Review: Slow Burn Cowboy by Maisey Yates + Giveaway

Review: Slow Burn Cowboy by Maisey Yates + GiveawaySlow Burn Cowboy (Copper Ridge, #7) by Maisey Yates
Format: eARC
Source: publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: contemporary romance
Series: Copper Ridge #7
Pages: 384
Published by Harlequin Books on April 18th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

In Copper Ridge, Oregon, a cowboy's best friend might turn out to be the woman of his dreams…
If Finn Donnelly makes a plan, he sticks to it. After his brothers left Copper Ridge, Finn stayed behind, determined to keep their ranch going by himself. And when he realized his feelings for Lane Jensen were more than platonic, he shoved that inconvenient desire away. It was easy…until it wasn't. Suddenly his brothers are coming home to claim their share of the property. And Lane is no longer just in his fantasies. She's in his arms, and their friendship is on the line…
He's been her buddy, her handyman, her rock. But until that one breathtaking kiss, Lane somehow overlooked the most important thing about Finn Donnelly—he's all man. They're right together, no matter how much his volatile past has bruised him. Finn wants to hold Lane's body, but he doesn't want to hold her heart. But Lane is falling fast and now she's got a plan of her own…to show Finn there's nothing hotter than friendship turned to slow-burning love.

My Review:

I loved Last Chance Rebel, and my friend Amy loved Hold Me Cowboy, so I expected to love Slow Burn Cowboy. But that’s not what happened.

Instead I have very much of a mixed feelings review on tap. Very mixed.

The friends-to-lovers trope is one of my favorites, so again, I was expecting to like the story line in this book. But something, actually multiple somethings, don’t quite work.

The set up is excellent, Lane and Finn have been best friends for ten years, ever since Lane left her parents’ home back East and moved to Copper Ridge to live with her brother Matt. At the time, Lane was sixteen and obviously just a bit fragile. Finn was 23 or 24 and more than a bit too old for her.

But that 8 or 9 year gap closes pretty quickly after a few years. Now Lane is in her late 20s and Finn is in his mid-30s. They’re both adults. But they are both still awfully fragile.

They are best friends. Really, truly. They spend time together and they care for each other and they need each other. But they are filling the gaps in each other’s lives that would normally be filled by a spouse or significant other. Not that their relationship isn’t significant, but they have fallen into a situation where they are friends with a different set of benefits. She cooks and buys his clothes, he kills spiders, changes lightbulbs and fixes the porch steps. It works for them.

Until it doesn’t.

Finn’s grandfather has just died. Instead of leaving his ranch to Finn, who has been working with him for that same last bunch of years, the old man left it to Finn and his three half-brothers equally. The Donnelly Brothers are all at crossroads in their lives, and they all move back to the ranch, into the house and the land that Finn expected would be his.

All of their relationships are strained and distant, and no one seems to be happy about any of it. So Finn, in a crazed need to re-establish control over something, anything, in his suddenly chaotic life, decides that he wants more from Lane than he’s ever asked for. He wants to push past their carefully maintained boundaries and turn their relationship into that of friends with the usual benefits.

He thinks its possible to make love and not feel at least a little love. And he’s an idiot.

Finn’s perfectly happy to tear down all of Lane’s defenses and push for whatever he wants. But when Lane turns the tables on him and starts pushing him for what she wants out of a relationship, he pushes her away as hard and as fast as he can.

The question of whether Finn can get his head out of his ass long enough to figure himself out is an open one. Finn needs to open his eyes, and his heart, before he throws away his best chance at happiness. And he needs to grovel.

Escape Rating C+: There was so much potential in Slow Burn Cowboy, but it never quite gels into the book that I was looking forward to.

Both Lane and Finn are damaged people, and neither of them thinks that they are worthy of happiness or love. They protect themselves in different ways. Lane by walling off what hurts her, and Finn by pushing away anyone who might get close enough to hurt him.

It’s amazing that they have managed to sustain a friendship, but they definitely have.

While Finn is a bit of an arsehole about it, his trauma is understandable. His dad seems to have been a serial philanderer, leaving a string of exes with his sons all across the country. Dad left everyone. But his mom also abandoned him. And he’s just sure everyone else will too.

Lane’s trauma just isn’t one that was easy for this reader to identify with. Her sense of loss at giving a baby up for adoption when she was sixteen is understandable, but she’s been wearing the past like a hair shirt ever since, to the point where the hair felt like it had been woven from a drama llama rather than anything real. Her story felt like angst for angst’s sake.

Also, these are two people who live inside their heads an awful lot, which also doesn’t feel right for Finn’s character. It felt like there was much more internal dialog than actual dialog. And Lane tended to think and talk in circles a lot of the time. That’s a habit that drives this reader crazy in real life, not just fictional life.

There are a lot of moments when the reader wants them to just stop talking inside their heads and let those words out where they might do some good!

But, and this is where the good stuff comes in, Copper Ridge just feels like a wonderful place. I like the people a lot. One of the great things in this story is all about the enduring power of women’s friendships. Lane, along with her best female friends, have a terrific, supportive and caring friendship. One of the ways in which Lane comes out of this story stronger than she went in is the realization that she is so much better off than she was when she arrived in Copper Ridge because those friendships will always see her through. She’s not alone, with or without Finn.

Finn’s supporting cast is his family, his three half-brothers and his niece Violet. They have all moved into the ranch and are now part of his life, where they have all been separate and alone up til now. Finn is really, really bad at letting people in, but having them be part of his life, whether he originally wanted it or not, is terrific. They bite and snap and growl at each other all the time, but they are all great characters and I’m looking forward to their stories in future books in the series.

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

Maisey and Harlequin are giving away a $25 Gift Card to one lucky entrant on this tour.

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Review: The Librarians and the Mother Goose Chase by Greg Cox

Review: The Librarians and the Mother Goose Chase by Greg CoxThe Librarians and the Mother Goose Chase by Greg Cox
Format: eARC
Source: publisher via Edelweiss, publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: media tie-in, urban fantasy
Series: The Librarians #2
Pages: 288
Published by Tor Books on April 25th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

For millennia, the Librarians have secretly protected the world by keeping watch over dangerous magical relics. Cataloging and safeguarding everything from Excalibur to Pandora’s Box, they stand between humanity and those who would use the relics for evil.
Stories can be powerful. In 1719, Elizabeth Goose of Boston Massachusetts published a collection of rhyming spells as a children's book, creating a spellbook of terrifying power. The Librarian of that age managed to dispose of all copies of the book except one, which remained in the possession of Elizabeth Goose and her family, temporarily averting any potential disaster.
However, strange things are happening, A window washer in San Diego who was blown off his elevated perch by a freak gust of wind, but miraculously survived by landing on a canopy over the building entrance. A woman in rural Pennsylvania who was attacked by mutant rodents without any eyes. And, a college professor in England who somehow found herself trapped inside a prize pumpkin at a local farmer’s market. Baird and her team of Librarians suspect that the magic of Mother Goose is again loose in the world, and with Fynn Carson AWOL once again, it is up to Cassandra, Ezekiel, and Stone to track down the missing spellbook before the true power of the rhymes can be unleashed.

