another Magistrate. Because someone else might get it wrong – as he might have fourteen years ago. He has to see this through – even if – or especially because – he may have apologies owing now, at the end, that won’t begin to redress the damage he caused at the beginning.

Devlin has a crisis of another kind, as the more he delves into this case, both the past tragedy and the present conundrum, the less ANY of it makes sense. The mother had enemies. The daughter had indiscretions. There are plenty of people with motive to kill the mother and even a few who might wish to eliminate the daughter but seemingly no one with this deep an animus for them both – although the husband/father certainly comes closest. As those closest to the victim or victims often do.

It’s only when Devlin sets aside his initial assumptions that logic forces him to reckon with the maxim later attributed to Sherlock Holmes, that “when you have eliminated all which is impossible, then whatever remains, however improbable, must be the truth.” In this case, a truth that is so heinous, so previously unthinkable, that no one who confronts it with him can even conceive of a just punishment.

But one desperate man can see – if not justice – at least an ending.

Escape Rating A+: This was, as is usual for my reading in this series, a one-night read that wouldn’t let go of me until it was over. Which doesn’t mean that I’m over it. Sebastian St. Cyr, Viscount Devlin, certainly was not at the story’s end.

One of the things that has always fascinated me about this series is the way that even though the murder is always solved, the amount of justice available to be served along with that solution is always limited.

Not that this era didn’t punish its criminals harshly – and as is often shown during the course of the series – unjustly. Rather, it’s that Devlin investigates crimes among the highest and mightiest, and as the saying has always gone, “the rich are different from you and me”.

In other words, Devlin often finds himself in the middle of cases where many of the suspects and even the perpetrators are above the law and protected, as is the case of one suspect here, by someone even higher.

Also, in investigating the dark and dirty underbelly of the glittering Regency, Devlin all too often finds practices that, while perfectly legal, turn both his stomach and ours. As is true in this particular case, as his wife, as well as the murder victim, were pushing hard for reforms in the commonly abused apprentice system – not to mention the vile practice of baby farming – and ruffling plenty of important feathers along their reforming way.

That feather ruffling could have been a motive for one of the murders, but not both. A big part of what keeps the reader turning pages in this one is watching the normally indefatigable and unflappable Devlin flag and flap because the pieces of this puzzle don’t add up – not even badly.

And not that we ALL don’t hope that the husband did it and that Devlin can make THAT stick. Alas, that hope is in vain – which is good for the story in a peculiar way because that would have made things much too easy and considerably less unsettling for both Devlin and the reader.

In the end, this is a story about bringing the unthinkable into thought, and just how much justice is even possible in a case that is indubitably true that absolutely no one will want to believe. Those are hard questions, and they are just as valid in contemporary mystery as they are in this historical iteration.

This series, centered on the riveting character of Sebastian St. Cyr, Viscount Devlin, and the equally compelling cast of friends and  enemies – definitely the enemies! – that have gathered around him and his “poking his nose into situations where many believe it does not belong” has had this reader caught in its unshakeable grip since that very first book, What Angels Fear, so very long ago. The fascination hasn’t let go yet, and I don’t expect it to.

What I, maybe not expect but certainly hope for, is yet another page-turning story in the Sebastian St. Cyr series, hopefully this time next year!

