Source: supplied by publisher via NetGalley

A- #BookReview: The Mummy of Mayfair by Jeri Westerson

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
A- #BookReview: The Mummy of Mayfair by Jeri WestersonThe Mummy of Mayfair (An Irregular Detective Mystery #2) by Jeri Westerson
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery, mystery
Series: Irregular Detective #2
Pages: 224
Published by Severn House on July 2, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Private investigators Timothy Badger and Benjamin Watson take on another unusual and baffling case in Victorian London when a mummy unwrapping party takes a chilling turn.London, 1895. Although their last high profile case was a huge success, private detectives Tim Badger and Benjamin Watson know they can't afford to turn down any work, despite financial assistance from their mentor, Sherlock Holmes.So when the eminent Doctor Enock Sawyer of St Bart's Hospital asks Badger if the duo will provide security for a mummy unwrapping party he is hosting, Badger doesn't hesitate to take the job. After all, how hard can guarding the doctor's bizarre Egyptian artefacts be? But with Doctor Sawyer running late for his own party, the 'genuine' ancient sarcophagus of Runihura Saa is unravelled to reveal the remains of . . . Doctor Sawyer! Suddenly, the pair are drawn into a new case that's stranger and twister than they could ever have imagined.

My Review:

The “irregularity” of the Irregular Detective series is in the person of one of its protagonists, Timothy Badger of the Badger and Watson Detecting Agency. Once upon a time, Badger was one of the “invisible” children who operated as Sherlock Holmes’ eyes and ears on the streets of Victorian London. In other words, Tim Badger was one of Holmes’ Baker Street Irregulars.

But when Badger aged out – or grew up – out of the Irregulars, he still needed to make his living. Which is where his partner, jack-of-all-trades Benjamin Watson comes into the picture. Both from the “wrong side of the tracks” in the East End, without a shilling between them, they set up as private detectives in the mode of Badger’s former ‘Guv’, the Great Detective himself.

As seen in the first entry in this series, The Isolated Séance, after five years of struggle to keep body and soul together, Sherlock Holmes himself gave these ‘apprentices’ a bit of a leg up. Their perseverance was rewarded with rooms in Soho – several steps up the economic ladder from their previous lodgings and office – and a seemingly magical refilling box of money for expenses.

They’re doing well for themselves. It’s a lot of hard work and shoe leather – but their successes seem to outnumber their failures. They have as much work as they can handle – and even their own chronicler in the person of newspaper reporter Ellsie Littleton.

Which leads to this second sensational case, The Mummy of Mayfair. A moniker that seems ripped, not from the headlines, but from the titles of the penny dreadful fiction that Badger loves to read. Watson prefers the newspapers and scientific journals.

After all, someone in this partnership needs to keep their feet on the ground, especially with a case that has so much potential to ascend – or perhaps that’s descend – into flights of fantasy and mythology.

It begins with a mummy unwrapping party. An all too common event among the upper crust in the 1890s. It was the heyday of ‘Egyptomania’, with all of the implications of madness the word mania implies.

Badger and Watson were hired by Dr. Enoch Sawyer to provide security for his mummy unwrapping party. A party that takes an even more macabre turn when the mummy is finally unwrapped to reveal that it’s not the mummy of Runihura Saa. It’s the much more recent mummy of Dr. Enoch Sawyer – their client – who is clearly not going to be able to pay them for the job they are about to do on his behalf.

And the game is afoot!

Escape Rating A-: First, I loved this every bit as much as the first book in this series, The Isolated Séance. Second, I need to kick myself for not figuring out that the series title is a pun until now. I sorta/kinda thought the cases were “irregular” and they are that – from a séance in the first book to a mummy in the second. But it’s the DETECTIVES – or at least one of them – that are irregular. As in, the Baker Street Irregulars. 🤦🏻

Now that I’ve got that out of my system, what makes this case so much fun is the way that it blends the real with the fictional.

Mummy unwrapping parties were a very real thing in the 1890s – as shown in the painting below by artist Paul Dominique Philippoteaux circa 1890. The scene may seem macabre to 21st century readers, but such parties were all the rage in 1895, when The Mummy of Mayfair takes place.

Rage also being an important factor – at least in this particular case – as the ‘mania’ led people to strange rivalries and illegal behaviors – as humans are wont to do in the throes of a craze, fad, or mania. It still happens now, and humans haven’t changed all that much in just a bit over a century.

As much as the insanity of this particular mania turns out to be the impetus for the actions of the characters, what is making the series work are the characters and the way they manage to fit into – and take off from – the canon of Sherlock Holmes and ITS well-known and loved protagonists.

The best detectives, whether amateur or professional, are outsiders. It’s nearly impossible for humans to set aside their preconceived notions and biases in regards to people they know. A fact which very nearly sends the entire case on a wild goose chase, as one of the possible suspects is one of Badger’s former colleagues in the Irregulars.

But the triumvirate necessary to fill all of the roles that in the original canon were filled by just two changes the structure of the investigation even as it challenges the reader to see Holmes’ Victorian age from a considerably less lofty perspective.

Timothy Badger grew up in the East End, living by his wits and the nimbleness of his fingers. His accent clearly marks him as being of a “lower class” to the toffs among whom he now finds himself – and he has to grow into his role without giving up who he essentially is.

Benjamin Watson is a black man in a white world. The first thing that anyone sees when they meet him is the color of his skin. He has the intelligence and the drive to have been anything within his reach, but his reach in the late Victorian era is circumscribed by his race.

Miss Ellsie Moira Littleton is a woman in a man’s world. Much like Charlotte Sloane in the Regency-set Wrexford and Sloane series, Ellsie has been forced by circumstances to be self-supporting, and is on the outside of the society to which she was born. As an intelligent, educated, woman who needs to make her own way, she is also an outsider but with an entirely different perspective on the society of which she was once a member.

From its sensational beginning, the case is a deeply puzzling mess. Badger and Watson’s preconceived notions about their clients and their former associates, as well as their lack of knowledge of the precise ways the rich spend their time and money and protect their positions frequently send them haring off in the wrong directions – and we follow them eagerly even as they frequently caution each other.

As I’ve said frequently within these pages, I’m a sucker for Sherlock Holmes pastiches, and that’s why I initially started this series. Now I’m hooked! I’m really looking forward to the next book in this series, The Misplaced Physician, where we’ll finally get to meet Sherlock Holmes’ Watson, as Badger and his Watson will be on the case of rescuing him! It’s a good thing that investigative reporter Ellsie Littleton will be on hand to record the adventure, as the original Watson may be too embarrassed – or too injured – to write it up himself.

We’ll certainly see, hopefully this time next year!

#AudioBookReview: The Most Human by Adam Nimoy

Posted on by Marlene Harris | Author : | audio reviews> audiobooks> B Reviews> book reviews
#AudioBookReview: The Most Human by Adam NimoyThe Most Human: Reconciling with My Father, Leonard Nimoy by Adam Nimoy
Narrator: Adam Nimoy
Format: audiobook, ebook
Source: purchased from Amazon, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: autobiography, biography, memoir, Star Trek
Pages: 272
Length: 9 hours and 18 minutes
Published by Chicago Review Press on June 4, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Living with Dad was like living with a stranger—as a kid I often had trouble connecting and relating to him. But I was always proud of him.
Even before Star Trek I'd see him popping up in bit roles on some of my favorite TV shows like Get Smart, Sea Hunt, and The Man From U.N.C.L.E. And then one night he brought home Polaroids of himself in makeup and wardrobe for a pilot he was working on. It was December 1964 and nobody had heard of Star Trek. Still, the eight-year-old me had watched enough Outer Limits and My Favorite Martian to understand exactly what I was looking at.
Spock's popularity happened quickly, and soon the fan magazines were writing about dad's personal life, characterizing us as a "close family." But the awkwardness that defined our early relationship blossomed into conflict, sometimes smoldering, sometimes open and intense. There were occasional flashes of warmth between the arguments and hurt feelings—even something akin to love—especially when we were celebrating my father's many successes. The rest of the time, things between us were often strained.
My resentment towards my father kept building through the years. I wasn't blameless, I know that now, but my bitterness blinded me to any thought of my own contribution to the problem.
I wanted things to be different for my children. I wanted to be the father I never had, so I coached Maddy's soccer, drove Jonah to music lessons, helped them with their homework—all the things dads are supposed to do. All the things I wanted to do. So what if my Dad and I had been estranged for years? I was living one day at a time.
And then I got his letter.
That marked a turning point in our lives, a moment that cleared the way for a new relationship between us.

My Review:

It’s an iconic line, isn’t it? “Of all the souls I’ve encountered in my travels, his was the most human.” In my head, I still hear it with all of the Shatnerian pauses, and it still brings a tear to my eye, even though Star Trek: The Wrath of Khan came out more than 40 years ago – and we all know that wasn’t the end for either Spock or the man who made that ‘pointy-eared Vulcan’ a cultural icon.