My Review:

I read The Librarians and the Lost Lamp a couple of weeks ago, and I really enjoyed it because it felt so much like an episode of the show, including all of the madcap adventure and especially all of the banter. I had a great time, just as I do when I watch The Librarians. It was fun!

But The Librarians and the Mother Goose Chase felt like it was more of a strain. The Librarians, of course, are always a bit strained in the midst of yet another hair-raising case, but there was something about this one that made it feel like a strain for the reader, too. Or at least this reader.

Fair warning, I may get a bit meta here. It’s hard to review a media tie-in novel without some references to the media it ties into, and how it “feels” related to how the original feels, And works. I would say or doesn’t work but the fact is that a person for whom the original does not work is unlikely to read novels based on it. My 2 cents.

Part of what makes The Librarians work as a show is their marvelous team dynamic. The Librarians and their Guardian are a close knit team and also kind of a family. What they do is designed to be a bit outside the mundane world, and they of necessity have bonded together. Along with Jenkins, the combination archivist, caretaker and zookeeper of the Library and the Library Annex in Portland they work out of.

On the one hand, parts of this story provide a marvelous and much broader view of just how big, how strange, and how magical the Library’s collections truly are. Nobody wants the job of cleaning the pen that holds the Goose that Lays the Golden Eggs, but it’s a dirty job and somebody has to do it. Usually Jenkins.

On that other hand, the Librarians spend a lot of this story on separate parts of the quest. This group is stronger when it’s together. It’s also funnier and occasionally more heartwarming when it’s together. So for this reader story lost some of its steam when it separated the group, Also the way they were split up felt a bit contrived. Their separate quests seem to rely on their weaknesses more than their strength, and the individuals they were paired up with instead felt like contrivances designed to teach them each something rather than get the job done. As usual, my 2 cents and your mileage may vary.

And the action got a bit bogged down as it split into four separate stories, which at times felt a bit repetitious.

The concept that Mother Goose was not only real but a powerful witch who encoded her spells into nursery rhymes fits right into the mythos of the Library. That her magic could get out of hand if left in the hands of the “wrong people” could make an episode or a great story.

But the way that this one wrapped up, which unfortunately I did see coming a mile away, fell flat. Again, at least for this reader.

So, as much as I love The Librarians, I didn’t have nearly as much fun with Mother Goose as I did with the Lost Lamp.

Escape Rating C+: The scenes where Eve and Jenkins are chasing several of the Library’s more colorful (and volatile) exhibits around the Library are hilarious. My personal favorite is when Jenkins throws Arthur’s Crown at the Sword Excalibur and tells it to play “Keep Away” with the King of Beasts and the Unicorn. Eve’s solution to the problem of the Dead Man’s Chest was also lot of fun. But the gang spends too much time not being a gang, and I missed the way they play off of each other much too much.

Review: Any Day Now by Robyn Carr + Giveaway

Review: Any Day Now by Robyn Carr + GiveawayAny Day Now (Sullivan's Crossing, #2) by Robyn Carr
Format: eARC
Source: publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: contemporary romance
Series: Sullivan's Crossing #2
Pages: 384
Published by Mira Books on April 18th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

The highly anticipated sequel to #1 New York Times bestselling author Robyn Carr's What We Find transports readers back to Sullivan's Crossing. The rustic campground at the crossroads of the Colorado and Continental Divide trails welcomes everyone—whether you're looking for a relaxing weekend getaway or a whole new lease on life. It's a wonderful place where good people face their challenges with humor, strength and love.
For Sierra Jones, Sullivan's Crossing is meant to be a brief stopover. She's put her troubled past behind her but the path forward isn't yet clear. A visit with her big brother Cal and his new bride, Maggie, seems to be the best option to help her get back on her feet.
Not wanting to burden or depend on anyone, Sierra is surprised to find the Crossing offers so much more than a place to rest her head. Cal and Maggie welcome her into their busy lives and she quickly finds herself bonding with Sully, the quirky campground owner who is the father figure she's always wanted. But when her past catches up with her, it's a special man and an adorable puppy who give her the strength to face the truth and fight for a brighter future. In Sullivan's Crossing Sierra learns to cherish the family you are given and the family you choose.

My Review:

First of all, I love the places that Robyn Carr creates. Thunder Point was a terrific little town, and now Timberlake Colorado, the town near Sullivan’s Crossing, also seems like a fine place to get a fresh start.

And that’s just what Sierra Jones is looking for when she arrives in Timberlake in her beat-up orange VW Beetle, fondly known as “The Pumpkin” for obvious reasons. Nearly 30 and just 9 months sober, Sierra has come to Timberlake planning to spend some quality time with her brother Cal (hero of What We Find) and getting to know her new sister-in-law and the ‘bump’ that will become her niece in a few short months time.

Cal found a new life and fresh start in Timberlake, and healing in the beauties of nature that surround Sullivan’s Crossing at the conjunction of the Colorado and Continental Divide Trails. Sierra hopes for the same.

She ran away to rehab to escape something horrible, only to discover that the events that led up to her break happened, at least partially, because she really was an alcoholic, just like so many people, including Cal, told her. Running away from her messes into rehab was the first smart decision she had made in quite a while.

Sierra got scared straight. And she’s putting in the work to stay straight, one day at a time. But what scared her is big and bad and very, very real, and until she deals with it, she’s always going to feel just one day away from making more bad choices, or having her choices taken away from her, once and for all.

So Sierra comes to Timberlake for a fresh start where she can stand on her own two feet but still have support when she needs it. And so that she can be there for Cal when he needs her. It’s about time.

But just like her brother, Sierra comes to Timberlake looking to heal herself, and certainly not looking for a relationship. And that’s always just when you find one – when you are definitely not looking.

Conrad Boyle, (everyone calls him Connie whether he likes it or not), is a member of the Timberlake Fire Department. He’s also a paramedic who does search and rescue in his “off” hours. He doesn’t think he’s any better at picking the right partner than Sierra is. His last relationship ended in disaster, and he’s sure he’s better off not looking for love, because what finds him turns out to be anything but.

So of course Sierra and Connie fall for each other. Both unwilling at first to admit that what they have found is more than a fling. And Sierra more than a little bit afraid that when Connie learns the whole truth about her, he’ll run away as far and as fast as he can, leaving her devastated and alone. Again.

Instead, her past comes looking for her. But when it finally catches up to her, this time she doesn’t cave in. She nails it to the wall and beats it with a baseball bat.

Escape Rating B: I do love visiting Sullivan’s Crossing. It’s a great place, populated with a terrific bunch of people. Even the local bad apples are reasonably sympathetic and understandably human, if still a bit sour to the local taste.

I also like that the protagonists of the series are all adults with real adult problems. There’s plenty of angst at the right spots, but it’s real-life angst. Everyone has been banged around a bit in the school of hard knocks, and whatever they are agonizing over is stuff that’s really there, not made up drama. The series so far is also blissfully free of ridiculous misunderstandammits.