A- #BookReview: Always Remember by Mary Balogh

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
A- #BookReview: Always Remember by Mary BaloghAlways Remember (Ravenswood #3) by Mary Balogh
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: historical fiction, historical romance, regency romance
Series: Ravenswood #3
Pages: 366
Published by Berkley on January 16, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Lady Jennifer Arden and Ben Ellis know that a match between them is out of the question. Yet their hearts yearn for the impossible. Discover a new heartwarming story from New York Times bestselling author and beloved “queen of Regency romance” Mary Balogh.Left unable to walk by a childhood illness, Lady Jennifer, sister of the Duke of Wilby, has grown up to make a happy place for herself in society. Outgoing and cheerful, she has many friends and enjoys the pleasures of high society—even if she cannot dance at balls or stroll in Hyde Park. She is blessed with a large, loving, and protective family. But she secretly dreams of marriage and children, and of walking—and dancing.When Ben Ellis comes across Lady Jennifer as she struggles to walk with the aid of primitive crutches, he instantly understands her yearning. He is a fixer. It is often said of him that he never saw a practical problem he did not have to solve. He wants to help her discover independence and motion—driving a carriage, swimming, even walking a different way. But he must be careful. He is the bastard son of the late Earl of Stratton. Though he was raised with the earl’s family, he knows he does not really belong in the world of the ton.Jennifer is shocked—and intrigued—by Ben’s ideas, and both families are alarmed by the growing friendship and perhaps more that they sense developing between the two. A duke’s sister certainly cannot marry the bastard son of an earl. Except sometimes, love can find a way.

My Review:

At the beginning of the Ravenswood series, back in Remember Love, I compared the late and more or less lamented Earl of Stratton, Caleb Ware, with the late and entirely unlamented Humphrey Westcott, Earl of Riverdale, the discovery of whose marital perfidy kicked off that series, and found both of them wanting in only slightly different ways and degrees.

As that earlier series continued through the stories of all the family members impacted by the lies that were shockingly revealed upon Westcott’s death, the man was never redeemed – not even in memory. In fact, as the impacts of his lies rippled out in the years after his death, the worse a character he became.

Therefore, one of the fascinating things about Caleb Ware, Earl of Stratton, is the way that his memory has been redeemed in the years after his death. Not that he wasn’t unfaithful to his wife from the very beginning of their marriage, and not that he didn’t constantly seek love, approval and attention wherever he went, but the reasons behind his actions become clearer with each book – even though that book is centered around another character entirely.

That is especially true of this third book in the series, after Remember Love and Remember Me, because the male protagonist of this story is Ware’s illegitimate oldest son Ben, whose mother was, as it turns out, truly, the love of Ware’s life.

A woman of his own class who he would have married if he could have, but that would have made her guilty of the same sin as Humphrey Westcott. It would have made Lady Janette Kelliston, who her son only knew as plain ‘Jane Ellis’, a bigamist.

But this is, after all, Ben’s story and not the story of his parents, although his discovery of the truth about that relationship and so much more is a central part of his story. While he does not discover those truths until well into this story, it does set the stage for the things he already does know about himself.

That in spite of his complete and thoroughgoing acceptance by Caleb Ware’s legal family for all of Ben’s life, he is, and always will be, the Earl’s bastard. And therefore, not eligible to marry any of the girls – and now women – he meets as part of his membership in the Ware family.

Which means that when widowed Ben and his three-year-old daughter Joy come to Ravenswood Hall to celebrate the revival of the annual Summer Fete, even though he has marriage on his mind he does not expect to find anyone who would consider him suitable among his family’s aristocratic guests.

Because he is NOT suitable, as the rest of the world is all too willing to remind him. The question is whether he, and the woman with whom he falls in love in spite of all the whispers against it, are willing to damn the consequences and the social opprobrium likely to follow in their wake.

Escape Rating A-: I came into Always Remember with high hopes after a bit of disappointment with Remember Me. I liked the characters of that book well enough, but Lady Philippa Ware was a bit TOO perfect and too privileged to identify with and that affected my reading of her story quite a lot.

The heroine of this entry in the series, Pippa’s now sister-in-law Lady Jennifer Arden, is far from perfect – although she fakes it well. Not the perfect beauty that Pippa absolutely does have, but rather, a perfect amiability – or at least the appearance of it – that allows her to find as much happiness and fulfillment in the life that the lifelong disability that remains after a childhood illness (most likely polio) has left her with as is possible. Which is quite a lot if one puts their mind to it, which Lady Jennifer absolutely does.

So this is a romance between an unconventional hero – at least for a Regency romance – and an equally unusual heroine – for any romance at all. That it is their differences from the others around them that brings them together – even as their differences in social position pulls them apart – that made even the possibilities of this story something I was definitely looking forward to.