But Spock was a fictional character, played by a very human man, filled with all of the virtues and flaws that are part and parcel of that human condition. This is a bit of the story of that humanity, as seen through the eyes of someone who was up close and personal with the virtues, and caught – or at least held onto – the brunt of entirely too many of the flaws.

And in this introduction, I’m doing exactly what the author has done – used the memory of his famous father to get at the story of his son. A role reversal of something that Leonard Nimoy once alluded to, that someone – actually someone looking for money in particular – would use his son to get at him.

So this isn’t a Star Trek story. And it explicitly isn’t a biography of Leonard Nimoy. Rather, it tells the story of the family that lived in, as the author referred to it, ‘the house that Star Trek bought’ in LA’s Westwood Village in 1968, how they got there, where they came from, and especially what happened after to the boy pictured on the book’s cover, Leonard Nimoy’s son Adam.

This is Adam’s journey, not Leonard’s. But, as with all families, the lives of the parents – who they were, where they came from, their reactions to the ways that their own parents raised them, and how they internalized that upbringing – reflect on their children, for better and for worse.

This is THAT story.

Reality Rating B: If you come to this book expecting a ‘Making of Star Trek’ story, you’re going to be disappointed. If you’re expecting a ‘warts and all’ biography, you’re not actually going to get that either. Not that both the father and the son didn’t have plenty of those.

This is, admittedly, a story about a man who was a hero and/or a touchstone for more than one generation of fans that shows that he had feet of clay up to the knees – but then so do most humans, which is kind of the point.

Circling back around again – because it is irresistible to talk about the father when this is a book by and about the son – it’s about a dad’s impact, both good and bad, on the life of one man who just so happens to be the son of someone famous.

Once one throws out the preconceived notions about what one expected in this autobiography, it’s something entirely different. At first, I had a bit of a difficult time connecting to the story and the author, but then it started to feel a whole lot more familiar than I expected.

His story resonated with me because our fathers were both products of the same Eastern European, Jewish immigrant, Depression-era generation. Both were workaholics who financially supported their families but weren’t physically around, were often in their own heads when they were, and as a result had strained relationships with their children. Adam Nimoy is my age, so we were viewing the world of the 1970s and 1980s from similar ages and from familiar backgrounds and expectations.

There are times when I wonder if ‘daddy issues’ are what makes the world go around, but I digress, just a bit.

I’m saying that once I found a way into his perspective a little, it made the whole thing work better for me. I listened to the audio, and even his speech cadences felt familiar – not because he sounds like his famous father – he doesn’t – but because those cadences arise from a similar time and place and culture. It was kind of like listening to a cousin.

His story is very much, at points, a walk through dark places, of taking heavy blows from sometimes self-inflicted wounds, and then walking a hard and frequently lonely path through recovery. It becomes a story about what happens after a person stops medicating their emotional pain away and starts feeling their feelings.

Which was something that resonated a hell of a lot more than I expected – as did the parts about how easy it is to hold onto old hurts and older grudges and how difficult it is to let them go.

Rating an autobiography feels different from rating a work of fiction, because even though I’m rating the story as it’s told, that can’t help but feel a bit like rating the life of the person telling it – no matter how much I try not to.  And rating someone else’s life is just wrong. It was what it was and it is what it is and what needs to matter here is how good a job the author AS AN AUTHOR does of telling the story they decided to tell – even though it’s theirs.

Which is where that B rating comes in. It did take me awhile to get into this book, and there were times when it felt like he was kind of whiney in a way that came out in the audio as well. The story is way more about the author’s recovery from addiction than it is about anything else in a way that’s good and important and feels real in its length and its details but also felt a bit long and repetitive as he had to repeat some of the steps – as one so frequently does. It also reads as a kind of ‘slice of life’ story that mostly hits the highlights – and lowlights – but doesn’t dwell on the everyday too much, but a little went a long way when it came to dealing with the family dysfunction – of which there was plenty.

Coming into this expecting one thing and getting another may throw off more than a few readers – although if they stick with it they’ll find a whole lot more than they originally expected. Anyone looking for a story that personalizes the ‘Twelve Steps of Recovery’ will likely find this fascinating, inspiring and helpful as he pulls it down to earth and makes it very real even as he’s invoking a ‘Higher Power’. And in the end, the audio works better than the text because the audio helps to make the story feel authentic. It’s him, and he’s telling his story – warts and all.

A+ #AudioBookReview: Ghostdrift by Suzanne Palmer

Posted on by Marlene Harris | Author : | A+ Reviews> audio reviews> audiobooks> book reviews
A+ #AudioBookReview: Ghostdrift by Suzanne PalmerGhostdrift (Finder Chronicles #4) by Suzanne Palmer
Narrator: Paul Woodson
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Finder Chronicles #4
Pages: 384
Length: 13 hours and 37 minutes
Published by Blackstone Publishing, DAW on May 28, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The fourth and final installment of the Finder Chronicles, a hopepunk sci-fi caper described as Macgyver meets Firefly, by Hugo Award–winner Suzanne Palmer

Fergus Ferguson, professional finder, always knew his semi-voluntary exile wouldn’t last, but he isn’t expecting a friend to betray him. One of the galaxy’s most dangerous space pirates, Bas Belos, wants him, and what Belos wants, he gets. Belos needs help finding out what happened to his twin sister, who mysteriously disappeared at the edges of space years ago, and he makes Fergus an offer he can’t refuse.

Mysterious disappearances and impossible answers are Fergus’s specialties. After he reluctantly joins Belos and his crew aboard the pirate ship Sidewider, he discovers that Belos is being tracked by the Alliance. Seeking to stay one step ahead of the Alliance, Fergus and Belos find themselves marooned in the middle of the Gap between spiral arms of our galaxy, dangerously near hostile alien territory, and with an Alliance ship in hot pursuit.

That’s just the beginning of the complications for Fergus’ newest—and possibly last—job. The puzzle is much bigger than just Belos’s lost sister, and the question of his future, retirement or not, depends on his ability to negotiate a path between aliens, criminals, and the most powerful military force he’s ever encountered. The future of entire planets hangs in the balance, and it remains to be seen if it’s too big for one determined man and his cranky cat.

My Review:

I couldn’t resist. Even though I knew going in this was one of those situations where you don’t know whether to cry because it’s over or smile because it happened, I had to find out just what happened to Fergus Ferguson that led to Ghostdrift being the final book in the utterly awesome Finder Chronicles.

Over the course of the series (Finder, Driving the Deep, The Scavenger Door and now Ghostdrift), Fergus has proven to be the consummate survivor. Not because he’s particularly good at any one thing except finding the stuff he’s been contracted to find, but because no plan seems to survive contact with Fergus – not even his own. No matter how big and how scary the villains are, no matter how many layers within layers of plans they have to get away with whatever it is they think they’re getting away with, the minute Fergus happens to them Murphy’s Law arrives in his wake and the shit keeps hitting the fan – both theirs and his – until he emerges from the wreck of everything they expected.

It’s a gift. It’s also a curse. A judgment that does not depend on whether you are on the side of Fergus or his enemies. As I said, Fergus’s own plans don’t survive contact with him either.

But it does explain why his friend (or sometimes frenemy) Qai doesn’t feel all that terrible about kidnapping Fergus and delivering him – alive and unharmed, along with his cat Mister Feefs – into the custody of notorious space pirate Bas Belos in exchange for the safe return of Qai’s partner Maha – yet another of Fergus’s friends.

Qai knows Fergus can handle himself and knows that Belos’ plan isn’t likely to survive Fergus either. She’s basically delivering her revenge on Belos for kidnapping her partner in a Fergus Ferguson shaped form and isn’t sorry about it in the least.

She’s sure she’s brought Belos more trouble than even an interstellar space pirate can handle. And she’s right. It’s the way in which she’s right and the places that right takes the pirate, his ship, his crew, Fergus AND Mister Feefs, that makes the whole entire story.

Fergus’s story. Belos’s story. And quite possibly the whole damn universe’s story – again – if Fergus doesn’t manage to pull off one more doggedly determined find.

Escape Rating A+: June is Audiobook Month, and this final book in the Finder Chronicles was the perfect audiobook to listen to this month, particularly as I listened to the first book in the series, Finder, in June of 2019.

Even though I didn’t want this story to end – I desperately needed to know how it ended, so I started alternating between audio and text just past halfway – as much as I hated to miss out on the totality of narrator Paul Woodson’s perfect read of Fergus Ferguson’s universe-weary, ‘been there, done that, got all the t-shirts’ voice.