In spite of his spectacularly bad luck at relationships, Connie is a genuinely nice guy. He’s a good man who does some very hard things. Being a paramedic, even in a small town, means that he’s seen a lot of death and dismemberment, and had to rescue a lot of people from a lot of bad things. Sometimes he fails. So although his life looks mostly sunny, he understands in his bones that there are dark places and dark things in the world. He has the empathy to understand Sierra’s pain without either papering it over or rejecting it, and her.

Sierra, of course, is just certain that he can do better than her mixed-up self. But the heart wants what the heart wants.

The journey in this book is Sierra’s. She needs to decide she’s worthy, and she does it by facing the demons in her past. And that’s where things get both interesting and a bit murky.

I loved watching Sierra build a life for herself. Not just the romance, but everything that Sierra does to make herself part of Sullivan’s Crossing, and the way that it makes itself part of her. The mentor/father-figure relationship she builds with Sully is lovely. I’d say sweet but Sully probably wouldn’t approve.

But the more she reveals about herself, not just inside her own head but to Cal and eventually Connie, the more the reader is certain that her past is coming to get her. Literally. The story builds and builds the tension of Sierra waiting for that very dangerous other shoe to drop, to the point where I wanted to read ahead just to find out if they ever did get Chekhov’s gun down off the wall and just shoot it already.

When that climax finally comes, it gets wrapped up a bit too quickly. The way it gets wrapped up was wonderful, but that other shoe hung up there much longer than the actual drop got wrapped up.