Ben Ellis and Lady Jennifer Arden find a bond because they are able to see behind each other’s masks to find the real person within. Both are in positions where they ‘should’ be grateful. He because his father’s family took him in and made him their own – as much as they could and considerably more than he knew he had any right to expect. Lady Jennifer’s entire family has rearranged itself, and continues to do so, in order to make sure that she is taken care of, has as much freedom and opportunity as they believe is safe for her, and in general has a good, well-privileged life with friends and opportunities and someone always available to take care of her.

But they are both in pursuit of the missing pieces in their lives. Ben needs to know about his mother’s family, for the sake of his own identity as well as that of his daughter. Lady Jennifer is twenty-five years old, she needs to find out what her OWN limits are. From her perspective, she has one blighted leg but the rest of her, including most definitely her heart and her brain, are just fine. She is an adult and needs to forge her own path – even if that path is navigated on crutches or in a wheelchair.

Ben sees possibilities for her. She sees answers for him. Together, they forge a path that no one expected, and that some would have preferred they not even begin to try. I half expected the author to contrive a solution that would make Ben legally legitimate no matter the actual circumstances of his birth in order to clear that path, but it made for a much better story that the easy solution was not taken after all, making this a deeply earned HEA that kept me up late because I had to find out how it ended.

Speaking of endings, this could be the ending of the Ravenswood series, but I sincerely hope that it is not. The late – and now reasonably lamented – Earl of Stratton and his Countess had several more children who have yet to find their own HEAs. I’d LOVE to see their stories added to this series!

#BookReview: Village in the Dark by Iris Yamashita

Posted on by Marlene Harris | Author : | blog tours> book reviews
#BookReview: Village in the Dark by Iris YamashitaVillage in the Dark (Cara Kennedy, #2) by Iris Yamashita
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Cara Kennedy #2
Pages: 288
Published by Berkley on February 13, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Detective Cara Kennedy thought she’d lost her husband and son in an accident, but harrowing evidence has emerged that points to murder--and she will stop at nothing to find the truth in this riveting mystery from the author of City Under One Roof.
On a frigid February day, Anchorage Detective Cara Kennedy stands by the graves of her husband and son, watching as their caskets are raised from the earth. It feels sacrilegious, but she has no choice. Aaron and Dylan disappeared on a hike a year ago, their bones eventually found and buried. But shocking clues have emerged that foul play was involved, potentially connecting them to a string of other deaths and disappearances.  Somehow tied to the mystery is Mia Upash, who grew up in an isolated village called Unity, a community of women and children in hiding from abusive men. Mia never imagined the trouble she would find herself in when she left home to live in Man’s World. Although she remains haunted by the tragedy of what happened to the man and the boy in the woods, she has her own reasons for keeping quiet. Aided by police officer Joe Barkowski and other residents of Point Mettier, Cara’s investigation will lead them on a dangerous path that puts their lives and the lives of everyone around them in mortal jeopardy.

My Review:

Just as once-and-future Anchorage PD Detective Cara Kennedy wrapped up the murder cases at Point Mettier in City Under One Roof, a monkey wrench was thrown into the case nearest and dearest to her heart. Cara has been, honestly not surprisingly, unwilling to let the case of her husband’s and her son’s deaths go, to the point where the Anchorage PD’s psych evaluation put her out on disability.

Not a good place for a detective with nothing to do but dwell on the ‘might have beens’ to be. Particularly not when a picture of her late husband, her dead son, and herself, taken just before the ill-fated trip that left her a widow, was found on the cell phone of one of the gang members responsible for the deaths in Point Mettier in that first adventure.

Making Cara in this second mystery the equivalent of a dog with a very large bone to chew on. A bone that is made just that much bigger when she has her family’s bodies exhumed and discovers that, whoever they are, and whatever the Anchorage PD told her, the bodies she buried under her husband’s and son’s names were not, in fact, the bodies of her husband and son.

