Japanese Gothic by Kylie Lee Baker Narrator: Natalie Naudus
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Asian inspired fantasy, Dark Fantasy, epic fantasy, fantasy, ghosts, Gothic, historical fantasy, horror
Pages: 352
Length: 10 hours and 19 minutes
Published by Hanover Square Press, Harlequin Audio on April 14, 2026
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads
In this lyrical, wildly inventive horror novel interwoven with Japanese mythology, two people living centuries apart discover a door between their worlds.
October, 2026: Lee Turner doesn’t remember how or why he killed his college roommate. The details are blurred and bloody. All he knows is he has to flee New York and go to the one place that might offer refuge—his father’s new home in Japan, a house hidden by sword ferns and wild ginger. But something is terribly wrong with the house: no animals will come near it, the bedroom window isn't always a window, and a woman with a sword appears in the yard when night falls.
October, 1877: Sen is a young samurai in exile, hiding from the imperial soldiers in a house behind the sword ferns. A monster came home from war wearing her father’s face, but Sen would do anything to please him, even turn her sword on her own mother. She knows the soldiers will soon slaughter her whole family when she sees a terrible omen: a young foreign man who appears outside her window.
One of these people is a ghost, and one of these stories is a lie.
Something is hiding beneath the house of sword ferns, and Lee and Sen will soon wish they never unburied it.
My Review:
It begins, not with a murder, but with Lee Turner cleaning up after a murder he doesn’t remember committing. He doesn’t even remember WHY he murdered his college roommate, all he knows is that he emerged from a fugue state in the midst of cleaning up AFTER the murder.
Lee doesn’t even remember what he did with the body. Just that it’s all his fault. Like so many of the other inexplicable things in his life are. Including, at times, his very existence.
Because nothing about any of it makes any sense, Lee runs away. He can’t explain his actions – not even to himself. He certainly can’t make up a convincing story for anyone else.
So he leaves his studies at New York University and flies halfway around the world to Japan, where his father has just bought an old samurai house that could be politely described as a fixer-upper near the tiny village of Chiran. No one has lived in the house hidden by sword ferns for at least 50 years. For James Turner, an American scholar of Japanese history, it seemed perfect. And affordable on an academic’s salary.
For Lee, it seems like a perfect place to hide.
Until a light shines behind the closet door in Lee’s room. A door that he knows opens on a concrete wall. Except when it doesn’t. When it turns into a mirror image of Lee’s room, and a samurai steps through the door and raises her katana for a killing strike.
And everything Lee thought he knew dissolves into a truth he’s been hiding from himself since he was 12 years old. Since the day his mother ran away. Or was kidnapped by human traffickers. Or was murdered by someone Lee can’t allow himself to blame.
Escape Rating A+: Parts of this were not quite what I was expecting, but all of the parts were marvelous so I’m really happy I dove right into this one – even if it wasn’t a book I was inclined to either read or listen to just before bed.
Because I absolutely was expecting it to be creepy – and it certainly is that. But I’m not much of a horror reader so I needed the creep to kind of sidle up to me and loom over me – and not be drenched in either blood and gore or insane serial killer madness. And I got exactly what I was looking for on both those counts. Even though there did turn out to be plenty of blood after all.
This is a story that feels a lot like a really dark fantasy that leaned so far over the line into outright horror that it fell into a bed of razor sharp blades and leaked blood and viscera all over the place. Even though it starts not with a bloody murder – but with cleaning up after a bloody murder.
What gave the story both its depth and its compulsive readability is the way that the horrors, which are certainly there, are wrapped up in time travel and misplaced myths and a whole dark well full to the brim with ghost stories.
The two sides of the story coin – who don’t know that they are that AND two beads endlessly circling a moebius strip – are Lee Turner in the fall of 2026 and Iwasaki Sen in the fall of 1877. They ALSO don’t know that they’re sharing both a room and a fate.
It’s not so much Lee’s story that drags the reader in – even with his missing memories of murdering his roommate and the voice of his missing mother who haunts his every moment. Instead, it’s Sen’s story as the daughter of the last samurai that draws both Lee and the reader into the creeping dread of the story – even though we all know that Sen’s days are numbered in more ways than one.
The atmosphere, the vibe of Japanese Gothic captured me in the same way that Cassandra Khaw’s Nothing But Blackened Teeth did a few years ago. It’s not just the Japanese setting and the creepy haunted house, but the way that the secrets seem to ooze out from the walls and the floors and the contemporary occupants laugh at ghost stories and pretend it’s not going to happen to them
At the same time, Sen’s half of the story struck a similar chord to the videogame Ghost of Tsushima. Because the subtext in both stories is wrapped around the romanticized code of the samurai, and the way that rigid adherence to that code – along with an unwillingness to lose the privileges that resulted from being a samurai – brought about their downfall. Even though Jin Sakai’s story in Ghost and Sen’s half of the story in Gothic are set nearly six centuries apart, that unwillingness to bend no matter how high the cost underlies both stories.