But I loved my visit to Sullivan’s Crossing, and enjoyed it so much that I raced through the book just to see how everyone was doing and get to know the newbies. I can’t wait to go back!

~~~~~~ GIVEAWAY ~~~~~~

I’m giving away a copy of Any Day Now to one lucky winner in the continental U.S.

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Review: Legend Has It by Elliott James

Review: Legend Has It by Elliott JamesLegend Has It (Pax Arcana, #5) by Elliott James
Format: eARC
Source: publisher via Edelweiss, publisher via NetGalley
Formats available: paperback, ebook
Genres: urban fantasy
Series: Pax Arcana #5
Pages: 448
Published by Orbit Books on April 18th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

For John Charming, living the dream just became a nightmare.
Someone, somewhere, is reading a magic book that is reading them right back. Real life is becoming a fairytale: high school students are turning, quite literally, into zombies, subway workers into dwarves, drug addicts into vampires.
John Charming and his motley band of monster hunters are racing to find the villain of this story, following the yellow brick road through a not so wonderful wonderland. And if they can’t find Reader Zero before the book is closed, there won’t be a happily ever after again.

My Review:

The snark is strong with this one. Very strong. And John Charming needs all the help that he can get.

At this point in the story of John Charming and his “Scooby-gang” of Sig, Molly and Choo, they, and the world, are in pretty deep foo-foo. Which is where they do best. And sometimes worst.

The story follows almost directly from last year’s In Shining Armor. At the end of that book, John says that he and Sig are going back to pick up the rest of the gang, and that’s pretty much where we are now. John and the gang heading to New York to meet up with John’s former and possibly future gang, the Knights Templar, along with his semi-present gang, the werewolves of the Round Table.

Those Knights Templar really are the descendants of the original Knights Templar. The werewolves of the Round Table, on the other hand, adopted that name because it was cool and because it fit into their frequently mesalliance with the Templars. And probably because it pisses the Templars off just a bit.

Not that werewolves in general don’t make the Templars very, very twitchy. The Templars aren’t merely charged with, but are actually geas bound to protect the Pax Arcana, the magic (ironic that) that makes it so that us mundanes don’t see or remember magic. And for a very long time, the Templars were taught to believe that the mere existence of werewolves (and vampires, and pretty much anything else that was magic but wasn’t Templar) were an automatic violation of the Pax.

Which they mostly aren’t. Most werewolves, and vampires, and cunning folk (witches) and other magical types just want to live their lives without bothering anyone. They don’t want to be outed any more than the Templars do. But negotiating that particular change in outlook makes the Templars very, very twitchy indeed.

And that’s where John Charming came in. John is a Templar. And he’s also a werewolf. The fact that he didn’t self-combust the minute he discovered those two supposedly contradictory identities has forced, often at swordpoint, the Templars to do a bit of re-thinking. Hence the very shaky alliance between the Templars and the werewolves.

What was discovered in In Shining Armor was that there is a group very much in opposition to the Templars, and that the opposition, the School of Night, had done an excellent job of infiltrating the Templars over the past 500 years. The mission of the School of Night is bring down the Pax Arcana, by any means necessary, to let magic loose in the world again.

And the Templars are bound to oppose the tearing down of the Pax by any means necessary, no matter how vile those means might be. Even to the point of nukes in New York City. They may not want to, but they may feel that they have to.

That’s what John Charming and his Scooby-gang are right smack in the middle of. Their job, and they’ve decided to accept it, is to bring down the School of Night before the Templars bring down Ragnarok. No matter what it takes. Or possibly who.

Escape Rating A-: If you’ve read the other books, this one is a humdinger, slam-dunk thrill-a-minute ride from the beginning to the end.

Let me say this upfront – the Pax Arcana series is one that is meant to be read from its beginning. Although the world starts out being very much like our own, as the series piles on, we see more and more of just how different it is – or rather just how much has been hidden from us by the Pax Arcana. The author makes a brave and hilarious attempt to get new readers into the action by opening with our hero John Charming in the midst of an imaginary interview with a very imaginary Barbara Walters. That intro does a good job of reminding series readers where last we left our heroes, but isn’t really a substitute for new readers actually reading at least most of the rest of the series.

So if you like really, really snarky urban fantasy, start with Charming.

As I’ve mentioned, John Charming definitely comes from the snarky end of urban fantasy. He reminds me a lot of Harry Dresden from the Dresden Files, but John’s attitude towards women in general is a bit more, I want to say enlightened but that isn’t quite right. John, unlike Harry or most heroes in urban fantasy, is managing to have a successful relationship with Sig the Valkyrie. And he’s less of a hound and more of a good man, if only because Sig can perforate him with her spear when he screws things up. He’s learning, and it makes him more sympathetic.

Like other urban fantasy heroes, including Harry Dresden, Atticus Finch of the Iron Druid Chronicles, and John Taylor from the Nightside, the book is literally his story. It’s told from the first-person, and we are inside John’s head. You do have to like his brand of snark to want to occupy that head for very long, but it’s generally a livable space. While he does use humor to lighten what are often grim situations, he is also funnier on the inside than even what comes out, and he says what he’s thinking, and often what we’re thinking too.

The thing in this story that causes all the fuss is an interesting one. It’s a book. An evil book. It’s one of those books from the Restricted Section in the library at Hogwarts (not literally, of course) that should be chained up because when you read it, it reads you. And it’s way more powerful than most people who read it. The School of Night is using it to let magical monsters loose in the world, test the responses of the Knights, and see if they can spread enough chaos to break the Pax. It’s a diabolical plan, from a very diabolical mind.

But the sheer amount of danger that John, his gang and the Templars are tipped into, while awesome and scary on so many levels, also brings out one of the inevitable twists of urban fantasy – that in order to keep the series interesting, the protagonist has to face and overcome more dangerous situations each outing, with bigger and badder villains, and hairier and scarier problems to solve. The hero becomes more powerful, and the villains get even more frightening and evil. The tone of the series gets darker the deeper you go. And so it proves with John Charming. Also Harry Dresden, John Taylor and every other urban fantasy series I’ve ever read.

I wonder where this one is going to end. But I certainly plan on hanging on to the ride. Possibly with my fingernails. And maybe my teeth.

Review: The Hideaway by Lauren K Denton

Review: The Hideaway by Lauren K DentonThe Hideaway by Lauren K. Denton
Format: eARC
Source: publisher via NetGalley
Formats available: paperback, ebook, large print, audiobook
Genres: contemporary romance, small town romance, women's fiction
Pages: 352
Published by Thomas Nelson on April 11th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

When her grandmother’s will wrenches Sara back home from New Orleans, she learns more about Margaret Van Buren in the wake of her death than she ever did in life.
After her last remaining family member dies, Sara Jenkins goes home to The Hideaway, her grandmother Mags's ramshackle B&B in Sweet Bay, Alabama. She intends to quickly tie up loose ends then return to her busy life and thriving antique shop in New Orleans. Instead, she learns Mags has willed her The Hideaway and charged her with renovating it—no small task considering Mags’s best friends, a motley crew of senior citizens, still live there.
Rather than hurrying back to New Orleans, Sara stays in Sweet Bay and begins the biggest house-rehabbing project of her career. Amid Sheetrock dust, old memories, and a charming contractor, she discovers that slipping back into life at The Hideaway is easier than she expected.
Then she discovers a box Mags left in the attic with clues to a life Sara never imagined for her grandmother. With help from Mags’s friends, Sara begins to piece together the mysterious life of bravery, passion, and choices that changed Mags’s destiny in both marvelous and devastating ways.
When an opportunistic land developer threatens to seize The Hideaway, Sara is forced to make a choice—stay in Sweet Bay and fight for the house and the people she’s grown to love or leave again and return to her successful but solitary life in New Orleans.

My Review:

The Hideaway turned out to be an unexpectedly lovely read for me. I’ll talk about the ‘lovely’ first and get to the ‘unexpected’ parts at the end. You’ll see why, I promise.

The Hideaway fits very well into a particular sub-sub-sub-genre of women’s fiction/small town romance. This is one of those stories where a woman finds herself obligated to return to the small town she grew up in, after years away in some big city, to take care of some family something-or-other that is left behind when an elderly relative dies (or occasionally has a health crisis). And in the process of taking care of whatever-it-was, she discovers that the relative she sincerely loved but didn’t visit enough had some big secrets that she finds out about much too late, when that person is gone. And that her new knowledge of those secrets both changes the way she views that person, and makes her rethink quite a lot of her own life.

Especially since her return home usually forces her to confront whatever baggage she left behind – because it’s all still waiting for her back at what used to be home.

And for whatever reason, taking care of that final obligation always takes way more time than she planned, and in that time she has a chance to rethink her current life in whatever big city she now resides, the opportunity to fall back in love with her hometown, and the chance to fall in love with someone completely new.

Which also brings her to a major life choice; return to the life she left behind in the city, or stay in the small town she never wanted to return to with a new purpose and a new love.

This particular plot has become a classic for a reason – in the hands of a good writer, it makes a powerful (and lovely) story, as it does here in The Hideaway.

What makes The Hideaway (the book) and the Hideaway (the place) are the people and their stories. Especially Sara and her grandmother Mags. Mags has just died, and has passed the ownership of the run down Hideaway Bed and Breakfast, along with its slightly run down permanent residents, to Sara.

Sara, the proud but workaholic owner of a successful decorating shop in New Orleans, expects to wrap Mags’ estate up in a week, only to discover that it is going to take months to carry out Mags’ final wish that she restore the Hideaway back to its original splendor, and then either sell it or continue to operate it, however she sees fit.

The long-term residents of the Hideaway pretty much HAVE a fit. The four older residents discovered the Hideaway as a safe harbor 30 or more years ago. It’s their home as much as it was Mags’, and they all feel bereft, even though they all know that Mags did the right thing. It was, after all, her house.

But as Sara dives into the renovations, she discovers that there was a whole lot more to Mags’ past than she ever imagined, and that the things she believed, both about Mags and about herself, are not quite what she thought they were.

Knowing now what she didn’t know then, and what Mags didn’t know then, sets Sara free.

Escape Rating A-: The Hideaway is a sweet and lovely take on a tried-and-true trope, and it works very, very well.

The story (and its perspective) flips back and forth between Mags’ arrival at the Hideaway in the late 1950s, and Sara’s return to the Hideaway and Sweet Bay Alabama in 2016. Both stories have a lot of heart. They also mirror each other. Mags has a good life, but she misses her happy ever after. Sara still has a chance at hers – she just has to drop her old baggage and grab it.

On the one hand, there’s that saying about the past being another country, that they do things differently there. There’s also the saying that specifically refers to the South, that the past isn’t dead, it isn’t even past. Both those versions come into play in this story.

The world, and the options for women in it, were rather different in the 1950s than they are today. That Mags managed to carve a life of her own even somewhat away from the expectations of her parents was a major accomplishment for her and a huge disappointment for them in ways that seem almost quaint in 2017 – but were real at the time. That she fell short of the ultimate goal due to other people’s beliefs and expectations does turn out to be a tragedy, but not as big a tragedy as it might have been.

Sara, on the other hand, has the possibility of having, if not “it all”, then at least most of it. Her journey felt easier to identify with, but Mags’ story had more depth. Mags did the best she could in the circumstances she had, and managed to make a life and world for herself mostly according to her own desires. We wish better for her, but it is surprising that she got as much as she wanted.

And for readers, both Mags AND Sara’s journeys are at turns heart-rending and heart-warming, and we feel for both of them and want them to be happy. That Mags came so close but didn’t quite make it is heartbreaking because we care.

I loved this book. It made a neverending day at an airport absolutely fly by. But I was surprised that I enjoyed it so much, and by this point you’re wondering why. Most readers don’t pay a whole lot of attention to the publisher of a book, and with some exceptions, I usually don’t either. But there are a few genres that just don’t interest me, and one of those genres is inspirational literature, whether romance or nonfiction. The publisher of The Hideaway, Thomas Nelson Publishers, is a well-respected publisher of inspirational literature, specifically Christian inspirational literature. When The Hideaway was offered for tour, as much as the description of the book appealed to me, I just wasn’t interested if it was inspirational. I was assured it was not, and after reading it I completely concur, it isn’t. (There is nothing wrong with inspirational literature, it just isn’t my cuppa, and life is too short to read books that you know upfront are just not your jam.) The Hideaway is not an inspirational romance. It doesn’t have any of the characteristics that make a book an “inspie”. The romances in this book are both squeaky clean, but a well-done “fade to black” is a tried-and-true method of handling romance scenes. And I’d much rather read a well-done fade to black than a horribly or laughably written sex scene. But the lack of sexual scenes does not make a book inspirational. And The Hideaway isn’t. It’s just an excellent women’s fiction/contemporary romance story.