Although it certainly looks like one of those bodies was the victim of murder. Adding yet more questions to the pile of unanswered ones that she already has. And not just questions about who the now unidentified bodies were, and who are the other missing, presumed dead people in that gang member’s cell phone photo roll.

Because if the two bodies she buried weren’t her own loved ones, then where the hell are her husband and her son? Are they dead by some other misadventure lost in some other remote part of the Alaskan Bush? Or are they alive and in hiding?

Or worse, does her husband have something to do with the long list of missing and presumed dead faces in that photo roll? Cara can’t rest until she finds out the truth – whether it sets her free or gets her killed. Or both, not necessarily in that order.

Escape Rating B: Part of what made City Under One Roof work so well was the claustrophobic nature of its setting. Whittier, like the city modeled after it in the story, really is a city under one roof. That a significant chunk of that first story takes place while Point Mettier is literally cut off from the rest of the world – as really does happen in Whittier – gives the story a kind of ‘locked room’ vibe, complete with time running out as the tunnel will eventually open and the bottled up suspects will have the opportunity to escape.

The story in Village in the Dark spreads itself out in both time and space, as the action shifts from Point Mettier to Mia’s temporary refuge outside Willow to Anchorage and back again. It’s also a bigger story, in that it begins with Cara’s seemingly never-ending quest to find out what really happened – or who really happened – to her husband and son but loops in one of Point Mettier’s more colorful residents, that woman’s search for the events that led to her own son’s death, and then seemingly tacks on one mysterious young woman attempting to hide in plain sight.

It’s a bigger story but it’s a whole lot less tight and taut in the way that City Under One Roof was, and that mysteries are at their best. In other words, I got lost a bit whenever we switched to young Mia’s point of view because she started out WAY out there compared to the central axis of the story. Not that she didn’t finally move to the center of things, but it certainly took a while.

In the end, it’s a story about drugs and money. About corruption and temptation and dirty deeds done dirt cheap in the service of people who will never pay the price for the deeds done in their name – even if that name is a false one hidden behind multiple go-betweens.

But the further the story spread out, the less it hung together until the rapid-fire denouement. And then it was, quite literally, gangbusters.

At the end, the story that brought Cara into this series has been resolved. Whether it will be the jumping off point for more, and less personal and more procedural investigations, is a mystery yet to be solved.

One final note, the subtext in this entry in the series is the ease with which the police dismiss missing persons cases and crimes against women, particularly, in the Alaskan setting, indigenous women. The same horrifying subtext also underlaid the suspense in last year’s The Way of the Bear by Anne Hillerman. Coincidentally, or perhaps a commentary on the pervasiveness of the issue, the book I am currently listening to, Glory Be by Danielle Arceneaux, has an entirely too similar tragedy at its heart, yet again exploring and decrying the ease with which police discount and dismiss crimes against black women in that book’s Louisiana setting.

The pervasiveness of this all too real problem is considerably more chilling than the suspense in ANY mystery.

#BookReview: Remember Me by Mary Balogh

Posted on by Marlene Harris | Author : | book reviews> C+ Reviews
#BookReview: Remember Me by Mary BaloghRemember Me (Ravenswood, #2) by Mary Balogh
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook
Genres: historical fiction, historical romance, regency romance
Series: Ravenswood #2
Pages: 368
Published by Berkley on June 20, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Can Lady Philippa Ware forgive the man who once shattered all her youthful dreams? Discover the passionate and heartwarming new novel on the redemptive power of love from New York Times bestselling author Mary Balogh.
Philippa, elder daughter of the Earl of Stratton, grew up eagerly anticipating a glittering debut and a brilliant marriage. Then her brother caught their father out in a clandestine affair and denounced him publicly. The whole family was disgraced, and Philippa's hopes grew dim, then were fully shattered when she overheard the dashing, handsome Marquess of Roath viciously insult her upon learning of her father's identity. Only years later does Philippa find the courage to go to London at last to meet the ton. She is an instant success and enjoys a close friendship with the granddaughter of a duke. Only one man can spoil everything for her, but surely he will not be in London this year.
The Duke of Wilby is nearing death and has tasked his grandson and heir, Lucas Arden, Marquess of Roath, with marrying and producing a son before it is too late. Lucas, who usually shuns London, goes there early in the Season in the hope of finding an eligible bride before his grandparents come and find one for him. He is instantly attracted to his sister's new friend, until that young lady asks a simple question: "Remember me?" And suddenly he does remember her, as well as the reason why the daughter of the Earl of Stratton is the one woman he can never marry--even if his heart tells him she is the only woman he wants.
Unfortunately for Philippa and Lucas, the autocratic duke and his duchess have other ideas and believe them to be perfect for each other. They will simply not take no for an answer. Telling Philippa the full truth is the hardest thing Lucas has ever faced, and the discovery of it will change them both before they discover the healing power of love.

