A- #AudioBookReview: Down in the Sea of Angels by Khan Wong

A- #AudioBookReview: Down in the Sea of Angels by Khan WongDown in the Sea of Angels by Khan Wong
Narrator: Eunice Wong
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: fantasy, post apocalyptic, time travel, hopepunk
Pages: 336
Length: 11 hours and 11 minutes
Published by Angry Robot, Dreamscape Lore on April 22, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

An intense and thoughtful time-travelling dystopian fantasy where three individuals, psychically linked through time, fight enslavement, exploitation, and environmental collapse. A great read for fans of Emily St. John Mandel.

In 2106, Maida Sun possesses the ability to see the entire history of any object she touches. When she starts a job with a cultural recovery project in San Francisco with other psions like her, she discovers a teacup that connects her with Li Nuan, a sex-traffificked girl in a 1906 Chinatown brothel, and with Nathan, a tech-designer and hedonist of 2006.

A chance encounter with a prominent political leader reveals to Maida his plan to contain everyone with psionic abilities, eliminate their personal autonomy, and use their skills for his own gain. Maida is left with no choice but to join a fight she doesn’t feel prepared for, with flashes of the past, glimpses of the future and a band of fellow psions as her only tools. She must find a way to stop this agenda before it takes hold and destroys life as she knows it. Can the past give Maida the key to saving her future?

My Review:

This is a hard book to characterize, and even more difficult to sum up in just a few – or even a few dozen – pithy phrases. But I’m certainly going to try.

A big part of that difficulty is that it isn’t just one story. It’s three stories that are loosely linked – even though that’s not obvious at the beginning – centered around three individuals who do not know what they have to do with each other any more than the reader does.

They’re also not experiencing the same thing – or even the same sort of thing, although the first and third are closer in that particular than either of them would ever imagine.

But there is one thing that they share from the beginning. All of their stories, all of their histories and hopes and dreams, take place in San Francisco, a place that has carried the hopes and dreams of so very many since long before the city boomed during the California Gold Rush.

In 1906, Li Nuan, 16 years old, sold by her parents into slavery, forced into sex work, whose very existence is proof that slavery was not eradicated by the Civil War, is ‘in service’ to one of the Tong bosses who ‘owned’ pre-Earthquake Chinatown. And the earthquake is coming, the end of the world as Li Nuan knows it. But she’s seeing visions of the quake, the fire that follows, and the death and destruction that results. And those visions have told her that she can seize the freedom she yearns for in the chaos – if she’s willing to do whatever it takes to claim it.

Nathan Zhao in 2006, an up-and-coming tech designer, is busy living his very good life without taking too much care for the consequences to the world he lives on. He’s a good man, a good person, he’s got a great job, is in a happy long-term relationship with his boyfriend, they’re free to be openly gay – which he knows is a privilege – and life is, well, good. The vision that he gets, both of Li Nuan’s past and of the environmental destruction to come in his near future, opens his eyes and sets his life on a different course than he’d originally planned.

The reason that both Li Nuan and Nathan are having these life-changing visions is Maida Sun. Maida is a historian and more importantly, is gifted with psychometry in a future where a significant minority of the population has been gifted with psionic powers of one stripe or another. Maida can see the past of any object she touches, and she’s working on a cultural reclamation project in the ruins of what her post-apocalyptic society calls ‘The Precursor Era’. In other words, us.

And that’s where all the links get filled in – and pushed out into the future. Nathan and his friends buried a time capsule in 2006, a capsule that is uncovered as part of the project Maida is working on. In that capsule, along with photos, memorabilia, a few personal items and a bit of outright junk, is a jade tea cup from the mid-19th century. A cup that passed through Li Nuan’s hands, down the generations to her great-grandson Nathan, and into that box only to emerge a century later under the hands – and into the powers – of Nathan’s great-great-niece, Maida.

At a point where Maida’s post-apocalyptic world is on the cusp of descending into the dystopia they initially avoided. But only will continue to do so at this terrible, hopeful juncture if Maida can seize her day and her freedom as decisively as her ancestor Li Nuan did hers.

Escape Rating A-: This is one of those stories that made me think pretty much all the thoughts and feel like it brought up all the readalikes. Which is only fair as it’s not one story but three stories and they aren’t as similar as one might expect in a single book.

At the same time, it did feel as if all the stories revolved around the idea of ‘carpe diem’, even though the days that each person in the change needed to seize were very different. Still, when they each grabbed hold of that day out of hope for the future, they each moved the story forward into the hope that they reached out for.

A virtuous circle rather than the vicious cycle that begins each of their stories.

Li Nuan’s story is the most harrowing – not surprising considering the conditions under which she was brought to California. Nathan is honestly having a lot of fun in his part of the story – at least until he sees that his world is not only due for a great big fall – but a fall that he’s likely to live to see and and can’t continue his own personal revel toward the cliff even if he can’t do much to fix the wider world.

But the story is centered in Maida Sun’s early 21st century post-apocalypse. Initially her world seems filled with hope of a brighter day for everyone – even if most people are still cursing the ‘Precursors’ (meaning US) for leaving such a big damn mess to clean up.

Still, the human side of Maida’s world is filled with hope. The ‘Collapse’ of the Precursor civilization in the 2050s, the climatic changes, the wars and death and destruction that followed, set humanity up for a more cooperative future – with the help of the great ‘Bloom’ of auroras that surrounded the planet and gave rise to psionic powers among a percentage of the population.

But by Maida’s 2106, the new normal has been normal long enough, and the devastation of the collapse is just far enough back in time and memory, that some people are starting to think that the ‘good old days’ were better than they were – at least for THEIR sort of people. Whatever that might mean. And, because humans are STILL gonna be human, there’s always someone just watching and waiting to take advantage of that impulse. By creating a new scapegoat, giving a new generation someone to hate and fear, and telling as many big lies as they can to weaponize society so that a new authoritarian regime can rise and start the whole terrible cycle all over again.

It’s hard to miss the historical parallels, because the playbook being used is old and familiar and all the more frightening for being followed right this very minute. What gives Down in the Sea of Angels its hopeful ending is that Maida Sun and the psions are finally living in a time when more people seem to want the world to get better for everyone – or alternatively that she and the psion community have the truth on their side and the opportunity to nip the forces of regression, repression and evil in the bud before the tide has turned completely in their favor.

More than a few of all of those thoughts I mentioned at the top before I close. One of the reasons this story worked as well as it did is that San Francisco is a bit of a liminal place and its history as well as its reputation for being a bit ‘out there’ for multiple definitions of that phrase fit the story. (For an entirely different fantasy featuring San Francisco’s liminality take a look at Passing Strange by Ellen Klages.)

Maida’s particular early 22nd century was fascinating because it didn’t follow the usual patterns for post-apocalyptic stories – or at least there was clearly a delay between the apocalypse and the dystopia – or we missed the first wave of dystopia and this is the attempt of a second dystopia to take hold. It’s a very different post-apocalyptic vision from either The Annual Migration of Clouds by Premee Mohamed or The Knight and the Butcherbird by Alix E. Harrow and the contrasts are quite interesting.

As much as the rising tide of authoritarianism in Maida’s time resembles both the rise of Nazi Germany AND the present political situation in the United States, the way that the anti-psion sentiment is created and promoted by the powers-that-be owes more than a bit, in the fictional sense at least, to the anti-mutant sentiment in the X-Men movie series.

I’ll confess that I picked this up because I absolutely adored the author’s debut novel, The Circus Infinite – and I was hoping to get a similar feeling from this book. In the end I did enjoy Down in the Sea of Angels very much, but not quite as much as Circus, and I think that’s because of the split story lines and how long it took them to figure out that they were part of each other. Howsomever, I did absolutely love the audio narration by Eunice Wong, and it was lovely to hear her voice again, telling me a marvelous story.