(Fergus really does have all the t-shirts – and he wears them throughout the series. The man has definitely been around.)

The series as a whole rides or dies on that voice, to the point that if you like Fergus you’ll love the series but if he drives you as insane as he does the people he runs up AGAINST you probably won’t. Also, if you like a universe-weary, first-person or first-person focused protagonist, you’ll probably also love Michael Mammay’s Carl Butler in his Planetside series. (I digress, just a bit.)

What about this particular entry in the series? It combines some really classic tropes into one single terrific story.

First there’s the whole ‘White Whale’ angle. Actually, it’s two of those angles. On the one hand, pirate captain Bas Belos just wants to find out what happened to his twin sister and her crew. It’s been ten years since she disappeared, he knows that the ‘Alliance’s’ claim that they killed her and hers was a lie. He’s kidnapped/hired Fergus to lead him towards closure – no matter what it takes.

And then there’s the real Captain Ahab of this story, an Alliance captain for whom Bas Belos is his white whale, and he’ll trail the pirate literally past the end of the galaxy to catch him – even if he’s leading his crew straight to their demise. And wasn’t that Ahab all over?

But then there’s the third corner of this delicious story, the one where Belos and his crew, the Alliance captain and his, all end up stranded in the gap between galaxies, on a little tiny planet that threatens to be their own ‘Gilligan’s Island’ – because it already has.

Together, those three plots, Belos’ need for closure, Captain Ahab – actually Captain Todd – following Belos where no one REALLY should have gone before, or again, and all the crews stuck on their very own tiny Gilligan’s Island planetoid, doing their best – or worst – to get along well enough to get back home.

With Fergus in the middle, knowing his personal goose is cooked either way. Unless he can find a really, truly, seriously out-of-the-box solution for his own dilemma as well as theirs.

I loved this last adventure in the Finder Chronicles. On top of this beautiful layer cake of a story, there was also a bit of marvelous icing in Fergus’ relationship with Mister Feefs that will add extra feels for anyone who has ever loved a companion animal and grounded their very existence on that love. (Don’t worry about Mister Feefs, he comes out of this adventure just fine – it’s Fergus we have to worry about. As usual.)

The only sour note in this whole thing is in the author’s note at the end, where she declares that this really is Fergus’ last recorded adventure. And it could be, she left him in a good place – WITH MISTER FEEFS – and they’ll be just fine. But she also left them in a place where it’s clear that Fergus will manage to make his way back to his own galaxy, one way or another, given enough time and supplies. And he has the supplies. So he could come back. We could come back at some point in the future to see whose plans Fergus is destroying at that point in his life. I don’t expect we will, but I can still hope.

#BookReview: We Speak Through the Mountain by Premee Mohamed

Posted on by Marlene Harris | Author : | B+ Reviews> book reviews
#BookReview: We Speak Through the Mountain by Premee MohamedWe Speak Through the Mountain (Annual Migration of Clouds, #2) by Premee Mohamed
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: dystopian, post apocalyptic, science fiction
Series: Annual Migration of Clouds #2
Pages: 152
Published by ECW Press on June 18, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The enlivening follow-up to the award-winning sensation The Annual Migration of Clouds Traveling alone through the climate-crisis-ravaged wilds of Alberta’s Rocky Mountains, 19-year-old Reid Graham battles the elements and her lifelong chronic illness to reach the utopia of Howse University. But life in one of the storied “domes” ― the last remnants of pre-collapse society ― isn’t what she expected. Reid tries to excel in her classes and make connections with other students, but still grapples with guilt over what happened just before she left her community. And as she learns more about life at Howse, she begins to realize she can’t stand idly by as the people of the dome purposely withhold needed resources from the rest of humanity. When the worst of news comes from back home, Reid must make a choice between herself, her family, and the broken new world. In this powerful follow-up to her award-winning novella The Annual Migration of Clouds , Premee Mohamed is at the top of her game as she explores the conflicts and complexities of this post-apocalyptic society and asks whether humanity is doomed to forever recreate its worst mistakes.

My Review:

The world that Reid Graham battles her way through is a dystopia that seems to have suffered through a long slide rather than an actual apocalypse. There’s not really a day or an event that people point to, more like a slow collapse that is still ongoing.

Actually kind of like now, if you squint. Which feels intentional if not exactly in your face. Although it certainly is in Reid’s face as she makes her way from her dying home village to the secret location of the rarefied elite enclave, Howse University.

Reid intends to use the four years of her scholarship to learn everything she can so she can bring that knowledge back home where it’s needed. The powers-that-be at H.U. have other plans. Plans that become obvious to Reid long before the equally obvious brainwashing is able to kick in.

If it ever can or ever will.

Howse University is kind of an Eden, but the parable is a bit reversed. It’s not so much about eating from the tree of knowledge as it is her unwillingness to let go of the knowledge she came in with.

She knows, from bitter experience, that the terrible situation back in her home wasn’t because her people were lazy, or because they didn’t try to make things better, or because they were stupid or any of the other things that elites say to blame poverty and disease on the people suffering them instead of on the systems that keep them down.

Reid’s people are in the position they are in because the diseases brought by the creeping climate apocalypse keep sapping their strength and energy and pulling them down by force. Her people are too caught up in caring for the sick and burying the dead and keeping everyone fed and barely housed to have the time to work on recapturing the tech and the knowledge they used to have.

Knowledge and tech that Howse University and its network of other institutional enclaves are keeping to themselves, for themselves, as they look down upon the have-nots their own ancestors created.

So Reid reminds the H.U. students and faculty of all the truths they’d rather forget, hoping to dig deep enough to find a conscience in a few of them. Even as the classes and the restrictions and the safety protocols and the many, many, health enhancements that H.U. administers keep the deadly, debilitating disease she brought up the mountain with her at bay.

But never cure – because they want her to be dependent and easily influenced, and that’s what the disease does for them. A truth which condemns Reid and sets her free, all at the same time.

Escape Rating B+: I had not read The Annual Migration of Clouds before I picked up We Speak Through the Mountain, and I’m not sure that was such a good idea – so I’ve rectified that omission in the months since, because now that I’ve read that first book, I can tell that I would have rated this one higher when I read it if I’d had more of the background.

Consider this a warning not to make the same mistake. Both stories are novellas, so neither is a long read, but I think they work better together rather than separately. Not that I didn’t get enough to find my way in this book, but I think they work a whole lot better as a whole.

This second book has strong hints of The Practice, the Horizon, and the Chain, another novella that pokes hard at the stratification and ossification of society, and the way that academia reinforces such tendencies no matter how liberal it likes to think it is.

As I said, this is a bit of an Eden parable in that Howse University is paradise and she is thrown out both because she has eaten from the tree of knowledge within H.U. and because she came in having already eaten from that tree – at least a different branch of it -and refusing to stop.

Reid tries her best but the entrenched privilege is too real, and the brainwashing of each class of recruits has been too successful. Which doesn’t erase the questions asked but not answered throughout the story.

What do the descendants of the haves – who continue to have and to exclude – owe the descendants of the have-nots? If the author returns to this world, and I hope she does, I’ll be very interested to see how things proceed from here, because it feels like Reid’s journey is not over. Now that I’m invested I want to see what happens next – and what Howse University decides to do about it.

#AudioBookReview: The Bodies in the Library by Marty Wingate

Posted on by Marlene Harris | Author : | audio reviews> audiobooks> B Reviews> book reviews
#AudioBookReview: The Bodies in the Library by Marty WingateThe Bodies in the Library (First Edition Library Mystery, #1) by Marty Wingate
Narrator: Fiona Hardingham
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: cozy mystery, mystery
Series: First Edition Library Mystery #1
Pages: 315
Length: 9 hours and 23 minutes
Published by Berkley on October 8, 2019
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Hayley Burke has landed a dream job. She is the new curator of Lady Georgiana Fowling's First Edition library. The library is kept at Middlebank House, a lovely Georgian home in Bath, England. Hayley lives on the premises and works with the finicky Glynis Woolgar, Lady Fowling's former secretary.
Mrs. Woolgar does not like Hayley's ideas to modernize The First Edition Society and bring in fresh blood. And she is not even aware of the fact that Hayley does not know the first thing about the Golden Age of Mysteries. Hayley is faking it till she makes it, and one of her plans to breathe new life into the Society is actually taking flight--an Agatha Christie fan fiction writers group is paying dues to meet up at Middlebank House.
But when one of the group is found dead in the venerable stacks of the library, Hayley has to catch the killer to save the Society and her new job.

My Review:

I have never been so happy to see a dead body in all of my reading life as I was when Tristram Cummins’ corpse was discovered in the library of Middlebank House, the home of the late Lady Georgiana Fowling’s First Edition Society.