My Review:

The elderly Duke of Wilby may be the most aptly titled character to ever grace the pages of a Regency romance. Because his will has been done, generally to his satisfaction, for most of his long life, and he fully intends that his will be done one last time before the end that his doctor has predicted comes to pass.

On the whole, Wilby is a rather benevolent dictator when it comes to his family, but he seems to have never been faced with an opposition implacable enough to stand against him that couldn’t be overcome. With the possible exceptions of time, old age and death. Although even there he’s negotiating for better terms – or at least terms of his own choosing.

He has only one surviving heir, his grandson Lucas. Lucas’ father died of recklessness years before, there was no spare, the old Duke had no brothers and the next heir is a cousin that frankly neither he nor Lucas believe is worthy of the title. Someone they know will have no care for the many female members of the family who will be left to his dubious mercy if Lucas dies before he has his own ‘heir and a spare’.

The elderly Duke – and his redoubtable Duchess – are determined that Lucas, now twenty six, will spend the coming Season in London, scouring the Marriage Mart for a bride they all find suitable – whether he wills it or not. For that matter, whether SHE wills it or not as well.

The seemingly immovable object standing in the way of Wilby’s plan is Lady Philippa Stratton, daughter of the late Earl of Stratton. Her brother now holds the title. Pippa is twenty two, wealthy in her own right, and her brother is no longer her guardian. She can do as she pleases when it comes to the Season and the Marriage Mart.

She does not please to marry Lucas Arden. Because once upon a time, just a few years previously when they were both a bit younger and a whole lot less cognizant of the effect a few careless words might have on the people around them, Pippa heard Lucas refer to her as ‘spoiled goods’. Not for any action of hers, but for her father’s indiscreet, utterly scandalous, behavior.

A scandal that touched Lucas every bit as closely as it did Pippa. But eavesdroppers seldom hear anything to their credit, and that was the case here. He owes her an explanation AND an abject apology. But it is water very much under the bridge at this point. That she let his words blight the next four years of her life isn’t ALL on him. Although she still doesn’t owe him the time of day.

But the Duke of Wilby is certain that Pippa and Lucas are perfect for each other. And he’ll move heaven, earth and everything in between in order to get them to see it too. Before his negotiations with his Maker come due.

Escape Rating C+: I had intended to read the third book in the Ravenswood series, Always Remember, this week but when I realized that I’d skipped this second book, Remember Me, I switched things up. I’ll get to Always Remember sometimes in February because it’s still the right month for a LOT of romance.

Howsomever, I ended up with a lot more mixed feelings about Remember Me than I expected after the first book in this series, Remember Love – which I liked rather a lot.

There were a couple of things that kept me from falling quite as hard for this second book in the series, one of which was the sheer proximity to yesterday’s book. Part of the reason I enjoyed A Body at the Séance so much was that I found Mabel Canning’s whole, entire life easy to identify with. She’s not rich, she’s not privileged, she’s a woman making it on her own and her life and times are just close enough that it’s easy to step into her shoes. Possibly except for the murder investigations she keeps falling into but still, she’s someone I’d love to have tea with.