#BookReview: Last Chance to Save the World by Beth Revis

#BookReview: Last Chance to Save the World by Beth RevisLast Chance to Save the World (Chaotic Orbits #3) by Beth Revis
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, science fiction romance, space opera
Series: Chaotic Orbits #3
Pages: 133
Published by DAW on April 8, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The explosive, satisfying conclusion to the Chaotic Orbits novella trilogy sees Ada and Rian breaking into a high-security facility to give Earth a fighting chance at survival

Sexy, fast, fun and funny, this happily-ever-after ending is perfect for fans of the Murderbot novels and the Wayfarers series

After a few weeks trapped on board a spaceship with Ada (and, oh look, there’s only one bed), Rian has to admit that maybe Ada’s rebels have a point. The nanobots poised to be unleashed on Earth are infected with malware that will ultimately leave the residents of Earth in a worse position than they’re in now. But is it too late?

Ada and Rian arrive on Earth with little time to spare. Together, they have to break into a high-security facility and infect the nanobots with a counter-virus before they’re released in order to give Earth a fighting chance. And if Ada happens to notice some great tech laying around in this high-security facility she shouldn’t have access to and then happens to steal a bunch of it when Rian’s not looking? Well, he knew who she was before he teamed up with her. And if he wants it back, he’s going to have to catch her first.

With countless twists and turns, this enemies-to-lovers slow-burn and high-tension romance plays on a Sherlock and Moriarity character dynamic rooted in science fiction with a heavy romance and mystery angle.

My Review:

Ada Lamarr’s caper-and-heist riddled ‘chaotic orbit’ of the galaxy is on its way back to a corporate controlled, pollution ravaged Sol-Earth when this third entry in the series opens. Ada and her reluctant passenger, government agent Rian White, have finalized their plans to thwart an evil corporate kingpin who planned to hold Earth’s environmental recovery for ransom for the next, well, forever.

Of course, no plan survives contact with the enemy. The second biggest problem with this plan is that the first enemies it has to survive are each other, because Ada and Rian, no matter how much they might be on the same page when it comes to Earth’s potential recovery – are enemies in every other way.

They might both wish that they were enemies-with-benefits, but they are also both smart enough not to get that deeply involved – all puns intended – with someone they can’t trust. Particularly when they know that said enemy ALREADY has plans to betray them at the first available opportunity.

But the real problem, at least from Ada’s perspective, is that the first enemy that her plan has to survive isn’t the uptight government agent she’s been lusting after since they crashed into each other in Full Speed to a Crash Landing.

The first enemy Ada’s plan has to get passed isn’t Rian, it isn’t the government, it isn’t even the squadrons of corporate security drones and goons her target has stationed to protect his ‘investment’.

First, foremost and with way less prep than Ada ever likes to have, Ada has to get her crazy, convoluted scheme past her mother.

Escape Rating B+: A HUGE part of the fun of the Chaotic Orbits series in both Full Speed to a Crash Landing and How to Steal a Galaxy is that the story is told from the inside of Ada Lamarr’s, wheels-within-wheels, lies-hiding-lies and misdirections all around very intelligent and utterly snarky head.

Which means that we’re aware that Ada is pulling some kind of con – but not necessarily the same con – on every single person around her. Including herself. So even though we’re in her very own skull there are still secrets that aren’t revealed until the very end of the caper – if not a bit after – because there are plenty of things in Ada’s mind and heart that she doesn’t want to think about. Possibly ever.

The biggest thing she’s not willing to think about is her sure and certain knowledge that Rian is going to betray her in the end – if he hasn’t already. It’s only fair, because her plan to betray him has been baked into this caper from its opening gambit back in that first book.

The part that she’s not willing to think about is that she wishes the situation were otherwise. He’s Mister Law-and-Order. He can’t live the chaotic, one-step-ahead-of-the-authorities, the ends-justify-the-means-as-long-as-there’s-a-big-payday, next-heist-please life that Ada thrives on.

And those natures are much too baked into both of their psyches for either of them to ever change. So in addition to her many, many thoughts and concerns about her plans for this particular caper, Ada also spends a lot of her internal energy veering away from the heartbreak she tried to avoid but knows, deep in her heart, is coming anyway.

So, on the top level of this story, the takedown of the stupid evil villain/greedy corporate monster, the thing that Ada has been working on from before the beginning of the series, and every single lie and misdirect since – all of that is absolutely righteous. And it’s a win all the way around. Earth has a chance to get better – if we don’t screw it up again.

But the catharsis of that HUGE win is blunted because we’re pretty much all on Team Ada, we’re all shipping Ada and Rian – and their relationship takes a HUGE, messy hit in this story. They’ve both been forced to realize that what they feel for each other, as totally ill-advised as it might be, is also absolutely real. And that they can’t both be themselves AND have each other.

That part of the story ends on a note of possibility, both for Ada and Rian finding each other again and for that finding to be part of another caper/heist of some sort. Whether that means another book in the series, or was just a way to end things with a hint of will they/won’t they/can they/should they is something we’ll hopefully see in the future. Which means that the HEA promised in the blurb is still some ways off – at best.

As for this reader, I want to keep right on shipping Ada and Rian, but I can’t see a way to make it work. I hope the author can, and that we ALL get to see it!

#AudioBookReview: The Sirens by Emilia Hart

#AudioBookReview: The Sirens by Emilia HartThe Sirens by Emilia Hart
Narrator: Barrie Kreinik
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Australian history, fantasy, historical fantasy, historical fiction, magical realism
Pages: 352
Length: 10 hours and 56 minutes
Published by Macmillan Audio, St. Martin's Press on February 13, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A story of sisters separated by hundreds of years but bound together in more ways than they can imagine
2019: Lucy awakens in her ex-lover’s room in the middle of the night with her hands around his throat. Horrified, she flees to her sister’s house on the coast of New South Wales hoping Jess can help explain the vivid dreams that preceded the attack—but her sister is missing. As Lucy waits for her return, she starts to unearth strange rumours about Jess’s town—tales of numerous missing men, spread over decades. A baby abandoned in a sea-swept cave. Whispers of women’s voices on the waves. All the while, her dreams start to feel closer than ever.
1800: Mary and Eliza are torn from their loving home in Ireland and forced onto a convict ship heading for Australia. As the boat takes them farther and farther away from all they know, they begin to notice unexplainable changes in their bodies.
A breathtaking tale of female resilience, The Sirens is an extraordinary novel that captures the sheer power of sisterhood and the indefinable magic of the sea.

My Review:

The Sirens turned out to be a book that I just plain need to get out of my system so I can make like Elsa and “let it go”. And that’s not a good thing.

Normally I do a plot summary/commentary first, but I don’t think I can here because saying anything more than is in the blurb would be a spoiler as nothing is revealed at the start. The whole story is about secrets and their very slow reveal in a family that has so much dysfunction – and such a unique dysfunction at that – that it lasts centuries. If not longer.

It takes place in two distinct timelines two centuries apart, the early 1800s and the early 2000s. The stories are wrapped around a pair of sisters in each timeline, seemingly joined by a rare and common disease. Or a birth defect. Or a genetic anomaly. Or perhaps, all of the above.

They’re not exactly allergic to water, but they all have aquagenic urticaria, which is a real thing that Mary and her sister Eliza certainly wouldn’t have had a name for in the early 1800s, although Jess and her sister Lucy in the early 21st century certainly do. Not that it helps, particularly as their expression of the condition seems unique to the four of them. They don’t get hives, they get scales – and sprout gills.

The story both is, and isn’t, about their shared condition. Rather, it’s about the secrets that are kept from them because of it, and the events that occur as a result of their need or desire to hide it and the traumas that are a consequence of all of the above.