Lady Georgiana Fowling died of natural causes – after all the woman was 92! – four years before this story begins. She was a collector of works written by the female authors of the Golden Age of Mystery, particularly Agatha Christie, Dorothy L. Sayers, Marjorie Allingham, Ngaio Marsh and Josephine Tey, among others. Daphne du Maurier’s works are also included in the library, not because she wrote mysteries – not exactly – but because she was a personal favorite of the late Lady Fowling.

Lady Fowling may be dead, but the Board of the charitable society that inherited her house and its contents – along with Lady Fowling’s secretary and personal assistant, Mrs. Glynis Woolgar – seem determined to preserve the library, the house, and its contents like a fly trapped in amber. Even if that is far from what Lady Fowling would have ever desired.

Hayley Burke, the newly appointed curator of the library, is determined to move the Society and its Library into the 21st century. She sees her job as placing the Library as prominently on the list of Bath’s literary-related attractions, such as the nearby Jane Austen Centre, as can possibly be arranged as quickly as can be managed. Or can be gotten past the Board and the Society’s Secretary.

Even though Hayley doesn’t know a thing about the Golden Age of Mystery – she knows plenty about ways that a literary site can put itself on the map, having previously worked – albeit in a rather junior position – at the Jane Austen Centre which has done an excellent job of just that.

The discovery of a body in the Society’s library, the morning after a contentious meeting of a local writers’ group, seems a bit too much like it’s straight out of the pages of one of the Agatha Christie novels sitting on a nearby shelf, The Body in the Library.

Whether inspired by Christie or not, that discovery, and the police investigation that ensues, certainly does put the First Edition Society on the map and at the top of mind of a whole lot of people who would otherwise never have heard of the place – in spite of Hayley’s best efforts.

But it’s not the kind of attention either Hayler or the Society actually wants. Because with all of the amateur and professional sleuths on the premises, someone will eventually deduce that the one person who should be an expert, the curator herself, doesn’t have a clue.

Escape Rating B: As much as I usually enjoy this author – and I’m particularly loving her London Ladies’ Murder Club (starting with A Body on the Doorstep) these days – I remember that I bounced off of this particular book really hard but didn’t remember exactly why.

So when I hit a hard flail and bail last week, in conjunction with a 2-for-1 sale at Audible, I picked this up in audio out of a bit of desperation. I knew that whatever had made me set this book aside when it came out, it couldn’t possibly be the same thing that was driving me away from the book I had just stopped listening to – with extreme prejudice – in the present.

I started the audio of The Bodies in the Library and figured out pretty quickly what drove me away the first time. OMG but Hayley Burke begins this story as a complete and utter doormat, and her doormat persona has invaded every part of her life.

This story is told in the first person, so we’re inside Hayley’s head – and it’s kind of a boring place to be, quite possibly because it seems like there’s no spine holding it up. Her long-distance boyfriend, her adult daughter, and her repressive, stick-up-her-bum colleague all walk all over her at every turn.

I could rant, but I’ll refrain. The work parts of this exhibition of lack of backbone are the one part of Hayley’s situation that make sense, as these two women share both the job and the house and making an actual enemy out of her recalcitrant colleague is the recipe for a very quick job change that Hayley can’t afford to make.

Howsomever, on top of the more personal aspects of her spinelessness it drove me round the twist. At least until Trist, the leader of that writers’ group, is found dead on the floor of the library and the pace of the story picks up while Hayley picks up her big girl panties and finally starts dealing with her life as well as the mystery that has been literally dropped in her lap.

One of the more, let’s call it awkward, parts of Hayley’s character at the beginning is that she doesn’t merely have impostor syndrome – don’t we all on occasion – but that she IS an actual impostor. She’s not REALLY qualified for the well-compensated job she lucked into. Hayley knows nothing about the Golden Age of Mystery as she specialized in 19th century literature for her degree. For a lot of the story, we see her flailing about in an attempt to hide her lack of knowledge – what we don’t see is her actually rectifying that lack until after the body drops. It’s clear that her continuing forays into the world of Golden Age mystery is going to be part of her journey – and will hopefully induce readers to do the same – but early on I found myself wondering, repeatedly and OFTEN, why she didn’t just stream a whole lot of video because they’ve ALL been done. It wouldn’t have been the same as reading the books, but it would certainly have given her a leg up that she desperately needed.

Speaking of media, however, the audio was fine, and it certainly got me over the rough first third of the book that drove me away the first time around. So I’m glad I picked it up – even though once the story finally got started I got more than caught up in it enough to want to find out whodunnit a whole lot faster than audio would allow.

The advent of that body in the library (all due apologies to Agatha Christie because the cases aren’t much the same after all) turns out to be the making of both Hayley and the story as a whole, which is the reason I ended up at a ‘B’ grade in spite of the character’s and the story’s frustrating and glacially paced opening. By the end, the whole thing shows a LOT of promise, to the point where I’m sure I’ll pick up the next book in the series, Murder is a Must, the next time I’m in the mood for a very cozy and gentle mystery.

Or I want to see how the Library’s cat Bunter is doing with the new visitors that Hayley is hopefully bringing to the place!

#BookReview: In Our Stars by Jack Campbell

Posted on by Marlene Harris | Author : | B Reviews> book reviews
#BookReview: In Our Stars by Jack CampbellIn Our Stars (The Doomed Earth, #1) by Jack Campbell
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Doomed Earth #1
Pages: 400
Published by Ace on May 7, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Lieutenant Selene Genji has one last chance to save the Earth from destruction in this pulse-pounding science fiction adventure, from the author of the New York Times bestselling Lost Fleet series.
Earth, 2180
Genetically engineered with partly alien DNA, Lieutenant Selene Genji is different from ordinary humans. And they hate her for it. Still, she’s spent her life trying to overcome society’s prejudice by serving in the Unified Fleet while Earth’s international order collapses into war.
Genji is stationed on a ship in orbit when humanity’s factional extremism on the planet reaches a boiling point, and she witnesses the utter annihilation of Earth. When the massive forces unleashed by Earth’s death warp space and time to hurl her forty years into the past, Genji is given a chance to try to change the future and save Earth—starting with the alien first contact only she knows will soon occur.
Earth, 2140
Lieutenant Kayl Owen’s ship is on a routine patrol when a piece of spacecraft wreckage appears out of nowhere. To his shock, there is a survivor on Selene Genji. Once her strange heritage is discovered, though, it becomes clear that Genji is a problem Earth Guard command wants to dispose of—quietly. After learning the horrifying truth, Owen helps her escape and joins her mission.
Together, they have a chance to change the fate of an Earth doomed to die in 2180. But altering history could put Genji’s very existence in danger, and Owen wonders if a world without her is one worth saving. . . .

My Review:

From the opening pages, In Our Stars read an awful damn lot like a Star Trek episode. Actually, several of them. Because this is a time travel story, of just the kind that Star Trek in ALL of its various iterations, has played with – A LOT.

It’s the year 2180, and Lieutenant Selene Genji of Earth’s United Fleet is just close enough to the event horizon to watch in horror as Earth is destroyed. Not by aliens, not by the Borg, not by accident.

But deliberately, by its own people. Not even in an attempt to throw off an alien invasion as in the first Avengers movie. In Lieutenant Genji’s 2180, Earth bombs itself out of existence in a fit of xenophobia directed at people just like her.

People who are ‘alloys’, who have a portion of alien DNA. Because after ‘First Contact’ with the Tramontine in 2140, genetic manipulation made that possible – and briefly – desirable.

But humans are gonna human, and some humans are just looking for an excuse to declare that other people aren’t people, and charismatic tyrants and despots are always available and all-too-willing to latch onto any stupid excuse to grab power.

To make a long story short, there was a large, influential group of people who believed that destroying Earth to purge it of alien influences would cause a new, pure Earth to emerge from the inevitable dust cloud.

The wrongness of that belief and her wish to change history to make sure this doesn’t happen again are Selene Genji’s last conscious thoughts before she’s rescued by Lieutenant Kayl Owen of Earth Guard, the only survivor aboard her derelict ship, in 2140, just months before First Contact.

Selene Genji has that barely conscious wish within her sights. She is in the right place – or at least at the right time – to prevent the destruction of Earth she witnessed 40 years in the future.

Whether she’s in the right place is an entirely different question, as Kayl Owen inherited his father’s disgrace to his service, and no one has any compunctions about making them both disappear in order to keep the secret of her existence from everyone who might care.

Which is way more people and forces than she expected, as the mysterious powers that took over Earth so quickly in her own time are considerably more active in her new here and now than Selene – or history – told her to expect.

It’s going to be an even longer road, NOT getting from there to here, than even a woman from the future could possibly have imagined.