There’s certainly horror on both sides of the story, but it’s not the same horror, even though it is. Lee’s horror isn’t the horror of the murder he committed that he can’t remember, it’s the horror of the murder of his mother that he can’t remember. Sen’s horror isn’t the horror of being trapped in a prison of her father’s making – although she is – but it’s the horror of knowing she’s trapped in a fate that can’t be changed and nothing she does could possibly matter. And that anything and everything she’s done to gain her father’s regard has never mattered at all.
And it’s wrapped up in the sorrow and the shared pathos that their time-tossed mirror is the only one who can see them for who they really are – in spite of all the circumstances that seemed stacked against them ever meeting in the first place. Even for just this one brief week outside time for them both.
I got caught in this story because of its two timelines more than I did for the separate horrors in each. I found the time-travel aspects mysterious and mesmerizing as they happened, and was captivated by the way the whole story ended in myth and regret.
I was beyond grateful that this never tripped over into being a “star-crossed romance” because that was just SO not the point and it would have spoiled the whole thing and made it utterly mundane if it had gone there in the end. Instead, Lee and Sen are each other’s “person” – in ways that neither recognizes until the very end of both their journeys.
Ultimately, it’s a story about making and breaking myths – and not any of the myths that the reader thinks it’s going to be at the beginning. And the whole thing is just that much better in the hands – or specifically the voice, of its fantastic, perfect narrator, Natalie Naudus. I was always going to read this book, but I chose the audio specifically for her, and she made a great story even better.
The Shadow Carver: A Novel (An Inspector Anjelica Henley Thriller, 4) by
The Met’s (that’s the Metropolitan Police of London to us Yanks) Serial Crimes Unit just can’t seem to catch a break. (Or this is absolutely the correct book to review on the second Friday the 13th of this year as if it wasn’t for bad luck there have been entirely too many occasions when the SCU wouldn’t have any luck at all.)
Many see justice denied due to various technicalities and manipulations as a crime in itself. In the case that has landed in the SCU’s lap, someone, or more likely a small group of someones, calling themselves “Iron Shadow” has taken those miscarriages of justice to a new and deadly level.
The Shadow Carver, like the previous books in the series, was a riveting read that kept me awake until I turned the last page – and a bit after as it took awhile to recover from the tension of the whole thing! And now I’m sad that I probably have another two years to wait for the next book.
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Escape Rating B: When I’m in the right mood, looking for a reading – or in this case listening – pick-me-up but not wanting to dive into something big or deep or especially dark and depressing, I pick up one of these novellas. There are a LOT of them available in translation now, all inspired in one way or another by
One of the things that worked really well in this collection is the way that the stories clearly linked to each other from the beginning. The links between the individuals, the Maestro, and the cafe were often subtle, with the full extent of the Maestro’s involvement not at all obvious until near the end, but that didn’t matter as the links between the stories – or rather between the people in the stories, were explicit without hitting the reader over the head.
Make It Out Alive (Quinn & Costa, #7) by
I’ve read the
So instead of a slam-dunk arrest AFTER the killer had them trussed up and on the way to his vehicle they caught him after the pair had been drugged but before they’d been restrained. The perp’s explanation of oh-so-many coincidences is tissue-paper thin – but there’s really nothing that can’t be explained – however badly – and no physical evidence to tie him to anything at all.
Escape Rating B+: This is a hugely mixed feelings kind of review, and I’m a bit bummed because I was expecting my second “Allison” of the week to be every bit as good as the
Their absence leads to the second thread, which is, of course, the mobilization of their team AND seemingly most of the resources of the entire FBI in finding them.
Thrillers like this one where we see inside the killer’s head either creep me right the fuck out or trip my willing suspension of disbelief. This one did the second even though it was trying to do the first. She was just over the top and cartoonish even though she wasn’t a cartoon supervillain – no matter how much she wanted to be.
While on my third hand, I’d have liked this one a hell of a lot better if we didn’t have a peek into the villain’s head – even if, thank goodness, it’s not a direct first-person perspective. It was kind of expected that she was a self-centered narcissistic psychopath, but the one-note whininess was just over the top – and not in a good way.
The Healing Hippo of Hinode Park by
This is a multi-cast recording, and the readers for each individual story generally fit well into their characters, although as usual I have to register a tiny complaint that I don’t know who read whom so that I can look for the voice actors in other audiobooks.
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The Ghost Cat by
Pivoting from my digression, I also have to say that I’m glad I read this AFTER the trip to Glasgow and not before – even though this is set in Edinburgh. There are a few things – like the ubiquitous presence of 
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In short, The Dallergut Dream Department Store is utterly charming, and I was absolutely charmed – even in the places where I had to tell the logical side of my brain to go to sleep and just dream the whole thing.