That Jess and Lucy are both dreaming of Mary and Eliza throughout the story, and experience their fate with them within those dreams, links the past and the present in ways that Jess and Lucy don’t expect – but the reader certainly does long before the story comes to its conclusion.

Escape Rating C: I came so very close to DNF’ing this one really early on. The only reason I kept going is that I received an ALC (Advance Listening Copy) through Netgalley and that’s one queue I try to keep relatively clean. I tried reading the thing instead because that would be faster but couldn’t manage that either, so I stayed with the audio and increased the speed – which I seldom do because I’m normally there for the voices.

The narrator in this particular case, Barrie Kreinik, was very good and I’d certainly be willing to listen to another book she narrated. She even sang, and sang well, the parts that needed singing, but the book as a whole drove me so far round the bend that I just needed to get it done.

I honestly expected to like this. And I did like the historical parts – both because the history is fascinating and because, in spite of Mary’s story being ‘told’ through Jess’ and Lucy’s dreams, Mary and Eliza’s story was still mostly ‘shown’ rather than ‘told’. We see the action – and its results, as they happen, and it’s raw and harrowing and immediate even though it takes place two centuries ago. Mary may be filled with angst and fear and regret – and she often is and rightfully so considering what happens to her – but in the moment she acts and doesn’t angst before and regurgitate after.

Which is far from the case when it comes to Lucy’s story. Lucy’s story is not merely told instead of shown nearly all the time, but it’s told in the most distancing way possible. First she angsts over what’s about to happen. Then she angsts over it while it’s happening and we see the event through her emotions about the event rather than the event itself. Afterwards she chews over the event that has already passed and angsts about it even more.

The thing is that the story is told from inside Lucy’s head, but we’re not actually in Lucy’s head. Instead the story is told from a third-person perspective that puts Lucy’s thoughts and emotions at a distance. That so much of Lucy’s story is told either through Lucy listening to podcasts or Lucy reading newspaper articles and Jess’ diary puts even more distance in that distance.

So we’re not close enough to Lucy to FEEL with her, and her pattern of telling most of the parts of the story three times made it difficult for me to feel FOR her as I just wanted her to get on with it. That I figured things out LONG before she did left me waiting for someone or something to hit her with a clue-by-four because she really, really needed one.

Putting it another way, Lucy’s story is distant because it’s filtered and chewed over and gnawed at and angsted about. We get so much of Lucy processing her story, like a cow chewing its cud, that we don’t experience it. And it feels as if neither does she.

In the end, I got left with a whole heaping helping of mixed feelings. The story turned out to be a whole lot of atmosphere, often creepy, a great deal of deserved angst and not a lot of action until very near the end when all the various plot threads come to an ending that should have been a surprise but mostly wasn’t. The historical story about the horrors of the convict transport ships that carried prisoners from Britain to Australia was searing and horrifying every nautical mile. It was a dark journey and a dark time in a dark age.

The concept of Jess’ and Lucy’s part of the story had the potential to tell a story of female resilience and the power of sisterhood, but that part of the story got lost in the slow and repetitious way that it was told. There was so much potential in this story, but too much of it got washed away by the tides.

Of course, your reading mileage – even measured in nautical miles, kilometers or fathoms – may vary.

A+ #BookReview: Direct Descendant by Tanya Huff + Giveaway!

A+ #BookReview: Direct Descendant by Tanya Huff + Giveaway!Direct Descendant by Tanya Huff
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: cozy fantasy, cozy horror, Dark Fantasy, fantasy, fantasy romance, horror
Pages: 336
Published by DAW on April 1, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

This cozy horror novel set in modern-day Toronto includes phenomenal characters, fantastic writing, and a queer romance—the perfect balance of dark and delightful
This stand-alone novel from the bestselling author of the Peacekeeper novels mixes the creepy with the charming for plenty of snarky, queer fun—for fans of T. Kingfisher, Grady Hendrix, and Darcy Coates

Generations ago, the founders of the idyllic town of Lake Argen made a deal with a dark force. In exchange for their service, the town will stay prosperous and successful, and keep outsiders out. And for generations, it’s worked out great. Until a visitor goes missing, and his wealthy family sends a private investigator to find him, and everything abruptly goes sideways.
Now, Cassidy Prewitt, town baker and part-time servant of the dark force (it’s a family business) has to contend with a rising army of darkness, a very frustrated town, and a very cute PI who she might just be falling for…and who might just be falling for her. And if they can survive their own home-grown apocalypse, they might even just find happiness together.
Queer, cozy, and with a touch of eldritch horror mixed in just for fun, this is a charming love story about a small-town baker, a quick-witted PI, and, yes, an ancient evil.

My Review:

Lake Argen is NOT Toronto – in spite of what the blurb says. In fact, that’s kind of the point of the place, that it is DEFINITELY NOT Toronto. Because what happens there, and how it happens, and why it happens, wouldn’t be remotely possible in a big city like Toronto.

So that’s precisely where Lake Argen is – remote from Toronto – or pretty much anywhere else. It’s a five and a half hour drive north of Toronto – not accounting for Toronto or Sudbury traffic along the way. Lake Argen is tiny and remote and near enough to Timmins, Ontario that it’s easy to guess where it would be on any map.

But of course, real maps, and real mapping, and pretty much anything of the outside world tend to ignore Lake Argen. Because that’s exactly the way that the people and the creatures in and around Lake Argen, the lake and the town and the silver mine that keeps them both going, want it to be and make sure it stays.

There’s something there that makes certain that anyone who DOES manage to find Lake Argen forgets the place and anything that happened there the moment they leave. Which is where the story begins, as a pretentious little rich boy has managed to overcome all of the town’s protections to sacrifice himself at one of the town’s sacred spots at dawn on the Summer Solstice. The body – or at least the locals presume it’s a body – has been whisked away by the sacrifice, into The Dark. Which is a real thing and not just a euphemism for disappearing a body. Travis Brayden has been sucked into elsewhere – and only Cassidy Prewitt is as worried about that as everyone should have been about exactly what that might mean.

In the near term it’s going to bring out the Ontario Provincial Police, because pretentious rich dudes have equally pretentious rich families who are going to demand to know what happened to their spoiled scions. The police can be persuaded – read that as magically induced – to believe that the idiot got eaten by a bear.

It happens. It really does. Maybe not quite as often as people think it does, but it does. It’s plausible enough to close the case file for the cops. It’s even happened before near Lake Argen, so it works all the better for being an established possibility.

But families down in Toronto can’t be charmed the way that the OPP visiting Lake Argen can. Brayden’s grandmother wants answers. So she hires, not a PI as the blurb says, but a currently unemployed teacher who needs the money badly enough to not question the dubious job she’s been given.

To go to Lake Argen, poke around for a week, and come back with what she’s learned so she can give the poor, dear, boy’s old granny some closure.

And if you believe that I have a Bigfoot to sell you. Not literally, not even in Lake Argen. But there’s certainly something behind the town’s fascinating history, near-complete isolation and surprising prosperity. Something that the town is determined to keep from any potential incomers until they’ve earned the town’s trust.

Which Melanie Solvich really shouldn’t, but somehow does anyway in spite of the shadiness of her mission. Or at least the trust of Cassidy Prewitt, to her confusion, delight and heartbreak.

Which is when the town of Lake Argen reveals its true colors, and things get really, really interesting – and very, very dark indeed.

Escape Rating A+: Direct Descendant was everything I hoped for from this author, which is what got me here in the first place.

It didn’t matter that this is being marketed as horror. I didn’t even notice when I picked it up. All I cared about was the author. I’ve loved so many of the stories she’s written, including but absolutely not limited to the Vicki Nelson/Blood Price/Tony Foster series and especially the Confederation/Valor/Peacekeeper  series.