Escape Rating B: I couldn’t get the resemblance to Trek out of my head, and that affected my reading of this book a lot because it felt just a bit too familiar. To the point where even though I didn’t know what was coming, I sorta/kinda knew what was coming. Also, to the point where I couldn’t resist falling down a Trek time travel rabbit hole. Or should I say, a time travel black hole, because that device was used frequently and often, even if that’s not quite what happened here.

The thing is, Star Trek played with time travel frequently and often. There’s at least one time travel episode in every Trek series to date, taking them in Trek’s chronological order, from the entire first season of Enterprise with its Temporal Cold War arc, through “What is Past is Prologue” (Discovery), “A Quality of Mercy” (Strange New Worlds), “Tomorrow is Yesterday” (The Original Series), “Yesteryear” (The Animated Series), “Yesterday’s Enterprise” (Next Gen), “Past Tense” (DS9), “Future’s End” (Voyager) and last but certainly not least, “The Star Gazer” from Star Trek: Picard’s second season. As well as one of Trek’s most famous and storied episodes, “The City on the Edge of Forever” from TOS, and two of its best and most popular movies, Star Trek IV: The Voyage Home, otherwise known as ‘the one with the whales’ and Star Trek: First Contact – the one with Steppenwolf’s marvelously apropos “Magic Carpet Ride”.

(The above list is ONLY a sampling. There are multiple time travel episodes and/or arcs in every Trek series. If you’re really curious check out the Memory Alpha wiki.)

The difference between most but not all of the Trek examples and In Our Stars is that in Trek it’s usually someone else who has mucked with the time stream and it’s the job of whatever series is running at the time to make things right. Although there have been exceptions.

The plot in In Our Stars is to prevent the worst from happening by mucking with the 2140 time stream as soon and as much as possible. The story is that neither of those things, fast or soon, are going to be as easy as Selene – and her soon-to-be life-partner Kayl Owen – either expect or even hope.

Which is clearly what is going to push the plot of The Doomed Earth series, of which In Our Stars is the first book, through the years from 2140 to 2180 and hopefully past that original disastrous day. Something that we’ll get to see in the months and years ahead, both theirs and ours.

I picked this up because Jack Campbell is an author who has been recommended to me multiple times, but by the time that happened his best known series, now called The Lost Fleet, with its follow up Lost Fleet Universe series, was already well past a dozen books in. I wasn’t in the mood to start from the beginning and don’t like picking things up in the middle if at all possible.

In Our Stars solved that problem, as it’s the opening book in a new series, so no catch up and no need to jump in the middle with both feet and hope for an informative landing. One of these days the ‘round tuit’ for reading Lost Fleet will emerge, as they do. But today is not that day.

In the meantime In Our Stars turned out to be a great place to get into a new-to-me author. The familiarity of the setup was a comfort that also made the plotting of the political craziness – because that’s definitely a feature – the touch of romance and the constant drive of our heroes on the run while building support – just that much easier to get into.

So if you’re looking for a new space opera type adventure with more than a hint of the familiar in all the best places, take a ride to 2180, or 2140, or both, In Our Stars.

#AudioBookReview: Every Time We Say Goodbye by Natalie Jenner

Posted on by Marlene Harris | Author : | audio reviews> audiobooks> B Reviews> blog tours> book reviews> release blast
#AudioBookReview: Every Time We Say Goodbye by Natalie JennerEvery Time We Say Goodbye (Jane Austen Society, #3) by Natalie Jenner
Narrator: Juliet Aubrey
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: historical fiction, World War II
Series: Jane Austen Society #3
Pages: 336
Length: 10 hours and 37 minutes
Published by Macmillan Audio, St. Martin's Press on May 14, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The bestselling author of The Jane Austen Society and Bloomsbury Girls returns with a brilliant novel of love and art, of grief and memory, of confronting the past and facing the future.
In 1955, Vivien Lowry is facing the greatest challenge of her life. Her latest play, the only female-authored play on the London stage that season, has opened in the West End to rapturous applause from the audience. The reviewers, however, are not as impressed as the playgoers and their savage notices not only shut down the play but ruin Lowry's last chance for a dramatic career. With her future in London not looking bright, at the suggestion of her friend, Peggy Guggenheim, Vivien takes a job in as a script doctor on a major film shooting in Rome’s Cinecitta Studios. There she finds a vibrant movie making scene filled with rising stars, acclaimed directors, and famous actors in a country that is torn between its past and its potentially bright future, between the liberation of the post-war cinema and the restrictions of the Catholic Church that permeates the very soul of Italy.
As Vivien tries to forge a new future for herself, she also must face the long-buried truth of the recent World War and the mystery of what really happened to her deceased fiancé. Every Time We Say Goodbye is a brilliant exploration of trauma and tragedy, hope and renewal, filled with dazzling characters both real and imaginary, from the incomparable author who charmed the world with her novels The Jane Austen Society and Bloomsbury Girls.

My Review:

I picked this up because I loved the author’s earlier book, The Jane Austen Society, and hoped for more of the same. Which I got in a couple of surprising ways. First, part of my love for that first book was in the audiobook narrator, Richard Armitage (yes, Thorin Oakenshield from The Hobbit movies). Second, that this book is loosely connected to both that book and to her second book, Bloomsbury Girls, but it’s a loose connection and you absolutely do not need to have read either of the others to get into this one.

The first goodbye in Every Time We Say Goodbye takes place in 1943, in Occupied Italy during the midst of World War II. It’s the final goodbye between the infamous ‘La Scolaretta’, AKA the ‘Schoolgirl Assassin’, and her lover after she has committed the assassination that both ensures her immediate death and her eternal ‘life’ as a martyr to the cause..

The rest of the story spirals out from that first/last goodbye – and moves forward to 1955 even as it circles back to Rome, the scene of La Scolaretta’s last and most dangerous assignment. It’s a world that is doing its best to move on and forget – even as entirely too many people’s lives seem to be frozen in that moment – or in moments much too much like it.

On the surface of this story, there’s glitz and glamour, the escape of the movie industry and the films it produces – along with the kind of frenetic partying that drove the Jazz Age of the 1920s – another post-war era.

Vivien Lowry has brought herself and her heavy emotional baggage from London to Rome, to escape the failure of her latest play on the London stage by taking a job as a ‘script doctor’ to American ex-pats filming in Italy to escape the political witch hunts back home.

She is also in Italy to say her own final goodbyes – if she can find a place to actually do that. Her fiance was presumed killed in action in the war, but late news has reached her that he was transported to Italy as a POW and died in a POW camp or escaping from it and not on the battlefield as was originally supposed. Or maybe he didn’t.

Vivien is tracking down the shattered remnants of her heart, so she can bury them along with the hopes and dreams of the future that they represent. Along the way, she meets the glitterati of the heyday of Italian movie making, while dropping a whole lot of very real names of the rich and famous.

And she falls in love. Or maybe she doesn’t. She certainly gets caught up in a relationship that is going absolutely nowhere – only to discover that her lover isn’t the man he pretended to be. Then again, she pretended that her heart was open, when it’s still buried in a past that never was – and never will be again, now matter how hard she chases after it.

But it just might manage to catch up with her if she stops running long enough to let it.

Escape Rating B: Before I get to the story of the book, I absolutely need to say something about the audiobook. Specifically, that the audiobook is excellent. The reader, Juliet Aubrey, was a perfect choice and she made the whole thing better and carried me through even at points where I wondered how the parts of the story connected to each other because she was just awesome.

Which circles back to the story itself, which sometimes felt as if it, well, didn’t exactly circle back and connect up. So the TL;DR version of this review is that, as a story, its reach very much exceeded its grasp.

There is, of course, a much longer version of that, because there is a tremendous amount going on in this story with a corresponding large cast of characters.

There are two timelines, and the reader keeps wondering how they’re going to come together in the end – only for this reader, at least, to wish they hadn’t.

Yes, I know my flailing is getting worse. But it fits.

The through story, the one we’re following, takes place in Rome in 1955 at what may have been the height of the Italian film industry. The story that they, the characters in the story, are following is the 1943 story about the famous and/or infamous guerilla fighter, La Scolaretta – the schoolgirl assassin.

The characters in 1955 are living their current lives following that story because they are writing it, filming it, still affected by it, still suffering from it, still mourning it, unable to get past it and/or absolutely all of the above.

La Scolaretta’s last target, and her subsequent capture, torture and execution, is a fixed point in time that no one can walk past or turn away from. Both for itself and as a symbol of the war and the acts that people were driven to during it.

As a consequence, the story has a LOT to say about war in general, World War II in particular, the evils that humans generally and specifically did as a result of both of them, as well as guilt, grief, escape, survival, life, death and how all of those things are impacted by survival.

It’s a lot of weight for one story to carry, and these characters, especially Vivien Lowry as the point-of-view character, have a lot to say about all of them, which leads to a lot of justified angst and downright philosophizing on her part that suffuses the whole story.