Lady Philippa Ware is certainly a good character, as well as a decent human being, but in comparison with Mabel she’s too rich, too privileged, too beautiful and just too damn perfect to be anything other than a fairy tale princess character – including the title. I liked her, I could see why all the other characters warm to her, but she’s got it so easy in so many ways, in a time and place where so many people did not, that I didn’t love her nearly as much as I did Mabel – or as Lucas and his whole, entire family came to do.

I also need to confess that the conflict in this story, the engine moving the plot forward, the way that the Duke of Wilby in his role as benevolent tyrant pushed so hard to have his will be done, to make all the characters move on his chessboard without ever listening to a word they said about their own lives, is triggering for me in ways I can’t explain. And I fully recognize this is a ‘me’ thing and likely not a ‘you’ thing.

But still, I found myself utterly conflicted between the fact that ‘dammit he was right’ and just how much I wanted someone to push back against him and make it stick that it spoiled the story for me. There are so many ways his pushing and shoving could have and should have gone wrong that I wanted to scream at someone the whole way through.

Your reading mileage may definitely vary. In fact, I hope it does because I think a LOT of people are going to love this book. I’m just not one of them although I certainly expected to be.

Which leads me back around to the NEXT book in this series, the one I thought I’d be reading this week, Always Remember. I’m looking forward to that story because Lucas’ sister, Lady Jennifer Arden, has faced hardships and tragedies in spite of her wealth and status, and it looks like she’ll be finding a life-partner in spite of all the predictions that a woman with a fortune who can’t walk and can only get around in a push chair has no chance to marry anyone who will not be more invested in her fortune than herself. I have high hopes that Pippa’s older half brother Ben, the child of one of her father’s many, many scandals, will prove everyone wrong. Because Jenny deserves her own happy ever after and I’m looking forward to seeing her get it!

Review: The Night Island by Jayne Ann Krentz

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: The Night Island by Jayne Ann KrentzThe Night Island (The Lost Night Files, #2) by Jayne Ann Krentz
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: paranormal, romantic suspense
Series: Lost Night Files #2
Pages: 336
Published by Berkley on January 9, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The disappearance of a mysterious informant leads two people desperate for answers to an island of deadly deception in this new novel in the Lost Night Files trilogy by New York Times bestselling author Jayne Ann Krentz.   Talia March, Pallas Llewellyn, and Amelia Rivers, bonded by a night they all have no memory of, are dedicated to uncovering the mystery of what really happened to them months ago—an experience that brought out innate psychic abilities in each of them. The women suspect they were test subjects years earlier, and that there are more people like them—all they have to do is find the list. When Talia follows up on a lead from Phoebe, a fan of the trio’s podcast, she discovers that the informant has vanished.   Talia isn’t the only one looking for Phoebe, however. Luke Rand, a hunted and haunted man who is chasing the same list that Talia is after, also shows up at the meeting place. It’s clear he has his own agenda, and they are instantly suspicious of each other. But when a killer begins to stalk them, they realize they have to join forces to find Phoebe and the list.   The rocky investigation leads Talia and Luke to a rustic, remote retreat on Night Island in the Pacific Northwest. The retreat promises to rejuvenate guests with the Unplugged Experience. Upon their arrival, Talia and Luke discover guests are quite literally cut off from the outside world because none of their high-tech devices work on the island. It soon becomes clear that Phoebe is not the first person to disappear into the strange gardens that surround the Unplugged Experience retreat. And then the first mysterious death occurs…

My Review:

All of The Lost Night Files begin before the first book in this ongoing series opens to its very first page in Sleep No More. In fact, it’s starting to look like The Lost Night Files begins at the same time and with the same perpetrators – yes, let’s go with perpetrators – as the Fogg Lake series that began with The Vanishing.

All of which began with a top secret government project codenamed Bluestone. A project that absolutely went where the X-Files did but left considerably more damage – both direct and collateral – in its wake. A project that the government CLEARLY didn’t bother to clean up after. They just mothballed the whole thing in various situs and hoped that no one would dig into their dirty little paranormal secrets.