I was expecting this to be more Blood Price, at least in the sense that I was expecting urban fantasy – and that’s actually close to what I got. (Confederation/Valor/Peacekeeper is SF and the cover of this book was enough to tell me we weren’t going to go there. Not that I’d mind, you understand, not at all, if the author did go back there because that series was AWESOME.)

Direct Descendant turned out to be awesome as well, just not in the same way. Which is even better.

This is one of those stories that is best described through the book blender – and it’s going to take a big blender to fit everything in order for this to be what comes out. The blurb is right about T. Kingfisher, Grady Hendrix, and Darcy Coates being part of the mix, but I’d personally also throw in Jennifer Thorne’s Lute, Alix E. Harrow’s Starling House, Anne Bishop’s World of the Others – because The Dark is certainly Other with a capital O – along with Hazel Beck’s Witchlore and even a touch of Annelise Ryan’s Monster Hunter Mysteries. (If you’re looking for readalikes, those are ALL hints.)

The story sits right at the crossroads where horror and dark fantasy meet and nod warily at each other, while urban fantasy leans against a fencepost and gives both of them a bit of side-eye.

How horrifying the horror is depends on how one sees The Dark – and yes, that’s capitalized. The Dark is certainly not good, but it’s not really EVIL, either. It’s OTHER, and its motivations and morals are its own based on its own world which is not ours.

That doesn’t mean that humans haven’t and won’t do TERRIBLE and EVIL things to bargain with it, serve it, or attempt to conquer it. The history of Lake Argen as well as its current, totally anomalous, health and prosperity, are all direct results of a group of humans doing something really evil to get The Dark’s attention. An attention that their descendants still benefit from.

A more benign method of getting The Dark’s attention might have worked equally as well, but that’s not the kind of people the Founders were, so that’s not what they tried. And not that they, personally, didn’t get exactly what their methods deserved while their descendants reap the benefits.

What tips the scale, at least for this reader, over into urban fantasy or even, believe it or not, cozy fantasy, is the way that everyone in town is determined to do their duty, serve the town and make a real and really supportive community. It’s a truly lovely place – if you can stand the weather and the isolation and the generally creepy vibe. But most of the time, the weather is the town’s biggest problem by a considerable margin.