But the philosophizing also got in the way of the story – possibly as intended because Vivien, as a writer herself, doesn’t so much experience her own emotions as she does explain them or distance them through her writing.

(In addition to Vivien’s personal angsting and philosophizing, the story also had a TON of things to say about the conflict between the need of certain institutions to rug-sweep their activities during the war, the desire of governments and individuals to put the war behind them as quickly as possible, the human desire to leave the tragedy behind vs the need to record and remember everything that happened in the hopes of staving the tragedy off earlier the next time around, AND, on top of all that, foreshadowing the cultural upheavals of the 1960s. It was a LOT and the story was already a LOT and we’re back to the reach exceeding the grasp again. All of the issues the story touched on were important but maybe they didn’t need to all be in the same book. Or the book needed to be an actual trilogy – at least.)

So as much as I felt compelled to finish the story (and I was absolutely riveted most of the way through) to see if the past directly connected to their present – or if it just exposed it or talked around it. Which it didn’t quite in either direction. But it did seem like it came to a kind of a satisfactory conclusion even if Vivien’s happy ever after came a bit out of the blue. She still found closure for as much of her past as was possible.

But we didn’t. The conclusion we thought we had got pulled out from under the reader in the end – and I was left wishing it hadn’t. OTOH, war doesn’t really have any neat and tidy endings either, and perhaps that was the point after all.

.

 

A- #BookReview: L. Ron Hubbard Presents: Writers of the Future, Volume 40 edited by Jody Lynn Nye

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
A- #BookReview: L. Ron Hubbard Presents: Writers of the Future, Volume 40 edited by Jody Lynn NyeL. Ron Hubbard Presents: Writers of the Future, Volume 40 by L. Ron Hubbard, Jody Lynn Nye, Nancy Kress, S.M. Stirling, Gregory Benford, Bob Eggleton, Amir Agoora, James Davies, Kal M, Sky McKinnon, Jack Nash, Rosalyn Robilliard, Lance Robinson, John Eric Schleicher, Lisa Silverthorne, Stephannie Tallent, Tom Vandermolen, Galen Westlake, Mary Wordsmith, Dan Dos Santos, Ashley Cassaday, Gigi Hooper, Jennifer Mellen, Pedro Nascimento, Steve Bentley, Connor Chamberlain, Selena Meraki, Guelly Rivera, Tyler Vail, Carina Zhang, May Zheng, Lucas Durham, Chris Arias
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: fantasy, science fiction, short stories
Series: Writers of the Future #40
Pages: 471
Published by Galaxy Press on May 7, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Spine-tingling
Breathtaking
Mind-blowing
Experience these powerful new voices—vivid, visceral, and visionary—as they explore uncharted worlds and reveal unlimited possibilities.
Open the Writers of the Future and be carried away by stories—and illustrations—that will make you think, make you laugh, and make you see the world in ways you never imagined.
Twelve captivating tales from the best new writers of the year as selected by Writers of the Future Contest judges accompanied by three more from L. Ron Hubbard, Nancy Kress, S.M. Stirling. Each is accompanied by a full-color illustration.
Plus Bonus Art and Writing Tips from Gregory Benford, Bob Eggleton, L. Ron Hubbard, Dean Wesley Smith
“When her owner goes missing, a digital housecat must become more than simulation to find her dearest companion through the virtual world.—“The Edge of Where My Light Is Cast” by Sky McKinnon, art by Carina Zhang
No one came to his brother’s funeral. Not even the spirits. Étienne knew it was his fault.—“Son, Spirit, Snake” by Jack Nash, art by Pedro N.
Man overboard is a nightmare scenario for any sailor, but Lieutenant Susan Guidry is also running out of air—and the nearest help is light years away.—“Nonzero” by Tom Vandermolen, art by Jennifer Mellen
Mac wanted to invent a cocktail to burn itself upon the pages of history—but this one had some unexpected side effects.—“The Last Drop” by L. Ron Hubbard and L. Sprague de Camp, art by Chris Arias
Dementia has landed Dan Kennedy in Graydon Manor, and what’s left of his life ahead seems dismal, but a pair of impossible visitors bring unexpected hope.—“The Imagalisk” by Galen Westlake, art by Arthur Haywood
When a teenage swamp witch fears her mama will be killed, she utilizes her wits and the magic of the bayou—no matter the cost to her own soul.—“Life and Death and Love in the Bayou” by Stephannie Tallent, art by Ashley Cassaday
Our exodus family awoke on the new world—a paradise inexplicably teeming with Earth life, the Promise fulfilled. But 154 of us are missing.…—“Five Days Until Sunset” by Lance Robinson, art by Steve Bentley
Spirits were supposed to lurk beneath the Lake of Death, hungry and patient and hostile to all life.—“Shaman Dreams” by S.M. Stirling, art by Dan dos Santos
A new app lets users see through the eyes of any human in history, but it’s not long before the secrets of the past catch up with the present.—“The Wall Isn’t a Circle” by Rosalyn Robilliard, art by Guelly Rivera
In the shadows of Teddy Roosevelt’s wendigo hunt, a Native American boy resolves to turn the tables on his captors, setting his sights on the ultimate prey—America’s Great Chief.—“Da-ko-ta” by Amir Agoora, art by Connor Chamberlain
When squids from outer space take over, a punk-rock P.I. must crawl out of her own miserable existence to find her client’s daughter—and maybe a way out.—“Squiddy” by John Eric Schleicher, art by Tyler Vail
Another outbreak? This time it’s a virus with an eighty percent infection rate that affects personality changes … permanently.—“Halo” by Nancy Kress, art by Lucas Durham
Planet K2-18b is almost dead, humanity is enslaved, and it’s Rickard’s fault.

My Review:

The “Writers of the Future” Contest sponsored by Galaxy Press has been going on for, obviously, forty years now, which is why this is #40 in the series. I hadn’t picked a single one up until last year’s 39th volume, because short story collections just aren’t my thing, and the whole L. Ron Hubbard/Scientology connection STILL gives me the heebie-jeebies.

Howsomever, this time last year I was assigned to review that 39th volume for Library Journal, and learned that my hesitations on both the format and the origin notwithstanding, the collection itself was good. Damn good, in fact.

So good that when the opportunity to review this 40th volume in the series came up, I jumped at it – and was very glad that I did.

As with most collections, there were a couple of stories that just didn’t work for me, but for the most part the stories worked and worked well and I’d be thrilled to see more work from pretty much all of these award winning authors.

Which means that I have brief thoughts of a review-type and rating for each of the new individual stories, and a concluding rating that’s going to require some higher math and a bit of a fudge-factor to get into a single letter grade even with pluses and minuses available!

“The Edge of Where My Light is Cast” by Sky McKinnon
This is a story that anyone who has ever had a ‘heart cat’ – or other companion animal, one who is not merely loved but holds a singular place in one’s heart long after they are gone will find both utterly adorable and heartbreakingly sad at the same time. Tabitha was her person’s heart cat, so when Tabita went to the Rainbow Bridge her person turned her into a virtual reality cat so that they could be together for always. When her person goes ‘to the light’, Tabitha breaks all the laws of time and space and physics so that they can be together, forever in the light of the datastreams they now both call home. Grade A because there is so much dust in this one and my eyes are still tearing up.

“Son, Spirit, Snake” by Jack Nash
This one has the feel of a myth being retold as fantasy, although its an original work. It could also fit into many post-apocalyptic futures as well. A young man is dead, his mother performs the funeral rites, but the neighbors scoff and the gods do not attend as they always have. His younger brother runs in search of solace but finds only Death – but the anthropomorphization and not the event, because his mother refuses to let the gods dictate her actions a second longer – and she scares them WAY more than they scare her. Grade B because it feels like the attempt to make the myth universal sanded off a few too many of the edges that might have made it a bit more fixed in time and space – which was the intent but made it a bit more difficult to get stuck into at first.

“Nonzero” by Tom Vandermolen
As far as she knows, she’s the only survivor of her spaceship crew, out in the black in a spacesuit with no ship in sight and no chance of reaching one. She dreams of the past, while her suit’s AI does its best to awaken her to her very limited choices: whether to let her oxygen run out – and die, self-terminate using the drugs stored in her suit – and die, or take a cryogenic cocktail of drugs, let herself be put in suspended animation, and hope that the nonzero chance of survival comes through. We’ll never know. Grade A- for her snark in the face of logic and annihilation even though we’re pretty sure from the beginning that we know which path she’ll take.

