Cash and Gravity: A Novel (The Chevy Cole Series) by
Perrin Pring Format: eARC Source: supplied by publisher via Edelweiss Formats available: paperback, ebook, audiobook
Genres: action adventure,
dystopian,
space western Series: Chevy Cole #1 Pages: 320
Published by Diversion Books on May 26, 2026
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Better World Books Goodreads "This may not be the future we want, but it feels right, which is sort of terrifying, sort of exciting, and, in Perrin Pring's hands, nothing short of spectacular." – Stephen Graham Jones, NYT Bestselling author of The Only Good Indians
A thrilling sci-fi western and the first in a genre- and mind-bending series bearing shades of Old Man’s War, Murderbot Diaries, and The Monkey Wrench Gang.
A high-stakes chase across the American West. A device that could change the world. Three unlikely allies thrown together by fate.
In the not so distant future, six mega corporations and their privatized armies have supplanted the American government. They compete for resources, market position, and the ultimate long game prize of colonizing the stars.
Chevy Cole left her conservative family behind for life as a Launch Tech marine and never looked back, proud of her role as a first-into-the-fire grunt, even if she were well below the revered female super soldiers known as Aces. When rumors spread that one of the Big Six has created a fusion device that would put the stars within reach, all-out war looms.
After the catastrophic failed siege of a Nevada mine leaves most of her comrades dead, Chevy encounters a dying Ace in possession of a mysterious package and a this Ace is a man. Joined by Dolon, an aging mercenary "phantom" sent by Launch Tech to transport the package to an Idaho safehouse, the three form an uneasy alliance.
As they try to outrun a rival corporation’s ruthless agents across the desert in a deadly game of cat-and-mouse, Chevy realizes that their survival may also determine who controls the future. But when greed is the only rule of law, who can she trust?
My Review:
I came into this one kind of expecting Cash and Gravity to both be people. Literally. I was expecting those to be the names of the protagonists. Let me disabuse you of that notion right now, because they’re not.
Instead, they are the forces that power the narrative of the story. Gravity, the force of nature. The principle that Earth, or any large mass, pulls things towards it from space. Like lifeboats ejected from dying spaceships. And dropships built to drop from orbit with a cargo of space marines.
And cash, you know, money. The thing that really makes the world go ‘round. Or, in the case of this story, and increasingly in real life, the thing that allows a person to buy what they need and go where they must and manage to keep themselves off the ever-tightening grid of networked cameras and transactions.
The thing that allows a person to hide their very existence – if they’re very, very careful about it. And very, very lonely.
Those forces are what bring space marine Chevy Cole, ‘Ace’ Izan and ‘phantom’ Dolan together on a mad dash across America’s desert southwest in this megacorporate controlled future.
Their slowly crumbling world is controlled by six megacorporations, Launch Tech, Exoterra, Tsilokovsky, Jinzhan, Lua Um and Alpha Orbital. Of course, there aren’t six superpowers. There are two superpowers, L-Tech and EXO, and the rest are lesser beings orbiting the two giants. Who are, of course, locked in eternal conflict.
Or they were, when scientists based on a tiny, low earth orbit EXO space station discovered, or created, the SFnal equivalent of the mythical philosopher’s stone. But the future isn’t interested in turning base metal into gold, and they’re already working on eternal life. The device that EXO has in their hands does something better and even more dangerous. It’s a (relatively) safe fusion battery that can produce infinite energy – or ultimate destruction.
Launch Tech has massed all of its forces to steal the device while it’s still on that vulnerable space station. That, as it turns out, was the easy part. Cash and Gravity is the story of the hard part, of three people in the right/wrong place at the right/wrong time, banding together to get the fate of the universe, and themselves, to safety before the clock runs out.
Before their equally determined – and even more dangerous – pursuers catch up to take them down, and out, and the device and the world’s future from their hands.
Escape Rating B: The idea that megacorporations will take over the world is not all that far-fetched, far-flung or far into the future – at least not in SFnal terms. There are plenty of stories with that type of set up. Just take a look at Murderbot – and you might as well start looking in that direction from the beginning because there are definitely a lot of Murderbot feels in Cash and Gravity.
Not the SecUnit itself, but the world that made it possible – and has expanded that control out into that universe. From a certain point of view, the story in Cash and Gravity is a variation of how Murderbot’s megacorporation-controlled universe got to be that way.
Alternatively, and with just as much plausibility, the world of Cash and Gravity descends from the corporate-controlled Earth in Nicole Kornher-Stace’s Firebreak, or Natalie Zina Walschots’ Hench and Villain, complete with corporate-created and sponsored media-darling heroes. Because that’s here too, and the way that got to be that way isn’t nearly as pretty as those media darlings’ faces and public images make things out to be.
But in its actual journey, it has a lot of the space western vibes of Firefly. That Firefly was also set in a universe where megacorporations ruled – even if some of that rule was thinly disguised by planetary governments who were equally corrupt – makes the resemblance that much stronger.
Of course, it’s not the setting that gives Cash and Gravity either its heart or its compelling pace. What makes this story sing – if occasionally off-key – are its characters and the way that desperation and danger bonds them together in spite of themselves.
Three people who should not have ever met, a hermit, a hero and a space marine. The hero has the device. The space marine has the brawn to protect him. The hermit has the ability to keep them off the grid until they reach their ‘plan Z’ pickup point.
When they first meet, they don’t trust each other, they’re not prepared for each other, and they don’t even like each other. Chevy’s there by accident, Izan wasn’t supposed to survive the drop, and Dolan wasn’t supposed to worry about anything but the device.
But Dolan can’t abandon them, Izan is too space sick to get anywhere on his own, and Chevy needs a new squad to protect to keep her stable in the civilian world she never dealt with well even when she was one.
They find a family – or a squad in Chevy’s case – that none of them were expecting. Their teamwork carries them through even as their tentative plans fail to survive the first contact with their enemy. But it’s that same sense of team and family that lets them keep it together even as everything falls apart. And helps them start putting the pieces back together the way they should be when their bosses try to convince them of a solution that is very, very wrong.
In the end, I had some mixed feelings about this one. Obviously, it reminded me of a lot of books I’ve read, and I’d throw in the Valor/Confederation series by Tanya Huff and Old Man’s War by John Scalzi to represent the voices of Chevy and Dolan. At the same time, the villains of the piece, whose perspectives we also get to experience first hand, were more caricatures than characters (that they are nameless throughout didn’t help) and I’ve seen that phenomenon a bit too many times too close together recently to enjoy it again here.
I did love the pulse-pounding pace of the story, the road trip tour of their sorta/kinda functional but slowly crumbling America AND especially the way the team gelled into a family that stuck in spite of the absolute heel-turn betrayal at the end. Which, admittedly, I saw coming.
On balance, I liked this one because I liked the protagonists. The story absolutely does pull the reader down the road right along with them, and the ending was the kind that was right, dammit, and opens the door wide for a second book. Which I’m going to be right there for because they’ve all earned whatever their version of a happy ending is and they deserve to get it.