The romance between Cassidy and Melanie, while it is inevitable, is also utterly adorable. And it’s the perfect vehicle for explaining just how things work in Lake Argen AND finally getting to the bottom of what’s threatening the town. That the eldritch horror who brings the warning is also the cutest little thing ever described in the pages of a “horror” story puts an exclamation point on just how cozy this horror/fantasy really is – especially when it’s his nagging that finally saves the day. Or night. Or just Lake Argen’s symbiotic relationship with The Dark.

~~~~~~ GIVEAWAY ~~~~~~

As you can see from the above review, I LOVED Direct Descendant – and it’s far, far, far from the first time that I have fallen hard for this author’s work. Which makes the works of Tanya Huff a perfect candidate for one of this year’s Blogo-Birthday Celebration Week giveaways.

Therefore, on this the FOURTH day of this year’s celebration, today’s giveaway is the winner’s choice of ANY book by Tanya Huff in any format, up to $30 (US) which should be enough to get Direct Descendant if you’re looking for either a terrific introduction OR you’re a fan like me and you’ve already got everything else!

Good luck with today’s giveaway and remember that there’s more to come!

a Rafflecopter giveaway

 

Grade A #AudioBookReview: The Railway Conspiracy by John Shen Yen Nee and SJ Rozan

Grade A #AudioBookReview: The Railway Conspiracy by John Shen Yen Nee and SJ RozanThe Railway Conspiracy (Dee & Lao, #2) by John Shen Yen Nee, S.J. Rozan
Narrator: Daniel York Loh
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Dee & Lao #2
Pages: 304
Length: 8 hours and 25 minutes
Published by Recorded Books, Soho Crime on April 1, 2025
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Judge Dee and Lao She must use all their powers of deduction—and kung fu skills—to take down a sinister conspiracy between Imperial Russia, Japan, and China in a rollicking new mystery set in 1920s London.
The follow-up to The Murder of Mr. Ma, this historical adventure-mystery is perfect for fans of Laurie R. King and the Guy Ritchie Sherlock Holmes films.
London, 1924. Following several months abroad, Judge Dee Ren Jie has returned to the city to foil a transaction between a Russian diplomat and a Japanese mercenary. Aided by Lao She—the Watson to his Holmes—along with several other colorful characters, Dee stops the illicit sale of an extremely valuable “dragon-taming” mace.
The mace’s owner is a Chinese businesswoman who thanks Dee for its retrieval by throwing a lavish dinner party. In attendance is British banking official A. G. Stephen, who argues with the group about the tenuous state of Chinese nationalism—and is poisoned two days later. Dee knows this cannot be a coincidence, and suspects Stephen won’t be the only victim. Sure enough, a young Chinese communist of Lao’s acquaintance is killed not long after—and a note with a strange symbol is found by his body.
What could connect these murders? Could it be related to rumors of a conspiracy regarding the Chinese Eastern Railway? It is once again all on the unlikely crime-solving duo of Dee and Lao to solve the case before anyone else ends up tied to the rails.

My Review:

I was completely enthralled by the first book in the Dee & Lao series, The Murder of Mr. Ma, and have been hoping for a second since the minute I turned the very last page of that first. So I was more than pleased to see this second book appear – even if finishing it has returned me to my earlier state, now hoping for a third book to be published.

Because this second adventure was every bit as marvelous as the first – and in some ways better as we already know these characters but now have the opportunity to plumb their hidden – and sometimes not so hidden – depths.

This second of Dee and Lao’s adventures is set in 1924 London. Both characters are based on real historical figures. Lao’s background and current profession were historically as the series portrays him. From 1924 until 1929, he was a lecturer at the University of London on the subjects of Chinese language and literature. Whether his students were as frustrating, and whether Lao himself was as utterly bored out of his mind as he is portrayed in the story, is not certain, but they certainly leave the fictional Lao ripe to be carried along in Dee’s adventures.

Spring Heeled Jack as depicted in the English penny dreadful Spring-Heeled Jack #2, Aldine Publishing, 1904.

Dee Ren Jie is as much myth as he is historical, but the historical Dee was a magistrate in late 7th century China. How much the historical Dee resembles this fictional interpretation is unknown, but I think it’s safe to say that the original Dee never masqueraded as the English folk hero/demon Spring-heeled Jack – as Lao’s friend Dee often does.

The story combines these bits of history with a compelling, confounding mystery, as all the best historical mysteries do.

Dee has returned to London after a year’s absence as an agent of the then-current Nationalist government in China. But that government is shaky at best. There are movements within China, including but not limited to the Communist Party, to bring the Nationalist government down. And there are forces outside China, great and would-be great powers far from limited to Britain, Russia, Japan and the United States, observing and even influencing events hoping that to destabilize the Nationalist regime so that they can pick up the pieces.

Which is where Dee and Lao and their associates, the redoubtable Sergeant Hoong and young English pickpocket Jimmy Fingers come into this tale, which begins with the return of a precious stolen artifact, middles in a great deal of romantic misdirection practiced successfully upon the supposedly impervious Dee, and concludes with an explosive confrontation on the London Necropolis Railway. (The Necropolis Railway is another bit of history that seems like it must be fiction, but it did really exist!)

When the dust settles, and there’s LOTS of it to settle, the immediate crisis – at least the London branch of it – is over. Dee is left realizing that he’s been a fool. And that while this crisis has been ameliorated it has absolutely not been averted – but that the fight will take him to other shores in other guises. In addition to making a fool out of him, the conspiracy has also made him their scapegoat, and London has become much too hot for him – at least as long as he continues to present himself as, well, himself.

So poor Lao is stuck returning to the boredom of his academic existence, while the country he left behind and plans to return to, is in jeopardy from all sides – including the one that he himself espouses.

It all sounds ripe for another book, doesn’t it? I certainly hope so!

Escape Rating A: I loved this even more than I did the first book, The Murder of Mr. Ma, which means that I need to give another shoutout to First Clue Reviews for their featured review of that first book.

One of the reasons I liked this better leads around and back to the other reason I got into this series. Many of the reviews of Dee & Lao liken them to Sherlock Holmes, especially the more active Guy Ritchie movie interpretations. While I think that is debatable, one way in which Dee & Lao are certainly like Holmes and Watson (and also Barker & Llewelyn) is that Lao serves as Dee’s chronicler as Watson does Holmes, with the same amount of reluctance to participate in the process on the parts of both Dee and Holmes.

Which means that this story is told in Lao’s first person voice. This is his interpretation – with the occasional use of a bit of literary license – of the events. In that regard, the narrator Daniel York Loh does a terrific job of interpreting Lao’s voice, to the point that when I ended up reading the last part of the book because I needed to find out who the true leader of the conspiracy is and how all the issues and conundrums got resolved – I was still hearing Loh’s voice in my head speaking as Lao.

I couldn’t put this one down because of how effectively it combined the pure whodunnit of the theft and murder conspiracy in London with the depth of historical setting and situation that lay behind it and the increasing knowledge of and bond between the characters, this most unlikely band of ‘scoobies’ that includes a government official, a merchant, a scholar, a pickpocket and has increased by the addition of a knife thrower and a dog. Dee pretends they are a circus act and he’s not far wrong in some aspects, but if it is it’s a circus that manifests a well of competence and an ability to improvise on the spot and roll with the punches.

And not just the punches they are administering themselves.

This reader, at least, is already anticipating Dee and Lao’s next adventure. It’s sure to be another fantastic read. After all, thanks to the conspiracy it’s going to have to start with Dee coming back from the dead!

A+ #BookReview: Twice as Dead by Harry Turtledove

A+ #BookReview: Twice as Dead by Harry TurtledoveTwice as Dead (City of Shadows #1) by Harry Turtledove
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: alternate history, fantasy, paranormal, urban fantasy
Series: City of Shadows #1
Pages: 341
Published by Caezik SF & Fantasy on March 18, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Rudolf Sebestyen is missing, and Marianne Smalls is involved in an illicit affair with the shady Jonas Schmitt. Both cases converge when Dora Urban, Rudolf’s beautiful and mysterious half-sister, and Lamont Smalls, Marianne’s suspicious husband, hire Jack Mitchell, a hard-drinking, chain-smoking private investigator. Dora wants Jack to uncover what happened to her brother, while Lamont seeks proof of his wife’s infidelity.
But Dora is a vampire, in a city teeming with creatures of the night.
As Jack dives deeper, he discovers that both cases are linked to vepratoga—a dangerous new drug spreading through Los Angeles. Twice as Dead is brimming with vampires, wizards, zombies and zombie dealers, the Central Avenue jazz scene, an exclusive after-hours club, adultery, a New England ghost who prefers Southern California’s warmer clime, corrupt cops and politicians, spying rats, and a smart-mouthed talking cat.
When Jack’s home is burned to the ground, the strands of his investigations culminate in a showdown at a tire factory, where even the reliefs on the walls are not what they seem. In this unique noirish urban fantasy set in postwar Los Angeles, Jack finds more adventure, danger, and romance than he ever imagined—and learns that success may come at too high a price.

My Review:

The story begins the way all the best hard-boiled, noir stories begin, with a private detective in his down-at-heel and behind-on-rent office in the less salubrious part of town waiting for either the phone to ring, for someone to knock at the door, or for his willpower to resist the bottle in his desk drawer to run dry. Only one of those three is ever a frequent occurrence.