“The Imagalisk” by Galen Westlake
Anyone who ever had an imaginary friend will find a bit of hope – or a light at the end of an inevitable long, dark tunnel – in this tale of an elderly man entering the hazy world of Alzheimer’s and tossed into a nursing home by his son.  Only to discover that he’s been granted a marvelous gift, that for the residents of Graydon Manor the make-believe friends of their first childhoods have returned to help them ‘play’ the rest of their lives away in their second. If he can just hold only his present memory long enough to keep their gift from being stolen by a greedy former resident. Grade A- for being the saddest of sad fluff on the horns of the reader’s dilemma of whether this is one last grand caper or if this entire tale is just a product of the disease that brought him to Graydon Manor in the first place.

“Life and Death and Love in the Bayou” by Stephannie Tallent
One of two stories in the collection about magic and power and love and death and sacrifice that’s made even better because the sacrifice is willing and the love isn’t romantic. This one is haunting, not horror but definitely on the verge of it – but then again, if any place is haunted it’s the bayou country of Louisiana. Grade A- for the story and A+ for the art for this one which is beautiful.

“Five Days Until Sunset” by Lance Robinson
In spite of what a whole lot of SF would have one believe, the likelihood is that early colony ships will be a fairly iffy proposition. Which means that this reminds me a bit of Mickey7 but definitely without the humorous bits. Although in this case, it’s not that the planet is barely habitable, but rather that it’s not habitable in the way that the colonists dreamed of. It’s a story about adapting your dreams to your circumstances instead of attempting to force the circumstances to match your dreams. Grade A because the story is good and so complete in its very short length and it even manages to deal well with religion in the future which is really, really hard even in the present.

“Shaman Dreams” by S.M. Stirling
This one is new for the collection – which I wasn’t expecting. It’s also the story inspired by the gorgeous cover art. Even though this is set in the far distant past, as the last Ice Age is fading away, the story it reminds me of most and rather surprisingly a lot is The Tusks of Extinction – quite possibly crossed a bit with Jean Auel’s Clan of the Cave Bear series. Grade A+

“The Wall Isn’t a Circle” by Rosalyn Robilliard
Very SFnal, but exceedingly horrifying in its implications. It starts out as time travel – and that’s fun with interesting possibilities. The scare in this one is that it doesn’t stay there, and where it leaps to is a question of just how far – and how far over the line of morality – someone will go to get justice and where the line blurs between justice and revenge. Grade A for the wild ride of the story’s ultimate WOW.

“Da-ko-ta” by Amir Agoora
This one didn’t work for me. The bones of something really terrific are here, and I think it potentially had a lot to say about colonialism and culture erasure and just how terrible manifest destiny was but it may have just needed to be longer so that its ideas got fully on the page and weren’t merely teased out. Grade C

“Squiddy” by John Eric Schleicher
Squiddy gets its toes right up to the line of SF horror and then sticks there with tentacles. Literal, actual tentacles, in an invasion of squid-like monsters that are an addictive drug that requires sticking the squid-like creature up one’s nose. So also gross-out horror. But underneath that is a story about a drug addled dystopia, one woman who refuses to use or be used and another woman who sees her as a beacon to follow to a better, squid-free future. Grade B because this one was interesting and had a kind of wild/weird west feel but just wasn’t my jam – or calamari.

“Halo” by Nancy Kress
This is the second new-for-this-collection story by a well-known author rather than a contest winner. It’s laboratory based SF, and jumps off from the recent pandemic, but doesn’t go anywhere one thinks it will go because it’s a story about human behavior and human intelligence and the power of inspiration and how much the latter is worth saving if engineering the former can do so much ‘good’ – depending on who is determining that good. A thought-provoking Grade A story.

“Ashes to Ashes, Blood to Carbonfiber” by James Davies
There are always at least a couple of stories in any collection that don’t work for an individual reader and this was my other one. I may have been trying to read too late in the evening, or it may be that the bleakness of this particular dystopia just didn’t work for me, or the nature of the sacrifice required to break out was a bit too much even as it was talked more around than directly about. I did like that it worked out to a much better ending than I was expecting, but it just didn’t work for me. Grade C

“Summer of Thirty Years” by Lisa Silverthorne
This is the other story in the collection about sacrifice and power and love and death – done in a completely different way from the bayou story and still not about romantic love after all – although at the beginning it looks like it might be. It’s sweet and sad and haunting and beautiful, if not quite as profound as “Life and Death and Love in the Bayou” still an excellent story. Grade A-

“Butter Side Down” by Kal M
There had to be a story that managed to invoke Murderbot, and this was it. What made it fun was that the whole thing is a trial transcript, as the lone human on this particular spaceship’s crew is on trial for rescuing a planet-killing AI, falling in love with it and helping it escape. It seems like the fears of what this ultimate weapon of mass destruction – that Joe Smith has nicknamed “Breddy” can do to the whole, entire universe are very real – but that Joe is convinced that “Breddy” has decided not to. And he’s right and they’re all wrong. While the story is more lighthearted than one might imagine, in the end it’s a story about always extending the hand of friendship – and being rewarded with friendship in return to the nth degree. Grade A+

Escape Rating A- for the collection as a whole, because I mostly did escape – even in the couple of stories that weren’t quite my cuppa after all. I am still a bit surprised to say this, all things considered, but I’m honestly looking forward to getting that 41st volume in the series, this time next year.

Grade A #AudioBookReview: Funny Story by Emily Henry

Posted on by Marlene Harris | Author : | A Reviews> audio reviews> audiobooks> book reviews
Grade A #AudioBookReview: Funny Story by Emily HenryFunny Story by Emily Henry
Narrator: Julia Whelan
Format: audiobook, eARC
Source: supplied by publisher via Libro.fm, supplied by publisher via NetGalley
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: Chick Lit, contemporary romance, relationship fiction, women's fiction
Pages: 400
Length: 11 hours and 23 minutes
Published by Berkley, Random House Audio on April 23, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A shimmering, joyful new novel about a pair of opposites with the wrong thing in common.
Daphne always loved the way her fiancé Peter told their story. How they met (on a blustery day), fell in love (over an errant hat), and moved back to his lakeside hometown to begin their life together. He really was good at telling it…right up until the moment he realized he was actually in love with his childhood best friend Petra.
Which is how Daphne begins her new story: Stranded in beautiful Waning Bay, Michigan, without friends or family but with a dream job as a children’s librarian (that barely pays the bills), and proposing to be roommates with the only person who could possibly understand her predicament: Petra’s ex, Miles Nowak.
Scruffy and chaotic—with a penchant for taking solace in the sounds of heart break love ballads—Miles is exactly the opposite of practical, buttoned up Daphne, whose coworkers know so little about her they have a running bet that she’s either FBI or in witness protection. The roommates mainly avoid one another, until one day, while drowning their sorrows, they form a tenuous friendship and a plan. If said plan also involves posting deliberately misleading photos of their summer adventures together, well, who could blame them?
But it’s all just for show, of course, because there’s no way Daphne would actually start her new chapter by falling in love with her ex-fiancé’s new fiancée’s ex…right?

My Review:

This is not a meet-cute, it’s more like a meet-really-really-ugly. But it starts with a meet-cute. It’s just that the meet-cute is NOT between our protagonists Daphne and Miles. It’s between Daphne and her very suddenly ex-fiancé Peter. There may, or may not, have been another meet-cute between Miles and his equally suddenly ex-girlfriend Petra – but that really doesn’t matter by the time we meet all of the above.

Because of all of that VERY sudden ex-ing that happened. In the wee hours after Peter’s bachelor party, between Peter and his childhood bestie, the beautiful Petra. The woman he claimed had always been a platonic friend. Always.

At least until Petra confessed to Peter, when they were alone in the aftermath of that bachelor party, which of course Petra attended because she was, after all, his bestie, that she was in love with him and couldn’t watch him marry someone else without letting him know that.

The resulting mess – and was it ever a mess – left Daphne with one week to move out of the house that she and Peter were supposed to share, alone in the small town she’d moved to because that’s what HE wanted, with no support network because all of “their” friends were really his friends – and a job she loved and didn’t want to leave in a place she could no longer bear to stay.

Not too far away, in that same tiny little town, Petra’s ex Miles was left with an apartment he could only afford half the rent on, in a town that he felt like he’d made his own, with an utterly shattered heart.

Daphne, ever practical EXCEPT when it came to Peter, made Miles an offer he literally couldn’t afford to refuse. His need for a roommate dovetailed heartbreakingly and conveniently with her need for a place to live.

They may have agreed to be roommates out of their shared tragedy but they are definitely respectful of each other’s space and each other’s brokenness. At least until they both receive invitations to – you guessed it! – Peter and Petra’s upcoming nuptials. After a long and very drunken night of shared drinking, ranting and more than occasional sobbing, Daphne and Miles decide that living well – or at least the appearance of it – will be their revenge on their exes.