This does all lead up to something. At first, based on the publisher, I was expecting an inspie, and was pleased to discover that this book isn’t. But because I enjoyed it so much, I’m now concerned about it. My concern is about whether this book will find the audience it deserves, because of the publisher. People who look at Thomas Nelson for an inspie are going to be disappointed. And people who stay far, far away from inspirational fiction aren’t going to even look at this book, because of the publisher. It’s definitely a dilemma.

So go back to ignoring the publisher. If you like southern fiction, or small town romance, or stories where there’s a choice to be made between the life you have and the life you’ve come to love, read this book!

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Review: The Rescue by Diana Palmer

Review: The Rescue by Diana PalmerThe Rescue (The Morcai Battalion #4) by Diana Palmer
Format: eARC
Source: publisher via NetGalley
Formats available: hardvoer, paperback, ebook, audiobook
Genres: science fiction romance
Series: Morcai Battalion #4
Pages: 384
Published by Harlequin Books on March 28th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads


New York Times
bestselling author Diana Palmer returns with the next edge-of-your-seat installment of The Morcai Battalion series.
Rhemun, commander of the Cehn-Tahr Holconcom, has worked tirelessly to get where he is and he's not going to let any human drag him back down. Especially not Lt. Commander Edris Mallory, whose very presence aboard the Morcai serves as a too-painful reminder of a past tragedy he can neither forgive nor forget.
But Mallory has secrets of her own, ones she can't afford to see come to light. Frantic to protect herself, she flees, abandoning her position. When Rhemun learns of her devastating situation, he realizes the all-consuming feelings he's harbored for her may not be hatred. But in a vast universe rife with peril, is it already too late?

My Review:

I read the first book in this series, The Morcai Battalion, back in 2007 when the expanded edition was republished by Harlequin Luna. At that time, there wasn’t a lot of outright science fiction romance being published, and The Morcai Battalion filled a need I don’t even think I knew I had.

(Luna was a terrific imprint. I discovered several marvelous authors through their line of SFR and fantasy romance, not just this series but also Michelle Sagara’s Elantra series and Gail Dayton’s Compass Rose, among others, and I wish they were still around.)

Back to The Morcai Battalion. I loved the setting, and the characters, in the original book. Not just the space opera aspects of the intergalactic war, but the relationships between the characters, the culture clash of melding two species into a single crew, and the heart stopping action of the prison planet and eventual breakout. It was a winner and I kept looking for more.

There were a couple of sequels over the years, The Recruit and Invictus. And then nothing from 2010 until now, with The Rescue.

The first three books in the series followed the human doctor, Madeline Ruszel and the alien Cehn-Tahr Dtimun, who begins as her commander and eventually becomes her husband, in spite of all the taboos and restrictions that surround the Cehn-Tahr and any possible relationship between Cehn-Tahr and humans. But the story built their relationship up over time, and it worked. It worked so well that they finally won their HEA at the end of Invictus.

Which leaves either a hole or an opportunity for the series. After reading The Rescue, I’m not quite sure which we got.

The relationship in The Rescue is between Dtimun’s successor as head of the unit, and Madeline’s successor as alien-species medic. But Rhemun is not Dtimun and Edris Mallory is not Madeline. While some of those changes make for good dramatic tension, some of them just fall a bit short.

Because Rhemun hates humans, and Edris frequently acts like a scared rabbit, or perhaps a better description would be a scared schoolgirl with a crush on a strict teacher. And it doesn’t quite work.

Dtimun, Madeline and their crew went through a bonding experience on that prison planet that transcended species or pretty much anything else. They became family in the process of saving each other, and it erased any interspecies prejudices they might have started with.

Rhemun, on the other hand, feels like all of the losses that he has experienced in his life are some human’s fault, and he has an unreasoning prejudice against the entire species. His strict disciplinary style alienates the human members of his crew, which is his intention. He also cuts Edris down at every turn, because she looks just like the woman who accidentally killed his son.

And unfortunately for Edris, his species has a highly enhanced sense of smell, so she is unable to hide her really, really unfortunate attraction for him. And he resents her for that, too.

The situation is a mess, and just gets messier, until Rhemun finally drives Edris off the ship, and very nearly drives every other human out the airlock along with her. It’s when the message finally gets through his very thick skull that he has put her in deadly danger because he can’t help but be attracted to her that their relationship moves from hate to love.

And then he drives her away again.

Escape Rating C+: I enjoyed the first part of the book. While Edris is on the ship, we see her working, we see her continuously fighting with Rhemun, we see her doing her duty as best she can under circumstances that become increasingly more unbearable by the minute. But the action clips along, and we get to see how the ship and crew both work together and don’t. It’s sad but interesting to watch Rhemun tear down a stellar unit that Dtimun spent years building up, and even sadder just how much easier it is to break than it was to build.

But through it all, Edris stands up for herself at every turn, and does her best to do her job, keep her career, and try to keep her life her own and on track. When she flees, while her reasons make sense, the story goes off the rails.

She’s in terrible danger, and it is very real. In the end, Rhemun and the crew have to rescue her to save her life from multiple dangers. And there’s a big portion of the book where she completely loses her agency, going from independent woman to beating victim to worshipful wife in a few too many steps.

And then lets herself be driven away again. Just when she finally has her new life on track, Rhemun swoops back in and tears it all apart again, even if unintentionally. The second half of the book doesn’t quite hang together. As far as the romance is concerned, his side of their relationship isn’t fully fleshed out. It’s easy to see that he wants her and wants to possess her, but we don’t see the build up of his emotions. It feels like that piece is missing.

There’s also a running theme that he omits much of the truth that Edris really needs to know. Lies of omission are still lies, and Rhemun keeps much too much from Edris that ends up biting them both in the ass – but always hers much more than his. And she’s so worshipful that she never calls him to account for any of it. She’s also much too gullible.

So I enjoyed the first half of this book, but found the second half disappointing, and sincerely hope that if the series continues, we get more heroines like Madeline Ruszel who are always part of the action and don’t let anyone steamroller them.

If you like SFR the first three books of this series are a good read, but this one feels skippable. Dammit. And they need to go back to the original cover designs, which at least hinted that this was SFR and not contemporary romance. The new covers make the series look way more like a motorcycle club romance than SFR, which is bound to disappoint people on all sides of the equation. Color me disappointed, too.

Review: No Getting Over a Cowboy by Delores Fossen + Giveaway

Review: No Getting Over a Cowboy by Delores Fossen + GiveawayNo Getting Over a Cowboy (Wrangler's Creek, #2) by Delores Fossen
Format: eARC
Source: publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, western romance
Series: Wrangler's Creek #2
Pages: 384
Published by Harlequin Books on March 28th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

The golden cowboy of Wrangler's Creek returns home to Texas to discover some old flames never fizzle…
There are plenty of things Garrett Granger hadn't counted on losing—his child to miscarriage, his wife to another man and the family business thanks to a crooked CFO. He also hadn't counted on moving back to the family ranch, where he's met by another surprise—former flame Nicky Marlow, who is renting his grandmother's old house.
Nicky's been rebuilding her shattered life since her husband's death two years ago. But Garrett's timely arrival in Wrangler's Creek doesn't automatically make him the missing piece of the puzzle. Even if he does seem to adore her two-year-old daughter… Even if seeing him again stirs up old feelings Nicky would gladly keep buried, forcing her to wonder if moving forward has to mean leaving everything behind…

My Review:

The Granger Ranch doesn’t just keep cattle. They seem to have plenty of pasturage for an entire herd of drama llamas. Maybe two herds.

Just like the first book in the Wrangler’s Creek series, Those Texas Nights, this one is off to the races from the very first page, and doesn’t let up until the very last sentence. And even then, only sort of lets up, because I fully expect the entire series to be just this kind of crazy.

If you like your romances beginning in chaos, middling in chaos, and ending in chaos, this is a great series.

But about all that insanity, and some of it is, it makes for a very wild ride that occasionally feels like it is going to throw the reader completely off the track. Instead, it’s more like a roller coaster, where just as you pass the crest of the big hill and think you’re going to fly out of your seat, the seat belt (and gravity) pull you back firmly into the ride.

Our story begins with Garrett Granger expecting to add pasturage near his great-grandfather Z.T.’s eyesore of a tumbledown Victorian monstrosity in the middle of Granger Ranch. But instead of seeing a vacant and decaying house, he discovers that the long-abandoned homestead is a beehive of activity.

His mother, Belle, about whom more later, has leased the house to a widow’s support group for an entire year, to serve as a retreat and healing center. Belle just never bothered to tell him, and doesn’t seem to give a damn about the ranch plans that Garrett not only had, but had informed her of. And this is unfortunately typical behavior for Belle.

As soon as Garrett meets the organizer of the “Widow’s House” he figures out exactly what his mother has in mind. That organizer is Nicky Marlow, and Garrett remembers all too clearly the night that Nicky gave him her virginity at that very same house, back when they were both in high school.

It may have been half a lifetime ago, but it seems that neither of them has ever forgotten. And his mother is matchmaking again.

But it was a lifetime ago. Garrett broke up with Nicky, fell in love with another girl (unfortunately not in that order) and eventually married that other girl. He and Meredith had a daughter who was stillborn, and eventually divorced. After Meredith got caught in a YouTube video giving some anonymous cowboy a blowjob.

A cowboy who turns out to have been Nicky’s older brother.

There’s plenty of fodder for those drama llamas just between Nicky and Garrett, without factoring in the other 15 widows and Nicky’s little daughter Kaylee – along with Garrett’s heartbreak at seeing a little girl who is just the age that his daughter would have been.

The discovery of a dead body in the pantry of the old house brings the police onto the scene, along with a whole lot more craziness. And in the middle of all of this, Garrett and Nicky discover that half a lifetime isn’t nearly enough to douse the fire they still raise in each other – even if they have a hell of a time finding a moment or two for each other in the midst of the insanity that surrounds them.

Escape Rating B+: This one went way, way over the top, but in a fun way. There are a couple of points where it seems like the long arm of coincidence is just a bit too long, but then it passes that point and the reader is just along for the ride.

There does not seem to be a single person in this story who isn’t in the middle of some kind of crazy. With the exception of Nicky and Garrett, it’s all in fun, from the three widowed sisters who all have variations of penis-phobia to the tow truck owner with execrable taste in advertising signs who is assuaging her grief with the entire male population of Wranglers Creek and everyone in between. In spite of the tragedies that made all of these women candidates for the Widow’s House, they are a fun and funny bunch, even if often unintentionally. The penis-phobic sisters are a laugh riot all by themselves, albeit usually at their own expense.

The heart of the story is Nicky and Garrett, along with little Kaylee and the machinations of Garrett’s ex-wife Meredith. That Meredith wants him back isn’t much of a surprise. That she thinks she has a chance of getting him back requires an extreme amount of either self-confidence or self-absorption. Having seen Meredith in action, it’s a bit of both.

But what keeps Nicky and Garrett apart is not Meredith’s shenanigans, not that she doesn’t try. Instead, it’s their shared past, and how it affects their present. Not just that long-ago tryst, or even that Garrett broke Nicky’s heart afterwards. Both of them carry a lot of baggage from those years in-between. Most of Garrett’s baggage is out in the open – it seems like everyone saw that video. But Nicky’s is hidden. Not just her horrific childhood in Wranglers Creek, but also her disastrous marriage and its one bright result, little Kaylee.

That there is a secret about Kaylee seems obvious fairly early on. But the nature of that secret is a complete surprise, and not one the reader expects. Also not one that is stock and trope, but still has all kinds of potential negative consequences. That this particular plot thread defied all of my expectations was very well done.

But as much as I liked Nicky, Garrett and Kaylee, I really, really, really don’t like Belle. I didn’t like her in Those Texas Nights, and I don’t like her any better here. I could go a long time without reading another book about adult children who have a certifiably crazy mother. Luckily she is not as big a part of this book as she was the first one, because she doesn’t seem to approve of the way that any of her children have turned out, even though they are all quite functional and successful adults. She acts so far out-there that her children have to continually placate her in ways that drove this reader crazier than Belle. And I’m continually astonished that someone in town, if not her children, doesn’t tell her where to get off and what she can do when she gets there.

Partially because there is more Belle in Those Texas Nights, and partially because the events in the first story that are really important for the second are recapped within the context of this story, it’s not absolutely necessary to read that first book in this series before the second. But it was a lot of fun if you can either ignore Belle or if her “type” doesn’t bother you as much as it does me.

I digress.

But as much as I don’t like their mother, I do like the Granger siblings very much. The chaotic nature of their journeys to their respective happy ever afters is a hoot from beginning to end. I’m very much looking forward to bad-boy Roman finding his own good-bad girl in Branded as Trouble, coming just in time for a sizzling Summer read.