The knock on the door is followed by the entrance of a mysterious woman with a sob story, a need for his professional services and a whole lot of secrets she’s not planning to share unless she has to. He knows she’s likely to be more trouble than she’s worth – in more ways than one – but he can’t resist her siren song OR the temptation of the mystery she represents.

The ‘real’ Angels Flight, Los Angeles, CA 1955

It’s an opening straight out of Philip Marlowe (The Big Sleep)  or Easy Rawlins (Devil in a Blue Dress), but this isn’t exactly our Los Angeles. Welcome to the City of Shadows, where the government is corrupt, the police are on the take, zombies clean the streets, vampires have their own neighborhood in the midst of the city districts filled with other so-called marginal populations and there’s a new drug on the streets that can even get the undead higher than the literal Angel’s Flight over Bunker Hill.

A real angel, an angel who has been ferrying passengers up that hill on his own wings since LONG before the Spanish missionaries were brought to meet him.

Private investigator Jack Mitchell might finally become solvent if the three cases that arrive at his door all get solved and all pay their bills – as rare as that combination has been in Jack’s experience. Lamont Small’s wife is having an affair. Clarice Jethroe’s husband is missing. So is Dora Urban’s half-brother.

Initially, the only thing the three cases have in common is that law enforcement isn’t going to help and any other PI is going to show these potential clients the door without listening to them. Lamont Smalls and Clarice Jethroe – and their respective spouses – are black. Dora Urban is a vampire, and so is her half brother.

Jack Mitchell, mixed-race enough to ‘pass’ in either direction, and all too aware of who ‘sees’ him, who doesn’t and what it means to walk that narrow line, is their only hope.

If one of the three cases doesn’t get him killed before, or after, they intersect. Unless Dora bleeds him dry first.

Escape Rating A+: I wasn’t expecting this at all. I wasn’t expecting Twice as Dead to be SO DAMN GOOD. I really wasn’t expecting a story that reads like the very best ‘Old Skool’ urban fantasy with a protagonist who could have hung out with Philip Marlowe, Easy Rawlins or Dan Shamble (Death Warmed Over) with ease even though Mitchell would be wondering the whole time whether Marlowe and Rawlins would see him for who he was (Rawlins almost certainly yes, Marlowe maybe not) while zombie PI Shamble would have creeped Mitchell out down to the bone.

I expected to like this. I like urban fantasy very much, and you just don’t see a lot of it these days, especially urban fantasy that doesn’t fall over the line into paranormal romance. Which this doesn’t, if only because Dora Urban doesn’t believe that vampires are capable of the feeling.

In fact, the one and only complaint I have with this book is the cover. It’s really cheesy, and Dora Urban wouldn’t be caught dead – pardon me, as a vampire she would say finished – in that get up. She’s way classier than that. And this book deserves something better.

What I didn’t expect was to fall in love with this story from beginning to end, setting, characters, mystery, alternate history, and absolutely ALL, even more than Mitchell thinks he’s fallen for Dora.

Then again, he’s quite possibly going to discover that he’s been a complete fool in a later book in this series – while I’m certainly NOT. This was GOOD. Downright EXCELLENT. If the subsequent books live up to this series opener I’m going to be one very happy reader.

(In case you can’t tell, I’m having a difficult time getting to the meat of this thing because I had such a good time with it. Everything keeps turning to ‘SQUEE!’)

I’m not sure whether what first dragged me so deeply into this story was the characters or the setting. Actually I do know the first thing. Mitchell talks to his cat, Old Man Mose – and Mose talks back. I got teased by the question of whether Mose was really talking or whether Mitchell was putting words in his mouth – as people who are owned by cats often do.

Because that question led immediately to two others – just how magical is this alternate post-WW2 Los Angeles, followed by the question about how big those alternatives are and in exactly what ways.

And then there’s Mitchell himself, who is so very much in the Sam Spade/Philip Marlowe/Easy Rawlins hard-boiled detective mode, but with the nod to Marlowe and Rawlins because they both operated in our LA during the same time period that Mitchell does in his.

The cases Mitchell is confronted with combine the classics – a missing husband, a cheating wife, a missing brother who was clearly mixed up in something illegal and might have deserved whatever happened to him – which his sister doesn’t want to reveal because she knows damn well that he probably had it coming.

Then it spirals out into the differences. Two of his clients are black, and both his clients and himself acknowledge that the color of their skin means that they can only get help from one of their own, and that reaching out to the cops will only bring more trouble. While vampire Dora knows the cops don’t want to deal with her kind any more than she wants to deal with theirs – and that whatever her brother was in up to his neck was both ill-advised and illegal. Of course, trouble finds all of them anyway or this story wouldn’t exist.

Downtown Los Angeles ca 1950

What captivated me was the careful way in which this both was and was not Los Angeles as our own history knew it. At first, the reader believes they can place this story in time as well as location. It’s five years after the war in which Mitchell served. And that war was analogous to World War II, but it wasn’t exactly the same and is never called that, and neither were the opposing forces ever referred to as Nazis, but rather a name that translates to swastika. And they had sorcerers on their side. But then, so did the Allies.

There are other references that let the reader feel comfortable that this is post-World War II, but jazz musicians ‘Bird’ and ‘Lady Day’ are never referred to by their full names as we know them. So they might be, they might not exactly be, and we might or might not be further down the other leg of the trousers of time than we thought.

(I expected this part of the story to be marvelous because alternate history is what this author is award-winningly famous for. I just wasn’t expecting to see this depth of craft in a story that many will assume is ‘light’ entertainment. And I should have. If you are interested in alternate history and haven’t read Harry Turtledove, go forth and begin immediately because he’s awesome at it whether you agree with the choices he makes or not.)

I just settled in for the marvelous ride as Mitchell starts out with those seemingly common cases that in the best hard-boiled mystery fashion slowly congealed into a single case. An investigation that zigzagged from robbery to illicit drugs to dangerous magical experiments and landed in the machinations of an evil corporation secretly controlled by ancient gods who resorted to the most arcane method possible to silence any inconvenient enemies.

Considering how much trouble Mitchell is making for them, it’s a fate that he fears for himself and all his friends and associates – including the cat! – unless he can put together the right crew to fight back, not with knives and bullets – but on the magical plane.

Twice as Dead is the first book in the City of Shadows series, so clearly someone gets out of this story alive. Or at least, not dead. Or in the same state they went into it, if not a bit better. But the ending is just as clearly the start of something that goes with no good deed being unpunished, and this reader absolutely cannot wait to find out what that punishment is going to be.

A- #BookReview: An Excellent Thing in a Woman by Allison Montclair

A- #BookReview: An Excellent Thing in a Woman by Allison MontclairAn Excellent Thing in a Woman (A Sparks and Bainbridge Mystery, #7) by Allison Montclair
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery
Series: Sparks & Bainbridge #7
Pages: 224
Published by Severn House on February 4, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The owners of The Right Sort Marriage Bureau are back, and more determined than ever to bring love matches to the residents of Post-WWII London . . . so something as trivial as a murder investigation isn't going to stop them!
London, 1947. Spirited Miss Iris Sparks and ever-practical Mrs Gwendolyn Bainbridge are called to action when Gwen's beau Salvatore 'Sally' Danielli is accused of murder!
Sally has taken a job at the BBC studios at Alexandra Palace, but when the beautiful Miss JeanneMarie Duplessis - one of the Parisian performers over for a new variety show - is found dead in the old theatre, a number of inconvenient coincidences make him Suspect
Just days earlier, Miss Duplessis had arrived at The Right Sort, desperately looking for a husband - any husband - to avoid having to return to Paris. As the plot thickens, Iris is pulled back into the clandestine circles she moved in during the war and it soon becomes apparent that to clear Sally's name, she and Gwen would need to go on the hunt for a killer once more!
Those who enjoy reading Kerry Greenwood's Phryne Fisher mysteries and Dorothy Sayers will adore this warm and witty historical mystery!

My Review:

The Right Sort Marriage Bureau began by making one long-lasting partnership – and solving a murder into the bargain – in their very first outing, The Right Sort of Man.

The business partnership and ride-or-die sisterhood of Iris Sparks and Gwen Bainbridge has held true through thick and thin, murder and mayhem, for six books so far, with this seventh proving that these two women are in it for each other – no matter what life throws in their way. Separately AND together.

Because they’ve always been separated by one BIG secret – not that they haven’t chipped at that secret’s edges over the course of their partnership.

During the war whose aftermath still scars London and the English countryside, Iris Sparks signed the Official Secrets Act, vowing to keep her clandestine work on behalf of the British government just that, a secret. Gwen has always known that Iris did a LOT of things she can’t talk about – if only because people from Iris’ life during those shadowy years keep showing up in her present.

This particular case, two years after the end of the war, is riddled with bullets and memories from those dark days – even as it portrays a world making bold strides towards the future.

The lights, cameras and action of the brave new world of television are about to bring British talent and culture – and slapstick – into the living rooms of thousands around the country – and eventually the world. But among the shadowy sets and hidden props a traitor has hidden in plain sight – one who plans to pin an entire new set of crimes and coverups on someone in the wrong place and the wrong time.