Like things EVER work that way.

In this second book, or rather this second case for the Lost Night Files podcast, the founders of the podcast; Pallas Llewellyn, whose story was featured in Sleep No More, Amelia Rivers, who will probably be the central character of a third book that had better be happening, and Talia March, the protagonist of THIS story, have a lead on why and how they were targeted for the experiment that ramped up their various strong intuitions into full-blown psychic talents.

They all took a test that measured psychic ability back in college, and they all scored high on that test. That test WAS the only link between them before their ‘lost night’ at the dilapidated Lucent Springs Hotel.

Now Talia is running down a lead on someone who is selling copies of the results of that old, supposedly long-forgotten test. Talia has high hopes that the list will lead to others who lost a night just as they did, giving them a trail they can hopefully follow back to the source of this mess.

What Talia finds first is another ‘victim’ of the experiments. Prickly and justifiably paranoid Luke Rand also took that test, also lost a night in eerily similar conditions to the Lost Night Files crew, and also woke up with newly enhanced paranormal talents and no memory of what was done to him.

Although Luke has one memory that Talia and her friends are fortunate not to have. The first thing he remembers after his lost night is standing over two dead bodies with a scalpel in his hands. He thinks he did it.

Talia’s not so sure about that. What she is sure about, because her talent is finding things, is that the person who was supposed to be selling them that list isn’t at the rendezvous – and neither is the list. What Talia does find is a talisman that links her to the would-be seller, and clues to where the woman was taken.

For experimentation, just as they were.

Reluctant and temporary allies, Luke and Talia band together to follow the trail of the seller, the list itself, and whatever operation is experimenting on would-be psychics. What they find is a huge con, a nightmare garden, and a series of murders that make Agatha Christie’s And Then There Were None look like a walk in the park on a beautiful sunny day.

What Talia and Luke also find, in spite of themselves and their mutual antipathy and distrust – is a partnership that will save them, both from the monsters that haunt the Night Island, and from the demons conjured up by the experiment within them both.

Escape Rating A-: The thing about the ‘Jayneverse’ is that everything connects up – EVENTUALLY. Howsomever, that doesn’t stop a reader from jumping in pretty much anywhere and getting sucked right in. The Lost Night Files is an excellent case in point.

It might be better to start The Lost Night Files with ITS OWN first book, Sleep No More, but this series doesn’t depend on any knowledge of the greater whole, or even the smaller whole of Fogg Lake, to be easy to get into and a whole lot of fun to read.

It’s more that if you ARE familiar with some of the background there are bits that you read with a bit of a smile at the old memories – even as you make new ones.

The Night Island is clearly a middle book in its own series. In Sleep No More, we first met the crew of the podcast and were with them as they continued their investigation into WTF happened to them at the old Lucent Springs Hotel. AND discovered that they weren’t the only ones to have been experimented on, resulting in Pallas’ finding her HEA with fellow experiment subject Ambrose Drake.

In and on the Night Island, the investigation gets a few steps closer to the truth – or at least A TRUTH – about the nature of the experiments and their purpose. The reader gets a glimpse of the perpetrators, while Talia and Luke get merely a hint in that direction. Which moves the series as a whole along quite teasingly, but doesn’t detract or distract from the events of this book.

Events that are centered around Talia and Luke’s investigation of the Night Island itself, the way the bodies keep dropping like flies and the bizarre nature of the experimental flora on Night Island and how they seem to be evolving their way to fauna at a dizzying rate.

So there are oodles of puzzles to solve in this compelling story of paranormal romantic suspense and plenty of tasty red herrings to swallow on the way to solving them – as well as the descriptions of the chef’s yummy-sounding vegetarian cuisine. Talia and Luke turn out to be the perfect investigators for this case of con artists, psychic assassins and lost things, plans and people.

I can’t wait to see how The Lost Night Files wraps up all the mysteries that face them, hopefully in the next book in this series. And hopefully this time next year if not a bit sooner!