~~~~~~ GIVEAWAY ~~~~~~

I am giving away a signed copy of No Getting Over a Cowboy to one lucky commenter on this tour.

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Review: Girl in Disguise by Greer Macallister + Giveaway

Review: Girl in Disguise by Greer Macallister + GiveawayGirl in Disguise by Greer Macallister
Format: eARC
Source: publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: historical fiction
Pages: 308
Published by Sourcebooks Landmark on March 21st 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBook Depository
Goodreads

For the first female Pinkerton detective, respect is hard to come by. Danger, however, is not.
In the tumultuous years of the Civil War, the streets of Chicago offer a woman mostly danger and ruin-unless that woman is Kate Warne, the first female Pinkerton detective and a desperate widow with a knack for manipulation.
Descending into undercover operations, Kate is able to infiltrate the seedy side of the city in ways her fellow detectives can't. She's a seductress, an exotic foreign medium, or a rich train passenger, all depending on the day and the robber, thief, or murderer she's been assigned to nab.
Inspired by the real story of Kate Warne, this spirited novel follows the detective's rise during one of the nation's greatest times of crisis, bringing to life a fiercely independent woman whose forgotten triumphs helped sway the fate of the country.

My Review:

The subject of this fictionalized biography would be downright offended at its title. By the time this book begins in the mid-1850s, Kate is a woman whose illusions seem to have been stripped away long ago. She’s also a widow.

“Girl” doesn’t fit her at all, and she wouldn’t want it to. What she wants, at least as she is portrayed in this book, is to be treated as an equal. The equal of any man in the Pinkerton Agency. And it’s a hard-knock fight every single step of the way.