But he’s made one BIG mistake. He’s tried to fit a frame around someone that both Iris and Gwen hold dear – and neither of them can let that stand.

Escape Rating A-: Archie Spelling is dead, to begin with. The ending of the previous book, Murder at the White Palace, left the fate of Iris Sparks’ lover hanging by a thread. In the brief period between the end of that book and the beginning of this one, that thread was cut. Now Iris is the partner adrift at the Right Sort, while Gwen Bainbridge, finally free of the Lunacy Court and the oppressive conservatorship of her late husband’s wealthy family, has begun a new independent life in a new house with her young son AND has begun a romantic relationship of her own.

Gwen’s world is finally looking up, while Iris’ is mostly staring blearily at the bottom of a bottle, as the manner of Archie’s death, devastating enough in its own right, brought back to Iris entirely too many unresolved issues from her secret spy work during the war.

So Gwen is rising, Iris is falling, and their new case represents the changes coming even as it all goes very, very pear-shaped.

Television transmitter ‘mast’ at the Ally Pally ca 1935

Sparks & Bainbridge are investigating the murder of one of their clients – as they did in their first story – but this case in all of its fake tinsel and real tinsel, takes place at “Ally Pally”, the Alexandra Palace, home and headquarters of BBC television. A performer is dead, a stage manager is suspect, and Iris and Gwen are caught in the middle and tied up in knots by the Official Secrets Act that Iris signed long ago.

Because the dead woman, the accused stage manager, the likely murderer and pretty much every single person Iris runs into along the way of the investigation – all signed the Act and can’t talk about how they know each other, what they did together and separately, and why this murder has nothing to do with BBC TV now and everything to do with secret radio broadcasts from hidden bunkers in the midst of some very dark nights then.

If they don’t tell the truth, the wrong man will be hanged for the murder. If they do tell the truth, they’ll all hang for telling the tale.

Iris can’t save herself, but Gwen can save them all. By becoming part of the world of danger and derring-do that she’s been nibbling at the edges of since the day she met Iris Sparks. It looks like Sparks & Bainbridge are going to be up to their necks in the Cold War in future books in this series – and I can’t wait to read them!

#BookReview: Idolfire by Grace Curtis

#BookReview: Idolfire by Grace CurtisIdolfire by Grace Curtis
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: epic fantasy, fantasy, fantasy romance, historical fantasy
Pages: 480
Published by DAW on March 11, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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An epic sapphic fantasy roadtrip inspired by the fall of Rome, from the Sunday Times bestselling author of Frontier and Floating Hotel
On one side of the world, Aleya Ana-Ulai is desperate for a chance. Her family have written her off as a mistake, but she's determined to prove every last one of them wrong.
On the other, Kirby of Wall's End is searching for redemption. An ancient curse tore her life apart, but to fix it, she'll have to leave everything behind.
Fate sets them both on the path to Nivela, a city once poised to conquer the world with the power of a thousand stolen gods. Now the gates are closed and the old magic slumbers. Dead — or waiting for a spark to light it anew…
A character-driven science-fantasy road trip book with sword fights and a slowburn romance, Idolfire delves into the vastness of history and the terrifying power of organized faith.

My Review:

In the world left behind centuries after the fall of a world-spanning empire, history has fallen into myth and legend on its far-flung fringes. Kirby of Wall’s End and Aleya Ana-Ulai might as well be from entirely separate worlds – because they are.

When the Empire of Nivela fell, or died, or imploded, or all of the above, the places that either resisted them or were conquered by them – or both – were left to struggle on without all the things and people the Empire stole at the height of their reach.

Including, in the case of Wall’s End, their god. And in the case of the Kingdom of Ash, one of their most important relics. Wall’s End NEEDS their god back, because their land is dying without the renewing power of Iona, the Goddess of Spring. And the people are dying with it, withering generation after generation.

Ash just wants their relic back, as they believe that no one should have the power of Idolfire, the power to consume the accumulated worship vested in a deity, except for their own royal house.

Then again, Wall’s End is the last remnant of a kingdom that Nivela thoroughly conquered, while Ash successfully resisted the might of the Nivelan Empire until that Empire fell. Of its own weight – or its own ‘Worldlord’s’ hubris.

Or both.

The story of Idolfire is a quest. It’s two quests. Kirby sets out for the ruins of fabled Nivela to get her village’s god back. Not because she’s a hero – but because she feels guilty that what was left of the god listened when she cursed her brother and not only killed him but blocked the water for the entire village.

Aleya, the reviled, disregarded, bastard princess of Ash, is sent by her Aunt the Queen on an actual, sanctioned quest to the ruins of Nivela to retrieve the other half of their sacred relic. Aleya knows she’s not expected to succeed, that she’s expected to either give up or die trying. But if she does succeed, she’ll be able to follow her Aunt as Queen, and make the reforms needed to save her city from dying from the weight of its own corruption and hubris – much like Nivela did.

The story is their journey, separately and together, over the whole of what was once the great Nivelan Empire. Along the way, they face death and danger and corruption and old gods and new kingdoms and desperate people and deranged leaders. They turn an enemy into a fast friend.

They find redemption for the sins they left behind. And they fall in love, even as they know that, as much as failure will doom them, success can only be bittersweet.

Escape Rating B: If you’re expecting something like the author’s previous work, Floating Hotel, you might want to check out some reviews (obv. Including this one) before continuing. Because Idolfire is not at all like Floating Hotel, and not just because that was SF and this is definitely fantasy.

Because I really did enjoy Idolfire, I’m trying to set expectations a bit better than either a quick reference to Floating Hotel or the bolded opening line of the book’s blurb. OTOH, that description, “Idolfire is an epic sapphic fantasy inspired by the fall of Rome from the author of the Frontier and Floating Hotel.” is 100 percent true.

But the emphasis isn’t quite in the same places in the blurb as they are in the book – leading back around to potentially disappointed expectations.

The emphasis in the story is on the epic fantasy parts of the description. It’s a quest story. Actually, it’s two quest stories combined with two heroines’ journeys that begin at literally opposite ends of the world as they know it. Those two heroines do eventually meet and there is a slowburn sapphic romance but the romance isn’t the driving force in the story.

Their separate quests drive the story, quests that begin as far apart as possible – as Kirby and Aleya themselves do – but have the same center point in more ways than one.

Which is where that reference to the fall of Rome comes in. The fall, the reasons for that fall, and what the world looks like at the fringes of what was once the empire so long after that fall that history has fallen into myth and legend.

The historical underpinnings of this story may remind readers of the way that Guy Gavriel Kay works history into fantasy. Because yes, Nivela is Rome – more or less – but it is also biblical Nineveh. Ash is Assyria and Wall’s End is post-Roman-occupation Britain. But their enemy-turned-companion Nylo is from someplace like the ancient Greek city-states, and these places did not all exist at the same time.

The romance between Kirby and Aleya is VERY slow burn. They do come to love each other, but it takes them a lot of time – and miles, definitely miles! – to get there. They are both aware that the BEST ending they can possibly get is that they each return to their opposite ends of the world. It’s realistic but it’s ultimately sad. The reader wants them to have an HEA and they both want it and KNOW they can’t have it.

As much as I loved their journey and enjoyed their long and winding tour of this quasi-ancient, slightly magical, somewhat historical world, theirs is not the only perspective on their quests. Someone is moving events behind the scenes, looking on from above – or underneath – or both, watching as history unfolds. And it has shades of the secret at the heart of the city of Kithamar in Daniel Abraham’s Age of Ash series. It’s something I’m not sure worked in either epic, but it’s left me thinking I’ll go back to Age of Ash and see.

Nevertheless, that extra perspective is one that kinda works and kinda doesn’t and your reading mileage may definitely vary. My enjoyment of and fascination with Aleya’s and Kirby’s world, their epic journey through it and their relationship within it was MORE than enough to carry me through this fascinating tale.

#BookReview: Stone Certainty by Simon R. Green

#BookReview: Stone Certainty by Simon R. GreenStone Certainty (A Holy Terrors mystery, 2) by Simon R. Green
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Series: Holy Terrors #2
Pages: 192
Published by Severn House on February 4, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads


Dare you enter the stone circle . . .? The world's most unlikely ghost-busting duo - actress Diana and handsome young bishop Alistair - are back in this spine-tingling paranormal mystery from
New York Times bestselling British fantasy author
There are stories about the dilapidated stone circle at Chipping Amesbury, going back centuries. Of people going missing, never to be seen again. Of people found dead inside the circle. Of monsters, and of demons. The villagers may tell the tales with relish to visiting tourists, but a careful observer will notice that there is no transport to the stones, no tours on offer, and the locals stay well away.
Alistair Kincaid, the youngest ever bishop of All Souls Hollow, is an expert in Britain's ancient stone circles. That's why, when landowner Sir Neville Chumley announces his plans to restore the circle to its ancient glory, he agrees to take part in a documentary about the project.
Well - that, plus talented actress Diana Hunt is on board. Ever since their last encounter, when the pair of them hunted ghosts and solved a murder, the tabloids have dubbed them the Holy Terrors, and Alistair can't wait to see her again.