They RSVP to the wedding of the people they each once believed to be the love of their lives, together. And to back that up, they post a selfie that gives the unmistakable impression that they’ve found the new loves of their own lives – with each other.

Miles is certain that they can keep up the pretense of dating each other for the summer – just long enough to get past that dreadful wedding. Daphne isn’t nearly so sure – but she’s willing to try. She certainly expects it all to go terribly, terribly wrong long before they reach that Labor Day weekend disaster-ganza. And it very nearly does.

At least until it all starts going terribly, terribly right.

Escape Rating A: I started out listening to this one, and that’s probably what got me over the hump of the early chapters. This is one of those stories that, of necessity, has a very hard start. We meet Daphne just after very nearly the entire life she had planned crashed and burned. She’s wallowing in a whole lot of angst and regret and self-recrimination, nearly buried by the weight of her emotional baggage piling up all around her. Listening to the excellent narrator makes the listener feel like they are literally inside Daphne’s mostly despairing head and it’s a realistically well-portrayed terrible place to be.

Fortunately for the reader/listener and Daphne, it really does get better – mostly thanks to Miles – who very nearly crashes and burns it all around her again.

The thing that keeps the whole meet-ugly/meet-cute of the thing from going over the top is that Peter in particular may be the villain of this piece – which he definitely turns out to be – but he isn’t evil. He’s certainly awful, and he displays all of his awful bits over the course of the story – but he’s not actually, technically, evil. He’s just selfish and self-centered and more than a bit spoiled.

Daphne was willing to continue spoiling him because he represented something she’d never had – stability. Her dad was mostly absent and generally in the midst of his next big score that never materialized. Her mother was the very best in Daphne’s eyes, but they moved a LOT in pursuit of financial security and Daphne stopped bothering to make connections because she knew they’d never survive a move. Peter, his large, loving family and his wide circle of lifelong friends is a situation she wants to be adopted into wholesale so she lets herself be surrounded and subsumed into it.

Only to be confronted with the fact that it was never really hers – and neither was Peter. (Although that turns out to have been dodging a bullet she never would have seen coming.)

The fun part of this story – and it mostly is fun after that first long, deep and totally justified wallow – is watching the way that Miles courts Daphne by getting her to fall in love with tiny, slightly touristy, totally scenic, Waning Bay Michigan. He loves the town that he’s adopted and been adopted by, and does his damndest to share that love with Daphne. That he makes the town irresistible makes him irresistible and their hesitant steps toward a relationship turn this story into a marvelous kind of dance of a romance.

That, at the very same time, Daphne uses the foundation of having a job that she totally loves – even if it barely pays the bills – to put herself out there in the sense of opening herself up to the possibilities of deep and true friendship and fellowship – is what makes this story so much her journey to happiness and fulfillment. Whether or not, in the end, either of those things includes Miles, or Waning Bay, or both, or neither.

That Peter ultimately gets the shaft all the way around turned out to be merely the icing on a very tasty cake of a book – or perhaps that should be the slathering of cheese and jalapenos on a fresh, hot serving of Petoskey fries. The part that makes a good thing just that much better.

My favorite of Emily Henry’s books is still Book Lovers, but Funny Story definitely moved into the runner-up slot. I loved that Daphne was a librarian, and she definitely read like “one of us” while her Waning Bay Library read as both realistic and on the good side of places to work – except for the poor salary which was equally realistic – dammit.

I’ve read all of the author’s adult books except for People We Meet on Vacation, which I can feel climbing the virtually towering TBR pile as I type this. It looks like a perfect book to pick up later this summer – when we’re on vacation!

A- #BookReview: Chaotic Aperitifs by Tao Wong

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
A- #BookReview: Chaotic Aperitifs by Tao WongChaotic Apéritifs: A Cozy Cooking Fantasy (Hidden Dishes Book 2) by Tao Wong
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: ebook, audiobook
Genres: cozy fantasy, fantasy, foodie fiction, urban fantasy
Series: Hidden Dishes #2
Pages: 124
Published by Starlit Publishing on May 1, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

The Only Constant with Magic is Change.
Mo Meng is reminded of that fact once again, as the Nameless Restaurant faces a new challenge. Magic and its old wielders are returning to the world. For the restaurant, wards of anonymity and camouflage are fading, leading to the arrival of new customers. And some older friends.
What started as a way to pass the decades and feed a few customers has become actual work.
The world is changing, and to face it, the Nameless Restaurant, along with its proprietor and patrons, will need to embrace the change with a good meal and new friends.
Chaotic Apéritifs is book 2 in the Hidden Dishes series, a cozy cooking fantasy perfect for fans of Travis Baldree's Legends & Lattes and Junpei Inuzuka's Restaurant to Another World. Written by bestselling author Tao Wong, his other series include the System Apocalypse, A Thousand Li, Hidden Wishes and Adventures on Brad series.

My Review:

Welcome to another day in the life of Mo Meng’s nameless restaurant, following the first delicious book in the Hidden Dishes series, titled, of course, The Nameless Restaurant!

The dishes served here truly are magically delicious, because the chef, Mo Meng, is a mage. Not that he actually uses magic in his cooking, because that would be cheating. Instead, he’s been using magical wards and sigils to make his hole-in-the-wall restaurant in Toronto look unappealing to the average restaurant goer, tourist and especially mundane government bureaucrat.

Because he absolutely IS using magic to keep pests at bay – no matter how many legs they have.

The problem that Mo Meng faces in this story is a direct result of the events in the first book featuring his nameless restaurant. Because in that story, Mo Meng’s out-of-the-way establishment hosted a newly awakened utter nuisance of a jinn, and she’s been waking up all kinds of magic and all sorts of other magic users as she navigates the 21st century.

That influx of her chaotic magic is wearing down Mo Meng’s wards. The sheer, overwhelming ubiquity of the internet isn’t helping either. It’s everywhere, no spell of forgetting or obfuscation affects it, and too many people are discovering, remembering, and talking about his restaurant on it.

He and his front-of-house manager Kelly are so swamped with customers that something is going to have to change – because it already has. The question is whether Mo Meng will embrace that change – or leave it and the community he’s built behind while he retreats. Again.

As he observes one very singular customer get confronted with all the changes that have occurred over the centuries while he slept and does his damndest to bluff his way into the future without setting the restaurant on fire with his magic, Mo Meng figures out his own answers.

Escape Rating A-: I’m doing this review a week early so that you have a chance to read the tasty first book in the Hidden Dishes series, The Nameless Restaurant, before you gobble this second book up in one delicious bite.

Because they are both absolutely magically delicious, to the point where I need to put a kind of a trigger warning on both books. Do NOT read while hungry. It’s very dangerous. Trust me on this. Mo Meng’s entire cooking process and every single dish is described in mouth-watering detail as he cooks and it’s impossible to resist – even if the dish itself isn’t one you actually think you’ll like.

The tone of this second book is not quite as lighthearted as the first book, in spite of it being underpinned by the advent of two agents from the Department of Supernatural Entities. Mika and Ophelia are there to investigate the weakening of Mo Meng’s wards and just generally behave like government bureaucrats – up to and including the tension between the two of them, as senior agent Mika knows just where the lines are drawn, while his junior wants to leap over all the rules, regulations, and common sense to right what she defines as wrong in spite of all of the above.

The atmosphere in the restaurant is tense all the way around. Kelly begins her day being berated by her mother over the phone, Mo Meng is behind because there is way more business than one chef – even a magical one – can handle, and the patrons and would-be patrons start out agitated because a) Mo Meng IS running behind schedule and b) the restaurant is tiny, the wait is long, and the line out the door and around the block is enough to outrage anyone.

That a new predator who absolutely radiates power sits in the midst of all, offending many while trying to obfuscate his way through his lack of recent knowledge just adds to everyone’s stress – including his own as he’s trying to figure out why the jinn woke him up and sent him to this place. (I’m truly chagrined at how long it took me to figure out who he was. All the clues were there, I just wasn’t seeing them. (Consider a picture of me facepalming inserted here)

All the same, I loved every mouth-watering page of this story – at least once I sat down with my own dinner to accompany it. (There’s a regular at this restaurant who also reads through his meal, so I’d fit right in!)

Even though the situation is a bit tense, the story and the setting still fit delightfully into the new cozy fantasy vibe, on the shelf between Legends & Lattes and The Kamogawa Food Detectives. At the same time, it’s doing what urban fantasy has always done, it’s getting just a bit deeper and darker as it goes – and it’s fascinating and makes me want more.

It’s clear from the way that this entry in the series ends that even though Mo Meng and Kelly have found a way through their immediate problems, trouble is brewing on the horizon right alongside Mo Meng’s pineapple vinegar. So I’m going to get that more I wanted in the next book in the series, titled Sorcerous Plates. My mouth and my brain are already craving the next bite!