Kate Warne was a real person. Admittedly, a real person about whom not very much at all is known. Which makes her a great character on which to hang a work of historical fiction. Particularly since what is known about Kate Warne is the stuff of fiction to begin with.

Kate was the first female Pinkerton agent. Hired in 1856, she was one of the first, if not the first, female detectives in the world. No one expected her to succeed. No one even expected her to apply. There was no such thing as female detectives or female police officers when Kate Warne answered Allan Pinkerton’s “Help Wanted” advertisement for new agents.

But as she says, “Someone has to be first.”

Her life, what little we know of it, is the stuff of legends. Most of the information about her real career was kept in the Pinkerton office in Chicago. And most of it was wiped out in the Great Chicago Fire. (Mrs. O’Leary’s cow has a LOT to answer for)

One of the things that is known, and that made her fame, was her part in spiriting then-President-Elect Abraham Lincoln through a risky Baltimore night ride on his way to his inauguration – and his subsequent date with history. Without Warne, the history of the U.S. as we know it might have been far different.

But this book is a fictionalized version of her life, stitching together what little is known about her, with considerably more that it known about the Pinkerton’s in general and their work during the Civil War in particular, and making a fascinating story out of it, without descending into rank sensationalism or outright melodrama, at least until the very end.

Kate Warne lived a brief but fascinating life. I wish history had left us more details of her adventures. But if they were even half as hair-raising as this story, her candle must have burned very bright indeed.

Escape Rating B: I left myself plenty of time to read this one, because while I was very interested in the subject, I was a bit unsure about the author. As much as so many people loved The Magician’s Lie, when I gave it a try I couldn’t get into it at all. But Girl in Disguise grabbed me from the first page.

I think that had to do with Kate’s voice. The book is written in first-person singular, so throughout the story we are always in Kate’s head. It’s a fascinating place to be. While the circumstances of Kate’s life are particular to her time and place, so many of her thoughts seem universal to working women.

She wants to be considered as a professional, on an equal basis to the men in the agency. She never trades on her feminine wiles, and has nothing but professional relationships with all of the male Pinkerton’s, particularly including Allan Pinkerton himself. As portrayed in the book, the relationship between them was strictly professional from beginning to end. He mentored her and trusted her in a way that would have raised no eyebrows if she had been a man, but because she was a woman she constantly battled rumors that they were having an affair – rumors that persist to the present day in spite of a complete lack of evidence either then or now. It was simply assumed that a woman could not possibly be hired or trusted on her own merits.

Until the end, Kate is in love with her job, and as so many of us do, sacrifices most of her life to the pursuit of her work. But Kate isn’t the only one. As one of the male agents comments, none of them have personal lives, with the exception of Pinkerton himself. They are on the road too much, and they must keep way too many secrets. No spouse, male or female, is willing to tolerate that kind of treatment for very long.

What made Kate so relatable, at least for this reader, is just how dispassionate she is about her own life. She’s not given to flights of either hyperbole or fancy, at least in the privacy of her own head. This is who she is, this is what she does, this is what it costs her. She’s a heroine, but she never sees herself that way. She’s a woman doing a job that challenges her in ways that she can’t find anyplace else, and that she absolutely loves. She’s doing what she was born to.

There is historic evidence that Kate was part of the team that kept Lincoln alive on his way to his inauguration. Many of the other cases in the book where she is involved are based on real Pinkerton cases, even if Kate’s specific involvement is not known, and a few have been combined for dramatic license.

I really enjoyed the perspective of Kate the professional woman, both her triumphs and her many and frequent qualms about whether the ends justified the means. She has a lot to live with, and sometimes, quite reasonably so, she has second, third and fourth thoughts.

As a reader, I wish that her dispassion had not failed her in the last quarter of the book. I very much enjoyed reading about Kate in love with her work, and the details of that work as the Civil War heated up. I was less enthralled when Kate fell in love with a fellow agent. At that point the melodrama swept in.

But all in all, Girl in Disguise is a fascinating portrait of an unsung heroine – Kate Warne, the first female “private eye”.

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

Greer and Sourcebooks are giving away 3 copies of both The Magician’s Lie AND Girl in Disguise to lucky participants in this tour.
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Review: Finding Our Forever by Brenda Novak + Giveaway

Review: Finding Our Forever by Brenda Novak + GiveawayFinding Our Forever (Silver Springs, #1) by Brenda Novak
Format: eARC
Source: publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: contemporary romance
Series: Silver Springs #1
Pages: 224
Published by Harlequin Special Edition on March 21st 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

New York Times bestselling author Brenda Novak welcomes readers to the town of Silver Springs, where surprises wait around every corner!
The search for her birth mother brought Cora Kelly to the New Horizons Boys Ranch. Getting a job there was easy enough, but confiding in Aiyana, the ranch's owner, that she's really her daughter? Cora's not sure she can do that, not unless she's confident the news will be welcomed. And once she gets to know Elijah Turner, Aiyana's adopted son and ranch manager, that decision becomes even more difficult.
Although Elijah can't deny his deep attraction to Cora, he's always struggled with trust. Anyone with his past would, and there's something about the ranch's newest employee that isn't exactly as it seems. But if the feelings she awakes in his guarded heart are any indication, she might be just what he's long been waiting for.

My Review:

Welcome to tiny Silver Springs California, only two hours from the bright lights and big city of Los Angeles in miles, but light years away in everything that counts.

Everyone believes that Cora Kelly has come to Silver Springs to teach art at New Horizons Boys Ranch. And she certainly has. But that’s not the real reason she desperately wanted the job there, two hours from her family and friends back in LA. And two hours away from the job she could have had, teaching full-time at the school where she’d been subbing for the past six years. A job she had originally been looking forward to. Very much.

But New Horizons has one thing that LA can’t begin to match. Cora’s birth mother is the woman who has poured her own life into New Horizons. And Cora, after years of searching, wants to see who her birth mother really is, and especially find out why she gave her up all those years ago. Because it seems like the woman who has poured her heart and soul into helping, saving and sometimes even adopting boys from extremely difficult and/or troubled backgrounds and circumstances does not seem remotely like the kind of woman who would give up her own child.

Cora’s had a terrific life. Her adoptive parents love her dearly, and never loved her less than their biological son. She hasn’t lacked for anything – except the answers that most of us take for granted. And that lack of answers has driven her to Silver Springs, to take a year out of her life to teach at New Horizons, in the hopes of finally getting at least some of those answers.

But she isn’t sure, when, if, or whether she will reveal who she really is. She’s unsure whether or not she’d be welcome. But concealing that truth, living that very big lie, becomes an even dicier proposition than Kelly had planned on when she can’t resist the attractions of Elijah Turner, her boss, the ranch manager, and her mother’s eldest adopted son.

And in spite of Eli’s scarred past and taciturn present, he can’t seem to resist Cora, either. But the more deeply they become involved, not just romantically but also in each other’s lives, the more difficult it becomes for Cora to risk her heart and her happiness to reveal a truth that could shatter everything.

Or bring her everything her heart desires.