But soon after filming begins, Alistair and Diana are plunged into a terrifying mystery. For the repositioning of the final stone unleashes a series of blood-chilling events that threaten to make them both believe in demons - if, that is, they make it out of the stone circle alive.
The Holy Terrors novels are funny, scary and thoroughly entertaining - perfect for fans of Simon R. Green's urban fantasy novels, as well as those who enjoy American Horror Story, The Haunting of Hill House, horror novels, and murder mysteries with a supernatural twist.

My Review:

As the Bishop said to the Actress, this time was better than the last time. Or perhaps he should have said. Or I’d have said to him (as the reader and not the actress) because this second outing in the Holy Terrors Mystery series was better than the first entry, The Holy Terrors.

It helped more than a bit that we are at least already acquainted with that Bishop and that Actress, Alistair Kincaid and Diana Hunt, after their first meeting and first adventure.

What REALLY helped was that even though a whole bunch of the mystery was obviously a put up job from the off – even if we don’t know exactly how it was put up, or why – the setting was inherently a whole lot creepier than the supposedly “most haunted hall in England” in that first go around.

Stonehenge at Sunset

Stone circles are a haunting feature of the British Isles – and there are considerably more of them than people tend to think there are. Over 1,300 are scattered over England, Scotland, Ireland, Northern Ireland, Wales, Brittany and the Channel Islands. Stonehenge may be the largest, and certainly the best known, but it’s far, far, far from the only one.

And no, with all our science, we still don’t know for certain what they were built for. But they are fascinating, and creepy, and fascinatingly creepy all at the same time. Whatever the reason for them, the ‘monumental’ amount of effort required to build them at the time when they were built represented a HUGE drain on the society of the time. Their builders certainly thought they were important based on the amount of time and effort that was needed to build them.

Myths and legends are attached to all of them – and not just the stories of time travel between the stones that the Outlander books popularized. In the present, they also generate a lot of tourist income wherever they are located.

All of which makes the idea of this second book in the Holy Terrors series more plausible and a bit less of a joke than the first story. Which made the whole enterprise just a bit easier to get into and go along with for the ride.

That the tiny, off-the-beaten path town of Chipping Amesbury, with its even more out of the way stone circle, would like to revive the tourist industry that used to sustain them before the town becomes as derelict as the stone circle makes a whole lot of sense. That the new local squire actually has enough money to put a big push behind that desire is a bit less common but at least is plausible.

That some locals think he’s disturbing things that shouldn’t be disturbed makes a nice foil for his attempt at restoration, and provides just the right note of tension to this story about a made-to-order documentary about this particular stone circle and how much it can improve the local economy – which seemingly EVERYONE should want.

That the documentary production includes the local TV news personalities, to give it some gravitas, and the ‘Holy Terrors’ duo who caught the popular imagination back in their first adventure to give the project a bit of pizzazz seems like exactly the kind of thing that a publicity hunting squire would do to drum up the desired interest.

Which is, of course, when the entire thing goes utterly pear-shaped, and the crew is stranded in that remote stone circle, surrounded by dense fog, as the bodies start dropping. Out of the circle and seemingly into thin air – or perhaps, to some Other Place.

Escape Rating B: I liked this better than the first book, because I went into it more willing to suspend my disbelief this second time around. I’m already convinced that there is nothing real about so-called ‘Reality TV’, but I’ve been to more than one stone circle and they do have a bit of a weird vibe even if it’s only in the sense of “what they hell made these people go to all this trouble.” I’ve been to Stonehenge a bunch of times and it’s been gloomy and lowering and weird every time.

So I went into this one, well, not thinking that anything supernatural or extraterrestrial was going to come out of the stones, but that both the locals and the crew would be a bit creeped out and that everyone on all sides would have some ‘feelings’ about it all because the places do engender those feelings for real.

I was expecting a human agency behind it all – because that’s the way that all of this author’s recent paranormal-ish, supernatural-ish series (I’m looking at you Ishmael Jones) mostly work.

But I did expect to have a bit more fun along the way that I did last time because the premise had a bit more meat to it. And it did and I did. But I’m left wondering just how long the author plans to ride this one-trick pony, because there’s no real meat on those bones.

Although I certainly want the Bishop and the Actress to resolve their “will-they? / won’t they?” relationship before the ride is over!

#BookReview: The Desert Talon by Karin Lowachee

#BookReview: The Desert Talon by Karin LowacheeThe Desert Talon (The Crowns of Ishia, #2) by Karin Lowachee
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: dragons, epic fantasy, fantasy
Series: Crowns of Ishia #2
Pages: 124
Published by Solaris on February 11, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The exciting sequel to the gunslinging, dragon-riding world of The Mountain Crown
Sephihalé ele Janan sits in a prison cell in the southern island of Mazemoor, dreaming of escape. After months in a provisional prison for fighting for the imperial Kattakans, Janan is sponsored by another refugee who was once a part of his scattered family. Yearning to build a life on his sister’s land with the dragons their people revere, the peace Janan seeks is threatened by a ruthless dragon baron who covets both Janan’s connection to the earth and the battle dragon to which he is covenanted.
The conflict may drive Janan to acts of violence he hoped to leave behind in the war, and bring more death to the land Janan now calls home.
THE DESERT TALON is a story of two groups of people who, despite a common ancestry, have diverged so far in their beliefs that there appears to be little mutual ground—and the conflict may well start to unravel the burgeoning hopes of a country, and a man, still recovering from the ravages of war.

My Review:

I picked this up because I enjoyed the first book in the Crowns of Ishia novella trilogy, The Mountain Crown. Which is not, at all, about the sort of crown that one wears on one’s head. In this case, ‘crown’ is the collective noun for a group of suon, who are what we would call dragons.

What the enemies of the land where the suon thrive call them as well. Because dragons are animals, but suon are people – for large and winged and deadly definitions of ‘people’. And the Ba’Suon, the people who live in harmony with the dragons, fully acknowledge that fact.

Their enemies, conquerors and exploiters do not. Because it doesn’t suit their narrative of events. And conquest. And exploitation.

In the first novella in this trilogy, Meka received diplomatic immunity to come to the heart of their enemy to ‘gather’, meaning bond with, one and only one suon. Of course, their enemies have other plans, which enmesh Meka with others of her people, Raka and Lilley and by extension Janan, all currently imprisoned or enslaved along with Janan’s suon Tourmaline. But Janan is imprisoned elsewhere and Raka seems destined for the ‘dark side’.

This second book takes place partly simultaneously and partly in the wake of the events at the end of The Mountain Crown. This is Janan’s half of the story, imprisoned in a neighboring country because he deserted. He does not know the fate of his partner and lover, Lilley, all he knows is that he left Lilley in grave danger.

That first story was more than a bit of a tease, in that it clearly started in the midst of the long-running feud/war/conquest between the Ba’Suon lands and their enemies. I left that first book wanting more and now I have it. And I still want more, because this middle story asks as many questions as it answers.

But I was absolutely glad to continue down this path with Janan and his suon Tourmaline, in spite of the danger, heartbreak and tragedy he faces along the way.

Escape Rating B: That first book was very much an ‘in medias res’ story in that it started in the middle, both of Janan’s and Lilley’s stories and in the middle of the long running conflict/conquest of their land by the enemies that surround them. The Desert Talon is even more so, as its still in the middle of that mess plus we’re now in the midst of Janan’s story as well.

But in the hours after I turned the last page on The Desert Talon, I realized that this book, in addition to being part of ITS series, was also in dialogue with my two previous books this very week, The River Has Roots and One Message Remains. Because all three stories are wrapped around the axle of war and conquest, especially around the greed and concupiscence that fuel those desires and disrupt the natural forces and powers of the world in terrible ways with horrifying long term consequences.

In The River Has Roots the overarching conflict wrapped itself around the endless debate between science and logic on the one hand, and nature and magic on the other, embodied, literally in Esther’s choice to marry the fae Rin instead of the greedy human villain Pollard. He dismissed magic as a force but it was magic, in the end, that brought him down.

The overall theme of One Message Remains is about the blind logic of conquest that begins with presuming that everyone is your lesser and they have nothing to teach you. That in the end the land has power of its own and it is greater than yours – at least for now.

In The Desert Talon the desire to capture and subject the dragons, the suon, out of greed for both money and power results in a loss of life and agency so frightening that even the conqueror’s own people are terrified. Some gifts really do come at just too high a price.

But in all of these cases, while the current conflict resolves on the side of conservation and preservation, the terrible handwriting is clearly on the wall. And that’s the saddest part of all three books.

Howsomever, Janan’s and Lilley’s adventures with their suons has one more chapter to be revealed in A Covenant of Ice, arriving just as ironically at the height of summer as this story set in the heat of the desert came out in the depths of winter.