Escape Rating B+:The romance in Finding Our Forever is a relationship that often gets relegated to “taboo” erotica, but there’s no feeling of that kind of dirty secret here. If Cora and Eli had been raised together, it might feel different, but they weren’t so it doesn’t. They meet as adults, and are attracted to each other as adults. While Cora is aware that Eli is technically her adopted brother, they share no blood or genes to make any relationship actually be taboo.

But it does make things considerably more complicated, and they are plenty complicated to begin with. The angst in this story does not feel either manufactured or false. Cora has a secret, and she has very valid reasons both for keeping that secret and wanting to reveal it. She’s extremely conflicted about it, and so she should be. At the same time, Eli in particular has equally valid concerns about trust. The deeper they get into a relationship that neither of them expected, the more worried Cora becomes that Eli will feel betrayed by Cora’s hidden identity.

On top of that, when her secret comes out, she could be out of a job, as well as brokenhearted AND forced to go back to her adoptive parents to face a cloud of “I told you so’s” They were not in favor of Cora’s quest for her birth mother, feeling as if Cora’s search was an indictment of their love and their parenting, which it isn’t. But again, their conflicted feelings on this matter are also understandable.

The only person whose feelings don’t ring true in this entire mess is Cora’s ex-boyfriend, who shows up early in her school year in an attempt to either manipulate her back to him or otherwise horn in on her life. He’s a jerk rather than a threat, but his appearance and Cora’s reaction to it were the one emotional point in the story that just didn’t quite hit the mark.

But Cora’s story certainly does. She gets her answers, and they are nothing like she expected. And she doesn’t get everything that she wanted. But she gets enough for readers to feel more than satisfied that she got her happy ending. And it happens in a way that feels right for the story and the characters.

I really enjoyed my visit to Silver Springs, and I’m looking forward to more. It looks like the series is going to follow the romantic adventures of Eli’s brothers, and I can’t wait to see what happens next, in No One But You.

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

Brenda and Harlequin are giving away a $25 gift card to one lucky entrant on this tour.

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Review: Forever a Hero by Linda Lael Miller + Giveaway

Review: Forever a Hero by Linda Lael Miller + GiveawayForever a Hero: A Western Romance Novel by Linda Lael Miller
Format: eARC
Source: publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: contemporary romance, western romance
Series: Carsons of Mustang Creek #3
Pages: 384
Published by Harlequin Books on March 21st 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

For the youngest Carson brother, findingand fixingtrouble seems to be all in a day's work
Mace Carson doesn't consider himself a hero. Back in college, he came upon a woman in trouble and intervenedbut he was just one irate Wyoming cowboy with his boots planted firmly on the side of right. Now a successful vintner, Mace is shocked to be reunited with the woman he saved. But it turns out she's in Wyoming on businessa corporate executive representing the company that wants to buy his winery. Only, he's not selling.
Kelly Wright has never forgotten that horrible night ten years ago when Mace came to her rescue, has never forgotten him. The surprising success of a winery in the middle of ranch country has brought her to Mustang Creek, and she's secretly thrilled to discover Mace at the helm. Reluctant to mix business with pleasure, Kelly vows to keep things professional, until her attacker is released from prison and comes for vengeanceagainst both of them.
"

My Review:

Forever a Hero is the third, but it looks like not quite final, book in the Carsons of Mustang Creek series. The series has followed the lives and romantic adventures of the Carson brothers, beginning with Slater, who was Once a Rancher but is now a documentary filmmaker. Second up was Drake, who is Always a Cowboy, and had a difficult time finding a wife until his mother secretly fixed him up.

This is youngest brother Mace’s story. So far, the love of Mace’s life has been the Mountain View Winery. It’s his brainchild and his contribution both to the ranch and to the community. It’s his personal vision, and he has a genius for blending new wines.

But there’s a conglomerate out there who wants to change all that, and they’ve sent their best agent, Kelly Wright, to negotiate a distribution and management deal for GGI with Mountain View Winery. Her promotion to vice-president, with all the stock options and other fabulous perks, is riding on her successful completion of the deal.

On her way to Mustang Creek, her car goes hydroplaning and nearly off the road into a canyon. She’s rescued from certain death by Mace Carson. But Mace has always been Kelly’s hero. Once upon a time, ten years ago when they were both in college at UCLA, Mace rescued Kelly from an attacker. Mace testified at Lance Vreeman’s trial, and he was sent to jail for a long and much deserved sentence.

Ms. Wright may have come to Mustang Creek to negotiate with his winery, but Kelly is there to see Mace again, even if she hasn’t completely admitted that to herself. Back then was not the time for them to even think about a relationship, but now is much, much different.

The chemistry they had all those years ago is still very much there. And suddenly, so is Lance Vreeman.

Escape Rating B+: This series, and The Brides of Bliss County series that it spun off from (and the Parable, Montana series that IT spun off of), has been lovely all the way.

Each book features a hero who is a good man, but who is alone for reasons that seem right – not because he needs to be reformed or grow up. And they all come from a marvelously functional family – albeit one that gets bigger with each book!

The heroines in their turn are smart, independent and also alone for reasons that make sense. In Kelly’s case, it’s because she has spent her 20s having a career instead of a life. Whether a woman can do both is an open question, but Kelly hasn’t even tried. Her trip to Mustang Creek provides her with the time, and changes at her work give her the motivation and the opportunity, to take a step back and decide what she really wants out of life.

There’s also no misunderstandammit in this story, or the series. While both Mace and Kelly are initially reluctant to pursue a relationship, it’s for reasons that, again, make sense. Their shared history is a bit traumatic, and Kelly is there to attempt to negotiate a deal that Mace has no intention of taking. It is difficult not to get the personal and the professional mixed together, or worry that they are too mixed together.

And they have the same problem that Drake and Luce (in Always a Cowboy) also had. Mace’s life is tied to his Winery, the ranch, and his family. He can’t leave Mustang Creek, and he doesn’t want to. Kelly’s life is in LA, and a long-term relationship with Mace means a lot more change for her than it does for him.

The way they negotiate this issue is one of the strengths of the book. It’s about compromise, and two adults working out a way to be together, that makes allowances for what both of them want and need and doesn’t make one feel like they are giving up something truly important to them. I liked the way they figured things out. A lot.

Remember what I said yesterday about stalkers? This is another book that looks like it might go into stalker territory, but again, marvelously doesn’t. Lance Vreeman does get out of jail, and does come back, with, as the saying goes, a vengeance. And while he terrifies pretty much everyone, he’s not after Kelly so much as he is after Mace. And everyone acts like a sensible adult, as they did in Once a Rancher. Kelly does not act stupidly, and she doesn’t need to be rescued. She and Mace work together, along with Mace’s brothers and friends, to keep everyone safe.

In the end, Lance gets the best serving of just desserts that I have ever seen. And possibly the funniest, courtesy of a stubborn, ornery and very protective bull. It’s a perfect ending to the book.

But not to the series, we have one last trip to Mustang Creek to look forward to. There’s still A Snow Country Christmas coming just in time for the holidays.

~~~~~~ GIVEAWAY ~~~~~~

I’m giving away a copy of Forever a Hero to one lucky commenter on this tour:

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